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00:01:04Who allowed me to complete the cocri?
00:01:06You forgot to add that we are looking for a sister, not a brother.
00:01:10Her name is Ana. She was wearing this bracelet.
00:01:13I remember the girl.
00:01:14A battalion is arriving from...
00:01:17They are very badly injured.
00:01:20It's the same battalion as Juan.
00:01:22Does anyone know Juan de Galatrava?
00:01:24If I had someone like you waiting for me,
00:01:26I would let them kill me.
00:01:30I love you, Gonzalo.
00:01:33Here appears Miss Margarita.
00:01:35I love you, Gonzalo.
00:01:37It says here, I love you, Gonzalo.
00:01:39Nobody's looking for a scam...
00:01:42...among the dead.
00:01:48He's going to deny you a donkey to the Spanish Empire.
00:02:00I will soon make this link public and you will be able to live with me in the palace.
00:02:09The Cardinal's niece could be dead anywhere.
00:02:15Aid!
00:02:19Aid!
00:02:20Aid!
00:02:20Aid!
00:02:20Aid!
00:02:21Aid!
00:02:21Aid!
00:02:31Aid!
00:02:34We meet again.
00:02:39I had been told there was a vacancy.
00:02:41to act as executioner
00:02:58Amelia Ayuso
00:03:01Francisca Gamboa
00:03:03Come on
00:03:04My heart tells me we're going to have a letter today.
00:03:06You to your Juan and me to my flower
00:03:09Asunción Manrique
00:03:12Dolores Núñez
00:03:13Is this the front?
00:03:15Josefa Castro
00:03:18Raimunda Esteban
00:03:21Juan Antonio Núñez
00:03:24That's all, sorry
00:03:25You're sure?
00:03:27Look, you see, it might be that with the hustle and bustle of the road
00:03:29maybe he left some lying around
00:03:31Oh, really? And what about these?
00:03:33Crown employees, you're always the same.
00:03:35They don't realize they're playing with people's hopes.
00:03:37Man
00:03:39It's the mail that nobody claims.
00:03:41They've been there a long time
00:03:46That's a shame too.
00:03:48Sending a letter that doesn't reach its recipient
00:03:50So many kisses and hugs that must have been missed
00:04:00Who's in charge?
00:04:01I'm desperate
00:04:02I don't know where else to look for something in your harda
00:04:04So that everyone is equal
00:04:05Looking for a job where there isn't one
00:04:08The wax seal belongs to the Franciscans.
00:04:11From a certain Agustín
00:04:15No, no, no
00:04:16It's in very bad taste to open other people's mail.
00:04:19A letter is something very intimate.
00:04:22I know it's intimate
00:04:23I just wanted to know who it belonged to.
00:04:25Since he doesn't say it outside
00:04:26That's really bad.
00:04:28Catalina is very ugly
00:04:32Look at you
00:04:42It is dated the same day as Augustine's death
00:04:51Royal hunting ground
00:04:52No one else will read this, I love it
00:04:57Centennial tree
00:04:59And little else
00:05:04Again
00:05:10Eagle
00:05:12Eagle
00:05:19Eagle
00:05:22Eagle
00:05:24This is it
00:05:27This has affected me.
00:05:35This is it
00:05:37What an eye I had for you
00:05:38I wouldn't have seen the drawing.
00:05:40Even if I had gotten stung
00:06:01I wonder if he's going to lose his arms.
00:06:05I'll do it myself.
00:06:12Before the friar, he too is hiding something in there
00:06:14And right in the middle of the gossip mill
00:06:19And tell him in a letter.
00:06:20As the mail service is currently structured
00:06:28I got something, I love it
00:06:33I've got the champion hooked
00:06:46It might seem strange to me, but
00:06:48Nothing, right here where you see me
00:06:50I am the forest ranger
00:06:51Hey?
00:06:52Send it
00:07:02Let him go
00:07:19Don't do this to me again, love
00:07:20Because I know he likes suspense
00:07:22If it appears at the end
00:07:23But in the meantime
00:07:24My heart is about to jump out of my mouth.
00:07:30No
00:07:42What is this?
00:07:45A parchment
00:07:48Come on
00:08:13Eminence
00:08:14The commissioner
00:08:19Eminence
00:08:20I hope he has a good reason.
00:08:22To interrupt my work, commissioner
00:08:24Of course, Your Eminence
00:08:26I've come to offer you a deal
00:08:28Something very beneficial for both of us.
00:08:31Speaks
00:08:32As he advised me some time ago
00:08:34For a man of my condition
00:08:36It would be very convenient to start a family
00:08:39Well then
00:08:40I would like to be part of yours
00:08:47I want the hand of his niece Irene
00:08:51You shouldn't drink so early.
00:08:53It's not a good habit, commissioner.
00:08:56Don't worry, I only do it at Mass.
00:08:58So how do you know how to interrupt me?
00:09:00And to suggest something so crazy to me?
00:09:04I thought you might be interested in something
00:09:05What I was thinking of offering you in return
00:09:10Good morning, Your Eminence
00:09:13Speak, speak
00:09:32Where did you find that?
00:09:35It was worn by the goldsmith who kidnapped Irene
00:09:43Did you know that a single gesture would be enough?
00:09:44So that my men could enter through that door?
00:09:47I know
00:09:49That's why I didn't come alone either.
00:09:52Think it over carefully, Your Eminence
00:09:53It's a very ostentatious piece of jewelry to me.
00:09:57Otherwise
00:09:59I don't know what value it has for you.
00:10:07And all you want is my niece's hand in marriage?
00:10:12And the necessary means
00:10:13To live up to the standard it already deserves
00:10:29The wedding will take place in three days.
00:10:32Then you will give me the medallion
00:10:37Eminence
00:10:57Good morning
00:10:58Good morning
00:11:00Oh, I look so sleepy.
00:11:03Did you sleep well?
00:11:05Well, not much.
00:11:07Father
00:11:08Aunt Margarito has thrown herself
00:11:09I cried all night.
