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00:00:30He went out of his way to help those who had nothing.
00:00:32Of course, Father, of course.
00:00:33Especially because of the three young orphans in his care.
00:00:37Three orphans?
00:00:39Is it for your girlfriend?
00:00:40I don't have a girlfriend. I haven't found the perfect girl yet.
00:00:43What have we found about your brother?
00:00:45Sancho. His name was Sancho.
00:00:46Yes, he lives there, in Brunete, we're neighbors, so to speak.
00:00:49How many times have I told you to forget her already, Martín, to forget her?
00:00:53Can't.
00:00:56I have a feeling we're going to find him.
00:00:58We are looking for a young man named Sancho.
00:00:59I don't know anything about him. He left a long time ago.
00:01:01It's just my wife and me living here.
00:01:03The table was set for three people.
00:01:05He was hiding something.
00:01:06We'll find out again tonight.
00:01:09Do you know Gaby's mother?
00:01:11Hold it! Jump!
00:01:12I saw Alonso taking food from the trash.
00:01:16Tomorrow at nine o'clock at night, in front of the door of the Salamanca cathedral.
00:01:20Please take it.
00:01:22You're going to make a lot of money, Cone.
00:01:25Thank you.
00:01:29I was eager to see your gift.
00:01:31My gift?
00:01:37Bites.
00:01:38How old!
00:01:39But he hasn't shot the arrows at any animal.
00:01:42Come and find out what happened.
00:01:44Let me take care of you.
00:01:49You came to beat me.
00:01:52Who could be so heartless as to kill poor old people?
00:01:55The well.
00:01:58I would like you to stop seeing my nephew.
00:02:00I am your brother.
00:02:02I would like her to stay and live with us.
00:02:05You have killed my family.
00:02:07It seems you don't realize you can't quit, do you?
00:02:16They want a boy.
00:02:18I know how you can easily make a lot of money.
00:02:23There's Alonso in my place.
00:02:24He told me I could win a lot of money by running a race through the forest.
00:02:28But what's going on?
00:02:28Why are they shooting?
00:02:30Alonso!
00:02:35Do you think he knew they were going to hunt us down?
00:02:38I haven't even had time to get to know him.
00:02:42Agustín picked up the wrong baby.
00:02:45So another man, who was not Agustin, took the girl who is his sister.
00:02:50So we have to find a girl.
00:03:14I saw you and it seemed so easy.
00:03:17Come on, he's even seen that oriental isn't my thing.
00:03:19Next time, you train without me.
00:03:21I'm too fond of my neck.
00:03:24There it is, I've hit him right there, motherfucker.
00:03:29And this?
00:03:31No one is making a sound.
00:03:32Which allowed me to complete the cocri.
00:03:35You forgot to add that we are looking for a sister, not a brother.
00:03:39Thank you very much, Sato.
00:03:43Except that "niña" is spelled without the final "i".
00:03:49Little girl?
00:03:51What do you mean it's spelled without the last i?
00:03:53If you say girl...
00:03:54Little girl.
00:03:55Without the i.
00:03:59Let me tell you that one day I will write to Quevedo himself, without distinction.
00:04:04Girl, girl.
00:04:07Already.
00:04:09And that it won't be easy to find her sister.
00:04:11We know about the orphanage and that they paid for it, and little else.
00:04:15And her name is Ana?
00:04:16You know how many Anas there are in the world.
00:04:18There are fewer taquias or ambrosias.
00:04:21We don't know if she's blonde, brunette, tall or short, or if she's transgender.
00:04:25If she's alive, I'll find her.
00:04:28Clear.
00:04:30Come on, I know who can tell us where her sister is.
00:04:33Who?
00:04:34The breastfeeding woman.
00:04:35If her sister went in there as a baby, someone had to breastfeed her.
00:04:39OK.
00:04:40How can we find it?
00:04:41But you've never heard of her.
00:04:43That famous one in the village for...
00:04:45What wonderful daughters she has!
00:04:46Those women don't give milk, they give cream.
00:04:49I'll find her, Sato.
00:04:51It's already dawn.
00:04:52Let's go before he wakes up, Sato.
00:04:53Come on, if you don't mind.
00:04:55I would like to go to Estuarda's house.
00:04:57I've managed to get this loaf of bread and I'd like to surprise her and the child.
00:05:01Of course, Sato.
00:05:02Clear.
00:05:12Little girl.
00:05:14God's entire life has been...
00:05:16Little girl.
00:05:43Irene, wake up, it's late.
00:05:46That?
00:05:52I saw you, huh?
00:06:11No, no, no, Irene, no.
00:06:13No, no, no.
00:06:14No, no, no.
00:06:21Can you tell me what's going on, Nuño?
00:06:22She's dead, mother.
00:06:32This doesn't undress me.
00:06:37She is one of my maids.
00:06:39My God, who could have done something like this?
00:06:41She's wearing a dress that's too expensive for one of your maids.
00:06:44Hernán is wearing one of Irene's dresses.
00:06:49Someone who wanted to kill Irene killed your maid.
00:06:51That's why they entered the palace.
00:06:53They didn't want to kill me.
00:06:56Look for Irene for me.
00:06:57They've killed her, mother.
00:06:58No, no, no.
00:06:58And José...
00:07:12What have they done with Irene?
00:07:14Take Nuño to a safe place.
00:07:16I'm going to look at the palace.
00:07:17Hernán.
00:07:19Find that girl.
00:07:21Come on.
00:07:21Above!
00:07:44Keep washing, girls.
00:07:45I'm going to hang these sheets up.
00:07:49Above!
00:08:17Don't be alarmed.
00:08:19I need your help.
00:08:20You are the red eagle, aren't you?
00:08:22I've been told that you were a wet nurse at the orphanage.
00:08:25I am looking for a girl who was in the village orphanage many years ago.
00:08:28Her name is Ana.
00:08:30I don't know.
00:08:31Many children passed by there.
00:08:35The girl was wearing this bracelet.
00:08:39Yeah.
00:08:40I remember the girl.
00:08:42She was taken away from the orphanage very soon.
00:08:44Do you remember anything else?
00:08:45It is very important.
00:08:47I think he had a birthmark on his head.
00:08:50Like a craving.
00:08:53But I'm telling you.
00:08:54He was there for a short time.
00:08:57Thanks a lot.
00:08:58Oh.
00:08:59You have no idea how much my daughters admire you.
00:09:02Girls.
00:09:03Girls.
00:09:05The red eagle is here.
00:09:07I went upstairs.
00:09:08I went upstairs.
00:09:09They wouldn't have forgiven me otherwise.
