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00:00:11Satur! It's me, Satur!
00:00:14What if, the day before I was to be crowned, the commissioner decided to give me to God?
00:00:18There is nothing written or signed.
00:00:20I cannot allow it.
00:00:22They haven't asked for any ransom, Satur.
00:00:24So they wanted to get rid of me.
00:00:25Why is that?
00:00:27I need you to sign these payments.
00:00:30I, Hernán Mejías, guarantee that the moment has arrived for him to be crowned.
00:00:33I will not divorce my wife.
00:00:35Therefore, she will be queen of Spain.
00:00:38You tried to deceive me.
00:00:39Is the king going to the birch forest today?
00:00:42Are you going to make an offering to the Virgin of the Way? What's wrong?
00:00:45Who is this?
00:00:46He is Gonzalo's uncle.
00:00:47It turns out, Emilio, that now the master will kill his father.
00:00:51You are in grave danger, Your Majesty.
00:00:54If I have not received contrary orders from you this afternoon, I will kill your son.
00:01:00It's a letter from a secret admirer of André.
00:01:03Have you told the king that I am his son?
00:01:05Yeah.
00:01:06We women admire her.
00:01:08But don't let something like marriage steal your freedom.
00:01:11If they take it away from you, they don't take it away from everyone.
00:01:13Nobody forbids me from going for a walk.
00:01:15I'm going to walk up and down the main square.
00:01:19To fix things, I want you to accept this.
00:01:21It's an opportunity.
00:01:22The opportunity I ask for to be your teacher again.
00:01:25If by the time this charcoal drawing is finished I haven't managed to convince you, then we'll stop.
00:01:29The marchioness has turned the main square upside down.
00:01:32All the men were there.
00:01:34Like drones to the skin.
00:01:35Close the palace gates immediately.
00:01:37Nobody let the marchioness in.
00:01:39Aid!
00:01:41Open!
00:01:42Open it.
00:01:44I saw Alonso with a letter.
00:01:46I think it's for Margarita.
00:01:49I have nothing to do with it.
00:01:51I was the one who poisoned the commissioner.
00:01:53My will.
00:01:54If you become a widow, you will have nothing.
00:01:56All, absolutely all of my assets will go to charity.
00:02:00So, who are these people?
00:02:01Some people who lived with my father every day when what happened to my mother happened.
00:02:04And they will know things that I don't know.
00:02:06I promised that if everything went well and I came back to you, I would go on a pilgrimage to the place where you lived.
00:02:10knowledgeable.
00:02:12What are you doing?
00:02:20I am the son of Laura de Montiñac.
00:02:22And this is his revenge.
00:02:25The Duke of Baena wrote a word on the ground just before he died.
00:02:28I need to know what it means.
00:02:30I am not his aunt.
00:02:31I was hired.
00:02:33Who?
00:02:37Satur, the king is here.
00:02:39Why are you looking at him like that?
00:02:40Who is it?
00:02:41Nobody.
00:02:42Satur, stop interfering in my life.
00:02:44You have no rights.
00:02:45None.
00:02:45My mission in life.
00:02:47It's not that I'm happy.
00:02:48But to make you be one.
00:02:50Except I've been searching since I was born.
00:02:52To give meaning to my damn existence.
00:03:07Oh my God, we need to talk.
00:03:22Oh my God, we need to talk.
00:03:24That a mat.
00:03:27But I've held on because I believed you had a goal for me.
00:03:36So I'm going to ask you very clearly
00:03:39What am I good for?
00:03:42I am good for something
00:03:49I have prayed every day and at the appointed time
00:03:52I haven't missed a single midnight mass
00:03:56Give me a sign, talk to me
00:04:01I am here to save Gonzalo de Montalvo
00:04:08Hey!
00:04:11I'm just asking for a sign, man.
00:04:17That's a yes!
00:04:19That's a sign!
00:04:23Was it a sign, yes or no?
00:04:26Answer me!
00:04:28Yes, please confirm it again, for God's sake!
00:04:32Yeah!
00:04:35Thank you!
00:04:36Thank you for your reply!
00:04:38I know, I know I have a goal in life
00:04:40Now I know what my mission is.
00:04:43I know I have to save my master
00:04:46I'll see!
00:04:47Aaah!
00:05:06Aaah!
00:05:09Aaah!
00:05:12Aaah!
00:05:14Oh!
00:05:15Oh!
00:05:16If you hadn't fallen on that car, you would have broken your neck, Sato.
00:05:22Can you tell me what you were doing on the roof?
00:05:25I love things that are good.
00:05:27I love good things.
00:05:32Come on.
00:05:34I need to ask you for something...
00:05:37Something important.
00:05:38Well, very important.
00:05:40What do you want to ask me?
00:05:42Look, I don't spend much time with her and...
00:05:45And I would like to learn something about...
00:05:49Well, about their techniques as heroes.
00:05:52I don't understand you.
00:05:54Do you want me to teach you how to fight?
00:05:55No, no, no.
00:06:00No to fighting.
00:06:01No, to think, love.
00:06:05Imagine that I had a mission, okay?
00:06:08A mission?
00:06:09What mission, Sato?
00:06:10Supposedly.
00:06:13Supposedly, I, well, I was already stuck being his assistant and wanted to evolve.
00:06:21In other words, you are midnight.
00:06:22It's not...
00:06:23This is not the time to give classes.
00:06:24Tomorrow.
00:06:25No, no, no, no, no, no.
00:06:26But never too late for knowledge...
00:06:29How would you say it?
00:06:30If I wanted to achieve something, if I...
00:06:32If I...
00:06:33If I had to achieve a difficult goal, where should I start?
00:06:38What should I do?
00:06:41Oh, Sato.
00:06:42Let's see.
00:06:45It depends on the objective.
00:06:48So there would be two.
00:06:50On the one hand, finding someone, and on the other, well, proving that...
00:06:55That someone has done nothing wrong.
00:06:57That is, to find one person and prove the innocence of another.
00:07:02That is.
00:07:03Supposedly, but yes, more or less.