00:11:11The poor thing tried to do it quietly
00:11:13But he hasn't been able to.
00:11:16I've had it too, son.
00:11:20Father
00:11:22You would have to use more of it
00:11:24I don't know, maybe keep her company.
00:11:25Talk to her about her things
00:11:28I don't know, son
00:11:29Perhaps your aunt doesn't want to share certain things with me.
00:11:32But how could she not want to be a woman?
00:11:34Let's see
00:11:36We men
00:11:37Well, we never say anything.
00:11:38But women
00:11:39Women are more talkative.
00:11:41Remember your mother
00:11:42Good morning
00:11:43Good morning
00:11:44I'm very late
00:11:44So I'm not even going to have breakfast.
00:11:46OK
00:11:47Aunt Margarita
00:11:48The father says that today he wouldn't mind accompanying you to the Palace.
00:11:51I bet you don't!
00:11:52There's no need to bother you, Gonzalo
00:11:54No, no, if not...
00:11:55It's no trouble.
00:11:56Before going to school
00:11:57I had to go and pick up some samples.
00:11:58And it's on my way
00:11:59Come on
00:12:01Ah, father
00:12:03Hey...
00:12:03If it's getting a little late
00:12:04Don't worry
00:12:05I'll take care of the school
00:12:07Thank you so much
00:12:09Well, Sato
00:12:15I wish more than anything that I could use the school
00:12:17There's no work for me, not even me.
00:12:18Not a soul enters the inn
00:12:20But you have seen me
00:12:21I've started cutting roots
00:12:22So that my Gaby has something to eat.
00:12:25He's a child, not an anteater.
00:12:28Besides, you've always had someone helping you at the inn.
00:12:30Cipri
00:12:31No one, Sato
00:12:33My wife
00:12:34But thanks for reminding me
00:12:38Please, we're hungry
00:12:39Tien, tell me, father
00:12:45Help us and the three
00:12:48Cipri
00:12:48Footbridge
00:12:50Footbridge
00:12:54The bishop is looking for a serious and proper woman.
00:12:56Let her work as a housekeeper in her house
00:12:58Are you not talking about someone?
00:13:02Uh, no
00:13:03No, I'm sorry, sister
00:13:06Nothing comes to mind right now.
00:13:07Well, if anyone finds out
00:13:09He tells me
00:13:16Is your name friend?
00:13:19Why haven't you recommended Estuarda?
00:13:21Damn, Satur
00:13:21He said that I was looking for a serious and formal woman.
00:13:24Already? So?
00:13:25Well, that's it
00:13:25Which is the bishop's house
00:13:26And Stuart is
00:13:27That?
00:13:28What is Estuarda?
00:13:29What is it?
00:13:29I'm going to tell Satur
00:13:30Please
00:13:33Being a prostitute
00:13:34It's a job
00:13:35Not a condition, Cipri
00:13:37And what's wrong with you?
00:13:41You have not experienced want in your life
00:13:43You don't know what it's like to be hungry
00:13:45Maybe hunger, no
00:13:47But many hardships
00:14:09They are waiting this afternoon at the bishop's house
00:14:13I'm not worried that you're not walking perfectly yet, silly girl
00:14:16With all due respect, ma'am
00:14:18With how sick he's been
00:14:19We should thank God for seeing it this way
00:14:21Irene
00:14:24Valencia
00:14:27What's wrong with him?
00:14:28Any bad news for your niece?
00:14:30No, no, not at all
00:14:32A wedding is always a big event
00:14:35Don't you think so?
00:14:36Irene is getting married
00:14:37Well yes
00:14:38And who is the lucky one?
00:14:41It's me
00:14:46No
00:14:47Be quiet, Nuño
00:14:48But you can't marry her
00:14:49Nuño, retire right now
00:14:51Catalina, accompany him
00:14:52Come on
00:14:53One minute
00:14:58Children sometimes get their hopes up.
00:15:00And they say things without thinking first
00:15:05Regarding the connection, congratulations, commissioner
00:15:07That's great news
00:15:08It is
00:15:10This is undoubtedly excellent information for everyone.
00:15:13Good
00:15:15And now, if you'll allow me...
00:15:16I must return to my own affairs
00:15:19Commissar
00:15:26I don't understand why you're looking at me like that, Lucrecia
00:15:29Wasn't this what you wanted?
00:15:32I only suggested
00:15:33That it could be a good business
00:15:37Otherwise, I couldn't care less what you do.
00:15:41Are you jealous?
00:15:42To be jealous, I would have to love you.
00:15:47What I don't understand is how you managed it without my help.
00:15:50Because not everyone values me as little as you do.
00:15:52That's because they don't know you.
00:15:56Good morning
00:16:08Why are you laughing?
00:16:12Well, it's strange to see you here.
00:16:15But thank you for joining me
00:16:17Already
00:16:18Well, I had to go collect minerals and...
00:16:21Yeah, and since you were on your way anyway...
00:16:24Well yes
00:16:32Margarita, perhaps I haven't been paying much attention.
00:16:35And I should have told you that sooner.
00:16:36But you know you can count on me for whatever you need.
00:16:40Or to talk, simply
00:16:42You don't have too many problems, Gonzalo
00:16:46Besides, you've never been much of a talker.
00:16:48It's more about keeping it all inside.
00:16:51Inside
00:16:53Already
00:16:53I mean that...
00:16:55Why is it so hard for you to just say what you feel?
00:16:58You're always there buying yourself
00:17:01Come on, you're not exactly very spontaneous, are you?
00:17:04Oh, no?
00:17:05No
00:17:06But don't be offended.
00:17:08In other words, I'm not very spontaneous.
00:17:11Very good
00:17:11Well, I'll race you to that water.
00:17:13And on top of that, I'm giving you a head start.
00:17:15Do I need an advantage?
00:17:17Well, then...
00:17:23I beat you
00:17:24Because I let you win
00:17:25Already
00:17:50No, well I let you win.
