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00:00:10The chalice of Saint Catherine
00:00:30Never, never trust your adversary, but above all, have no mercy on him.
00:00:35Come on, Lochello, fight like you know how, okay?
00:00:39My father is a coward and he wants me to be one too.
00:00:42Never say that. You don't deserve the parent you have.
00:00:48Get rid of them.
00:00:53Gonzalo, you are his father.
00:00:54My son's education is my business.
00:01:02That Margarita was the greatest horror I have committed in this life.
00:01:06Sooner or later I'll find it.
00:01:09Your father married your mother against his will.
00:01:12He preferred your aunt.
00:01:15My son is much smarter.
00:01:17You wouldn't do any of the stupid things I did when I was in love with you.
00:01:19Yes, that's true.
00:01:21You loved Aunt Margarita.
00:01:25Didn't you love your mom?
00:01:28Is everything alright at home?
00:01:30If you looked at me just once the way you look at him, that would be enough.
00:01:34It's none of your business.
00:01:36Can you tell me why you hate me so much?
00:01:38I need to remind you.
00:01:38I know you still blame me for that man's death.
00:01:41You still think I betrayed you with him.
00:01:44So you didn't listen to me.
00:01:46Do it now.
00:01:47Please.
00:01:51No, Gonzalo, I'm not going to let them kill you.
00:01:53You are just the whim of a noblewoman.
00:01:55I wonder when he'll get tired of you.
00:02:01You have discovered the altar, so they will not return.
00:02:05You must start with the hospice.
00:02:07Ghosts don't exist.
00:02:09They are just superstitions for ignorant people.
00:02:11And a milk.
00:02:13There's your ghost.
00:02:15He's just a man in a red robe.
00:02:17Come on?
00:02:18Where to?
00:02:23If you don't do it for me,
00:02:26Make it clear, won't you?
00:02:27Son!
00:02:28Son!
00:02:30That gold is essential to our crusade against the king.
00:02:35Hold on.
00:02:42Son!
00:02:51Son!
00:02:52They're eating the girl, sir!
00:02:54What do you do at the hospice?
00:02:55Why did you kill the teacher's wife?
00:03:04Come on!
00:03:06You know that I obey you faithfully, but this seems neither Catholic, nor Apostolic, nor Roman to me.
00:03:11Are you sure there's no other way to get Mr. Alarcón's ring?
00:03:14This is the fifth time you've asked me, and the answer remains the same.
00:03:19I don't mean to insist, but I do.
00:03:22What if we quit? Could this cost us dearly?
00:03:25Be quiet and enjoy.
00:03:28Callus and cava.
00:03:29Cava and cava.
00:03:32But don't you all lend a hand, or you might get yourselves into trouble.
00:03:38Oh, I think we've arrived.
00:03:52May the Lord forgive us.
00:04:02The torch, Sato.
00:04:10What does that mean, master?
00:04:13How did that man get out of his tomb?
00:04:16He hasn't come out, Sato.
00:04:18They've taken it out.
00:04:20Someone has beaten us to it.
00:04:25Who is it?
00:04:26The same ones who killed my wife.
00:04:33Come on, Sato.
00:04:44And me, go to sleep?
00:04:47When do I sleep?
00:04:52Eagle.
00:04:55Eagle.
00:05:15It's so cold.
00:05:17He can be with my son now.
00:05:19Oh, my little daughter, protect me.
00:05:22I'm not getting used to getting up so early to go to the market, you know?
00:05:25Go on and don't complain.
00:05:26And then you sure do like getting the sausages at half price.
00:05:29I saw the monthly ones at more than triple the price yesterday at the stalls.
00:05:31No no.
00:05:32Yes, there are a lot of thieves on the loose, daughter.
00:05:33And those are the positions here.
00:05:34They're more suited to the center.
00:05:35Go ahead, give me some coins.
00:05:38No coins or coins.
00:05:39Go on, throw it.
00:05:39How easy it is to ask.
00:05:40I used to take everyone to the mine to work.
00:05:42Give me some coins, damn it.
00:05:44I'll see if I have anything with me.
00:05:46Look, look, look.
00:05:48Look, yes.
00:05:49This is what I'm wearing.
00:05:52Is this all you have?
00:05:55Come on, man.
00:05:56Let's see.
00:05:58Careful, okay?
00:06:00Look, look.
00:06:04Take this.
00:06:06This is good.
00:06:07You sell this and you'll make a fortune.
00:06:09That?
00:06:10Ugh, wow.
00:06:11Ah, goodbye, buddy.
00:06:21Well, at least we were able to save the stock market.
00:06:25I always carry some spare change for situations like this.
00:06:27One safety precaution is worth two.
00:06:30And my ugly bed?
00:06:32It was a memory of my great-grandmother.
00:06:34That ugly bed had been passed down from generation to generation.
00:06:39Good morning.
00:06:40Good morning.
00:06:42Good morning, love.
00:06:44Did you sleep well?
00:06:45Like a child.
00:06:46Because?
00:06:47No, well, my kidneys are like sherry.
00:06:50As if instead of spending the night in bed, I had spent it, what can I say?
00:06:53Well, digging in the cemetery.
00:06:56Well, judging by the smell, it seems so.
00:06:58Alonso, Alonso.
00:06:59That's not something you say.
00:07:00No, if you're a dog, fine.
00:07:02Through smell, but for a person...
00:07:03Well, the red eagle has a very good sense of smell.
00:07:06And a magical view.
00:07:08I can read it and see it all at the same time.
