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00:00:28The Inquisitor General
00:00:42The Inquisitor General
00:01:26The Inquisitor General
00:01:41The Inquisitor General
00:01:55The Inquisitor General
00:02:32The Inquisitor General
00:02:36I want to know the origin of this medallion
00:02:37Who manufactured it and where can I find it?
00:02:48Who manufactured it and where can I find it?
00:03:19Well, that's all the bookseller has found about the asylum.
00:03:28Have you figured it out, love?
00:03:33Little by little, Sato
00:03:35Little by little
00:03:39And what do you think the goldsmith will tell you?
00:03:42If he's still alive
00:03:45If he's still alive
00:03:47I'll be able to find out who ordered this medallion.
00:03:49And perhaps that way I'll reach where my father is.
00:03:54He doesn't even know who he is.
00:03:57No
00:03:58But if I manage to find him
00:04:00Perhaps you can tell me where my sister is.
00:04:04I am in the mood to defend, I love
00:04:06But I understand the miracle of the Holy Trinity better than that of your family.
00:04:16I will find out who I am, Sato
00:04:17I assure you
00:04:22So where do we begin?
00:04:24We'll go to the asylum to see what the goldsmith has to say.
00:04:26We are here
00:04:28So this is the easiest way.
00:04:30We will cross the forest
00:04:47No, although not that way.
00:04:49No no
00:04:50It's the shortest way
00:04:51And the most dangerous
00:04:53That forest is cursed.
00:04:55Everyone knows that whoever enters doesn't leave.
00:04:58Sato, please
00:04:59Don't tell me you believe in those legends
00:05:01Nothing legendary about it
00:05:03No one is known to have entered and left it
00:05:06To no one
00:05:07Mariela's cousin, the greengrocer
00:05:10He got lost along the way, he went into the forest
00:05:12And they're still waiting for her
00:05:13They've been at it for six years.
00:05:15Six
00:05:17Already
00:05:17Tonight we're going to the asylum
00:05:20And we will cross that forest
00:05:28But I love
00:05:30I love
00:05:45I love
00:06:03Thank you so much for bringing me, Lucrecia.
00:06:05Really
00:06:05I am very grateful
00:06:08Two and a half hours of mass
00:06:10To see a statuette
00:06:12It's not a statuette
00:06:13It is the Virgin of the Immaculate Conception
00:06:16Your uncle can't know that he's left the palace.
00:06:19I know
00:06:20But it will be a secret between the two of us.
00:06:23It's gotten late
00:06:25We should go back
00:06:32To me, the guard!
00:06:37To me, the guard!
00:06:49To me, the guard!
00:06:51What is that, man?
00:06:52Silence
00:07:14Silence
00:07:14You're going to make it easy for me.
00:07:18Please
00:07:19Right?
00:07:21Please
00:07:37Peaceful
00:07:41Let her go
00:07:46I told you to let her go
00:07:47If you come any closer, I'll run her over.
00:07:49You just don't have the guts.
00:08:03To me, the guard!
00:08:28Father
00:08:32Father
00:08:33How do you spell jewelry?
00:08:36With H
00:08:36And between L and A
00:08:41Wait, wait
00:08:42I'll be right there.
00:08:44Very good
00:08:48As soon as the child goes to bed
00:08:50We're going to the mental hospital
00:08:52And give it to the lathe, parrot.
00:08:56Good evening, Gonzalo
00:08:58Come see Margarita
00:08:59He's home
00:09:00It hasn't arrived
00:09:01But if you want
00:09:02As soon as I arrive
00:09:02I'm telling him to go see her at the pharmacy.
00:09:04It's best to wait for her there.
00:09:05That here
00:09:06Don't you think so?
00:09:10Juana
00:09:11Sit down and wait for her with us
00:09:13What if you want to stay for dinner?
00:09:15Thank you
00:09:16Wait, father
00:09:17No
00:09:17There is not enough food
00:09:20Young guy
00:09:20Does this man really think we're poor?
00:09:26Alonso
00:09:28Did your aunt tell you that we want it to be you?
00:09:30Who will carry the rings at our wedding?
00:09:33No
00:09:36So, what do you think of the idea?
00:09:38I'm not going to that wedding
00:09:39Alonso
00:09:40Apologize to him/her
00:09:42No, why?
00:09:44I don't want them to get married
00:09:46Neither I, nor you, nor anyone else
00:09:49Alonso
00:09:49Go back to your room
00:09:52Now
00:10:00I'm sorry
00:10:00I'm telling you, if the kid doesn't want to go
00:10:02I can go and bring the wedding coins to her.
00:10:05And don't be fooled by fatherhood.
00:10:07May it also bring you its good things.
00:10:09Especially when you're there
00:10:20What do you think?
00:10:25Oh, good heavens!
00:10:27You look beautiful
00:10:29But beautiful, beautiful, beautiful
00:10:31Girl, if they put you under a canopy
00:10:32They can take you out in procession
00:10:33Do you really like it?
00:10:35But you saw it
00:10:36You've seen the brocade fabric I've made
00:10:38What a rich thread
00:10:39My God
00:10:40This is what illuminates the church
00:10:42Precious
00:10:43Yes, well I would like that
00:10:45Cut off his sleeve a little
00:10:46And take away a little of the feather
00:10:48And that's because I don't like this.
00:10:51Woman, well, since you're at it
00:10:52I took off his sleeve
00:10:53Yes, I would like it like this.
00:10:55But simpler
00:10:56Further...
00:10:57Without so much embellishment
00:10:58Like your sister's
00:10:59Like your sister's
00:11:00What a wonderful dress!
00:11:02It was so simple
00:11:03Two little things she put on
00:11:04And she's going to be gorgeous
00:11:06My great-grandmother made that dress.
