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00:00:01The king will be eliminated.
00:00:03I guarantee it.
00:00:11What do you know about the murder of the teacher's wife?
00:00:16I want to sign up.
00:00:17Enlist me!
00:00:23Faster!
00:00:25The boss is so talented!
00:00:27You have a book, where is it?
00:00:29I burned it.
00:00:32Mom, she died because of you!
00:00:34Alonso is leaving me, Cristina.
00:00:35I don't know how to stop it.
00:01:15Remember, you have to take it every day.
00:01:18How can I feel disciplined about what I'm going to put in my food?
00:01:20But do you still want to have children?
00:01:22Yes, but why do I have to blame him?
00:01:23If I don't get pregnant, then it will be my fault.
00:01:25You've been married for five years and nothing's happened.
00:01:27Could it be either of their faults?
00:01:30Open in the name of the Holy Office!
00:01:32Quick, hide from the stable!
00:01:37Open!
00:01:37Open!
00:01:38No, I'm not going to hide you anymore!
00:01:39No, open it!
00:01:45It's her.
00:01:46Stop her.
00:01:46Don't hurt us!
00:01:48Why have you brought your lady up?
00:01:49What is the accuser?
00:01:51Be quiet, witch, and do not desecrate his holy name.
00:01:54Witch?
00:01:55Which person prepared herbal remedies?
00:01:56Daughter of Satan!
00:01:59Take them away!
00:02:24Yeah.
00:02:26I love you.
00:02:29Runs.
00:02:29Where's Mommy?
00:02:31I don't know, I went out to look for you, since you were taking so long.
00:02:35Cristina.
00:02:38No, please, Mom!
00:02:41No!
00:02:46Why did you let me kill you?
00:02:51Or is that mattress infested with bedbugs?
00:02:53Or were you dreaming about the gates of hell?
00:03:04Sir, be careful, so much water can't be good.
00:03:07I've been listening to the market.
00:03:09It has already been found out.
00:03:13Some guy talked to me.
00:03:15The Captain Rodrigo.
00:03:17You know, he tried to kill him and his wife.
00:03:19Excuse me.
00:03:20He wanted to say to his late wife that God may have her in his glory
00:03:22and whom we will avenge.
00:03:28Where can we find him?
00:03:30That's the bad thing, not for two nights in the same place.
00:03:33Well then, I'll help you out, Sato.
00:03:36Come on, I'm doing what I can.
00:03:39And let him know that I have my feelings too.
00:04:06Are you OK?
00:04:10Are you OK?
00:04:11Shh, be careful.
00:04:13Take it.
00:04:14Shh.
00:04:15He gives her some water.
00:04:17You'll see how good it feels on you.
00:04:20Carry.
00:04:26Shh.
00:04:28Better?
00:04:29Thank you.
00:04:30I'm better.
00:04:30Shh.
00:04:34But you are bleeding.
00:04:36Shh.
00:04:37Let me see that wound.
00:04:39No, no, no.
00:04:39It's a minor scratch.
00:04:44Take care of that.
00:04:47The cemetery is full of insignificant scratches.
00:04:53Kid, you don't need help.
00:04:56What's happening?
00:04:59What's happening?
00:05:14Madam, you have received a letter from His Majesty the King.
00:05:25Is something wrong, ma'am?
00:05:27The king is coming to the reception we're giving tomorrow night.
00:05:29The King of Spain?
00:05:31Holy Virgin.
00:05:33Well, where two can eat, three can eat.
00:05:36Or three hundred.
00:05:37Because such a high honor won't come alone, will it?
00:05:40We'll have to put in extra effort.
00:05:41Of course.
00:05:43This is an honor for me.
00:05:44And everything has to go perfectly, is that clear?
00:05:46Yes, ma'am.
00:05:47Talk to the kitchen staff, ask them to change the menu, and tell the staff that they are prepared.
00:05:50It will be done, ma'am.
00:05:51I'm going to take my son, Nuño, to school.
00:05:53Myself.
00:05:54When I get back, I want everything to be up and running.
00:05:56And tied down to the smallest detail.
00:05:58Yes, ma'am.
00:06:00How exciting, the king is coming!
00:06:02Will we be able to see it?
00:06:03Yes, what we're going to see is trouble if everything doesn't go perfectly.
00:06:06Run, tell the kitchen.
00:06:07Juana, you pick up.
00:06:11Look at the eggs they've laid, they're still warm.
00:06:14If we don't have chickens, son.
00:06:16But the neighbor next door has plenty.
00:06:21But he's a wretch.
00:06:22The empty urinals in the yard.
00:06:24That doesn't matter.
00:06:25Stealing is wrong.
00:06:26Water, go!
00:06:28The egg thing.
00:06:30Not for breakfast.
00:06:31Mine was undercooked.
00:06:33Let's fry the neighbor's eggs.
00:06:36Stop laughing so much and go clean up what your neighbor dumped in the yard.
00:06:38You're still grounded for writing to your aunt.
00:06:40It's not fair, but oh well.
00:06:41It's the same thing, Alonso.
00:06:42It's the same thing, I'll clean it myself.
00:06:44Come on.
00:06:46I once worked in some stables in Ponferrada
00:06:48And when we cleaned, we made such a mountain of manure.
00:06:50that the sun did not reach the church tower.
00:06:52Alonso, I told you not to write to your aunt.
00:06:54And now you've forced me to fire her.
00:06:56Well, look, I shouldn't have done it.
00:06:57I wanted to see her.
00:06:58Yes, I just wanted to see her.
00:07:00Exact!
00:07:00Mind your own business.
00:07:05Look, Margarita has gone to Seville.
00:07:08She is with her husband and is not coming back.
00:07:10Forget about Yanda.
00:07:11Why should I forget her if she's my aunt?
00:07:13That's absolutely right.
00:07:16I'd better keep quiet.
00:07:19When we were young, your aunt and I...
00:07:22We had some differences.
00:07:24What are the differences?
00:07:27That doesn't matter now, son.
00:07:29You're still too young.
00:07:30Look, I'm old enough to have seen my mother die.
00:07:39Love.
00:07:40As a masked man, very good.
00:07:42As a teacher, I don't argue.
00:07:44But as a father...
00:07:51I bumped into her on the street just yesterday.
00:07:53I can't believe it.
00:07:54The neighbor arrested for being a witch.
00:07:56That will have to be proven, Catalina.
00:07:58You see.
00:08:00If the Inquisition gets involved, it proves that your neighbor is a witch, that she worships the devil, and even that she has
00:08:03killed the macabre brothers.
00:08:08And if we change the subject, shall we?
00:08:10And it's not raining?
00:08:11No, no, no.
00:08:12The weather seems to be changing.
00:08:15He says that this woman gave her next few weeks to medicine and that she was paid for it.
00:08:18It has also helped many people.
00:08:20I think like Cipri.
00:08:21What if he did something?
00:08:22He removed my warts.
00:08:24Hey?
00:08:24Don't let it hit there.
00:08:25And he left Bernarda's nether regions so shiny that she looked like a cherub.
00:08:29The latest.