00:07:10I want to learn how to do it too, maybe someday you'll let me be your assistant, right?
00:07:14And why did you want to be his assistant?
00:07:16That's what I say.
00:07:17Do you know what it must be like for an ordinary mortal to follow a hero who goes from rooftop to rooftop?
00:07:21Another beating, son.
00:07:23Regardless.
00:07:24Look, these are just my own musings.
00:07:29Well, to be honest, I wouldn't mind.
00:07:31I would follow him to the ends of the earth.
00:07:33Okay, enough of this nonsense.
00:07:34I have never seen that red eagle and I don't even think it exists.
00:07:37So that's the end of the matter.
00:07:39Well, I'm going to look for Gabi.
00:07:45Although I've tried, I can't forget you.
00:07:49Sometimes I think that maybe I let myself be carried away by jealousy.
00:07:52And I didn't even let you explain.
00:07:55But what if you could tell me that I was wrong?
00:07:59And that you still love me.
00:08:02I would forgive you right then and there.
00:08:10How dare you enter without knocking?
00:08:13I thought that sleeping in Tolcoba gave me certain liberties.
00:08:16You're confusing things, commissioner.
00:08:19What are you hiding?
00:08:21What are you hiding, Lucrecia?
00:08:24Let me go.
00:08:24You have no right.
00:08:32Do you have the ring?
00:08:33No.
00:08:33I went to the cemetery, but the body of Mr. Alarcón was not there.
00:08:36It was them.
00:08:36Yes, he's scared.
00:08:38If we find the ring, their plans will be in jeopardy.
00:08:41Their plans and them.
00:08:42Eight, nine, ten, eleven.
00:08:52And that's why they fear you?
00:08:55Let's be cautious.
00:08:57Everything in its own time.
00:08:59You are the ring in the red one.
00:09:00You must make justice prevail.
00:09:03Wait.
00:09:06Stop by the church of San Fidel at three o'clock.
00:09:09If I find out anything, I'll leave you a note under the feet of Christ.
00:09:13OK.
00:09:17You are the ring in the red one.
00:09:19Stop by the church of San Fidel at three o'clock.
00:09:23Always yours, Gonzalo.
00:09:25What's wrong, teacher? I used to write you love letters?
00:09:29No, wait a minute, not so fast.
00:09:31Let me read it.
00:09:34Dear Margarita.
00:09:36Come on, this letter isn't for you.
00:09:38How did it end up in your hands?
00:09:40I don't think that matter is any of your business.
00:09:42Give it to me.
00:09:46It seems the teacher was very fond of his sister-in-law.
00:09:49Now that they live together, it's only a matter of time before all that resurfaces.
00:09:52But that's precisely what they won't have.
00:09:55Time.
00:10:04No matter how many times you read that letter, it will never be for you, Lucrecia.
00:10:08Never.
00:10:16Gaby, Murillo.
00:10:17Where is Alonso?
00:10:18Well, we thought it would be there.
00:10:21Oh!
00:10:21Walk.
00:10:22Oh!
00:10:22Hey, let go of my son.
00:10:24When you pay me for the 60 pounds of premium grapes,
00:10:26that scoundrel just ruined me.
00:10:28Let's go outside.
00:10:37When I was inside the test I almost saw the face of the red eagle.
00:10:41Really?
00:10:41If no one has ever seen it.
00:10:43Well, I'm going to see it this afternoon.
00:10:45When three bells usually ring in the church.
00:10:47The friar who spoke with the red eagle told him to be there at that time.
00:10:51So now I know how to find him and ask him to let me stay with his squire.
00:10:54And you don't want to be mine?
00:10:55I have a very important mission for you.
00:10:57Wipe my ass.
00:10:58What are you saying, you idiot, you moron?
00:11:01The teacher, the teacher!
00:11:06We'll talk a lot later.
00:11:08Don't tell my father about the red eagle.
00:11:11He doesn't believe it exists.
00:11:15Your wife is already teaching mine.
00:11:17He'll know what she's saying.
00:11:18Well, I don't know, but when he makes that face...
00:11:23What did Catalina say about the matter and that ugly camouflage?
00:11:26My own flattery does to me what it did to you.
00:11:29And he'll never see me again.
00:11:30What would you have to do?
00:11:31To take the carrier?
00:11:32Come on, come on, be quiet, you're crazy.
00:11:34Yes, I love my husband more than my ugly cam.
00:11:36Besides, where am I going to go?
00:11:38It's not about going.
00:11:39That it's about threatening.
00:11:41What I've done to him isn't that bad, like I say.
00:11:43What, it's not that big of a deal?
00:11:44You have disappointed your wife and they don't forgive that, Cipri.
00:11:47I've already apologized. What do you want me to do?
00:11:49Well, compensate her.
00:11:50What's it going to be?
00:11:51And do you know the only way to make amends?
00:11:54Bringing back the ugly camo.
00:11:55That?
00:11:56Do you want me to go into the underworld and risk my neck?
00:11:59Think about it, Cipriano.
00:12:00To lose a woman like Inés...
00:12:02I don't mean to be a busybody, but...
00:12:05It's so good you could just dip a piece of bread in it.
00:12:09And unless I've crowed a rooster, well, I've found another one.
00:12:13Well, that's it.
00:12:14My wife loves me and she's not going to leave me over something silly.
00:12:19Cipriano, I've been thinking about it.
00:12:20And if you don't understand what "ugly camo" means to me, well...
00:12:26So I have to think about whether...
00:12:28If I want to continue being your wife.