00:09:17I've already told him I don't have any money.
00:09:19Since I was kicked out of the brothel, I haven't worked again.
00:09:21This is a business, not a charity.
00:09:25Those who don't pay rent go out onto the street.
00:09:27You can't kick us out, please.
00:09:34I will be yours whenever you want.
00:09:37I will do everything you ask, whatever you like best.
00:09:40You are scarred by smallpox.
00:09:42I'm not interested in you.
00:09:46But if you're so desperate,
00:09:49Yes, I can think of something you could give me.
00:09:51Whatever you want.
00:09:55Your son, Gaby.
00:09:58As?
00:09:59You get rid of a burden and I get cheap labor.
00:10:02I'd rather starve to death than sell my son.
00:10:05Well then you'll have to leave my house in two weeks.
00:10:07Not one more day.
00:10:08Yes, I swear I'll pay it.
00:10:09Give me some.
00:10:10Not long ago.
00:10:10No.
00:10:12No.
00:10:15No.
00:10:17No.
00:10:19No.
00:10:21No.
00:10:22No.
00:10:28How are you, father?
00:10:32Good.
00:10:34Because?
00:10:35I'm so sorry about what happened to my uncle.
00:10:38I hardly knew him, but he saved my life.
00:10:42Come on, I'll never forget him.
00:10:45Thank you very much, son.
00:10:47I'm also very sorry about your brother, Gonzalo.
00:10:50Thank you.
00:10:54Okay, shall we have breakfast?
00:10:55Yeah.
00:10:58Well, I don't know the time.
00:10:59Are we out of milk again?
00:11:02Gonzalo, we didn't make it.
00:11:04That mothers sometimes leave us as soon as they come in.
00:11:05And we don't get much out of our food.
00:11:07Peaceful.
00:11:07Don't worry, no.
00:11:08Men, you see everything as very easy.
00:11:10But in the end, it's the person who ends up worrying.
00:11:15What's wrong with you?
00:11:16Me?
00:11:18Nothing.
00:11:19Well, yes.
00:11:20You talk like married people.
00:11:25Taking advantage of the fact that the three of us are alone, I had thought that we could go, Auntie, you and I, to give
00:11:33a walk in the countryside.
00:11:36Oh no.
00:11:37I don't think your aunt wants to go to the countryside.
00:11:40Don't you want to?
00:11:42Well.
00:11:43If your father wants it.
00:11:46Well, everything's sorted now.
00:11:51Go on, go to the dairy and ask them to give us credit.
00:11:56Come on.
00:12:05You're going for a walk, right?
00:12:08Well, if Alonso wants to.
00:12:14A battalion is arriving from the front.
00:12:18A cart full of soldiers is coming.
00:12:21They are very badly injured.
00:12:33It's the same battalion as Juan.
00:12:37Let me through.
00:12:38Let me through.
00:12:40Happens.
00:12:41Sorry.
00:12:43Excuse me, have you seen Juan de Galatrava?
00:12:44No.
00:12:45Do you know him?
00:12:46I feel nothing.
00:12:50Sorry.
00:12:51Do you know if Juan de Galatrava is here?
00:12:53I don't know.
00:12:54No.
00:12:55Listen.
00:13:02Does anyone know Juan de Galatrava?
00:13:07Gonzalo.
00:13:08There.
00:13:14Juan.
00:13:16Juan.
00:13:17I don't know.
00:13:19Cipri.
00:13:34Look at how everyone is, Gonzalo.
00:13:38Daisy.
00:13:40It doesn't necessarily have to have happened to him.
00:13:42Besides, I'm sure Juan is fine.
00:13:45How can you be so sure?
00:13:49Because if I had someone like you waiting for me.
00:13:51I wouldn't let them kill me.
00:14:00What's happening?
00:14:02What's happening?
00:14:18I wouldn't let them kill me.
00:14:21There you go, what about the animals?
00:14:23Were these cow dung cows?
00:14:27Yes, it seems so.
00:14:30There is never a human being who doesn't have something to envy.
00:14:33Wow!
00:14:33Into the bag!
00:14:37Satur, what are you doing?
00:14:38That?
00:14:39What are you doing putting your hand in the dung?
00:14:41Well, I was looking here for a coin I dropped, but no...
00:14:45Look, I can't find it.
00:14:46Besides, you're right, it's just a coin.
00:14:48And with how bad it smells, it's almost better to leave it alone.
00:14:49Come on, let's go.
00:14:50And head off to school.
00:14:57Satur, do you have a sack full of dung?
00:15:00Because?
00:15:01Let's see if...
00:15:02Are they cowpats?
00:15:04Are you waiting for another one?
00:15:06By...?
00:15:07If you ever become a father,
00:15:09You will understand what it means to be afraid that something will happen to your child.
00:15:11Has something happened to Gaby?
00:15:12No!
00:15:13The thing is, I'm collecting manure so I can sell it and help Astuarda and Gaby.
00:15:17with what I earn.
00:15:18But, Satur, why don't you ask my father for help?
00:15:20No no.
00:15:21But if always...
00:15:21Did I tell you no?
00:15:23Come on, head to school.
00:15:24Come on, head to school.
00:15:25No, no, no.
00:15:26I'm going to help you.
00:15:27That?
00:15:27No, not you.
00:15:28Satur, don't tell me no, okay?
00:15:30Because you're always the one who helps me.
00:15:32So I'm going to help you.
00:15:33Come on, let's go.
00:15:37Ah!
00:15:42Get your wallet ready, because we're going to screw it up to the gills.
00:15:57I don't know what's going on.
00:15:58They've locked Irene's bedroom and haven't let me in or make her bed.
00:16:02Woman, what do you want?
00:16:03The girl must have spent the night crying and thinking about my Martín and the way he stood her up.
00:16:08He gave it last night.
00:16:10Poor little rich girl.
00:16:13Poor.
00:16:16She may have been in the convent for many years, but with that body and that face, she has my nephew...
00:16:20fever.
00:16:21And just wait until she finds out I didn't go to warn her last night.
00:16:27That you left her there, waiting for me alone.
00:16:31Yes, Martin, yes.
00:16:33And I can tell you that more times, but I can't make it any clearer.
00:16:36That girl is the cardinal's niece and you're a gardener.
00:16:42I'm going up to her bedroom.
00:16:44I need to explain to him what happened.
00:16:45No, you're not moving from there.
00:16:48Dragged.
00:16:52What are you doing?
00:16:53Let me go!
00:16:54Let me go!
00:16:55Let me go!
00:16:56Let me go!
00:16:57You are under arrest for murder.
