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00:00:18Captain Rodrigo
00:00:33What are you accused of?
00:00:35Are you telling me I'm going to lose my son too?
00:00:44Have you ever seen a key like this?
00:00:47Well, I don't see anything special about it, love
00:00:51It looks like one that a cousin of mine had in Tembleque to keep the pigs in.
00:00:55Then I don't understand how you managed to escape
00:01:00You will achieve redemption through blood vengeance
00:01:07What does this refer to?
00:01:09That's what I'm trying to figure out, Satur
00:01:10Captain Rodrigo gave me the key for some reason
00:01:14So we need to find out because it's already daytime and we're in a convent.
00:01:22Guard that key as if your life depended on it
00:01:25It's the only clue I have about my wife's murder
00:01:33Come on, be careful, because that's how they're taking advantage of me.
00:01:39Here it is
00:01:40The Holy Lance
00:01:44The motto on the key matches that on the painting
00:01:50It speaks of a congregation that met to protect the Holy Lance of Jesus Christ
00:01:56They met in a hermitage, but it doesn't say where.
00:02:05They are nuns
00:02:11Through the window, Satur
00:02:15Did you know I was going to say that?
00:02:24Mother of God
00:02:27I knew you wouldn't come out the door
00:02:29Arrest him!
00:02:37Arrest him!
00:03:11Prepare to die
00:03:22What were you waiting for?
00:03:26Arrest him!
00:03:56Well, what can you do?
00:03:58More evidence
00:04:01Good morning, Satur
00:04:05Good morning
00:04:10What's wrong? Why are you looking at me like that?
00:04:13No, if you don't mind, you resemble a girlfriend I had in Gascony.
00:04:16Monique, her name was
00:04:18Salwa Ferge
00:04:21Good morning
00:04:22Good morning
00:04:23Good morning
00:04:27Satur, the straw in the stable needs to be changed
00:04:29Straw?
00:04:30I'll finish the porridge right away and head over there.
00:04:32Don't make me repeat myself
00:04:48Those clothes belong to my wife.
00:04:52Yes, I'm sorry
00:04:53But mine is really dirty
00:04:55I thought you wouldn't mind
00:04:56Well yes
00:04:58I care
00:05:01I'm sorry, Gonzalo
00:05:03I didn't want to remind you of Cristina
00:05:04That?
00:05:06Do you remind me of Cristina?
00:05:08Go on, take those clothes off immediately
00:05:11I didn't intend to replace anyone
00:05:18Gonzalo, how is he?
00:05:21Lucrecia
00:05:24Do you remember my sister-in-law?
00:05:26Yeah
00:05:29Daisy
00:05:30I hadn't recognized you like that, so scantily clad.
00:05:44I'm sorry
00:05:45I think I've interrupted something
00:05:50Look, Catalina
00:05:51What I've made up for you
00:05:53No, stop it, stop making things up
00:05:54I still have to fix the house
00:05:56Before I went to work at the palace
00:05:57But look, silly girl
00:05:58I have established a solidarity union
00:06:00Between this simple rag
00:06:02And this simple stick
00:06:04Come on, focus.
00:06:05Focus, we have to close tomorrow
00:06:07Regarding the purchase of the premises
00:06:09Catalina
00:06:09What if we stay as we are?
00:06:11With our barbershop
00:06:12And what about our customers?
00:06:16Floro
00:06:17People with money live downtown
00:06:19Only wretches enter here
00:06:20Yes, but they are our friends
00:06:21And here we have the child's school.
00:06:23The inn
00:06:24Look, Catalina
00:06:25I feel comfortable in this house
00:06:28Oh
00:06:31I was so excited about it
00:06:34I had even already given it a name.
00:06:37Barbershop
00:06:38Catafloro
00:06:42If you don't do it for me
00:06:43Do it at least for our son
00:06:44Let the creature have a chance
00:06:46To get out of poverty
00:06:49You'll see how well things are going to go for us.
00:06:51We're going to live like lords.
00:06:54Go on, you idiot
00:06:55Show me a little bit
00:06:56You know I like to see it
00:06:58But, Catherine
00:06:59We've been at it for almost 20 years now.
00:07:00Together
00:07:01And so much for God.
00:07:03How am I going to teach you?
00:07:04If you've seen it thousands of times
00:07:06Silly
00:07:06I mean the money for the place
00:07:08Hey?
00:07:09As?
00:07:09Man
00:07:11Don't touch anything that brings bad luck
00:07:12Okay, stop talking nonsense, man.
00:07:14I've been here for ten years
00:07:16Trying to raise this money
00:07:17So you can't miss it whenever you want.
00:07:18Yes, let's see.
00:07:19Look
00:07:19As the saying goes
00:07:21Money that looks at
00:07:22Money that flies
00:07:23Look
00:07:23Listen
00:07:25Well, that's it
00:07:27It's getting weirder every day.
00:07:29And then I
00:07:30I don't know what he was thinking
00:07:31When I decided to marry you
00:07:34What a man, God
00:07:38Do you remember?
00:07:40I want you to act like you're actors
00:07:42OK?
00:07:44Come on, let's form groups
00:07:45Your choice
00:07:56You can contact us if you want
00:07:59Seriously, no, no?
00:08:01Oh really?
00:08:02Look
00:08:03We didn't get off to a good start with you.
00:08:04But
00:08:05I want you to know that
00:08:06We are very happy
00:08:07If they stop in class
00:08:09so far
00:08:11You're more than
00:08:20Ah, he's been stung.
00:08:21Out!
00:08:23For someone who doesn't like comedians
00:08:25The blow-up is quite good.
00:08:28Silence
00:08:29Can you tell me what's going on?
00:08:30Stupid commoners
00:08:31They have just tried to kill me
00:08:32They demand punishment!
00:08:34As?
00:08:35No, nobody here is demanding anything.
00:08:36Except for me
00:08:49So you're not going to punish us?
00:09:13Two hundred reales
00:09:14Because of this shit
00:09:16Do you think so? Do I look like a fool to you?
00:09:20Floro, Floro, let's see, what did you want me to bring? With two mulatto women or what?
00:09:24This is what you bought, so this is what I brought you.
00:09:26Look, give me the money, can't you back out?
00:09:28Get a grip, Floro, because the business is good.
00:09:29Of course it's good, in business you have to take risks.
00:09:32What if not? Look, Columbus.
00:09:34What, Columbus? Well, Christopher Columbus.
