- hace 2 días
Roberto vuelve a casa para intentar reconciliarse con Lucía pero se encuentra allí a Carlos, el ex novio de la chica. Discute con su ex novia y decide mudarse definitivamente. Roberto finge ante Lucía que ha empezado a salir con Natalia, la hija de Juan y Paloma. Vicenta está muy afectada por un libro que acaba de leer y decide invitar a comer a un pobre que encuentran en el portal. La cosa se va de las manos y se forman auténticas colas de mendigos en el portal esperando recibir su ración de comida. Por último, Armando quiere ir a ver un partido de fútbol a casa de Fernando y Mauri y éstos deciden estudiar todo lo posible porque no tienen ni idea y creen que su vecino podría descubrir que son gays.
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01:00The most important thing is karma. We must do good, because we are all part of a single cosmic energy.
01:07The prettier everything is, the better your karma. But if you get angry and yell, the worse your karma.
01:12And then you are reincarnated into uglier things and your spirit is not in tune with the universe.
01:17I'll bring it to you and you can read it. It worked out great for me.
01:22What pills are you taking?
01:29And what do I know? How do you self-medicate? Let's have a glass of chinchón.
01:33Come on, yes. Let's see if it gives us a little bit of cosmic energy.
01:37Here, here, here, no one lives! Not here, not here!
01:42Every day is like this. I couldn't have imagined it when I came here.
01:48I was just looking for some sea.
01:50I warn myself every day in the middle of a hurricane.
01:52Here, here, here, no one lives. Not here, not here.
01:57Here, here, here, no one lives. Not here, not here.
02:01The house above me is collapsing.
02:03I can't find the goalkeeper.
02:05Latinos are watching and listening to me. I can't stand being here.
02:11I put it in a lera glass.
02:15A thunder, an earthquake and a botan.
02:20And you will walk to this staircase.
02:24Here, here, here, no one lives. Not here, not here.
02:28Here, here, here, no one lives. Not here, not here.
02:33Here, here, here there is no one who lives.
02:43Hello, Emilio.
02:44Man, what's up, Roberto?
02:46I've already heard that Lucía has nominated you to leave the academy.
02:48No, no, no. It was a silly little fight.
02:51Yes, silly, but he kicked you out of the house.
02:52These snobs are really nice when they get angry...
02:54No, no, no. Honestly, I'm here to fix it with her.
02:57Do you know if he's home?
02:57Yes, go on, get on, get on, get on.
03:00Is something wrong?
03:01No, well, I don't know. You go up, go up.
03:04Get in, Roberto, get in, get in.
03:07Come, come!
03:10Hey! Hey!
03:12Come on, you can't stay there. Come on, let's move on.
03:16What's happening?
03:17No, you see, I think you would be more comfortable in other areas.
03:19because people are constantly coming and going here and they can step on it.
03:22But who are you to tell me exactly what I have to do?
03:25Do you think you're better than me?
03:26No, what I want to tell you is that...
03:28What are you going to say? Go back to your hole and leave me alone.
03:39Mr. John, we have a problem.
03:40Yeah, yeah, yeah, I see it, yeah.
03:41If it has settled there, I don't want to get aggressive.
03:44Leave it to me.
03:44These people want to know how to treat them, you know?
03:48Excuse me, I'm the president of the community.
03:51Go fuck yourself.
03:53Fine, but you can't stay here, huh?
03:56Why not?
03:57Because you are not in harmony with the aesthetics of the facade.
04:00Look, asshole, the sidewalk belongs to everyone.
04:03Also, what's going on?
04:05Do you see my charto?
04:05Hey, Emilio, I have to go.
04:09I just don't have time, you know?
04:10Organize this, I always have to do everything.
04:13But this man can't stay here, right?
04:20Well, that's what I was doing with this guy, for God's sake.
04:23The truth is that...
04:23Lucia, it's me.
04:30Hello hello.
04:34Well, I'm here to get my things.
04:37And how are you going to take them?
04:38Well, little by little.
04:39It's not that urgent, is it?
04:41Also, I think we should...
04:42Lucia, I sense you're going to talk, so I'd better come back another time.
04:46And what is this one doing here?
04:47What do you care?
04:49Look, I'm helping Lucia get through these difficult times.
04:52caused by the resounding failure of a relationship
04:55in which she had placed many hopes.
04:58Damn, you speak so well.
05:01Carlos, would you be so kind if it's not too much trouble?
05:03to leave my girlfriend and me alone for a second
05:06so we can talk?
05:08Hey?
05:08Fucking stupid!
05:10Hey, Roberto.
05:10No no.
05:12Leave it.
05:13I understand your frustration.
05:14I'll call you back later.
05:14Okay.
05:15But how come you call him later?
05:17But what are you doing?
05:17Come on, I'm behaving like a child.
05:19And you, how do you suffer, huh?
05:23In less than a few weeks you've already got a guy in your house.
05:25Hey, I'm having a bad time too, huh.
05:27Also, Carlos is a friend.
05:29No, he's an ex-boyfriend.
05:30And an ex-boyfriend is never a friend.
05:32It's a vulture waiting to pounce
05:34on the sick and defenseless prey.
05:35Okay, yes.
05:36Also, if you're going to sleep with an ex-boyfriend,
05:39lie down with me.
05:39Hey, but I'm not sleeping with anyone.
05:42Also, weren't you coming to pick up your things?
05:45Of course it is.
05:46I'll pack everything up right now.
05:47Come on.
05:48You can do whatever you want as far as I'm concerned.
05:52But how could you go out with this loser?
05:54Well, look, I don't know.
05:55Maybe because he is intelligent, cultured, sensitive, pleasant and attentive.
05:58Well, what reasons.
05:59Look, that's it, I'm leaving.
06:00And that's all the moving you're going to do, right?
06:02The toothbrush.
06:04And the oil foam.
06:06And tomorrow I'll come back for the TV and the DVD.
06:07The DVD is mine.
06:09Well, let's get on TV.
06:10Let's see where you plug in the DVD.
06:11I already bought a plasma TV.
06:13Well, very well, enjoy it.
06:16How many inches?
06:1742.
06:18Fuck.
06:20Well, I'll be back tomorrow.
06:21I don't know what time I'll be able to come by.
06:23No, no, no, no, wait.
06:24I've prepared some boxes for you and I'm going to call Emilio to help you unload them.
06:29Well, very well.
06:30But you weren't going to fix it with your girlfriend.
06:33Just a little please, because my back is really bad, okay?
06:35Well, reconciliations take time.
06:37You leave it to me.
06:38Hey, if you fix it there later, you can bring the boxes back up yourself.
06:41Also, if you're going to be arguing all day, damn it.
06:43Move to the first floor.
06:44Come on, Emilio, damn it, we're just going to the goal.
06:46To the goal for what?
06:47Because I'm staying overnight with you.
06:49This guy doesn't get my girlfriend.
06:50But I have nothing but a bed.
06:52Well, we'll sort ourselves out.
06:53What's happening?
06:54What are you doing?
06:55Nothing, here.
06:57No, Lucía, she kicked him out of the apartment.
06:59And here we are with the move, Doña Paloma.
07:00Oh, right.
07:02If it was seen coming.
07:04I didn't want to tell you anything, because it's none of my business, but...
07:07You have lasted a long time.
07:08A lot.
07:09But anyway, I'm sorry, okay?
07:11It's a shame, really, a shame.
07:14I already told you.