00:17:01Aunt.
00:17:03Aunt!
00:17:04Let me go!
00:17:05But for God's sake, commissioner, let him go, he hasn't done anything.
00:17:25Let me go!
00:17:26Sombramedi?
00:17:27Sombramedi?
00:17:28We're men, you don't...
00:17:29Well, this is what it is.
00:17:31Well, that's it, God be with you.
00:17:34We are men.
00:17:35Sombramedi!
00:17:36Sombramedi!
00:17:37Okay, a maravedí won't be much.
00:17:39But just think, if we go every day to collect cow dung, in two months we'll have
00:17:42a lot of maravedis.
00:17:44Why else?
00:17:45But animals aren't going to stop pooping.
00:17:47Yes, in two months.
00:17:49Sato, if we have to get up early to collect more cow dung, then we get up early.
00:17:53Stop worrying, Aloncillo.
00:17:56I'm going to wash your hands, because the flies are going to eat us.
00:18:03Here, put on some paint.
00:18:06Look, Sato.
00:18:07That?
00:18:08First round of the village donkey race.
00:18:13And there?
00:18:14Well, if you qualify and race in the grand final, you can win 100 reais, as it says here.
00:18:22Sato, but you didn't tell me you knew how to ride a donkey.
00:18:25That you were the best in your town.
00:18:27Aloncillo, to run in this race, in addition to knowing how to ride a donkey, you need to have one.
00:18:32That's it, all we have to do is get a donkey.
00:18:34I mean, it's messed up, as if it were that easy.
00:18:39Stop worrying about my problems, okay?
00:18:41If you're only 10 years old, enjoy life.
00:18:44And then they get really mean.
00:18:47Look.
00:18:49Strip.
00:18:50Strip.
00:18:51Strip.
00:18:52Strip.
00:18:53Strip.
00:19:10He didn't give you what you wanted, so you took it by force, didn't you?
00:19:15Where is Irene?
00:19:16I don't know where it is.
00:19:18What happened to him?
00:19:25Now you're worried.
00:19:27Thank you.
00:19:32You can't deny that this is yours.
00:19:35What have I done to you with Irene?
00:19:37What's happening?
00:19:40Ma'am, please make them stop this.
00:19:42My nephew was unable to see Miss Irene.
00:19:44Catalina, get out of here.
00:19:45He was removing the furniture from Nuño's room, as you ordered.
00:19:49The cardinal's niece could be dead anywhere.
00:19:52Strip.
00:19:53Please leave.
00:19:57Ma'am, he is incapable of doing harm.
00:19:59It couldn't have been anyone else.
00:20:00Don't waste our time.
00:20:02Out.
00:20:03No.
00:20:04Ma'am, leave me alone.
00:20:05Madam, I saw a man enter the palace.
00:20:07He was dressed in street clothes, but he wasn't a member of the service.
00:20:09Ma'am, it had to be.
00:20:11Let me.
00:20:11Don't talk nonsense anymore.
00:20:13Get them out of here.
00:20:15Mister.
00:20:16Martin.
00:20:18No.
00:20:36Why is he doing this?
00:20:47Because?
00:20:51My uncle is an influential man.
00:20:52If I ask him, he can do anything he wants for you.
00:20:56It's too late for that.
00:21:00But don't worry.
00:21:02You'll be very well off here.
00:21:06My uncle won't let him hurt me.
00:21:09They will find me.
00:21:13Nobody will look for you under an abandoned bell tower.
00:21:33Nobody's looking for a live wire
00:21:35Among the dead
00:21:57It's great that you asked the people in the town for help.
00:22:00Given the state of the houses, they're really behaving themselves.
00:22:02They keep bringing in things to make bandages and...
00:22:05Well, we need to hurry.
00:22:06A truck with reinforcements is leaving tomorrow.
00:22:09You're a good man, Cipri
00:22:12It seems that for Inés it wasn't enough.
00:22:20Cipri
00:22:22Cipri, you would have a donkey
00:22:25A donkey?
00:22:26Yeah
00:22:27That's a luxury these days, man.
00:22:30And what do you want a donkey for?
00:22:31I?
00:22:32No not at all
00:22:34Thank you
00:22:44Thank you very much, good sir, I appreciate it.
00:22:46Hey, thanks
00:22:47No, no, no, don't get confused
00:22:52In the name of the Spanish army and those who support it
00:22:56I am extremely grateful for the donation you are making to your country.
00:22:59But I came to bring the milk, because the donkey can't.
00:23:01He'll deny you a donkey to the Spanish empire!
00:23:07Well, that's what I said.
00:23:10I'll make sure he gets a medal for his act of service to the animal.
00:23:13Hey?
00:23:14Don't worry
00:23:15Come on!
00:23:16Come on!
00:23:21Have they donated a donkey to us?
00:23:23Yeah
00:23:26No no
00:23:31I have abandoned
00:23:31But
00:23:33To my Estuarda and my Gaby
00:23:34That
00:23:36They're going to throw them out on the street, Maria, right now.
00:23:37Well, he can't pay the rent
00:23:40So if I qualify for today's donkey race
00:23:42I also managed to win the grand final prize.
00:23:47The problem is, I don't know where I'm going to get the 15 maravedis to sign up.
00:23:50Hey?
00:23:53So run, Francisco Pulido
00:23:55The champion of the village
00:23:57And nobody beat her at that.
00:24:02Draw him with a little hair
00:24:04And the head was kind of like an egg.
00:24:06Mother, you've told me five times.
00:24:08Son, for God's sake, draw it well, it's very important
00:24:11Did you make his eyes smaller?
00:24:13Come on, guys
00:24:14To class everyone
00:24:17Good morning
00:24:20Come on
00:24:21Good morning, Catalina
00:24:23Let's see, guys
00:24:25Who among you can tell me who Copernicus was?
00:24:28He was a bullfighter who died last year
00:24:31Very good, very funny, Gaby, very funny
00:24:33Let's see
00:24:35Copernicus was...
00:24:37Gonzalo
00:24:39Can I talk to you for a moment?
00:24:41Yeah
00:24:42Everyone be quiet, okay?
00:24:47What's happening?
00:24:48She is the niece of Cardinal Mendoza
00:24:51They've taken her away from the palace
00:24:52And they have arrested Martin
00:24:54Do you think it was him?
00:24:55Martin?
00:24:56But Martín has not been
00:24:58I saw a man enter the Marchioness's palace
00:25:00And I'm sure it was him who did something to the girl.
00:25:02My son is drawing it
00:25:10For God's sake, Murillo
00:25:12But this is very good.