00:12:36I know that...
00:12:39I'm very angry with you.
00:12:42The grapes cost me an arm and a leg.
00:12:44I'm sorry, father.
00:12:45I was playing hide-and-seek.
00:12:46I didn't realize.
00:12:47I once hid in a barrel of gachumbos.
00:12:50And I spent two days removing the thorns.
00:12:52Okay, I don't want any more excuses.
00:12:54You are grounded.
00:12:56You're not leaving the house all afternoon today.
00:12:57Oh no, please.
00:12:58I have very important things to do.
00:13:00Well, they're going to have to wait.
00:13:01I strictly forbid you from going out on the street.
00:13:05Gonzalo.
00:13:08Hello good.
00:13:10I've come so you can convince Margarita.
00:13:13At your feet, Madam Marchioness.
00:13:15It is an honor to have you visit us.
00:13:16Sato, sato.
00:13:19Convince her of what?
00:13:20Really, Marchioness, yes...
00:13:22Lucrecia.
00:13:23Lucrecia.
00:13:24I haven't accused anyone in years.
00:13:26Don't be stubborn.
00:13:28I have offered her the job of being my seamstress.
00:13:30The one I had just passed away, poor thing.
00:13:33I immediately thought of Margarita.
00:13:35Don't you think it's a good idea?
00:13:38That's something she has to decide.
00:13:40Gonzalo, always so proper.
00:13:42You have too much money.
00:13:45What things do you have, ma'am?
00:13:47If in this house you have to bite your tongue to eat meat.
00:13:51Come on, Margarita.
00:13:52Gonzalo can't support you forever.
00:13:54He is a widower and you are a married woman.
00:13:57What will people say?
00:14:00If you have to work, it's better to do it with your old friend than for a stranger, don't you think?
00:14:08Alright.
00:14:10I accept.
00:14:11You'll see.
00:14:13You'll feel right at home.
00:14:16Yeah.
00:14:17We feel right at home here.
00:14:19Like in a whorehouse.
00:14:22And this is my bedroom.
00:14:25Catalina, get the fabrics ready for Margarita.
00:14:27Immediately.
00:14:29Come in, Margarita.
00:14:31You have a beautiful house.
00:14:33Yeah?
00:14:33My husband was a Sebastian.
00:14:35I only bought the best.
00:14:37What wonderful fabrics!
00:14:40They are from Damascus.
00:14:49Oh, how absentminded I am.
00:14:51I'm always forgetting my mail everywhere.
00:14:57Come on, let's go.
00:14:58I'll show you where the fabrics are.
00:15:00Here.
00:15:08You have honest ones.
00:15:09Molar!
00:15:15Or whatever they call a tavern.
00:15:18You go in here for a glass of wine and come out with the stench.
00:15:21Be quiet.
00:15:24Shut up, these people aren't in the mood for jokes.
00:15:27Well, less than you said, some end up at the bottom of the river.
00:15:31Let's go.
00:15:31The only thing we're going to get out of this is a stab of sorrow.
00:15:34Cipriano, calm down.
00:15:36The skinny guy knows everything.
00:15:38And you give him four wonderful things, he lengthens you up.
00:15:39Who did Inés steal the cameo from?
00:15:41Where can you find it?
00:15:42And if you press me, how far is the holy grail?
00:15:45I'm asking that man a favor.
00:15:46And if you have to jump out of a window, come back and jump.
00:15:49True son.
00:15:51Cipriano, how dare you show up at my house?
00:15:53Give me a reason why I shouldn't kill you.
00:15:55Damn, skinny, I didn't know she was your sister.
00:15:58Right?
00:15:59She's come to talk about my sister.
00:16:00The thirty wonders you owe me.
00:16:03Cyprian.
00:16:04How much money we have is a nuisance, man?
00:16:07Come on!
00:16:13And who is the potentate?
00:16:15Well, a good friend who needs help.
00:16:19Look, Mr. Tirillas, I've been the victim of a theft, and I don't know where this insecurity is going to end up.
00:16:26What's this guy saying?
00:16:27To his wife, who had a cameo stolen from her today.
00:16:30And if he doesn't get it back, I can see him sleeping with the hen until the Lord calls him to his glory.
00:16:35Strips, do you know anything?
00:16:37Man, Sanchez, I know, you know I know a lot of things, but everything has a price.
00:16:42Of course, man.
00:16:43If you go to the trouble, well...
00:16:46We'll have to compensate him, won't we, Cipriano?
00:17:21The ring is under the protection of the Virgin of Mercy.
00:17:34Adela Roja.
00:17:47Alonso?
00:17:52Father?
00:17:53I didn't forbid you from leaving the house.
00:17:55What are you doing here?
00:17:56Well, I've come to pray for Mom.
00:18:02And what are you doing here?
00:18:04Me too.
00:18:05Ah, well then we can pray together.
00:18:07No, no, no, you're grounded.
00:18:09So go home and if you want to pray, do it without going out, as I've instructed you.
00:18:14Can you hear me?
00:18:15And don't you ever disobey me again.
00:18:20No, no, no, no.
00:18:25I'm going to vaccinate you.
00:18:30Hey, it's me!
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00:27:35Come on, Realdo, go home.
00:27:43This is where the symbol could be seen.
00:27:55Here.
00:28:13I jump, that way.
00:28:21Come on?
00:28:28You first, father.
00:28:30You first.
00:28:40I bring you the best of the best.
00:28:42Exclusive fragrances.
00:28:44My own recipe.