00:09:36Would anyone give a penny for him? Well, no, not even the finches.
00:09:39And look at the mess I've made.
00:09:40Can you see that's my life savings?
00:09:43Satur, I'm risking my marriage, you know?
00:09:45Let's see, Floro. I'll install it in two hours and double the money you put in.
00:09:49And your wife is going to be thrilled.
00:09:51For that, it's best if he doesn't find out because it will ruin the operation. Okay.
00:09:54Shh! This place is going to be packed, huh?
00:09:57It will be packed!
00:09:57This place is packed!
00:10:00Shh!
00:10:01Oh, sorry!
00:10:10Hey, Aunt Margarita.
00:10:12I'm so glad you're with us.
00:10:15Yes, but I'll leave when you're well.
00:10:18I'm going to stay forever.
00:10:23It's not worth the end.
00:10:24Go!
00:10:25Hey?
00:10:27Hey, I don't know if it's a good idea to give you that flower as a gift, huh?
00:10:33Here it goes!
00:10:34Here it goes!
00:10:35Hey! My little potato!
00:10:36That's proof of it!
00:10:39Guard!
00:10:40That's proof of it!
00:10:41Saloso!
00:10:49Is this it?
00:10:50Yeah.
00:10:52Are you okay, Alonso?
00:10:54Yes, I had dropped this, but this gentleman picked it up.
00:11:03Come on, darling, why don't you go and pay, Juana?
00:11:06Come on?
00:11:07Come on!
00:11:10Thank you.
00:11:11You are welcome.
00:11:16What do you want?
00:11:19Pay me this.
00:11:25You'll see me up to one eye, don't you remember?
00:11:28Besides, you owe me a lot of money, Margarita, a lot.
00:11:32I've been in jail for too long because of you.
00:11:52Commissioner, I've come to demand justice.
00:12:02Want to try?
00:12:03Let's leave.
00:12:05I want the school closed.
00:12:07Those satiated ones have humiliated me again.
00:12:10Take note.
00:12:15If you want, I can close the school.
00:12:17But that's not how you'll earn the respect of those who humiliated you.
00:12:22Wait!
00:12:24Wait!
00:12:26Not bad, huh?
00:12:28Your first shot.
00:12:31Muño, to survive you have to be strong.
00:12:34But above all, you have to look the part.
00:12:37Do you understand?
00:12:39Mister.
00:12:41The detainee.
00:12:44Excuse me a moment.
00:12:50He doesn't want to talk.
00:12:54You make her talk.
00:12:55One way or the other.
00:12:56OK.
00:13:02Here you go, all the main people, to our barbershop.
00:13:05I'll have to update my wardrobe because I won't be like this anymore, as if I were at your inn.
00:13:10What's up?
00:13:10What's with all the birds in your head, being a child?
00:13:12And you haven't even paid for it.
00:13:15Oh, how awful envy is!
00:13:18Oh, Inés, my daughter!
00:13:19I didn't expect it.
00:13:21Let's light some candles for Sandima so that everything goes well.
00:13:30Daisy?
00:13:34Hello, Caterina.
00:13:36Agnes.
00:13:37What happened to your sister was terrible.
00:13:39I've already heard that you're living at your brother-in-law's house.
00:13:41Yeah.
00:13:42I'll be here until Alonso recovers.
00:13:45Well, if Gonzalo has forgiven you for everything you did to him, I'm not going to be the one to say anything.
00:13:50nothing.
00:13:51Gonzalo will never forgive me.
00:13:54I just want my nephew to recover and to be able to go back home.
00:13:56Yes, that will be best for them.
00:13:59Yeah.
00:14:08Catalina, if you could help me.
00:14:12As?
00:14:15I need some money to get back home.
00:14:19We were friends a long time ago.
00:14:23I wouldn't ask you if it wasn't important.
00:14:28Well, honey, you've caught me right now.
00:14:30I'm sorry, okay?
00:14:32But you've caught me at a moment that...
00:14:34No, no, you don't need to give me any explanations.
00:14:36Otherwise, I should have asked you.
00:14:39Forgive me.
00:14:49I'm just shocked by how you treated her.
00:14:51How have I treated her?
00:14:52And he had the nerve to ask me for money.
00:14:54Come on, you need to have...
00:14:56You need to have it for years.
00:14:57And you keep quiet, because you don't know anything about the mass.
00:14:59You don't know the first thing about the mass.
00:15:03Get a divorce!
00:15:04Thief!
00:15:05Thief!
00:15:07A key, a painting, a hermitage.
00:15:09What was the captain trying to achieve by giving me the key?
00:15:12The more difficult the enigma,
00:15:14more satisfaction is achieved by solving it.
00:15:18It's my wife who is dead.
00:15:21This is no fun for me.
00:15:22Not for anyone.
00:15:24The fate of many people is at stake.
00:15:29What can we do now?
00:15:31Try to find the captain.
00:15:32I will look for information about the hermitage.
00:15:35Perhaps that way we'll know what that key unlocks.
00:15:38One of the two has to find the way.
00:15:40No, no, no!
00:16:10Trust me. I'll find that hermitage.
00:16:30Catalina, we need to talk.
00:16:32What a fright, ma'am. What are you doing here?
00:16:34I've come to chat with you.
00:16:36With me, ma'am?
00:16:37Yes. We were born in the same neighborhood.
00:16:42You could almost say that if I hadn't married the marquis, we would be friends.
00:16:45Yes, ma'am.
00:16:47And since we're almost friends, can I ask you to do something for me?
00:16:51Whatever you want, ma'am.
00:16:53You know I have a certain fondness for my son's teacher.
00:16:57That's why I'm worried about his sister-in-law sleeping under his roof.
00:17:00That woman has hurt him a lot in the past and she can do it again.
00:17:04I need your help.
00:17:07But I don't understand how I could help, ma'am.
00:17:10Nothing. Just keep an eye out and let me know if anything unusual happens at that house.
00:17:15But, ma'am, I can't spy on Gonzalo.
00:17:18What did you say?
00:17:20I'm not asking you to spy on anyone.
00:17:25With all due respect, Madam Marchioness, what happens in poor neighborhoods stays in poor neighborhoods.
00:17:30Catalina, you will do what I tell you.
00:17:35Or do I need to remind you that you're part of my service?
00:17:39No, ma'am. It's not necessary.
00:17:42Very good.
