- hace 2 días
Categoría
📺
TVTranscripción
00:00:30Saturn, I can't go back without her! I can't lose her!
00:00:42Go back to the convent!
00:01:03If the wind in your face burns your skin
00:01:12Always remember that I will be waiting for you.
00:01:16She sings just like her mother.
00:01:21My name is Juan de Calatrava, Duke of Velasco and Fonseca
00:01:23Grandee of Spain, owner and lord of all this land
00:01:26Irene is Cardinal Mendoza's niece
00:01:28You know the power that the man who ends up by her side would have.
00:01:40Austria for the people!
00:01:44With your father and your aunt who are getting married?
00:01:46No, Sánchez, the wedding is with Juan.
00:01:48I need to find information about my brother
00:01:51I need to know why someone is so determined to prevent me from finding any clues about him.
00:02:03Stop!
00:02:05Come on!
00:02:12It's a miracle
00:02:15My father and my aunt
00:02:16They were going to get married
00:02:18Can you love your first love again?
00:02:21First love is never forgotten
00:02:24It is never forgotten
00:02:27I thought it wasn't real.
00:02:29We're going to get through this, I promise you.
00:02:32Your Eminence, I want the hand of your niece Irene
00:02:34Estuarda and Gaby have left the village
00:02:36But I have another war.
00:02:37My son and his mother's fight against hunger and humiliation
00:02:40You're jealous
00:02:40To be jealous, I would have to love you.
00:02:42Before signing your permission
00:02:44I would have to meet your fiancée.
00:02:46Just wait until the nobles see you
00:02:48They fall on their butts
00:02:49I'm going to tell you what I've been wanting to tell you for years.
00:02:52Martin, what have we done?
00:02:54Nothing bad, Irene
00:02:55I love you
00:02:58Go be war
00:03:01Order my brother released immediately, commissioner
00:03:04Do not accept blackmail
00:03:05Go for it!
00:03:09First round of the village donkey race
00:03:12Francisco Pulido runs
00:03:13The champion of the village
00:03:14Nobody can beat him.
00:03:17No!
00:03:20That saved my life
00:03:29That's Juan's company.
00:03:30But if we're here, perhaps it's to make the exchange.
00:03:33Or to kill us
00:03:35The Kingdom of Spain will not submit to any kind of blackmail.
00:03:39I don't regret anything and I will accept my messiness
00:03:41Shame on you.
00:03:43For my nephew on the gallows
00:03:44This is my last chance to have a family
00:03:47How long has it been since you last saw, Alonso?
00:03:49Since last night
00:03:49Are you thinking the same thing as me?
00:03:53I feel sorry for you.
00:03:53That's why I'm willing to help you.
00:03:55Arrive at the northern port of the town at five o'clock
00:03:57Escape with me
00:03:59I'll wait for you
00:04:00It's over
00:04:02Abandonment
00:04:03I had a wife
00:04:05But I lost her
00:04:06I'm sorry
00:04:08Is someone waiting for you?
00:04:10And promised
00:04:11I made a promise that I won't be able to keep.
00:04:14Which?
00:04:15Return
00:04:15If you don't want to know who he is, that's your problem.
00:04:17But I do need to know.
00:04:20Need
00:04:21To have a mission
00:04:22I need to hold on to something to feel alive
00:04:24Can you hear me?
00:04:26No!
00:04:27No, wait!
00:04:28He won't throw it away!
00:04:30What are they going to do with us, Saturn?
00:04:35Son
00:04:36Whore
00:04:37I hate you
00:04:46There's no time, Gonzalo
00:04:50Who is going to save them?
00:04:51No, not either!
00:04:52We haven't done anything!
00:04:54I can't marry the commissioner, dude.
00:04:56I don't love myself
00:05:00No!
00:05:02Load weapons!
00:05:03No!
00:05:03They're civilians!
00:05:07Aim!
00:05:09No!
00:05:12I don't know!
00:05:13Come on!
00:05:31We know he has a birthmark on his head
00:05:33From now on your name will be Irene
00:05:37Daisy
00:05:37I have changed
00:05:38I've missed you
00:05:51I declare to you
00:05:52Man and wife
00:05:53From the zaman
00:05:59Combola, Jahre!
00:06:00What are you going to do, agebaut!
00:06:00I've missed you!
00:06:01D Mina!
00:06:09Aim!
00:06:12Combola!
00:06:13Nothing!
00:06:19Protect Rights!
00:06:21And the old man
00:06:21Nothing!
00:06:23Combola,اي!
00:07:58Why did you do this?
00:08:01Because there can't be anything so terrible as to make someone want to take their own life.
00:08:04You know nothing about me.
00:08:14Today I married someone I don't love.
00:08:20With the town commissioner.
00:08:41Estuarda said she was going to the Americas, but you saw her board a ship.
00:08:46Are you sure he's gone?
00:08:49I don't know if you'll ever learn that when a woman says she's going to do something, she does it.
00:08:55Even if you have to swim there.
00:08:57Oh no, Satur.
00:08:58Maybe he changed his mind at the last minute.
00:09:01And now he's coming back for you.
00:09:10Saturlo Garcia?
00:09:11Terminator.
00:09:12A woman gave me something for you in the port of Cadiz.
00:09:16Stuart...
00:09:17What's happening?
00:09:22Thank you so much.
00:09:24Bye bye.
00:09:27What does it say?
00:09:29He's coming back, isn't he?
00:09:30A letter from Stuart arrives.
00:09:42Thank you so much for everything you've done for me, Satur.
00:09:45I'm writing to you from the ship.
00:09:49We set sail in one hour.
00:09:52I will always carry you in my heart.
00:09:54Stuart.
00:09:55I'm sorry, Satur.
00:09:57Thank you.
00:10:00The only woman who believed in my son is sailing the ocean and I'm here.
00:10:04Planted in the middle of the plateau.
00:10:07This time I've lost them forever, my love.
00:10:08It might be a silly question, but could you take the next boat?
00:10:13Now we know they're there.
00:10:15All you have to do is look for them until you find them.
00:10:18Let's see, Alonso.
00:10:20America isn't a village, you know?
00:10:21Wait, wait, wait.
00:10:22Maybe what the kid said isn't so far-fetched.
00:10:25Because even if it arrives a few days later, that's how big American women are.
00:10:29Many, Satur.
00:10:30As?
00:10:30Lot.
00:10:31The village could be more than four million times its size.
00:10:33Four million?
00:10:34Yeah.
00:10:34In addition, commercial banks only go out twice a year.
00:10:37It's most likely that the next one won't come out for another six months.
00:10:40Six months?
00:10:41Yeah.
00:10:44But when I found my Gaby, she turned into an Indian.
00:10:48If I ever find them, that is.
00:10:52I'm sorry.
00:10:54I'm sorry, Satur.
00:10:56What's happening?
00:10:58Sanchez.
00:11:00Sanchez.
