- hace 12 horas
Categoría
📺
TVTranscripción
00:00:28No!
00:00:30Yes, it's not my mother's.
00:00:31I never want you to follow me again.
00:00:33Yes, son!
00:00:35Now we have to discover what this ring has that would make someone willing to risk their life.
00:00:39Look at the ring.
00:00:41Look this way.
00:00:42The symbol of the lodge can be discerned.
00:00:45It seems the teacher was very fond of his sister-in-law.
00:00:47Now that they live together, it's only a matter of time before all that resurfaces.
00:00:50But that's precisely what they won't have.
00:00:53Time.
00:00:53I have offered her the job of being my seamstress.
00:00:56Don't you think it's a good idea?
00:00:58You'll see.
00:00:59You'll feel right at home.
00:01:05Although I've tried, I can't forget you.
00:01:07Sometimes I think that maybe I let myself be carried away by jealousy.
00:01:10And I didn't even let you explain.
00:01:12Please, Catalina, I'm sure that letter was for me.
00:01:15I love you, Margarita.
00:01:17And I know I will never be able to forget you.
00:01:21Lucrecia, when I went to Seville, did you continue seeing Gonzalo?
00:01:25What's the point of dwelling on the past, my dear?
00:01:28As far as I'm concerned, you and I never separated because we were never together.
00:01:33Lucrecia, I shouldn't have distrusted you.
00:01:35Your stubbornness in getting rid of that woman could jeopardize the cause.
00:01:39You're so blind that you don't even realize that she still loves you.
00:01:44You and me, always.
00:01:48Gonzalo.
00:01:48No matter how many times you read that letter, it will never be for you, Lucrecia.
00:01:52Never.
00:01:53What did it say?
00:01:54This is the most powerful one.
00:01:56Lethal and without antidote.
00:01:58It is so effective that it only needs to touch the victim's lips and death will appear natural.
00:02:02Did you send for me?
00:02:04Yeah.
00:02:04Do you know what it must be like for an ordinary mortal?
00:02:06Follow a hero who goes from rooftop to rooftop?
00:02:08Another beating, son.
00:02:10Regardless.
00:02:13To you.
00:02:20Eight seats.
00:02:21May the reborn bring light to the world when the beginning and the end meet.
00:02:25The translation of the inscription in the secret society's room indicates the moment when the society was
00:02:30It gathers.
00:02:31These reborn ones will meet at midnight with someone they don't expect there.
00:02:34Let's go! Let's go!
00:02:40Last night he followed us to the hospice square.
00:02:42Has he discovered us?
00:02:51It doesn't hurt me, please.
00:02:57Eagle!
00:03:00Eagle!
00:03:06Nothing.
00:03:07There is no trace of anything.
00:03:12Come on?
00:03:15Come on!
00:03:19Come on!
00:03:22That's it.
00:03:23That's it, that's it.
00:03:25It's just that I get careless and it slips away.
00:03:28There wasn't an easier way, was there?
00:03:31Why did you have to cross me with this bird?
00:03:34Because?
00:03:34What are you doing?
00:03:36Who are you talking to?
00:03:39I've been talking to my nerves.
00:03:42No, there's absolutely nothing.
00:03:44Well, yes.
00:03:46This amazing table...
00:03:49I want to hear it from people who have to sit here for dinner.
00:03:52My God.
00:03:56No.
00:03:57No, no, no.
00:03:58Don't look at her so much, we won't fit in the house, love.
00:04:01Okay, that's it.
00:04:03We've already tried it, so let's go.
00:04:06Sir, I don't like this place.
00:04:08I don't like it at all.
00:04:10Listen.
00:04:17Mother, I've failed you.
00:04:19I call, I love.
00:04:20Let me see, this is going to collapse.
00:04:29Come on.
00:04:30Come on.
00:04:31Come on.
00:04:31Come on, let's go here.
00:04:32Come on.
00:04:34Come on.
00:04:45If you had caught Red Eagle,
00:04:48Today we wouldn't be here watching our shelter collapse.
00:04:52Now we must start again.
00:04:54But this time without mistakes.
00:04:56You'll have another chance.
00:05:00Don't waste it.
00:05:28That was close, boss.
00:05:30A little more and we would have finished off my cousin Julian, who was crushed by a rock.
00:05:33The shame of the family.
00:05:36When they managed to pull the body out, it turned out that it was with a hen.
00:05:41Poor hen.
00:05:43Go on, throw it.
00:05:47Come on.
00:05:49If you don't mind, I'd like to come by the frog's house.
00:05:53Go.
00:05:54They say he's hired a Turkish woman.
00:05:56He throws rag balls for him.
00:05:58Yes, yes.
00:05:58He doesn't feel like coming.
00:06:00No.
00:06:02Clear.
00:06:03With all the problems he has, as a father, as a teacher, and as a young vulture,
00:06:06because he doesn't have time to take care of the bass.
00:06:09Anasate.
00:06:10Enjoy.
00:06:12I'm just really fired up.
00:06:15I'm hotter than the Vulcan fringe.
00:06:20Definitely not.
00:06:23Well, see you later.
00:06:27What do you want?
00:06:29Let me go, okay?
00:06:31Oh well.
00:06:34Come on, man.
00:06:36Ashamed.
00:06:42It's worth opening your eyes.
00:06:50Well...
00:06:50Well, that's it.
00:06:52Thank you so much for saving me.
00:06:54But hey, you're not lacking anything, are you?
00:06:56I appreciate it.
00:06:58But let's not make this a habit either.
00:07:00That I...
00:07:01I know how to take care of myself perfectly.
00:07:03Hey?
00:07:04I don't know.
00:07:06I didn't mean to scare you.
00:07:09Can I walk you home?
00:07:11No.
00:07:12I prefer to walk, thank you.
00:07:15The thing is, flying just isn't for me...
00:07:16It's faster.
00:07:18Besides,
00:07:20I suppose someone will be waiting for you.
00:07:22No.
00:07:24I'm only here because of my nephew.
00:07:27Alonso.
00:07:28She is the spitting image of her mother.
00:07:31And what about the father?
00:07:33What's wrong with him?
00:07:35From the father.
00:07:36His character.
00:07:37They are both equally stubborn.
00:07:42Will there be any good in it?
00:07:45He's not a bad person.
00:07:47The children adore him as a teacher.
00:07:50He has no bad habits.
00:07:52And she loves animals.
00:07:53Come on.
00:07:54A boring man.
00:07:57Yeah.
00:07:59If it weren't for everything I feel for him.
00:08:15You are attacking authority.
00:08:16Thank you for confirming my arrival at the dam.
00:08:32Tell me, who sent you?
00:08:34Who sent you?
00:08:40Shit.
00:08:42Shit.
00:08:43Shit, shit, shit.
00:08:45Shit.
00:08:47Shit.
00:09:03Shit.
00:09:04I had to arrive last night.
00:09:06It was late, wasn't it?
00:09:08Yes, yesterday...
00:09:10Yesterday was a very long day.
00:09:12Lucrecia is throwing a party tonight and is going crazy with the preparations.
00:09:17Who was with you?
00:09:19As?
00:09:21I felt like I wasn't alone.
00:09:23I heard someone else.
00:09:25Yes, with...
00:09:26With Catalina.
00:09:28She was telling me one of her rumors, and until she finally told me...
00:09:31Well, he didn't let go of me.
00:09:32Oh, was that Catalina?
00:09:34Well, you know, I thought he was a man with that raspy voice.
00:09:38No, I heard her arrive too.
00:09:41No, it was Catalina.
00:09:44Well, I'm going to be off, because I'm going to be late.