00:08:31My wife defending the witch.
00:08:32That he had human bones at home.
00:08:34And children in boats.
00:08:36You're right, Floro.
00:08:37This is a medieval one.
00:08:39I'm going to school.
00:08:40My students have more understanding than you do.
00:08:42Cipriano, about the commissioner.
00:08:44You have to bring food to that monster.
00:08:46Because they pay very well.
00:08:48Do you think I like it?
00:08:50Every time they enter their place, my shirt trembles.
00:08:52Well, you have to be careful with the Inquisition.
00:08:56I was almost burned at the stake once for selling filled pastries.
00:08:58Just for that?
00:09:01What were they reading?
00:09:02Rumors say that...
00:09:04of hanged meat.
00:09:07But they couldn't prove it.
00:09:11Okay, kids.
00:09:12Whose turn was it to read the dictation today?
00:09:14Stand up!
00:09:19Welcome to our school.
00:09:21What are they saying?
00:09:22Well, no, no, no, no!
00:09:25Very good.
00:09:28This is your son.
00:09:29He will be your new companion.
00:09:31Is called...
00:09:31Nuño.
00:09:32Nuño de Alberto Julián Federico Freuland.
00:09:35We'll leave it in Nuño.
00:09:37It's all yours.
00:09:38He's a little spoiled.
00:09:39I hope you understand.
00:09:41Don't worry.
00:09:42I'm sure he'll make good friends soon.
00:09:43Right, Nuño?
00:09:45Sit there.
00:09:46Between Gaby and Murillo.
00:09:49Wait patiently.
00:09:56I know they are in very good hands.
00:10:02Children?
00:10:06Prepare the papers.
00:10:10The stables fly better.
00:10:12Are you Nuño?
00:10:12It's soft.
00:10:13Keep your dirty hands away from me.
00:10:14Commoner.
00:10:15Commoner.
00:10:16What's that?
00:10:17Poor, like all of us.
00:10:18She's the little marquise.
00:10:20Because her mother is the marchioness.
00:10:22Oh, oh, oh!
00:10:23Come on, here, here, here.
00:10:24Come on, here, here!
00:10:24Come on, come on, come on, come on!
00:10:25No, no, no!
00:10:26Teacher, they've removed it.
00:10:27Gaby, give it back to him.
00:10:31Alonso, Gaby and Murillo.
00:10:32Do you think it's okay to laugh at your new colleague like that?
00:10:36At the end of the class you will accompany Nuño to his house and show him respect.
00:10:40OK?
00:10:48If Captain Rodrigo reveals our plans to kill the king, we're lost.
00:10:53I assure you that it is my top priority.
00:10:55It seems that it was much easier for him to kill that teacher's wife.
00:11:00Their incompetence is putting us in danger.
00:11:03They'd better find him.
00:11:13Cut my throat.
00:11:17Isn't that what I deserve?
00:11:23All my men are looking for him.
00:11:25You will have the traitor before the day is over.
00:11:35Bye bye.
00:11:43Are you sure this is the clothing the servants will wear to the party?
00:11:46Sure.
00:11:47And will the king be there?
00:11:48Yeah.
00:11:49Give me money and leave.
00:11:50I don't want to know anything about this matter.
00:12:08What are you doing?
00:12:08I want to get my shoes dirty.
00:12:10I'm wonderful and I take it.
00:12:12Everything is happening quickly.
00:12:13Checkout now!
00:12:14Do not touch me.
00:12:15Look, you've already dirtied my shirt.
00:12:16Clean me.
00:12:17That?
00:12:18And for all the gold of the Americas.
00:12:21All commoners have a price.
00:12:23Oh, really?
00:12:24Yeah.
00:12:25Okay?
00:12:28What's the price for me to clean this for you?
00:12:35Hey, stay still or you'll hurt yourself.
00:12:39Daughter, I'm sorry I couldn't offer you anything to eat, but these days...
00:12:43I've already done enough.
00:12:45And thank you so much for the dress.
00:12:46Ah!
00:12:46I'll give it back to him.
00:12:47That's not necessary, it's no longer good enough for me.
00:12:50Besides, we poor people are here to help each other.
00:12:51Otherwise, what would become of us?
00:12:54Come on, come here.
00:12:56Thank you.
00:12:59May God protect you, daughter.
00:13:01Thank you.
00:13:07Thank you.
00:13:24Thank you!
00:13:32Food, food, give me food, give me food.
00:13:40In the name of God! Confess!
00:13:48Torture me as much as you want.
00:13:53But I will not confess what you will do.
00:14:01We'll see about that.
00:14:05The girl.
00:14:07Leave her alone! She's just a child! What should you do?
00:14:12That depends on you.
00:14:14I swear to God I'm not a witch. I just prepare herbal remedies.
00:14:18Very well. You made me do it.
00:14:32Aaah! No!
00:14:39I am a witch.
00:14:41I am a witch.
00:14:55So, what have you brought me today?
00:15:02What do you want? To poison me?
00:15:03Sorry, associative. If you want, I can look for something else.
00:15:06No, leave it. Give it to her. Let her gather strength for her big day.
00:15:12To the witch?
00:15:27Let's see.
00:15:28I don't think you've understood.
00:15:30We are preparing a celebration for the kingdom, a village pilgrimage.
00:15:33This?
00:15:34This is garbage!
00:15:35You can throw it to the pigs.
00:15:37Oh my God!
00:15:39These are useful.
00:15:41Okay, let's start again.
00:15:43Garlands. More striking and eye-catching than last year's.
00:15:45Garlands.
00:15:46And bring out the Flemish tapestries and Bohemian crystal for the guests.
00:15:48The tapestries and Bohemian crystal.
00:15:49And I also want hundreds, hundreds of flowers like these.
00:15:52Gonzalo.
00:16:00What a pleasant surprise!
00:16:03Surprise?
00:16:04Did you send for me?
00:16:07A walk in the garden?
00:16:12How has school been going for Nuño?
00:16:15I'm not going to lie to you, Lucrecia.
00:16:17I think it's going to be a little difficult for him to adapt.
00:16:20I trust you completely.
00:16:22If anyone can achieve it, it's you.
00:16:26Lucrecia.
00:16:27Do you like how my party preparations are turning out?
00:16:33I would love for you to come.
00:16:36That way we can remember old times.
00:16:41I appreciate the invitation, but it will be impossible for me to accept.
00:16:44Don't thank me, just come.
00:16:47I'm going to be frank with you, Lucrecia.
00:16:49I'm not interested in palace life.
00:16:52I come to visit you solely as a teacher.
00:16:56I'm not interested in palace life.
00:16:57I know.
00:16:58And that's it, peace of mind.
00:17:15Why have I given myself to her?
00:17:25Thank you
00:17:32I've prepared it, my lady.
00:17:34And my inn is known for the hand that has with the lamb
00:17:39Have?
00:17:42She'll say she's not a witch, but...
00:17:43Are you Ciprion, the innkeeper?
00:17:46Are you in danger?
00:17:48Me? What are you going to do to me, witch?