00:25:19Yes, I did it.
00:25:31Torch
00:25:33Please mark me, for God's sake, for your father and for your mother
00:25:36The race is about to begin
00:25:3715 maravedis
00:25:38And on you go, parrot, at the lathe with the maravedís
00:25:42I haven't told him that I've practically won this race.
00:25:44It's because I was born riding on a donkey.
00:25:45If you don't have the money, you can go back where you came from.
00:25:48Well, look who you are, you fool.
00:25:49No offense, okay?
00:25:51Ask me for whatever you want
00:25:53Ask with that mouth
00:25:53Well, I'm looking towards Mozambique
00:25:56Whatever he wants
00:25:58Francisco Pulido
00:26:04Cipri!
00:26:06Cipri!
00:26:08The legend
00:26:08The legend is here
00:26:10The legend will be less of a legend now.
00:26:11No?
00:26:12He even has an agent
00:26:13They say he has won races all over the world
00:26:15But he's even raced in Flanders.
00:26:16Flanders, Flanders
00:26:17People talk a lot, Cipri
00:26:19I wish I had beaten him here.
00:26:21How could we not win?
00:26:22He has control of the donkey
00:26:23You should see how well she takes the curves with her donkey
00:26:26Curious!
00:26:28Curious!
00:26:32Curious!
00:26:34Curious!
00:26:38Curious!
00:26:40And sign up before running
00:26:42Wait for me
00:26:45Wait for me
00:26:47A feared, man of God
00:26:49Garcia
00:26:50Get out of here!
00:26:52It's an animal.
00:26:53Topic of thought
00:26:54The donkey that you
00:26:56Thought
00:27:06The gardener still hasn't spoken
00:27:10Tear out his eyes
00:27:11If required
00:27:12But make him confess
00:27:14Irine has to show up
00:27:18Trust me, Lucrecia
00:27:26It's over
00:27:29I am dead, Arran
00:27:32But what are you saying, Lucrecia?
00:27:33What's happening?
00:27:33The cardinal returns from his life
00:27:35This afternoon
00:27:37He wants to come for dinner
00:27:44I will do everything I can
00:27:45For it to appear
00:27:45Before the cardinal's visit
00:27:47If she's dead
00:27:50Have you considered that possibility?
00:27:53To Cardinal Mendoza
00:27:54You'll love to know
00:27:55That we have left
00:27:55Let them kill his niece
00:27:59Lady
00:28:02That?
00:28:03This has to do with it
00:28:05What is this?
00:28:06He is the man I saw in the palace
00:28:08He drew it
00:28:08How dare you?
00:28:12Don't ever bow to me again
00:28:15Out
00:28:27Martin has not been
00:28:28It wasn't Martín, Margarita
00:28:31What wasn't he?
00:28:32I know, Catalina
00:28:34You'll see how soon
00:28:35Find the culprit
00:28:40Leave it, Catalina
00:28:42I'll pick it up.
00:28:44Go on
00:29:10Polished
00:29:11Polished
00:29:12Polished
00:29:13That I am
00:29:14I am his idol
00:29:15I
00:29:17I follow him everywhere
00:29:18Did you see yourself in Italy?
00:29:19To Italy
00:29:20I couldn't go
00:29:22That
00:29:22That was a great race indeed.
00:29:23Yeah
00:29:25I have a business
00:29:26And it finds me retired.
00:29:27But
00:29:27But I
00:29:28I am his idol
00:29:29He needs to concentrate
00:29:30Yes, yes, of course.
00:29:32Luck
00:29:44What do you want me to do?
00:29:46That I beg him?
00:29:48I beg you and do whatever it takes
00:29:50Out of Christian charity
00:29:52Sign me up
00:29:53Maravedí
00:29:54Please don't take the bread out of my son's mouth
00:29:56Sign me up
00:30:00Write it down
00:30:04Where did you get the money, ma'am?
00:30:06Satur
00:30:06Don't worry about that now.
00:30:08Come on
00:30:08Get classified
00:30:09Note
00:30:13Ready?
00:30:17Come on
00:30:19Come on, come on, come on!
00:30:27Come on, come on!
00:30:30Come on, come on!
00:30:31Come on, come on!
00:30:31Come on, come on, come on!
00:30:36Come on, come on!
00:30:37Come on, come on!
00:30:38Come on, come on!
00:30:38Come on, come on!
00:30:39Come on, come on!
00:30:39Come on, come on!
00:30:39Come on, come on!
00:30:40Come on, come on, come on!
00:30:40Come on, come on!
00:30:41Come on, come on!
00:30:41Come on, come on!
00:30:42Come on, come on!
00:30:43Come on, come on!
00:30:44Come on, come on!
00:30:46Come on, come on, come on!
00:30:50Come on, Sato! Run!
00:30:54Come on, Sato!
00:31:04Come on!
00:31:06Come on!
00:31:07Come on!
00:31:08Come on!
00:31:10Come on!
00:31:19Those who have qualified for the big race are Francisco Pulido, current champion of Life, Ángel Corón, Serán and Saturno García.
00:31:33What did he say?
00:31:35Saturn Garcia!
00:31:36Come on, Sato! Come on, Sato!
00:31:39Come on, Sato!
00:31:40Come on, Sato!
00:31:41Come on, Sato!
00:31:43Saturn Garcia!
00:31:44What did he say?
00:31:45Saturn Garcia!
00:31:59Nobody bother me until dinnertime.
00:32:26Forward!
00:32:29I said no one should enter my office.
00:32:32Your Eminence, only your niece has been here.
00:32:37What have you got there?
00:32:40They just left this for you.
00:32:43Prepare my carriage.
00:32:45I am leaving immediately for the palace of the Marchioness of Santillana.
00:33:08What is this?
00:33:11What is this?
00:33:18Your niece is going to suffer as much as I am.
00:33:27This is all I have.
00:33:31Thank you.
00:33:37Sip!
00:33:39Sip, wait!
00:33:42Have you bought a donkey?
00:33:44No no.
00:33:45They've lent it to me for a while.
00:33:48Because I have a matter on my hands and...
00:33:50Well, if it goes well, then...
00:33:52Well, you won't have to be...
00:33:55So.
00:33:55Just like that, Sato.
00:33:56Should I tell you if this goes well?
00:33:59I'm sure of it.
00:34:00I will be able to lend you the money you need.
00:34:05Wait for me there, son.
00:34:08Don't fill the child's head with fantasies.
00:34:10Don't promise Gaby anything you can't deliver.
00:34:13Please.
00:34:20Come on, come on, come on!
00:34:22Sato!