07:15Two months exactly.
07:16Madam, don't hold back.
07:17Please be respectful.
07:19Juan, Juan, those above, they have left him.
07:22Juan.
07:23Why do you say anything, man?
07:24Don't be a goalkeeper.
07:26He's a professional guy.
07:30Mom, I'm home now.
07:31May I know where you were?
07:34Picking up the car from the workshop.
07:36They hit me with a hand and a stick.
07:38Don't worry.
07:39I did something today to save money.
07:41I called that satellite.
07:43And I have unsubscribed.
07:45What have you done, what?
07:47The child was very distracted.
07:49I used to get distracted a lot too, Mom.
07:50That's why we put it there.
07:51I asked Etis yesterday while watching a movie.
07:54Look, so you can say later that he shows no interest in learning.
07:56Besides, what does it matter?
07:57That's what I told him.
07:58Yes, I can also see it on the Internet.
08:00Well, the Internet is out too.
08:03Will you shut up?
08:04Look, Mom, I don't know how you do it,
08:05but you make my joy last only two seconds.
08:07You take away everything I like.
08:09Unclear.
08:10Yes, I'm always to blame for everything.
08:12Let's see, where can I watch the football match tomorrow?
08:15I'm telling you, George Clooney is gay, for sure.
08:17And Ben Affleck too.
08:18And what do you know?
08:19Fernando, that's noticeable.
08:21The attitude, the hair, the clothes...
08:23So everyone who wears expensive clothes is gay, right?
08:26No, not Jesus Gil.
08:27Hello, neighbor.
08:31Hello.
08:32Hey, you guys have satellite, right?
08:33Well, we only have the antenna, but come on, it looks good, right?
08:36Well, that's it, tomorrow you're going to watch the game.
08:38Which party?
08:39The football game, man.
08:40Ah, the game.
08:41Of course, damn it.
08:43How are we going to miss the game?
08:44Well, then I'll come over and watch it with you, if you don't mind.
08:47No, no, no, not at all, come on.
08:48If where two shout, three shout.
08:50Come on, I'll be here at eight thirty to watch the preview.
08:53Very good, the preview.
08:53Come on, see you later.
08:56And what is the previous one?
08:56So we have to swallow the football game with the neighbor.
09:00Well, Mauri, it's about not raising suspicions, right?
09:02What's happening?
09:03In this country, if you don't like football, you have to be gay?
09:05Well, look, yes.
09:06It is a fairly widespread idea.
09:08But don't you understand that it's much worse, Fernando?
09:09I have no idea about football.
09:11Me neither, but we can learn, right?
09:13I've never watched a whole game in my life.
09:15The only thing I like about football is when they do the wave.
09:18Look, I'll wait for you.
09:20It's eleven against eleven.
09:22You play with a ball and you try to score goals.
09:25Thank you very much, it is now very clear to me.
09:27Seriously, Fernando, you're getting into trouble, and the bad thing is that you have to get me involved too.
09:31Well, look, we have one day to become real football fans, right?
09:35Besides, we only have to pretend for an hour.
09:37A match only lasts an hour, right?
09:39More or less, right?
09:40Damn, what awaits us.
09:41This one is gay too, for sure.
09:44You're annoying, aren't you?
09:50Good.
09:51Let's review the weekend plan again.
09:54Your mother and I are going to the wedding of a second cousin of yours whose existence I didn't know existed.
09:59Correct.
10:00And we'll be back the day after tomorrow.
10:01So you're going to be left alone.
10:03Correct, too.
10:04As modern parents that we are, which we are, we are going to place our trust in you, our children,
10:09because we sincerely believe that it is already palomais and we stay.
10:13No, Juan, because we've already bought them the gift.
10:15Also, the hotel is free and I don't know Valencia.
10:18My children, can we trust you?
10:20No, but you have no choice.
10:22Come on, let's go, honey.
10:24What if we tell them to send us the video?
10:25If they are going to put us in the last row.
10:27Will you please walk out that door and not make me any more nervous?
10:31And you, behave yourselves and don't make a fuss, okay?
10:33Well, a little kiss, love from Mom and Dad.
10:36Oh, and don't even touch the phone, eh?
10:38Then the bills...
10:40But you're still here.
10:41I thought you were in the doorway with the car.
10:48You must suffer a lot in life, right?
10:50Fuck.
10:51Vicenta, leave this man alone, he'll have enough to do.
10:54You have to burn a lot of calm and we are going to help you.
10:57Join us and we'll feed you.
10:59But, Vicenta, how are you going to get him home?
11:02Look, we're leaving.
11:03The homeless man has already left.
11:04No way, there it is.
11:05What homeless person?
11:06A homeless man, who sat down there at the door.
11:08Oh, no, no, no.
11:08That man can't be there.
11:10A poor person at the door is very ugly, Juan.
11:11I know.
11:12Good morning.
11:13And where are they going with this man?
11:14We're going to feed him.
11:16She no longer knows what to do to lose her virginity.
11:18Marisa, please come in.
11:20I'm not interested in sex at all, you know?
11:22Me neither.
11:23But, Juan, they're taking the poor guy home.
11:25Oh, and what do you want me to do?
11:27These ladies are not right in the head.
11:29Social services should be notified so they can take charge of them.
11:31And what do you want me to do?
11:32Let them take them away just like that?
11:34Or by bad means.
11:35What do I care?
11:36Then you and I buy the apartment for four bucks and we build a duplex.
11:39Come on, let's go, okay?
11:40I'm not leaving peacefully.
11:48Marisa, have you seen how well he eats?
11:50Look how little you can do to make someone happy.
11:53A little?
11:53If you make a fucking great Rioja.
11:55That's the beauty of it.
11:56Give to those who don't have?
11:57Damn, let the coprobias help him.
11:59Marisa, we have a television, we have a video, we have a refrigerator.
12:02Why can't we have a poor person?
12:04And where do we plug it in?
12:06How are you?
12:07Is everything delicious?
12:09This.
12:10What's for dessert?
12:11Marisa, take out the rice pudding.
12:13Not rice pudding, that's mine.
12:14Well, a cortadito.
12:15With a cortado I'm ready.
12:17Very well, that's true.
12:19Does the gentleman wish anything else?
12:21Yes, the bill.
12:23It's a joke.
12:26Can we come over for dinner tonight?
12:28Sure, but if he's at home.
12:31Isidro, listen, does this homelessness run in your family?
12:36I walk into the house and find the guy coming out of the bathroom?
12:41Is it a knot?
12:41No, dress.
12:43He's helping Lucia get over the breakup.
12:47Come on, okay, yes.
12:49He wants to sleep with her.
12:50No, man, no.
12:51He wants to sleep with her.
12:52No.
12:53Yes, damn it.
12:53Well, yes, and this one wants to sleep with her too.
12:56Hey?
12:56No, no, I mean, no.
12:57What I said was that since you and Lucía broke up, well, hey, maybe it would help him get out of this funk.
13:03Other?
13:03Of course, and you would be Paco de Lucía.
13:06Look, man, let's get things straight.
13:08Your girlfriend is hot.
13:09Very good.
13:09It's great.
13:10And now she's alone.
13:13Look at him.
13:14There it is.
13:15How disgusting.
13:17What a handsome guy, isn't he?
13:19And what motorcycle does he have?
13:20That's all plastic, right?
13:22Hello.
13:22And on top of that, he teases you.
13:25Well, look, a guy comes to steal my girlfriend right in front of me, right?