00:07:06Well, in either case, Sato, if you want to discover something, pay attention to the details.
00:07:12The details tell you the truth that people don't.
00:07:15The details tell you things.
00:07:17In other words, the details speak for themselves...
00:07:19Yes, and that's enough for today, Sato.
00:07:23I'm going to bed.
00:07:29Where the hell do I start? Should I begin now?
00:07:42So far I need a cocris.
00:07:45That is.
00:07:51Okay, I've got it.
00:07:53Save Lamo.
00:07:56Reconcile Lamo with his father, the king.
00:08:06Find Mrs. Margarita and marry them.
00:08:11Something is missing.
00:08:19I need an assistant.
00:08:39The darn mill has turned out crooked.
00:08:44Perhaps if he didn't drink so much, his drawings would turn out better.
00:08:49This life I lead can only be endured when I'm drunk.
00:08:57You may be right.
00:09:00When I drink, I even feel like sleeping with you.
00:09:03It's a possibility.
00:09:05They haven't forbidden him from doing that.
00:09:09Marchioness, they have brought a package for the commissioner.
00:09:13Leave it on the table, I'll give it to him.
00:09:23It's from the jeweler on Postas Street.
00:09:26One of the best in the village.
00:09:28How do you know?
00:09:30Because I've received many packages like this.
00:09:34Oh, like Sarnan.
00:09:36This is his way of apologizing to me for how he has treated me lately.
00:09:40Shouldn't I wait to see it when I give it to him?
00:09:43Wait?
00:09:52I forgive him.
00:09:55I forgive him everything.
00:09:58Is it him?
00:09:59It's him, it's him.
00:10:12Good evening, dear.
00:10:15Here I was, finishing the embroidery.
00:10:18How's work?
00:10:20As always, misery and torture.
00:10:23By the way, they've brought that for you.
00:10:36I'm going out tonight.
00:10:38Dinner without me.
00:10:47It's not for me.
00:10:52The necklace is not for me.
00:10:55But then, who is it for?
00:11:06Come on, this is the fifth Roman road we've visited already.
00:11:10That advisor wrote the word Rome on the ground just before he died.
00:11:15It could refer to one of the Roman roads that reached the town centuries ago.
00:11:19Or to his wife, Romualda.
00:11:22I remind you that he was dying.
00:11:25I don't know, all the letters got jumbled up for me.
00:11:28No, Satur.
00:11:30I'm sure he was trying to tell me something.
00:11:47This stone is not as old as the rest.
00:11:54Listen, let me tell you, I'm sorry, but...
00:11:56Does it open the same way...
00:11:58Or made of stone?
00:11:59No, Satur.
00:12:00The type of grain is different.
00:12:05You just have to pay attention to the details.
00:12:07Do you remember?
00:12:34He is the nobleman I killed.
00:12:35My name is Damián Blasco, Duke of Baena.
00:12:39And he left this letter in the place where I lost all my honor.
00:12:43The place where I condemned my soul forever.
00:12:47I was the last person to see Laura de Montiñaki and her two children free.
00:12:52It was in this forest that I was ordered to hand them over to their jailers.
00:13:01Please, please, I beg you.
00:13:05Please don't hurt us.
00:13:07They're my children, do you understand?
00:13:10My children are innocent.
00:13:13Do to me what you would do to help me.
00:13:16Please, have mercy.
00:13:18The orders are clear.
00:13:20They're just children.
00:13:23Where are they taking us, Mother?
00:13:26Take it, take it, children, take it.
00:13:29Saved!
00:13:30No!
00:13:41No, no, no, no, let me go, kill me, run, no, run, no, please.
00:13:51I took an innocent woman and her two children to a confinement worse than death.
00:14:07Master, that letter does not prove that your father is guilty.
00:14:12Except that the nobleman he killed is good and dead.
00:14:19Someone ordered him to do it.
00:14:22Someone ordered all of this, Saturn.
00:14:49Where do you come from?
00:14:52Street.
00:14:58It dawned three hours ago.
00:15:01You should be ashamed of yourself.
00:15:06You reek of alcohol and cheap perfume.
00:15:10I do what I want.
00:15:13Do you have a lover?
00:15:24I see you're taking this very seriously.
00:15:27Your role as wife.
00:15:29Answer.
00:15:30There's another one.
00:15:33I'm going to take a bath.
00:15:46He's gone.
00:15:48He hasn't even answered me.
00:15:54I should get some sleep.
00:15:56He's been up all night.
00:16:00Hernán looks like someone else.
00:16:03I used to be the one who received gifts.
00:16:07They covered me with flowers, with jewels.
00:16:10Now she knows how the wives of the men she slept with feel.
00:16:14I couldn't care less about the others.
00:16:16I am not like them.
00:16:18Coachman!
00:16:20Come.
00:16:22Where did you take the commissioner last night?
00:16:25Ma'am, I...
00:16:27I am not allowed to.
00:16:28I'll cut your legs off if you don't start talking immediately.
00:16:34I took him to the criminal.
00:16:36The new brothel downtown.
00:16:39He goes there every night.
00:16:43A whore.
00:16:45He's spending my savings on a whore.
00:16:49Prepare the carriage. I'm leaving.
00:16:52But, ma'am...
00:16:53Take me to the delinquent right now.
00:17:03They are my children!
00:17:06No no!
00:17:08Let me go!
00:17:09Where are they taking us, Mother?
00:17:12Runs!
00:17:13No no!
00:17:15Let me go!
00:17:15Dead!
00:17:17Runs!
00:17:19Don't run!
00:17:30How dare you?
00:17:53Father!
00:17:55Father!
00:17:56Father!
00:17:57Father!
00:18:00Father!
00:18:01Son!
00:18:03Algocha!
00:18:04By whom?
00:18:06I'm sorry.
00:18:07I didn't know what I was doing.
00:18:09Your eyes were not your own.
00:18:11It wasn't you, Father!
00:18:14I'm sorry.
00:18:16Who were you thinking about?
00:18:19Forget it.
00:18:20That!
00:18:22Forget about it!