00:11:08For my grandmother
00:11:09Where they got married
00:11:10All the women in my house
00:11:12My grandmother, my mother
00:11:16And then my sister
00:11:21Hey, why don't you wear that one?
00:11:24Put on that one, it's perfect for what you want.
00:11:25Besides, this is a mess to fix.
00:11:26No no
00:11:27Yes, woman
00:11:28Ask Gonzalo for it
00:11:30No, I can't ask him.
00:11:32Because?
00:11:35Because we're doing very well now, Catalina
00:11:37Look, asking him would be like...
00:11:39How to open the wound
00:11:40No, woman, because you dance and you say...
00:11:41To Catalina, who did not
00:11:45I was going to marry him in that dress.
00:11:48And now, who will you marry me to? Juan?
00:12:26Subscribe to the channel!
00:12:32Father has not punished himself for playing with and bothering the chickens
00:12:39It's my mother's diary
00:12:48We're taking the wrong path to get to the asylum, master
00:12:51We are making a mistake
00:12:53All roads lead to Rome
00:12:54Yeah, damn it, but we always take the cobbled one
00:12:58Sátur, there's only one way to get to the asylum
00:13:00And it is by crossing this forest
00:13:02That's nothing.
00:13:04Via Piedralaves, half a day's journey from Ávila, towards Salamanca
00:13:07Without deviating from the west
00:13:09And as far as Navazuenja
00:13:10And in six days we'll be in the asylum
00:13:13Satur, we don't have six days
00:13:16What if we don't succeed?
00:13:18The fact that?
00:13:19To get out of here alive
00:13:21We will achieve it
00:13:23I am happy today
00:13:46Gonzalo has asked Margarita to be his wife someday.
00:13:51Father doesn't know yet.
00:13:52And they've asked me not to say anything.
00:13:56They look so happy
00:14:00Sometimes I wonder if I'll ever have a boyfriend like Gonzalo
00:14:11My father and my aunt?
00:14:15Were they going to get married?
00:14:31Come on, listen
00:14:32That?
00:14:34Can't I hear anything?
00:14:35Well, that's it
00:14:38You can't hear a thing.
00:14:41Neither the wind, nor the animals
00:14:44Not even God should ask here.
00:14:50Since when have you heard such silence in a forest?
00:15:02Since when have you heard such silence in a forest?
00:15:25Come on, come on!
00:15:32I don't care what you tell me, Ciprin
00:15:34I don't care.
00:15:36You have to eat this before going to bed.
00:15:39We are?
00:15:40Don't worry, Martín will take care of the firewood.
00:15:42But nothing fits me, Catalina
00:15:43Well, as if it entered you
00:15:45Do you think you can go all day without eating?
00:15:46Man, for God's sake
00:15:47As if that wasn't enough, on top of the pain you already have
00:15:49You would also get sick
00:15:50Come on, I don't want to see a single drop in that dish
00:15:52Not a drop
00:15:53Catalina?
00:15:54Tell me
00:15:56Peter?
00:15:58The lad
00:15:59But if it's you
00:16:01But, well, you're a grown man!
00:16:04How are the people at your house and your mother?
00:16:06All good
00:16:07Well, you know
00:16:08Well, yes, I know.
00:16:10Drown it there, take the taxes
00:16:12Let's hope this year's harvest goes well and we get out of this hole
00:16:15Hopefully
00:16:16We have less and less to put in our mouths.
00:16:17Already
00:16:19Well, don't think this is paradise either.
00:16:21But we're getting by.
00:16:21Have you had dinner?
00:16:22No
00:16:23Come on, then I'll treat you to a bowl of soup
00:16:25Cipri
00:16:26Do you remember my cousin?
00:16:27Maria
00:16:29Well, this is his son
00:16:30Peter
00:16:31Where do I leave this?
00:16:32Look
00:16:33What's wrong, Martin?
00:16:34Won't you save the family?
00:16:35Oh well
00:16:37What are you doing here?
00:16:40Nothing, I've come for a couple of days to do some work
00:16:42As soon as I get paid, I'm going back to town.
00:16:44The villa is not for me
00:16:46Come on
00:16:46Dinner for everyone
00:16:50Tor!
00:16:51Tor!
00:16:58What happened?
00:16:59I went out to hunt for food and I found it
00:17:05Will he survive?
00:17:07Don't know
00:17:07It seems he has suffered a lot
00:17:09It has animal bites
00:17:11Courteous
00:17:13And sutures
00:17:14She has sutures all over her body
00:17:17He is a patient at the mental asylum
00:17:20How do you know?
00:17:21This is a strength test
00:17:23The sleeves are long enough to tie at the back.
00:17:32The same thing could have happened to us.
00:17:33This was in the forest
00:17:34Everything has to have an explanation.
00:17:37Sure
00:17:40Juan
00:17:40Juan
00:17:41Juan
00:17:45What happened?
00:17:46Measure me
00:17:47Why was it the mouth?
00:17:48Don't close it
00:17:49Don't close it
00:17:50Don't close it
00:18:08Do you need help?
00:18:08No, thank you Gonzalo
00:18:10Thank you
00:18:16Let's go all out
00:18:26No, no, no, no, no, no
00:18:29No
00:18:46Thank you very much, Lucrecia. I don't feel like it.
00:18:49Irene, it's for your own good. It will calm you down.
00:18:58Will you stay here today? Please stay with me, don't leave me alone.
00:19:05You're safe here.
00:19:08Don't let her go, please, stay with me.
00:19:15Eminence.
00:19:15Maria, we were about to say goodnight to her.
00:19:24Is everything all right?
00:19:26Yeah.
00:19:28I'm talking to Irene.
00:19:38I would like to be alone with her.
00:19:47Eminence.
00:19:48Good evening, Irene.
00:20:11What's wrong? Why are you crying?