00:17:57Alonso, Alonso, look what I've managed to get by buying it from the neighbor for half price.
00:18:08Alonso?
00:18:09It's a horse, Ññigo made it for me.
00:18:11It's faster than lightning.
00:18:17I'm telling you no.
00:18:19That there is much more to it than just lightning.
00:18:22The fact that?
00:18:25Diarrhea.
00:18:27Once I entered the shed like a flash.
00:18:29I lit the candle and I was already down on my own.
00:18:33Two days without underwear.
00:18:34There was no way to get a handle on it, right, Ñigo?
00:18:37Daisy?
00:18:39But, woman, for God's sake,
00:18:40How come you hadn't told me you had a cousin in the village?
00:18:42With the joy that comes from having family close by.
00:18:46Well, I don't know.
00:18:48Satur, would you be so kind as to leave us alone?
00:18:51It's been a long time since I've seen my cousin.
00:18:54Well, it's a pleasure.
00:18:56Equal.
00:18:57What is this?
00:19:06Leave right now.
00:19:08Salt.
00:19:13You're not in a position to give orders.
00:19:17Let me go.
00:19:19Let me go.
00:19:19Tell me what you want and disappear.
00:19:21One hundred reales.
00:19:23Not one less.
00:19:25One hundred reales.
00:19:26But I don't have that money.
00:19:30Would you prefer that I speak with your brother-in-law?
00:19:32Or perhaps what you want is for your nephew to end up paying.
00:19:37Alonso, son, I'm leaving.
00:19:45But, Ñigo, what about the dragon?
00:19:49Maybe another day.
00:19:51I'll see you tomorrow.
00:19:52In the doorways of Codo Street.
00:19:54At noon.
00:19:56Don't miss it.
00:20:00But we'll meet again.
00:20:05It depends on your aunt.
00:20:06If she wants to.
00:20:08Yes, please, aunt.
00:20:11Please.
00:20:21Well, it's a shame we're leaving here.
00:20:22You have no idea how bad things are getting in the neighborhood.
00:20:24Margarita comes and asks me for money.
00:20:26And the marchioness tells me that I gossiped about Gonzalo.
00:20:29What do you think?
00:20:30Yes, darling, whatever you say.
00:20:33But how many centuries are we women going to have to wait before we stop listening to our husbands?
00:20:40You look strange.
00:20:41I don't see you plotting anything.
00:20:44Could it be because of the new barbershop?
00:20:47What if I'm not up to the task, huh?
00:20:49Because everyone here knows me.
00:20:51If I get carried away and cut off an ear, well, you just sew it on and that's it.
00:20:55Well, that happened to you once, with the baker.
00:20:59No, Catalina.
00:21:00Savings should be left alone.
00:21:02There is no time to invest.
00:21:04But you, leave the business to me.
00:21:07Hush, every time I think about us leaving here, I get all hot and bothered.
00:21:12And what about the fact that summer has come early, Catalina?
00:21:14Summer.
00:21:16That's because I imagine you and me dressed as courtiers.
00:21:20I'm going crazy, I'm going crazy, crazy, crazy, crazy.
00:21:27And Galileo, teach me how the earth moves.
00:21:31How it moves.
00:21:32How it moves.
00:21:34How it moves.
00:21:39Well, move, move.
00:21:41As far as movement goes, it hasn't moved much.
00:21:45I already told you I was worried.
00:21:47Already.
00:21:48And El Cid was dead and yet he was still winning battles.
00:21:52Well, I'm going to the tavern because I have something inside me that I don't know what it is.
00:21:58It happens to me, Catalina.
00:22:01Fluff?
00:22:01Yeah.
00:22:03You're not hiding something from me, are you?
00:22:06Hanging corpses from the church is a stupid thing we cannot afford.
00:22:11He's getting ahead of us.
00:22:12And getting rid of the king is risky enough.
00:22:16The commissioner's behavior is intolerable.
00:22:18We need to take action.
00:22:19And what do you plan to do?
00:22:25To dispense with my services.
00:22:28That's a luxury you can afford.
00:22:34We could try it.
00:22:37Enough!
00:22:40Commissar.
00:22:42You have a lot at stake too.
00:22:44If our mission succeeds, you will enjoy great power in the new government.
00:23:04I'm starting to get tired of being treated like a servant.
00:23:10Remember that there are people in this room who are much more important than you.
00:23:14Be mindful of your actions.
00:23:17And your words.
00:23:19Their patience has its limits.
00:23:27Do what they asked of you.
00:23:30Kill the Red Eagle and you will have a place among us.
00:23:33Thank you.
00:23:36Thank you.
00:25:11I said nobody should leave.
00:25:14I need you to cooperate with the justice system.
00:25:16It seems that he's been seen a lot in this part of town lately.
00:25:20Has anyone seen her? Or knows anything about him?
00:25:25I see you don't want to cooperate.
00:25:27Everyone to the wall! Let's go!
00:25:37You!
00:25:38Hey?
00:25:38To the wall!
00:25:40Look, your honor, my finger is stuck!
00:25:43And the more I shoot
00:25:45It clogs up even more
00:25:49Help that poor man with your finger
00:25:57Not the finger! Not the finger!
00:26:05Take that one, that one, and that one away.
00:26:10No
00:26:12To the teacher and his friends, right?
00:26:20Come on
00:26:48Daisy
00:26:52Gonzalo, you gave me such a fright!
00:26:54What are you doing messing around with my things?
00:26:57I thought that the dress incident had made it clear.
00:27:01No, I was, I was cleaning a little.
00:27:04And I couldn't resist picking it up.
00:27:07I wanted to see him again
00:27:10It belonged to my mother
00:27:12And she gave it to your sister
00:27:14Yeah
00:27:16I got really angry
00:27:19She let it give her more light
00:27:22He always said that Cristina lit everything up
00:27:25Yes, she did.
00:27:29Gonzalo, it's been a long time since then.
00:27:31Will you never forgive me?
00:27:37What we had doesn't matter anymore.
00:27:45What worries me now is Alonso
00:27:51If something were to happen to me
00:27:54You would take care of him
00:27:56But...
00:27:56But why do you say that?
00:27:58Tell me, would you do it?
00:27:59Of course, Gonzalo, I would never leave him alone.
00:28:01But I don't understand what that question is about.
00:28:03Is something wrong?