00:34:24You've got a donkey!
00:34:27Yeah.
00:34:29But they've let me have it for a while.
00:34:31But then you've run the race.
00:34:34What corrido, you say?
00:34:35And I've qualified for the big race, huh?
00:34:38Oh really?
00:34:39Yeah.
00:34:39That's incredible, I'm going to tell Gaby.
00:34:41No, no, no, no, no.
00:34:43It's best not to say anything.
00:34:44Let's not rush into anything.
00:34:46First, you have to run it.
00:34:48Okay.
00:34:49Okay, can I take you to the stables?
00:34:51There, go away.
00:34:53Slowly.
00:34:54Okay.
00:34:55Come on!
00:34:55Come on!
00:35:00So, the great donkey race.
00:35:02Okay, let's see.
00:35:04It's because he gives a good prize to the winner, and since my Estuardo and my Gaby need the money.
00:35:11Any news?
00:35:16The goldsmith has kidnapped Cardinal Mendoza's niece.
00:35:19The goldsmith?
00:35:20Shh!
00:35:25The one who took away his medallion.
00:35:27What interest could that man possibly have in the cardinal's niece?
00:35:30Don't know.
00:35:31But we have to find him as soon as possible.
00:35:33They have accused Martín of the kidnapping.
00:35:37Don't worry, love.
00:35:38I pack his things and we go on a mission.
00:35:40Sato!
00:35:41You should get some rest.
00:35:44You have a race tomorrow.
00:35:47Luck.
00:35:52He doesn't rest, not even with what I have on top of me.
00:36:11Cook, hurry up!
00:36:46Come on!
00:36:46Come on!
00:36:46Do the office!
00:37:07Why has the goldsmith kidnapped his niece?
00:37:11What interest does he have in her?
00:37:13What's your interest?
00:37:16You should tell me if you want to find her alive.
00:37:20How do you know the goldsmith?
00:37:22I don't know him.
00:37:24All I know is that he's mentally disturbed.
00:37:27Then you will never see her again.
00:37:37He sent this to my residence.
00:37:56Why hasn't it arrived?
00:37:59Because the red eagle doesn't always appear.
00:38:01Do you know how much work she has?
00:38:03I'm sure I'm saving someone now.
00:38:05Well, I'm not going anywhere until he comes to talk to me.
00:38:10I have to ask him to help us.
00:38:12I'm not supposed to tell you anything, okay?
00:38:15But Sadur is going to compete in the donkey race to win the prize.
00:38:19He's going to run to help us.
00:38:21And you wouldn't believe how good he is to the donkey.
00:38:23He's sure to win tomorrow.
00:38:26Yes, but...
00:38:27What if he doesn't succeed?
00:38:31My mother always said that this world belongs to the annoying ones.
00:38:35Which means something like, if you really put your mind to something, you'll eventually get it.
00:38:40And you wouldn't believe how annoying Sadur can be, huh?
00:38:45Do you think Red Eagle ever flew to the moon?
00:38:49They say he lives there.
00:38:51And that's why he knows everything.
00:38:52Because he sees it from up there.
00:38:54Look, one of these days I'm going to tell him to come with me to the moon.
00:39:02Here's a delicious dinner for you.
00:39:06I would have brought you a donkey to brighten your night, but...
00:39:09But things aren't good enough to be wasteful.
00:39:15The donkey.
00:39:16The donkey.
00:39:19They stole my donkey.
00:39:24Why am I so unlucky?
00:39:27But why the hell am I so unlucky?
00:39:31Sadur.
00:39:32Sadur.
00:39:35Why is he shouting?
00:39:37Is he shouting?
00:39:37No way, right?
00:39:39He was urging the donkey on...
00:39:41To cheer him up for tomorrow's race.
00:39:45Let's let him rest.
00:39:48Clear.
00:39:52Sadur.
00:39:55I don't want to make you nervous.
00:39:57What's happening?
00:39:59Well, the money I lent you for your degree...
00:40:02I stole it.
00:40:04Did he steal it from you?
00:40:05To the Marchioness.
00:40:07And I should return it as soon as possible.
00:40:17The woman.
00:40:19I'll return it to you tomorrow.
00:40:21Hey?
00:40:22Thank you very much, Sadur.
00:40:23Where will I rest?
00:40:33Murillo keeps painting portraits of the murdered man.
00:40:35And I'll search the whole villa if necessary until I find her.
00:40:39You'll see how soon it will arrive.
00:40:42Look for Irene, aunt.
00:40:44Look for it.
00:40:47It was my fault for not warning her.
00:40:50It's not your fault.
00:40:52I got myself into this.
00:41:00Open the door.
00:41:02Get her out of here.
00:41:03I don't think I want to see this.
00:41:05Why do you have to get up?
00:41:08Commissioner, please.
00:41:10Get out of here.
00:41:11Get out of here.
00:41:12Please.
00:41:14Please.
00:41:24I'm going to ask you one more time.
00:41:26Where is Irene?
00:41:29I don't know anything.
00:41:38Even blind people can speak.
00:41:44Oh really.
00:41:45Seba's Mendoza channel.
00:41:55What are you doing here, commissioner?
00:41:57My niece has been kidnapped.
00:41:59You should be looking for it.
00:42:02We've already captured that bastard.
00:42:04It's just a matter of time before he tells us where Irene is.
00:42:08It's not him.
00:42:10Eminence.
00:42:12It's not him, I tell you.
00:42:14The person responsible is mentally disturbed.
00:42:17How can you be so sure?
00:42:20He escaped from a mental asylum.
00:42:23And he won't be content with just killing her.
00:42:27He's going to make her suffer first.
00:42:30I don't understand who would want to hurt Irene.
00:42:33You have nothing to understand.
00:42:36Get out of here before I find her.
00:42:40Is that clear?
00:43:10Yeah?
00:43:14Yeah?
00:43:15Before, Satur.
00:43:24I wanted to ask you something.
00:43:29Tell me, how do you manage to never fail?
00:43:32I fail many times, Satur.
00:43:34Many more than I would like.
00:43:36Except I'm not giving up.
00:43:39Nothing.
00:43:45Look.
00:43:47Someone once said that it's not that things are difficult,
00:43:50but it is we who see them that way.
00:43:52Only a philosopher would say that he spends his days with his arms crossed.
00:43:56He talks a lot, but I'd like to see him in my shoes.
00:44:04And that doll?
00:44:06The goldsmith sent it to the cardinal.
00:44:09That's all I've been able to find out.
00:44:11Well, as a toy it's fine, but as a clue...
00:44:15Don't believe it.