00:11:01It must have fallen to the sailor who brought the letter.
00:11:04Yes, he is the patron saint of sailors.
00:11:06They protect them on the high seas.
00:11:12Thank you for your help, Your Majesty.
00:11:14As soon as the expedition lands, I will send a report to you and the Council of the Indies.
00:11:19Don't disappoint me, Admiral.
00:11:21I hope I have not granted an extraordinary favor in vain, Your Majesty.
00:11:30Don Juan de Calatrava, Duke of Velasco and Fonseca.
00:11:44Majesty.
00:11:53I sent you to the front because I was aware of your brilliant military career.
00:11:59However, your company has been caught by a very unfortunate maneuver.
00:12:04I'm sorry, Your Majesty.
00:12:05I had to send an entire army to free you.
00:12:08And many men have fallen in the rescue.
00:12:11And all because you let yourselves be captured.
00:12:16I know.
00:12:16And if there is anything I can do to repay you, Your Majesty, know that I would do anything you asked of me.
00:12:25Portugal's problem remains unresolved.
00:12:31I will return to the front if you wish.
00:12:37No.
00:12:39You have my blessing to marry as promised.
00:12:45Her name is Margarita, right?
00:12:48Yes, Your Majesty.
00:12:51Another Margarita in the family.
00:12:57I hope you'll invite me to the feast.
00:13:01Of course, Your Majesty.
00:13:03You may leave.
00:13:05I have important matters to discuss.
00:13:20A soldier from your company is asking for you.
00:13:23He said he needs to see him urgently.
00:13:25What's it called?
00:13:26His name is Victor Navas.
00:13:27She guards her in one of the waiting rooms.
00:13:33Come on, leave the plates here and keep cleaning up.
00:13:36Everything, the dishes, the cutlery, everything must be spotless.
00:13:39Come on.
00:13:40Parading!
00:13:42Catalina, what will happen when what has to happen happens?
00:13:48I don't know, Marta, I don't know.
00:13:50Just in case, I gave the commissioner plenty of wine.
00:13:53Let's see if he thinks that alcohol can break what's already broken.
00:14:00Miss Irene.
00:14:02Miss?
00:14:04He probably didn't fall into the pond there.
00:14:07I've said it a thousand times, that pond needs cleaning.
00:14:11It's very slippery with so much mucus.
00:14:14They've asked about me.
00:14:17Marta, go get a dry dress.
00:14:23I went to the lake, but...
00:14:27The teacher saved me.
00:14:30Creature, how could you have done things like this?
00:14:33Irene.
00:14:35Martin, please don't make it worse.
00:14:36That's already been the ball.
00:14:38Irene, I didn't see the note.
00:14:39I arrived late, but you were already gone.
00:14:41I'm sorry, Irene, I really am.
00:14:42Just leave it alone!
00:14:43Irene, please, you have to...
00:14:44That's it, Martin, that's it!
00:14:48Now I am a married woman.
00:14:59Come on, Satur.
00:15:01Six months seems like a long time, but just think that they might stay and live next to the port.
00:15:06Gaby is too lazy to walk.
00:15:09Already.
00:15:11Okay.
00:15:12I know that if it weren't for me forcing you to rescue Juan, you would be with them now.
00:15:18Well, the worst part is that it didn't work at all.
00:15:20Look, if you ever go after the eagle...
00:15:27Look, Lonsillo.
00:15:29Sometimes you don't know when you're doing things right or wrong.
00:15:32But when it is God's will that they come out, then they come out.
00:15:36And if not, they might never have come out.
00:15:39So stop worrying and go to school.
00:15:42I'll see if I can find the puppeteer to give this to him.
00:15:44Come on.
00:15:45Following.
00:15:48Second Hernandez.
00:15:50I'm leaving here.
00:15:52It passes you towards the...
00:15:53Ah, okay.
00:15:56I don't know what they were thinking...
00:15:57Not for school?
00:15:59Come on?
00:16:02Excuse me.
00:16:04I'm looking for a sailor who lost this.
00:16:08A guy...
00:16:09We did it!
00:16:11The king has given us permission and funding
00:16:13for an extraordinary expedition to the Americas.
00:16:15We're going to explore the Amazon!
00:16:18Yeah!
00:16:19Come on, Admiral!
00:16:20Long live the king!
00:16:21Viva!
00:16:22When is the admiral scheduled to depart?
00:16:24As soon as Concepción is ready,
00:16:25We will demonstrate that it is possible to travel the Amazon
00:16:28from the Atlantic to the South Sea.
00:16:30Excuse me, would you like something?
00:16:33No, no, thank you.
00:16:44Dombre?
00:16:45No, no, yes.
00:16:46Sorry.
00:16:46You see, I'd like to go to the Americas as a sailor.
00:16:49with that expedition that's leaving for the Amazon.
00:16:52Knots are tied, sails are hoisted, rowing is done, fishing is done,
00:16:54HE...
00:16:55Which way are the currents flowing?
00:16:56And I even know how to climb to the top of the mast.
00:16:58Have you been to the Americas before?
00:17:02No.
00:17:03We hope you have made many journeys
00:17:05And you already know that when one goes to sea
00:17:07It's the same whether you go to Guadalquivir or around the world.
00:17:10Does he know how to swim?
00:17:11With all due respect, it's best not to know what's going on at sea.
00:17:14This makes the agony shorter.
00:17:16We great sailors know this.
00:17:20Let me board.
00:17:22Please take note.
00:17:24I don't care about the salary.
00:17:26Saturno Garcia.
00:17:27Please.
00:17:29You come at the end of the afternoon.
00:17:31As?
00:17:34Am I going to the Americas?
00:17:35For now, to Cádiz.
00:17:37There he boards the ship with the rest of the crew.
00:17:39You, you, you.
00:17:41You don't know what you're doing for me.
00:17:44Long live the king!
00:17:46Following.
00:17:47Viva!
00:17:55Victor, I have spoken with the king and he has told me that I do not have to return to the front.
00:17:59Do you know what that means?
00:18:01It means I can finally marry Margarita.
00:18:04Have you met her?
00:18:04Yeah.
00:18:06Well, I owe all this to you.
00:18:08If you hadn't saved my life, I wouldn't be here now.
00:18:12Do you know what I'm going to do?
00:18:14I will intercede for you so that you don't have to return to the front.
00:18:17Captain, you cannot marry Margarita.
00:18:23Why not?
00:18:26She's not the right woman for you.
00:18:31Who do you think you are to judge my wife?
00:18:34Her husband.
00:19:10Ma'am, have you decided which dress you're going to wear?
00:19:12Black will be fine.
00:19:14Black for a wedding day?
00:19:16Is something wrong?
00:19:17No, ma'am.
00:19:19I'll bring it right now.
00:19:21And leave.
00:19:30Congratulations.
00:19:31That's it?
00:19:32You are a married man.
00:19:36Peaceful.
00:19:38I haven't forgotten our agreement.