00:09:52She's going to mess things up, love.
00:09:54If he lies to you, it's because he's falling in love with someone else.
00:09:56That's mathematical.
00:09:57If you make her fall in love with the eagle, you're going to have a really big problem.
00:10:00I'm telling you, and you know it.
00:10:02Go on, Sato.
00:10:03Shut that big mouth of yours or you won't see a penny for two months.
00:10:07The threat would be good.
00:10:10If I had seen one.
00:10:18Are you sure you didn't know they wanted to kill me?
00:10:20And why are you so sure it was them?
00:10:22Because he had the emblem tattooed on his arm.
00:10:24What did you expect?
00:10:26Now we don't even have a shelter to meet in, and it's all because you haven't kept your word.
00:10:32I know how to catch the red keel.
00:10:34Very good.
00:10:37Well, do it already.
00:10:42He's stealing from the marchioness.
00:10:44I haven't stolen from anyone.
00:10:46They were food scraps and I was going to give them to the dogs.
00:10:48Of course, dear.
00:10:50The little animals have to eat something.
00:10:52Using leftover food is not stealing.
00:10:55It is a need that hunger causes.
00:10:58Prepare a basket full of food for this lady and collect all of this.
00:11:03Are you okay, Margarita?
00:11:06You can leave.
00:11:08Thank you.
00:11:18Could you tell me what this show is about?
00:11:20I saw your seamstress with the red eagle.
00:11:23She will take me to him.
00:11:26Do you have a relationship with him?
00:11:29I want them to trust me, not to be afraid of me.
00:11:32And he will take me by the hand.
00:11:35Can you get me to give you a break?
00:11:37And I will bring you the red eagle.
00:11:44Let's see, let's see.
00:11:44Goodbye, no!
00:11:45Bye!
00:11:46Bye!
00:11:48Go!
00:11:49Let's see.
00:11:51Careful.
00:11:51Careful.
00:11:52With my shadows, will it be a donkey?
00:11:55When?
00:11:57Beautiful.
00:11:58What did Bonica do?
00:12:00What do you do for these bars?
00:12:01And you ask me that.
00:12:03Look, Satur, after the mess you made with my lord,
00:12:05I've had to go out into the street to expand the market.
00:12:07Okay, a little more black.
00:12:08Yeah.
00:12:12Freshly made!
00:12:16I'm sorry.
00:12:18That was not my intention.
00:12:21It's not so much a matter of continuing with this that it's not life, woman.
00:12:23Look, Satur, if you're going to lecture me, go somewhere else.
00:12:25No, no, no.
00:12:26I was just saying that...
00:12:28It's a very tough job to make ends meet while raising a child, too.
00:12:32I know, Satur, but it's the only thing to do.
00:12:36You were doing very well.
00:12:38Even when you were about to debut, you already showed promise.
00:12:44Look, if you wanted, I could take care of you.
00:12:48Take care of me?
00:12:48Yeah.
00:12:49What are you asking me to do? Marry you?
00:12:51Well, since I did it, yes.
00:12:52I would get you out of this and you wouldn't lack for anything.
00:12:56And besides, we would finish what we started when we were young.
00:12:59You never change, Satur, do you?
00:13:00You don't change.
00:13:01You're still got the same crazy ideas.
00:13:03And are you bad?
00:13:05Stuart, in all these years, not a single night has passed.
00:13:11that I didn't remember you.
00:13:12If you wish, queen, let me die.
00:13:17What about you? Huh? What can you offer me?
00:13:19You're just a servant, Satur.
00:13:20Yes, but shrewd, hardworking, a man of integrity.
00:13:24And with that and a lot of love...
00:13:25Why are you making this decision, beautiful?
00:13:26The little one or me?
00:13:28I'll do it to you once.
00:13:29Hey! Hey! What are you doing, Satur? What are you doing? What are you doing?
00:13:31What are you doing? What are you doing?
00:13:32What are you doing, Satur? What are you doing, Satur?
00:13:33What? What? Why are you laughing? What?
00:13:40Get ready!
00:13:41And receive your first payment in advance.
00:13:44$1,300 more for serving in the army!
00:13:48Get ready!
00:13:53Saturno Garcia, at your service, the King's and Spain's.
00:14:09What's up, Amazon?
00:14:14Catalina is the third one there.
00:14:16What's happening to you now? What's happening to you today?
00:14:17No, what happens is that my Floro has insisted on putting Murillo to work.
00:14:20That happens to me, I can't get it out of my head.
00:14:23But... But how is the little boy going to work if he can't even lift himself off the ground?
00:14:27Already...
00:14:29Are you wrong, is this Catalina?
00:14:32No more. We're worse off.
00:14:35Only my salary comes into my house.
00:14:40And of course...
00:14:40My Floro has been having a sudden change in his heart rate lately, which is that...
00:14:43It's normal that nobody comes in.
00:14:46Well, woman.
00:14:47But he's not a good man.
00:14:48Yes, he is a very good man.
00:14:49And I love him with all my soul.
00:14:50But we don't eat, you understand?
00:14:51We don't eat.
00:14:53Well, Catalina.
00:14:54Can I give you water from my salary?
00:14:57No, woman.
00:14:59If you are the same.
00:15:01Who do you think you are?
00:15:01I don't know what Gonzalo's parents are doing, but they pay him late and poorly.
00:15:04If there is one who works miracles in that house of kisses.
00:15:07Well, we'll manage somehow.
00:15:10No, Margarita.
00:15:11This cannot continue.
00:15:12We can't spend our whole lives begging from our friends.
00:15:16If I have to work from sunrise to sunset, then I'll work.
00:15:20But I'm not going to put my son to work, that's all.
00:15:32Sin vea et tu es tu al gloria.
00:15:34Amen.
00:15:39Any news?
00:15:44I don't know what it is yet, but each member has a four-digit numerical code.
00:15:49You must go back into the water and check...
00:15:51Impossible.
00:15:52They destroyed it last night.
00:15:54There is nothing left.
00:15:56There go Mr. Dalarco's private quarters.
00:15:58Perhaps these numbers will speak for themselves.
00:16:03This is it, Viscount.
00:16:05We haven't touched anything since he died.
00:16:08But come in, man of God.
00:16:11What's he doing there at the door?
00:16:13I am eternally grateful to him.
00:16:19It will be an instant.
00:16:22I need to say goodbye to him.
00:16:25How many dances, how many hunts, how many...
00:16:27So many sleepless nights.
00:16:31What memories?
00:16:32Well.
00:16:34And now if you'll excuse me, ma'am, if you'll excuse me.
00:16:38Thank you, thank you, thank you.
00:16:40Thank you.
00:16:45I would give.
00:16:48I'm a little princess and I have a million things to do.
00:16:51Furthermore, this woman has touched me deeply.
00:16:54It has never been so easy for me to deceive anyone.
00:16:58Here's something.
00:16:59That?
00:17:04What are those numbers?
00:17:05What do you think I'm doing?
00:17:07Oh, well, I don't know.
00:17:08But there are numbers.
00:17:10And these are lyrics.
00:17:11It is obvious that they will be related to each other.
00:17:14Please don't push my buttons.
00:17:16That was as far as I had gotten.
00:17:17Oh, well, I don't know.
00:17:20R18.
00:17:22R18.
00:17:235.
00:17:27M.
00:17:46Morituri.
00:17:48Morituri.
00:17:49Here it is.
00:18:02Good afternoon.
00:18:04That?
00:18:05That?
00:18:06Is this how you receive the teacher?
00:18:07What have I taught you?
00:18:09Good afternoon, teacher.
00:18:11That's better.