00:18:25You almost killed me with your own hands!
00:18:29Alonso.
00:18:30Alonso!
00:18:30You are my father!
00:18:33Ah!
00:18:49Ah!
00:19:06You're the only one who helps me in this house.
00:19:11Already!
00:19:11You!
00:19:12To the bedroom!
00:19:12Come on!
00:19:13We're going to talk about the older folks!
00:19:16Cipriano, put the onions down and pay attention.
00:19:19I'm going to offer you something that will give meaning to your whole life.
00:19:23My life is great, how are you?
00:19:24Don't thank me when I tell you what I'm about to tell you.
00:19:29I name you my squire.
00:19:31That?
00:19:32You're going to be my assistant on a mission...
00:19:37...special.
00:19:37The most important mission since Noah's Ark.
00:19:39This is what you've lost.
00:19:41Cipriano, listen.
00:19:42Listen to me.
00:19:43Hold on a second!
00:19:44Listen to me.
00:19:46If I had another one, I'd take it even if it was one-armed.
00:19:50But you are aware of the romance.
00:19:52What romance?
00:19:56We're going to find Mrs. Margarita.
00:19:59Who is it? Us?
00:20:00Yes, the two of us.
00:20:01Me as master and you as postilion.
00:20:06I don't...
00:20:07I don't know.
00:20:08That the master is getting worse and worse, that he's going downhill.
00:20:11My mission in life is...
00:20:13...is to make him happy.
00:20:15But we don't know where Margarita is.
00:20:17He stayed with Alonso in the forest; he can't walk very far.
00:20:23Tracking will be your first task.
00:20:26And the search for...
00:20:27...from the clues of detail.
00:20:29Gonzalo could help us.
00:20:31Nobody wants to find Margarita more than he does.
00:20:32No, no.
00:20:33We need to spare him the details.
00:20:36We found the lady and when she's ready for the second pump...
00:20:39We serve it to you on a tray.
00:20:43That?
00:20:44Good.
00:20:45Okay, I accept.
00:20:47But Gonzalo...
00:20:49That's the attitude, of course, Cipriano.
00:20:51No...
00:20:52We will be a new duo.
00:20:53We will be like, like, like...
00:20:54What can I tell you?
00:20:54As...
00:20:55Like the Red Eagle and its...
00:20:56No, the Red Eagle and his assistant.
00:20:58I didn't know that the Red Eagle had an assistant.
00:21:00Oh, no?
00:21:02Well, there are many things that people don't know.
00:21:05Okay, let's focus.
00:21:07I'm going to prepare for the mission.
00:21:26We're going out of style.
00:21:28And that's on Tuesdays.
00:21:30Yes, it seems this village needed some cheering up.
00:21:33That's the thing about vice, you never get to have a holiday.
00:21:44Who is the slut sleeping with my husband?
00:21:49Leave my room immediately.
00:21:52Ah, it's you.
00:21:56Madam, discretion is one of the secrets of this business.
00:22:02Flora.
00:22:03Pass me the robe, please.
00:22:06Yes, give her the robe, she's already showing enough breasts.
00:22:10Is he envious?
00:22:12I remember the opening.
00:22:15Didn't you stop flirting with my husband?
00:22:18Ma'am, many married men come here.
00:22:22You might be at the wrong brothel.
00:22:24He is the town's commissioner.
00:22:27That?
00:22:29Did you like the necklace?
00:22:34Remember my face.
00:22:37Whatever misfortune occurs in your life, you already know who is responsible.
00:22:41I will eagerly await that day.
00:22:45Playing with me is losing.
00:22:48And you've already lost.
00:23:04Why haven't you told him that you don't sleep with the commissioner?
00:23:07Because then I'd go after the girl who's doing it.
00:23:10And I'm not going to let him touch her.
00:23:12Let's not make too much of it.
00:23:14She is not the first scorned wife to appear here.
00:23:16You're wrong.
00:23:18The Marchioness of Santillana is the most resentful person in the kingdom.
00:23:22If he makes a promise, he will keep it.
00:23:28Put it on.
00:23:30No.
00:23:46Know.
00:24:08Forget about it!
00:24:10You almost killed me with your own hands!
00:24:14Alonso, Alonso.
00:24:15You are my father, my mother!
00:24:17My father!
00:24:32It's dangerous to go so fast cross-country.
00:24:35I know this forest well.
00:24:38I think neither of them has had their best day.
00:24:45An enraged wife just threatened to kill me.
00:24:50What's your excuse for coming here?
00:24:53I like riding horses.
00:24:57I understand.
00:24:59I'd better leave you alone before you throw one of your tantrums at me.
00:25:04Wait.
00:25:06Don't go, please.
00:25:13One day you told me that you knew how to listen.
00:25:16I need it today.
00:25:24I almost did something terrible.
00:25:30I have so much anger built up inside me that...
00:25:39I'm becoming the person I never wanted to be.
00:25:44Well.
00:25:46Let's take it one step at a time.
00:25:48First you were about to do something but you didn't.
00:25:53And second, if you don't want to be what you shouldn't be, don't continue down that path.
00:25:59Can't.
00:26:02I have to finish what I started.
00:26:06And my hand won't tremble.
00:26:12This isn't a squabble with the next-door neighbor, is it?
00:26:16No.
00:26:20So, whatever it is, my advice is to stay away from a weapon.
00:26:29Any original advice?
00:26:33I told you I knew how to listen.
00:26:35Giving advice isn't my strong suit.
00:26:42What's your secret?
00:26:47None.
00:26:48I'm just a simple teacher.
00:26:53I'm sure you've said that phrase a thousand times to convince people.
00:26:57But I don't believe it.
00:27:19Can you tell me what you're doing sniffing around some boyfriends on the block where the generator is located?
00:27:23I'm not sniffing around.
00:27:25I was investigating, like you told me to.
00:27:27Investigating?
00:27:28What does the investigation have to do with a lady's petticoats?
00:27:32Let's see.
00:27:33They belong to the blacksmith's wife.