00:19:40As soon as your maids pack Irene's things, we'll leave.
00:19:43And you'll never see me around here again.
00:19:45It's curious.
00:19:48When I met you 15 years ago I thought this would be something fleeting.
00:19:53It seems I was the only one who believed it was something more.
00:19:56Well, you can see that's not the case.
00:19:58I never imagined that after such a long relationship I could feel so unaffected.
00:20:04I'll make sure your maids finish as soon as possible.
00:20:11How lucky to find you together.
00:20:13I had something to tell you.
00:20:15What is it about?
00:20:17I've been reflecting during the feast and I've come to a conclusion.
00:20:23Marchioness, I would like you to host the commissioner and my niece for a while in your palace.
00:20:30Your Eminence, if I may, a marriage should begin its new married life in intimacy.
00:20:36I can give my wife a home worthy of her.
00:20:38And where do you plan to take her, commissioner?
00:20:41That filth you have around your house?
00:20:44Who do you think you married?
00:20:46When you have a home, in accordance with your new position, you can leave.
00:20:52As for you, Marchioness, you will have to instruct her.
00:20:57My niece has spent her whole life in a convent.
00:21:00And now that she's a married woman, she needs certain explanations about marriage that I wouldn't know how to give her.
00:21:07It will be an honor as always.
00:21:09You are a faithful servant.
00:21:13Commissar.
00:21:16Eminence.
00:21:21Great.
00:21:23It looks like your wife's move is going to take longer than expected.
00:21:29And there were sailors.
00:21:30And I also saw some drawings of ships and very strange people who live in the Indies.
00:21:35When I grow up I want to be a conqueror and discover something.
00:21:39Well, for that you have to study first.
00:21:41And to know the sea.
00:21:42But how am I supposed to know the sea if I've never seen it?
00:21:46Many of the great conquerors were inland men and had never seen the sea before.
00:21:50Like Orellana, Hernán Cortés, Pizarro.
00:21:53And all three were from Extremadura.
00:21:56Come on, let's have a little break.
00:21:59You can go out and play.
00:22:05I love.
00:22:08Today is a great day.
00:22:11There will be a before and after in the life of Saturno García.
00:22:14And so?
00:22:15I've done it, I love it.
00:22:17I did it.
00:22:19I'm going to the Americas with an expedition that's going to explore the Amazon.
00:22:22And as a sailor, no less.
00:22:27Let's see, Saturn.
00:22:29Do you know how dangerous that is?
00:22:32Saturn, of all those who leave, almost none return.
00:22:35Man, none.
00:22:36I went to Verona and here I am.
00:22:38Five ships set sail with Magellan, and only one returned.
00:22:40And of the 300 men who embarked, only 18 survived.
00:22:43Why did Magellan circumnavigate the world?
00:22:44Given how long that journey was, it's no wonder people died along the way.
00:22:48In Gamboa's expedition, for example, more than 350 men died during the crossing alone.
00:22:52Be careful with the data, I've been there.
00:22:56And if I've survived once, I wonder if I can survive again?
00:22:58Saturn, the fact that you went to Verona, this has nothing to do with it.
00:23:01Going on an expedition means enduring nights and days without food or water, crossing storms,
00:23:04suffer accidents, go through scurvy, and a thousand other things.
00:23:07I love it, setting sail on that ship is the only way I have to find Gaby Estuarda.
00:23:11And if that means I have to become a hopeless scormutist, then I'll become one.
00:23:17What is scurvy?
00:23:19A disease that causes your teeth to fall out.
00:23:21That?
00:23:23It doesn't matter.
00:23:25If I have to get to America with only one tooth, then I'll get there, that's it.
00:23:29Don't miss out on going.
00:23:32What should I say to him/her?
00:23:34Before I leave, in the time I have left, I'd like to go to the bookseller.
00:23:37Let's see if you can tell us something about their coat of arms.
00:23:40I can't leave the village without knowing who you are.
00:23:47Where is Gamboa located?
00:23:54Daisy.
00:23:54Daisy.
00:23:59Victor.
00:24:03I know that I am your wife in the eyes of God and the law.
00:24:07And I know that means I belong to you.
00:24:10But I don't plan to ever come back to you, Victor.
00:24:18So if you want, kill me.
00:24:20Because that's going to be the only way to have me by your side.
00:24:23Kill me.
00:24:28I know I haven't been a good husband to you.
00:24:30I haven't known how to treat you as you deserve.
00:24:32But I've changed.
00:24:34I have regretted it day and night.
00:24:35And now I am a different person.
00:24:38Let me prove it to you.
00:24:40I won't go with you, Victor.
00:24:42Never.
00:24:44I understand that you can't forgive me now.
00:24:46But you're my wife.
00:24:49And I don't plan to give you up.
00:24:52What are you going to do?
00:24:55I'm going to stay here in the villa.
00:24:56I'm going to find a decent job.
00:24:58I'm going to show you that it's worth being with me.
00:25:00You won't succeed.
00:25:04One day you were in love with me.
00:25:07Victor, I love Juan.
00:25:10And he doesn't know yet.
00:25:12He already knows.
00:25:25Gold crown, four fleurons, four bouquets, pearls.
00:25:31This is the coat of arms of a marquisate.
00:25:33But I'm afraid it doesn't belong to the Spanish kingdom.
00:25:38Wait a moment.
00:25:41Marquisate, of Marques?
00:25:45From Marques?
00:25:45Are you too?
00:25:46From Marques?
00:25:47Yes, yes, yes.
00:25:47It's a coat of arms of France.
00:25:50But it's going to be very difficult for you.
00:25:52find a book of French heraldry here in the village.
00:25:56They will have to search in private libraries
00:25:59or else they will have to go to France.
00:26:02It's just that France asks us for something a little out of the way.
00:26:06Isn't there a bookstore closer around here, man?
00:26:07No, no, the only official record there was
00:26:10It was lost many years ago in an accident.
00:26:14when they were transporting precisely
00:26:16the funds of the noble register.
00:26:20And where did that accident happen?
00:26:22He went into the ravine, on the way to Villanueva.
00:26:26The car he was in fell into a ravine.
00:26:28But, well, inaccessible.
00:26:32Thank you so much.
00:26:33Thank you so much.
00:26:34Come on.
00:26:36Now?
00:26:37What man said inaccessible?
00:26:39The word itself says it.
00:26:41Inaccessible?
00:26:44What, you don't have access?
00:27:00The milk the coachman drank was something else.
00:27:03Now that we're looking at the sky, I love it.
00:27:05Because until he hit rock bottom
00:27:06It gave him time to repent of his sins
00:27:08and those of his neighbor.
00:27:12If you don't mind, love, I'm going to distance myself a little.
00:27:14that heights and I don't...
00:27:16Come on, if the guy upstairs left me with a head
00:27:18Being so close to the ground, there must be a reason, I'd say.
00:27:25Is something wrong?
