El periódico está rodando un anuncio de televisión y Balki es seleccionado para participar en él. Pero después de recibir clases de interpretación de Larry, las cosas no salen según lo previsto.
02:00One would think that a columnist for the national union should be able to get his attention, but no
02:05So I rushed out to buy this suit.
02:11It's exclusive, there's no other like it.
02:14I hope I'm looking in a mirror
02:27They told me there was no other suit like this one
02:32Your size, maybe
02:34From one woman to another, that color doesn't suit you.
02:40Oh, yes.
02:42It could be Mr. Barry
02:46Oh, look at that stain!
02:47Stain
02:49Cheater, I will fight
02:54Maybe the director will notice you
03:08And then, then it will put you in the ad.
03:11And you will become a star
03:13And you'll live like the rich and famous.
03:15And that guy will say about you
03:17Experts believed it was impossible.
03:20And not
03:20This man has become
03:23A spectacular screen success
03:26And he's bought a mansion
03:28Impressive in Puerto Vallarta
03:31Has success been detrimental to him?
03:34Of course not
03:35Don't be ridiculous.
03:36Because?
03:37Maybe
03:37He's not going to choose me.
03:47I'll probably find the right person.
03:49Up there
03:50That's where the prestigious people are.
03:52What's wrong, Miles?
03:54Show me the loading and unloading warehouse
03:56We're not going to steal a transport ad, Miles.
03:59Oh well
04:00What is this site?
04:01This looks like a basement
04:03It's a basement
04:05Is he the director?
04:10I think so
04:11Well, if he's the director
04:12You can meet Wayne Newton
04:14Valky
04:16Valky
04:17He is a very busy man
04:19He certainly doesn't want to be disturbed.
04:20Why don't we continue with our work?
04:23And we forget that it's here?
04:31Your email, cousin
04:47Thank you
04:47I can't believe it, Miles
04:50Two people who work instead of showing up for the casting call
04:53Can I see it again?
04:55Can you see what?
04:58Give him the mail
04:59I just did it
05:00I know
05:01But would you mind repeating the movements again?
05:04No, no, no
05:13Come on, come on, come on towards the table
05:15Hey?
05:16Come on, come on, come on, come on
05:18Come on, come on, come on, come on
05:18High!
05:21That's it
05:22Miles
05:23I've found the person for my ad
05:27Valky, did you hear that?
05:28I think you're going to be in the ad
05:30Well, he'll appear too.
05:32But you
05:33She's my star
05:37There it is
05:41Action
05:42Wherever we are
05:44Whatever we do
05:46We'll do it together, like the stars.
05:49If you want me to
05:51If you want that
05:53It's a shame we'll miss the filming
05:58It will be very exciting.
05:59Yes, we'll fly to boring Paris.
06:02I would love to see you act
06:04You may have the opportunity
06:06Cousin Larry wanted to become a professional translator
06:09That?
06:16Interpreter
06:16That?
06:26Actor
06:26Actor
06:27I'm just mulling over the idea
06:29To do a little bit of
06:30Theater in a local group
06:33And then
06:33I don't know, maybe
06:35The mecca of cinema
06:37Pimo?
06:38Are you going to the holy city?
06:39Hollywood
06:43Okay, we need to get to the airport early.
06:47Good luck
06:50Thank you
06:52Good evening, Valky
06:54Good evening, Mary Ann
06:56Don't worry
07:00If all this turns out as I imagine it will
07:04I will not forget the little people
07:07The people who believed in me
07:10The people who said
07:13Larry
07:14You have a dream
07:16Make it happen
07:17People who have always...
07:19Larry
07:19I have to wash my hair tomorrow
07:24I'm sorry
07:26I'll see you when I get back
07:28Bye
07:29Good night
07:32Good night
07:33Bye
07:34Well
07:37It will be tomorrow.
07:39I'm going to bed
07:40Wait, wait a moment
07:41Valky, come
07:43We have a lot of work to do.
07:48I want to prepare you for the announcement
07:51We'll rehearse your part
07:53But what is there to rehearse?
07:55I need to go over to your table and say
07:57Your email, Mr. Appleton
07:59Are you going to do it like that tomorrow?
08:05I do that every day
08:07Valky
08:08Every day you are a mail carrier
08:11But tomorrow
08:12You will be an actor
08:14Playing the role
08:16From a person
08:17Delivering the mail
08:19They are two different things.
08:21One is to work
08:23And the other
08:23Act
08:25No, cousin
08:28One is delivering the mail
08:30And the other one is
08:31Deliver the mail
08:33Valky, Valky, Valky
08:39I know
08:41A little bit about the art of acting
08:44No modesty whatsoever
08:45I know a lot about that art.