00:27:34They were on a clothesline and they're new.
00:27:36Look, there was something that caught my attention.
00:27:52Yes, but this only proves one thing.
00:27:54The woman whose boyfriend you stole is named Amparo.
00:27:57Well, I've really made a fortune.
00:27:59Check out the finish.
00:28:01No auction, no auction.
00:28:05A daisy.
00:28:08The same way the lady finished off the garments.
00:28:14You have it too.
00:28:18I just want to say one thing.
00:28:20The lady is sewing and selling in the area.
00:28:24We need to pull on this thread.
00:28:25Aren't you going to congratulate me?
00:28:27Aren't you going to tell me anything?
00:28:34Yes of course.
00:28:36Of course I'm going to tell you something.
00:28:38That the lobar of a clothesline is a crime.
00:28:42So you're already going to the blacksmith's to ask him
00:28:44who made the boyfriends for his wife and where does he live.
00:28:48But how am I going to ask him who will sew underwear for his wife?
00:28:51Are you being picky?
00:28:52After being a crook, you're suddenly being picky?
00:28:55Go throw it away.
00:28:56Come on, let's go.
00:29:11The ladies' issue is already on track.
00:29:14Due to the lack of guidance regarding the father's situation,
00:29:17That's going to be more complicated.
00:29:20Are you there?
00:29:22Don't feed my horse, he's outside.
00:29:24And how far does it go?
00:29:26He's been hiding his entire schedule from me lately.
00:29:30I am going to search the quarters of a person very close to the king.
00:29:34Cardinal Mendoza.
00:29:35Perhaps there I will find definitive proof that my father is guilty.
00:29:40Are we ready?
00:29:42I have to find proof that he is innocent.
00:30:02What are we doing here?
00:30:05We have a date with someone.
00:30:23But they're all dead.
00:30:28Exact.
00:30:30It's number four.
00:30:32Put on your gloves.
00:30:36You're going to need them.
00:30:37The Mendozas.
00:30:39Come on.
00:30:40Come on.
00:30:49Come on.
00:30:51Come on.
00:31:10This is it.
00:31:12We already have the body.
00:31:14What now?
00:31:21What interests us is down here.
00:31:27It is full of buboes.
00:31:31He has bad French.
00:31:37Excuse me, but I don't understand anything.
00:31:41I'm going to infect that Neys thug with the bad French.
00:31:44Why? Her husband is responsible.
00:31:48And what do you think will happen to him when he sleeps with her?
00:31:54It's just a matter of taking a little liquid.
00:31:58Of those little butts that she has all over her body.
00:32:02Go ahead, stick it in.
00:32:17Hernán will lose the desire to treat me the way he does.
00:32:30Come on!
00:32:37Come on!
00:32:49Come on!
00:32:58Come on!
00:32:59Come on!
00:33:19Come on!
00:33:45And after discovering that I am the son of the King of Spain.
00:33:48I, Hernán Mejías, will not rest until I occupy the throne that belongs to me.
00:33:56I will kill if necessary.
00:33:58I will wage war.
00:34:00Anyone who stands in my way, noble or commoner, will die.
00:34:06I am going to be the next king of this empire, even if my life or I die.
00:34:26I would like to make clear the conditions of our support for the son of the Montignac leaf to be king.
00:34:37Speak up.
00:34:39We are always ready to listen here.
00:34:45The condition is that the Spains be French.
00:34:51I don't think I understand you.
00:34:54Are you asking me to help you sell the Kingdom of Spain to France?
00:34:59Yeah.
00:35:01I fear that the Spanish will not be subdued.
00:35:05They are brave and quarrelsome, as well as stubborn.
00:35:09And stupid as beasts.
00:35:11Look at its streets, full of vagrants.
00:35:15Nothing good has ever come out of this kingdom.
00:35:19López, Góngora, Velázquez, Cervantes, perhaps.
00:35:27Cervantes.
00:35:28Isn't he on par with Molière or Cyrano de Bergerac, not to mention his women?
00:35:36Well, that's highly debatable.
00:35:39And as for women, and always in my humble opinion, Spanish women are among the most beautiful.
00:35:47Europe, without a doubt.
00:35:49Beautiful and strong as poiches.
00:35:52Nothing like the refined Parisian woman.
00:35:56Now, I guarantee you that if you help us, you will be the next pope.
00:36:16Will you keep your kingdom and I'll keep mine?
00:36:23I accept.
00:36:25There's just one small detail missing.
00:36:28The queen who sits on the throne must be French.
00:36:35Of course.
00:36:37I promise you that when Hernán Mejías is crowned king of Spain,
00:36:42His wife, Lucrecia de Santillana, will not be with him.
00:36:46Viva!
00:37:05Viva!
00:37:07Viva!
00:37:22Viva!
00:38:30Yeah!
00:38:31We have a winner!
00:38:34And now drink like dogs and bet on the next fight.
00:38:49I'm looking for Ramón Piñuela, who is a man who often comes here to bet a lot.
00:38:56Okay.
00:38:59For?
00:39:02Well, he's the son of a former matron of the Royal Household, the head matron and...
00:39:09I wanted to know if you had seen her around here lately.
00:39:15We don't like questions here.
00:39:19Yes, yes, I'm not going to leave here without knowing where that man is because for me
00:39:22It is very important.
00:39:23You know how I say it?
00:39:27Small body, big balls.
00:39:32You would be an excellent fighter, but you're leaving here now.
00:39:40It's just that I don't... it's just that I don't... I don't plan to move.
00:39:46Dude, I'm giving you the chance to walk out of here.
00:39:53Listen to me carefully.
00:39:55Can you hear me? Listen carefully because...
00:39:57I've been in worse studios than this one, you know what I mean?
00:40:01And he's threatened me with people more dangerous than you, so...
00:40:05So I'm not leaving here until he tells me where that man is.
00:40:09Alright?
00:40:10Sorry?
00:40:11Alright?
00:40:12Alright?
00:40:13If you act like that...
00:40:23Are you coming to my shop to threaten me?
00:40:33If you kill me, I'll cut your throat.