00:27:27I'm realizing something.
00:27:30That you were on our last mission together, love.
00:27:36Do you know what I tell him?
00:27:39I am very grateful to him.
00:27:40because he learned a lot from you.
00:27:44Those legs that you hand out freely like no one else.
00:27:48Or those Chinese remedies
00:27:50that cure everything from diarrhea to heartbreak.
00:27:53I'm the one who should be grateful to you.
00:27:57No, love, no.
00:27:59Remember that you saved me from certain death.
00:28:01She opened the doors of her house to me,
00:28:02He gave me a family.
00:28:03And most importantly,
00:28:06I trust myself.
00:28:08It's mine.
00:28:09And I, therefore, have responded to him as best I could.
00:28:12I might have mended a suit for him
00:28:14I made him a stew
00:28:15with a potato and a chicken foot.
00:28:21You've been the best partner, Sator.
00:28:24The best.
00:28:28Have you considered
00:28:29Can you find me a replacement?
00:28:33There is nobody here
00:28:34that can replace you.
00:28:37Nobody.
00:28:40And now that I'm going to leave,
00:28:41I would like to ask you a question
00:28:44that's been on my mind
00:28:46since I met him.
00:28:47Whatever you want, Sator,
00:28:48but...
00:28:48Do you know all my secrets?
00:28:50No, not all of them.
00:28:50That's precisely why.
00:28:54Tell me.
00:28:58Where do you get it from?
00:28:59So many red feathers?
00:29:01You get it
00:29:02an amount
00:29:03that trembles mystery, love.
00:29:07Series.
00:29:08He's not going to answer me, is he?
00:29:12What a bird!
00:29:16Come on, we're leaving.
00:29:18There is no Christian
00:29:18lower this.
00:29:19I see!
00:29:31What are you doing, master?
00:29:35We're not leaving yet, Sator.
00:29:43Hey, master!
00:30:01Good heavens, they call it an eagle.
00:30:04I'm not going to blow anything up at all.
00:30:07How dizzying!
00:30:09Oh my God, what vertigo!
00:30:20I can't watch this anymore.
00:30:32Here are the sheets
00:30:33that you asked me for
00:30:33for the wedding night.
00:30:34Are they brand new?
00:30:36Sure, like they are
00:30:36from Juárez de la Marquesa,
00:30:37I don't use them anymore.
00:30:38on the wedding night.
00:30:40This is the way...
00:30:42Remove.
00:30:43Go ahead, get me a needle and thread.
00:30:45I'm going to stitch it here.
00:30:46Let's see if this helps.
00:30:47He prefers to go inside.
00:30:48How awful!
00:30:51You too, it seems unbelievable.
00:30:53What are you doing here torturing yourself?
00:30:54That's really something.
00:30:55I have been forced
00:30:56to bring more firewood.
00:30:58Lady,
00:31:00It's ready.
00:31:00the sheet announces.
00:31:02Very good.
00:31:03Which nightgown should we put on her?
00:31:04I don't care.
00:31:05Catalina, you choose.
00:31:07Should I choose it?
00:31:10Well, I don't know, ma'am.
00:31:12This one that looks
00:31:12Warmer, isn't it?
00:31:17Hello good.
00:31:21Your uncle
00:31:23has entrusted me
00:31:24since you don't have
00:31:25mother who instructs you.
00:31:27Do you have any questions?
00:31:28about what's going to happen
00:31:29tonight?
00:31:31No.
00:31:32Catalina,
00:31:33getting more clumsy every day.
00:31:34Yes, ma'am,
00:31:35sorry.
00:31:36Lady,
00:31:37if he doesn't send anything else,
00:31:38I'm leaving.
00:31:47In fact
00:31:48There isn't much either.
00:31:49that explain.
00:31:50You just have to
00:31:52lie down in bed
00:31:53and wait for your husband
00:31:54be taken upon you.
00:31:56Catalina,
00:31:57help her.
00:32:02Miss?
00:32:02Yeah.
00:32:10Lady,
00:32:11with your permission
00:32:12I'm going to get more salts.
00:32:13Very good.
00:32:21It is important
00:32:23that you are relaxed.
00:32:25That is.
00:32:27Close your eyes.
00:32:47I took a big risk
00:32:49so that you could
00:32:50leave with that gardener.
00:32:51I just want you to know
00:32:52that with me
00:32:52It's not a game.
00:32:55Don't look at me like that.
00:32:57Nor has it been
00:32:57for that reason.
00:32:58It is much more painful
00:33:00what awaits you
00:33:00tonight
00:33:00with your husband.
00:33:02Good luck, dear.
00:33:13He's a bad master
00:33:15that I was there
00:33:15to turn it up.
00:33:17But,
00:33:17You'll tell me.
00:33:17who's shooting
00:33:18to you of the rope.
00:33:21Thank you so much,
00:33:21Sato.
00:33:28Well, then
00:33:29has cost
00:33:30but already
00:33:31We already have the book.
00:33:33Yeah.
00:33:33I'm not going
00:33:34without knowing
00:33:34What family are you from?
00:33:37That's how it is now.
00:33:39As soon as I have
00:33:40a site
00:33:40in the Americas
00:33:42He's already keeping me informed.
00:33:43whose is it
00:33:43And what is its mystery?
00:33:46I hope he finds out soon.
00:33:49Have...
00:33:51I have something for you.
00:33:53me.
00:33:59Thank you so much.
00:34:02Because I would have preferred
00:34:03the complete suit,
00:34:04But you need it.
00:34:05more than me.
00:34:21And that pot?
00:34:26Alonso!
00:34:27Alonso!
00:34:28Father,
00:34:30It was heated
00:34:30the soup.
00:34:32And so?
00:34:33Who's leaving?
00:34:37Alonso and I!
00:34:42Do you know where it is...?
00:34:44Come on, you know
00:34:45the Amazon River.
00:34:46Yeah.
00:34:47Yeah.
00:34:48Is it in the Americas?
00:34:50Very well, yes.
00:34:51What's happening?
00:34:52No, it's okay.
00:34:54that there will be an expedition
00:34:56who is going to explore it,
00:34:59clear.
00:35:01AND...
00:35:03I'm going with them.
00:35:05That?
00:35:05But why are you going with them?
00:35:07Alonso,
00:35:08It's the only chance
00:35:09that Satur has
00:35:10of...
00:35:10of arriving in America
00:35:12and find Gaby and Estuarda.
00:35:14But when are you leaving?
00:35:16Well,
00:35:16We're going out tonight
00:35:17for Cádiz.
00:35:18But you already are.
00:35:21You understand,
00:35:22Right, Loncillo?
00:35:24Come on.
00:35:35Find them.
00:35:38And take good care of yourself,
00:35:39Okay?
00:35:41Although there is no ocean
00:35:42no jungle that can withstand Satur,
00:35:44let them get ready
00:35:45the cannibals
00:35:46those from the Amazon
00:35:47because...