00:17:59What does Gonzalo say?
00:18:02The Third Infantry Company
00:18:06It has fallen into the hands of the Portuguese.
00:18:09That's Juan's company.
00:18:12They demand a ransom from the king for their release.
00:18:24I will not give in to blackmail.
00:18:27Is this the company of his cousin, Juan de Caratrava?
00:18:31I know
00:18:32His death and that of the rest of the prisoners
00:18:35It will be a small sacrifice for the good of the kingdom
00:18:40That's war.
00:18:43I will send a messenger with your reply
00:19:00The king has been informed
00:19:02You can leave now
00:19:05Will he do anything?
00:19:11Sir, does that mean you're going to let those men die?
00:19:14Guardians!
00:19:16I can go out alone
00:19:28Your Majesty, please
00:19:28Don't let those men die
00:19:30Please!
00:19:34Who dares to say to the king
00:19:36What do you have to do?
00:19:38With all due respect, Your Majesty
00:19:41I am Gonzalo de Montalvo
00:19:45I, Philip of Austria
00:19:47I take you, Laura de Montiñac
00:19:49As a lawful wife
00:19:50His royal ancestors
00:19:52Hernán, Gonzalo, the alliances
00:19:54I will make this link public soon.
00:19:56And you will be able to live with me in the palace.
00:19:59Hernán, Hernán, Gonzalo, Gonzalo
00:20:05Let him go
00:20:23This gives, close your neckline
00:20:25But what a neckline!
00:20:26If I'm closed up to my ears
00:20:29This bishop is famous for his charity
00:20:30But also because of its morality
00:20:32How does he come to suspect
00:20:33That you have dedicated yourself to the carefree life
00:20:35Numbers in this house, not even two hours
00:20:36Don't worry, I'm not stupid.
00:20:37Do you really think I'm going to tell him?
00:20:45Stop moving
00:20:45You're bringing a little wiggle
00:20:48Look, it's better if you don't walk.
00:20:49But how can I not walk, Satur?
00:20:51I'm here to serve
00:20:52I won't be able to
00:20:53He's going to find out.
00:20:55Everything will be alright, you'll see.
00:20:58Above all, don't wink at him.
00:21:00That it is a sin
00:21:02I'm just not good enough to be a decent woman
00:21:05I've been practicing for too long.
00:21:08Stuart
00:21:09You are a truly wonderful woman.
00:21:12A mother through and through
00:21:13Who has spent his whole life working himself to the bone
00:21:14To feed his son
00:21:16You are capable of this and much more
00:21:19I'm telling you.
00:21:20I don't know how you can believe in me so much, Satur
00:21:26And with God
00:21:31You must be Stuart, right?
00:21:33Yes sir
00:21:34To serve you and God
00:21:37You'll start right now
00:21:37What can you do?
00:21:38Of everything
00:21:39Of everything
00:21:40Of everything related
00:21:42With household chores
00:21:43Clear
00:21:44And who are you?
00:21:45I
00:21:46I'm the one who got him the job
00:21:49But anyway, I'm leaving now.
00:21:52Go with God
00:21:54Excellence
00:21:56What will you say, sir?
00:21:57When would you like us to start?
00:21:58Right now
00:22:12With your permission, I've brought firewood.
00:22:23Are you okay?
00:22:24No, I'm not okay.
00:22:25And neither should you be.
00:22:27If Irene matters to you at all
00:22:29Has something happened to Miss Irene?
00:22:30Yeah
00:22:30She's going to marry the commissioner.
00:22:34In three days
00:22:36Salt
00:22:38I want to talk to you
00:22:45You must learn to control your emotions in public
00:22:47You are a nobleman
00:22:50And nobility demands with posture
00:22:52The commissioner is going to marry someone else
00:22:53And it's your fault.
00:22:54Hernán makes his own decisions
00:22:58Even if I wanted to, I couldn't do anything.
00:22:59Yes, you can.
00:23:01He's been with us all his life
00:23:04If you asked him
00:23:05Would he marry you?
00:23:06And he would be my father.
00:23:07He is not your father, Nuño
00:23:09Yes, it is.
00:23:11I have no memories without him.
00:23:13And everything I know, he taught me.
00:23:17But he's going far away
00:23:19And he will have his own family
00:23:22His own children
00:23:25And he will forget about me
00:23:30The truth is, you don't care.
00:23:33Cleanse your face
00:23:35And get back to your duties
00:23:39Never expose them again
00:23:56Okay, let's go
00:23:57Everyone inside
00:23:58I'll tell you now, you gossips.
00:23:59But father, father
00:24:00But then, has the king received you or not?
00:24:02That's it, that's it
00:24:03The important thing is that he promised to pay the ransom.
00:24:07So our soldiers are going to be freed
00:24:09But then he saved John
00:24:12Are you a hero?
00:24:13No, no, no
00:24:14And what is the king like?
00:24:15It's true that you walk without touching the ground
00:24:16And does it shine light like the saints?
00:24:18But how will it shed light?
00:24:19Guys, the king is a normal person
00:24:20He walks normally, talks normally, and eats normally.
00:24:23Man, father
00:24:24Normal, normal, no
00:24:25What is the king?
00:24:26Well, yes, he is the king
00:24:27Come on
00:24:28To your sites
00:24:30Let's begin the class
00:24:31Gonzalo
00:24:34Yeah?
00:24:35Thank you
00:24:36Thank you
00:24:38Good
00:24:40Okay, that's it.
00:24:43I don't want to hear you.
00:24:48Anso
00:24:50Why doesn't your father marry your aunt?
00:24:52Well
00:24:52Because I can't forget my mother
00:25:10Your Excellency, they await you
00:25:11It must be my friend Antonio who is going to Rome
00:25:14I'm leaving now.
00:25:15Does it end?
00:25:16Term
00:25:20Hello Antonio
00:25:21How are you?
00:25:22Very good
00:25:23Very good
00:25:24Hey
00:25:25Stuart
00:25:27Come
00:25:29Bring me from my desk a letter I have left
00:25:33Yeah
00:25:37How are you?