00:20:20What's that?
00:20:22And your medal?
00:20:33Irene, you are the most precious thing I have in this life.
00:20:38What's the matter?
00:20:42A man attacked us and stole your medal.
00:20:48Sutures in lower and upper muscles.
00:20:57Bone malformation, brain mass reduction.
00:21:06Because?
00:21:09Because?
00:21:10So that?
00:21:13Go to the mental hospital tomorrow.
00:21:25Juan?
00:21:29Hello, Catalina.
00:21:30Hello.
00:21:32Can you do me a favor?
00:21:33Yes of course.
00:21:34Okay, tell Margarita that I'll be out all day tomorrow.
00:21:37I have to pay a routine visit to some farmer.
00:21:40Don't worry, I'll tell him.
00:21:41Thank you.
00:21:42Good night.
00:21:42Good night.
00:21:44Good night.
00:22:20Good night.
00:23:01Okay, and what about yesterday with Gonzalo? Did I kiss you or not?
00:23:04Shh! Be quiet!
00:23:06Father's in the woodshed. If he hears you, you'll see.
00:23:11Yes or no?
00:23:16Ah! You'll find out!
00:23:29Look at you, that's how you're doing. Look at the state you've gotten yourselves in.
00:23:35And this dress? Let's see.
00:23:37Look, for when you marry Gonzalo.
00:23:41It's the wedding dress that all the women in my family have worn.
00:23:44And then it will be yours, for when you get married.
00:23:47You're going to be the most beautiful bride she's ever walked down the aisle with.
00:23:51It's beautiful.
00:23:52You're going to be the most beautiful bridesmaid.
00:24:12It's the dress my mother wore at her wedding.
00:24:17But it was going to be yours.
00:24:22You were the one who was going to marry my father.
00:24:25But who told you that?
00:24:27Come on, I came here.
00:24:32Your father and I were just friends.
00:24:35No.
00:24:37That's not true.
00:24:39You are dating.
00:24:42You were dating before he married my mother.
00:24:46I know everything.
00:24:48And I'm fed up with you never telling me the truth.
00:25:03Yeah.
00:25:04Your father and I were boyfriend and girlfriend.
00:25:09Do you love Juan?
00:25:12Of course I love him.
00:25:14A lot.
00:25:16I'm going to marry him.
00:25:19But you loved my father as much as you did.
00:25:25Swear to me that you don't love him like you used to.
00:25:30Go on, get to school or you'll be late.
00:25:33You know your father gets angry.
00:25:35Come on.
00:25:46We're going back to that forest this afternoon.
00:25:48That?
00:25:50But you saw the wounds that man had.
00:25:53Not even Juan could find a logical explanation.
00:25:57It could have been a wild animal.
00:25:58Is no beast capable of doing that?
00:26:00Are you going to tell me?
00:26:03That forest is cursed, master.
00:26:04Everyone knows it.
00:26:06Sit down.
00:26:07What a boss!
00:26:08Take!
00:26:12Satur!
00:26:14Please stay.
00:26:17Boys, don't open your notebooks.
00:26:19Today we're going to talk about fear.
00:26:23Where does fear come from?
00:26:27I'm sure you all know legends with magical events,
00:26:30strange creatures,
00:26:31dragons.
00:26:33Does anyone believe in dragons?
00:26:35That?
00:26:36That?
00:26:36That?
00:26:37That?
00:26:37That?
00:26:38That?
00:26:39That?
00:26:39That?
00:26:39That?
00:26:40Very good.
00:26:42Has anyone seen one?
00:26:50Satur?
00:26:57Therefore, the most logical conclusion would be that if no one has seen any,
00:27:02It's because they don't exist.
00:27:06I'm sorry, love, but no...
00:27:07I'm sorry, and with all due respect, but I disagree with you.
00:27:13My friend Palomo, the miller, once saw one, a dragon that was asleep in the forest there
00:27:18side of my town.
00:27:20It was a summer with a lot of fires, huh?
00:27:23It went well, when did the mayor go with the guards?
00:27:28They found dragon footprints there that were more than two meters long.
00:27:36Maybe he only saw what he wanted to see.
00:27:38Or he got confused.
00:27:41Or simply...
00:27:43He lied to you.
00:27:44Come on, this one.
00:27:46Why would my friend Palomo lie to me?
00:27:48To share their fear.
00:27:56The thing is...
00:27:58that there are things, events, as you call them,
00:28:01that people, humans, well...
00:28:04Well, we can't explain.
00:28:05And why?
00:28:07Because they have no explanation.
00:28:10Clear.
00:28:11That's how it is.
00:28:12Thousands, millions of people know it.
00:28:15No, be careful.
00:28:16Or maybe we've all gone mad
00:28:18And the only one who's okay is you.
00:28:29The thing is, it's always easier to look for a fantastical explanation.
00:28:32to have the courage to face reality.
00:28:36Hence the success of the legends.
00:28:39In fact, many of those legends are designed to scare you.
00:28:43So that you don't go through a forest or swim in a lake...
00:28:46fear paralyzes
00:28:48And someone is taking advantage of it.
00:28:50And I don't want you to be afraid.
00:28:53The teacher is right.
00:28:55My mother isn't going to do her laundry under the bridge
00:28:57because they say a ghost appears.
00:29:00There you have it.
00:29:01Don't let anyone frighten you.
00:29:03And if you want to take a path,
00:29:04Don't let others decide for you.
00:29:07Well, I'm not afraid of anything.
00:29:09Yes, we will not be afraid.
00:29:11We're not going to be afraid of that, no.
00:29:14Very good.
00:29:17Everything, absolutely everything,
00:29:20It has a logical explanation.
00:29:47But when?
00:29:48Who went?
00:29:49If the marchioness always carries against you.
00:29:51Yes, but not yesterday.