00:28:08Thank you
00:28:12Put it away in its place
00:28:18Daisy
00:28:21Next time ask me permission
00:28:44Hey, look here
00:28:57Stop the strike!
00:29:00Children
00:29:01We're still here
00:29:17Standing
00:29:18Standing
00:29:20Nice lesson
00:29:21But if you'll allow me
00:29:22Mr. Teacher
00:29:23There are more practical things.
00:29:25That your students should know
00:29:28Much more practical
00:29:31Today I'm going to give you the class
00:29:33Sit down
00:29:35It's fortunate that the commissioner
00:29:37It is now being addressed through education
00:29:40I am a servant of the people
00:29:42Don't forget it
00:29:45Okay, kids
00:29:46What do you think is the most important thing that men have?
00:29:50The money
00:29:51The value
00:29:51The food
00:29:54No
00:29:55No
00:29:55The most important thing we have are the laws.
00:29:57We couldn't live without them.
00:29:58We would devour each other like animals
00:30:03That's why there have to be people
00:30:05Let them make sure that they are fulfilled
00:30:08Like the teacher did with that child
00:30:13Gabi
00:30:14Sit down
00:30:20That is my duty as commissioner
00:30:23Punish the criminals
00:30:24So that you may all live in peace
00:30:28And don't think I like it
00:30:29No
00:30:30I wish there were no crimes
00:30:33I would love not to have to punish anyone
00:30:39It has been a very interesting lesson
00:30:41And remember the most important thing
00:30:43All
00:30:44We must all respect the law
00:30:48Including the commissioner
00:30:51The lesson is not over yet.
00:30:59Finish it!
00:31:11The lesson is not over yet.
00:31:55What cans stuck together looked like a bedbug?
00:31:58It stings, you cut yourself even on the little lobes of your...
00:32:01Hose?
00:32:08Phew! What a nuisance!
00:32:10Now I'm starving all day.
00:32:12I'm going to starve!
00:32:14But you're going to eat my fist.
00:32:17Come on, leave it.
00:32:26What do you think of this defense?
00:32:29What are you doing, crazy?
00:32:30Let that go!
00:32:32Now I give the orders.
00:32:34Don't play with that, kid.
00:32:38You're right, Gaby.
00:32:40Let's stop playing games.
00:32:41What do you think about me inviting you to lunch?
00:32:43We are not hungry.
00:32:46Look, Gaby.
00:32:47There's the first course.
00:32:54I'm not going to eat a cowpat.
00:32:57Oh really?
00:33:01It won't be that bad.
00:33:03Isn't that horse dung that we commoners ate every day?
00:33:05Okay, go ahead and eat it.
00:33:07Go ahead, eat it.
00:33:38If his teeth are better than a horse's, how am I supposed to extract his tooth?
00:33:43Does she want Catalina to extract something else from you?
00:33:45Or do you make money and recover your savings?
00:33:47And he won't lack the tools to fix your basses, Floro.
00:33:50Come on.
00:33:51Hey, is all this necessary just to shave my beard?
00:33:54Well, look, I wouldn't say no to shaving your beard.
00:33:57Now, what he really needs are his teeth.
00:33:59But what do you mean, molars?
00:34:01But if...
00:34:01Well, and who are you?
00:34:03I am...
00:34:05Dr. Saturno Garcia.
00:34:07I don't know if you've heard of me.
00:34:09I am quite an expert when it comes to teeth.
00:34:11Yes, yes, but look, I have the dictatorship perfectly, perfectly.
00:34:15The well sings, pulling you back.
00:34:17So, my experience tells me that it may be a faulty part.
00:34:22Open your mouth.
00:34:23No, open your mouth.
00:34:27Come on, come on, come on.
00:34:28Be quiet.
00:34:29Let it be still, it's better to remove it immediately.
00:34:33Lest the infection go to his head.
00:34:35I'll bring some anise for the pain.
00:34:38I'm kicking out an Antillean, you're kidding me.
00:34:40This is like a little tug of orange juice.
00:34:47That's it, that's it, that's it, huh?
00:34:49That's two maravedis.
00:34:51And if I remove the wisdom teeth, I'll give you a special price.
00:34:53Judgment?
00:34:55Am I going to sue you, you piece of trash?
00:34:58The thing is, I had healthy molars and it almost destroyed my jaw, man.
00:35:06You've screwed up, you fool.
00:35:08I know you can't be that aggressive.
00:35:10It doesn't matter, my marriage is falling apart and there's nothing I can do.
00:35:15Maybe something can be done, Floro.
00:35:18You know how to make romantilla, don't you?
00:35:26Is there anything you can tell me about the teacher's sister-in-law?
00:35:29Or do you want to continue protecting her?
00:35:31No, ma'am, not if it's not to protect her.
00:35:33They lead a very quiet life.
00:35:36Boring, I'd say.
00:35:37Like all of us who live downstairs.
00:35:41So, do you think their relationship is good?
00:35:44In my humble opinion.
00:35:52What do you think?
00:35:55Ma'am, it's the necklace the teacher's wife wore on her wedding day.
00:36:00A family jewel.
00:36:03Do you think Gonzalo cares about him?
00:36:05Of course, ma'am, he has very few memories of Cristina.
00:36:09Well, Margarita had pawned it.
00:36:12I got it back from the pawnbroker's shop myself.
00:36:16So that from now on you'll think about who you should help and who you shouldn't.
00:36:21Anyway, here you go.
00:36:23For the inconvenience.
00:36:25Well ma'am, I couldn't...
00:36:26What's up, Cata?
00:36:28You're not going to accept my money either?
00:36:30Take.
00:36:34Thank you, ma'am.
00:36:39You couldn't wait for me to finish breakfast.
00:36:44Do you know that I can't stand being bothered while I'm eating?
00:36:48Did you send for me?
00:36:52You've been very present at our meetings lately.
00:36:57And not for the better, precisely.
00:37:01If my plan works, you'll have Aguilar Roja in a matter of hours.
00:37:05Your plan?
00:37:07Nothing disturbs a vigilante more than the suffering of the innocent.
00:37:11It's beautiful.
00:37:13Have it engraved with your sword.
00:37:17I have arrested a group of scoundrels for collaborating with Aguilar Roja.
00:37:20He's masked; they'll soon come to my headquarters to free them.
00:37:24I'll be waiting for you.
00:37:29I like the way it sounds.
00:37:57Where did you get it from?
00:38:03I found it by chance in a loan shark's shop.