13:29And I grab his rearview mirror and I do this and I break it.
13:33But what are you doing?
13:34Well, that's what needs to be done.
13:35Oh yeah, damn it?
13:36The screen is all for you...
13:37Go for it, go for it, these motorcycles are not fully insured.
13:40Where are the suitcases?
13:41Because anyone can see us...
13:42Hey, someone can see us, right?
13:45Not to Emilio.
13:46No, no, no, Emilio, no.
13:47Come on, bike, come on, bike.
13:48I just can't believe that Roberto and I just left her like that overnight.
14:02You left me from one day to the next.
14:05Well, I fell in love with Roberto, what do you want?
14:07We all make mistakes.
14:11No!
14:13Hey, no!
14:13Hey, no!
14:14Hey, no!
14:14Do you have a favor to give me the deposit?
14:16I'm just taking that carina, where are you?
14:17Hey, hey, come on, come on, okay, please, I'm asking you, please.
14:20Do you want to stay still?
14:21Come on, help me lift it up!
14:23Come on, help me lift it up, Emilio, please!
14:26Hey, where are you going?
14:27This thing weighs a ton, man.
14:30That?
14:32That?
14:33Do you need help?
14:34What are you doing?
14:35No, no, it's just that I saw some guys who threw it away and ran away.
14:40Are you stupid or what?
14:43Okay, European.
14:50Ready, huh?
14:51Come on.
14:52One, two, three.
14:56Goal!
14:59How are you?
15:00Bad, bad, we're not feeling it.
15:03It looks fake.
15:03Sorry, but I did very well.
15:05But, but, have you seen how you celebrate?
15:06But, but if you look like a cheerleader, all you're missing are the pom-poms.
15:09And you?
15:09What have you seen?
15:10It looked like you were riding on a float on Gay Pride Day.
15:13Well, let's focus a little, okay?
15:14Please, Fernando, call him and tell him not to come.
15:15This is going to be horrible.
15:17Let's keep watching the game.
15:20You see?
15:20Ah, this is a foul.
15:22So what they have to do is shoot at goal.
15:24And what are those five and a half years doing messing around with those balls?
15:26That's the barrier.
15:27It is the wall.
15:28Oh!
15:29Disgusting!
15:29Have you seen that one?
15:30He has done so.
15:30And he left it there.
15:31No, well, don't pay attention to that.
15:32Please, if they fall on top of each other later.
15:35Fundamental, huh?
15:36You have to catch the names.
15:39Look.
15:40That's Fernando Torres.
15:41The black one?
15:42No, the other one, the blond one.
15:43That's good.
15:44You see?
15:44That's the typical comment to avoid.
15:46Damn, this is so complicated, huh?
15:47Really.
15:48Come on, shut up.
15:49Now the ball is in the hands of the yellow team, okay?
15:52So, it's about passing it on.
15:54Open the band.
15:55Get to the bottom.
15:56Center and finish.
15:57So if the ball is stolen, that's called a counterattack or a counterattack.
16:00What the hell are you doing?
16:02Trying to burp.
16:03I saw them at the bar.
16:04They shout, swear, drink and belch.
16:05Oh, please.
16:07This isn't going to go well, huh?
16:08Have you heard?
16:09Oh, that burp is so good.
16:10I didn't know.
16:11What an illusion.
16:11Eight balls with the number 26 to sing bingo all afternoon and nothing.
16:19If it is true, it seems that it does so in the end.
16:21Let's see, my children, here is the second course.
16:23But what's going on here?
16:25Isidro, who has come to dinner with some friends.
16:28Hey, since you're standing, why would you get us some more water?
16:30On the rocks.
16:31Vicente, can you come here for a moment?
16:32Yeah.
16:33And thinking about what you want for dessert.
16:35Flan, fried or curdled milk with honey.
16:38I do all three.
16:39What's happening?
16:42But what do you do with Castro strangers at home?
16:45They are not strangers, they are friends of Isidro.
16:47And how the hell do you know Isidro?
16:48You don't remember.
16:49He came to eat with us this afternoon.
16:51Of course I remember.
16:52Marisa, we are doing good.
16:54Vicente, we're being stupid.
16:57Well, don't worry.
16:58You'll see that when they finish dinner, they leave.
17:01Hey!
17:02What's on TV today?
17:03I have seen some letters.
17:05We could play a game of mus.
17:06Well, girl, look, as long as no more come.
17:08Because if not, you won't be with your ex.
17:09You can't go with grief.
17:10They're coming, they're coming!
17:12I'll train you a descapacable!
17:13Hey?
17:13Already.
17:14Fuck!
17:15What a son of a bitch!
17:17Bastard, anyone can do that.
17:19Thank you.
17:20Be careful, it hits the lamppost.
17:21Let's see if you can get out that way.
17:23Yes, yes.
17:24Don't get scratched.
17:25Don't even say it as a joke.
17:27Wait.
17:28Be careful.
17:28I lose it.
17:29That's it.
17:30Yeah, yeah, yeah.
17:30Okay.
17:31Let's go, I can't see it.
17:32You're really taking a chance here, man.
17:33How do I leave his life screwed up?
17:35Let's go.
17:37Thank you very much for dinner.
17:38The truth is that they have done me very well.
17:40Go out and get some fresh air.
17:43I hope it wasn't too bad company.
17:44You are always good company.
17:46What he said to you is very nice.
17:48He's working hard.
17:49Look, what you have to do now is turn the page.
17:51Forget about Roberto and live.
17:53And if someone else comes along later, well, they come along.
17:57You are a wonderful woman and you deserve the best.
18:00This guy is a chai.
18:01Sleep in your bed a lot.
18:02Yeah, the thing is, I don't know, I don't feel very good about breaking up with Roberto like that.
18:07But why?
18:08If he is the culprit, he is immature, a brat and an idiot.
18:11The shame is that you didn't realize it until now.
18:13That my mother told me that she gave birth to zero.
18:15Let it come out, little mouth!
18:16The truth is that he is giving it zero.
18:18I want you to know that there is a friend here.
18:21For whatever.
18:22And it is forever.
18:26Well.
18:29Well.
18:30Come on, stick your tongue up to my uvula.
18:33See you tomorrow.
18:38Should I call you tomorrow and we'll have dinner?
18:40Okay.
18:41Or well, let's go to the movies.
18:43Or to the theater.
18:44To the theater.
18:44To the theater.
18:45Come on, yes.
18:46Okay, I'll call you then.
18:47I'll call you tomorrow.
18:48That's it?
18:58Well, what a shit.
18:59But it's up to you, isn't it?
19:01Yes, at least until tomorrow.
19:03That?
19:03Now what?
19:04Have you noticed?
19:06He still thinks about me.
19:07Look, don't fool yourself, Roberto.
19:08You've just bought yourself time.
19:10Look, I'm going to help you get her back because I like you.
19:13Rewind movies before returning them.
19:15Javi, what's up?
19:18I'm Paco.
19:19Hey, where are you?
19:21Hey, you have to come here for a moment.
19:23Who are you calling?
19:24Stay.
19:24Already.
19:24Roberto wants to come back, he wants to come back, policeman.
19:32Give it another chance.
19:35I didn't know what I was doing.
19:39He who truly loves.
19:42It makes me very sad.
19:45You have to unforgive yourself or he's going to cut his wrists.
19:53Oh, Lucia.
19:54Oh, Lucia.
19:56Oh, Lucia.