08:46At school
08:48I built sets for West Side Story
08:50I just love it
08:55Tomorrow
08:56Tomorrow
08:56Tomorrow
08:57Tomorrow
08:58I love you
08:59Tomorrow
09:00Valky
09:00Speaking of tomorrow
09:02I wouldn't want you to be embarrassed tomorrow.
09:05Why didn't you let me help you tonight?
09:07No, I don't want to be embarrassed tomorrow.
09:10I already figured not
09:11Come
09:11Get here
09:12Imagine
09:13This is my table
09:16Your workplace is there
09:17You have to come and
09:20Give me the mail
09:22OK?
09:24Ready?
09:28Already
09:28Evil!
09:34But I haven't done anything yet.
09:36Valky, my drama teacher
09:40He said
09:41The performance
09:42It's concentration
09:45And relaxation
09:46So when you walk
09:49Focus
09:50And relax
09:52Focus
09:54And relax
09:57So
09:59Ready?
10:00Try it
10:00Already
10:05Relax your feet
10:11Relax
10:15Relax your knees
10:15Relax your hips
10:21Swing your arms
10:23Lift your head
10:25Shoulders back
10:27Note back
10:28Nothing bad
10:38Good
10:41Let's go with your sentence
10:43Come on
10:44Tell him
10:45Your email
10:46Mr. Apple
10:46Mail
10:47You need to emphasize
10:51Mail
10:52It's the important word
10:53Try it
10:54Your email
10:56Mail
10:57Mail
11:02Mail
11:03Mail
11:05Mail
11:06Mail
11:08Mail
11:10Mail
11:12Mail
11:14Mail
11:16Mail
11:19Now we put it all together.
11:39Ready?
11:44Already.
11:49Relax your feet, relax your knees, hips,
11:55swing your arms, head up, shoulders back.
12:05His...
12:08Colee!
12:10Oh, Mrs. Pelton!
12:12Better.
12:28Ready on set!
12:30Get ready!
12:31Listen everyone.
12:34We're ready to roll.
12:36Valky, come closer.
12:39Now I want a lot of spontaneity in this announcement,
12:42So we'll be filming without any prior rehearsal.
12:45OK?
12:46To your places.
12:50Camera.
12:51Silence.
12:53We're filming.
12:55AND...
12:56Action!
13:06Cut!
13:09Valky, come here.
13:11Are your legs okay?
13:15Well, I don't mean to brag, but everyone in my post was saying it.
13:22Joyel, can I talk to you?
13:23Yes, of course, I made a fool of myself.
13:27Don't worry, he'll do it.
13:29I've been working with him.
13:31Tell him, less knees, more hips will be enough.
13:36Less knees, more hips.
13:40Understood.
13:41Thanks my friend.
13:46Valky, I understand you've been working with your cousin.
13:50Oh yes, it has helped me a lot.
13:53He taught me the difference between delivering the mail
13:56and be an actor who plays the role of a person
13:59that is delivering the...
14:01...choreography.
14:06I understand.
14:08Valky, forget everything she's taught you.
14:11Okay, simply put,
14:12Give him the mail.
14:17Engine?
14:17And action?
14:25Your email, Mrs. Pelton.
14:28I did it! I did it!
14:29I've been fine!
14:32Cut!
14:34Valky, you said your sentence very well.
14:36But you should have let me have my say.
14:40Because that's why we're here.
14:43Cousin, I'm sorry, you're right.
14:44Listen, I...
14:46No, no, no, no, come on, come on, let's move on.
14:48Go back to the table and get the mail.
14:51Good.
14:53AND...
14:54Engine.
14:55Larry.
14:57Is this my job?
14:57Well, do it now, Miles.
15:04Engine.
15:07AND...
15:08Action.
15:13Your email, Mrs. Pelton.
15:14Thank you, Valky.
15:17Here in the Chicago Chronicle,
15:20We work hard every day.
15:22Cut!
15:22What the hell are you doing?
15:28What have I done?
15:30I...
15:30No, no, no, no, no, no, no, no, no, not you, he.
15:35Where did that voice come from?
15:36What happened to your usual voice?
15:38It's my usual voice.
15:40Modulated for better interpretation.
15:45Well...
15:46No, no module, just...
15:48He just talks.
15:49OK.
15:54If that's what you want.
15:57Please.
15:58Good.
15:59Let's go.
16:00Go back to the table and take...
16:03the mail.
16:04Good.
16:07Let's begin.
16:09Engine...