00:38:07I couldn't help but notice that necklace.
00:38:15It belonged to my wife.
00:38:18I knew it as soon as I read the inscription.
00:38:29I know you would be incapable of selling something like that.
00:38:32No matter how rushed you were.
00:38:36That's why I asked the seller how that necklace had come into his possession.
00:38:42Well?
00:38:45He told me he sold it to a young, dark-haired, attractive woman, a petty thief no doubt.
00:38:58You need to be more careful with what you have at home.
00:39:21Well, that's it.
00:39:23Two parts of Moriles wine, one part of denatured alcohol, and two kilos of sugar.
00:39:27There it is.
00:39:30God willing, the buyer won't realize we're ripping him off.
00:39:47I can assure you, gentlemen, that this doesn't taste anything like Ron.
00:39:51But come on, hang me if it isn't amazing.
00:39:59Paris, I think I'm a little tipsy.
00:40:01Tipsy?
00:40:01You're so drunk you could make the Marquis of Cáceres jealous.
00:40:05But do you know how much, how much of the bottle has been drunk already?
00:40:07The merchandise must be tested before being sold, Floro.
00:40:10Okay, come on, there's no time to lose.
00:40:12Bye bye.
00:40:13Hello good.
00:40:16Hi how are things?
00:40:17Do you get it?
00:40:19Nothing.
00:40:20At your feet, go.
00:40:21Come on.
00:40:23What smells like?
00:40:24What have you been drinking?
00:40:25Nothing, he's just feeling a bit under the weather and we're going to get some fresh air right now.
00:40:29What do you mean, "are we going," Floro?
00:40:30We need to go and see the new barbershop location.
00:40:34It's best not to today.
00:40:37Now we have a matter of...
00:40:42a man's business.
00:40:43But what's the matter?
00:40:43If you're drunk.
00:40:44Well, men's business, that's what it is, men's business.
00:40:49You, madam, cannot understand it because you are not a man.
00:40:54Although it may sometimes seem that way.
00:40:58Okay, Catalina, don't worry, I'll explain it to you later, okay?
00:41:17Twelve reales.
00:41:26Are you getting ready for me?
00:41:33I need more time.
00:41:34I can't get one hundred reais overnight.
00:41:38Give me a week and I'll get you what you're asking for.
00:41:41You know it.
00:41:43A week.
00:41:47Twelve years old, Margarita.
00:41:49I've been rotting in a dungeon for twelve years.
00:41:53It was my husband's doing, and you know it.
00:41:55No, not you and your husband.
00:41:57I paid for the three twelve years.
00:42:01If I can get the money you're asking for.
00:42:03I promise you.
00:42:05I've been very lonely, Margarita.
00:42:14But now I feel better.
00:42:16Do you know why?
00:42:20Your nephew.
00:42:23I like watching him, you know?
00:42:26When he leaves home.
00:42:27Or when he goes to school.
00:42:31When I'm near him,
00:42:33I don't feel so alone anymore.
00:42:40Forget about him.
00:42:41No, no, no, no.
00:42:50I can make you feel less alone.
00:42:53Let go.
00:42:54Turn.
00:42:57Listen.
00:43:04I know that you and I can understand each other.
00:43:10One night.
00:43:14Two nights, if necessary.
00:43:18It's a good deal.
00:43:21Don't you think so?
00:43:30And one more thing, Satur.
00:43:33At nightfall, wait for me with the horses in front of the barracks.
00:43:38With so many barracks and so many horses
00:43:40We're not making enough to cover up these issues, boss.
00:43:44And let's see if he takes a little more care with his suit.
00:43:47That I come back from the missions feeling like an ezeomo.
00:43:52No, leave me alone, this needle has no hole.
00:43:55Have you been drinking?
00:43:59Man, drink, drink?
00:44:00What do you mean by drinking?
00:44:05Demon of man.
00:44:07I just can't get used to these posts.
00:44:09What are you doing?
00:44:10I've located the door that opens onto that street.
00:44:15Thank you very much, Agustín.
00:44:21But now I can't.
00:44:24Commissioner and Mejías are imprisoning innocent people
00:44:26accusing them of being my accomplices.
00:44:28He's provoking you, Gonzalo.
00:44:30He knows you're going to rescue them and is waiting to kill you.
00:44:33Even so, I must take the risk.
00:44:35I know they will start implementing them soon.
00:44:37What if you get captured?
00:44:41And then?
00:44:43Should I let more innocent people die?
00:44:45to solve my wife's murder?
00:44:47The conspiracy goes much further, Gonzalo.
00:44:50It's not just the murder of your wife.
00:44:56So what options do I have left?
00:45:08Sir, can't you see the magpie that gives up its eggs?
00:45:21Well, calm down, Catalina, it won't be that bad.
00:45:24Ah, it can't be that bad.
00:45:26First, he is incapable of lying with his wife.
00:45:28Second, he leaves with his drunken buddies
00:45:30instead of coming with me to see the new place.
00:45:32And third, this.
00:45:38What is this?
00:45:40That's what's left of my savings.
00:45:43Wow, I thought you were going to open a barbershop in a dive barbershop.
00:45:46I don't know, this man.
00:45:48What's happening to him is something I don't know.
00:45:50I know.
00:45:52Let's see.
00:45:54You say he's not lying down and that he's spent all your savings, right?
00:46:03Well, Catalina, I don't mean to scare you, but...
00:46:05Come on, let's...
00:46:06How white and enchanting.
00:46:10That?
00:46:11Well, your flower has a flowerpot.
00:46:14A maceba?
00:46:15Yes, or a family, with their children and everything.
00:46:24Don't look at me like that, it happens.
00:46:26No, woman, no.
00:46:27That my friend would never do such a thing to me.
00:46:31Oh, no?
00:46:32Well, there's only one way to find out.
00:46:35As?
00:46:37Follow him.
00:46:38Oh, no, no, no.
00:46:40I am incapable.
00:46:52Here I am.
00:46:52It was about time.
00:46:53I thought I had ripped you off.
00:46:55You've heard of the horror, haven't you?
00:46:56It's nothing compared to the mess in that house.
00:47:00Between the father, the child, the aunt, the other.
00:47:05Let's go inside.
00:47:14What house is that?
00:47:15I don't know.
00:47:21Excuse me, sir.
00:47:23Could you tell us which house that is?
00:47:24That?
00:47:25The frog's trickery.