19:57Forgive him now.
19:59And to drink his joy and in his dust he is well in the portal.
20:07If one day your Roberto de la line crosses the line again.
20:13Don't kick him out of your house again, let him go sleep on the couch.
20:22Hey, let's sing karaoke, it's not time.
20:28Doña Concha, a little bit of human charity that is making us reconcile.
20:31That's so cute, damn.
20:31How beautiful.
20:34And what's my fault?
20:36Come on, get out of there.
20:37He wouldn't be there gossiping to us.
20:42Roberto.
20:44Paco, you've done enough.
20:46I want to be alone.
20:47Eh, no, no, it's just that I'm working, the guy with the tambourine isn't going to get a tip.
20:55Oh, Lucia.
20:57Oh, Lucia.
20:59Oh, Lucia.
21:01Forgive him now.
21:01Well, you're spending it at my expense, right?
21:04That's love and everything else is nonsense.
21:06What legs the guy with the bandurria had, huh?
21:07What a good account.
21:09Well, what are you going to do with this boy?
21:12Well, I don't know, the truth is that no one had ever done so many stupid things for me.
21:16I don't know if he's crazy or if he loves me a lot.
21:18I think both.
21:20Well, tomorrow when he comes on TV I'll tell him to stay.
21:23Oh, how beautiful.
21:24Hey, if you want to dress up, I have a mariachi friend.
21:28Ah, yes, yes.
21:29And what is the mariachi going to do to me?
21:31Come back, come back, come back.
21:34The food is mine, beautiful.
21:37Again.
21:41But how are you going to stay in goal with Emilio?
21:44Take care of yourself, my parents aren't here.
21:46Okay, fine, I'll settle down on the couch.
21:48But man, don't be a loser.
21:49He sleeps in his bed.
21:50In which bed?
21:51In my parents' house.
21:53No, no, no, no, it gives me the creeps.
21:55Hey, man, it's not the monsters.
21:57They look alike, but they are not the monsters.
21:59Okay, come on, fine.
22:00Hey, look who's here.
22:02Aren't you going out?
22:04Man, but we have a visitor.
22:05You have to be polite, right?
22:06Well, nothing, I'm going to bed now, I have to get up early and...
22:10Good night.
22:11Thanks, man.
22:14You cut yourself a little slack, he's my friend and he's having a really bad time.
22:17And what have I done?
22:18Don't play dumb with me, I'm not dad.
22:21Come on, go to bed.
22:24And yours, huh?
22:26Oh, I have a mess of names in my head and I'm not old enough to study.
22:32Some are called by their first name, others by their last name, others by their nickname.
22:36And wait, I just found out that Butrareño has retired.
22:40What do you think?
22:41Then they complain that there are no forwards.
22:44Hello, huh?
22:45That?
22:45Sorry, I'm listening to a football program.
22:48What fun.
22:49Is that your plan for tonight?
22:51Yeah.
22:52Do you want a headset?
22:53Do you have to give more choice?
22:54Yeah.
22:56Remember this phrase, huh?
22:57Double pivot.
22:59And what is that?
23:00Well, I have no idea, but it sounds very technical, right?
23:03Double pivot.
23:04Double.
23:04Double.
23:06Come on, double.
23:16Roberto?
23:17Yeah.
23:21What are you doing?
23:22Are you crazy?
23:23How morbid, right?
23:24You and I alone in my parents' bed.
23:26Yeah.
23:28No, no, no, no, I'm leaving, I'm leaving.
23:32Calm down, kid.
23:33He's not studying today, luckily.
23:35You see, I feel obliged to tell you
23:37that with Lucía you are pursuing a completely wrong strategy.
23:40You're crawling.
23:41And we women don't like that.
23:43Oh no?
23:44No, the crybaby thing is very good for boleros.
23:47Do you want to get Lucía back?
23:49Well, ignore her.
23:51Ah, but if I ignore her, she'll think I ignore her.
23:55All right, that's it.
23:56Clear.
23:58I don't understand.
23:59You are a man, you don't have to understand it.
24:01Look, this is like a game of poker.
24:05He's from Lucia, he has better cards than you.
24:07And what is done in these cases?
24:09Pass.
24:10No, man, no.
24:11Bluff you.
24:13Lucia must think that you have rebuilt your life.
24:16That you're dating someone else.
24:19But who am I going to go out with?
24:20I don't know, someone will think of something, right?
24:25Good night.
24:26Let's see, a little please.
24:35They respect my line, okay?
24:37Come on, you stand here.
24:38There, like this, the line, the line.
24:40And what are you doing smoking?
24:43But...
24:43This is a joint.
24:45Okay, well, you, bolito, the last one.
24:46Come on, last one.
24:47Watch out for what she's gotten me into here, this crazy woman.
24:51But, Paco, Paquito, what are you doing here in the queue?
24:52Man, since Vicente gave me breakfast, I'll save money on the croissant.
24:57Emilio, have you seen Marisa?
24:59I've sent for Magdalena if she doesn't come.
25:01By Magdalena, you had to be here sorting this out, huh?
25:03I'm here, damn it.
25:06That's enough.
25:07I tell this around, not even God will believe me.
25:09Come on, get out of our way, I can't see.
25:12Come on.
25:12Come on.
25:13Take us away, you bores.
25:14Come on, for God's sake, I even dropped the muffins, damn it.
25:18I can't take it anymore.
25:20Mr. Cuesta.
25:22Yes, I know this is a wedding day, but the building is filled with homeless people like this.
25:26Oh, Juan, how awful.
25:27Where are we?
25:28Wait a second, honey.
25:29I don't see any church.
25:30And I'm going to miss the bride's entrance, which is what interests me most, Juan.
25:32Let's see, Emilio, but how many homeless people are we talking about?
25:35And what do I know, this looks like a casting for Operación Triunfo.
25:37What I do?
25:38I know, let me think for a moment.
25:41What's up, can I leave us alone?
25:43Oh, but how much stone, Juan.
25:45I don't know where you've brought me.
25:46Why don't we ask someone?
25:48Whom?
25:48If we are in the middle of nowhere.
25:53Oh, look, the cell phone.
25:54This is my cousin, who wants to know where we are.
25:56And we are lost, Juan, we are lost.
25:59Emilio, tell Vicenta that she shouldn't eat any more people.
26:02Tell me.
26:03Paloma, I'm Concha, your neighbor.
26:06Look, not to worry you or ruin your wedding, but...
26:10Your daughter Natalia spent the whole night at your house with the boy from the third floor.
26:15But what are you saying, madam?
26:17Look what he likes to invent, huh?
26:19Right now I'm watching them having breakfast together.
26:22You'll see what you do.
26:23This one is going to swallow the cake.
26:31I've been left dead, Juan, I've been left dead.
26:33Neither breakfast nor milk.
26:35We have to intercept those muffins, man.
26:36Juan, Juan, Natalia has gone to bed with the guy upstairs.
26:39What are you saying?
26:40In our own house, Juan.
26:41That they have deflowered our girl in our own home.
26:45Get in the car.
26:45And the wedding?
26:46What wedding, no wedding!
26:47Go home!
26:48What a mess!
26:49I already told you.
26:49So many responsible fathers, so many responsible fathers.
26:51Hey, it's your cousin's wedding, huh?
26:52Not mine.
26:53Well, I'm not getting involved.
26:55That you always have to give me all my whims.
26:57Let's go!
26:58Oh!