00:44:16If we find the tree from which the goldsmith carved this wood,
00:44:19We'll know where they've been.
00:44:22You'll have to tell me how you plan to do it.
00:44:25Why don't we go and look at every single tree in the kingdom, one by one?
00:44:28to see which one is missing that piece?
00:44:33There's a small detail.
00:44:34Do you see these stains?
00:44:42It's a disease.
00:44:45Trees that are infected by it are very easy to recognize.
00:44:49We don't have any.
00:44:51If you're not sure, perhaps because one clue has led you to another, but...
00:44:55How come I just don't see it?
00:44:57So, Satur, we have to go to the forest as soon as possible.
00:45:00Now?
00:45:01Now yes.
00:45:02I just can't right now, no...
00:45:05But it's already getting ahead of itself.
00:45:07OK.
00:45:09Come when you can.
00:45:18Satur?
00:45:21Satur!
00:45:25Stuart.
00:45:27See?
00:45:27I told you I'd be here.
00:45:30Okay, I'm going to wash up.
00:45:33That...
00:45:34Gaby told me about the donkey race.
00:45:38AND...
00:45:40I don't know what to say.
00:45:42Don't say anything, if...
00:45:44In short, it doesn't matter.
00:45:45We're going to come and cheer you up.
00:45:47Cheer me up?
00:45:49No.
00:45:51No.
00:45:51No, better not, I might get dizzy just looking at it there.
00:45:54No, please don't encourage me.
00:45:55Okay.
00:45:56No.
00:45:57But be careful.
00:45:57Yes, yes.
00:45:58Don't let anything happen to you.
00:45:59Don't...
00:45:59Don't run too fast.
00:46:01Run, I'll have to run.
00:46:02No.
00:46:03No.
00:46:04Ah!
00:46:35Ah!
00:47:09Ah!
00:47:57I, Philip of Austria, King of Spain, take you, Laura de Montignac,
00:48:03as a legitimate wife.
00:48:06I promise to be faithful to you in prosperity and adversity, in health and in sickness.
00:48:13To love and respect you from this day forward, until death do us part.
00:48:19His royal ancestors, Hernán, Gonzalo, the alliances.
00:48:42Their Majesties, the King and Queen of Spain, have declared their consent before the Church.
00:48:48What God has joined together, let no one separate.
00:48:53I will soon make this link public and you will be able to live with me in the palace.
00:48:58No, no, no, no, no, no, no.
00:49:27No, no, no, no, no, no, no, no.
00:50:08Who is he? What does he want?
00:50:10Get off your high horse, father.
00:50:13And quickly! And quickly, Father, get down!
00:50:16Come on!
00:50:16If what you want is money, I don't have any.
00:50:20No, money, I don't want the donkey.
00:50:21No, not the donkey.
00:50:23So, how am I going to get to the hermitage then?
00:50:25What's wrong, Mom?
00:50:26Well, walking like everyone else.
00:50:28Furthermore, you cannot give your opinion.
00:50:29I'm threatening him.
00:50:31What's wrong, Mom?
00:50:32What's happening?
00:50:32Come on.
00:50:36Come on.
00:50:41No, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no,
00:51:01no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no,
00:51:03no, no, no, no, no, no, no, no, no, no, no, no, no, no.
00:51:45But look at him, for God's sake!
00:51:48He looks just like Jesus Christ when they took him down from the cross.
00:51:51Oh God, what if my sister sees this!
00:51:55Let's see if the tasting is very young, we'll see how quickly it recovers.
00:52:01Irene, Irene, Irene
00:52:03No, no, you don't have a house.
00:52:06I have to find Irene
00:52:07Martin, for God's sake!
00:52:10Calm down, son, you're not here to look for anyone.
00:52:12She may be dead
00:52:16The commissioner's men are looking for her.
00:52:18What if they can't find it?
00:52:20I have to... No!
00:52:22Martin, for God's sake!
00:52:23They haven't done much for you.
00:52:26Catalina, if we don't find Irene alive, your nephew will pay with his own life.
00:52:31Another thing
00:52:33Has anyone seen a small black bag with money in it?
00:52:36Catherine, Margaret
00:52:39No, ma'am
00:52:41Well, make sure it appears
00:52:42If you suspect anyone, tell me myself, and I'll cut off their hands so they can't steal again.
00:52:46Get him out of here
00:52:52Uncle
00:52:54Darling
00:52:55Yeah
00:52:57No
00:52:58No
00:53:06No
00:53:09No
00:53:10No
00:53:13No
00:53:25No
00:53:25No
00:53:26No
00:53:54It's a disease.
00:53:55Trees that are infected by it are very easy to recognize.
00:54:48Sato!
00:54:51Come on, sorry for the delay, but in this forest, nobody can figure things out.
00:54:56Why are you bringing a donkey?
00:54:57Nothing, I had something I needed to take care of and I haven't had time to go home.
00:55:01Have you found anything?
00:55:02Yeah.
00:55:03The doll was made here, with these trees.
00:55:06Are you OK?
00:55:08Clear.
00:55:09And you?
00:55:16So it will be here, nearby?
00:55:18Where could he have gone?
00:55:19It won't be easy to figure it out.
00:55:23It won't be easy.
00:55:44No, please.
00:55:45No, no, please, no.
00:55:48Please, no.
00:55:51No, no, no.
00:55:54Please, no.
00:55:56Please forgive me.
00:55:59Please forgive me.
00:56:01Below!
00:56:02No, no, no, no, no.
00:56:15Come on.
00:56:16Haven't five bells rung yet?
00:56:19Yeah.
00:56:20Wouldn't that be four?
00:56:21No, Saturn, five.
00:56:23Mucha la vera!
00:56:25What's happening?
00:56:27The donkey race is at six.
00:56:31We are closer to Teruel than to the town.
00:56:34Come on, I know this is important, but...
00:56:35Go on.
00:56:36Go away.
00:56:46Saturn.
00:56:48Good luck.
00:56:49Thank you, let's go.
00:56:51Come on.
00:56:52Come on, let's go.
00:56:53Come on.
00:57:02I imagine what you're going through there is horrible.
00:57:05I just want you to know that I haven't forgotten you.
00:57:07And I can't stop thinking about the moment we'll be together again.
00:57:26I love you, Gonzalo.
00:57:47Daisy.
00:57:50Daisy.
00:57:52Daisy.
00:57:53What happens if I take you out?
00:57:53No, not yet.
00:57:55Hurry up.
00:57:56The tanks with the reinforcements will soon be leaving for Portugal.
00:57:59Hello, Cipri.