00:29:53They still don't know who it was, but...
00:29:56Come on, he almost...
00:29:58You already understand me.
00:30:01Touch it, Irene.
00:30:07Son of a bitch.
00:30:08Even if his hands fall off.
00:30:10Hey, don't you do anything, okay?
00:30:11I know you.
00:30:12What am I going to do, aunt?
00:30:13If you won't even let me see her.
00:30:24Hello, Cipri.
00:30:25I have a question.
00:30:27Can you help me?
00:30:28Yes of course.
00:30:31Yes of course.
00:30:32Go ahead, ask me.
00:30:34Okay, what I want to know is...
00:31:09You...
00:31:10I have a love again.
00:31:12Can you love her again?
00:31:17Whom?
00:31:20Is it possible to love your first love again?
00:31:26Yeah.
00:31:30Yes of course.
00:31:33First love is never forgotten.
00:31:36It is never forgotten.
00:31:39It's like...
00:31:43Like you have a fireplace here.
00:31:45For life.
00:31:49Thank you very much, Cipri.
00:31:56I can stop that wedding.
00:31:59My aunt is not going to marry Juan.
00:32:02But with my father.
00:32:03As?
00:32:05What are you saying?
00:32:06Look and follow me.
00:32:12Record everything.
00:32:14I want him alive.
00:32:17I am looking for whoever dared to attack the Marchioness of Santillana
00:32:19and to Cardinal Mendoza's niece.
00:32:23If anyone has seen anything, please speak up.
00:32:30You haven't spoken to me all day.
00:32:33What's the matter?
00:32:35Well, he's made me look ridiculous in front of my son.
00:32:39No, I mean, you.
00:32:39I didn't mean to embarrass you.
00:32:40Well, he did it.
00:32:43Miriam,
00:32:44Maybe you're a disbeliever who's seen it all,
00:32:46But I believe what people say.
00:32:48Because I'm just an ordinary person too.
00:32:50For better or for worse,
00:32:51I have faith in things.
00:32:54And with the years I've lived,
00:32:56Having faith has helped me a lot.
00:32:58I just wanted to chase away the children's fear.
00:32:59I don't need you or anyone else to explain any legends to me.
00:33:02nor any miracle,
00:33:03nor anything that doesn't follow logic, according to you.
00:33:06Because it might be true.
00:33:08And maybe I'm ignorant, yes.
00:33:10But I believe in the miracle of the loaves and fishes.
00:33:14And in the waters, opening the way for the Jews.
00:33:17And in God.
00:33:18Of course.
00:33:19Of course I believe in him.
00:33:21Otherwise, why would I be here?
00:33:23With the miserable life I've had.
00:33:25Shut up.
00:33:25Callus.
00:33:27Because hearing the truth hurts, doesn't it?
00:33:28That's why I'm silent.
00:33:31Come on.
00:33:34What's happening?
00:34:00Help me!
00:34:01Help me!
00:34:01I'm walking!
00:34:02I'm walking!
00:34:04Whipping!
00:34:05Aid!
00:34:06Oh!
00:34:07I'm walking!
00:34:29It is unacceptable.
00:34:33You have endangered my niece's life.
00:34:35You have disobeyed my orders.
00:34:37For what reason?
00:34:41I strictly forbade him from leaving this palace.
00:34:46It will not happen again.
00:34:49You have my word, Your Eminence.
00:34:52I hope so.
00:34:55Is your late husband's brother still interested in Nuño's education?
00:35:02Another mistake, Marchioness.
00:35:06And believe me, I will not be the one to prevent Nuño from joining the Franciscans.
00:35:15He could be a magnificent priest.
00:35:23Were you looking for me, Your Eminence?
00:35:28Bring me the living head of the bastard who dared to touch my niece.
00:35:33I'll bring it to you.
00:35:40Thank you.
00:35:43I trust you completely.
00:35:46Eminence.
00:35:52Help me, Hernán.
00:35:57Don't fail, please.
00:35:58Don't fail, please.
00:36:44How are you feeling, doctor?
00:36:46Where am I?
00:36:48On one of the punishment nets in the asylum.
00:36:51Who are you?
00:36:53Let me go!
00:36:55His notes are very interesting.
00:36:58Do you need to know why?
00:36:59Are you going to remove a small piece of brain?
00:37:08Don't look at me like that.
00:37:10They are not human.
00:37:13They are sick.
00:37:16What is a fact?
00:37:19My research will revolutionize medical science.
00:37:27Teno!
00:37:28Get me out of here immediately!
00:37:31Impossible, doctor.
00:37:34Now I finally have a clear mind at my disposal.
00:37:40I'm going to include myself in my next experiment.
00:37:44You are perfect.
00:37:47A gift from heaven.
00:37:49A gift from heaven.
00:37:50They'll come looking for me soon.
00:37:53They'll never find him, doctor.
00:37:56You're crazy.
00:37:58Crazy!
00:37:59Let me go!
00:38:00Try to rest.
00:38:03I will take care of you tomorrow night.
00:38:07No, don't go.
00:38:10Don't leave!
00:38:11Let me go!
00:38:14Let me go!
00:38:14I'm not letting go!
00:38:16Let me go!
00:38:31As?
00:38:35How is he alive?
00:38:45In what we have achieved
00:38:48We are locked in.
00:38:51A cage like animals.
00:38:58Because this is a cage, isn't it?
00:39:02Or is this just my ignorant imagination?
00:39:06What is the logical explanation for two men locked in a cage in the middle of the forest?
00:39:09Because I can't think of any.
00:39:12And logic, yes, a few, but not one of them is true logic.
00:39:15Okay, I'll take it out.
00:39:16Don't worry.
00:39:21We are going to die at the hands of who knows who.
00:39:24Locked up like animals.
00:39:25And without weapons.