26:59But let's go backwards, backwards, Juan!
27:01Back off!
27:02Back off!
27:08I'm ignoring her, I'm ignoring her, I'm ignoring her.
27:09It's over.
27:10Am I with someone else?
27:12He doesn't believe it for a second.
27:14Go, go, go.
27:16Hello.
27:17Hello.
27:18I'm here for the Simpsons alarm clock.
27:20It didn't take long.
27:21No, no, no, no.
27:22Hey, calm down, Roberto.
27:23Yes, I wanted to talk to you too.
27:25No, no, I already know what you're going to say.
27:27But don't worry, I won't bother you any further.
27:28Hey, wait, Roberto, really.
27:30If not that, what happens is that I think the best thing is that...
27:31That it was best to leave it.
27:33Now you've rebuilt your life with that jerk Carlos.
27:35and I accept it.
27:36I haven't remade my life with anyone.
27:38The thing is...
27:39Yes, don't worry, you feel sorry for me.
27:42Well, don't worry, I'm also dating someone else.
27:45With who?
27:47Well, with one.
27:48Very nice things are happening to me.
27:50And can you tell who it is?
27:52I'm not going to tell you.
27:54Well, Roberto, really, you're making this up, it's peaceful.
27:58Hey, excuse me, I'm in a hurry and I have to meet someone.
28:01Very good.
28:04Nice try, but it didn't work.
28:09Hey, I don't know what kind of relationships you've gotten used to,
28:11but I don't like being kept waiting.
28:12Well, come on, let's go.
28:22No.
28:23Yeah.
28:23No, no, no, no, no, that's impossible.
28:26But how is Roberto going to be dating a 17-year-old girl?
28:29Because that 17-year-old kid has been after him since you moved.
28:32And they also said on Radiopatio that they spent the night together.
28:35And if Radiopatio says so, that's like the BOE.
28:39Damn, what did I want, to forgive him?
28:42No, in the end Carlos is going to be right, Roberto is a brat.
28:45Who is Carlos?
28:46My ex, who is helping me get through this.
28:52And how exactly does it help you?
28:54Does he put his shoulder to cry on or does he use something more forceful?
28:57Well no, what's the matter, you can't be friends with your ex-boyfriend?
29:01Never.
29:01Never.
29:02That's pathetic.
29:03If I haven't done it myself.
29:04That's what you want to take to bed and you know it.
29:07What are you like, huh?
29:09Well, I'm going to have dinner with him tonight.
29:12And nothing has to happen.
29:14Oh, no, nothing, nothing.
29:16What if what happens?
29:17I'm already single, I can do whatever I want.
29:20Come on, man.
29:21If you are deeply in love with Roberto.
29:22I?
29:23In love with Roberto?
29:25Not me anymore.
29:26Plus, he's probably excited to pick up his girlfriend from school.
29:31But then are you messed up or not messed up?
29:38What's up?
29:38It was a strategy.
29:40Well, you've got her happy, huh?
29:41Tonight he's meeting up with his ex.
29:43Well, at least she got jealous, right?
29:44That means we make a good couple.
29:46But why do you want to make her jealous if she already wanted to get back with you?
29:49See how the tuna thing worked?
29:50But how is that going to work?
29:52You have sunk me.
29:53Between all of you, you have sunk me.
29:55Let's see, let's rack our brains because we have to solve this.
29:57No, no, no, no.
29:57Thank you so much.
29:58You better do nothing.
30:00Leave me alone for a little while.
30:02Have you heard?
30:03We leave him alone.
30:04Yes, we have to do something.
30:07Hey, why don't we have a big party at my house and get the two of you together?
30:10Well, because they won't want to go.
30:11That's it.
30:12But how are they going to miss your birthday?
30:14What birthday?
30:15You're not turning 30 next month.
30:17Well, we'll move it forward.
30:18Damn, 30 already.
30:19Yes, what's up?
30:20You don't look like it, do you?
30:21No.
30:22Come on, let's organize it.
30:24I'm sure if the two of them are alone together, they'll work it out.
30:26Hey, but I don't want to celebrate anything.
30:28Hey, I'm going to get a cake.
30:30Hey, what do we do with them?
30:31That they are supposed to have stayed together.
30:33Don't worry, I'll take care of them.
30:35Hey, will you listen to me?
30:36I'm not going to celebrate anything.
30:37Not this year, that's it.
30:39Hey, Belén, I haven't had time to buy you anything.
30:40Don't even come near me, okay?
30:46Today she is affectionate.
30:52Her friend Mrs. Vicenta is entirely to blame for this.
30:54What has Vicenta done?
30:56Emilio, this is a disgrace.
30:58To get on my horse I have to wait in line.
31:00I don't cost this for the elevator, Mrs. Concha.
31:01I can't, there are two men sleeping.
31:03But hey, what is this?
31:04The Bernabéu box office or what?
31:05Finally, finally.
31:06Oh, but Juan, we just stabbed the stairs.
31:08Not without your wedding.
31:10This is going to end right now.
31:12Let's see, let's see, please.
31:13Make way.
31:14Because of course, it's that...
31:15Oh!
31:16Oh well.
31:17Juan.
31:18Juan, there's a man here who touched my ass.
31:20That doesn't matter now, dove.
31:23But it's that he has made me a strange far away amoy with his mouth.
31:26Okay, yes, yes, yes.
31:26But hey presto, it sneaks in.
31:27Hey, I'm the president of the community, right?
31:29The treasurer doesn't screw you back.
31:31But it's that...
31:31Pull, pull, stick, Juan.
31:32You and I will talk, man.
31:33Pull, pull.
31:33Oh well.
31:34Tira, you go to his town, man.
31:35Look, everyone is here.
31:36What is it?
31:36You hear that second-hand, that I have been jucalpejado.
31:39This is the last straw.
31:40I have to talk to Vicenta right now, come on.
31:42Come on, come in, come in, come in.
31:43No, not you, not you.
31:44You out.
31:45Oops!
31:45John, John, John!
31:46Juan, he's stealing my purse!
31:48Oh well.
31:48He's stealing my purse!
31:49Drop that right now, you criminal!
31:50You're a criminal!
31:51You won't have to be!
31:52Look, this is Isidro, the one who opened my soup kitchen.
31:56Well, Vicenta, how did the idea of helping the people so selflessly come about?
32:00most disadvantaged?
32:01Look, we are all part of a single energy and we must do good.
32:05Because if you do good, you feel good and transmit that energy to those around you.
32:10And you haven't had any problems with the community's neighbors?
32:13No, no, no, no, no, no, no, no, no, none, none, none, none.
32:15Look, this is the president.
32:17Yeah.
32:18Hi how are things?
32:18What did you think of your neighbor's lovely initiative?
32:21Great.
32:22I, Juan Cuesta, president of the community, have supported this initiative from the beginning.
32:27Because I firmly believe that solidarity and helping others are the driving forces of
32:31society.
32:32From here I want to call on all neighborhood communities to join in...
32:35Yes, yes, thank you very much, eh.
32:36And I am his wife and it was in case you wanted to ask me any questions.
32:40Thank you very much to you too.
32:41Come on, let's go, Pantoja is about to leave the podiatrist.
32:44How nice, please.
32:47Precious.
32:48In an hour I want this clear of people.
32:50Mr. Cuesta, but you just said that...
32:51It doesn't matter what he said, it doesn't matter.
32:53You cannot set up a branch of the Carmelites here without a license.