00:28:53Come on, perfumer.
00:28:55He knows I didn't make him come up here to sniff his ointments.
00:29:05This is the most powerful one.
00:29:06Lethal and without antidote.
00:29:09It is so effective that it only needs to touch the victim's lips and death will appear natural.
00:29:13But why do I have to love him?
00:29:16I'd like to try it.
00:29:24No, please, Mrs. Márquez.
00:29:26Well, not petit chuchu.
00:29:27She is my only company.
00:29:34Thank you.
00:29:36I'm sorry.
00:29:37I'm so clumsy.
00:29:41Stop.
00:29:41This man gets off here.
00:29:55Good night.
00:30:18I should have been allowed to try it with the dog.
00:30:27I'll keep it.
00:30:36Eight seats.
00:30:40That's it, love.
00:30:42This also means that the members of the lodge...
00:30:46Hello good evening.
00:30:48It's going to be eight.
00:30:55Is it Hebrew?
00:30:57Definitely.
00:30:59Can you give us any clues?
00:31:01It's possible.
00:31:07Sato!
00:31:11Good heavens!
00:31:14The floor is spotless.
00:31:17I think these guys use ammonia.
00:31:22That's a fact.
00:31:49Margarita, are you still working?
00:31:53Yes, I've noticed that the silk on the bedspread is a bit worn and...
00:31:56I'll order another quilt.
00:31:59I don't want you squirming in my bed.
00:32:02Help me undress.
00:32:17Lucrecia?
00:32:19Can I ask you a question?
00:32:22Yes of course.
00:32:30Can I ask you a question?
00:32:37Gonzalo...
00:32:38Gonzalo...
00:32:38Well, did you keep seeing Gonzalo?
00:32:42It's important to me.
00:32:45Oh, Margarita.
00:32:48Stop torturing yourself with the past, for God's sake.
00:32:52Besides, I'm exhausted.
00:32:56Leave.
00:33:02What is thanks?
00:33:05What is thanks?
00:33:13Leave.
00:33:16What is thanks?
00:33:19What is thanks?
00:33:37What did you do this afternoon?
00:33:38Yesterday?
00:33:40Yesterday?
00:33:41In the afternoon.
00:33:44Oh, well, what was I going to do?
00:33:47I left the church and came straight home.
00:33:50I swear.
00:33:53I knew a man from Matalascañas who, for swearing falsely, lost all his hair.
00:33:58Everything.
00:33:58Even the one from the...
00:33:59Satur.
00:34:00Eggs.
00:34:03Good morning.
00:34:04Good morning.
00:34:06I'm sorry, but I fell asleep.
00:34:09Last night I went to bed exhausted.
00:34:10That's the thing about work, it's exhausting.
00:34:12One more than another has opened it.
00:34:14There are nights when I can't even get into bed.
00:34:18This...
00:34:19What was I saying?
00:34:21Yeah.
00:34:22Yes, I have to go to the market.
00:34:24Satur.
00:34:24Hey?
00:34:26And when did the guy from Matalascañas fart?
00:34:29When you tell the lie, or later?
00:34:30Ah!
00:34:31That?
00:34:32That?
00:34:33What a joke, man!
00:34:34No, no, I'm telling the truth.
00:34:35Well, I don't know, it fell off after three or four days.
00:34:39Gonzalo, I'd like to talk to you about something.
00:34:43Well, the thing is, I don't know how to tell you.
00:34:47What's happening?
00:34:49It's because of the marchioness, isn't it?
00:34:51I know working with her isn't easy, but it was you.
00:34:54No, no, that's not it.
00:34:57Oh yes.
00:34:59I'd like to ask you if...
00:35:03If after you and I separated, if you...
00:35:06Margarita, don't go that way.
00:35:08As far as I'm concerned, you and I never separated because we were never together.
00:35:12Gonzalo, what I want to ask you is important.
00:35:13No, look, that's not important anymore.
00:35:16And I'm not going to talk about that subject now or ever.
00:35:20Good morning.
00:35:26I'm keeping the letter in this drawer.
00:35:28Can you open it?
00:35:30Woman, I can do what I can.
00:35:31What I don't know is whether I should.
00:35:32Please, Catalina, I'm sure that letter was for me.
00:35:35But do you know what you're asking me?
00:35:36Is it your first day here and you're already looking for trouble?
00:35:38That letter could change everything.
00:35:41But I think it's important.
00:35:43Because it's you.
00:35:44Come on, hurry up, okay?
00:35:47Come on, for God's sake, Margarita, there's nothing here.
00:35:59Besides, the idea that the letter was for you is just your assumption.
00:36:02Have you spoken to Gonzalo?
00:36:03Yes, but he doesn't want to talk to me.
00:36:05He won't let me mention anything about what happened to us.
00:36:08But what is this?
00:36:11It was our token of love.
00:36:13From Gonzalo and me.
00:36:15Why would he want to send the marchioness?
00:36:17Because you know how men are.
00:36:18Today they court one, tomorrow another.
00:36:20But it's not worth dredging up the past.
00:36:22Let's go, there's nothing here, for God's sake.
00:36:28I love you, Margarita.
00:36:30I have loved you since I was a child.
00:36:32And I know I will never be able to forget you.
00:36:39Tell me you feel the same way, please.
00:36:43You and me, always.
00:36:47Gonzalo.
00:36:52Applause.
00:36:53Applause.
00:37:08Thank you!
00:37:25I've come with these friends to look for what's missing from the cameo.
00:37:32I have no idea what you're talking about.