00:40:35To you and to the last of your men.
00:40:37And believe...
00:40:42I'd love to do it.
00:40:59My whole body smells like death.
00:41:10What does he gain from all this?
00:41:13Do you think I would go to so much trouble for a simple revenge?
00:41:18Now Hernán is a strong man.
00:41:21With a bright future, with power, like a rock.
00:41:25But I'm going to cause a crack in it.
00:41:28A crack through which to enter and make myself indispensable.
00:41:32You know what you have to do.
00:41:42He cannot see.
00:41:43He can't see her.
00:41:46Remember the document you signed.
00:41:47Shut up, go away.
00:41:53Lucrecia.
00:41:55Gonzalo.
00:41:55Where is the commissioner?
00:41:59Don't know.
00:42:01Could he be working? Is something wrong?
00:42:04No. I need to talk to him.
00:42:06Wait.
00:42:09We haven't seen each other since I got married.
00:42:15I never thought you would do it.
00:42:17Well.
00:42:20Marriage also has its trade-offs.
00:42:25You've changed a lot, Lucrecia.
00:42:30You know how cold it is here at the Palace.
00:42:33And this hairstyle is much more comfortable.
00:42:41I hope you are very happy.
00:42:43Yeah.
00:42:45I am very happy.
00:43:13I don't know, Flora.
00:43:15I think this has been done to death.
00:43:16Well, the simpler it is, the better it works.
00:43:18And the leather bodice.
00:43:20It never fails.
00:43:22Good afternoon.
00:43:26If you want to work here, I'm sorry, but you don't fit the profile.
00:43:30Do you think I want to work in a place like this?
00:43:33What do you want me to say? I've seen it all.
00:43:36Is there anything we can help you with?
00:43:37Thank you.
00:43:40I'm looking for my niece.
00:43:42Look, a few weeks ago he ran away from the village.
00:43:45I've looked at several brothels, but nobody can give me any information.
00:43:49I understand your concern.
00:43:50What is your niece's name?
00:43:51Pillar.
00:43:52This is where we have many artistic names.
00:43:55There's the rattlesnake, the two hands, there, and the hunchback that's up above.
00:44:00How does it look on me?
00:44:01You're already taking it off.
00:44:03It needs to be returned.
00:44:04Because?
00:44:04The commissioner is coming again tonight.
00:44:06He said he wanted to have put it on me.
00:44:08Well, you spread your legs and show him something else.
00:44:11We have to take it to his wife.
00:44:14I'll see if the girls know anything.
00:44:16Thank you.
00:44:17Come with me, Flora.
00:44:29It's beautiful.
00:44:31It's a shame you have to return it.
00:44:33Yeah.
00:44:38Oh.
00:44:39I'm sorry.
00:44:40I must have scratched you with a fingernail.
00:44:42It was nothing.
00:44:45Well, I have to go.
00:44:47Tell Anaís I'll be back later.
00:45:06It would be better if you didn't move.
00:45:13The resin should act on the wound.
00:45:18What am I doing here?
00:45:22What is this red square being set up?
00:45:26You are here because I saved your life.
00:45:28And that red mass is dragon's blood.
00:45:33Dragon's blood?
00:45:38But, dude, there's a dragon in the house.
00:45:43That's its name.
00:45:46It is the resin of a tree that grows in the upper Amazon region.
00:45:57I don't understand anything that's happened, sorry.
00:46:00A moment ago I was being stabbed and now I'm here in...
00:46:03The Alcove of an illustrious councilor who has passed away.
00:46:06They almost killed you.
00:46:08For asking questions about the royal matron.
00:46:11What about you...?
00:46:12What did you want to know?
00:46:17I'm going to forgive myself, but it's just not...
00:46:21I can't say anything about that.
00:46:24Excuse me.
00:46:25It has to do with the fact that your master is the son...
00:46:29...of His Majesty Philip IV.
00:46:35And how do you know that?
00:46:36If that's the case...
00:46:37That's top secret.
00:46:40I have sent those documents to your master.
00:46:42Was it you?
00:46:44And I never found out who had sent that documentation.
00:46:48And was it you?
00:46:52Come.
00:46:53Sit down.
00:46:59Now...
00:47:00You're going to tell me why.
00:47:03You were in the shop asking questions.
00:47:10You will see that I want to prove the king's innocence.
00:47:14And it's not there anymore...
00:47:16Go on, go on, insisting he's guilty.
00:47:19I'm just alone in this.
00:47:20There is no one to help me.
00:47:23This mystery overwhelms me, it surpasses me.
00:47:26Well, perhaps you are not so alone in your endeavor.
00:47:30Will you help me?
00:47:32You and I investigating together?
00:47:34That, for me, for me, for me would be an honor.
00:47:37No, no, no.
00:47:38Stop with the honors.
00:47:41If you want me to help you...
00:47:44...you'll have to tell me everything.
00:47:49But everything, everything...
00:47:52All.
00:47:54From the beginning.
00:47:57Well, I'd like you to get comfortable because this story is going to be a long one.
00:48:02It's possible we've even been with the Templars.
00:48:06No, no, no, no, no, no, no.
00:48:33No, no, no, no, no, no, no.
00:48:46What are you doing here?
00:48:48I know what you're trying to do.
00:48:51What are you taking about?
00:48:58You want to take the throne, but you won't succeed.
00:49:02How dare you?
00:49:07You breathe because I allow you to.
00:49:08Someone like you doesn't deserve to reign.
00:49:12The crown
00:49:13It belongs to me by right.
00:49:19Look where we are
00:49:22This
00:49:24It is your kingdom
00:49:26You enjoy the pain.
00:49:29You have no rights whatsoever
00:49:36But what kind of man are you?
00:49:38A very strong one
00:49:40This
00:49:41This is your scepter
00:49:43This is who you are
00:50:00You should never leave here
00:50:03Never
00:50:15Cosco, that's a big deal.
00:50:17This dragon's tail is really messing me up.
00:50:27What happened?
00:50:30Have you discovered that something is wrong or that...?