00:35:47with the hunger that the sea brings,
00:35:49Maybe it's me
00:35:50the one who sinks his teeth into it.
00:35:52Is something wrong?
00:35:58Satur.
00:35:59He's going to the Americas
00:36:01to look for Estuarda and Gaby.
00:36:04Satur?
00:36:09We're going to kick you out
00:36:10many of them less.
00:36:12Hey, come on, hey!
00:36:14Let me come.
00:36:16What will it be?
00:36:18As far as I'm concerned...
00:36:18that was waiting for me
00:36:20about the expedition.
00:36:34Okay, fine.
00:36:36Let's not be sad about Satur
00:36:37that he's going to do very well
00:36:38in America.
00:36:46Here you go, doctor.
00:36:47I have to step out for a moment
00:36:48But I won't be long in returning.
00:36:57He offers me a drink of wine,
00:36:58captain.
00:37:03What do you want?
00:37:04It's best if we talk.
00:37:07Let me.
00:37:12You and I
00:37:13We're going to fix this
00:37:15right now.
00:37:16Leave that alone.
00:37:20What are you doing?
00:37:21Let that go!
00:37:24What's happening?
00:37:25His name is Victor.
00:37:26He is the husband
00:37:28Margarita's.
00:37:39Sign here.
00:37:41Following.
00:37:44Saturno Garcia, sailor.
00:37:48Garcia Saturno.
00:37:50Sign here.
00:37:54Where?
00:38:04You're not right-handed, are you?
00:38:06Is there something wrong with your other hand?
00:38:09No, nothing to me.
00:38:11Would you mind showing it to me?
00:38:16The rag, please.
00:38:28I'm sorry, but in that state
00:38:29cannot board.
00:38:30If this doesn't work...
00:38:31Come on, it's just a minor burn.
00:38:33Following.
00:38:33It looks brand new all day long.
00:38:35Please, I need to catch that boat.
00:38:37Leave.
00:38:37Let me go on that boat.
00:38:38It's urgent.
00:38:39Leave.
00:38:40Following.
00:38:41I need to go on that ship.
00:38:43Sign here.
00:38:48What's wrong, Lúcia Larva?
00:38:52Saturn.
00:38:53Saturn.
00:38:54Following.
00:38:55Saturn.
00:38:56What are you doing here?
00:38:57No, that...
00:38:59I heard you were leaving and...
00:39:01I...
00:39:02Well, that...
00:39:02Take it for the trip.
00:39:05Following.
00:39:05There won't be a trip.
00:39:07How come there won't be a trip?
00:39:09No, I burned my hand
00:39:11And with her, they don't accept me.
00:39:13What's wrong, Adriana?
00:39:14When do the prisoners go to the galleys?
00:39:16Tonight they'll be taken from the prison to Cádiz.
00:39:18Very well, we'll leave in two days.
00:39:21Have you heard?
00:39:22They even take prisoners.
00:39:24Of course, they're really going to sweat blood.
00:39:25That is.
00:39:37May I come in?
00:39:38Of course, you're in...
00:39:41You are in our cave.
00:39:45Did the ceremony go well?
00:39:47Yes, and the banquet.
00:39:48The banquet too.
00:39:50Are you tired?
00:39:52A bit.
00:39:54Okay, go to bed.
00:39:55It's been a very long day for everyone.
00:40:29Excuse me, Irene.
00:40:30I have to go out.
00:40:40Your father is here.
00:40:43Daisy.
00:40:44We need to stop the bleeding.
00:40:45What happened?
00:40:46What did that do to you, Victor?
00:40:47Is he Portuguese?
00:40:48Alonso, go to my room.
00:40:50We will lay this man down in yours.
00:40:51It's no big deal.
00:40:52If Juan wanted to hurt me, he would be dead.
00:40:55How long has that done?
00:40:56Why did Juan swallow this soldier, Father?
00:40:58Alonso, go to my room, please.
00:41:01We need to clean the wound.
00:41:02Yeah.
00:41:05I thought about this a lot.
00:41:11Did you know your husband was here?
00:41:13Yeah.
00:41:14Why haven't you told me anything?
00:41:16So that?
00:41:17I could have helped you.
00:41:19Yeah?
00:41:19And how could you help me?
00:41:21You just don't understand.
00:41:23I care about everything that might happen to you.
00:41:37I need something to drink.
00:41:40Yeah.
00:42:06I think you should go back to your wife.
00:42:29Why did Juan hurt that soldier?
00:42:32I don't know.
00:42:34And Aunt Margarita?
00:42:36Why does he know him?
00:42:38Come on.
00:42:39Enough with the questions.
00:42:40And off to sleep.
00:42:43What are you hiding from me, Father?
00:42:48Nothing.
00:42:50Please, I know when you're lying to me.
00:42:55Let's see.
00:42:57You knew Aunt Margarita was married, didn't you?
00:43:01That?
00:43:02That soldier?
00:43:03He is the aunt's husband.
00:43:08But I thought he was dead.
00:43:11And Aunt Margarita too?
00:43:14I thought he had died in the war.
00:43:18So she can't marry Juan?
00:43:21No.
00:43:23And is he going to take her?
00:43:27I don't know, son.
00:43:29Don't know.
00:43:33What will happen now?
00:43:37Now, we're going to sleep.
00:43:41Come on.
00:43:44Come here.
00:43:49Are you trembling?
00:43:51Already.
00:43:52It's because it's cold.
00:43:55I tried to close the window, but it's broken.
00:43:59I'll fix it tomorrow.
00:44:02What a day, huh?
00:44:05Well, at least things go well for Satur for once.
00:44:11I hope so, son.
00:44:13I hope so.
00:44:21Where the hell did he put the car with the prisoners?
00:44:25If they take them to Cadiz, they have to pass through here, for sure.
00:44:28You know the kind of scum they take to the Americas.
00:44:29They don't take away chicken thieves.
00:44:31That lead to murderers, Satur.
00:44:33If you're not careful on that ship, you'll wake up with a split throat.
00:44:35Do you want to go open the inn sometime?
00:44:37You've been singing the same song all night.
00:44:41Listen to me, Cipriano, because it seems you don't understand me.
00:44:44I'm going to the Americas, no matter what.
00:44:47I'm not moving here until the car passes.
00:44:49Well, I'm not leaving either.
00:44:50That what you're going to do is suicide.
00:44:51I can't let you do it.
00:44:57I'm going to the Americas.
00:45:24Satur!
00:45:27Satur!
00:45:31Satur!
00:45:32Listen to me, Cipri!
00:45:33Satur!
00:45:43Satur!
00:45:45There!
00:45:52No!
00:45:54No!
00:46:09Please don't shoot!
00:46:13What? Did I poop out of the car?
00:46:19Get in! Let's go!
00:46:29You too, come on.
00:46:30No, not him!
00:46:32No, he just came to say goodbye.
00:46:34Yeah.
00:46:36Listen, I don't...