00:37:34We've noticed the switch.
00:37:35If you put that bitch in the corn, the fish will eat her.
00:37:42Are you calling me a thief?
00:37:44Don't be offended, skinny.
00:37:47But it's the first time you and I have been called that.
00:37:50If we have come as friends,
00:37:52The pearl thing was a joke, so there you have it.
00:37:55But this man is gambling with his marriage.
00:37:57He spent the whole night sleeping in the hayloft.
00:38:00Well, I'm sorry I can't help you, but I don't have the pearl.
00:38:03And couldn't you tell us where it is?
00:38:07No, a fat woman sold it to him, at a very good price, that's for sure.
00:38:10But I didn't ask for his address because of the education issue.
00:38:13Well, that's it.
00:38:15Thank you very much and take care.
00:38:20Ask him for what we paid him yesterday.
00:38:22If he doesn't give us the pearl, he should give us our money back.
00:38:24Let's go, Cipri, let's go.
00:38:25No, I paid him 40 million bills for a bread friend.
00:38:28You saw me put the gun away.
00:38:31Let's go if you don't want to leave here feet first.
00:38:39Oh my God.
00:38:45No, Murillo.
00:38:47That the friar who goes with the eagle is not like that.
00:38:49Which is taller.
00:38:50Damn it, Alonso, that's the fourth time I've said it.
00:38:52But hasn't the red eagle already told you that it won't make you its squire?
00:38:56Yes, but maybe he'll change his mind.
00:38:58Look, for example, yesterday I gave her the ring she needed.
00:39:01Where are you going to find it?
00:39:02Yesterday I followed him to the hospice square.
00:39:04It seemed he had an important mission.
00:39:07Today I will do the same and I won't move until he appears.
00:39:10Your father, your father, your father, the drawings.
00:39:17Come on, guys.
00:39:18Everyone to their place.
00:39:19Let's begin.
00:39:35Judging by his appearance, he must have been dead since tonight.
00:39:45I don't know.
00:40:09He is the perfumer
00:40:10I notified his family
00:40:11I have already given the order
00:40:13Do you want us to investigate?
00:40:14No
00:40:15Forget about him
00:40:16It's clear that he's dead.
00:40:17Due to natural causes
00:40:37One moment
00:40:45Forward
00:40:48Did you send for me?
00:40:50Yeah
00:40:52Go on, rest for a while
00:40:54And sit down and chat with me
00:40:56Thank you Lucrecia
00:40:57But I have a lot of sewing to do.
00:41:00Besides, I prefer not to eat
00:41:01During working hours
00:41:03Then
00:41:04Make yourself at least a cup of tea
00:41:05Please
00:41:20Would you like a date?
00:41:23I'm sorry, I'm sorry Lucrecia
00:41:25I'll clean it right now.
00:41:27Don't worry
00:41:28He'll take care of your service.
00:41:30No, it's already done.
00:41:32This book
00:41:35Do you still have it?
00:41:37Yeah
00:41:38Do you remember?
00:41:39How could I forget?
00:41:42Can?
00:41:43Of course
00:41:47This one by Gracilaso
00:41:48How beautiful it was
00:41:49Yeah
00:42:01I'll give it to you.
00:42:02That?
00:42:05No, really
00:42:05Lucrecia
00:42:06Yeah
00:42:06And this book to you
00:42:07You always loved it
00:42:07Yeah
00:42:08To be honest
00:42:08I'm quitting
00:42:09This thing about romanticism
00:42:11I'm sure
00:42:11I'm sure you'll enjoy it.
00:42:12More than me
00:42:18Why don't you tell your wife?
00:42:19Instead of the pearl
00:42:21You take her on a hike
00:42:22Let's see the Alcázar
00:42:23That makes him very excited.
00:42:24To women
00:42:25Yes of course
00:42:27And since Inés is stupid
00:42:28She says yes
00:42:29Well, we've been walking...
00:42:30More than one hundred leagues
00:42:31And I haven't seen any fat women.
00:42:32With pearl
00:42:33Not even without a pearl
00:42:36Well, with the great hunger
00:42:37What's happening these days?
00:42:39I don't think we'll see
00:42:40Nobody involved in the meat
00:42:41I just don't
00:42:42For not helping you
00:42:43But I have my own chores to do.
00:42:45Look
00:42:46Come with me to get bread
00:42:47And then we continue
00:42:50Okay, kid.
00:42:51You're going to give me
00:42:52Three loaves of bread
00:42:54Listen
00:42:55Two from yesterday
00:42:56And one from today
00:42:58Grandmother
00:42:59Bring today's bread
00:43:02I soak the hard ones in milk
00:43:03With what I have left over
00:43:04Well, I'll buy half a race of ear.
00:43:06If I knew how to count
00:43:06How well I take him home
00:43:08Hey
00:43:08What if we tell the town crier
00:43:09Will he issue a statement to help us?
00:43:11The town crier?
00:43:12He's not for special things.
00:43:13He's there for the important stuff.
00:43:14The hangings
00:43:16The decapitations
00:43:17That's what it's for.
00:43:18The pearl
00:43:20Pretty, huh?
00:43:21A good deal I made yesterday
00:43:24Okay, cutie
00:43:24Do you want the loaf?
00:43:26We have it too.
00:43:26Stop with the bread
00:43:27How much are you asking for the pearl?
00:43:28The pearl?
00:43:30I wouldn't sell that pearl even if I were dead.