00:47:27The best brothel in town.
00:47:39This place is full of ladies on their legs.
00:47:42There are more chicken thighs here than at Ramiro's chicken shop.
00:47:46They're like prostitutes, that kind of thing.
00:47:48Does he deserve what?
00:47:50Whores.
00:47:51They're whores.
00:47:52This is a brothel, isn't it?
00:47:53I don't know what.
00:47:54We have to go sell, we have to go buy.
00:47:56But I am a married man, completely.
00:48:00Like everyone else here.
00:48:02Go on, throw it.
00:48:16The tripe is always late.
00:48:21What are you doing?
00:48:22Hey?
00:48:22Let me go?
00:48:23My calluses have arrived!
00:48:25Let me go!
00:48:26Come on, go away, go away.
00:48:29Let's see if you dare to do the same to me as you did to them.
00:48:32You're crazy, commoner.
00:48:35Leave me alone or I'll shoot you.
00:48:39You wouldn't dare.
00:48:45Leave it be, Alonso.
00:48:49I'm not afraid of you.
00:48:52Well, you should.
00:49:11Don't hurt me, I beg you.
00:49:13Look, you're in luck this time.
00:49:15But you're not coming near my friends again.
00:49:20Lots of talk about nobility, lots of talk about nobility, but when it comes down to it, nothing, huh?
00:49:23Go on, grab your little pistol.
00:49:25Tell me, you'll fit through the fabric wherever you want.
00:49:27Why, my God?
00:49:28You're not going to shoot me.
00:49:29Nothing is happening.
00:49:30Nothing is happening.
00:49:31Nothing is happening.
00:49:32Nothing is happening.
00:49:41Hey, Nuño.
00:49:43Don't get like that.
00:49:45We can be friends.
00:49:47You don't need a gun.
00:49:49Leave me alone! Don't touch me!
00:50:13Bema, ma'am!
00:50:14Haven't you taken anything like that?
00:50:16His stockings are going to fall off because he's so good-looking.
00:50:19Bema, ma'am!
00:50:31He is not from the Antilles.
00:50:35But I like it.
00:50:40How many barrels do you have?
00:50:42Hundreds, dozens. Come on, as many as you want, you whore, as many as you want.
00:50:45So let's drink to that.
00:50:47Come on!
00:50:56It's not those two ladies!
00:50:58Our ladies.
00:51:00Our ladies, Floro.
00:51:01Our ladies.
00:51:02Catalina, this is not what it seems.
00:51:05Don't you dare, Floro! Don't you dare!
00:51:15I can hardly remember when it stopped.
00:51:18I'm afraid of forgetting her.
00:51:22You won't forget her.
00:51:24Hey?
00:51:26Did your mother ever tell you what we did to steal chickens?
00:51:30Did my mother steal chickens?
00:51:31Clear.
00:51:33Your mother and I were terrible when we were little.
00:51:35And how did you do it?
00:51:36Well, when it got dark, your mother would sneak into the chicken coops and pass the hens over the wall for me.
00:51:41But you were never caught then.
00:51:43Never.
00:51:45Hey?
00:51:45We were the fastest.
00:51:47Although we did get a few stings.
00:51:53Gonzalo, I'm not going to get involved.
00:51:54Palons, son.
00:51:56Go outside and play.
00:51:57I want to talk to you, Margarita, alone.
00:52:00No.
00:52:02Come on.
00:52:03Come on.
00:52:10Gonzalo, I have to go out.
00:52:11Margarita, wait.
00:52:12I go to church.
00:52:14Isn't it a little late?
00:52:15I'll be right back.
00:52:40I knew you were coming.
00:52:46I've always liked Margarita a lot.
00:53:02Together we can be very happy.
00:53:24Don't resist.
00:53:26I know you're as eager as I am.
00:53:34What were you going to do?
00:53:35Daughter of Satan!
00:53:36Hey?
00:53:39Don't hurt me, please.
00:53:42You're going to regret deceiving me.
00:53:48You weren't born so quickly.
00:53:49But what?
00:53:54Come!
00:54:00Still!
00:54:01Bye bye!
00:54:05Back!
00:54:14Nothing will happen if I cut his throat!
00:54:17Aaah!
00:54:19Oh!
00:54:19Oh!
00:54:20Oh!
00:54:21Oh!
00:54:21Oh!
00:54:22Oh!
00:54:23Oh!
00:54:24Don't go! Don't go! Don't go!
00:54:28You make me feel alone.
00:54:47Maybe you should see a doctor. That cut doesn't look good.
00:54:52No, it's nothing.
00:54:57The red eagle.
00:55:00When I tell my nephew Alunso, he won't believe it.
00:55:04He talks about you all the time.
00:55:09Who was he?
00:55:13The one who attacked you.
00:55:15You knew him, didn't you?
00:55:18He was a former business partner of my husband.
00:55:21A criminal.
00:55:24Together prepared for the robberies.
00:55:28Is your husband a thief?
00:55:31Yeah.
00:55:34We've been living like this for years.
00:55:39One day...
00:55:40One day...
00:55:41We live in a city, one day a robbery,
00:55:43Another scam...
00:55:45And so it goes until they discover us and we have to run away.
00:55:51And you?
00:55:53Are you a thief too?
00:55:58I am a thief, a whore, or something worse.
00:56:05I have stolen from my own family.
00:56:09I sold my dead sister's necklace.
00:56:17All I wanted was for them not to get hurt.
00:56:23Alonso and my brother-in-law Gonzalo are the only ones I have left in the world.
00:56:28All.
00:56:30Anyway,
00:56:32Don't tell your brother-in-law anything.
00:56:35If I were him, I don't know if I would understand you.
00:56:39Gonzalo will never forgive me.
00:56:43No matter how hard you try,
00:56:46You can't hide from the past.
00:57:15For a moment I thought he had changed his mind.
00:57:18But I see that's not the case.
00:57:19that you are more stubborn than a mule.
00:57:20Did you believe what I told you?
00:57:22Yeah.
00:57:27Come on.
00:57:28The detainees are a decoy
00:57:30to catch him.
00:57:36If he is going to certain death,
00:57:37He doesn't realize it.
00:57:39It's unbelievable that you're a teacher.
00:57:41First lesson: stay alive.
00:57:43There has to be another solution.
00:57:45Sato, I can't hide
00:57:46while here they kill innocent people.
00:57:48Yes, go ahead.
