Balki le ha dado el guion que Larry escribió a Lydia, quien ha decidido producir la obra. Pero cuando Larry visita el plató, hace que todo el mundo renuncie, así que él toma el control y elige a sus amigos y familiares para los papeles.
01:33I've been waiting and waiting until I found the right moment to tell you.
01:37Did you know that Miss Lidia is always looking for exciting and new roles for her theater group?
01:42Don't tell me you gave Lidia my job!
01:46Okay, I won't tell you, but then there won't be any news.
01:51Do you want to make popcorn?
01:54Valky, I can't believe you gave Lidia my role without my permission, my work.
01:59Wheat, it is still unpolished.
02:01They will humiliate me.
02:04The group will hate me.
02:06I'll be a laughingstock.
02:09Cousin, it premieres on Friday.
02:12They've been rehearsing for weeks.
02:14Everyone loves her.
02:16Of course, it's a brilliant piece of literature.
02:19Well, cousin, I've never read it.
02:21But as an author you will feel
02:22particularly pleased to know
02:24that the stage is brilliantly handled by me.
02:27I am the street performer.
02:29They forgot my name.
02:33My duties include opening and closing the curtain.
02:36He's been practicing in the shower for a week.
02:38Open, close.
02:46Cousin, cousin, let's go.
02:48I'm going to give you a complete tour of the theater.
02:52Look, this is the stage.
02:55And these are the seats.
03:04And that's all.
03:07Hi, Larry.
03:12I love your work.
03:14I'm sure you were excited when Valky told you it was happening.
03:16You can bet.
03:17The work is somewhat autobiographical.
03:20I based Lawrence's character on...
03:22Well, despite that,
03:26Everything is already sold out for opening night.
03:33Cousin, cousin, look.
03:35Look, kiss those two.
03:36The guy on the left is the director.
03:38Trevor McNeil.
03:39And the one on the right is the star of the show,
03:41Brad Oliver.
03:43Have you seen him before?
03:44Oh, really?
03:44Yes, last week at Little Tony's Pastapalas.
03:48He was the waiter.
03:51Look, in this scene your brother Billy has a fit of rage.
03:56Brad, your role as Lawrence is basically that of a buffoon.
03:59So get motivated for one...
04:02Buffoonery.
04:05Yeah.
04:07Bravo, Brad.
04:08Thanks, Trevor.
04:10I depend on your guidance to make Lawrence a perfect...
04:13Goofy.
04:15Okay, okay.
04:16Don't let the text get in your way because we can always change it.
04:20No, no, no, no, no, no, no, no, no, no, no, no.
04:23You cannot change the text.
04:24The text is sacred.
04:26Who are you?
04:26Larry Appleton, the author of Wheat.
04:29And Trigo is perfect like that.
04:31Every word is in its exact place.
04:35I understand what's happening.
04:36It's his first play and he believes he's written a masterpiece.
04:40Well, I'll tell you something.
04:41If you work hard, maybe one day you'll make a career out of writing questions for competitions.
04:46Excuse me, excuse me.
04:47One minute.
04:48Cousin Larry is an author who publishes his writings.
04:52Fill in the blanks of Dimitri's world drawings.
04:57It's very impressive.
04:59Why isn't he a good author and why doesn't he leave my stage?
05:02You are theatrically illiterate.
05:04He probably thought that King I was the story of Elvis and Priscilla.
05:11It just wasn't.
05:14I don't need insults.
05:16Not even this work.
05:18I'm leaving.
05:24Look.
05:25Who needs him?
05:26I.
05:27He's driving me.
05:28Leave.
05:29Well, they still want to do this show, right?
05:46I don't think that Trevor has a truck.
05:48Of course, I just bumped into Trevor in the lobby.
05:54I can't believe you made him leave.
05:56Well, that way you'll have another director and other actors.
05:59You'll be able to start using it in a couple of months.
06:01You know, that would be a big help to me.
06:03It would give me time to perfect my curtain closing technique.
06:05Whenever I practice in the shower there's always someone inside who screams and ruins my rhythm.
06:13Well, I suppose we could postpone it, but I don't know if Clive Reed will be able to come in two months.
06:19Was Clive, Clive, Clive Reed going to review my work?
06:23I was going to be here on opening night, but now I'll have to call him and tell him it's been cancelled.
06:27No, wait, Lidia, don't call anyone.
06:29Do you know the saying about show business?
06:31Does a cat grow up or does an actor die?
06:35No, the show must go on and it will.
06:38I will be the director and I, Larry Appleton, will star as his son.
06:51Okay, okay, listen up everyone, guys, guys, all together, let's go.
06:55Okay, I know there are only a few days left until the premiere.
06:59I've been rewriting her son all night so I can make it into five.
07:03Okay, I'll be playing Lawrence, the protagonist and narrator.