00:25:40Do you know that this woman is a whore?
00:25:42As?
00:25:43Yeah
00:25:51Your Excellency
00:25:53Take it, Antonio.
00:25:55Take her to the archbishopric
00:25:56And thank you very much.
00:25:59Bye
00:26:08Bye
00:26:09Stuart
00:26:11What did you do before you started working in my house?
00:26:16Actually, I've done a bit of everything.
00:26:18Of everything?
00:26:19Like what?
00:26:20Tell me
00:26:21Bishop
00:26:23I need this job
00:26:24I know you are a good man
00:26:27You are a prostitute
00:26:30Please don't throw me out
00:26:31Please
00:26:32My son is starving to death
00:26:33God punishes sinners
00:26:35I don't think it's a sin to try to barely survive in this world
00:26:38You're a slut
00:26:39No
00:26:39No
00:26:40Please
00:26:41You will burn at the stake
00:26:43No
00:26:43You're a whore
00:26:46No
00:26:47No
00:26:48No
00:26:48No
00:26:48No
00:26:49No
00:26:49No
00:26:49No
00:26:50Dirty
00:26:51Sinner
00:26:52What should be done?
00:26:54Don't touch it
00:26:55No
00:26:55No
00:26:55No
00:26:56No
00:26:56No
00:26:57No
00:26:57No
00:26:58No
00:26:59No
00:27:00No
00:27:02No
00:27:03No
00:27:16What have you done?
00:27:17Didn't you kill him?
00:27:27Diamond brooch with five diamond inlays
00:27:31I never thought
00:27:32That I had to get rid of this piece
00:27:35Think, ma'am, it's for a good cause.
00:27:36That collar will save the lives of our men.
00:27:39What do I care about our men?
00:27:41I do it not for them, but because the king forces me to.
00:27:47Sapphire necklace set in gold
00:27:49It is not my fault that the royal coffers are empty.
00:27:52Nor that our monarch handles the affairs of the kingdom with such ineptitude
00:27:55Lady
00:27:56Lower your voice, they're going to hear you.
00:27:59Concrecy
00:28:02If you are looking for your fiancée, she should be in the chapel praying vespers.
00:28:05I didn't come to see her
00:28:07I want to talk to you
00:28:11Withdraw
00:28:11Lady
00:28:26Lucrecia, what you are doing for your kingdom is honorable.
00:28:28I know the king has asked the nobles for help in freeing the hostages.
00:28:33And have you come to contribute your dowry?
00:28:36I've come to propose something to you.
00:28:38There is no reason why we shouldn't continue doing business together.
00:28:41As usual
00:28:43I gave that one to you.
00:28:46Oh yeah?
00:28:48I didn't remember
00:28:49But now that you've given her one more reason to hand her over to your new cause
00:28:54If you listen to me, you won't have to do it.
00:28:57It's very risky
00:28:59But there is much to gain.
00:29:03Yeah?
00:29:04Excuse me, ma'am
00:29:06The royal guard has already arrived to collect your contribution.
00:29:09Excuse me Hernán, if you'll excuse me, I have a lot to do.
00:29:14Lucrecia
00:29:32I love
00:29:33Here's Sato
00:29:42Come on
00:29:48What have you done to yourself, Sato?
00:29:49What have you done to yourself?
00:29:51I've killed myself
00:29:52That?
00:29:53I've killed myself
00:29:55I've lost my mind, I don't know what's happened to me.
00:29:57Let's see, what do you mean you killed him?
00:29:58Whom?
00:29:59To the bishop
00:30:01To the bishop of the village who was hitting your fire
00:30:04She had gone there to serve
00:30:08Let's see, Sato
00:30:09Where have you left the body?
00:30:12The body? Where did you leave it?
00:30:14In the bishop's house
00:30:16He had finally gotten an honest job
00:30:18She just wanted to work, I love it
00:30:20It's my fault it hasn't happened to me.
00:30:23Nothing
00:30:24Does anyone else know that he was there?
00:30:25No
00:30:26No, not even Gaby
00:30:27She didn't want to tell him until the job was secure.
00:30:30Are they going to hang us?
00:30:31No, Sato, no.
00:30:32OK?
00:30:34Take off that shirt
00:30:35Take it off
00:30:36I'll be right back
00:30:41Sato?
00:30:42Hey?
00:30:43But what happened to you?
00:30:44That you are full of blood
00:30:46No, nothing
00:30:46I cut myself sharpening the scissors
00:30:51But you're okay.
00:30:52Let me help you
00:30:52No, no, no
00:30:53The thing is, it's very scandalous.
00:30:55But anyway, I'm fine.
00:30:57I'm going to your room
00:30:58Come on, let's go
00:30:59Let's rest
00:31:00Hurry, it's very late!
00:31:01Lie down
00:31:02Come on
00:31:19Where do you think you're going, Martin?
00:31:21Let me in, please
00:31:22I've been told she's going to marry the commissioner.
00:31:24I need to talk to her
00:31:25Martin is the best
00:31:27Best for whom?
00:31:28For everyone
00:31:30She will make a good marriage
00:31:32And he will leave this house
00:31:33And you will forget her forever
00:31:34Come on
00:31:35Not even if a thousand years pass, aunt
00:31:37I beg you
00:31:38Let me talk to her
00:31:39Only once
00:31:42Martin
00:31:43There is no need to bring more firewood to Alcoba
00:31:46Commissar
00:31:48Is my fiancée in her chambers?
00:31:50Yes sir
00:31:52With your permission
00:31:55Good night
00:31:57Miss
00:32:03I just wanted to tell you that I'm going to be a good husband, Irene
00:32:08Is my fiancée in her chambers?
00:32:12No, no, no, no
00:32:24My fiancée is in her chambers!
00:32:29Goes!
00:32:30Goes!
00:32:32Goes!
00:32:34Goes!
00:32:35Goes!
00:32:54What's happening?