32:56And the neighbors are furious.
32:58At most you can stay with a poor one, so choose the one you like best.
33:00But how about a poor person, Mr. Cuesta?
33:01Come on, everyone out.
33:02The food's gone, huh.
33:04Emilio, clear this up for me.
33:06I'm coming, Mr. Cuesta.
33:07I can't take it anymore.
33:08Come on, come on, Juan, we have to go talk to the girl.
33:11Come on, come on, to the girl.
33:11Come on, girl, what a mess.
33:13Come on, huh?
33:16Now we talk.
33:18But what are you doing here?
33:19Are you still asking?
33:20Natalia, did Roberto spend the night here?
33:23Yeah.
33:24Thank goodness, what a weight you take off my shoulders.
33:25What do you mean?
33:26Hey, you asked me and I'll answer you.
33:29Natalia, you are a teenager.
33:30At least try to lie a little.
33:32John, John.
33:33Our bed is full of hair and I changed the sheets before leaving.
33:36What's happening?
33:38He drugged you, didn't he?
33:39And the worst part is not that, the worst part is that the whole building knows.
33:43That we did nothing.
33:44He slept in your room and I slept in mine.
33:46I can think of few places less erotic to make love than your bed.
33:49Me too.
33:50Well, but we're not talking about that now.
33:52José Miguel, you were here.
33:54Tell us the truth.
33:55You are brothers and you have the right to snitch on each other.
33:58Dad, I invited Roberto.
34:00He's asleep with me.
34:03Well.
34:04As modern parents that we are, which we are...
34:06A lot.
34:07We'll take your word for it.
34:09Oh, one more thing.
34:11Both punished.
34:13But Juan, look at them.
34:15Are they leaving?
34:15Yes, but they know they are punished.
34:18They do not leave with a clear conscience.
34:20Oh ok.
34:21If you say so, then we could go back to Palencia.
34:25Come on, don't fuck around.
34:26No, Mauri, no, no.
34:27This is very clean.
34:28This shouldn't be this clean.
34:29I have prepared some salmon canapés with cream cheese.
34:31Do you have a white wine?
34:32No no.
34:32Pink?
34:33No no.
34:33Beer, Mauri.
34:34Beer.
34:35People drink beer while watching football.
34:37And no salmon canapés, please.
34:39He takes out, I don't know, a bag of chips.
34:41Yeah, man, so we can fill our couch with grease.
34:44Ah, look.
34:46I have a few handy phrases.
34:47I've talked to my brother before, let's see what you think.
34:49For example, open the band.
34:52Or put your leg in.
34:53Oh referee, the time, that's good.
34:55And the best.
34:57Play it, play it.
34:58Play it, play it.
34:59No, more contemptuous.
35:02Play it, play it.
35:03Play it, play it.
35:05It's here.
35:06Well, cheer up, huh?
35:07Come on.
35:13Hello.
35:14What's up, Choca?
35:16Come on in, this one's already warmed up, eh?
35:18What's up, buddy?
35:19Let's see how these assholes behave, eh?
35:21Yes, yes, let's see what they do, yes.
35:23Do you want a beer?
35:24I've already had six or seven, but sit down, damn it.
35:29Let's see, the preview, huh?
35:31Everything is ready, only the cake is missing.
35:33Oh, how nervous, aren't you?
35:35I called Roberto for you.
35:36I convinced him to come and I told him that he doesn't need to give you any compliments, right, Belén?
35:39What a sad birthday.
35:41And you could have at least called someone else, right?
35:44No, yes I have called.
35:45AND?
35:46Well, today is a bad day, because tomorrow people are working and there's also a game, Villarreal Os Asuna.
35:51And of course.
35:52This is depressing.
35:53I'm turning thirty early and nobody cares.
35:55Yes, to me, my love.
35:57I've already bought the cake, but I don't think there's room for thirty candles here.
36:01I'm going to drink it.
36:03Belén, change your face, woman, it's your birthday.
36:05Isn't it my birthday?
36:07Belén, I am by your side in your crisis.
36:10You realize now, but what is happening is very beautiful.
36:12Please take this one away now, man.
36:15Yes, Carlos is here, he is parking.
36:17Come on, all those positions.
36:22Hello.
36:23Hello.
36:23Are we leaving?
36:25Well, the truth is, I thought we could stay here at home, so I ordered dinner from a Thai restaurant, which is going to drive you crazy.
36:33Are you trying to hit on me?
36:36Well, step by step.
36:37First I have to get you drunk, French red, it'll take away all your sorrows.
36:44Hello.
36:45Oh, sorry for the interruption.
36:47It's Belén's birthday and we've thrown a little party at home.
36:51Well, you could come in for a drink.
36:54Is it your birthday? You didn't tell me anything?
36:56It's just that I forgot, I'm really bad with dates.
36:59Yeah, well, he's turning thirty.
37:01And everyone has left the poor girl hanging.
37:04Yeah, since there's a game, well, yeah, yeah, yeah.
37:06Let's get something to drink, shall we? Do you fancy it?
37:08Uh, well, yeah.
37:10Of course, and dinner?
37:13Well, don't take her there.
37:15Oh, try that wine, it looks really good.
37:17Ah, the French red.
37:21Paco, this is already underway.
37:24What's going on down there? Can't you hear anything?
37:25No, we are trying, but there is no way.
37:27Damn, man, this isn't going to work.
37:29Damn, maybe he doesn't have an alarm.
37:31How could he not have an alarm?
37:33And now what do we do, huh? Now what do we do?
37:35Fuck.
37:38Emilio!
37:39Let him come down!
37:40Yes, fuck, he hung up on me.
37:42Well yes, I did have one.
37:43Come on, damn it, damn it, come on.
37:48That's my car alarm.
37:49Oops.
37:51This neighborhood is very bad.
37:52What are you going to hang on me?
37:54Lucia, I'll be right up, if nothing's happened to you.
37:55Okay.
38:02Come on, damn it!
38:03Come on, come on, fuck!
38:04Come on, come on!
38:05Come on!
38:06It's coming down, it's coming down!
38:08Come on!
38:15This one is already out of the game.
38:17Hey, man, what if he rings the bell?
38:18But if you don't hear it from inside, it will come from outside.
38:20Come on, let's go up, Lucia's here.
38:23Relief!
38:30Is anyone there?
38:31Relief?
38:33Yes, who is it?
38:35Madam, Mirabel, yes...
38:37No, ma'am, no, miss.
38:39Who is it?
38:40I'm stuck here in the elevator.
38:43Let's see if you can help me.
38:45Oh, what a pity, child.
38:46If I'm not from here.
38:48Yes, I came to see my daughter, who is sick.
38:51And I'm screwed too.
38:52And what do I care?
38:54Please tell someone!
38:56But who are you, child?
38:58I know you.
38:59You're Paquita's son, aren't you?
39:02Look, ma'am, we'll introduce ourselves later.
39:04And introduce me to Paquita too, but please, I'd like to get out of here.
39:07Oh, poor thing.
39:08Press the button, child, press the button.
39:10Press the button.
39:11What a shame, isn't it?
39:13Yes, I pressed the button.
39:13I've hit all the buttons, ma'am!
39:15Tell the doorman or something!
39:18To the goalkeeper?
39:19Ah, well, yes, but I'm going to go slowly, kid, because I have a prosthesis in one
39:24hip and the other, I have nothing, but well, but it's very difficult for me to work.