00:17:50I haven't tortured you, I've brought you food
00:17:52Listen to me
00:17:54Your names are in my recipe book
00:17:56Your wife asked me to prescribe a fertility remedy.
00:17:58Hey, don't confuse me, I don't know anything about potions.
00:18:00And much less for what you're telling me
00:18:01Listen
00:18:03If they find him, you're done for, they're in my house
00:18:07Come on, innkeeper!
00:18:08You're taking too long!
00:18:22Come on!
00:18:24Come on!
00:18:25We have to do something
00:18:27The witch who confessed
00:18:28And you know how the Holy Office is about these things.
00:18:30Very holy
00:18:31And very determined
00:18:34Come on, they've already prepared the gallows.
00:18:36They've put more bars on it than on the convent of the Discalced Carmelites.
00:18:39And to make matters worse, half a guard was on top of her.
00:18:41Day and night
00:18:47You are very expressive
00:18:49What is he thinking about?
00:18:54Sator
00:18:55Be careful with that.
00:18:57I'm telling you, things look bad.
00:18:59I have a feeling he's as deep as my heretic cousin.
00:19:01They burned him there in Zamarramala, where the creams
00:19:06And the screams were heard as far away as Vizcaya.
00:19:08If she's a witch, it's a matter for the devil.
00:19:11Yeah, sure.
00:19:13And it will vanish before their very eyes
00:19:24Come on!
00:19:25Someone has slipped in.
00:19:26Sator, Sator
00:19:28Release
00:19:29It's Agustín
00:19:30A friend
00:19:33At your feet, most illustrious
00:19:35A squire, a straw man, a postilion
00:19:38I am like a mother to the master's son
00:19:42You can talk
00:19:43You have confidence
00:19:45I know where Captain Rodolidón is hiding
00:19:48You should go as soon as possible
00:19:53How did you treat the child?
00:19:55It looked like a pig covered in mud.
00:19:57Well, he'll just have to put up with it.
00:19:59That's what being conceited and stuck-up is all about.
00:20:02The truth is, he's an idiot.
00:20:03But he's also a nobleman you could carry.
00:20:07Well, I don't care.
00:20:08What's the matter? Just because he has a lot of money, does that make him better than us?
00:20:11No
00:20:20Disgusting
00:20:21How can they eat that?
00:20:24Poor things, they are very hungry
00:20:26My father says that at least that way it warms up in the stomach
00:20:29Well, I prefer to have it cold.
00:20:31Let's try that swill
00:20:34And you?
00:20:41Alonso, you've been left speechless
00:20:43You've seen a ghost
00:20:44For
00:20:46My aunt?
00:20:48What about your aunt?
00:20:49That woman over there is my aunt
00:20:53That's your aunt.
00:20:56But she wasn't rich.
00:21:03Well, he should be ashamed.
00:21:23Thank you
00:21:27I'm glad to see you too, Margarita
00:21:31Finally, you're going to pay me back everything you owe me.
00:21:39Are you going to say something to him?
00:21:48I just want us to have children.
00:21:50Betrayal
00:21:50That's what you call what you've done to me.
00:21:51Give me witch's farewells
00:21:53Revolt of being more
00:21:53Please, Cipriano, don't speak like that.
00:21:55How can I speak like the Count-Duke of Olivares?
00:21:57The neighborhood knows she can't have children.
00:21:58And the Inquisition
00:21:59The Inquisition talking to a witch
00:22:01Okay, that's enough, Cipri.
00:22:02That's no way to talk to your wife
00:22:04Cipri, the Inquisition knows nothing about your papers
00:22:06Otherwise, they would have come looking for him.
00:22:07We need to get into the house
00:22:09Take the documents
00:22:10And on to other things
00:22:11Let's see, there has to be another way to solve this
00:22:13You can't go there
00:22:14If they catch you and burn you, what then?
00:22:16I'm left all alone, good for nothing, sir
00:22:18Let's see, Floro, Cipri
00:22:19You are rushing things
00:22:21Calm
00:22:21Calm down, they're going to burn me with a tostone
00:22:23And you ask me for calm
00:22:24Going there is a senseless act of recklessness, Cipri
00:22:26They stop inside the house
00:22:28You are condemned
00:22:28But we have to do something.
00:22:29We can stay like this.
00:22:34Well, well
00:22:35So we have a summit meeting
00:22:39The teacher
00:22:41The barber
00:22:42The tavern keeper
00:22:44We are looking for the witch's accomplices.
00:22:49You should know something
00:22:50She was your neighbor
00:22:56I see
00:22:57Hiding an accomplice in a witchcraft crime
00:22:59It is punishable by death.
00:23:09Come on
00:23:13The saint is Moni's cousin
00:23:15The saint is Moni's cousin
00:23:16The saint is the Inquisition
00:23:16In the witch
00:23:18At the stake
00:23:21Equal
00:23:22It blooms
00:23:22Punishment
00:23:24But what it says
00:23:25Cipri
00:23:26Tonight
00:23:27Count on me.
00:23:32The saint is Moni's second
00:23:34Come on
00:23:36Mister
00:23:39Mister
00:23:41Mr. Eagle
00:23:54Eagle
00:24:08Eagle
00:24:10I'm coming for you
00:24:10There's no need to go to Rome
00:24:12Here you go
00:24:12Yeah
00:24:32Mister
00:24:34Mister
00:24:35Mister
00:24:35Mister
00:24:43Are you sure this is the right place?
00:24:45Agustín said that we would find Captain Rodrigo here.
00:24:51Come on, Sator
00:24:56And why does he trust this Agustín fellow?
00:25:00Where did that man come from?
00:25:02And why are they helping him?
00:25:03He doesn't look like a friar to me.
00:25:04Mister!
00:25:11Mister!
00:25:32Mister!
00:25:47Okay, Ramón!
00:25:57What's that?
00:25:58What's that?
00:26:16I'm sorry, ma'am, ma'am, ma'am, ma'am, your son, ma'am, ma'am, won't wake up, ma'am
00:26:29Nobody should approach, it has contagious worms
00:26:33Hey kid, wait, come back, come back
00:26:41Where are the papers, you damned witch? Among all that impossible junk.
00:26:45What are you doing, lady? Look, I can't see.
00:26:47Do you really think he's going to put the documents on a shelf?
00:26:58Do you want to be foolish?
00:27:00But what a fool, what a fool
00:27:01In the end, they won't find out because of you.
00:27:03On top of everything, I'm risking my life at the stake because you can't.
00:27:06What can't I do?
00:27:08Go on, keep looking
00:27:10It means we're here because I don't get my wife pregnant.
00:27:12Is that it?
00:27:13I didn't say anything like that.
00:27:14Oh, no?
00:27:15The thing is, we're in this mess because I can't get pregnant, right?
00:27:19Unfortunate!
00:27:23Yeah!
00:27:24Look!
00:27:25What's that?
00:27:26This!
00:27:27This is!
00:27:28This is!
00:27:29We're saved!
00:27:33This is!
00:27:34We must continue
00:27:51Stop eating paper!
00:27:53I'm coming in!
00:27:56Yes, I can't, but we're not doomed.