00:57:48Take your family and move to another city.
00:57:51I suppose you could go to Isla Roja somewhere else.
00:57:54Wait here until he releases the detainees.
00:57:56Then go home.
00:57:57And if I haven't returned before midnight,
00:58:00You know what you have to do.
00:58:02You remember, right?
00:58:05I have to clean the house and erase any trace related to the Red Eagle.
00:58:11Under the trunk there is a hard coin with money at the bottom.
00:58:15Come to the house and take Alonso and Margarita with you.
00:58:19No, no, let's do something else.
00:58:22I'm going to dress up as Red Eagle, I'm going to show up there.
00:58:26And if they kill me, let them kill me.
00:58:27I'll take someone down with me.
00:58:30Sato, listen.
00:58:30No, sir, besides, I owe it to you.
00:58:33Anyway, I'm already dead.
00:58:35You saved me to give me an extension,
00:58:36But I'm already dead, so that's the matter settled.
00:58:39Sato, shut up.
00:58:41At least let me go with you.
00:58:44That commissioner is a real jerk.
00:58:51You must take care of my family.
00:58:55That's the most important thing now.
00:59:01Take care, teacher.
00:59:03You too, Sato.
00:59:07Take care of yourself.
00:59:10Take care of yourself.
00:59:51Why are you free?
01:01:26Exit through the courtyard.
01:01:56Leave it, I have it where I wanted it.
01:02:02You let me talk, okay?
01:02:06These things need to be handled in person, through civil contact.
01:02:10Don't exaggerate, Flor, because they were in the heat of the moment, but they've already realized on their phones that it hasn't
01:02:14It's been so bad.
01:02:21Darling, Cata!
01:02:24What do you want?
01:02:26Catalina, my darling, it's all been a misunderstanding.
01:02:28A misunderstanding? A misunderstanding and I caught you with your hand on some hooker's breast?
01:02:32And the other one in the wine glass?
01:02:33But, woman, things are not always what they seem.
01:02:35Don't move. Savings aren't what they seem.
01:02:38What have you done with them, you rascal? Spend them?
01:02:40Yes, but what...
01:02:41Yes, in a brothel!
01:02:42Well, that too, but the thing is, we were going to do business.
01:02:45A business? I know your business. A cuarro!
01:02:48Oh my God!
01:02:50Firm hand.
01:02:53Catalina.
01:02:55Your things!
01:02:56But, my darling...
01:02:57There you have them!
01:02:57Why are you acting like this?
01:02:58I don't want to see you again.
01:02:59But, Catalina, please.
01:03:00I don't want to see it again.
01:03:02No, not alchemy test tubes.
01:03:04For your mother's sake, darling. Not the alchemy test tubes.
01:03:07Firm hand.
01:03:10Henpecked husbands.
01:03:11I told you.
01:03:15Agnes!
01:03:16Get off now!
01:03:17Your husband sent it to you!
01:03:27Agnes!
01:03:29Inés, I'm not moving from here until I get out!
01:03:31I'll lose her!
01:03:38Urine.
01:03:39Who has been urinating on me?
01:03:44Thank you!
01:03:57Inés, I'm not moving from here!
01:05:35Wait, wait!
01:05:36Listen!
01:05:37Does!
01:05:37Hey! Hey!
01:05:38Have you seen it here on La Roja?
01:05:40He's alive!
01:05:40I don't know anything!
01:05:41Hey!
01:05:41He's alive!
01:05:42I think he's dead.
01:05:44No, no, no, no, no.
01:06:14No, no, no, no, no.
01:06:42No, no, no, no, no.
01:07:12No, no, no, no, no, no.
01:07:42No, no, no, no, no, no.
01:08:11You deserve to be killed with my own hands.
01:08:42You deserve to be killed with my own hands.
01:08:43It has disappeared from my sight.
01:08:46Come on!
01:09:27Why have you left, sir?
01:09:32I'm going to miss him.
01:09:45This is as far as it goes, this is as far as it goes.
01:09:48Hey, you!
01:09:53Where is my master?
01:09:53What have you done to him?
01:09:56You won't catch me without a fight.
01:10:11It's me, Sato!
01:10:12I'm Gonzalo!
01:10:15Come on!
01:10:18Come on!
01:10:18Come on!
01:10:18He's alive!
01:10:20Come on!
01:10:21Come on!
01:10:22Come on!
01:10:34Sato!
01:10:36Sato!
01:10:38Gonzalo!
01:10:40Gonzalo!
01:10:41Gonzalo!
01:10:41Gonzalo!
01:10:42Daisy.
01:10:42What's happening?
01:10:43Where is Gonzalo?
01:10:44What's happening?
01:10:45Where is Gonzalo?
01:10:46I need to talk to him.
01:10:48Gonzalo!
01:10:49Lady.
01:10:50Gonzalo.
01:10:51What is this?
01:10:54It belongs to Alonso.
01:10:56What happened?
01:10:58Daisy.
01:10:58What's happening?
01:11:00I think that's where Alonso is.
01:11:02Where is my son?
01:11:05Where is my son?
01:11:06Where is my son?!
01:11:06I've been out on the street, I've looked everywhere for him, but I don't know where he is.
01:11:12Gonzalo, I have to explain to you.
01:11:13You stay here, Gonzalo.
01:11:14I'm going with you.
01:11:15No.
01:11:16You stay here.
01:11:16You've done quite a lot, don't you think?
01:11:17Gonzalo, please!
01:11:19That man is crazy.
01:11:20The note is addressed to me.
01:11:22Otherwise, I'm going to run away from killing him.
01:11:26Satur, stay here.
01:11:27And stay alert.
01:11:45No.
01:11:46No.
01:11:47No, please.
01:11:47No.
01:11:48Get me out of here!
01:11:50Get me out of here, Father!
01:11:52No.
01:11:53No.
01:11:54No.
01:11:54Don't fade away.
01:11:56Yes.
01:11:56Okay.
01:11:59Please!
01:12:04Please!
01:12:11No.
01:12:13No.
01:12:13Please!
01:12:14Call me out of here, Father!
01:12:17Father!
01:12:19Father!
01:12:21Father!
01:12:30Father!
01:12:35Father!
01:12:35Father!
01:12:39Father!
01:12:41Give me back my son!
01:12:47You're very funny, Gonzalo.
01:12:50Do you think you're in a position to ask me for anything?
01:12:55Your son is going to die.