39:28Come on, boy, boy, I'm not going to take you on a trip, I'm sorry, the boy.
39:32Now we come.
39:32And see if there's someone who can look at the car that was sounding the alarm there.
39:38Asshole, open up, dammit!
39:39The mother is the one who gave birth to them all.
39:41Mauri is a fanatic, he's been waiting for this match for months.
39:44Oh, you can see it, you can see it, yes.
39:47What a double pivot he has, doesn't he?
39:48No, no, they are playing with a central midfielder and two very wide interiors.
39:51Exactly, no, I just wanted to see if you were paying attention.
39:53Eat something, damn it!
39:54Play it, damn it!
39:55You're amazed at me, I look like the girl from the surfer.
39:58I live these things, damn it.
40:00Mauri, calm down a little, Ana, it's not like that either...
40:02No, man, no, no, man, no, don't do that, don't do that, what a jerk.
40:07Which?
40:08Play it, play it!
40:10How long until break?
40:12Yes, yes, go, go, go, go, goal!
40:15Goal!
40:16Good!
40:16Goal!
40:19Goal, goal, goal, goal, goal, goal, goal, goal!
40:21Goal, goal, goal, goal, goal, goal, goal!
40:23Man, yeah, great time.
40:28Auri!
40:29Aurí!
40:40Happy Birthday! Happy Birthday!
40:46We all wish you a Happy Birthday!
40:51Give it up! Give it up!
40:53A round of applause!
40:54And now the gifts.
41:00What are gifts?
41:01Oh no?
41:02Uh, well...
41:03We eat the cake.
41:04I'm on a diet.
41:05I don't like chocolate, right?
41:07I have already had dinner.
41:08Damn, man, he's sadder than Bambi's mother's death.
41:11The truth is that it is a bit of a strange loop of years.
41:13You should have seen the one from last year.
41:14Yes, but at least this year they didn't give me stuffed animals.
41:17I hate stuffed animals! I don't know what they've done to you.
41:19A bit.
41:20Hey, do you put on your face for everything?
41:22Hello!
41:23Better.
41:26And what are you doing here?
41:27And you?
41:28What's this? A setup?
41:29No, no, no, no.
41:30We've brought you together so you can talk privately and sort things out.
41:33That is, an ambush.
41:34What have you guys gotten angry about over a silly thing?
41:35No, not nonsense.
41:36That one is a big mouth.
41:37And what about her? What's she doing with another guy?
41:39Well, at least he's pretending to me that he's dating a 17-year-old girl.
41:43Hey, don't mess with my sister.
41:45You wish you were half as good as her.
41:47Oops!
41:47No, what can't be done is what Roberto has done.
41:49Because you start a relationship and then you move on.
41:51But Lucía really pushes him.
41:53What are you saying, cane?
41:54The world of relationships is very complicated.
41:55And what do you know?
41:56Man, I know a lot about love, don't I, Belén?
41:58Don't involve me.
41:59Well, the important thing is that they love each other, right?
42:00Well that's what I was saying, damn, if you'd just let me talk...
42:02Look, they have to talk this over among themselves, it's not our issue, they have to fix it.
42:06Hey, by the way, where are you?
42:08Come on, come on.
42:09Come on, let's see, let's see.
42:14Look, they are conversing.
42:16This has been the best, for sure.
42:18How beautiful, how bastards.
42:23Referee, put your leg in.
42:25They should have made another change.
42:26There are already three.
42:27Well, that's it, as many as it takes, man.
42:29But now he's beeping, now he's beeping, this guy's not going to get into anything, right?
42:31Maury, Maury, what did the final whistle blow, huh?
42:33Ah, well it passed me by very quickly.
42:35Not me.
42:36Well, well, we had a good time, didn't we?
42:37Yes, very, very much.
42:39What is not clear to me is which team you were on.
42:42Ah, I had to go with someone.
42:44Well, we're all for the show, aren't we?
42:47We like Brazil.
42:48And the Brazilians.
42:50Well, we can repeat it whenever you want, okay?
42:52Here you know, football fans to the death.
42:55The truth is that it has surprised me quite a bit.
42:57Because?
42:58I thought you gays didn't like football.
43:00Well, come on, thanks for everything, okay?
43:13Riojan businessman Isidro Martín Rovira remains missing.
43:17He disappeared from his home on December 25, 2001.
43:21Initially, given the family's enormous fortune, the possibility of a kidnapping was considered.
43:25But so far, no one has contacted the family, and they are still offering 60,000 euros to anyone who can provide any information about their stoppage.
43:33Juan.
43:35Juan.
43:36Juan.
43:36It's him.
43:37That?
43:38Juan, it's him.
43:39What's happening?
43:40It's him.
43:41The poor thing that Vicenta has in her house.
43:43Hey?
43:43That's worth 60,000 euros, Juan.
43:44What are you saying?
43:45Let's go down, run.
43:46I've kept the phone.
43:47But the phone hasn't rung, Paloma, it hasn't rung...
43:49You don't integrate at all.
43:51Hello, is Isidro here?
43:52No, he hasn't come for dinner yet.
43:54We're just thinking that you're carrying the whole weight of this good man.
43:58And of course, we wanted him to come up to our house for dinner because we have so much leftover food, right?
44:02Yeah.
44:02Hey, we've watched TV too.
44:05Shut up, idiot.
44:06Those 60,000 euros are for us, the ones who took care of him.
44:10This is a reward for doing good.
44:12We've already spoken to his family on the phone and they're coming to pick him up tomorrow.
44:15Wait a minute, okay?
44:16That poor guy appeared in a common area and belongs to the entire community.
44:19Clear.
44:20Now, if we reach an agreement between us, no one else needs to know about it.
44:24Have you seen TV?
44:26That man we have is worth a fortune.
44:28Mom, it's none of our business.
44:30Well, man, close the door, this place is going to get crowded.
44:32It's already hard, the homeless are loaded.
44:34But hey, how many viewers does that show have?
44:36Well, let's get one thing straight, okay?
44:38We divide the money among ourselves and that's it.
44:41I also called that program and now I'm not going to look like an idiot.
44:44But have you stopped to think that maybe this man doesn't want to be found?
44:49Well, but you have to fix that with your family.
44:52Hello, may I come in?
44:54Hey, how are you!
44:54Come in, come in, Isidro!
44:55Come in, come in!
44:56Come in, come on!
44:58Come in for dinner, dinner's ready!
45:00Come on!
45:01Come in there!
45:01Let him sleep here tonight, okay?
45:05This gentleman cannot leave the building.
45:08Is that clear?
45:09Did you understand correctly?
45:10And you?
45:11Good morning.
45:23Look what a delicious breakfast my sister and I have prepared for you.
45:28No, I have to go, otherwise they'll take the corner away from me.
45:31No, no, no, you can't leave so soon.
45:34Madam, I have to earn a living.
45:36Here, 20 euros and stay here, quiet, watching TV.
45:40No, I feel like going for a walk.
45:42Marisa, she's leaving!
45:44You should have let me put the tranquilizers in his coffee.
45:52Man, Isidro, how are you doing here?
45:53Where are you going?
45:54Let's take a walk, now seeing.
45:56No, no, man, no.
45:56Come on up to my house, I'm going to show you a collection of pure vitonas that will make you fall in love.
46:00Sounds very interesting, Pedro.
46:01They'll teach me later.
46:04Hey, hey!
46:05Sorry, can't come in, I'm washing up.
46:11But, Isidro, where are you going in such a hurry?