00:43:32I'm so happy about the neckline
00:43:34In other words, to cheer him up
00:43:34In other words, making him happy makes him happy
00:43:36The balcony
00:43:37But it's a memory
00:43:38From his wife's great-grandmother
00:43:39The poor thing is devastated.
00:43:41Oh yes, yes
00:43:42And I believe it.
00:43:46Satur
00:43:50Selling it doesn't sell it to you
00:43:52He'd sell you the kid first.
00:43:53That the pearl
00:44:01Augustine
00:44:04Gonzalo
00:44:06You have to see this
00:44:12May the reborn bring light to the world
00:44:14When the beginning and the end meet
00:44:17What is it?
00:44:17The translation of the inscription
00:44:19From the secret society room
00:44:20It indicates the moment when society meets
00:44:23When the beginning and the end
00:44:25They are found during the changes of the moon
00:44:27Zero hour
00:44:28And today we have
00:44:29New moon
00:44:31At midnight
00:44:33These reborn ones will meet
00:44:35To midnight with someone
00:44:36They're not waiting there.
00:44:38It's very dangerous.
00:44:39Are you sure you want to do it?
00:44:42The only thing I'm sure of
00:44:43Augustine, in this life
00:44:44I want to avenge my wife's death
00:44:50Thanks Agustín
00:44:51Thank you so much
00:45:19Take
00:45:21Take
00:45:22Especially dedicated to you
00:45:29For my great friend Margarita
00:45:32Thanks to life
00:45:33For giving us this second chance
00:45:35Thank you
00:45:37It's very pretty.
00:45:39Thank you
00:45:41Well, because of how serious you are
00:45:42It doesn't seem like you liked it very much.
00:45:46No, that's not it.
00:45:47I'm just a little tired
00:45:48Of course, dear
00:45:49From so much sewing
00:45:50Sit down
00:45:51Read me a poem
00:45:52Like you used to do when we were little girls
00:45:55Which one do you want?
00:45:57Surprise me?
00:46:01This
00:46:03Love
00:46:05Love
00:46:05Love
00:46:06I wore a habit
00:46:07Which was cut from your cloth
00:46:09That one's fine.
00:46:10But better yet, read me
00:46:12The one two pages later
00:46:13The one two pages later is my favorite.
00:46:25Good afternoon, ladies
00:46:29Good afternoon, commissioner
00:46:30What brings you here at this hour?
00:46:31To return something I found
00:46:34Because it's yours, right?
00:46:38It's clear.
00:46:38It bears my initials
00:46:40Yes, even her perfume
00:46:42You should be more careful, Marchioness
00:46:44Maybe one day I won't be around anymore.
00:46:45Finding the things he keeps losing
00:46:48It could cause you serious problems
00:46:50You understand me?
00:46:52I understand you perfectly, commissioner
00:46:54Thank you so much for the bag.
00:46:56I'm sorry, but I have to get on with my work.
00:46:59Margarita, don't forget the book
00:47:13Can you sit down?
00:47:20Don't put in so much that more than one slice of bacon per serving is enough.
00:47:22Lose more money
00:47:24Are you still angry?
00:47:26I'm not angry
00:47:27I'm sad
00:47:29Women
00:47:30Will you recover the pearl sooner or later?
00:47:32I don't care about the pearl.
00:47:35So?
00:47:36What's wrong?
00:47:38Cipriano, they've pulled a knife on us.
00:47:39And you haven't done anything.
00:47:40No, what was I going to do?
00:47:41That guy looked like a killer.
00:47:43That pulled me back
00:47:46That's why you almost pulled me under my skirts
00:47:49Well
00:47:51Better to lose the pearl than to lose your life, right?
00:47:58Look, Cipriano
00:48:03The pearl is the least important thing.
00:48:05It's assumed that when you love someone, you do everything to defend them.
00:48:08I, at least, would do it with you.
00:48:11I would stand in front of anyone necessary to protect you.
00:48:16It's just that I
00:48:19I don't
00:48:24I am not brave
00:48:27Yes, I know.
00:48:31If we had a son
00:48:34What would you do if we had a child and they were in danger?
00:48:37Hey?
00:48:39You
00:48:43Answer, Cipriano
00:48:44You're not going to tell me anything
00:48:50Already
00:48:53Because even you don't know what you would do
00:49:04Come on
00:49:05Sato
00:49:06Is Lonzo home?
00:49:08Well yes
00:49:08There it is
00:49:09Taking the sixth gear like a good Castilian
00:49:10The one who can
00:49:12I don't know why
00:49:13But the poor thing this afternoon
00:49:15He was crippled
00:49:16It doesn't surprise me.
00:49:18Last night he followed us to the hospice square
00:49:20As?
00:49:21Sato
00:49:22Sorry
00:49:24Sorry, sorry
00:49:26Hasn't it been discovered?
00:49:28No
00:49:28Luckily, he didn't see you.
00:49:29But Agustín and I did.
00:49:31And the worst part is that he intends to come looking for me again tonight.
00:49:33I heard him telling it to one of his friends
00:49:36Oh, Alonso and I
00:49:39The boy hasn't exactly been brave, has he?
00:49:42Blood of his blood, I love
00:49:44And it makes clear
00:49:45He's feeling lazy about him.
00:49:47Well, the point is that we have to prevent him from leaving the house
00:49:49And that you can keep a close eye on him
00:49:51So we can
00:49:54Alonso
00:49:55Hello
00:49:57We've discovered bed bugs in our house
00:49:59Ah, well
00:50:00I haven't noticed anything strange about my bed
00:50:03Well yes
00:50:04Yes, there are.