00:39:27What a great idea!
00:39:29Go into the forest.
00:39:31The mother who gave birth to me.
00:39:42Louder, Catalina.
00:39:44Miss, I can't be any louder.
00:39:45I'm going to peel his skin off in strips.
00:39:47Do what she tells you, Catalina.
00:39:49Stronger.
00:39:51Irene, cílo.
00:39:53Enjoy your bath.
00:39:56Catalina and I will go and prepare some chamomile tea for you.
00:40:00Relax.
00:40:04We'll lock the door, so you can feel more at ease.
00:40:07Don't worry, nothing can happen to you here.
00:40:09Thank you, Lucrecia.
00:40:25You scared me half to death.
00:40:28Are you OK?
00:40:33And that wound?
00:40:35That?
00:40:38They snatched my gold medal away when they attacked us.
00:40:41It was a gift from my uncle.
00:40:45Does it hurt a lot?
00:40:48It's not the neck wound that hurts, Martin.
00:40:53I thought I would never come to hate anyone.
00:40:58But I hate him.
00:41:00I hate him.
00:41:01And I want him to be caught for what he's done to me.
00:41:03And let him pay.
00:41:10Leave me alone, please.
00:41:27It would have been so much easier to go through Salamanca.
00:41:30That's six days in a man's life.
00:41:33But not.
00:41:34We're going to die trying to save time.
00:41:36I told you.
00:41:37I warned you.
00:41:40Satur.
00:41:41Whatever they've closed us down will come back.
00:41:43So get up and give me a hand.
00:41:44And do you know what hurts me the most?
00:41:46That he didn't take me into account.
00:41:48That he took me for an ignorant person.
00:41:52Satur, here.
00:41:53Here.
00:41:54This forest is full of demons.
00:41:57We're not going to find them all.
00:42:01Satur.
00:42:19Water.
00:42:20I'm not thirsty.
00:42:21It's also very dirty.
00:42:24Look at the water.
00:42:34What's moving?
00:42:37Did you hear that, Emo?
00:42:40What will it be?
00:42:45Satur!
00:42:47It was for us!
00:42:51Satur!
00:42:52Satur, calm down!
00:42:54Satur!
00:42:55One!
00:42:57Help me, Emo!
00:42:58Two!
00:43:02Come on, come on, come on!
00:43:03Salt!
00:43:05Satur, run!
00:43:08Run, Sato!
00:43:13Up we go!
00:43:14Stand up!
00:43:15Up with San Dicho!
00:43:17Go away!
00:43:20Alucrecia.
00:43:21Above!
00:43:24Up with San Dicho!
00:43:39Said, kid!
00:43:44Above!
00:44:01It's none of them
00:44:02Are you sure?
00:44:04He had a scar on his arm
00:44:06At wrist height, I remember it perfectly
00:44:16We must prevent your aunt Margarita from getting married.
00:44:19But how?
00:44:21My father will never forget my mother
00:44:25Could only she fix this?
00:44:28Alonso, your mother is dead, she can't do anything.
00:44:32Already
00:44:40Alonso, diary!
00:44:47The letter Margarita received was beautiful.
00:44:50She's so in love
00:44:54I have it
00:44:57Gaby
00:44:59Murillo can imitate all kinds of letters, right?
00:45:01Yeah
00:45:09He's going to govern you
00:45:18I'm sorry, Sato
00:45:20You shouldn't have come
00:45:24And you neither?
00:45:28Oh, look, yes
00:45:30It's good that he came.
00:45:31Let's see if he was able to see it with his own eyes.
00:45:33That in this life there are also inexplicable things, I love
00:45:37Don't come back to me, Sato, whom I love.
00:45:40Don't do that to us.
00:45:41Think about your family
00:45:43How and what are we going to do?
00:45:45To live without you
00:45:47Forget about that damn medallion already
00:45:50Ah!
00:45:52I'm sorry to whoever you are.
00:45:54Hey?
00:45:57He's not very lucky
00:46:00That has a lot
00:46:01What to lose
00:46:03And little to find
00:46:11I didn't call to see
00:46:12What's the matter?
00:46:14What happened to you, Sato?
00:46:18Nothing, just chopping wood
00:46:19That has fallen there
00:46:22Okay, let me see it.
00:46:24Leaves
00:46:25But holy God, Sato
00:46:28The bad thing is that Juan isn't there.
00:46:30So that he sees you
00:46:31I don't know why he hasn't come yet.
00:46:33That must hurt, right?
00:46:35Do you know what would be good for me?
00:46:37That?
00:46:38A strong liqueur
00:46:41Well, I'm going to Cipri's right now.
00:46:44Do you take care of him?
00:46:45Yeah
00:46:45But you go and come right back.
00:46:48Don't get sidetracked along the way
00:46:50And it's not the first time he's done it.
00:46:55Oh, Gonzalo
00:46:57Catalina
00:46:57What a fright that gave me!
00:46:58I came looking for you
00:47:00Tell me
00:47:02I've been thinking about it all day.
00:47:03I have to tell you something
00:47:05I don't know how to tell you.
00:47:06But I have to tell you
00:47:09Do you still keep
00:47:10Cristina's wedding dress?
00:47:14Yeah
00:47:16By?
00:47:18And don't you think that by getting married Margarita
00:47:21She should wear her sister's dress
00:47:23The wedding day?
00:47:25Did she ask you to talk to me?
00:47:27No, for God's sake!
00:47:28She wouldn't have even considered asking you.
00:47:30But who do I think I am?