00:46:37Get on!
00:46:43Get on!
00:46:55Get on!
00:47:03Six o'clock.
00:47:07Six in the morning and all night staring at the door.
00:47:11Don't worry, Catalina.
00:47:14If the commissioner had discovered that Irene was not a virgin,
00:47:17They would have already come for him.
00:47:19My mom hasn't noticed anything.
00:47:20He won't notice.
00:47:22The commissioner may be whatever he is, but he's no fool.
00:47:30Woman, why don't you go and lie down for a while?
00:47:33I prefer to wait for Juan.
00:47:35I want to know how he/she is.
00:47:37Well, how could it be?
00:47:40Martin, son.
00:47:41Did you manage to get any sleep?
00:47:43Good morning.
00:47:46I'm going to make you some hot broth.
00:47:47I don't have anything to do with it, aunt.
00:47:56Juan.
00:47:59Juan, how are you?
00:48:00I've been waiting for you all night.
00:48:02I'm fine.
00:48:05Well, we're going to get ready because we're going to the palace, okay?
00:48:08And to Martin.
00:48:13I'm so sorry, Juan. I'm so, so sorry.
00:48:15No, don't be sorry. It's not your fault.
00:48:18But I love you, Juan.
00:48:20No no.
00:48:23I beg you, Margarita. I beg you.
00:48:26You know I've done everything to be with you.
00:48:30Thank you.
00:48:31I have stood up to my parents.
00:48:33I have stood up to the nobility.
00:48:35I have asked the king for permission.
00:48:36I went to hell and back alive to marry you.
00:48:41But I can't take it anymore.
00:48:42I can't do anything.
00:48:43Please.
00:48:46Please.
00:48:49Look.
00:48:52Give this to Victor and tell him to put it on the wound.
00:48:57Please.
00:48:58No, give it to him.
00:49:01No, give it to him.
00:49:04No, give it to him.
00:49:26No, give it to him.
00:49:28No, give it to him.
00:49:31No, give it to him.
00:49:33No, give it to him.
00:49:58We're at a standstill.
00:49:58Come on.
00:49:59Down everyone.
00:50:00We just left.
00:50:06Down for what?
00:50:07What we had to do was go to Cádiz with the rest of the expedition.
00:50:10As he said.
00:50:12As he said.
00:50:13No.
00:50:18No.
00:50:23No.
00:50:24No.
00:50:25No.
00:50:26No.
00:50:26No.
00:50:49No.
00:50:52No.
00:50:53No.
00:50:54No.
00:50:56No.
00:50:57No.
00:50:59No.
00:51:04Those who are sick, kill them.
00:51:40Come on, let's take them inside.
00:52:14Catalina, and the gardener?
00:52:19He hasn't arrived yet, commissioner. He's gathering firewood.
00:52:22As soon as he arrives, tell him to come see me.
00:52:27And tell him it's the last time he brings wet firewood.
00:52:30It has been impossible to light it tonight.
00:52:32Is it so cold in your bedroom that you need to heat it up?
00:52:38It's appreciated that you're so interested in everything going well in your guest room.
00:52:43If you're going to be in my palace for a long time, it's normal that I'm worried.
00:52:46I wouldn't want a minor matter to cloud the happiness of a couple in love.
00:52:53If you'll excuse me, it's my prayer time.
00:53:03Miss Irene, with all due respect, I know this doesn't bother you, but something has happened, something new that I
00:53:08I need to know.
00:53:09The commissioner left the bedroom and did not reappear all night.
00:53:13So, nothing, we're back to the same thing again tonight.
00:53:16Oh God, what agony.
00:53:19Nuño.
00:53:20Good morning.
00:53:20Good morning.
00:53:21Good morning.
00:53:23Good morning, Nuño.
00:53:25Are you going riding?
00:53:27Yes, I'm perfectly fine.
00:53:28I don't think it's a good idea.
00:53:29It's still early.
00:53:30And who says so?
00:53:31I'm telling you this, I'm your mother.
00:53:34Change.
00:53:35Catalina, who are following my horse.
00:53:37Nuño, listen to your mother.
00:53:39Come on, give me the whip.
00:53:42I told you to give me the whip, Nuño.
00:53:47Nuño, give me that whip.
00:53:48Who do you think you are to tell me anything?
00:53:50Nuño, give it to me.
00:53:53Nuño.
00:54:13If you're looking for money, there's nothing here.
00:54:16I wasn't stealing.
00:54:18Victor.
00:54:19We've known each other for a long time.
00:54:21I was looking for a clean cloth to treat my wound.
00:54:26I'm sorry.
00:54:28No problem.
00:54:30Here, Juan gave me this for you to put on your wound.
00:54:34How are you doing?
00:54:35Very good.
00:54:36Like everyone else, since you arrived.
00:54:40I'm going to find a place to stay.
00:54:43I'm going to the inn.
00:54:45Very good.
00:55:01Thank you.
00:55:11I would speak for anyone.
00:55:17Good morning.
00:55:19Good morning.
00:55:21This is already done.
00:55:22I was already going to the palace.
00:55:24Let's see.
00:55:25See you later.
00:55:27How's the wound?
00:55:29Good.
00:55:30Glad to hear it.
00:55:35Hey Victor, do you know I've heard about you?
00:55:38Nothing good, I suppose.
00:55:40You're right.
00:55:42But I am one of those who believe that people can change.
00:55:45And at the moment I have no reason to distrust you.
00:55:49I apreciate it.
00:55:52Now, if you hurt him or he already suffers even the slightest because of you,
00:55:59I will personally make sure you regret it.
00:56:05You worry a lot about my wife.
00:56:11She's my sister-in-law.
00:56:25Let's see.
00:56:27The clothes.
00:56:27Out.
00:56:29I said, "Take off your clothes."
00:56:34Put that on.
00:56:35Saints.
00:56:37These people kill the sick and the weak.
00:56:39He kills them.
00:56:40Don't worry, you're having a good year.
00:56:42Stop complaining, Cipriano.
00:56:45You're stuck here.
00:56:47The best thing is for you to start assuming
00:56:51The sooner you come to America with me.
00:56:53In short, your life here wasn't a continuous party.
00:56:56It tells you not to go there
00:56:57and you meet an indigenous woman.
00:57:00I'm prone to being like this all day
00:57:02with the nobility in the air.
00:57:04Like the Indians.
00:57:11This site is depressing, Cheers.
00:57:15Depressing, depressing.
00:57:16It's not for that either.
00:57:18They've killed three, yes.
00:57:20But they had a certain look
00:57:21Cipri, they've almost done them a favor.
00:57:25But don't worry, I was at my inn.
00:57:28No, damn it, you're always complaining
00:57:30that you feel lonely at night.
00:57:32Asleep where?
00:57:33You're going to sleep with someone tonight.
00:57:35The strip.
00:57:46Yes, it is depressing.