00:50:07Yeah
00:50:07There are some bedbugs
00:50:09Of a considerable size
00:50:12Some bedbugs that
00:50:13They are black
00:50:15Well, they come from Africa
00:50:17These bedbugs
00:50:18And they are very, very, very, very, very, very aggressive bed bugs.
00:50:21Because they're crazy, too.
00:50:21You start scratching and you can't stop.
00:50:23In short
00:50:24You leave school
00:50:25You come straight home
00:50:26You take the mattresses and blankets out to the patio
00:50:29And the shakes
00:50:30That's a lot of work.
00:50:33So, I'm going to have to spend all afternoon here.
00:50:35Yeah
00:50:37Look, this looks like a punishment
00:50:38Well, look, you can take it as such.
00:50:40I'm still angry with you about the barrel of grapes.
00:50:43So now you know
00:50:44Shake it
00:50:52Very good
00:50:57African women?
00:50:58From Africania
00:51:02Hail me, sun
00:51:03And kill the moon
00:51:04Envious
00:51:05That she is sick
00:51:07And pale with sorrow
00:51:08Because you cover her
00:51:10You are more beautiful
00:51:11What nonsense I read, you commoners, didn't I?
00:51:15Don't you like it?
00:51:17Well, then
00:51:18Go to the next one
00:51:19The 21st
00:51:20Let's see what you think.
00:51:30This is not reading material for my child.
00:51:34And I'm going to wash your hands right away because you have to eat dinner.
00:51:37But mother, she...
00:51:41Obey
00:51:45Why did you do it?
00:51:47I don't want...
00:51:48My son's head is filled with nonsense from those love poems.
00:51:52All you had to do was take it off.
00:51:54Do you believe it?
00:51:56It's a simple book
00:51:57I'll buy you another one
00:52:00I don't need it
00:52:03I'd better go and accuse the cabinet
00:52:32Why does it have to be me?
00:52:34Your wife's pearl, Cipri
00:52:36But you're thinner.
00:52:37And you're more agile.
00:52:38So keep going
00:52:39For the Goddess, don't get angry now
00:52:47Because I have a criminal record
00:52:49If they catch me, they'll hang me.
00:52:51Because?
00:52:56Yes, I'm going to take you
00:52:57Pull me out of there, go
00:53:13Relief!
00:53:14Relief!
00:53:16Shut up! Shut up, you fool!
00:53:19I am not a thief.
00:53:21Shut up!
00:53:23Well, yes.
00:53:25I am a thief of your beauty.
00:53:29From the first moment I saw you,
00:53:34you couldn't take me away
00:53:36these breasts of the head.
00:53:39You're the one from this morning, aren't you?
00:53:41Yes, well.
00:53:42Well, that was just an excuse to get closer to you.
00:53:49Ever since I saw you...
00:53:51That?
00:53:55Come on in and I'll explain it to you.
00:53:58Marimor!
00:54:00It must be acknowledged that Satur is a friend.
00:54:02And a man with a spider.
00:54:04Come on, let's go.
00:54:11Forward.
00:54:13Lucrecia.
00:54:17Excuse me.
00:54:19What's happening?
00:54:24I don't think it was a good idea
00:54:26come to work at this house.
00:54:29I've come to tell you that I'm not coming back.
00:54:32Let me explain it to you.
00:54:33Sit down.
00:54:38The letter from Gonzalo that you saw on my bedside table was for you.
00:54:43It carried the fleur-de-lis inside.
00:54:46When did you send it to me?
00:54:49Shortly after it, let's call it an incident.
00:54:53And why did you hide it from me?
00:54:55By what right?
00:54:56With the right that friendship gives.
00:54:58I was already suffering enough.
00:55:00I didn't want him to hurt you anymore.
00:55:02What was written in that letter would only have made things worse.
00:55:05What did it say?
00:55:09What did it say?
00:55:13Give it to me.
00:55:14Can't.
00:55:17I destroyed it.
00:55:20That?
00:55:23Even today, its content would have hurt you.
00:55:26That letter was full of spite.
00:55:28Why do you think you sent Flor de Liz?
00:55:31It was your token of love, wasn't it?
00:55:36Gonzalo never let me explain what happened.
00:55:40And what's the point of dwelling on the past now, my dear?
00:55:47You may be right.
00:55:50But for me it is still painful.
00:55:52Well yes.
00:56:00But soon it will all be over.
00:56:03Come on.
00:56:05Cheer up.
00:56:10I'm sorry I misunderstood you.
00:56:12Don't worry, I understand.
00:56:17Now, if you don't mind, I want to get back home as soon as possible.
00:56:30Marchioness, dinner is served.
00:56:34Thank you, Bartholomew.
00:56:36Tell Roncero.
00:56:38Tell her I need her immediately.
00:56:40Roncero, ma'am?
00:56:41Yes, that's what I said.
00:56:51I need, I need water.
00:56:57I have it.
00:56:58Yeah?
00:56:58I have it.
00:57:00I have it.
00:57:02I have it raw.
00:57:04Behold.
00:57:05Look what that evil beast has done to me.
00:57:08My God.
00:57:09It was obvious, my dear.
00:57:10Did he resist or what?
00:57:11He resisted, he resisted.
00:57:14He resisted letting me get out of bed up to four times.
00:57:18That she hadn't tasted a man in 25 years.
00:57:21That says it all.
00:57:22The pearl has recovered.
00:57:22The pearl, sir, no.