00:58:00Daisy.
00:58:01Hello good.
00:58:02Hey, what do we know about the cardinal's niece?
00:58:05Nothing.
00:58:06I still didn't appear.
00:58:07I don't know what might have happened to that poor girl.
00:58:10Don't know.
00:58:13Have only five chimes sounded?
00:58:16It must be five o'clock.
00:58:17No, it can't be.
00:58:19Is something wrong?
00:58:21Earlier, in the Cerrillo forest, I heard them ringing five o'clock.
00:58:24In the Cerrillo forest?
00:58:25The only thing around there is the Church of San Francisco.
00:58:27And what about that church?
00:58:29It has been abandoned for more than 30 years.
00:58:36No, please.
00:58:40Why are you doing this to me?
00:58:42Because?
00:58:45Why are you doing this to me?
00:58:47Why are you doing this to me?
00:58:48Please, beg him.
00:58:49That I was locked up for more than 20 years.
00:58:52But don't worry.
00:58:54I don't think you'll last more than an hour.
00:58:59Grab it!
00:59:01Aid!
00:59:02Aid!
00:59:08Grab it!
00:59:09Grab it!
00:59:10Grab it!
00:59:10Grab it!
00:59:11Aid!
00:59:11Aid!
00:59:11Aid!
00:59:12Aid!
00:59:14Aid!
00:59:15Aid!
00:59:16I haven't done anything.
00:59:30No, no, no, no, no.
00:59:47No, no, please, no.
01:00:10If you have nothing to do. Well, unless you came here to have fun.
01:00:14You stick to your donkey, champ. Races aren't won with words.
01:00:21That's not it.
01:00:26In starting position.
01:00:30Ready?
01:00:36No, no, no!
01:00:37No no!
01:00:42No no!
01:00:47No no!
01:00:50No no!
01:00:57No no!
01:01:21No no!
01:01:23Very good, muridado, muridado, muridado, muridado!
01:01:37Congratulations, that's all.
01:01:38Thank you.
01:01:39Did you hear? The executioner just died.
01:01:41Well, it's going to be difficult to find another one.
01:01:43It's a well-paid position, but nobody wants it...
01:01:47That's how it's done, you bastard!
01:01:49It's not done, you bastard!
01:01:51It's not done, you bastard!
01:01:59Well run.
01:02:04Thank you.
01:02:10Can I ask you a favor?
01:02:14Sir, we found him in the forest.
01:02:18We searched everywhere, but we found nothing.
01:02:21Go back and look again.
01:02:23Search every corner and don't come back until he appears.
01:02:26Mister.
01:02:30Eminence.
01:02:32God wouldn't let anything bad happen to someone like Irene.
01:02:37God?
01:02:38And since when have you believed in God?
01:02:44Cardinal.
01:03:07It's the ring.
01:03:14Irene's finger has been cut off.
01:03:19I assure you, Your Eminence, that I will find your niece, no matter what it takes.
01:03:22I will personally make sure that he has been ruthless.
01:03:25Pay for what you're doing.
01:03:34She'd better turn up alive.
01:03:46Does it hurt you that they are hurting Irene?
01:03:50Aren't you starting to feel something for her?
01:03:54Lucrecia.
01:03:56You are sick.
01:04:06Cipri.
01:04:09Haven't the soldiers come to collect all this yet?
01:04:12Not yet.
01:04:12You've arrived on time.
01:04:14Take.
01:04:21Hello.
01:04:22Hello good.
01:04:23Daisy.
01:04:24Cipri, is there any news about Sátur yet?
01:04:27Nothing.
01:04:27Still nothing.
01:04:28What a race I missed!
01:04:30That must have been it.
01:04:31Thank goodness I at least saw the legend yesterday.
01:04:33And I keep a memory of him.
01:04:35Cipri, the one who's giving us the apple.
01:04:37Go on, throw that away, it's rotten.
01:04:38What are you saying?
01:04:40Satur!
01:04:41You've won!
01:04:43And I knew it!
01:04:45Okay, pull, pull, pull!
01:04:48But how?
01:04:49What have you won against Pulido?
01:04:50You?
01:04:51Come on, man.
01:04:52You cheated.
01:04:55Are you going to beat the village champion?
01:04:56No, I didn't cheat.
01:04:57Cipri, I beat him.
01:04:58I beat him, Cipri.
01:04:59I beat him.
01:04:59I have the band, right?
01:05:00Well, I beat him.
01:05:02But you already have the money, right?
01:05:05Money...
01:05:06They give me the money for a while.
01:05:08Because, of course, they have to do the math.
01:05:11Do the calculations, the checks.
01:05:14But come on, I'm sure they'll give it to me this afternoon.
01:05:18Okay, so I'm going to...
01:05:20Let's keep an eye on the donkey, I've got him out there.
01:05:22Well, come on, this one calls for a celebration.
01:05:24I'm going to get a small jug.
01:05:30No, you can keep it.
01:05:39I... I already have many.
01:05:41Thank you, champ.
01:05:52Have a glass of wine, that is...
01:05:58Father.
01:06:05Go on, put this on.
01:06:30Mister?
01:06:33We found her in the forest.
01:06:42I have to donate to the director.
01:06:45Son of the sea.
01:06:47The child was with her.
01:06:49We haven't been able to get him to talk.
01:06:52Leaving that aside, no.
01:06:53Mister.
01:06:56Don't worry.
01:06:57You'll be safe here.
01:07:00Go on.
01:07:03Come on, do something.
01:07:08My sister.
01:07:11Who did that to your sister?
01:07:13Who did it?
01:07:15We were...
01:07:16We were playing.
01:07:18Where?
01:07:21Where were we playing?
01:07:24Beside.
01:07:26Next to the San Francisco championship.
01:07:32Path!
01:07:33The grace of being here alive.
01:07:35Get out of here!
01:07:37Dogs, stop!
01:07:38Aaah!
01:07:41Aaah!
01:07:43Aaah!
01:07:43Dogs, stop!
01:07:45Aaah!
01:07:47Aaah!
01:07:50Ah, horses!
01:07:52Come to you!
01:07:54Aaah!
01:07:56Aaah!
01:07:57Aaah!
01:07:58Who do you want?!
01:08:01Aaah!
01:08:03Aaah!
01:08:06He came to ask for a job.
01:08:08Work? Here?
01:08:11I had been told there was a vacancy for an executioner.
01:08:15Haven't you been here before?
01:08:18I?
01:08:21My life, God forbid.
01:08:23We Spaniards, who all look very similar.
01:08:27Voicencia is Spanish.
01:08:32Experience?