01:12:59Gonzalo, please.
01:13:18Gonzalo, please.
01:13:30Gonzalo.
01:13:31Gonzalo.
01:13:41Gonzalo.
01:13:43Gonzalo.
01:13:45Gonzalo.
01:13:46Gonzalo.
01:13:53No, no, no, no, it's not right, it's not right.
01:14:10I love it when a beautiful woman wakes up next to me.
01:14:17Where is the child?
01:14:19Oh, now you're worried about him?
01:14:22You didn't hesitate to put his life in danger and now you're crying for your nephew.
01:14:26What have you done to me?
01:14:30Don't worry, is he alive?
01:14:33At least for now.
01:14:35Where is?
01:14:37It's very close, Margarita.
01:14:39A few meters away.
01:14:42Yeah.
01:14:43No.
01:14:46He is in his tomb, which I made for him with all my love.
01:14:48It even has its own box, you know?
01:14:49His coffin.
01:14:51No, yes.
01:14:52Get him out of there, murderer!
01:14:53Take it out!
01:14:54Ah, no, things aren't that easy.
01:14:59Gonzalo, Gonzalo.
01:15:01Things aren't that easy.
01:15:06Let me go.
01:15:07Let me go, you wretch!
01:15:08Touch me!
01:15:10Look, Margarita, I'm going to leave you this axe.
01:15:14With it you can cut the chain.
01:15:17The problem is that your nephew has been buried for too long, you know?
01:15:20And I don't think I can hold out much longer.
01:15:23I haven't heard him shout for a while now.
01:15:26Poor thing.
01:15:26Wait for me.
01:15:29Wait for me.
01:15:30Here, Margarita.
01:15:34Good luck.
01:15:40A piece of advice.
01:15:43If instead of cutting the chain, you cut off your foot, it will take much less time.
01:15:51And then maybe you'll arrive in time.
01:15:55Look, I invested all my savings in buying some barrels of rum, huh?
01:16:02And then sell this for much more money to the brothel, huh?
01:16:08It is bought at one price and then sold for much more.
01:16:12And the difference is what you gain, you understand?
01:16:14Yes, that's what you call a benefit.
01:16:16Well, the point is, tell your mother about it.
01:16:20And tell him it's all true, okay?
01:16:23And tell them too that I love you more than anything in the world.
01:16:29And I kiss the ground you walk on.
01:16:34Yes, he did.
01:16:40Oh.
01:16:42I just swept, and it's already making the floor dirty.
01:16:45But, Catalina, let me explain.
01:16:47No, no, no, I've already heard that explanation.
01:16:49And you expect us to believe in that battle?
01:16:52It's true.
01:16:53I'm not lying, Floro should die.
01:16:56Well, I'll see if I forgive you.
01:16:58For now, open the barbershop; you'll be working nonstop until you've recovered all the money you lost.
01:17:03You've lost.
01:17:04And you, to the inn.
01:17:08You're better off apart.
01:17:23Daisy.
01:17:25Daisy.
01:17:28Where is?
01:17:30Health.
01:17:30And Alonso.
01:17:32I'm...
01:17:33I'm locked in.
01:17:34Take it out.
01:17:35Take it out, please.
01:17:36Take it out.
01:17:44Take it out.
01:17:46Take it out.
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01:22:02I open it!
01:22:18I open it!
01:22:21Help, in case you need anything. It must have been very hard having to kick Margarita out of the house.
01:22:29Gonzalo, have I prepared breakfast yet?
01:22:31The Marchioness has come to visit us.
01:22:39Marchioness, if you'll excuse me, I have a lot of work to do.
01:22:48I see that he has become strong in your house.
01:22:53You don't even care if he steals from you.
01:22:55We poor people only have our families to help each other.
01:23:00Being poor is one thing, being stupid is another.
01:23:04Be careful, Gonzalo, it's not what it seems.
01:23:08I'll keep that in mind.
01:23:12And thank you for your concern.
01:23:34Mother of beautiful love, we are going to make a pact in the wild beasts, you will see.
01:23:39Don't worry.
01:23:45Come on.
01:23:52Low.
01:23:56Yes of course.
01:23:58You, being the hero, went with a sword and everything.
01:24:03If I were a poor, unarmed servant afflicted with rheumatism,
01:24:07You can tell me how quickly I was going to go down and how peaceful I was going to be.
01:24:10Shh!
01:24:11Come on!
01:24:26Come on.
01:24:36The key.
01:24:37The key, which key?
01:24:39Ah, the key, I gave it to him, did you take it?
01:24:41No, you brought it.
01:24:42I?
01:24:43No.
01:24:44I remember perfectly that before leaving the lair I told him, master, here is the key.
01:24:48Did I give it to her?
01:24:48Did I give it to her?
01:24:49No, no, I'm going to say, I gave it to her.
01:24:51I don't have the key.
01:24:52What about me, what, what key?
01:24:54Don't have.
01:24:56The key.
01:24:59Okay, but this key isn't for the door to...
01:25:01Yes, this is the key, isn't it?
01:25:03Yeah.
01:25:30If I want to get into the corner school, I'm going to have to train.
01:25:33Saturn?
01:25:35My son, have you returned from the war?
01:25:36Are you going to take the tests at the Carranza academy?
01:25:38You are unable to find an unarmed defector.
01:25:41I don't care what he's done.
01:25:42He is my son and I don't intend to give him up.
01:25:44I loved your mother very much.
01:25:46I would like to have a family like yours.
01:25:48Can you tell me why you hate me so much?
01:25:50Do I have to remind you?
01:25:53Sooner or later I will find him.
01:25:55Valde Peñas?
01:25:56It's blood.
01:25:57Nuño, what do you know about Juan and me?
01:26:00I.
01:26:00It's a cursed place.
01:26:02It is full of suffering souls and ghosts.
01:26:07That Margarita was the greatest horror I have committed in this life.
01:26:10Like father, like son.
01:26:13Well, I've just reunited with my first love.
01:26:18If you looked at me just once the way you look at him, that would be enough.
01:26:24I had the duel with the teacher.
01:26:30But at least I haven't dressed the garterana.
01:26:32Thank you!
01:26:35Thank you!
01:26:41Thank you!
01:26:43Thank you!
01:26:44Thank you!
01:26:45Thank you!
01:26:46Thank you!
01:26:46Thank you!
01:26:47Thank you!
01:26:47Thank you!
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