00:33:09What's happening?
00:33:41What are you doing here, Estuarda?
00:33:43Let me.
00:33:46Come on, go away.
00:33:47Go away, that one's clean.
00:33:49I'll finish cleaning up now.
00:33:50Go on, leave.
00:34:01Did he do it to you?
00:34:03Moses struggled.
00:34:09Leave through the back door and don't let anyone see you.
00:34:15What now, master?
00:34:16So what do I do now?
00:34:16I don't even know where to begin, love.
00:34:18We need to get the body out of here.
00:34:20But how?
00:34:22They're going to see us, and if they do see us...
00:34:23Bishop.
00:34:27Bishop.
00:34:33Bishop.
00:35:02What are you doing here?
00:35:07Leave.
00:35:09If they find you in my bedroom, you're dead.
00:35:11I'm not going anywhere.
00:35:13Martin, please don't make it any harder for me.
00:35:17I'm getting married.
00:35:18Don't do it.
00:35:21I cannot refuse my uncle's wishes.
00:35:24I love you.
00:35:57I cannot refuse my uncle's wishes.
00:36:09Do you know that no one had ever done anything like this for me?
00:36:19Why is he so nice to me?
00:36:22Family should always be helped, Sato.
00:36:47That's it, Sato.
00:36:50That's it.
00:36:52Come on.
00:37:03May God have him in his glory.
00:37:11Come on, come on.
00:37:12Come on.
00:37:13Mojo.
00:37:42Mojo.
00:37:59What are you doing, dude?
00:38:03Where did you get this?
00:38:05The Red Eagle has intercepted the royal shipment.
00:38:08And I have come to bring you the jewels.
00:38:15Was this the business you were proposing to me?
00:38:17As you can see, you had little to do.
00:38:20Yes? I see that.
00:38:23There are pieces here that aren't mine, Hernán.
00:38:27Accept it as a personal gift.
00:38:32Are you asking for forgiveness, Hernán?
00:38:36Because if that's the case, I've done it for you, haven't I?
00:38:39Your arguments have convinced me.
00:38:43I'm sorry, Lucrecia.
00:38:46This piece is not for you.
00:38:49It's for my fiancée's ring.
00:38:52What prevents me from telling the king who is looting it?
00:38:57I want half of everything for my silence.
00:39:00So, are we going to work together again?
00:39:02If you want to call it that.
00:39:04Where is the rest?
00:39:06Safe and sound.
00:39:11You could have kept it all for yourself.
00:39:15Why did you tell me?
00:39:16It's a farewell gift.
00:39:24Hernán.
00:39:32You will return.
00:39:46That's fine.
00:39:51I'm sorry to interrupt, Your Majesty, but...
00:39:53I must tell you some vitally important news.
00:39:57Speaks.
00:39:58They have attacked the shipment containing the ransom for the soldiers of Portugal.
00:40:03It has been Red Eagle.
00:40:18I want his head.
00:40:22Nobody dares to rob the King of Spain.
00:40:45Gonzalo.
00:40:46Are you here yet?
00:40:48Yeah.
00:40:49I was worried.
00:40:51It had been a long time since there had been a storm like this.
00:40:53Yeah.
00:40:57Margarita, that the king has already sent the ransom.
00:41:00You can rest assured.
00:41:03Yeah.
00:41:03Now trust him.
00:41:05And I smile a little, go on.
00:41:09That's much better.
00:41:20Sorry.
00:41:22Satur, come on, take off those clothes or you'll catch pneumonia.
00:41:25Good night.
00:41:27Good night.
00:41:34Sorry if I ruined the moment, homo.
00:41:38Have you spoken to the suerdo?
00:41:40Yeah.
00:41:43I told myself that everything was under control.
00:41:46So she's calmer now.
00:41:49My heart is in my throat, love.
00:41:52Well, you don't have to, Sato.
00:41:53Nobody will find out.
00:41:55Nobody will ever know.
00:41:57I know it.
00:41:58But the one up there knows.
00:42:00He certainly knows.
00:42:03This is already dry.
00:42:11Perhaps she will find the answer to all the questions she has been asking herself for so long.
00:42:18A shield.
00:42:21So much fuss, I'm putting up a shield.
00:42:25With a red eagle.
00:42:28With or without your approval, I will do it.
00:42:30Cristina's killers will pay.
00:42:34Revenge is dangerous, Gonzalo.
00:42:36You know where the beginning is, but not where it leads you.
00:42:40It's not just a matter of revenge, Agustín.
00:42:42I will never have peace if I do not do justice.
00:42:45But your life will be in danger.
00:42:47Think about Alonso.
00:42:48He could also lose his father.
00:42:54I owe it to Cristina.
00:42:56And to all the innocent people who are dying every day.
00:42:59You want to be the savior of the people.
00:43:01A difficult task.
00:43:03I don't need your approval, Agustín.
00:43:07Bye bye.
00:43:08Wait.
00:43:10Do you have enough strength and hatred to achieve what you set out to do?
00:43:15But are you missing something?
00:43:39A red eagle?
00:43:41This will be your name.
00:43:42Because?
00:43:44Because it will take you back to your origins.
00:43:46Some day.
00:43:52What does this mean, master?
00:43:56This is my family's coat of arms.
00:44:20Martin, what have we done?
00:44:24Nothing bad, Irene.
00:44:28Marita, Irene.
00:44:33Uncle Martin.
00:44:35Tell me it didn't happen.
00:44:37Tell me you came to say goodbye and night caught you here.
00:44:39Please come out, aunt.
00:44:41But Martin, how was he able to do that?
00:44:44Miss, you're getting married in two days.
00:44:46How are we going to cover this up?
00:44:48Irene, are you awake?
00:44:51They've already brought the waxes for your wedding dress.
00:44:56Irene, what do those fabrics have to do with you?
00:45:00They are as pure as the bride who will wear them.
00:45:04What's going on here?
00:45:09Nothing, ma'am.
00:45:11What's going to happen?
00:45:14Oh.