07:07Valky, you will be my brother Billy, Jennifer, Lois, Mary Ann, Bobby Sue and Lydia, the apple lady.
07:20Larry, we've never acted before, we're going to make fools of ourselves.
07:24I have only acted in the pro-hygiene function of sixth grade.
07:29It was Miss Jijibitis.
07:33Don't worry about that, I'll guide you.
07:36I know everything there is to know about theater.
07:39At the university he was head of ushers.
07:43That's why they called you the tip man.
07:46I just read Lois's description.
07:54And as soon as we're done with this, we're going to have a long and lovely discussion about why you think your wife should act as your mother.
08:04Okay, we'll talk about that later.
08:06Why don't you go with Lydia and Mary Ann and learn the lines for the Truigo field scene?
08:10Valky and I are going to start rehearsing on stage.
08:12At least in this performance, I won't be thrown off the stage by a toothbrush.
08:19Cousin, I have two small problems.
08:23First I'll tell you the big one.
08:25If I play your brother Billy, how will I ever be able to bring down the curtain?
08:30I've invested a lot of time in that.
08:33Can you still vote?
08:34Yeah?
08:35Yeah.
08:36And the second problem?
08:37I can't be your brother Billy's.
08:38As?
08:39Why not?
08:40Because Billy in the show is a bad and grumpy man.
08:44And I don't think I could be a bad, grumpy person.
08:47It's very different from what I am.
08:49But I think maybe if Billy were an immigrant caravansera who now paints a picture...
08:56Then it could be something.
09:01Valky, you don't have to be a bad person to act like a bad guy in a role.
09:08You just have to think of a bad person and you become that person.
09:11Think of a bad person and you become that person.
09:14So just think of someone who is really bad.
09:20I don't know anyone bad.
09:22For sure yes.
09:24And you always told me that in my post there was a bully who used to steal your food when you crossed the Agua de Cabra bridge on your way to school.
09:31Bruno!
09:32I can't talk about that, cousin.
09:34I still have nightmares.
09:35Okay, okay.
09:36You don't have to think about what he did to you.
09:39Just, just think about what that Bruno was like.
09:43Just, just describe it.
09:44Well, he was as big as a bear, he was as strong as a bear, he smelled like a bear.
10:04Wait a minute.
10:06I'm thinking about the bear family, forgive me.
10:08Is that what you think it is?
10:13Bruno, think of Bruno.
10:15In Bruno.
10:18Oh, I see.
10:21I have it.
10:22Okay, fine, agreed.
10:23Now describe it.
10:24How did he speak?
10:26When he spoke, it was like thunder.
10:30Good, the way it moved.
10:34When he walked, the whole island trembled.
10:37They didn't usually invite him very often.
10:41Didn't they usually invite him very often?
10:43No.
10:43Because?
10:44Because he was big and smelly and scared.
10:49Have you thought about how he would feel about that?
10:54Furious!
10:57Furious!
10:57Okay, okay, ladies.
10:59Brunos!
11:00Ah!
11:00Furious!
11:04They spy on me at night and I'm alone and I fly badly.
11:09Great, great.
11:11You're doing great, you're doing great.
11:13Okay, now, let's try it with the text, shall we?
11:17Okay, let's go, let's go.
11:19Furious!
11:20Furious!
11:21Okay, I'm saying now, Billy.
11:23That?
11:24Okay, he parked the thresher next to Old Creek Road.
11:28I did it, so what?
11:30You're going to give the appearance.
11:37No no.
11:38You've lost your fury.
11:40He's lost, he's gone out the window.
11:42Hey, this is what needs to be done...
11:43You have to hold back your anger when you say the text.
11:47So what we need is a word
11:50that helps you become Brunos.
11:53A keyword that triggers your memory of Brunos
11:55at its worst.
11:57So, where did you usually see Brunos?
12:00Well, when I was on my way to school...
12:03Me, me...
12:04He was carrying food.
12:05He carried food and used to cross the...
12:07On the way to school, okay.
12:08Hey, I've got it.
12:11Meal.
12:13Bridge.
12:16School.
12:18Bridge.
12:21Path.
12:22Bridge.
12:24Bridge.
12:25Bridge.
12:26I have it.
12:28Bridge.
12:31Great, great.
12:32Yes, great.
12:33Okay, okay.
12:34OK.
12:35Every time you hear that word,
12:37You will become Bruno.
12:38We can put that word anywhere in the function.
12:40Now?
12:40Let's try it with the text.
12:42Let's go.
12:42Let's go.
12:42Come on, come on, okay?
12:44Shall we go there?
12:44Ready?
12:44Okay, let's see.
12:46Billy!
12:46Who parked the threshing machine next to Old Kriegel?
12:51Bridge.