00:50:33Yes, it's you
00:50:33From my brother
00:50:35He is ready to ascend the throne
00:50:40And his brother?
00:50:43Throne contestant?
00:50:45He is the firstborn
00:50:47He has right of blood
00:50:48Yes, but can you imagine?
00:50:50The empire ruled by the commissioner
00:50:53That the sun never set in Spain before
00:50:55Now with his brother
00:50:56Now with his brother
00:50:56He won't even dare to go out
00:50:59So what are you going to do now?
00:51:00He'll have to do something.
00:51:02Would you kill someone just because you think they are going to commit a crime?
00:51:07Well, of course...
00:51:08No?
00:51:08I've never done it, Satur
00:51:10I'm not going to do it now
00:51:15So...?
00:51:18Where is he going?
00:51:20To continue with my mission
00:51:23In front of my mother
00:51:29Damn, what a family
00:51:34As if to get them together on Christmas Eve
00:51:39Satur
00:51:40Satur
00:51:40I went to return them via Loro Samparo
00:51:42The blacksmith's wife
00:51:43But he had left
00:51:43And her husband was making an urgent little chamber pot
00:51:46And at that moment Paqui arrived
00:51:47Your neighbor
00:51:48That's it.
00:51:48Cipriano, who did not
00:51:49Not now
00:51:50I'm not available for anyone.
00:51:51Not for anyone, that's it.
00:51:52Yourself
00:51:52I just came to tell you that I know where Margarita is.
00:51:56And why the hell didn't you start there?
00:51:59Where is the lady?
00:52:00Tell me
00:52:00They say he lives in a very nice cabin
00:52:01Like wood
00:52:02No, let yourself go
00:52:03Stop using adjectives, okay?
00:52:04Adjective not
00:52:05Where is the lady?
00:52:06Where is?
00:52:07In the forest of light
00:52:09Yeah
00:52:09Yes, I knew it, I knew it
00:52:12I knew it
00:52:12I'm quite clever at investigating, Cipriano.
00:52:14But you haven't done anything.
00:52:16I discovered everything.
00:52:17Hey?
00:52:18Come on, be quiet
00:52:19Shut up and go back to the cabin
00:52:21Come on
00:52:22Lest it move to where it is
00:52:23Come on
00:52:30Come on
00:52:31Come on, come on
00:52:31We need to open now.
00:52:34Miscalfas?
00:52:35Where are my calfas?
00:52:37But
00:52:38For how long they'll last when worn
00:52:39That's the third time you've lost this week.
00:52:44Come on, girls
00:52:45Are you ready?
00:52:47You know
00:52:47Cash payment in advance
00:52:49And no opinion.
00:52:51Nor anything strange in my place
00:52:52And the work
00:52:54Quick, huh?
00:52:55At most
00:52:5615 minutes
00:52:57Otherwise, a queue will form.
00:53:00Come on!
00:53:01Come on
00:53:03Have you returned the necklace to the Marchioness of Santillana?
00:53:06Yeah
00:53:06Let's see if that calms things down a bit
00:53:09I thought he was going to do something
00:53:10She didn't seem like the kind of person who loved.
00:53:12Wives shouldn't get so angry with us.
00:53:15If we do them a favor
00:53:17They download here
00:53:19And so, well
00:53:20So they leave them alone for a few days
00:53:23We provide a service to society
00:53:25The next day the king's treasurer comes
00:53:28I'm going to ask him to subsidize us.
00:53:30But now we have to open
00:53:51Whose pen is this?
00:53:57It has a liquid
00:53:59This pen is not for girls
00:54:11There it is
00:54:12We've found her
00:54:13I'm going to tell you one thing.
00:54:14Cyprian
00:54:16I'll give you the good news.
00:54:17Understood?
00:54:18It's not fair
00:54:18It should be both of us
00:54:19The idea was mine.
00:54:20I'll give you the news
00:54:22If it's going to be because of you
00:54:23The lady stays here
00:54:24Until all his teeth fall out
00:54:45Wait
00:54:46Shouldn't we have an action plan beforehand?
00:54:50What plan and what plan?
00:54:53Let me call
00:54:54I don't know much about women's hearts and their palentros
00:54:58How do you plan to convince her to forgive Gonzalo?
00:55:00He didn't want to see her in the forest
00:55:02He has hidden in a cabin
00:55:04I don't know
00:55:05I don't see it as easy.
00:55:09He might be right.
00:55:11And we should think of a plan.
00:55:15Probably
00:55:16We should tell Margarita the truth
00:55:18That Gonzalo is suffering
00:55:20He locked himself in a cave
00:55:21No, no, no
00:55:22No, because people who elicit pity don't attract attention.
00:55:25Look at yourself
00:55:28You should know that from experience.
00:55:31So what do we do, huh?
00:55:32Well, grow a pair and...
00:55:35And think what the master would say
00:56:01No, please
00:56:02No, please
00:56:07Wait
00:56:07What sign
00:56:08It's coming
00:56:17Very good
00:56:18Who are you?
00:56:20A neighbor
00:56:21I bring firewood to the lady every day
00:56:23So that she doesn't have to carry the load
00:56:25Because of its condition
00:56:27Your condition?
00:56:28How is your condition?
00:56:31She is pregnant
00:56:33Go with God
00:56:41What, is she pregnant?
00:56:46But she's kind of pregnant
00:56:47It just can't be
00:56:48I thought that...
00:56:49Gonzalo and she didn't...
00:56:50No, no, no
00:56:51We weren't even the reason
00:56:54I was waiting for the wedding day
00:56:57I never would have told myself that.
00:56:59That she is pregnant by another
00:57:10Okay, fine.
00:57:11Let's get out of here
00:57:11That here...
00:57:13We're no longer involved here.
00:57:29This is mine
00:57:32Mine
00:57:40Why did you take so long?
00:57:43Why did you take so long?
00:57:45You must have gotten distracted.
00:57:47With so many beautiful girls
00:57:48Half-naked
00:57:48Don't talk nonsense
00:57:51I've had to take precautions
00:57:53In case anyone was following me
00:57:54Did you do what I told you?