00:27:59But I really need him to read it.
00:28:00The door speaks!
00:28:00Yes, come in, we're truly doomed here.
00:28:02I can't, Cipri!
00:28:04There will be the name of the Holy Office!
00:28:07That's it, I'm lost, sir
00:28:09We're going out there, we're going to face them.
00:28:11What's with that?
00:28:14The time has come to go after our destiny
00:28:16But I can't just say thank you.
00:28:18He's putting this one in for me
00:28:20If it weren't so unmanly
00:28:22I'd say he's lost you.
00:28:23I wish they would be a thousand times over.
00:28:26I would be again
00:28:27Go ahead and put a pocket on me!
00:28:29Now!
00:28:31One two three!
00:29:04Red Eagle?
00:29:06What are you doing here?
00:29:09Sometimes I hide from my father
00:29:13Are you worried?
00:29:16How do you know?
00:29:18I know everything
00:29:20What can you read inside the mind or something like that?
00:29:25Something like that
00:29:27Don't tell my father about the hiding place.
00:29:31This is your roof
00:29:33Aren't you afraid he'll find you himself?
00:29:35My father climbing
00:29:37She has vertigo and...
00:29:40He's quite clever but not very brave.
00:29:44Don't talk about your father like that.
00:29:46I would like to be like him
00:29:49It takes much more courage not to use violence
00:29:52And solve problems with words
00:29:55Why don't you go inside and talk to him?
00:29:58If I tell him what happened, he's going to get angry.
00:30:01As soon as I tell him about...
00:30:03Well, you already know what
00:30:06Yes, yes, I already know what it is but...
00:30:09Explain it to me properly
00:30:10What happened this morning when we were accompanying Luña
00:30:13I just can't get it out of my head
00:30:16You saw us, didn't you?
00:30:17What are you talking about?
00:30:19Alonso!
00:30:20Where did he put you?
00:30:22I have to go
00:30:25Promise me you'll tell your father everything
00:30:27OK?
00:30:30He's going to get angry.
00:30:31But okay
00:30:33Alonso!
00:30:44Alonso!
00:30:46Where is the bird?
00:30:48Who were you talking to?
00:30:50I?
00:30:52Yes, you
00:30:52Here, on the roof
00:30:55Yeah?
00:30:56With no one
00:30:59Well, it seems there are some feathers around here.
00:31:02I don't know, they must be from an owl
00:31:03The owl?
00:31:06You're such an owl!
00:31:07Go on, head home!
00:31:09Come on!
00:31:14Bye bye!
00:31:25Alonso must have gotten the straw stuck to his mattress.
00:31:28Let it rest, it's growing
00:31:31Don't you think he's hiding something from us, Sator?
00:31:36Well, given my adventurous nature, I wouldn't trust even my father.
00:31:40If I knew who he was, but...
00:31:43But Alonso is a good lad
00:31:48Hey, good morning!
00:31:50Hello
00:31:51How well did you sleep?
00:31:53I made some noises on the roof and I could hardly sleep
00:31:56Those are...
00:31:57The creaking beams
00:31:59Because the house is not well situated
00:32:02Come on, have breakfast
00:32:04How did it go with Nuño yesterday?
00:32:06Nuño
00:32:08Okay, okay
00:32:13Don't you have anything to tell me?
00:32:16Whatever
00:32:17Talking things out can fix things.
00:32:20No
00:32:23Well, yes
00:32:26I saw Aunt Margarita
00:32:28Alonso, we're back again.
00:32:29Aunt Margarita has gone to Seville
00:32:31No, Dad was out on the street with the poor.
00:32:34And he ate off the ground
00:32:37Are you sure, son?
00:32:38Have you made a mistake?
00:32:40I knew you wouldn't believe me
00:32:41I shouldn't have told you.
00:32:43Even though nobody told me.
00:32:44Yes, I believe you, son.
00:32:45What I mean is that Aunt Margarita has no business eating off the floor.
00:32:48Well, it was her, I'm sure of it!
00:32:50We're not going to do anything
00:32:55OK
00:32:56Just in case, when leaving school
00:32:57We'll go to where you think you saw Aunt Margarita.
00:32:59OK?
00:33:01Okay
00:33:03Come on
00:33:04See you later
00:33:07What things he comes up with, huh?
00:33:10Although it's not strange
00:33:12Having the father he has
00:33:15How could the little boy not have birds in his head?
00:33:18If the father is an eagle
00:33:26See?
00:33:32Fire fixes everything.
00:33:33Tell that to Jimena and her daughter when they go to burn them.
00:33:36Well, look, we're out of danger now.
00:33:39Furthermore, I forgive you
00:33:40No
00:33:41Priano, don't touch me
00:33:44This is what I risked my life for.
00:33:45You're just heartless.
00:33:46Not to mention a total beast
00:33:48Well, look, it's not me who's been mowing around here.
00:33:50Oh, that's what bothers you.
00:33:51Let people go around saying that Cipri's sword neither pierce nor cut.
00:33:54Which is rather short
00:33:56No, the results
00:33:57I've done all this for you
00:33:58For giving you a child and for us to be happy.
00:34:00Catalina is right, you're heartless.
00:34:04That I have the...
00:34:06I have them for short
00:34:08That I am insensitive
00:34:10If they burned all the witches, you wouldn't be spared.
00:34:20Shit
00:34:23Good morning, Cipri
00:34:23Do you think I'm insensitive?
00:34:25Man, you're not Garcilaso.
00:34:26In other words, he's deceiving me.
00:34:27It poisons me
00:34:28I'm risking my life to save her
00:34:29And then she sulks
00:34:31You're still on this
00:34:32And not even if you want to have children
00:34:33And in five years, nothing.
00:34:34And all she does is try anything.
00:34:36Because you get pregnant
00:34:37Cipri, where's the problem?
00:34:38Don't be so dense, come on
00:34:39I won't be happy until they achieve it.
00:34:41But how am I going to achieve that?
00:34:42I'm not saying she's angry now
00:34:45Cyprian
00:34:58What if he's innocent?
00:34:59I haven't confessed yet.
00:35:01It's because we haven't tortured her enough
00:35:05I am the commissioner
00:35:06And I say let it burn
00:35:12Help, you're burning me
00:35:13I let go!
00:35:13You need to know what you're doing
00:35:17Gaby, help me
00:35:24What are you doing, animal?
00:35:25With the rope
00:35:26He said we should help him
00:35:29Grab the crutches, Gaby
00:35:32You, to class
00:35:33What were you thinking, huh?
00:35:36Death is no game
00:35:37Gaby, come in
00:35:40Silence!
00:35:41Sitting!
00:35:45Life is the most precious thing we have.
00:35:47And no one should decide.
00:35:49When our time comes
00:35:49OK?
00:35:51But it's the punishment each one deserves, teacher.
00:35:53He has to pay for his misdeeds.
00:35:55That's another topic, Nuño
00:35:58Go ahead, Sato
00:36:01Children
00:36:04That?
00:36:04To study
00:36:06Come on
00:36:06That I have found the monsignor
00:36:08He is your friend
00:36:08And there's no time.