46:14How well you are with us.
46:16What's wrong with this craftsman?
46:17Hello!
46:19Relief!
46:20Please get me out of here, I need to go to the bathroom.
46:23I didn't just want to give it a go, a little bit of love.
46:26But who's in there, Emilio?
46:27There he goes, the other girl's boyfriend, whom I had forgotten.
46:31Sorry, I have to go to the bathroom.
46:39But that's the kitchen, hey!
46:41But that's the kitchen, Emilio!
46:44But now he's earned it!
46:46Son!
46:47He's trying to escape through the yard!
46:52It's in the yard, it's in the yard!
46:53Everybody down!
46:57Come on, come on, come on!
46:59Come, yard!
47:07But what do you want from me?
47:11No one leaves here without breakfast.
47:16Who is it?
47:17Hello, we are Isidro Martín Rovira's family.
47:21We came to look for you.
47:22But have they brought the money?
47:24Yes, here we have it.
47:25Well, wait a minute, he'll be right out!
47:27So that was it.
47:31You're going to sell me.
47:32Yes, but at a very good price.
47:34If we're doing you a favor, you'll be able to get your life back.
47:37Someone asked me if I want her back.
47:40Do you see it?
47:41This guy is crazy, a multimillionaire and living on the streets.
47:44But do you know what my life consisted of?
47:46Working 16 hours a day, risking my health at a job I didn't even care about.
47:51Being married to a wife who didn't love me, knowing that anyone who approached me did so only for my money.
47:58Coping with a sad and hollow existence on pills.
48:02Surrounded by disgusting luxury that made me feel even more miserable.
48:06Yes, I've left everything.
48:08And I've never been closer to being happy.
48:12All I have is my freedom.
48:15And you're going to take it away from me for 60,000 lousy euros?
48:21So what do I do? Do I open the door?
48:32Sorry for the delay. Here's Isidro.
48:39Hello, darling. Did you hold my hand?
48:42Wait a minute, what kind of joke is this? This isn't my husband.
48:45He's been wandering around for two years and he's been very damaged.
48:49Yes, yes, darling, it's me. Come on, let's go partial.
48:51Well, look, we're having a bad enough time without having to put up with stupidity on top of that.
48:56Please be respectful.
48:58Are we really sorry?
49:00If only I could make up for this bad time by taking her out to dinner.
49:03Armando, please.
49:04Come on, get in.
49:05Thank you.
49:18Thank you so much.
49:20Thank you.
49:22Hey, Juan.
49:23Have you given him the tracksuit my sister gave you?
49:26What does it matter, woman?
49:27The important thing is that we did the right thing.
49:30Life has taught us a lesson.
49:31Which?
49:33Well, one, what do I know?
49:34Come on, dove.
49:3660,000 euros.
49:38This doing good thing is bullshit.
49:41No wonder no one does it.
49:42Nobody.
49:43Well, look, wearing these clothes has served me well.
49:51I've already bought you a pack of tobacco.
49:54Some more?
49:55Yeah.
49:56Yeah.
49:56Yeah?
49:57Why not?
49:58This is embarrassing, huh?
50:00All day here in bed.
50:03Lucia.
50:03That?
50:04I want you to know that I've been an asshole, an idiot, an immature person, a brat, and an insensitive person.
50:09Hey, stop me when you see that it's enough.
50:11No, a little more.
50:14Well, and even though you have your thing too, I love you.
50:22Do you realize?
50:24Have we overcome a crisis?
50:26Of course.
50:27I now see this very clearly.
50:29Really?
50:31Very clear, my love.
50:38Are we getting married?
50:40Hey?
50:42Yes, yes, yes, yes, yes, of course.
50:45How could we not get married now that we're so sure about it, huh?
50:49Because you mean it, you're not joking.
50:51No, I'm not joking at all.
50:53Come on, I'm declaring my love.
50:55Ah.
50:57Well, you've gone ahead because I was about to ask you.
51:00Yeah?
51:01What a coincidence.
51:03Yes my love.
51:05We got married.
51:07Wow, that's a rush, huh?
51:10I'm telling you, but...
51:12How good, how good, how good.
51:18Vicenta, Vicenta.
51:21That these are getting married.
51:23Who is it?
51:23The ones at the top, the new ones, I've heard them talk about, they're getting married.
51:27But they hadn't separated.
51:28Well, that's what I say, until I see them in front of the altar, I won't believe it.
51:32Do you already have your wedding list?
51:34I say this to buy the cheapest.
51:35First we have to see if they invite us, right?
51:38How could they not invite us?
51:39If we are your neighbors.
51:41They better invite us.
51:44But how can you force me to do this, Fernando, I'm dying of embarrassment, huh?
51:47Yes, Mauri, but it has to be done.
51:48But why should we do it?
51:49Understand me.
51:50Man, hooligans are first class.
51:53Look, Armando, we wanted to talk to you.
51:55We wanted to tell you that we are not gay.
51:58Hey, my bedroom is above yours.
52:02Well, I correct myself.
52:04Yes, we are gay.
52:05Yes, yes, yes.
52:06Yes, but we don't think that's in anyone's interest.
52:09I don't know if you'll agree with us.
52:11Yes, yes, I completely agree.
52:13Calm down.
52:13What do these two want?
52:15Well, it's okay, Mom, it's okay.
52:17It's not time!
52:18Come on, come on, please.
52:19Come on, see you later.
52:20See you later.
52:22Oops, oops, oops.
52:27Well, I'm calmer now.
52:30Thanks, huh?
52:31I'm so proud of you.
52:33You're starting to come out.
52:35Very slowly, there are some pushes, but you are starting to come out.
52:40Have you shown your paw yet?
52:41Less funny, huh?
52:42Come on, let's go home, there's a game.
52:44Don't tell me you like football now.
52:46Well, you have a point.
52:48What are you doing here, Emilio?
52:55Ah, well, I was just thinking about a concept here, Mr. Juan.
52:57Ah, that's good.
52:59I say that if this gentleman Isidro, who had everything a man could wish for, was not happy,
53:04Wouldn't you and I be making mistakes with our lives?
53:07Could be.
53:09Damn, why do you and I suddenly get together and go off and live life, I don't know,
53:12to travel around India, for example, by bicycle?
53:13Well, because you have to take out the trash, Emilio, and because I have to work tomorrow.
53:20Also, I don't know how to ride a bike.
53:21Oh, what a wait for pain, and what a closed door beauty has.
53:28And tomorrow I'm going to throw out the trash, not today.
53:31No, help.
53:32Boy, boy, now, I just warned you, don't worry, I just warned the goalkeeper.
53:41Look what came out on the wall.
53:42A stain?
53:43No, it's a face, it's dad.
53:45I'm the parapsychologist, I think you have a problem.
53:49That very strange things are happening in the building.
53:51You're saying that a family of dead people lives among us here, aren't you?
53:55Sometimes I see dead people.
54:00I want to go with my mom.
54:02But tell me, darling, what did you see?
54:04I don't even know what I've seen anymore.
54:05A residual entity.
54:07Emilio?
54:09It's you?
54:09What is that noise?
54:12Are you hearing it, Juan?
54:13Fuck!
54:14What's that?
54:15We're all going to die, we're all going to die.
54:17The girl in the attic.
54:19We're all going to die.
54:20Let's see, I already have the title.
54:22The Attic of Panic.
54:23I'm coming in!
54:30What's scary, huh?
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