01:08:33As an executioner?
01:08:36Yes, yes, yes, yes.
01:08:39Not professionally, no, but even so, I have killed my own.
01:08:43I'm quite good with him.
01:08:45Come here.
01:08:50Your uniform.
01:08:53You start tonight.
01:08:58Tonight?
01:08:59We have to kill a...
01:09:00No, no, no.
01:09:02Please, I won't give you any more details.
01:09:03No, it's not necessary.
01:09:05What is this?
01:09:08Well, see you tonight.
01:09:12Well, money.
01:09:14Well, money.
01:09:21The rest when you finish the work.
01:09:23And be punctual.
01:09:25Now get out of my sight.
01:09:54We meet again.
01:10:04Where is the girl?
01:10:07I don't think you're interested in killing me.
01:10:10I'm the only one who can tell you where the medallion is.
01:10:13Right now, I'm only worried about the girl.
01:10:15What have you done with it?
01:10:16Where is?
01:10:19Slowly dying out.
01:10:27I'm going.
01:10:29No.
01:10:37I have to moon.
01:10:41I have to go.
01:10:50No.
01:10:52Thank you very much, Satur.
01:11:03Satur, I don't know, now that you're the village champion, could you teach the donkey how to ride?
01:11:10A strip for home.
01:11:11Before that, let's go see the people of the village, because the next prisoners will be executed by the new executioner.
01:11:22night in the square.
01:11:24Lucas Almerón Escudero, Antonio Zumaya Esquibias, Cristóbal Cascajares Parejo, Andrés Avalor Rincón, Manuel Ugalde Tamayo,
01:11:39Leonor Tarnia Oqueno, Trinidad Jiménez Morillas.
01:11:50And who would choose a job like that, Sánchez?
01:11:53I don't know, someone... someone who really needs it.
01:11:58I'd rather starve to death than be a murderer.
01:12:14I don't know, maybe someone who really needs it.
01:12:47I don't know, maybe someone who really needs it.
01:13:08No, no, no.
01:13:53What did you eat?
01:14:07No, no, no.
01:14:39What did you eat?
01:15:04No, no, no.
01:15:46This is like chopping wood.
01:15:48A sharp, sharp blow, all the way down.
01:15:54The worst thing is to doubt.
01:15:56Then don't break the tendons.
01:16:03Yes sir.
01:16:04Well, pull your hood up.
01:16:06Go.
01:16:09Where are you going?
01:16:12The hat that is already unique and with my eyes that I cannot see.
01:16:16Go on, go on, throw it.
01:16:17Pull up, climb.
01:16:18Spirrhus.
01:16:19Piety!
01:16:20Piety!
01:16:22Piety!
01:16:25Piety!
01:16:26Put it on, platinum!
01:16:31Put it on, platinum!
01:16:40It's all yours, please, please.
01:16:45I am innocent!
01:16:47Please, I am innocent.
01:16:55No, my good man, I do this for my family.
01:17:51No, my good man, I do it for my family.
01:17:51No, my good man.
01:18:43No, my good man, I do it for my family.
01:18:51Catalina, may I dismiss you, Catalina?
01:18:53No, ma'am.
01:18:54No, my good man, I do it for my family.
01:19:16The commissioner, I don't know what would have become of me.
01:19:20That wretch will pay for what he has done.
01:19:23You have nothing to worry about, Your Eminence.
01:19:26The goldsmith is already dead.
01:19:28It should have happened much sooner.
01:19:32My child, where is the object you took from my desk?
01:19:42I don't know, man.
01:19:44You have to remember, it's very important.
01:19:47Don't know.
01:19:50I was wearing it when I was kidnapped.
01:19:53I must have lost it there.
01:19:55You've lost it.
01:19:58Well, the important thing now is that Irene is okay, not eminence.
01:20:05Yes, indeed.
01:20:09The important thing is that he's okay.
01:20:11I'm going to the garden to get some fresh air, man.
01:20:16I'll go with you.
01:20:25I'm going to the garden to get some fresh air, man.
01:21:00You would have done it if he hadn't shown up.
01:21:06How many times have you killed for your family?
01:21:10I'm desperate, I love you, I don't even know what to do.
01:21:14I don't want the only family I have to starve to death, do you understand?
01:21:17Saturn, don't say that.
01:21:19I'm sorry I didn't give you all the attention you needed.
01:21:22Already.
01:21:26The kid leaves everything lying around.
01:21:31He won't say he doesn't have paper to do his homework, will he?
01:21:36I just want you to know that I haven't forgotten you.
01:21:43I love you, Juan.
01:21:48The letter looks like Miss Margarita.
01:21:50Saturn, keep reading, that's private.
01:21:52Will they be able to erase it?
01:21:53Throw it in the fire, go on.
01:21:54Come on, you know I'm naturally curious and...
01:21:56And when my curiosity gets the better of me, I just can't stop.
01:22:05I love you, Hugo.
01:22:08I love you, Gonzalo.
01:22:11It says here, I love you, Gonzalo.
01:22:14It says it clearly, look at it.
01:22:17What the heart feels, my love, cannot be controlled by the head.
01:22:25Hello good.
01:22:26Hello good.
01:22:28Well, men are something else, aren't they?
01:22:31What a time to come here.
01:22:37Good night.
01:22:38Good night.
01:22:39Good night.
01:22:45But what?
01:22:47Should I throw it away or not?
01:22:51Let's see.
01:22:58With your permission, I'll go to the mattress.
01:23:00Today, between collecting cow dung, riding a donkey, and almost slicing off necks...
01:23:05I owe myself the night.
01:23:09Bye bye.
01:23:11Rest in peace, Sato.
01:23:28I will not give in to blackmail.
01:23:31The Third Infantry Company.
01:23:32That's Juan's company.
01:23:34It has fallen into the hands of the Portuguese.
01:23:35I want the hand of his niece Irene.
01:23:37You shouldn't drink so early.
01:23:40Your Majesty, please do not let your men die.
01:23:42Who dares tell the king what to do?
01:23:46She's jealous.
01:23:47To be jealous, I would have to love you.
01:23:53Martin, what have we done?
01:23:54Tell me it didn't happen.
01:23:56They have attacked the shipment containing the ransom for the soldiers of Portugal.
01:23:59He has been a red eagle.
01:24:01I want his head.
01:24:04Come on!
01:24:05Come on!
01:24:06How are we going to cover this up?
01:24:08You're a frog!
01:24:16What have you done to yourself, Sato?
01:24:18What have you done to yourself?
01:24:27May they have him in their glory.
01:24:31What have you done to yourself?
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