00:57:48But when the selection is made
00:57:50We're going straight to the Americas.
00:57:52Don't worry.
00:57:52The Americas, you say.
00:57:54Here Americas.
00:57:56The Americas?
00:57:57Where are they leading us all?
00:57:58They don't take us to the Americas.
00:58:01Or what?
00:58:04So where are they leading us?
00:58:07To Africa.
00:58:09Some salt mines.
00:58:14Africa.
00:58:37What have you done?
00:58:39What have you done, Gonzalo?
00:58:40Run away.
00:58:42Run away, you have to run away.
00:58:43Go away.
00:58:44Go away.
00:58:45Go away.
00:58:47I will always love you.
00:58:49I will always love you.
00:58:51I will always love you, Gonzalo.
00:58:53Always.
00:58:54Always.
00:58:56Always.
00:58:58Always.
00:59:16Open.
00:59:21Open.
00:59:22Open.
00:59:24What will you do?
00:59:27This one has a gold piece.
00:59:29No.
00:59:30No!
00:59:31No, please!
00:59:32No, please!
00:59:33No!
00:59:42Where this is going, it won't do you any good.
00:59:44Open.
00:59:46Open.
00:59:49Open.
00:59:50Nothing else.
00:59:51Let's go.
00:59:53Let's go.
01:00:00Yeah, dude.
01:00:02We have to get out of here somehow.
01:00:04That?
01:00:04And the sooner we get out, the better.
01:00:06No, no, no.
01:00:07I don't plan on going anywhere.
01:00:08If they catch us and we escape, they won't kill us.
01:00:11If we stay here,
01:00:13They're sending us to some mines in Africa.
01:00:16Do you know what that means?
01:00:17No.
01:00:18We're not going to see the sunlight again.
01:00:19for the rest of our lives.
01:00:21Yes, but at least we'll be alive.
01:00:24But what good is being alive?
01:00:25If you're never going to be free?
01:00:28No no.
01:00:29Go if you want, it's up to you.
01:00:31I'm staying.
01:00:32You can't stay here.
01:00:34You will have to fight for your life.
01:00:35No?
01:00:36What, I don't plan to escape?
01:00:37That's just how I am.
01:00:39I'm no good at escaping.
01:00:40I'm sorry.
01:00:41Can't.
01:00:42What kind of man are you?
01:00:44Hey?
01:00:46So still.
01:00:47So cowardly.
01:00:48It doesn't surprise me, Keke.
01:00:52What are you going to say?
01:00:56Who will leave me, right?
01:00:57Well, look.
01:00:59Now that you've brought it up, yes.
01:01:00You are nobody to give me choices.
01:01:02I will be whatever.
01:01:03But at least I'm not settling.
01:01:04with what I am, Lucho.
01:01:07While you can't do whatever you want.
01:01:10As if you wanted to stay here.
01:01:12I'm not going to let you kill me anymore.
01:01:15I plan to escape tonight.
01:01:32I see that despite the marriage
01:01:33You are not neglecting your duties, Commissioner.
01:01:37A man should not give up
01:01:38to what he does best.
01:01:39Not even for love.
01:01:41Don't talk nonsense.
01:01:43You know very well what I've come to find.
01:02:06Now that you have that jewel of eminence,
01:02:07I hope you don't think of it.
01:02:08to dispense with my services.
01:02:10So much suspicion
01:02:11It starts to become irritating.
01:02:13You already have a signed confession.
01:02:15Furthermore, you now belong to the family.
01:02:18Now that I am,
01:02:20Are you going to tell me
01:02:21What secret does the medallion hold?
01:02:24It must be very important.
01:02:25when you have granted me
01:02:26your niece's hand.
01:02:27Don't overestimate the value of family.
01:02:32I will try to give you offspring as soon as possible.
01:02:35They say it's the best way
01:02:36to seal a sacred union.
01:02:37No, no, no, no, no.
01:03:05I can continue with what you were doing.
01:03:35No, no, no, no, no.
01:04:02No, no, no, no, no.
01:04:15Dibri...
01:04:15...if you're awake,
01:04:17I'm not going to leave without you.
01:04:18Come on, let's go.
01:04:22Can't.
01:04:25Trust me.
01:04:28Trust.
01:04:29Trust.
01:04:34But how are we going to get out of this shack?
01:04:46Through the latrine.
01:04:49Help me.
01:04:56We crawled through here and once outside we jumped over the fence.
01:05:02Let's not get lost in the woods.
01:05:04You won't find us.
01:05:07Come on.
01:05:26Thank you.
01:05:28Mister.
01:05:35Can you leave?
01:05:37What was your name?
01:05:39Peter.
01:05:42Peter.
01:05:45Like the apostle.
01:05:48Without a doubt, you too hold the keys to paradise, Pedro.
01:06:00Of all the men in the village, you had to choose my lieutenant.
01:06:06I was torn between him and the bald jailer, but this one was more my type.
01:06:09It reminded me of you when you were young.
01:06:15Hernán, this is my palace.
01:06:18I don't think you're in a position to reproach me for anything.
01:06:22Good night.
01:06:42I've finished.
01:06:44No, no, no.
01:06:46What do you want?
01:06:46I dragged myself stone for the hour.
01:06:49Ma, what you remember.
01:06:51But what happens is.
01:07:01No, no, no.
01:07:42No, no, no.
01:08:18No, no, no.
01:08:21No, no, no.
01:08:35No, no, no.
01:09:25No, no, no.
01:09:29No, no, no.
01:09:59No, no, no.
01:10:28And yours?
01:10:31Good.
01:11:03Why did you marry me?
01:11:09Do you love me?
01:11:13Even though you are my wife.
01:11:16You won't have to do anything you're not prepared for.
01:11:21I will wait as long as it takes.
01:11:50Are you freezing, Cipri?
01:11:51Are you freezing, Cipri?
01:12:05No, no, no, no, no, no, no?
01:12:10Let's start with the goodbyes.
01:12:13Are you going to sing on Top 40 when you see her?
01:12:15No, I'm already dead.
01:12:19How much do I discover in the wound?
01:12:21There you go, discover everything.
01:12:23That's all there is to it.
01:12:28Come on!
01:12:30Above!
01:12:31Hey!
01:12:32Come on!
01:12:33Stand up!
01:12:34Hey!
01:12:35You're not going to Africa!
01:12:37But first, the garbage must be buried.
01:12:41You!
01:12:43Come on!
01:12:46Mister.
01:12:48I can do it.
01:12:49I've already told him.
01:12:51Mister.
01:12:54I finish faster than any of these.
01:12:57Oh, really?
01:12:57Yeah.
01:12:58Well, you help him.
01:12:59Thank you.
01:13:00Come on!
01:13:04No, I won't be able to, Saturn.
01:13:07Can.
01:13:08You have to be able to.
01:13:11No.
01:13:12No.
01:13:14Go.
01:13:30No no.
01:13:33No no.
01:13:33No.