00:47:31It should have come from you
00:47:36Don't do this to me, Catalina
00:47:39Please
00:47:40Don't ask me this
00:47:45Aid
00:47:47Aid
00:47:49Get me out of here
00:48:17Let it go
00:48:18Let it go
00:48:20Let it go
00:48:47Let it go
00:49:06Let it go
00:49:07Let it go
00:49:07Let it go
00:49:08Let it go
00:49:08Let it go
00:49:08Let it go
00:49:08Let it go
00:49:08Let it go
00:49:08Let it go
00:49:08Let it go
00:49:08Let it go
00:49:10Let it go
00:49:10Let it go
00:49:12Let it go
00:49:16Let it go
00:49:18You already know its effects, drink it
00:49:20When you drink it, your body will relax until you fall asleep.
00:49:23And then the time will come.
00:49:31I'm doing some very interesting experiments with the spinal cord.
00:49:36No no
00:49:39They're going to come looking for me and you're going to end up on the gallows.
00:49:44I don't want to bore you with details
00:49:47You already know what will happen
00:49:50He will lose mobility, from the neck down
00:49:52No no
00:49:55No no
00:49:56No no
00:49:57No no
00:49:58No no
00:50:04No
00:50:07No
00:50:14Cheer up, doctor!
00:50:17In the end, it will do people a great favor.
00:50:40No
00:50:43Amen.
00:51:25This is yours.
00:51:41Good value, no need, really. I already have a dress, it's no big deal.
00:51:48Margarita, this belongs to your family.
00:51:53And you don't mind if I wear it?
00:51:59Cristina, I would be happy if you wore it on your home day.
00:52:07After all, your mother gave it to you first.
00:52:13To marry you.
00:52:20I hope you are as happy as I was with your sister.
00:52:48Love, it's time.
00:52:53Honey, breakfast is ready.
00:53:04What am I going to say? That...
00:53:08The promise he made to me yesterday touched my soul.
00:53:12It is very important to me that you listen to me from time to time.
00:53:15I know I gave in.
00:53:17But I really appreciate you listening to me.
00:53:22I'll take care of that.
00:53:24I'll carry it with me forever.
00:53:26Do I love myself?
00:53:29Do I love myself?
00:53:31Have you fallen asleep again?
00:53:34Love?
00:53:37Love?
00:53:44Why has he gone to the forest?
00:53:46They kill him?
00:53:48Love?
00:54:06Love?
00:54:21Well, give your mother, my sister, and my niece a kiss.
00:54:27And take good care of yourself.
00:54:29Be careful out there.
00:54:31Oh, and take it sixth.
00:54:36Are you saying it's from me?
00:54:38Thank you.
00:54:39Take.
00:54:43But it's fallen.
00:54:44What is this?
00:54:46Nothing, nothing.
00:54:53For Irene, my niece.
00:54:59It was you!
00:55:00Hey! I can take it from you!
00:55:01I can take it from you!
00:55:02I can take it from you!
00:55:04I can take it from you!
00:55:04I can take it from you!
00:55:04For God's sake, always!
00:55:05Take care of yourself!
00:55:06Martin!
00:55:07Shoot it!
00:55:08Fuck, bitch!
00:55:09Tell me, stop!
00:55:10Tell me, stop!
00:55:10Tell me, stop!
00:55:10Tell me, for something!
00:55:11Martin!
00:55:12Ah!
00:55:12No, stop!
00:55:14It's you or me!
00:55:15I'm sorry, Martin.
00:55:17Still!
00:55:18What's going on here?
00:55:22It was him.
00:55:24He attacked Irene.
00:55:28This is up to us now.
00:55:30Take him away from here.
00:55:40You know she's very handy around the house.
00:55:44She even knows how to sing.
00:55:45Okay, I won't bore you any longer.
00:55:48Sending you a big kiss.
00:55:56What's happening?
00:55:57It is not signed here.
00:56:00That Murillo has forgotten.
00:56:01As?
00:56:03All good.
00:56:07Is he saying goodbye to you?
00:56:12Cristina.
00:56:13No.
00:56:16Do you think I'm doing the right thing?
00:56:20Alonso?
00:56:22Is anyone home?
00:56:23As I will feel, my aunt is finished.
00:56:24He's going to tell my father everything.
00:56:26Shut up, Alonso, he's coming!
00:56:34What are you doing here?
00:56:36Uh, we were looking for my wooden sword.
00:56:40The thing is, it's not here either, right, Gaby?
00:56:43Hey?
00:56:43Well, no, no, no.
00:56:44We'd better leave and look for her somewhere else, shall we?
00:56:47Yeah.
00:56:48Stay still.
00:56:52Give me what you have on your back.
00:56:57Alonso, show me your hands.
00:56:59Come on.
00:57:01Come on?
00:57:16Now you, Gaby.
00:57:18Come on, I have it all day.
00:57:28I don't know what you're up to, but I'm sure it's nothing good.
00:57:32Go on.
00:57:32Out on the street.
00:57:35Come on!
00:57:37And don't come back in here without my permission.
00:57:56Come on!
00:58:01Eagle!
00:58:06Eagle!
00:58:13I hope nothing happened to him, for God's sake.
00:58:17It doesn't matter if everything else is alive.
00:58:29Well, all of this has a logical explanation, Saturn.
00:58:33All.
00:58:35This forest, therefore, is completely normal.
00:58:38Their rabbits, their wild boar, their birds.
00:58:42Don't let them hear you, but...
00:58:44But they'll be there.
00:58:48That?
00:59:04The beautiful love of this, who is it?
00:59:09How are you doing here, good sir?
00:59:13Didn't he see my master?
00:59:15A man wearing a hood and...
00:59:17And such a sword, finite.
00:59:20Come.
00:59:22Go.
00:59:25Hang in there, love.
00:59:26Hang in there, I'm coming.
00:59:32I'm coming.
01:00:00Hang in there, I'm coming.
01:00:02Here!
01:00:17Goes!
01:00:18Hold on, water, water, water, water, water.
01:00:58I want to see his face.