00:57:57Yeah
00:57:58And Anaís doesn't sleep with her husband
00:58:02Another young woman does it
00:58:05I was able to stick the pen in him
00:58:09He deserved it
00:58:12I know he doesn't mind
00:58:13But we have infected
00:58:15A disease
00:58:16To an innocent young woman
00:58:18Innocent?
00:58:19That whore was milking
00:58:21To my husband
00:58:21Like a cow
00:58:23They have a date tonight.
00:58:27If they go to bed
00:58:29You already know what will happen
00:58:33Don't wait up for me
00:58:35I'll be late
00:58:36They will err.
00:58:37Don't go
00:58:44We could
00:58:47Have dinner together
00:58:53Why would I have to do that?
00:58:57I can give you
00:58:59Everything you need
00:59:03I'm trying
00:59:05With all my strength
00:59:06Being a woman
00:59:08That you always want
00:59:10Ternan
00:59:12It's your obligation
00:59:14Stay with me
00:59:18Please
00:59:24No
00:59:27Leave
00:59:50Reñá
00:59:53Réñá de otro
00:59:59Poor Gonzalo
01:00:01With love
01:00:03What follows from her
01:00:08Look at me
01:00:11Cyprian
01:00:12Look at my lips
01:00:13And get this right in your mouth
01:00:15On the soft spot
01:00:17We talked about this
01:00:18Not a word
01:00:19Can you hear me?
01:00:21Not one
01:00:24I don't know, Satos
01:00:26Perhaps we should tell him
01:00:27So that it can close and turn the page.
01:00:29But what a page!
01:00:30Not even what page
01:00:32We told him
01:00:33That the lady
01:00:33She's pregnant by another man.
01:00:34And we buried him.
01:00:36It doesn't recover.
01:00:44And who will be the father?
01:00:48But what else
01:00:48Whose father is he?
01:00:50Cyprian
01:00:54That sees what the females are like
01:00:56Not even a minute
01:00:57She has observed mourning
01:01:01It just can't be
01:01:03The story of Gonzalo and Margarita
01:01:05It can't end like this.
01:01:05Each one on their own
01:01:07I would have preferred
01:01:08That they would break me in two
01:01:10To my heart
01:01:12Well
01:01:15I suppose our mission
01:01:16It's over then
01:01:19We will have to take care
01:01:19We, from Gonzalo
01:01:22No
01:01:24It's not over
01:01:27Our mission is not over
01:01:28Cyprian
01:01:33Before, it was about finding the lady
01:01:38Now the master
01:01:39I didn't find it.
01:01:44Thank you
01:01:45I don't know
01:01:50That?
01:01:52It's not going to end
01:02:00Clear
01:02:01It's not that there aren't any
01:02:06Okay
01:02:07There is no
01:02:08Subscribe?
01:02:09There is no
01:02:17What's happening?
01:02:47What's happening?
01:02:48Well, it seems to work.
01:02:50Anaís! Anaís!
01:02:52Where is the one with the necklace?
01:02:53Upstairs, with the commissioner?
01:02:55No.
01:02:55What's happening?
01:02:56I know what was in that pen.
01:03:01No!
01:03:04What's wrong? What are you doing here?
01:03:07The girl has bad French.
01:03:09She has been infected.
01:03:10That?
01:03:18I thought you had healthy girls.
01:03:22I'm sorry, commissioner.
01:03:24I'm so sorry.
01:03:27He should see a doctor as soon as possible.
01:03:29How could something like this happen?
01:03:38But why did they do this?
01:03:40Who could be so twisted?
01:03:44The woman who came looking for her niece was not who she claimed to be.
01:03:48She is a maid of the Marchioness of Santillana.
01:03:52This is not going to stay like this.
01:03:53Don't do it.
01:03:55He has given one of my girls a horrible disease.
01:03:58You know what that woman has been capable of doing to her husband.
01:04:00It's not in your best interest to start a war against her.
01:04:23What's happening?
01:04:24Why have we gathered here in the middle of the forest?
01:04:26Because we are in danger.
01:04:28We should wait for the Duke of Rueda.
01:04:30It hasn't arrived yet.
01:04:31We can't wait any longer.
01:04:32As you know, four former advisors to the king have been murdered.
01:04:36All of us here were part of the council when Philip IV was young.
01:04:40But perhaps it's just a coincidence and they only wanted to rob them.
01:04:43No.
01:04:44They all had their bags intact.
01:04:46They are hunting us like rabbits.
01:04:47Does anyone know why they would want to do something like that?
01:04:50And who?
01:04:50Gave.
01:04:53Gave!
01:05:13Gave!
01:05:24Thank you!
01:05:45One move and you'll be gone.
01:05:51I am the Duke of Rueda, former advisor to the king.
01:05:56What are you looking for? Why do you want to kill us?
01:05:59Because of what you did to Laura de Montignac.
01:06:02That's none of your business. Why do you want to know?
01:06:09I'll tell you before I kill you.
01:06:13As I did with the others.
01:06:16I'm the one pointing a gun at your head.
01:06:22Who ordered it? Was it the king?
01:06:25It was all done behind his back. The king would never have allowed it.
01:06:58Arrived when she has been awarded.
01:07:09Arrived when she has been awarded.
01:07:11As?
01:07:12My father is innocent.
01:07:18One of the nobles has confessed.
01:07:20They organized everything behind the king's back.
01:07:23Finally, I love you!
01:07:26Finally, some damn joy!
01:07:29If I knew it, I knew it.
01:07:31I knew that our king couldn't be bad.
01:07:34But, but, but, but how beautiful, my God, how beautiful.
01:07:38The revenge is over.
01:07:40All's well that ends well.
01:07:43The bad dead and the united family.
01:07:46And you know the best part of all, Sator.
01:07:49In the end, I didn't have to use it against him.
01:07:54And now that you know that...
01:07:57So our king is not a murderer.
01:08:00What will be the next step he takes?
01:08:03Hey?