00:36:09We have to get there before it's time to hug.
00:36:11Kids, I have to leave
00:36:12The punishment?
00:36:13When you finish the math exercises
00:36:15You can leave
00:36:16But father
00:36:17Aunt Margarita
00:36:18You promised to go find her
00:36:19When I return, Alonso
00:36:21Behave yourselves!
00:36:22Behave yourselves!
00:36:27Well!
00:36:28She'll know a little one
00:36:29I'm not punished here
00:36:31The punishment
00:36:32Let's see
00:36:35Save yourself a week
00:36:36Of sticks
00:36:37I don't shit on you
00:36:42Or would you prefer I make you a crutch?
00:36:46Leave me alone, look
00:36:46I can also give you money today.
00:36:47We're going to take it away from you anyway.
00:36:50You have to help me find my aunt
00:36:52Is it urgent?
00:36:52We can't, this is urgent.
00:36:56Look, can I offer you something else?
00:36:57Do you want to see a real witch?
00:37:08Gonzalo.
00:37:09You didn't expect to see me here anymore.
00:37:11Yami.
00:37:14You have sent me to certain death.
00:37:16Yami.
00:37:18You're wrong.
00:37:33Satu!
00:37:34This is a matter between Agustín and me.
00:37:36Watch out, master, this one's going to get her.
00:37:59I told you, master, that you're going to cause trouble.
00:38:01Our agreement is based solely on trust.
00:38:04If you want to break it, there's nothing I can do.
00:38:15They were waiting for us in that crypt.
00:38:17You're not much easier than you think.
00:38:20If you want to get to the end, you have to be very clear about who you can trust.
00:38:32Captain Rodrigo dropped this.
00:38:39Lemon ink.
00:38:44It is the plan of a hermitage.
00:38:46The one in San Felipe, if I'm not mistaken.
00:38:50And what about that line coming out of the side?
00:38:52It looks like an underground passageway that leads to another building.
00:38:56Which building?
00:38:58With what you know very well.
00:39:02The palace of the Marchioness of Santillana.
00:39:05Captain Rodrigo wants to get into the palace.
00:39:09Because?
00:39:10Because there's a party tonight and the king is coming.
00:39:13Soup.
00:39:15And roast capon for his essence, the commissioner.
00:39:17And if you'll allow me, a lentil for the daughter of the...
00:39:26It's up to you if that's how you spend your charity.
00:39:38He hasn't woken up in a while.
00:39:41She is alive, unfortunately for her.
00:39:44The commissioner makes sure they go to the stake of their own accord.
00:39:49And the girl?
00:39:50I'm going with my mother.
00:39:51¡Haya sazanazo!
00:39:52You'd be better off if you got burned that badly.
00:39:56Don't pay any attention to the girl.
00:40:03Who's with the witch?
00:40:05The innkeeper is giving them food.
00:40:07Let him leave.
00:40:08And you sell the girl.
00:40:09You can keep what they give you.
00:40:11Thank you, sir.
00:40:13Keep eating.
00:40:14Nothing's going to happen.
00:40:16Commissar.
00:40:18I've brought some classmates who want to see the witch.
00:40:20Is it possible?
00:40:23Of course, Marquis, of course.
00:40:24Are you at home?
00:40:28And don't torture the prisoners.
00:40:31Come on, let's go.
00:40:35Go with them.
00:40:35Yes sir.
00:40:57Hello.
00:41:00Hello.
00:41:06I'm sorry, but I have nothing to give you to eat.
00:41:10I just don't want any food.
00:41:12Don't you know who I am?
00:41:15No.
00:41:20They say I look like my mother.
00:41:22Especially in the eyes.
00:41:28No.
00:41:29No.
00:41:31No.
00:41:32But...
00:41:32This part belongs to my father.
00:41:39I am your nephew.
00:41:42Alonso?
00:41:43Yeah.
00:41:44Alonso?
00:41:45Alonso, my son.
00:41:48But you look so handsome.
00:41:49Let me see you.
00:41:51But how great.
00:41:53How handsome.
00:41:54Come here.
00:41:56Come here, come here.
00:41:58I was so looking forward to seeing you.
00:42:01Can I ask you something?
00:42:03Yeah.
00:42:04What were you doing eating with the poor?
00:42:08You're rich, aren't you?
00:42:11Yes, but...
00:42:12But I've been robbed.
00:42:15But don't worry, they're going to send my things to make some money.
00:42:20So why don't you come live with us?
00:42:24That can't be, darling.
00:42:27Of course.
00:42:29I'll convince Father, you'll see.
00:42:32You'd better go home, Alonso.
00:42:34No?
00:42:35Yes, I have to go.
00:42:39Take good care of yourself, okay?
00:42:46Please.
00:42:51Alonso, don't follow me.
00:42:53Hey?
00:42:59You know what?
00:43:02You don't just have your mother's eyes.
00:43:06You also have a heart.
00:43:10Never change, okay?
00:43:15Take good care of yourself, son.
00:43:33Ma'am, how are you?
00:43:36Black will be fine.
00:43:41Black is ideal for the perfect and boring widow of the Marquis of Santillera.
00:43:56Victoria, what are you doing?
00:43:57Victoria, what have you put me through?
00:43:58What has he done?
00:43:59What, I'm bringing a letter?
00:44:00Yes, and you leave with someone else.
00:44:03That?
00:44:07That?
00:44:08That?
00:44:09That?
00:44:10That?
00:44:13That?
00:44:17My lady, the teacher sends word that he will finally attend the party.
00:44:27Cata, you may be right.
00:44:30I need something bolder.
00:44:36No, no, no, no, no, no, no, no, no.
00:45:12There's nobody here.
00:45:13There, right there in the back is the witch, can't you see her?
00:45:16No, I only see Murillo's teeth.
00:45:19Come in, come in.
00:45:26What are you doing?
00:45:27Follow the one here.
00:45:28Why, commoners?
00:45:29If you will learn to respect me.
00:45:31I am the Marquis of Santillana.
00:45:34It's a fragrant worm!
00:45:35Get us out of here!
00:45:36Get us out!
00:45:37No! Come!
00:45:42Catalina, what are you doing here?
00:45:43Don't you have any work to do at the palace?
00:45:45Yes, yes, yes, but I escaped.
00:45:49I have an itch that won't let me continue.
00:45:52What's the matter?
00:45:54What's wrong with me? Well...
00:45:56I understand that you are alone
00:45:59and that you need what you need.
00:46:01Come on, and I think that's great.
00:46:03You understand me?
00:46:05What are you talking about, Catalina?
00:46:08No...
00:46:08So what else could it be?
00:46:09Bring it.
00:46:10From the party.
00:46:11Maybe I'm getting involved where I'm not wanted,
00:46:13But I don't think I should go.
00:46:14There are some people with whom you have to keep your distance.
00:46:18You're saying that because of Lucrecia.
00:46:20That woman is no good for you, Gonzalo.
00:46:22I'm in the palace every day and I see what I see.
00:46:25She is a she-wolf, a mamantuna.
00:46:28I'm not going to the party because of Lucrecia.