01:01:03You're bringing it to me in a terrible state.
01:01:06No more than necessary, Your Eminence.
01:01:09Who ordered you to attack my niece?
01:02:00Who ordered you to attack my niece?
01:02:12Have you come to kill me?
01:02:20Yes, I did it.
01:02:23Who paid you?
01:02:25Answer!
01:02:28I'm afraid he won't be able to.
01:02:34I cut out the lyrics.
01:02:36I told you that another hierarch is alive.
01:02:39Alive means whole.
01:02:40How am I supposed to know now if someone is behind this?
01:02:43He's a common thief.
01:02:44He also robbed the marchioness.
01:02:46It was a coincidence that...
01:02:47I don't believe in coincidences, commissioner.
01:02:51Take it away.
01:02:53Taken from here.
01:02:58Commissar.
01:03:04Good job.
01:03:10I'm sorry.
01:03:11Without the other party, there's nothing to be done.
01:03:13It cannot be opened.
01:03:15Is there another part?
01:03:16There are two equal parts.
01:03:18When they come together there is a mechanism
01:03:20which allows the medallion to be opened.
01:03:23And do you know who has the other part?
01:03:27Please, who commissioned you to make this medallion?
01:03:29And what is he hiding?
01:03:31They send you, right?
01:03:33They?
01:03:34Who are they?
01:03:36Those who put me here.
01:03:38Now they want to kill me.
01:03:41No.
01:03:43I don't work for anyone.
01:03:50You can trust me.
01:03:55Everything you're looking for is here.
01:03:58See for yourself.
01:04:04Wait, I'll bring the door closer.
01:04:09No.
01:04:30I just can't...
01:04:33Where is my master?
01:04:36There's still a long way to go; we've been walking for hours with those legs that make you take a stride.
01:04:43And you cross half the forest, but what about me? What about me? Where are you going? What are you doing?
01:04:58Where are you taking me? Help!
01:05:30Where are you going?
01:05:58Where are you going?
01:06:28Are you still conscious?
01:06:31I'm surprised by so much resistance; most people should say so sooner.
01:06:52Good?
01:06:55If you don't want to fall asleep, we'll have to do it while you're awake.
01:07:01But I warn you, it's not going to be pleasant.
01:07:14Thank goodness he let me go.
01:07:17I was part of the tamed one.
01:07:21Where will you have my master?
01:07:33Where is my master?
01:07:35What have you done to him?
01:07:38Where is?
01:07:39Have they killed him?
01:07:41I haven't caught your master.
01:07:43What have you done to him?
01:07:45What have you done to him?
01:08:12So?
01:08:12What have you done to deserve threatening Miss Irene like that with a knife?
01:08:16Catalina, when you're hungry, your head doesn't think.
01:08:20You'll see the hardships that boy must have had to endure.
01:08:22That man from his house has never seen anything like this; in my family we have been poor, but very honest.
01:08:28Go on, let me continue.
01:08:30No, leave me alone, leave me alone.
01:08:30It's good for me to have my mind occupied.
01:08:32Besides, that's it.
01:08:34Let's see.
01:08:40See?
01:08:42Yes, this one.
01:08:43Yes, look at the way it falls, how fine it is.
01:08:47Precious.
01:08:47Well, to be honest, we have to admit that Gonzalo really stepped up this time, huh?
01:08:51Not just anyone can do that.
01:08:52Yeah.
01:08:54It was a lovely gesture.
01:09:00Juan should have returned by now, shouldn't he?
01:09:04Woman, she must have been entertained.
01:09:06If he were to help everyone like him,
01:09:08But come on, the wedding is two months away and you have him to yourself every day.
01:09:11that's going to jump out at you.
01:09:13And why do you say that?
01:09:15But girl, have you seen yourself?
01:09:16No, you're overflowing.
01:09:18If you see Juan wearing that nightgown, you won't last two minutes on it.
01:09:22Wow, it's pretty obvious you need to vent, huh?
01:09:24Okay, fine, your husband needs to come properly, because otherwise...
01:09:28Well yes.
01:09:29Okay, okay.
01:09:34Go on, look.
01:09:44Does this mean you've already forgiven me?
01:09:48And will you be carrying the wedding rings on my wedding day?
01:09:51Well, if you want.
01:09:58I don't think it's necessary.
01:10:03Well, it seems he's starting to go along with it.
01:10:06Little by little, but it's coming in.
01:10:29What is this, is this your house?
01:10:31What is this, is this your house?
01:10:43The truth is, I'm not very hungry.
01:10:55How did you do that to yourself?
01:10:57Does it hurt?
01:10:58In the asylum?
01:11:00Were you in the mental hospital?
01:11:02Clear.
01:11:03You might be moaning.
01:11:04Ah!
01:11:05Eat!
01:11:11It smells good.
01:11:20Is it good?
01:11:22I like women.
01:11:25And as for me, the thing is, I've been feeling a bit off lately, because...
01:11:30Why would I explain this to a giant?
01:11:35And how do you manage to...
01:11:38When are you going to kill them, I mean?
01:11:40Well, if everything is proportional, it won't be easy.
01:11:44It's really good, isn't it?
01:11:45Very good.
01:11:47What's this, deer?
01:11:49No.
01:11:51This is Kabbalah.
01:11:52Women!
01:12:00His, his, his, his!
01:12:18We got it.
01:12:22It's all over now.
01:12:26Don't kill him, please.
01:12:28Don't kill him.
01:12:31Justice will take care of that.
01:12:34They will probably carry it out, yes.
01:12:42I will never let them hurt you again.
01:12:47Never.
01:12:50I'll be here.
01:12:52That?
01:12:58A grateful hug, I suppose.
01:13:08Marchioness, rest.
01:13:11It seems things are progressing between you and Irene.
01:13:14Slow but steady wins the race.