00:45:15I see that you are no longer the tidy little girl who came from the convent.
00:45:18This room is extremely cluttered.
00:45:20Open the windows, Catalina.
00:45:22Is something wrong?
00:45:25No, nothing, ma'am.
00:45:29Irene, don't be long.
00:45:47Get dressed and leave this room immediately.
00:45:58Get dressed!
00:46:00Look, here's another one.
00:46:03We already have a lot.
00:46:05Yes, I told you.
00:46:06When it rains there are snails everywhere.
00:46:09We're going to eat purple.
00:46:10You'll see how happy your mother will be when she sees them.
00:46:13Last night he arrived with a swollen face.
00:46:17Already.
00:46:19The thing is...
00:46:21Your mother's job...
00:46:23My son wants a phlegmon, but phlegmons aren't like that.
00:46:28Okay, come on.
00:46:30Let's go for more.
00:46:38Look at that.
00:46:43When did you find it?
00:46:44At dawn.
00:46:46When I was on my way to the orchard.
00:46:50My dog found it.
00:46:53He is the bishop.
00:46:55What does he have on his neck?
00:46:56That?
00:47:02The tip of a pair of scissors appears, sir.
00:47:08Her ring has been stolen.
00:47:13That?
00:47:26How did you get in there?
00:47:30Don't change the sheets.
00:47:31We changed them yesterday.
00:47:35What's the matter?
00:47:39What's wrong, Catalina? Why are you crying?
00:47:41As far as I'm concerned, you have enough on your plate with Juan.
00:47:44Catalina, what's wrong?
00:47:49My nephew.
00:47:52What has defiled Miss Irene?
00:48:07She is about to get married.
00:48:10You don't say.
00:48:12And that comes to light on the wedding night, no matter what.
00:48:15And you tell me who it was.
00:48:19Well, something can be done, woman.
00:48:23They say there are ways...
00:48:25What forms will there be?
00:48:26What shapes?
00:48:28I knew one who had a goose egg implanted.
00:48:31And the next day she was found dead, beaten to death.
00:48:34And everyone understood the husband.
00:48:40Auntie, we're going to talk to you for a moment, please.
00:48:46Not even what you have to say.
00:48:48She is already whole.
00:48:52I'm sorry, forgive me, aunt, please.
00:48:54Don't cry.
00:48:57I'm sorry, I'm so sorry.
00:48:59Feeling it doesn't help.
00:49:02The same goes for your life if you don't leave this house.
00:49:05If I leave, the blame will fall on you, you know that.
00:49:07And I can't leave you with that.
00:49:09If I have to pay, I'll pay.
00:49:13Daisy.
00:49:16Yeah.
00:49:16They have attacked the shipment containing the ransom for the soldiers of Portugal.
00:49:21As?
00:49:23They say it was the red eagle.
00:49:25No, Margarita.
00:49:30Then we found the shield with the eagle in the books.
00:49:34And assuming Augustine doesn't prepare another of his mysteries for us,
00:49:39We'll finally find out who her family is, right, love?
00:49:41I hope so.
00:49:43What makes us aware of the shipment for our soldiers in Portugal?
00:49:48Has he been attacked tonight by a red eagle?
00:49:52His Majesty the King
00:49:55will personally deliver 100 ducats
00:49:57to whoever brings him the head of such a vile criminal.
00:50:01Well, he really fooled us.
00:50:02The people's hero.
00:50:03I hope they catch that eagle
00:50:05and deliver his head to the king on a platter.
00:50:07I hope so.
00:50:13Can't anyone tell us what's wrong with all of you?
00:50:17Do you remember what that man has done for you?
00:50:19Tuna.
00:50:20That wretch has just sentenced our soldiers.
00:50:22That's what he's done.
00:50:23Well, I'd vouch for him with my life.
00:50:25Where else would I do such a thing?
00:50:26Well, where else? He's Portuguese, for sure.
00:50:29But what is Portuguese?
00:50:30Neither Portuguese, nor Spanish, nor Portuguese ...
00:50:32Yes, he is Portuguese, I'm telling you.
00:50:33That's why he hardly opens his mouth,
00:50:35so that his accent doesn't give him away.
00:50:36You are not well.
00:50:38Your brain has melted.
00:50:40and you haven't noticed.
00:50:41Portuguese, but...
00:50:42Portuguese.
00:50:46Satur, leave it, leave it.
00:50:47The important thing is that they stole the ransom.
00:50:49And without him our men have nothing to do.
00:50:51That's true too.
00:50:53But what will the red eagle use?
00:50:54Already.
00:50:55Come on.
00:50:58There is no lack of historical memory in this kingdom.
00:51:01Satur, they have found the bishop's body.
00:51:11Calm down, Estuarda, we're home now.
00:51:13I can't, Satur.
00:51:14They've found the body, and they're going to find us.
00:51:17That's going to happen to us.
00:51:22We will get through this.
00:51:23What will become of Gagli?
00:51:26It's not to be burned alive.
00:51:28I'm not going to allow it.
00:51:29Trust me.
00:51:31Where are the clothes? Did you throw them away?
00:51:32No.
00:51:36I was thinking of washing it, Satur.
00:51:38I hardly have to put anything on.
00:51:39Give it to me.
00:51:40But not the handkerchief.
00:51:41This is my last memory of my mother.
00:51:43She embroidered it with my name.
00:51:45Give it all to me.
00:51:46I'll take care of it.
00:52:00Did you steal it?
00:52:02Everyone knows that this ring belongs to the bishop.
00:52:06Did you steal it, Stuart?
00:52:08I just didn't realize I had it, Satur.
00:52:10And please don't yell at me.
00:52:12Don't yell at me.
00:52:15Forgive me.
00:52:17We'll get through this, I promise you.
00:52:24Trust me.
00:52:32Am I going to get rid of all this?
00:52:42In a couple of days, when they've finished drooling, we'll tell Satur to prepare us a good one
00:52:46stew.