00:46:31Oh, no?
00:46:32And then?
00:46:33I'm going because I have to.
00:46:35My wife died a few months ago and I only have thoughts of her, Catalina.
00:46:41But thanks for the warning.
00:46:45You're dead, Floro.
00:46:47Pay a little more attention, because if you cut me again you'll leave me without blood in my body.
00:46:50Look, my latest invention.
00:46:52Double blade shave.
00:46:53Unprecedented.
00:46:55It never stops moving.
00:46:57Look, I'm going to call it a razor.
00:47:00Very soon you will be able to use it by yourself at home.
00:47:03Yeah.
00:47:03What do you think, huh?
00:47:04What do I think, Floro?
00:47:06Well, you're going to stop working.
00:47:07That's what I think.
00:47:09Everything's sorted.
00:47:10Hey, did you finally talk to your wife?
00:47:12No talking.
00:47:13The problems with pythons end with them.
00:47:14Four bulls.
00:47:15Do you have a child who would go?
00:47:16Well, it won't have one.
00:47:17That?
00:47:17Did Jimena's remedy work?
00:47:19Something like that.
00:47:19The witch's daughter is mad and has given the jailer a sign.
00:47:23Once I burn the mother, she's all ours.
00:47:27No, listen, Tich.
00:47:28Have you gone mad?
00:47:29Are you a donkey?
00:47:30But why a donkey?
00:47:31Yes, I did what you told me.
00:47:32No, we didn't tell you that I'm selling the child.
00:47:34Hey, hey, it's not so bad here either, huh?
00:47:36At my house, we eat hot meals every day.
00:47:39Hey, hey, the guard.
00:47:42What happened to you?
00:47:45They are clearing the street of beggars.
00:47:49Well, if we pass by here, the guests are the marchioness.
00:47:51Nobles do not like to see beggars.
00:47:59What do you have?
00:48:02With this, we give you the account.
00:48:05I accept this trinket as the first part of the payment, but I want an advance payment soon.
00:48:13Favor!
00:48:14Please, help!
00:48:15Aid!
00:48:16Amarita!
00:48:17Amarita!
00:48:19Amarita!
00:48:20Amarita!
00:48:21Amarita!
00:48:22Now you're going to pay for him and for yourself.
00:48:26Amarita!
00:48:28Amarita!
00:48:29Aid!
00:48:30Amarita!
00:48:41What's happening,?
00:48:43What's happening?
00:48:45Hey?
00:48:46Where is?
00:48:51Aluxo!
00:49:13The people want a show, and their favorite show is the bonfire.
00:49:17They roar with excitement at the flames.
00:49:19And so they forget to pay their taxes.
00:49:21The bad thing is the smell of burnt meat, which then permeates the entire village.
00:49:29Good evening, Marchioness.
00:49:32A wonderful party.
00:49:34I'm glad you're enjoying it.
00:49:37Excuse me.
00:49:38We would also like to enjoy a few moments with your hostess.
00:49:41Stay with us, Marchioness.
00:49:46Madam Marchioness.
00:49:47Gonzalo.
00:49:50I was going to make the introductions, but I see you already know each other.
00:49:54Unfortunately.
00:49:55The commissioner is supposedly investigating my wife's death.
00:49:58But three months have passed and things are still the same as on the first day.
00:50:03We've done everything possible to rule it out.
00:50:04Well, make it impossible for him, commissioner.
00:50:06I'm asking you as a special favor.
00:50:12Of course, marchioness.
00:50:13And now, please excuse us.
00:50:15I need to discuss certain matters regarding my son's education with his tutor.
00:50:28Marchioness, I'm sorry...
00:50:29Lucrecia.
00:50:30Lucrecia.
00:50:32I understand you're worried about Núñez, but...
00:50:34Tell me...
00:50:35Tell me the truth, Gonzalo.
00:50:36Did you come for Núñez or for me?
00:50:43His Majesty, the King.
00:50:50Excuse me, Gonzalo.
00:51:14Bye bye.
00:51:17Gonzalo!
00:51:19Gonzalo!
00:51:21What are you doing here? What's going on?
00:51:23Where is Gonzalo?
00:51:24Has he come out? What's wrong with the child?
00:51:25He can't breathe, he's very ill.
00:51:27Hurry, I'm going to warn Floro.
00:51:28Runs!
00:51:37I extend my gratitude to His Majesty the King for his attendance at this celebration.
00:51:43I, the supplier, bring you this fireworks display.
00:51:52Bye bye.
00:51:53Gonzalo!
00:51:59Bye bye.
00:52:01Bye bye.
00:52:24Your Majesty! Step aside!
00:52:26Capital!
00:52:48Did you kill Cristina Hernando?
00:52:50I don't know who you're talking about.
00:52:52To the teacher's wife!
00:52:53I haven't killed anyone.
00:52:55Why did you want to kill the king?
00:52:56I wasn't going to kill him.
00:52:58I was going to protect him.
00:53:00We already have the same enemies.
00:53:04There are dark forces conspiring to seize power.
00:53:08What does that have to do with Cristina's death?
00:53:10I suspect that everything is related.
00:53:12What do you mean?
00:53:14This.
00:53:15This is the key.
00:53:18The key to what?
00:53:19The key to what?
00:53:22Come and get me.
00:53:24They're going to kill me.
00:53:25Let me go!
00:53:39Let me go!
00:53:53Mother! Wake up! You're coming!
00:54:00The girl!
00:54:02Let it out!
00:54:03This innkeeper bought it!
00:54:06Come on, girls! Get out of here!
00:54:08A little loose.
00:54:09Why are they making this decision?
00:54:11Go on, daughter.
00:54:12You have to leave.
00:54:14No no.
00:54:14Please, mother.
00:54:16The innkeeper is a good man.
00:54:18He will treat you well.
00:54:20Like a father.
00:54:21But...
00:54:21I neglected you.
00:54:22Mother!
00:54:23I don't want you to get burned.
00:54:25I don't know.
00:54:25I don't want to!
00:54:26Shh!
00:54:28I will die in peace knowing that you are okay.
00:54:32Mines and I will treat you well.
00:54:35Come on, my angel!
00:54:37Go away!
00:54:38Let it go!
00:54:39You're tearing me apart!
00:54:41What's wrong?
00:54:42You don't have a mother.
00:54:44Shh!
00:54:48I like cakes, beautiful.
00:54:51My wife makes the best ones for the girl.
00:54:54You're going to turn purple.
00:55:04Thank you.
00:55:17They almost killed me and His Majesty the King.
00:55:20And what have you done?
00:55:20Nothing!
00:55:21Don't let your nose in front of you.
00:55:23Lucrecia, I've already taken care of that matter.
00:55:26Lucrecia.
00:55:28What happened?
00:55:30One of the servants has attacked us.
00:55:32If it weren't for a masked man.
00:55:34A masked man?
00:55:35Yeah.
00:55:36The court is full of jesters.
00:55:38But I'll soon show him his place.
00:55:40Could that be the one they call the...
00:55:42The red eagle?
00:55:47Come on!
00:55:47Do you know?