16:10and...
16:12Action.
16:16Your email, Mrs. Pelton.
16:18Thank you, Valky.
16:19Here in the Chicago Chronicle,
16:22We work hard every day.
16:24But, listen,
16:26It doesn't mean we're not fun people.
16:29Cut, cut, cut!
16:34Where did those words come from?
16:36Funny people aren't in...
16:38Listen,
16:39I had problems with the phrases he gave me.
16:42Didn't they...
16:45Dad!
16:45Repeat the sentences exactly as they are written.
16:52Valky, let's go.
16:54Again...
16:56Pick up the mail.
17:03Let's try it one more time.
17:04Engine.
17:05AND...
17:06Action.
17:13Take your mail, Mr. Appleton.
17:14Cut!
17:15No no!
17:18You can't say cut.
17:20You see, that...
17:21That's my job.
17:22He said...
17:25He said...
17:26Take your mail instead of...
17:28Your email!
17:29I thought we had to adjust to the guide.
17:32Oh, oh, oh!
17:32I'm so sorry, I'm sorry.
17:34I, I don't...
17:35No, no, no.
17:35Valky, Valky.
17:37Larry.
17:39Let's take a break, shall we?
17:43I need a creative meeting.
17:44Listen, I think I have the solution.
17:52Larry, Larry, I have my own solution.
17:55So we don't really need you at this meeting.
18:09OK.
18:11We'll do it your way.
18:14I think he's upset with someone.
18:21I do the best I can.
18:22Don't worry, Valky.
18:24If they decide not to use you for this ad...
18:27I'm leaving!
18:40Miriam, let's help them clean up before they give us our due.
18:43Okay.
18:43No, no, no, we'll do it.
18:44We will do it, we will do it.
18:46Isn't that the Chronicler's building?
18:48Pimo, this is our ad.
18:50We don't have to see it.
18:52Of course!
18:53We haven't seen it yet.
18:57Your email, Mr. Appleton.
18:59Hello, I'm Valky Bartókomus and I just delivered the email to a journalist here at the Chronicle.
19:05If he weren't so busy writing an article for the newspaper, he would tell you that here at the Chronicle, we work hard every day to bring you news with a friendly touch.
19:15So, join our friendly family with the Chronic.
19:21Chicago Chronicle, news with a friendly touch.
19:25Valky, have you been great?
19:29Ah, cousin Larry, yes, that's fine.
19:34Was I in the ad?
19:34Of course.
19:40And you were very good.
19:42It's hard to just sit there and not say anything.
19:48I mean, your face expressed a wide range of emotions.
19:54And the way you picked up the mail.
19:56It seemed so easy.
20:02Do you think we should leave?
20:03Yes, I believe so.
20:04Thank you for this evening.
20:08It's been a great night.
20:09And Larry, you were...
20:11Brilliant!
20:13Brilliant.
20:14Good night.
20:32Cousin, are you upset?
20:34No, not at all.
20:39Cousin, ever since we finished the ad you've been getting drunk on baking soda.
20:46Don't you think you'd feel better if we talked about it?
20:49When Jennifer and Mary Ann went to Paris, I was Larry Appleton, the star.
20:54And when they come back, I'm Larry Appleton, an extra.
20:57Cousin, I told everyone I was going to be a big star.
21:07Even what?
21:08I even practiced my autograph.
21:10With love, Larry to...
21:12And I lost my role in the first few minutes.
21:18But, cousin, that's because they had a different approach.
21:21To the person who says that to fire you in Hollywood.
21:28When my friends look at me, they'll just see Larry Appleton, the idiot.
21:32Cousin, you underestimate your friends.
21:40We don't find Larry Appleton ridiculous.
21:44Not for a second.
21:47Really?
21:47Well, maybe for a second, but...
21:50Cousin, when your friends look at you, we see Larry Appleton, a good friend.
21:57To Larry Appleton, the kind person.
22:00To Larry Appleton, who... who is always there when you need him.
22:04To Larry Appleton, who never tears off the labels from the mattresses.
22:10To Larry Appleton, who...
22:12Thanks, Parque, I'm feeling better now.
22:13You know, I have to admit you were great in the ad.
22:19No, really, you were sensational.
22:22Even the way they say their email.
22:24Choreography.
22:25What has been said?
22:26No, you said choreography, it's choreography.
22:30Correct.
22:33Better.
22:37What I'm trying to say is that I'm proud of you.
22:40And I bet you'll love seeing your picture on all the buses in Chicago.
22:46Well, you'll see what a surprise you're in for, cousin.
Sé la primera persona en añadir un comentario