00:18:14Good afternoon, Mr. Barber.
00:18:17Good afternoon, guys.
00:18:18Gonzalo, forgive me.
00:18:19Can you step outside for a moment, Murillo?
00:18:21Yeah.
00:18:21Son.
00:18:24Good afternoon, Catalina.
00:18:26Okay, now, sit down.
00:18:27Come here, Murillo, come here.
00:18:28No, Murillo, stay there.
00:18:30The child stays there, which is where he needs to be.
00:18:31But Catalina, it's due to force majeure.
00:18:33Come here, Murillo.
00:18:34Murillo, there like a nail.
00:18:36Wait a minute.
00:18:37Murillo, come out with me.
00:18:39Let's go outside.
00:18:42So, what's wrong with you guys?
00:18:43This man, who was determined to condemn the child to martyrdom.
00:18:46The dyer has been given a piece of his mind.
00:18:48Let's see, Floro,
00:18:49I thought that putting your son to work
00:18:50You were going to think about it.
00:18:51It's out of necessity.
00:18:52It's only ten hours.
00:18:53And that's not how he learns a trade, huh?
00:18:55I want to continue studying, Dad.
00:18:57I know, but it's not possible right now.
00:19:01Don't cry, darling.
00:19:06Thank you very much, Commissioner.
00:19:09My family and I are grateful.
00:19:11his boundless generosity.
00:19:13And he just gave you all this without any further explanation?
00:19:15Yes, Gonzalo.
00:19:16She defended me from the marchioness.
00:19:17and he gave me all this food.
00:19:20The commissioner never gives anything away for free.
00:19:22Everything has a price.
00:19:24What's happening?
00:19:25What do you usually talk about with him?
00:19:26No, we don't talk.
00:19:27I see him in the palace.
00:19:29Well, maybe it's that simple.
00:19:30that he gave it to her because of her pretty face.
00:19:32You look great.
00:19:34Thank you.
00:19:36You're delusional, Margarita.
00:19:37The commissioner always asks for a reward, always.
00:19:42Hey...
00:19:43From the commissioner.
00:19:46What's happening?
00:19:48Well?
00:19:50He invites me to a party.
00:19:52He wants me to be his companion.
00:19:56Do you see it?
00:19:58You'll tell him no.
00:20:00Hey...
00:20:01That's my business.
00:20:13Excuse me, master.
00:20:14I don't really understand all of this.
00:20:17Is it jealousy or suspicion?
00:20:23Well, that's it, I'm leaving full.
00:20:27Look at the wall!
00:20:31Come on, look, Murillo.
00:20:37Murillo!
00:20:42Are you OK?
00:20:44Yeah.
00:20:45How are you?
00:20:47I'm not complaining.
00:20:49Children should never work.
00:20:51It's not that big of a deal.
00:20:54Bye bye.
00:20:55That?
00:20:57Bye bye.
00:21:04One moment!
00:21:10Hey, wait your turn, okay?
00:21:11No, don't get confused, I've come to warn you.
00:21:15There's a woman outside asking for you who...
00:21:17He says she's his wife.
00:21:19He called me...
00:21:19Damn!
00:21:21Satur, what are you doing?
00:21:22For now, get rid of that big buck.
00:21:24That bull, and many others like it, put food on my table.
00:21:27What's wrong with you?
00:21:28Do you want to ruin me?
00:21:29No.
00:21:29No, quite the opposite.
00:21:32I've come to tell you that...
00:21:35You can change your life if you want to.
00:21:37And if you accept my proposal, I won't let you down.
00:21:40Satur, please let me go.
00:21:42I have a son to support.
00:21:44Well, that's it.
00:21:45That's right, I'm here to face whatever comes.
00:21:48Hey?
00:21:48How much do you need for the rein?
00:21:50How much?
00:21:51Look, how much?
00:21:52How much?
00:21:52Where did you get this money, Satur?
00:21:54Well, I had some savings, a...
00:21:57An inheritance.
00:21:59So you can see that I'm a determined man.
00:22:00No, Estuarda.
00:22:05I promise you that if you accept, I will do everything in my power to make sure you don't lack anything.
00:22:10What was accepted?
00:22:12No, no, no, no, Satur, no, I am sworn in.
00:22:14I'm not asking you for anything.
00:22:15No, no, no.
00:22:15All I want is for you to leave this life and...
00:22:18And that you can dedicate yourself peacefully to taking care of your child.
00:22:23What do you say?
00:22:26And then if something develops between us, well...
00:22:28Well, I'll say.
00:22:30Hey?
00:22:32That's the nicest thing anyone has ever done for me in my life.
00:22:37Is that a yes?
00:22:40Yeah.
00:22:41Oh my god, you're telling me yes.
00:22:45That I am the happiest man in the world, Estuarda.
00:22:48Hey, my wife isn't out there, huh?
00:22:51Well then, go find her to vent your frustrations.
00:22:53The business here has closed due to cessation.
00:22:56Come on, let's go!
00:22:57Come on, you pig!
00:22:58Come on!
00:22:59Get out of here!
00:23:00Yes, men!
00:23:10Lady.
00:23:17Lady.
00:23:18I wanted to ask him for something.
00:23:22It turns out my son has started working and today is his first day.
00:23:26And I wanted to know if I could pick him up later.
00:23:30Oh, Catalina, what is this?
00:23:32Oh, ma'am, forgive me.
00:23:34I'm so sorry, ma'am.
00:23:36I want everything so clean you could eat off the floor.
00:23:38Yes, ma'am.
00:23:39Remember that it needs to be waxed.
00:23:40Yeah.
00:23:41And don't forget the money.
00:23:43Yes, yes.
00:23:43Once you've finished supervising everything, you can calmly go and see your child.
00:23:48Thank you, ma'am.
00:23:49You are welcome.
00:23:56And how awful it is to be poor.
00:24:04Catalina.
00:24:05That?
00:24:06I'm in a good mess.
00:24:08What have you done?
00:24:11Well, a man has given me gifts and invited me to eat.
00:24:15AND?
00:24:16What's your problem with that?
00:24:18He's the commissioner.
00:24:21Yes, very good, yes.
00:24:22Leave it there, walk away.
00:24:25The commissioner, holy virgin, may God catch us confessing.
00:24:29I didn't think this man had already made peace with the marchioness, but it turns out he hadn't.
00:24:32Of course, he saw you so young, so vibrant.
00:24:33You didn't have enough time.
00:24:35Look, I'll give her back the sausages, the dress, thank her, and that's that.
00:24:40I think he'll understand, won't he?
00:24:43Margarita, darling.
00:24:44That nothing can be denied to authority.
00:24:49Yes, very well, you may leave.
00:24:54So what do I do?
00:24:55I can't go, Catalina.
00:24:58I'm just telling you that the more you say no to him, the more stubborn he'll get.
00:25:01And then measure the consequences.
00:25:04Because he has such a grudge against Gonzalo...
00:25:08What are you trying to tell me?
00:25:09Let me do it?
00:25:11No.
00:25:12That you are distant.
00:25:14That some mice run away from the cat.
00:25:16Few, but they exist.
00:25:22The Marchioness?
00:25:23Excuse me.
00:25:26Well, he must be in his quarters, Commissioner.
00:25:29I hope you wear your new dress today.
00:25:34Of course I will wear it.
00:25:45Let me get this straight, Sánchez.
00:25:47You've pulled the whore's tuarda off.
00:25:49Well, for now I've managed to pay her rent and get her off the streets for a while, yes.
00:25:54And where did you get the money?
00:25:56I swear they know more than red mice.