00:55:48What is the lord?
00:55:49Alonso, who is very ill.
00:55:50It's because it has a stick.
00:55:58You'll have to excuse me, sir.
00:56:01The kid is in terrible shape.
00:56:02Come on, he only has two more announcements to make.
00:56:15Beautiful.
00:56:24How are you, Floro?
00:56:27Where is my son?
00:56:29Gonzalo is very ill.
00:56:30He can't breathe.
00:56:32Nothing can be done.
00:56:36How can nothing be done?
00:56:37Are you telling me that I'm going to lose my son too?
00:56:40We can only try to keep his fever from rising.
00:56:43But otherwise, it's in God's hands.
00:56:58Dad?
00:56:59Calm down, son.
00:57:00I'm here now.
00:57:06Dad, I'm going to die with my mom.
00:57:08No.
00:57:09I promise you'll get better.
00:57:12Hey?
00:57:18It is very important
00:57:19that you do not bring any near.
00:57:22Sato, take the child's clothes and burn them.
00:57:26Like the plague.
00:57:27Equal.
00:57:28I remember once in Sagunto
00:57:29that such an epidemic was declared
00:57:31we had to bury the dead with stones
00:57:32because the land had run out.
00:57:36I'd better go out and burn this down.
00:57:40Come on.
00:57:51Where do you think you're going?
00:57:53Look, Alonso,
00:57:53We have to tell him what none of them have done to us.
00:57:56When I go back to school,
00:57:57I'm going to kill him.
00:57:58Hey!
00:57:58No, no, no, no, no.
00:57:59He locks us in a cell.
00:58:01Thank goodness the guard doesn't jump.
00:58:02No, you can't go in.
00:58:03Alonso is very sick.
00:58:04Come on.
00:58:05Sick?
00:58:05Yes, sick.
00:58:10Hey, hey, hey!
00:58:14He's not very sick either.
00:58:16It's a...
00:58:16It's just a minor cold.
00:58:18Not much.
00:58:21Hey.
00:58:28Do you know how to pray?
00:58:29Yeah.
00:58:30Come on, go home and pray.
00:58:32And a lot, pray a lot.
00:58:34Come on.
00:58:41Rest, son, rest.
00:58:48You shouldn't be here.
00:58:50Leave.
00:58:57Gonzalo.
00:58:58I was trying to raise some money to return to Seville.
00:59:02But things haven't gone very well for me lately.
00:59:04You don't have to explain anything to me.
00:59:08Clear.
00:59:11At least I've brought them home.
00:59:35How are you?
00:59:36How are you?
00:59:42I apologize for not introducing myself earlier.
00:59:44You are the...
00:59:45The gentleman's sister-in-law, right?
00:59:47Yeah.
00:59:48I am Saturn.
00:59:49Saturn.
00:59:50The servant.
00:59:51Well, a trustworthy man.
00:59:53Nice to meet you.
00:59:54Do you want something?
00:59:56No.
00:59:59I don't know, a little broth, something warm.
01:00:18You'll see how beautiful she is.
01:00:20And how happy she'll be when she sees you.
01:00:25Have you seen how many people there are, daughter?
01:00:26Is it known that there are bullfights tomorrow?
01:00:28No.
01:00:29They're going to burn my mother alive here.
01:00:31Don't look, you witch's daughter!
01:00:33What has she come to see? How does she know they're going to say more about her mother?
01:00:36My mother is good!
01:00:37Get the people out!
01:00:38Yes, sweetheart, but don't shout, these guys are a bit rough.
01:00:41Out!
01:00:42We don't want daughters of witches here!
01:00:44You should be ashamed of yourselves!
01:00:45The beasts are better than you!
01:00:47How can you enjoy watching someone burn?
01:00:49Let's go!
01:00:50I hope they treat you like a pig.
01:00:52And that you officiate with the smoke.
01:00:54Medieval!
01:00:54You're all medieval!
01:00:56Well, I wouldn't go along with yours!
01:00:57Nobody gets burned here!
01:00:59Out!
01:01:00Out!
01:01:00The girl!
01:01:01Where is the girl?
01:01:03Matilda!
01:01:05Matilda!
01:01:11Matilda!
01:01:15As follows?
01:01:18He has a high fever and is constantly delirious.
01:01:22Gonzalo, are you going to rest?
01:01:24Do I remember him?
01:01:28Margarita, I want to be alone with my son, please.
01:01:34Hello!
01:01:36Matilda!
01:01:38Do a kill!
01:01:40No!
01:01:41Madro!
01:01:42Madro!
01:01:43That?
01:01:44That?
01:01:46That?
01:01:48Are you there, honey?
01:01:50That's it.
01:01:52I'm here now?
01:01:53I'm here now?
01:02:09Matilda!
01:02:11Matilda!
01:02:11Matilda!
01:02:23Dad.
01:02:24Hello.
01:02:26I dreamt about Mom.
01:02:28That's because Mom is watching over you from heaven.
01:02:30Like angels.
01:02:32Like angels.
01:02:44Mister.
01:02:46I love.
01:02:47What do you want?
01:02:52I'll turn it around.
01:02:56I know it's not a good time, but we still have some offal.
01:03:00What are you talking about, Sato?
01:03:02Jimena, sir, you already know.
01:03:03That they're going to treat her like a witch.
01:03:07I need to spend more time with myself.
01:03:08But, teacher.
01:03:09Master, the Holy Inquisition does not play around.
01:03:12They'll burn them, for sure.
01:03:13As you always say, we must help the innocent.
01:03:18Go ahead, Sato.
01:03:20I?
01:03:21Yes, you.
01:03:22And start preparing everything.
01:03:24I need more time with myself.
01:03:26No, no, no.
01:03:35Sir, you need to control yourself.
01:03:36You can't just put people in a cell without any further explanation.
01:03:39Do you have to make up an excuse?
01:03:41Take note.
01:03:50Salt.
01:03:54No, I'll call myself.
01:03:56It seems he's having some problems at that school.
01:03:58I'm the one who decides when to give that palate to a seven-year-old child
01:04:02I thought you would appreciate it if I looked after your son's safety
01:04:04Security?
01:04:06After what happened at my party, I wouldn't even think of you as a guarantee of safety.
01:04:09And much less for my son
01:04:12Don't you have other matters to attend to?
01:04:16Of course, Marques
01:04:18But mother, you are for the beings who do not let me be humiliated
01:04:20Who do you think you are?
01:04:21To bypass my authority, I have asked the commissioner to come
01:04:25I just wanted to behave like a true nobleman
01:04:27You're just a spoiled brat who needs others to solve his problems for him.
01:04:31If my father were alive, he would never have let you kill me with those commoner girls.
01:04:35If your father were alive, he wouldn't let you be isolated in this palace.
01:04:38He would want you to know how to handle your affairs with nobility.
01:04:44You will continue going to that school until you learn
01:04:54They're bringing the witch in.
01:04:57The breast
01:04:58Don't want to
01:05:00P страшitas
01:05:01Don't want to
01:05:03What's happening!
01:05:05What's happening!
01:05:08How amazing!