01:13:16Just as we had anticipated.
01:13:18In the end, your performance as a hero impressed her.
01:13:21Also to the cardinal.
01:13:23I hope that makes him forget about Nuño.
01:13:25I can't afford to make a single mistake more.
01:13:28Weren't you to blame?
01:13:30I heard that you cut out the tongue of the man who attacked us.
01:13:38He deserved it.
01:13:39Why the language?
01:13:42When you cut someone's tongue, it's so they can't speak.
01:13:44I can't think of any other reason.
01:13:46What did that man have to say, Hernán?
01:14:06By the time I cut it off, she had already said everything she had to say.
01:14:11He was a common thief.
01:14:14What did I have to say?
01:14:41Offer, to dinner.
01:15:14Get me out of here, Dad!
01:15:16Get me out of here!
01:15:17I'll see what happens.
01:15:38Get me out of here!
01:15:49Filio.
01:15:50Let's go.
01:15:52It's all over now.
01:15:54Curuel, today!
01:15:56There!
01:16:02There!
01:16:04There!
01:16:09There!
01:16:13There!
01:16:19Thank you!
01:16:48Don't you recognize me?
01:16:51Ought?
01:16:52It's natural after so many years.
01:16:56I'm feeling very unwell.
01:16:59Perhaps this will refresh your memory.
01:17:03Eminence.
01:17:08That's what I was asked to do.
01:17:11You are the goldsmith.
01:17:14They put me in that mental hospital.
01:17:17I've been locked up for 20 years.
01:17:19I had nothing to do with that.
01:17:23Now all I want is to finally live in peace.
01:17:28I think there's something there that might interest you.
01:17:31Especially that part.
01:17:33Whoever gets both parts will be able to open the medallion and see what it hides inside.
01:17:38How much do you want?
01:17:40Not much.
01:17:40Enough to start a new life far away from here.
01:17:48Alright.
01:17:50But first I want to know if it's true that you have the medallion with you.
01:17:55Show it to me.
01:17:56All your time, Your Eminence.
01:17:58He is in a safe place.
01:18:05Don't worry.
01:18:06You will hear from me.
01:18:10It will have no.
01:18:24No, no, no.
01:18:43No no.
01:19:11No, no, no.
01:19:41Don't remarry if you don't want to. Alonso needs someone to take care of him. He's very lonely. My
01:19:48Sister Margarita is a very good and beautiful woman, very cheerful.
01:19:51I found it in my room. What does it say? Is it a letter from Mom? No, I haven't read it or anything, okay?
01:20:03Well, it's spelled with a B. Remember that next time.
01:20:12I had to try, Father. Alonso. I can't marry any other woman.
01:20:21I still remember your mother very well.
01:20:26Come on, come here.
01:20:32Are you going to stay still? Because it's impossible like this.
01:20:35What? Turn it up from here, it's crooked.
01:20:39Yes.
01:20:43Okay. This one looks much better on you. Where will it end? My goodness, I can almost see you walking into
01:20:49the church.
01:20:50Arriving at the altar with the flowers, the music. Because there will be music, right?
01:20:54I have a cousin who plays the bagpipes.
01:20:56Come on, at this rate I won't even have enough for silver things.
01:20:59My goodness, you're gorgeous. Any young man would give anything to marry you.
01:21:05I'm going to get more pins, I'm out. Sweet.
01:21:30Gonzalo.
01:21:35Wait, don't go.
01:21:45I love.
01:21:48I love.
01:21:49Thanks for seeing that you are well.
01:21:51Where did you come from?
01:21:53Forest.
01:21:54I had to get out of there as fast as I could.
01:21:58I've been going nonstop for four hours.
01:22:00I love.
01:22:01He won't believe it.
01:22:03I've come across a giant.
01:22:05A giant, but, come on, come on.
01:22:07I saw it like this, with these eyes, big, big, big, big, big.
01:22:11Like a mountain.
01:22:13Satur, if you've been out all night, you don't have to lie to me.
01:22:15What I'm telling you is true, love.
01:22:18I've seen it.
01:22:19Face to face.
01:22:21I went to look for him.
01:22:22And I found him.
01:22:24He took me to his lair where the cage was.
01:22:28He loves to eat women, the animal.
01:22:30He loves women.
01:22:33But if they pay me, I'll risk my life for you.
01:22:35What I'm telling you is true.
01:22:43Where is he going?
01:22:45That has a third eye on its head.
01:22:48That way, nothing escapes the creature.
01:22:52Not everything in this life has a logical explanation, love.
01:23:07So we just have to imagine the next one we're going to get into and get my hands dirty.
01:23:11I assure you that I will find out who I am.
01:23:13A group of Moriscos has taken over the monastery of San Esteban.
01:23:17Where is?
01:23:18I want you to marry Don Fernando de Orduña.
01:23:20I've managed.
01:23:23He was a Moor.
01:23:24I've seen it.
01:23:25A Moor.
01:23:26Look for him everywhere, don't let him escape.
01:23:28This time!
01:23:29The Moor is condemned to die by stoning.
01:23:32For public shaming and as an example of behavior.
01:23:35To the priests!
01:23:36What's looking at you like that?
01:23:37It seems like he knows you.
01:23:38Me?
01:23:39That Moor?
01:23:39I am going to ask the king for your hand in marriage.
01:23:43I'm getting married.
01:23:45I always saw the commissioner as a father figure.
01:23:47No, not me.
01:23:48Before signing your permission slip, I would need to meet your fiancée.
01:23:55We all thought you were dead.
01:23:56Don't come back.
01:23:57What's happening?
01:23:58The next time you come to the palace, there will be another man.
01:24:02The Moors in the monastery seemed desperate.
01:24:03I need to know why.
01:24:05I want the key to all the doors of the palace.
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