00:25:59I've been enlisted in the army and received my advance payment.
00:26:01But will they call you to line up?
00:26:03No.
00:26:03This is not the first time I've sucked at the teat of the State.
00:26:06He calls me to the ISTE for Flanders and look at me...
00:26:08That?
00:26:11How do you see me?
00:26:12Small and misshapen.
00:26:13With soldiers like you, it's no wonder you're pulling our leg.
00:26:16You wish you had this sculpted body and these Grecian features.
00:26:20I mean, I don't have a ranguño.
00:26:22And do you know why?
00:26:28We're feeling a bit slow today.
00:26:29Because I haven't been to Flanders.
00:26:31And now I won't be in Portugal either.
00:26:33Am I going to call myself?
00:26:33Yes, but by not attending.
00:26:37Well, that's what you could have done, instead of putting the kid in the hell of hair dyes.
00:26:41What hell, what hell, the child is going to be in glory.
00:26:43Don't you see that the dyer is a very nice person?
00:26:48Can you tell me what you do?
00:26:50That useless dye is going to get all clogged up.
00:26:53I just get used to the fumes.
00:26:55Well, don't stop, that way you'll get used to it.
00:26:57Look, she's doing the...
00:27:00You'll see how your stomach will be churning tomorrow.
00:27:02Come on, come on!
00:27:11Would you like some more wine?
00:27:15Why are you doing this to me?
00:27:16I just want you to feel comfortable.
00:27:18That's not what I meant.
00:27:20I was referring to...
00:27:22So much food, at this place.
00:27:25So much attention.
00:27:27I am just a commoner.
00:27:29No, Margarita, no.
00:27:30You are a very dignified woman.
00:27:33And that is admirable.
00:27:35I was surprised by how you defended yourself this morning.
00:27:38I'm sorry if my tone is off, but...
00:27:40What don't I think is fair is that those dogs eat better than most of the town?
00:27:43That's what I mean.
00:27:44We are both the same.
00:27:46We believe in people.
00:27:49Although I am misunderstood.
00:27:52I am the authority and...
00:27:54Everyone sees me like this.
00:27:55But I care about everyone, even though it may be hard to believe.
00:28:00I don't know.
00:28:02Today I saw myself reflected in you.
00:28:05I think that's the reason you're here.
00:28:08He elaborates on his words.
00:28:10And I thank him for it.
00:28:13Well, it's true that...
00:28:15That sometimes we are slaves to an image that does not correspond to us.
00:28:19But I'm sure you don't see me that way.
00:28:22TRUE?
00:28:24And what makes you think that?
00:28:27That you're there...
00:28:28And you have accepted my invitation.
00:28:32I just wanted to thank him.
00:28:37Well, there's no reason to.
00:28:47Father, why doesn't Aunt Margarita close up with us?
00:28:52Your aunt has a lot of work to do at the palace today.
00:28:55He's not coming until it's finished.
00:28:57That's how bosses are.
00:28:58Aloncillo.
00:28:59Some despots.
00:29:00Tyrants.
00:29:03Some...
00:29:05Take us, your holy father.
00:29:06He is a saint.
00:29:08And your father.
00:29:10Excuse the redundancy.
00:29:13Go on, Alonso.
00:29:14Go get that wine from you.
00:29:22It's not normal for it to take this long, is it?
00:29:25But since we're so modern and...
00:29:27And we let women make decisions...
00:29:31Now, don't worry, they're not going to rob her.
00:29:33Because he is with the authority.
00:29:36To the one who is in danger...
00:29:38I am a commissioner.
00:29:40I know.
00:29:42I shouldn't have gone.
00:29:45He should have been prevented from doing so.
00:29:47As if it were that easy.
00:29:50The one in charge is the commissioner.
00:29:52That everyone else obey him.
00:29:54It's sad, but that's how things are.
00:29:56Whatever I tell you.
00:29:58Very modern, very modern.
00:30:00And then...
00:30:01We live just like medieval people.
00:30:03But until recently there was a right of waiting.
00:30:07The young master...
00:30:08He grabbed the maid...
00:30:10And he rubbed all his nobility in her face.
00:30:12I'm going to look for it.
00:30:14Don't worry.
00:30:15Don't worry.
00:30:18Calm down, master.
00:30:19And what do you want me to do?
00:30:21That I should just stand idly by while Margarita...
00:30:23Well yes.
00:30:25He's been just as sensible as I have.
00:30:28And if you don't believe me, just look at what happened to me with the stuarda.
00:30:30He's in deep trouble.
00:30:31What about the stuarda?
00:30:36Well, that's it.
00:30:42That...
00:30:43I'm going to kick him out.
00:30:44That?
00:30:45As?
00:30:45What did you say?
00:30:47Nothing, Alonso.
00:30:47Eat.
00:30:49Where did you get the money to buy it?
00:30:51Take it out?
00:30:52Saturno Garcia.
00:30:54Yes.
00:30:55Tomorrow he joins the ranks for the Portugal campaign.
00:31:08It's mine.
00:31:09How are you?
00:31:10How did it go?
00:31:13Meal.
00:31:14She's devastated.
00:31:14He doesn't sit here.
00:31:18Oh my God, it's blue.
00:31:19It's freezing, Flora.
00:31:20No, woman, these are just remnants of dye.
00:31:23Son, you're okay.
00:31:26Flora.
00:31:28Flora, this can't go on.
00:31:30This is torture for the child.
00:31:31If more work needs to be done, I'll do it.
00:31:33You can no longer spend any more time at the palace, Catherine.
00:31:35Well, if I have to work the nights, I'll do it.
00:31:38Inés told me that they are looking for tavern keepers at the Comb Inn.
00:31:41The inns of the comb are a den of iniquity.
00:31:46My son, are you alright?
00:31:49Don't worry, but I'm a little tired.
00:31:52I really like the job.
00:31:54I don't want to leave him.
00:31:57I wash my hands and have dinner.
00:32:26Margarita, it was a real treat.
00:32:28It's a pleasure to enjoy this evening.
00:32:30The pleasure has been my son.
00:32:34Take a rest.
00:32:38Thank you.
00:32:40Good night.
00:32:50Morzalo!
00:32:56Morzalo!
00:32:57Morsala!
00:32:59Do you love me?
00:33:00Morzalo!
00:33:11Morzalo!
00:33:16Morzalo!
00:33:19Morzalo!
00:33:22Who is it?
00:33:26Morzalo!
00:33:29Morzalo!
00:33:48Hernán, help me.
00:33:57Where did you come from to fight like this?
00:33:59Nowhere.
00:34:01I defended myself as best I could.
00:34:04If I hadn't come for you, they would have killed me.
00:34:08Thank you.
00:34:13I grabbed a stick to disguise it, but I'm not sure.
00:34:16The commissioner may suspect me.
00:34:18You can't just go around showing off.
00:34:20Look at the mess I'm in now with the Spanish army.
00:34:22What I'm doing isn't a boast.
00:34:24What you should do is ask Estuarda for the money and pay it back.
00:34:26Well, come on, and throw back the claw of prostitution, now that she's starting to raise her head...
00:34:31It's up to you, but I'm not going to let you go to war.
00:34:37In the end you're going to go to war.
00:34:40I'm in this mess because of love.
00:34:43The noblest of causes.
00:34:44For love?
00:34:45Yeah.
00:34:47For saving the woman of my life.
00:34:49I enlisted in search of money to provide the best sustenance.
00:34:52People do things like that out of love, Satur.
00:34:55Even risking their lives.
00:35:06The love thing had a double meaning.
00:35:08She's woken up feeling like a poet.
00:35:09I think there's something wrong with the commissioner...