01:05:10Here it is!
01:05:12Go! Go! Go! Go!
01:05:16Go! Go!
01:05:19I can't see him. Where could he have gone?
01:05:51Mother! Mother!
01:05:53Mother! Mother! Gener sings!
01:06:09Where is this man? Watch out, sir!
01:06:33He's not coming. This man just isn't coming. Nothing. The child, who must have gotten worse, and he's not coming.
01:06:41He's coming. Well, I guess I'll have to do it myself.
01:06:56Mother! No! No! Back off!
01:07:01To the pit! There!
01:07:18That witch is a real bastard!
01:07:26Ah! No! No!
01:07:51Clumsy people! Over there!
01:07:52No!
01:08:07Ah!
01:08:23Ah!
01:08:29No!
01:08:32No!
01:08:34No!
01:08:36No!
01:08:38No!
01:08:44No!
01:08:55No!
01:08:57No!
01:08:58No no!
01:09:01No!
01:09:01No!
01:09:01No!
01:09:02No!
01:09:07No!
01:09:10It's not possible!
01:09:33Are you OK?
01:09:35Thank you
01:09:37Sato, rule number one
01:09:38Never start saving anyone until I've arrived
01:09:41Understood?
01:09:43Knowing how to manage your work, without bothering you with little rules
01:09:47How can I thank you for this?
01:09:51Be happy with your daughter
01:09:53That's something I'll never be able to do.
01:09:56My son is dying
01:09:58What's wrong with him?
01:10:01He has a little club
01:10:07Sato, hide her in the inn until I have arranged her escape from the city
01:10:10That's done.
01:10:12Wait
01:10:14First you have to find me, Veleño
01:10:16Camphor and ginger
01:10:18Your son is not going to die
01:10:40What is he doing?
01:10:41Grandfather
01:10:41Grandfather
01:10:43Grandfather
01:10:45Grandfather
01:10:46Grandfather
01:10:47Grandfather
01:10:48Grandfather
01:10:48Grandfather
01:11:00What were you thinking?
01:11:01That I would never find you?
01:11:12Agnes
01:11:13Inésita
01:11:14Agnes
01:11:15No, no, let me speak, little joke
01:11:16I've been a fool
01:11:18And a slowpoke
01:11:20But I swear that from now on I'm going to stop being a brute and a selfish person.
01:11:23And if we can't have children, it doesn't matter.
01:11:27Because we already have one
01:11:28And it doesn't matter what sacrifices we have to make as long as we can start a family.
01:11:36For you
01:11:37Well, for us
01:11:39I'm willing to do anything.
01:11:42But don't cry, Inés
01:11:44That I will love her and take care of her as if she were my own
01:11:45For these reasons
01:11:48Aren't you happy?
01:11:52Mother, mother
01:11:54But they weren't burning it.
01:11:56The red moon that saved her
01:12:06Thank you, Cipriano
01:12:10Thank you
01:12:12From the heart
01:12:18Hello, Marquesita
01:12:19Today I have one piece of good news and one piece of bad news.
01:12:22The good thing is that there's no class.
01:12:24The bad news is that nobody's going to save your neck.
01:12:37So you're the school bully.
01:12:39What did you want, to hit him?
01:12:41Go ahead, hit him
01:12:43Come on, you're not that brave.
01:12:44Hit him
01:12:48Now you have the opportunity to fix this
01:12:50Hit him
01:12:53Hit him
01:13:01Go on, get out of here
01:13:06I won't always be there to solve your problems.
01:13:10No?
01:13:14Are you breathing better?
01:13:16Yes, much better.
01:13:17But I'm very thirsty
01:13:19I'm going to get some fresh water.
01:13:29What? How are you?
01:13:31He's breathing better now.
01:13:32He asked me for water
01:13:41Daisy
01:13:42Thanks for
01:13:44Because of Alonso
01:13:45For taking care of him
01:13:46There's nothing to thank me for.
01:13:48It's the least I could do
01:13:50For someone who has shown so much love
01:13:53It's curious.
01:13:55How can you love someone so much?
01:13:57The one you've barely seen
01:14:00Thanks for everything
01:14:02Bye
01:14:08Come on
01:14:08That's leaving
01:14:10That's leaving
01:14:10He's going to let her go like that
01:14:13Well, I don't think that woman is bad.
01:14:16And also that
01:14:17Which is very nice to see
01:14:18That's my opinion.
01:14:19She is a two more important one, Sato
01:14:22We need to resolve
01:14:23Why Captain Rodrigo
01:14:24He wanted to kill the Marchioness
01:14:25If you'll allow me, are you
01:14:27A block of ice
01:14:30Excuse me, I didn't say anything.
01:14:31But since we're on the subject of unraveling things...
01:14:32Could you explain?
01:14:34What is this all about?
01:14:35Because among the monk of the traps
01:14:37Chinese swords
01:14:37These and this woman
01:14:38That comes and that goes
01:14:39I don't understand anything
01:14:40Stay, Sato
01:14:40Go on
01:14:44And what about the feathers?
01:14:46Do they fall out?
01:14:47Or does he leave them?
01:14:53No, no, no, no, no
01:15:15How much should it be?
01:15:20Do you have somewhere to go?
01:15:31Let's go home.
01:16:02You must have committed many sins if you punish yourself like this?
01:16:09I have never met a man who didn't have them.
01:16:13Have you ever seen a key like this?
01:16:45Subscribe to the channel!
01:16:50I'm sorry, but I'd never seen it before.
01:17:01Captain Rodrigo gave me the key for some reason.
01:17:04Arrest him!
01:17:05If my plan works, you'll be going to Roja in a matter of hours.
01:17:08I can barely remember her face anymore.
01:17:10You're not going to forget about her, are you?
01:17:12Hey?
01:17:12I have a certain fondness for my son's teacher.
01:17:15That's why I'm worried that his handful sleeps under his roof.
01:17:18Gonzalo, how is he?
01:17:19You've heard of Lepanto, haven't you?
01:17:21It's nothing compared to the mess in that house.
01:17:24What we have doesn't matter anymore.
01:17:26Between the father.
01:17:29Please don't hurt me, I beg you.
01:17:31The aunt.
01:17:32The other.
01:17:33About one.
01:17:35The safety of this village is in danger because of that red eagle and his gang of thugs.
01:17:39Nothing disturbs a vigilante more than the suffering of the innocent.
01:17:43Be careful, Gonzalo.
01:17:45It's not what it seems.
01:17:46I know that you and I can understand each other.
01:17:48If he's heading for certain death, he doesn't realize it.
01:17:52Well, you, Floro, are throwing yourself at Monseba.
01:17:54Let's drink to that.
01:17:55No, no, make a toast!
01:17:56That's not how you'll earn the respect of those who call me.
01:17:58Where is my son?
01:18:00He knows you're going to rescue them and is waiting to kill you.
01:18:03Even so, I must take the risk.
01:18:05You will dare me.
01:18:07I have him right where I want him.
01:18:09Father!
01:18:12I'm sorry, eagle.
01:18:13It's personal.
01:18:25Thank you!
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