12:52I already did!
12:54What are you going to do, be disrespectful!
12:56Bela!
12:56Beautiful and nicks and nicks and nicks and nicks of wheat.
13:23In an era of depression and nicks and nicks and nicks and nicks and nicks of wheat.
13:25In an era of depression and hardship, a young man emerged who fought to save his family,
13:34from the loss of the harvest and the economic decline,
13:38all while trying to realize his dream of becoming an author.
13:44I'm Lorenz and this is my story
13:53Yeah
13:56This is my mother, Ma
14:05Ma was a fighter who paid the price for the pioneer's life
14:14Her face was as dry as earth, cracked with blood
14:20She was forty, but she looked sixty.
14:27Every afternoon, Ma would call me for dinner with her pleasant, almost melodic voice
14:37Good dinner, Lorenz
14:39But she wasn't feeling well today.
14:48Okay, it doesn't matter how he felt
14:53Ma was always waiting to greet me with a hug
14:57Except for Marcos
15:01There was no hug for the Marcos family.
15:07We always enjoyed it
15:10We always enjoyed it
15:21We always enjoyed it
15:26With the visit of the lady with the apple
15:31One of the lady's favorite activities was gossiping.
15:42Once she started talking, there was no stopping her.
15:47Okay, apple lady
15:49What's new?
15:52Okay, apple lady
16:01What's new?
16:02Another of the lady's favorite activities was to enter a room and remain like a statue.
16:17Mariana
16:21Mariana
16:23Mala Laren, it's me praising you, Billy
16:25No, no, no, no, no
16:29What brings Mariana here?
16:30One of my most cherished memories is that of my beloved love
16:35Bobby Sue! Hello, Bobby Sue!
16:41Hi, Loren!
16:44Bobby Sue was very considerate.
16:47She always brought us a bottle of fresh milk from her cow Bessie.
16:53I couldn't find the milk.
16:56Loren!
16:57Can I pour you a large glass of milk?
17:01It doesn't work, do you think?
17:05And so, Bobby Sue and Ma moved to the city
17:10And they took the lady with the apple with them.
17:13to throw them as doorstops.
17:18And with Ma and everyone else out,
17:23I was able to spend some time alone with my brother Billy.
17:27My brother, Billy.
17:40Hello, Loren! It's me! It's you!
17:42At first glance, Billy was a...
17:47Hey, little bourgeois girl!
17:50At first glance, Billy was...
17:51At first glance, Billy was a good kid,
18:00But underneath it all was a time bomb waiting to explode.
18:03So, Billy, who parked the thresher next to the Old Creek bridge?
18:09Fountain!
18:10I already did it! What are you going to do? Show some respect!
18:13Nothing, nothing! I'm sorry I asked you!
18:17Yes! Thank you!
18:18I've practiced it!
18:19Come and practice it in...
18:21In other words, Billy had problems.
18:25Wow!
18:25We all had problems,
18:28But he was able to cross that bridge.
18:32Sometimes, Billy could be understanding,
18:36loved, considerate, and even very compassionate.
18:40A solicitous brother,
18:43whose only concern was the happiness of his family.
18:47If it was Billy, there was only love there.
18:51Eat your food and shut up!
18:55No, no, no! If I...
19:01I think today is the day Billy goes to college.
19:10Write, Billy! Goodbye!
19:12He never did.
19:15He was a good boy.
19:16Where was I?
19:17Yes, to...
19:18Wheat.
19:22Ah!
19:25Are you already on Spring Break?
19:29Calm down, Billy! Calm down!
19:30There!
19:32Billy had trouble adjusting to college.
19:39And like many novice deportees,
19:42It developed a strange furniture launcher malfunction.
19:47Ah!
19:47Of course, of course!
19:50There were barriers between us!
19:52But Billy was able to knock them down!
19:55That's it! We've lowered the bridge!
19:57Ah!
20:01Draw back the curtain!
20:03That's my job!
20:04Now let's make you comfortable!
20:18Cousin, cousin, I'm sorry I knocked you off the stage.
20:22I will never forgive myself for making you faint.
20:24and that you missed my curtain call.
20:26Already!
20:28No, no, no, no, Merian, Merian!
20:29That's too high!
20:30Ah!
20:31No, no, no, Merian!
20:35That's the good cushion!
20:36Don't do that!
20:37Come on, try this one.
20:39Oh!
20:46I know, I know.
20:47I've done it again.
20:49I couldn't have stayed still.
20:51If you hadn't put me in charge of the role
20:53and insisted on doing it my way,
20:54Everything would have turned out fine.
20:56Oh, come on, be quiet, cousin!
20:58Don't be so hard on yourself.
20:59Are you ready to read the review?
21:04No, no, please!
21:06I don't want to hear anything that reminds me of Trigo.
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