00:35:11Enough is enough.
00:35:13I'm going to get some water to roast myself.
00:35:14You are not poor, but clean.
00:35:23Gonzalo.
00:35:25I wanted to thank you for the evening.
00:35:28I was very brave.
00:35:31One more minute and I would have gone to bed.
00:35:34So, you were waiting for me.
00:35:36No.
00:35:37I just said I was about to go to bed.
00:35:58For God's sake, who let you in?
00:36:00What surprises you?
00:36:01To see me here or to see me alive?
00:36:04Tonight they tried to kill me again.
00:36:07Don't play with me, Lucencia.
00:36:09I don't know what you're talking about.
00:36:11They promised to kill you, I swear.
00:36:13I already know who the Red Eagle is.
00:36:16Keep your friends away.
00:36:18You will never have it.
00:36:20Give me proof.
00:36:21Give me time.
00:36:23Convince them.
00:36:24And you will have it.
00:36:30My patience has its limits.
00:36:32Try not to find it.
00:36:49Alonso.
00:36:52Alonso, what's wrong?
00:36:54Do you change your underwear every week?
00:36:58Hopefully it lasts a little longer, because I can't keep up with the washing.
00:37:05Why are you going to war?
00:37:09Okay, okay.
00:37:09Well, let's not be pessimistic, shall we?
00:37:11Whether I'll join the ranks is still up in the air.
00:37:15So why did you enlist?
00:37:21Because...
00:37:24Because...
00:37:25Well, then...
00:37:26One question, yes sir.
00:37:29Because I'm a man.
00:37:31And like all men, well...
00:37:32Well, we have to fulfill our duty as men.
00:37:35Already.
00:37:43Here, take this in case it gets cold.
00:37:51Yes, I appreciate it, but no...
00:37:55I won't need anything.
00:37:58It's understandable that he's short, but this...
00:38:00This is no good to me.
00:38:02Try it on.
00:38:04Heavier than your father.
00:38:10If I tell you it's no good to me, well...
00:38:12In other words, it's no use to me.
00:38:18Damn it, that works for me, right?
00:38:20That?
00:38:22How are you?
00:38:24What if they kill you?
00:38:31But...
00:38:32No, even less.
00:38:34Who am I?
00:38:35Look at me.
00:38:36Who am I?
00:38:37Saturn.
00:38:38Saturn!
00:38:38Do you remember?
00:38:40That's not going to happen, Alonso.
00:38:42Yes, but if it happens.
00:38:46Well, I don't want it.
00:38:49But if it happens, well...
00:38:56Then I will have died for the most valuable thing in this life.
00:38:59The homeland.
00:39:02No, not the homeland, Adolfo.
00:39:07Love.
00:39:27Lucrecia has assured me that you are a great seamstress.
00:39:30You don't know how I feel tonight.
00:39:33There's no need to apologize to me.
00:39:35I don't think he planned it.
00:39:38Margarita, I want you to listen to me carefully.
00:39:41What I'm about to tell you is very important.
00:39:45Contrary to what everyone thinks,
00:39:47The Red Eagle is a real threat to this kingdom.
00:39:51I need your help.
00:39:53My help?
00:39:56Look, I'm sorry, but I have nothing to do with all this.
00:40:00Do you know the Red Eagle?
00:40:02I saw you with him.
00:40:04I need to know who's behind that mask.
00:40:07I've never seen his face, I swear.
00:40:15Are you sure?
00:40:19You live with him and you haven't seen his face?
00:40:22He's your brother-in-law.
00:40:25Gonzalo?
00:40:27No.
00:40:28No, that's impossible.
00:40:30Gonzalo would be incapable of killing anyone.
00:40:32Gonzalo, maybe not.
00:40:33But the Eagle did.
00:40:38I need your help to catch him.
00:40:40If you accept my terms,
00:40:42I will save him as a teacher.
00:40:47Think about it carefully, Margarita.
00:40:54I am very grateful for everything you are doing for me, Sator.
00:41:01Don't thank me, no.
00:41:02You won't give me that.
00:41:03Yes, Sator.
00:41:04This is to thank you and to build you a monument.
00:41:06How handsome!
00:41:08Are you OK?
00:41:12The little liqueur that went somewhere else.
00:41:17Speaking of money, do you still have it?
00:41:19Yes, yes, yes.
00:41:20I'm keeping it for renting, but...
00:41:21But I have thought, Sator,
00:41:23With the leftover money, I could buy some fabric.
00:41:27You know I'm very good at sewing.
00:41:30Well, I've been thinking that I could become a dressmaker.
00:41:33What do you think?
00:41:35Dressmaker.
00:41:38You see, this...
00:41:39What I'm about to tell you is very...
00:41:41Very difficult for me.
00:41:45I would like...
00:41:49Well, that...
00:41:50That as adults we are, you would understand...
00:41:54Sator, do you want to charge for a service?
00:41:58No, woman, for God's sake.
00:42:00Blessed guardian.
00:42:02How could I possibly want that?
00:42:03You know that's not true...
00:42:06What I mean is that I would like...
00:42:09Well, life is very unpredictable.
00:42:10and this money that I have given you
00:42:12It's money I gave you with the best of intentions.
00:42:14Let that be clear from the start and...
00:42:17It's money that...
00:42:20That...
00:42:22That I would be incapable of asking you
00:42:24Because I have an altar dedicated to you and...
00:42:27Let's do it, it's very twisted, mine.
00:42:35Relax, Satur, I don't sell kisses.
00:42:39Do you know how long it's been since I kissed someone?
00:42:41Really?
00:42:43How much?
00:42:46Years, Satur.
00:42:48Ever since I kissed you.
00:42:57That I couldn't tell him.
00:42:59The poor girl was so excited that...
00:43:00The world has come crashing down on me.
00:43:02But you fool, now you're in for it.
00:43:04It is the army of the kingdom
00:43:05And they'll already be looking for you.
00:43:06And to the war in Portugal,
00:43:08out of every three who go,
00:43:09either one or none of them return.
00:43:11Hello.
00:43:12Hello, what's up?
00:43:13Okay, can we go see Murillo at the dry cleaners?
00:43:16Of course, now he has his break and lunch
00:43:17She's going to be very excited, of course she is.
00:43:19Kid,
00:43:20Something like that, out of curiosity.
00:43:26How is your mother?
00:43:27I'm very happy.
00:43:28Yesterday I was going to pay the landlord
00:43:30And look,
00:43:30I'll buy him some new boots.
00:43:32because the others kept slipping off my fingers.
00:43:35I'm going to miss you a lot, Sato.
00:43:38Why do you say that, Aloncillo?
00:43:39Out there,
00:43:40There's a soldier asking for you.
00:43:44Will you remember me?
00:43:46Sure, man, but...
00:43:49But I don't...
00:43:50Come on, my intention isn't...
00:43:52I'm going to miss you a lot.
00:43:54I love you very much, Sato.
00:44:01Me too, Alonso, but...
00:44:03But come on, Portugal is just a stone's throw away.
00:44:05and with a good mare
00:44:07I can get here in a heartbeat, huh?
00:44:10Let's see.
00:44:20They're coming for me.
00:44:21You have to help me.
00:44:22For the love of God,
00:44:23You have to help me.
00:44:31Hello, Margarita.
00:44:37Is something wrong?
00:44:42Gonzalo, you are in danger.
00:44:45That?
00:44:47That you're in danger, that...
00:44:50that the commissioner suspects you.
00:44:53He thinks you are the red eagle.
00:44:56And I am the red eagle.
00:44:59But...
00:44:59But that's stupid.