00:52:47Well, I'm so hungry I wouldn't mind eating them right now.
00:52:51How many will there be?
00:52:53Well, I don't know.
00:52:55Go to the kitchen, get a bowl, and we'll tell them.
00:52:57Come on.
00:53:23What happened to you?
00:53:24You're bleeding.
00:53:25I cut myself sharpening the scissors.
00:53:27It looks like the tip of scissors.
00:53:29Aronzo!
00:53:30Aronzo!
00:53:31Is this okay?
00:53:32Aronzo!
00:53:33Is this okay?
00:53:34Hey?
00:53:36Hey...
00:53:36Okay, yes.
00:53:37Yes, that's the one, that's the one.
00:53:49No, no, no, no, no, no.
00:54:12That's exactly what we're looking for, love.
00:54:16Because apart from the dead guards...
00:54:21Where is he going?
00:54:45What is that, master?
00:54:50It is the list of goods that were in the shipment.
00:54:53And they are all gems.
00:54:55They are listed one by one next to the name of their owners.
00:54:58Leave me alone.
00:55:02These empty spaces, diamonds, three-carat emeralds.
00:55:09Three carats, no less.
00:55:11That must be the size, I hadn't seen it.
00:55:13But this is useless.
00:55:15Bring it here, bring it here.
00:55:16Paper is never a bad thing.
00:55:17My backside has been raw lately.
00:55:21I love.
00:55:22And if we find the jewels, what do we do with them?
00:55:25Where do we take them?
00:55:27Because in the middle of a war, one isn't going to show up in Portugal
00:55:29And ask about the hostages, right?
00:55:31The Portuguese note stipulated the exchange
00:55:33in the fortress of Jerez de los Caballeros.
00:55:36Don't tell me you also know Portuguese.
00:55:38Yes, holy.
00:55:40Look, master, that's a bottomless pit.
00:55:41full of wisdom.
00:55:44Come on.
00:55:53Are you OK?
00:55:55Look, they've killed him.
00:55:57If not, if not, then you.
00:55:58Nothing else.
00:56:12Is everything alright, girl?
00:56:16Yes, yes.
00:56:18Yeah.
00:56:32What did you say to him?
00:56:33I told him that he will always be like a son to me.
00:56:37And why are you lying to him, Hernán?
00:56:39You can't be a father when you're not present.
00:56:43Do you plan to spend all day holed up in my palace?
00:56:45When you're married?
00:56:47You were the one who suggested this marriage to me.
00:56:52Look at me.
00:56:56Look at me.
00:56:57Tell me not to do it.
00:57:03We wouldn't have interrupted anything, I suppose.
00:57:07No.
00:57:07Of course not, Your Eminence.
00:57:10You look beautiful, Irene.
00:57:12Well, now we're all here.
00:57:21Daisy.
00:57:23Are you OK?
00:57:24Yeah.
00:57:25I'm a little dizzy, but it's passing.
00:57:28Sure?
00:57:29Yes, yes.
00:57:30You're not listening to me.
00:57:33Mrs. Margarita is not feeling well.
00:57:35Could you excuse her?
00:57:38Now that he's not going to be a nobleman, I don't think it's in his best interest to lose his job.
00:57:41Come on.
00:57:56Irene, I want you to accept this ring as proof of my commitment.
00:58:01A magnificent piece, commissioner.
00:58:04It seems you make good use of your dowry.
00:58:11Now it's yours.
00:58:12But it's too much for me.
00:58:13Nothing is too much for you.
00:58:17Daisy.
00:58:18Lady.
00:58:19Daisy.
00:58:20Daisy.
00:58:21Take a deep breath, for God's sake.
00:58:22Breathe.
00:58:24Margarita, for God's sake, take a deep breath.
00:58:26Breathe.
00:58:26It's here.
00:58:30Gonzalo.
00:58:30How are you?
00:58:31What happened to you?
00:58:33I'm fine, Gonzalo, it's just a little weakness.
00:58:35That's it.
00:58:36Not at all.
00:58:36You're going home with Gonzalo right now, okay?
00:58:38No, no, Cata.
00:58:39Don't worry.
00:58:40The truth is that I am...
00:58:41Daisy.
00:58:43Let's see.
00:58:44But have you eaten?
00:58:45Yeah.
00:58:46How long have you been there?
00:58:47It's about time.
00:58:49It was when the commissioner put the engagement ring on me.
00:58:52It's the largest emerald I've ever seen.
00:58:59High!
00:58:59Stop the guard!
00:59:00Stop the guard!
00:59:07No!
00:59:08Fuck me!
00:59:09I didn't kill him!
00:59:11I've killed him, Bimbo!
00:59:12I swear!
00:59:22No!
00:59:22It kills me!
00:59:29The jeweler you sold this to has betrayed you.
00:59:31Where are the scissors?
00:59:33What scissors?
00:59:34I don't know anything, sir.
00:59:36I hope I find that ring on a path.
00:59:41Take it.
00:59:48He will be executed by garrote tonight at midnight.
01:00:08How could I have been so blind?
01:00:11How could I not have noticed this before?
01:00:13What's wrong, master?
01:00:15Whose shipment did I steal?
01:00:17Who hates me so much that they want to blame me?
01:00:20Whose?
01:00:21The commissioner.
01:00:23Your brother?
01:00:24You're sure?
01:00:25Sure.
01:00:26Give me those papers, the ones we found in the gorge.
01:00:28Wasn't there a large emerald on the list?
01:00:30Yes, I think so, but let's check.
01:00:33What's happening?
01:00:36What's happening?
01:00:39I think I've signed Estuarda's death warrant.
01:00:43I put the whole thing in my satchel to get rid of it and...
01:00:47What have you done, Sato?
01:00:48I think you left it there.
01:00:50Estuarda's handkerchief, the bishop's ring.
01:00:53That I'm a wretch.
01:00:54My head is where it should be, love.
01:00:56But it's too late to regret it.
01:00:58Take the horse and go there immediately.
01:00:59Yes, yes, yes, yes.