01:13:36No.
01:13:39The second.
01:13:42Are you OK?
01:13:50I was so close to being happy, Gonzalo.
01:14:19Are you OK?
01:14:22Bury the trash.
01:14:25That's what we are, a bunch of scum.
01:14:27Trash.
01:14:28Cipri.
01:14:29I can't take it anymore, Sato.
01:14:30If I keep going, this hole is going to be mine.
01:14:33Stay strong.
01:14:34Lean on the shovel if you need to.
01:14:36Come from above.
01:14:37Don't let us end up like this, my God.
01:14:40Help us for once in your life.
01:14:50Please give it back to me.
01:14:56Cipri, I'll be right back.
01:15:07Take.
01:15:10Thank you.
01:15:12Do you like toys?
01:15:14Yes a lot.
01:15:17I know someone in the village who has a lot of toys.
01:15:21They're very cute toys, beautiful.
01:15:23Who?
01:15:25The teacher from the San Felipe neighborhood.
01:15:28If you tell him you're a friend of mine, maybe he'll give you one.
01:15:31Really?
01:15:33Yeah.
01:15:40You just have to give him this.
01:15:46Tell him that Sato wants to see him.
01:15:48Do you remember?
01:15:50Yeah.
01:15:51Let's see.
01:15:52Sato wants to see him.
01:15:53Very good.
01:15:53Hey, you!
01:15:54Okay, forget about the fence.
01:15:56The child.
01:15:58Cipri.
01:16:00Cipri.
01:16:02I think we have a chance to get out of here.
01:16:08Are you playing with me, Dad?
01:16:09I told you not to come and play here.
01:16:10Go on, go home.
01:16:28Juan, for God's sake, you have to eat something.
01:16:30If you keep going like this, you're going to get sick.
01:16:32And what a claim to fame for a doctor!
01:16:34Be sick.
01:16:35I'm not hungry, thank you.
01:16:37Juan, look what I'm telling you.
01:16:40I have to go to the palace.
01:16:41When I return, I don't want there to be a single crumb left on that plate.
01:16:44We are?
01:16:53Can I come in?
01:16:54Juan, if you want I'll stay.
01:16:57It's not necessary.
01:17:00God be with you.
01:17:06How is the wound healing?
01:17:08Good.
01:17:10I already told him that woman is my life.
01:17:12I lost it once.
01:17:15And I don't intend to do it again.
01:17:16I already know the story.
01:17:18Are you finished?
01:17:18I'm not finished.
01:17:20What is the relationship between Margarita and her brother-in-law?
01:17:24She has been taking care of him and the child since her sister died.
01:17:27Take care of them.
01:17:29Have you seen the way Margarita looks at that man?
01:17:34Be quiet.
01:17:36You know it.
01:17:37I told you to shut up.
01:17:38You know it, Juan.
01:17:39Don't continue.
01:17:41Be quiet!
01:17:42Neither you nor I have any chance while that man is still alive.
01:17:51Bye bye.
01:17:53Bye bye.
01:17:55Do you know the teacher?
01:17:57Yeah.
01:17:58He is my father.
01:17:58What did you want?
01:18:00She came to see her toys.
01:18:03What toys?
01:18:04A man told me that the teacher had many toys.
01:18:08Well, I don't know why he told you that.
01:18:09Father has no toys.
01:18:10Books only.
01:18:12So he lied to me.
01:18:16Who is that child?
01:18:18I don't know.
01:18:19Bring your toys.
01:18:20A man told him that he had many.
01:18:26Hey.
01:18:28Come.
01:18:32Who told you I had a lot of toys?
01:18:34A man.
01:18:36He gave me this.
01:18:49Alonso, what are you doing?
01:18:51I'm trying to fix the window.
01:18:54It just won't close.
01:18:55And it gets very cold.
01:18:56Let me help you.
01:18:58Let me.
01:19:05Are you going to take my aunt away?
01:19:11I would like her to come with me.
01:19:14But only if she wants to.
01:19:18I didn't want her to marry Juan.
01:19:22But at least he wasn't going to take her away from the villa.
01:19:25What are you doing?
01:19:29Victor is helping me fix the window.
01:19:32I wanted to surprise you, Father.
01:19:33Since he never has time...
01:19:35Already.
01:19:38Alonso, my love, will you leave us alone for your moment?
01:19:41Clear.
01:19:43No, Mom.
01:19:49I know what you're trying to do, Victor.
01:19:51And no matter how much you fix the window,
01:19:53or that you become friends with my nephew,
01:19:54I'm not going to change how I feel about you.
01:19:56I'm not going to change anything.
01:20:12I'm not going to change anything.
01:20:23I'm not going to change anything.
01:20:25Come on!
01:20:30Come on!
01:20:36Satos!
01:20:38I'm dying of pain.
01:20:41I can't take it anymore, okay?
01:20:43Cipri!
01:20:44Cipri, hold on, for God's sake!
01:20:46Come on!
01:20:47Hey!
01:20:48I'm laughing!
01:20:49What's that?
01:20:55A gunshot wound.
01:20:57So it was you who tried to escape last night.
01:21:00No, no, for God's sake.
01:21:03No, no, for God's sake!
01:21:05No!
01:21:06No!
01:21:15Okay!
01:21:18High!
01:21:20Now!
01:21:27Come on!
01:21:29Come on!
01:21:34Come on!
01:21:40Come on!
01:21:47Come on!
01:21:48Long live it!
01:21:58Hey, hey!
01:22:32Long live it!
01:22:49Don't worry, Cimri. I think we'll get through this.
01:22:52Above!
01:23:44Long live it!
01:23:55Long live it!
01:24:34Long live it!
01:24:37Madam, your brother-in-law, the Count of Lizana, is here.
01:24:39Where is Juan?
01:24:40After the argument they had at the inn, nobody has seen him.
01:24:43I know who Red Eagle is.
01:24:45Prove it.
01:24:45It is my will that my son Nuño begin to carry the ecclesiastical robes in the Augustinian monastery of Arganda.
01:24:51Where is the portrait?
01:24:53Don't condemn him to a life sentence.
01:24:55It was my brother's wish and I will make sure it is fulfilled.
01:24:58What are you doing to him, Juan, to make him give you all his properties?
01:25:01Did he see the shadow digging a pit in a cave this very morning?
01:25:04Why dig a grave if not to bury the dead?
01:25:07Are you sure about what you're going to do?
01:25:08We're leaving tomorrow.
01:25:09The cardinal's niece lives in your palace.
01:25:12Kill her.
01:25:14What are they going to do to him?
01:25:16Come on!
01:25:17Come on!
01:25:18He's taken it.
01:25:19I think you would feel the same way if something happened to Irene.
01:25:22She never forgot you.
01:25:24You were always our problem.
01:25:26Come on!
01:25:27Come on!
01:25:30Come on!
01:25:31Come on!
01:25:32Come on!
01:25:34Come on!
Comentarios