00:45:00Why do you think that?
00:45:02Well, Gonzalo, how could I not think about it?
00:45:03with the number of blows
00:45:04that you shared with that stick.
00:45:06Even I was surprised.
00:45:08Was it really not that bad?
00:45:10Yeah.
00:45:11I am silent about those bandits.
00:45:12I don't think they think the same.
00:45:14Hey, Margarita, didn't you...
00:45:16Do you seriously think that I...?
00:45:18No, no, Gonzalo.
00:45:19I know you are not the red eagle.
00:45:22But be careful.
00:45:24I think you already know the commissioner.
00:45:27Peaceful.
00:45:27No.
00:45:29Nothing is going to happen.
00:45:31Really.
00:45:36Saturn Garcia!
00:45:39Saturn Garcia!
00:45:40No, it's just that if they catch us here
00:45:41They are leading us forward through cover-ups.
00:45:42Cipiano, we cannot leave him to his fate like this.
00:45:45Come on, have some charity.
00:45:46Stop being charitable.
00:45:47Charity breeds pestilence.
00:45:48But this man has gotten himself into this mess.
00:45:49for love.
00:45:50For love, for love.
00:45:52We have to help him.
00:45:54So what do we do?
00:45:55What excuse can we give the military officer?
00:45:57If he is healthy and fit to fight.
00:45:59That is?
00:46:00That?
00:46:01I shit on the canavera.
00:46:03Floro, tell me.
00:46:03You're a tooth puller.
00:46:04Hey?
00:46:05If I am wounded, I cannot put up a fight.
00:46:07Isn't that right?
00:46:13But you've gone crazy.
00:46:14You're not serious, are you?
00:46:16No.
00:46:17If I have to cut off my leg for Stuart,
00:46:19I'll cut it off.
00:46:19Floro, do what you have to do.
00:46:23Saturn Garcia!
00:46:24Short.
00:46:25I'm so pissed off.
00:46:26Short.
00:46:36It must be more important when you come.
00:46:38Were they able to see you?
00:46:43Well, I found this in Mr. Larcón's office.
00:46:49Each number corresponded to the letter of a drawer.
00:46:51The eight letters formed the word morituri.
00:46:55It could be a list of his victims.
00:47:00There are very important people from the court.
00:47:06Being discovered in their lair has not been beneficial.
00:47:10He has delayed his plans.
00:47:13I'm afraid I'll need that time to disappear from the city.
00:47:16Because?
00:47:17The commissioner suspects Gonzalo.
00:47:22Murillo!
00:47:24You smell like a donkey's fear!
00:47:28One of them already got off.
00:47:29I haven't peed myself.
00:47:30It's ammonia.
00:47:31It is used as a bleaching agent.
00:47:32Let's see, Murillo.
00:47:33If the dry cleaner is a tyrant, you're having such a bad time,
00:47:36Why don't you tell your parents and go back to school?
00:47:38I don't want them to worry.
00:47:40When I earn money, it will all be over and I'll go back to school.
00:47:43At the rate you're going, you'll come back old.
00:47:46Or worse, if there is hunger.
00:47:49With all this steam, you're starting to look like a caddie, you wouldn't believe it.
00:47:53Good afternoon.
00:47:55I came to drop off these fabrics to be painted indigo.
00:47:57It's urgent tomorrow.
00:47:58I'm sorry, sir, but my master says there's one for a week.
00:48:03Hey, if you fix it and slip me the order, you get three reales.
00:48:08Deal done.
00:48:09You'll have their fabrics tomorrow.
00:48:11God be with you.
00:48:12Bye bye.
00:48:21They don't give you another chance.
00:48:24They don't believe you.
00:48:26You've made too many mistakes.
00:48:30If you really know who Red Eagle is, catch him.
00:48:33It's your safe-conduct pass.
00:48:35I need time.
00:48:36Don't you have it?
00:48:38I have put my life at your service and this is how you repay me.
00:48:41Are you murdering me?
00:48:42No emotional blackmail, please.
00:48:46They want to see Red Eagle's head now.
00:48:49I can't do anything more for you.
00:49:01Do your best to stay alive and have breakfast with me tomorrow.
00:49:19I can't do anything more for you.
00:49:25I can't do it.
00:49:26It's red. What did you give him, you idiot? I asked you
00:49:29indigo, blue, not red.
00:49:34May God protect me. And what about those here who drink you, who kill?
00:49:36Run! Run!
00:49:41It's an accident.
00:49:44Who gave you permission?
00:49:47Don't go back to the streets!
00:49:48Your father will pay for this.
00:49:56If it were up to me, I'd kill Portuguese people on one leg.
00:50:00But what's your plan, General?
00:50:02Captain.
00:50:03Captain.
00:50:04How did the accident happen?
00:50:06Hey?
00:50:06How was it?
00:50:08So, how did it go?
00:50:10Cleaning the cellar.
00:50:13A 45 arroba barrel hit his leg.
00:50:16Things turned out grim and an amputation was necessary.
00:50:21Doesn't it hurt?
00:50:25Horrors!
00:50:26But I'm a tough guy.
00:50:28Good soldier.
00:50:29The Spanish army loses with me.
00:50:32Bad luck.
00:50:33Never a truer word spoken.
00:50:34No!
00:50:35No, for God's sake, no.
00:50:37The pain is unbearable.
00:50:40Well,
00:50:41due to his disability
00:50:42He is exempt from the commitment to the army.
00:50:46Don't tell me that, please.
00:50:47What a disappointment!
00:50:49Well, good luck and may they kill many Portuguese.
00:50:52But I'm going to faint.
00:50:55What happened to you?
00:50:57Because I escaped the war because of your son.
00:51:00Don't worry, there has been no amputation.
00:51:03It's currant sauce.
00:51:05I came up with a little trick and it worked.
00:51:07In my mind, I didn't really want to cut it off.
00:51:10Go on, Floro.
00:51:10Let's make a hideout, I'm so excited I can't even contain myself.
00:51:14He wants me to explain in detail how it happened, master.
00:51:16No, no, Sato.
00:51:17Sato, no.
00:51:18You have to take everything in the lair.
00:51:19and that can connect us to the Red Eagle.
00:51:21To the cave on Franet Street.
00:51:22What happened, sir?
00:51:24The commissioner suspects me.
00:51:25No, perhaps we should leave the city for a while.
00:51:28Don't move from there until I arrive.
00:51:34Where is Franet Street?
00:52:01Good night, princess.
00:52:11Where do I tell my coachman to take us?
00:52:14To your house?
00:52:16To the Red Eagle's lair?
00:52:18I've already told him that I don't know where to find him.
00:52:21I swear to God I'm telling the truth.
00:52:23You don't tell me where to follow my steps.
00:52:25I'm just going to lay you bare right now.
00:52:27First you, then your family.
00:52:30You don't understand, do you?
00:52:32To Postas Street.
00:52:34To the church of Saint Nicholas.
00:52:36Okay, girl.
00:52:38To Postas Street.
00:52:40To the church of Saint Nicholas.
00:52:42Already.
00:52:53Gonzalo.
00:52:55Take the child and let's go.
00:52:58Collected everything.
00:53:00From top to bottom.
00:53:01Can you tell me what's going on?
00:53:03What!
00:53:04What!
00:53:06What!
00:53:06What!
00:53:07What!
00:53:07What!
00:53:25What!
00:53:26Also, beautiful.
00:53:27Sultans, they have done nothing.
00:53:29Move aside!
00:53:30Take two!
00:53:38And the last one.
00:53:48What!
00:53:50He almost tied me.
00:53:53It seems the eaglet is taking its time.