01:01:00Yes, yes, yes.
01:01:01Yeah.
01:01:01Yeah.
01:01:02Yeah.
01:01:39Where is the rescue?
01:01:41You'll know, you stole it.
01:01:48Tell me where it is.
01:01:50Never.
01:02:11This time, are you going to dare to do it?
01:02:15No?
01:02:31I'm so confused, Mom.
01:02:35A very big mess.
01:02:39One of those that seems impossible to solve.
01:02:42Because if I don't say anything, he'll kill that boy, and I know he's innocent.
01:02:46What's happening?
01:02:48But if I'm telling the truth, then, Sato.
01:02:54I don't know what's more important, mother.
01:02:57Is it justice or love?
01:02:59I don't know.
01:03:01God.
01:03:03What I do?
01:03:07This is too big for me to handle alone.
01:03:29Father.
01:03:36Father.
01:03:38Father.
01:04:05Let the surrón be, for God's sake.
01:04:07Let it be.
01:04:10It was here that I fell.
01:04:16He didn't go any further.
01:04:20It's like a wall has been built up in my mind that won't even let me think.
01:04:29They've been taken away.
01:04:31It's not here.
01:04:32Damn it all.
01:04:34Well.
01:04:35No.
01:04:41No.
01:04:48No.
01:04:59No, no, no.
01:05:29No, no, no.
01:05:48No, no, no.
01:06:18No, no, no.
01:06:53No, no, no.
01:06:55Don't know.
01:06:56I don't know, I made it up.
01:06:58I just wanted to see if there was a reward.
01:06:59I'm sorry.
01:07:01Get out of here.
01:07:05Out!
01:07:16Out!
01:07:18Out!
01:07:21Out!
01:07:22Out!
01:07:40Out!
01:08:10Fipriano!
01:08:15Out!
01:08:37Out!
01:08:38Out!
01:09:01Out!
01:09:03Out!
01:09:04Out!
01:09:21Out!
01:09:22Out!
01:09:26Out!
01:09:34Out!
01:09:51Out!
01:09:54Out!
01:09:55Out!
01:09:58Out!
01:10:15Out!
01:10:16Out!
01:10:33Out!
01:10:35You don't want to get married.
01:10:39The bad news is that there's little that can be done about it.
01:10:44But we'll always have wine.
01:10:48Want?
01:10:51Baby.
01:10:52It will do you good, I assure you.
01:10:59Further?
01:11:03Drink it all.
01:11:12Now you won't care about anything anymore.
01:11:25Out!
01:11:30Out!
01:11:35Out!
01:11:39Out!
01:11:51Out!
01:12:11Father, what are you doing here? What's wrong with you?
01:12:15Nothing.
01:12:19What's wrong with you?
01:12:21Nothing.
01:12:26Father, how do you always know what is right and what is wrong?
01:12:32I don't always know, son.
01:12:34No.
01:12:37Father, if I, if I, if I did something very, very bad, would you report me?
01:12:44You would never do something so bad.
01:12:46Yes, but if they did, if someone in your family did something horrible, what would you do?
01:12:53No, I couldn't.
01:12:55Well, that's exactly what's happening to me.
01:12:57Let's see, son.
01:13:00What are you talking about?
01:13:05I know that the bishop has been overwhelmed.
01:13:09And the thing is, I haven't been able to betray him.
01:13:12And that boy is going to die.
01:13:21Let's see, Alonso.
01:13:22Go home, we'll talk later, okay?
01:13:25Come on.
01:13:26And where are you going?
01:13:27I'll be right there, don't worry.
01:13:31Father, can I sleep with you tonight?
01:13:34I just don't want to be alone.
01:13:37Of course, son.
01:13:38Go to my room and wait for me.
01:13:40I'll be back before you fall asleep.
01:13:42OK?
01:13:43Come on.
01:13:45Don't worry.
01:13:46Don't worry.
01:14:31My love, when you read these lines, I will already be far away.
01:14:38I am a traitor and a wretch, no matter how you look at it.
01:14:43The scum of the human race.
01:14:51Master has found the chest with the ransom.
01:14:53Just like that, by chance.
01:14:57As if fate had placed him in my path to attack me.
01:15:02And he attacked me.
01:15:05I am sorry for the harm I am going to do.
01:15:08Especially to Margarita.
01:15:11But I have another war.
01:15:13The story of my son and his mother against hunger and humiliation.
01:15:18And I can't stand it anymore.
01:15:21I know I have no forgiveness from God.
01:15:24And I hope so.
01:15:27I will carry that guilt for all eternity.
01:15:32Goodbye, master.
01:15:46Catalina, accompany Irene to the medical examination.
01:15:48What recognition?
01:15:49So that our future husbands know that we are healthy and chaste.
01:15:56We have to go back and return the money to the king.
01:15:58Otherwise, they'll kill soldiers because of you.
01:15:59Can I, Alonso?
01:16:00This is not a letter from Sancho, Gonzalo.
01:16:03This is a death sentence.
01:16:04After the wedding, I don't want you to ever come back here again.
01:16:07Where are we?
01:16:08Don't know.
01:16:10But if we're here, perhaps it's to make the exchange.
01:16:13Or to kill us.
01:16:14I do not regret anything and I will accept my dishonor.
01:16:17Shame on you.
01:16:18For my nephew on the gallows.
01:16:20This is my last chance.
01:16:21To have a family.
01:16:23I have never let you down.
01:16:25I won't let you down now.
01:16:26How long has it been since you last saw, Alonso?
01:16:27Since last night.
01:16:28Because?
01:16:29The property titles to your new lands.
01:16:31I feel sorry for you.
01:16:33That's why I'm willing to help you.
01:16:36I've decided not to pay.
01:16:38Ten men will die every hour.
01:16:40Take note!
01:16:40But that you might forgive me someday?
01:16:43Fire!
01:16:45Fadur!
01:16:47Fadur, please!
01:17:01Fadur!
01:17:02Fadur!
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