01:08:13No, no, no, no, no, no, no.
01:08:16Why did she go to see him without me?
01:08:34Stop writing already and tell me something.
01:08:37French fever can take weeks to develop.
01:08:42I need to know something now.
01:08:44Did you have sex with an infected woman?
01:08:47I've already told him that.
01:08:49It is a highly contagious disease.
01:08:54Is there a cure?
01:08:56Perhaps.
01:09:01But it's not always effective.
01:09:06It consists of inserting a thin, red-hot iron into the urinary tract.
01:09:13Yeah.
01:09:17Doctor, what a surprise to see you here.
01:09:21Are you alright, dear?
01:09:24You can leave.
01:09:44You don't look well, Hernán.
01:09:47I completely understand what you want.
01:09:54The cook asked me how many of us there will be for dinner.
01:09:58Since you're never with me lately.
01:10:01Are you going out tonight?
01:10:04No.
01:10:06I'm not going out.
01:10:08I'm not going out.
01:10:20It's the first time since she got married that I've seen her enjoying herself.
01:10:23I gave it a chance.
01:10:25She should have taken advantage of it.
01:10:32If he's not with me, he won't be with anyone.
01:10:45Oh!
01:11:00Let's go!
01:11:01Come on, come on!
01:11:03Come on, come on!
01:11:10Come on, come on!
01:11:11Come on, come on, come on!
01:11:15Come on, come on!
01:11:15Come on, come on, come on!
01:11:16Come on, come on, come on!
01:11:17Come on, come on, come on!
01:11:18Come on, come on, come on!
01:11:19My blood is calling me.
01:11:21I have some fantastic news, a real 17th-century scoop.
01:11:25How were the stab wounds?
01:11:27No, no, no, the stabbings are good.
01:11:28That ointment that seems to have worked.
01:11:30Listen, listen, listen.
01:11:37He's innocent.
01:11:39But completely innocent.
01:11:41Can you hear me? Innocent, innocent.
01:11:43The father, who is innocent!
01:11:44Yeah. Oh, okay!
01:11:47You really love your master, huh?
01:11:49Well, look, yes.
01:11:50And also to save him from the mission he entrusted to me
01:11:52God our Lord.
01:12:00Hey!
01:12:01This calls for a celebratory glass of claret!
01:12:05I drink alone.
01:12:07And now, if you'll allow me,
01:12:11I'm going to win some bucados by betting
01:12:12by the man who has the scar on his face.
01:12:14No, no, no, I wouldn't do it.
01:12:17I'd bet on black instead.
01:12:19By?
01:12:20Haven't you noticed the bruise there?
01:12:23with a sheep-like shape on his side, his man?
01:12:26That's a broken rib.
01:12:28If they touch him there, they'll knock him down.
01:12:30You're very observant, aren't you?
01:12:33It's a matter of paying attention to the details.
01:12:34I don't know if you know the details.
01:12:36that speak to you or tell you things.
01:12:40Wise lesson, indeed.
01:12:42I'm very, very detail-oriented.
01:12:45What you don't know, but I do,
01:12:47The fight is rigged, son.
01:12:51Oh, the details!
01:12:54The details don't matter
01:12:56When you cheat, you understand?
01:13:14Thank you!
01:13:36Listen to me, son.
01:13:39Everything will be alright.
01:13:41From now on everything will be fine.
01:13:44Sure?
01:13:47Yeah.
01:13:49Trust me.
01:14:08To the chairs.
01:14:14Did you want to see me?
01:14:16Would you think it was nice to go see your father without telling me anything?
01:14:20That I deserved to be a witness.
01:14:22I haven't gone to see him, Saturn.
01:14:24I just went riding.
01:14:26I needed to think for a bit.
01:14:29No no.
01:14:33Well, thank goodness, because I've heard that the king is going to lay the foundation stone for a bridge in
01:14:37Villalba.
01:14:40What do you want me to do in Villalba?
01:14:42Poliar la mundial.
01:14:43We'll show up there as soon as your father cuts the rope, because he's coming to you and launching himself at your
01:14:48arms.
01:14:51I had something different in mind, Saturn.
01:14:54Something different.
01:14:57Pass me the notary's office.
01:15:01Don't tell me you're going to write to him?
01:15:06I spend a lot of time thinking about what I would say to my father when I found out who he is.
01:15:11Normal, I love, they are...
01:15:12These are difficult lines.
01:15:16What if you copy Tirso?
01:15:19Plagiarism always works.
01:15:23I know exactly what I want to tell him.
01:15:30Father, I know you know who I am.
01:15:33That you have followed every step of my life.
01:15:36That you have worried about me without my knowing.
01:15:40I've been looking for you for a very, very long time and I've finally found you.
01:16:00My past is dark.
01:16:02Full of extraordinary journeys to the farthest corners of the world.
01:16:06I have seen wonders that cannot be expressed in words.
01:16:10Immense cities.
01:16:12Temples that shine at sunset.
01:16:15Villages bathed by virgin beaches.
01:16:24And yet,
01:16:26Nothing compares to the face of a son when he looks at his father.
01:16:38I want to see you.
01:16:57The destiny I was born for is not to torture carrion,
01:17:00but to conquer empires.
01:17:03My future is linked to yours.
01:17:12You haven't left the door for two days.
01:17:14And I will remain here until I receive a response from your father, you, the King of Spain.
01:17:18The thing is, the king has his chores to do.
01:17:21The man will have time.
01:17:23Sir, do you want to cut the royal carriage?
01:17:25No.
01:17:26That job is no longer mine to do.
01:17:28I present to you Álvaro Quiroga.
01:17:30He is the one who will teach us the secrets of baking.
01:17:33Despite worshipping false gods, Egyptian civilization is particularly attractive.
01:17:41Caution is advised.
01:17:43We can't do it here at the Palace.
01:17:52I did what he asked.
01:17:54I went to that forest and told the Red Eagle what you told me.
01:17:59I am the woman who is meant to be by your side.
01:18:02Only with me will you be the best king in history.
01:18:06His Majesty the King.
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