00:53:56Maybe a wing has broken.
00:54:00What was your relationship with the captain, Rodrigo?
00:54:02To the being that, captain, you speak to me.
00:54:05How did you get to the room?
00:54:06Which room?
00:54:13My men haven't found anything yet.
00:54:16Where is your ear?
00:54:25What you're talking about doesn't sound right!
00:54:30You don't understand, do you?
00:54:33You still don't understand.
00:54:37If I can't find your mask,
00:54:40You will die at dawn.
00:54:43Argados!
00:54:46I recommend you let yourself fall.
00:54:48That way the neck breaks sooner.
00:54:50Turn around!
00:54:54But if you tell me where your costume is,
00:54:57we can hang another river as if it were the red keel.
00:55:01As long as you leave the village.
00:55:03Do you understand now?
00:55:17I have all night to convince you.
00:55:32Forgive me, Gonzalo.
00:55:35I'm not going to be at fault.
00:55:38I shouldn't be allowed to be here.
00:55:40I shouldn't be allowed to be here.
00:55:43You have to be strong.
00:55:47Yeah.
00:55:48He's coming.
00:55:50I know he's coming.
00:55:52That?
00:55:55The red eagle.
00:55:59We can wait until he comes, right?
00:56:02Isn't that right, Gonzalo?
00:56:18Wouldn't it be better to look for Satur?
00:56:20If anyone can save my father, who will it be?
00:56:23Satur or the red eagle.
00:56:25The red eagle.
00:56:28Eagle!
00:56:30Eagle, I'm Alonso!
00:56:33And I'm Gaby.
00:56:35Red Eagle!
00:56:36Please help me.
00:56:38Come.
00:56:40Eagle!
00:56:44It's absurd.
00:56:46I'm telling you it's him.
00:56:48What evidence do you have?
00:56:50You'll see the proof when you realize that Red Eagle doesn't come to rescue them.
00:56:53What if that's not the case?
00:56:54What if it appears?
00:56:56Renan, for God's sake.
00:56:58You are making a serious mistake and, what's worse, an injustice.
00:57:01Lucrecia, do you surprise me?
00:57:03Since when do you care about injustices?
00:57:07If it had been Gonzalo, he would have discovered it instantly.
00:57:13I would save his own skin even if he were the devil himself.
00:57:24If you'll excuse me, I hope to see you in the stands.
00:57:29I would love to celebrate the victory with you.
00:57:50Poor creature.
00:57:52We have been forced into manhood.
00:57:56Hello, I'm here to talk about money.
00:58:00I fired your son from his job yesterday.
00:58:02As?
00:58:03But didn't he just leave for there?
00:58:05Besides being a lazy liar.
00:58:07Yesterday he destroyed some very expensive fabrics.
00:58:09Nine reales, no less.
00:58:11You're going to have to pay for the repair.
00:58:14But listen, we don't even have enough to eat.
00:58:17I want the money tomorrow.
00:58:24What's happening?
00:58:26I have bad news.
00:58:28That?
00:58:28There, the commissioner arrested Margarita and Gonzalo.
00:58:31As?
00:58:32He will be brought to justice today in the town square.
00:58:35Oh, God!
00:58:36Calm down, son.
00:58:36Don't cry.
00:58:37Don't cry.
00:58:40Don't cry.
00:58:49A long time ago I was in a dungeon similar to this one.
00:58:53In Flanders.
00:58:58The next day they were going to kill me if I didn't betray my camp.
00:59:06I escaped from there just imagining that I would never see you again.
00:59:11I left there for you.
00:59:18Thank you for coming back, Margarita.
00:59:22It's the best thing that could have happened to Alonso.
00:59:26The best.
00:59:36No, no, no.
00:59:38No.
00:59:40The crime.
00:59:43This.
00:59:57Mark.
01:00:09Look, he's not going to do anything for Gonzalo.
01:00:13But why are they going to kill them if they haven't done anything?
01:00:16Because the commissioner has gotten it into his head that Gonzalo is the Red Eagle.
01:00:20And if he doesn't appear, then he kills him.
01:00:23And if he appears, well, he captures him and kills him too.
01:00:27Alonso, please, let's go home.
01:00:29No!
01:00:31They're going to kill my father! I'm not moving from here!
01:00:34He can't see how they hang.
01:00:37We have to do something to save our friend.
01:00:40Alonso, come on, darling, come with me.
01:00:42Come on, yes, come on.
01:00:44No!
01:00:45No!
01:00:47Please, Father!
01:00:50No, please!
01:00:52I miss you!
01:00:53Don't do anything to him!
01:00:55He is not Red Eagle!
01:00:58No!
01:01:00Father!
01:01:02Please!
01:01:04Father!
01:01:06Father!
01:01:18Father!
01:01:19Father!
01:01:21Father!
01:01:28Are?
01:01:30We nobles don't cry.
01:01:33Please don't do anything to him!
01:01:40The little night I spent in the cave.
01:01:43All my bones ache.
01:01:45Where has everyone gone?
01:01:49This looks like a brothel during Lent.
01:01:53I don't know!
01:01:55Where are you going, lad?
01:01:56They're going to the canal, teacher.
01:01:58As?
01:01:58You too.
01:02:05By order of His Majesty,
01:02:08The orca is condemned for insulting the kingdom.
01:02:11Theft from the royal treasury,
01:02:13contempt of authority and murder
01:02:16to Gonzalo de Montalvo, alias Red Eagle.
01:02:36The orca is condemned as an accomplice of the former,
01:02:40to Margarita Hernando.
01:02:41Lie!
01:02:43It's a lie, let it go!
01:02:50You're making a mistake and you'll regret it.
01:02:54Do justice in the name of the king!
01:03:23Go there, you filthy beast!
01:03:37Where do you have, you innocent ones, in my name?
01:03:41If it's me you want, why not catch him?
01:03:49I want them alive!
01:03:50Commissioner!
01:03:51Dad!
01:03:53Here is the Red Eagle.
01:03:55Prisoner, bring out the joy!
01:04:05Amazing show!
01:04:33Lady!
01:04:34Lady!
01:04:35Have they saved the condemned?
01:04:36They have been taken to the barracks.
01:04:38Poor people.
01:04:43Estuarda, are you coming from the square?
01:04:44Yes, I do, and you?
01:04:46Imagine not showing up.
01:04:47Please move aside.
01:04:47If you knew what I was doing, you wouldn't treat me like this.
01:04:50I couldn't care less what you were doing.
01:04:52They have Tomo imprisoned, Saturn.
01:04:54Listen to it, because I'm going to tell you something very important.
01:04:57I was the one who saved my master.
01:05:01You have to love me like a little chick.
01:05:04What was offered to you, officer?
01:05:06Saturno Garcia.
01:05:07No.
01:05:08Already.
01:05:09A liar is caught sooner than a cripple.
01:05:12What did you want?
01:05:13Keep the money and desert.
01:05:15No, no, no.
01:05:16I'll send you to the front lines tomorrow, you smart aleck.
01:05:19Take it.
01:05:22Forgive me, Stuart.
01:05:24Forgive me, my love.
01:05:28No.
01:05:29I don't know who that funny guy was who was walking around on the rooftops,
01:05:31But you can't fool me.
01:05:35Confess.
01:05:36Tell me, Cegres, Red Eagle.
01:05:40I am Gonzalo de Montalvo, a school teacher.
01:05:47No.
01:05:48No.
01:05:50No.
01:06:03I cry!
01:06:05Weld him!
01:06:07In whose name?
01:06:10In the name of the king.
01:06:29Let them go.
01:06:39Son.
01:06:40Mother.
01:06:42Dear.
01:06:46I've been fired from my job because I ruined some very expensive fabrics.
01:06:51I know, son.
01:06:53Your boss didn't take long to go to the house with the story.
01:06:55I wanted to earn more money to help you.
01:06:58I know, darling.
01:07:00Look, what you need to do is grow up, okay?
01:07:05Grow up and then you'll work.
01:07:07And with what you earn, buy me a nice car, for when I'm old and fat and can't drive anymore
01:07:12move.
01:07:14Come on, let's go home.
01:07:16I don't want to go.
01:07:17I have let you down and now you will have to pay for the damage.
01:07:23So what are you going to do?
01:07:24Stay on the streets like a homeless person for the rest of your life?
01:07:27No, but I can go to America, like my brother.
01:07:29That way you'll have one less mouth to feed.
01:07:34Go on, just let it go.
01:07:36Having one child out in the world is enough for me.
01:07:38And what if we don't have enough to eat?
01:07:41We eat stone.
01:07:43But all together.
01:07:49God, I get dizzy just from a drop of blood.
01:07:55A little compassion, please.
01:07:59But if I dance all the way to the wasteland.
01:08:01I'm not up to the task, I'm a junior.
01:08:04If you're running late.
01:08:05If your helmet wobbles, fight with your shield.
01:08:07No, otherwise, then don't fight.
01:08:08If we have to fight, then we fight.
01:08:10But I'm a jerk.
01:08:11I say this for your sake and for the good of Spain.
01:08:14And wherever you see me, I am a patriot.
01:08:16Well, to give one's life for the homeland.
01:08:20Don't you see that the only thing I'm good for is being a prisoner?
01:08:23And then what happens, happens, I'm a big Cascari fan.
01:08:26And the enemy was all over.
01:08:28First, look at infantry.
01:08:30That you're going to last.
01:08:38Excuse me, which way do I go?
01:08:43Hello, I'd like to speak to the captain.
01:08:49Careful.
01:08:58Thank you.
01:09:01Because?
01:09:02Because of what you told me in the dungeon.
01:09:05That was a long time ago.
01:09:10That's not what I meant.
01:09:12I was referring to when you said it was the best thing that could have happened to the bear.
01:09:17I'm sorry.
01:09:21Dear.
01:09:23Come here, son.
01:09:27I was very scared, Father.
01:09:30That's it, everything has happened to me.
01:09:40Yes sir.
01:09:42Rectificales de sabio.
01:09:43Long live the Spanish army!
01:09:46Now, these aren't ways to...
01:09:48of treating a patriot.
01:09:52Stuart?
01:09:53They couldn't beat me.
01:09:55Free as a little bird.
01:09:58What's happening?
01:09:59Aren't you happy to see me?
01:10:00Satur, I think it's best if we leave things as they were.
01:10:03Foam!
01:10:04Please.
01:10:05This has gone wrong, but...
01:10:07But I promise you I will put the world at your feet.
01:10:09Foam!
01:10:09Oh my God.
01:10:10I am who I am and you are who you are.
01:10:13Foam!
01:10:14I can conquer the world by your side.
01:10:15Look, I was in there half an hour ago.
01:10:16I was about to leave for war and now I'm here with you.
01:10:20That he saw me with everything, my life.
01:10:23If he hasn't gone to war, it's because I've spoken to the captain.
01:10:27You?
01:10:29What did you say to him?
01:10:30Well, there wasn't much dialogue.
01:10:34Sure, you've used your experience.
01:10:37Stuart, for God's sake, what did we agree on?
01:10:39And what did you think I was going to do, huh?
01:10:41That you were going to the front.
01:10:48Saturn, look, I'm sorry, but I have to earn a living.
01:11:09My dear Hernán, I assure you that I take responsibility for the uncomfortable situation you are in.
01:11:13It's been a little... humiliating.
01:11:17You have to help me.
01:11:18No, I don't have to help you.
01:11:21All you had to do was get rid of Red Eagle, and what have you done?
01:11:24Nothing.
01:11:26Hernán, you're not offering me anything.
01:11:29Honestly, I neither want to nor can help you.
01:11:31A little piece of fruit?
01:11:36Can I put you in touch with my late husband's family in Italy?
01:11:39I advise you to leave the country as soon as possible.
01:11:43Mmm, are they delicious?
01:11:45Definitely not.
01:11:49You?
01:11:52Yes of course.
01:12:01What does this mean?
01:12:03That you do want to help me and that you can help me.
01:12:08It's the signed statement your dear son made when he killed that child.
01:12:13The cripple?
01:12:18Ah, of course.
01:12:20You didn't know that.
01:12:21Well no.
01:12:25If you'll excuse me.
01:12:27It's been an exhausting day.
01:12:51In the end, we made it out alive.
01:12:54Fucked up.
01:12:56But alive.
01:12:58The Estuerda situation hasn't gone well.
01:13:01He's out on the streets.
01:13:04I'm not referring specifically to fixing it with cobblestones.
01:13:07Women, I love.
01:13:08You can't live with them, but you can't live without them either.
01:13:13Better without them, be yourself.
01:13:14Don't get cocky, they almost hanged him and sent me to hell.
01:13:18war.
01:13:19And that's why it happened.
01:13:21Unfortunately.
01:13:22And that's how chance is.
01:13:25With all due respect, I love you.
01:13:26Chance did not put Margarita on that rooftop.
01:13:34Now I know.
01:13:36Even if it's just for me, because I'm feeling all mixed up.
01:13:40Because?
01:13:42Are you going to deny that you feel nothing for Margarita?
01:13:48Family affection, come on, now.
01:13:50And in physical terms?
01:13:53Because we're not made of stone, damn it.
01:14:01Have you perhaps become...
01:14:03a small jar?
01:14:05I'm sorry, but since I haven't seen any avatars of yours since I've been working for you...
01:14:13And Margarita is having a good month.
01:14:17That has firm breasts and is solvent.
01:14:20And good Sevillian buttocks.
01:14:22Look at me.
01:14:25Yes or no?
01:14:28Acárate, Sato.
01:14:39Let's see if he's taught me about jumping.
01:14:41I always have to walk back myself.
01:14:46She doesn't have the guts to...
01:14:48Nothing is missing.
01:14:51Eagle!
01:14:55I want to be informed of any move the teacher makes.
01:14:57They are following us.
01:14:58I don't care what methods you use, but bring me Red Eagle's head.
01:15:02The queen wants to wear the emerald necklace I gave you for that party.
01:15:06I need you to give it back to me.
01:15:07Tell me where my husband is.
01:15:08Where has the monkey hidden away?
01:15:09You didn't have to hire a hitman to capture Red Eagle.
01:15:12It has to be ready first thing tomorrow without fail.
01:15:14I said without fail.
01:15:16It is of vital importance.
01:15:17No, Margarita.
01:15:19They say that screams were heard in the forest tonight.
01:15:22I think that warrior is involved in this.
01:15:24Missing necklace.
01:15:26Everything in this house belongs to me.
01:15:27Child, my name is Catalina.
01:15:29You know what? You can count on me, right?
01:15:31Who told me to go around dealing in the marchioness's necklace?
01:15:34You're fired.
01:15:36You're totally smitten with her, huh, buddy?
01:15:40He's stupid!
01:15:42Are you listening to me, you dead woman?
01:15:44That quote is an invitation to suicide.
01:15:56Why do you think God gave us two hands?
01:15:58Why do women have two breasts?
01:16:00Everything has been planned.
01:16:09Yeah!
01:16:13He's stupid!
01:16:15Thank you.
Comentarios