00:57:24The pearl.
00:57:29Here's the pearl.
00:57:33Praise be to the Lord.
00:57:34In other words, thank you.
00:57:35How can I thank you?
00:57:37Well, now that you mention it, with one of those little bottles of good wine you have,
00:57:42We are at peace.
00:57:43That's done.
00:57:44Three bottles of the best wine from the house.
00:57:46Bring it here.
00:57:47Thank you, Arturo.
00:57:48You're a friend.
00:57:49That?
00:57:49What is being celebrated?
00:57:51Because as far as I know, things aren't exactly celebratory.
00:57:52My darling, I have her back.
00:57:54Look, Inés.
00:57:55Inésita, Inés.
00:57:56Your great-grandmother's pearl.
00:57:58Okay, so what?
00:58:00What do you say to your hubby now?
00:58:02It was you.
00:58:04It's not going to be him.
00:58:05What a great husband you have.
00:58:07You have no idea what a mess he's made.
00:58:09He has arrived there.
00:58:11It has been planted.
00:58:12He's been throwing punches left and right, huh?
00:58:16Broken teeth, eyes, hanging eyes.
00:58:18The blood that came out in spurts.
00:58:21A male.
00:58:22An animal.
00:58:26It wasn't you.
00:58:28Yes, what?
00:58:31It's unfair that you're punishing me.
00:58:33Yeah, and I'm telling you, you're not going out.
00:58:35No matter how you react.
00:58:37Satur, you watch over it.
00:58:39I have to go out and run an errand.
00:58:41Whatever you say, sir.
00:58:49Satur, let me out, please.
00:58:51I have something very important to do.
00:58:52No.
00:58:54Not even if I were drunk.
00:58:55Speaking of wine.
00:59:08Is it good?
00:59:09Well.
00:59:14It's to die for.
00:59:15What the hell?
00:59:16Besides, I deserve it.
00:59:17That one day I...
00:59:18What happened to you?
00:59:20I'm going to tell you.
00:59:22You're too old for that kind of thing.
00:59:26Satur had to be the one to fix it.
00:59:28What my husband is doing is a complete joke.
00:59:30Woman, maybe it's time for you to loosen up a little.
00:59:33Cipriano might have something good about him.
00:59:39Cipri, aren't you afraid it will come down? Women are never happy.
00:59:42If they have them, it's because they have them.
00:59:43And if they don't have them, it's because they don't have them.
00:59:45That's just how it is.
00:59:47Here you go, from the house.
00:59:50Thank you.
00:59:54It's you.
00:59:56You are the thief.
00:59:57Son of a bad mother.
00:59:58Get out of my room!
00:59:59But he's my little friend, the coward.
01:00:01How scary!
01:00:04The aunt was uglier than a stomach ache.
01:00:07But Satur was not intimidated and went for the fifth of the afternoon.
01:00:11Let's see, let's see.
01:00:13I don't understand.
01:00:14What does the ugly one have to do with bullfighting?
01:00:16A lot.
01:00:18A lot, Aloncillo.
01:00:18It has a lot to do with it.
01:00:20And don't make me talk anymore.
01:00:29Not me...
01:00:30I didn't like the violence.
01:00:33Get out of my tavern and Holy Easter.
01:00:37But first...
01:00:38I'm going to take a few more things.
01:00:40Come here.
01:00:42Don't you have any other family memories?
01:00:50Take your hand off him.
01:00:54Because?
01:00:55This is as far as we've come.
01:01:01Okay, Cintriano, you're going to kill him!
01:01:04Okay, up!
01:01:06Okay, up!
01:01:07Come on, Flora!
01:01:08Help me!
01:01:09We're going to take this one to the guard.
01:01:11The fifth one was more messed up.
01:01:13Because my aunt already...
01:01:14Of course, he had developed a taste for it.
01:01:18And I already wanted flourishes.
01:01:21Flourishes?
01:01:22You understand me?
01:01:25Yes, yes, yes.
01:01:26I see a little more.
01:01:27And tell us, tell us.
01:01:28This is getting really interesting.
01:01:32Well, I didn't want to...
01:01:34I wanted flourishes.
01:01:37I'm going to give blocks.
01:01:38If there is something in need.
01:01:46Satur!
01:01:49Satur!
01:02:07I'm so sorry for everything that happened today, Lucrecia.
01:02:09What happened today?
01:02:11And I remember.
01:02:13The important thing is that we remain friends.
01:02:15I'm glad life has gone so well for you.
01:02:17Really.
01:02:19I envy.
01:02:21Thank you.
01:02:23I have sent you all my life.
01:02:26Me?
01:02:27Because?
01:02:28Because you have always had what I would have most desired.
01:02:32Gonzalo's love.
01:02:35You're so blind that you don't even realize that she still loves you.
01:02:40What's the point of this...
01:02:41Why is this happening now?
01:02:42Furthermore, that's not true.
01:02:46Go away now.
01:02:47And rest in peace.
01:02:50Thank you, Lucrecia.
01:02:53Throughout.
01:03:17If the Marchioness won't need me anymore tonight.
01:03:21I can take you away, coachman.
01:03:50Well, it's been a while since you closed the inn and went out to spread the word.
01:03:53Have some fun, okay?
01:03:54Too much, Floro.
01:03:55Too much.
01:03:55Oh, my hero.
01:03:57You've been braver than the red eagle.
01:04:27You are so beautiful.
01:04:29And you become a little more romantic.
01:04:31You're so boring.
01:04:32But the boring me and...
01:04:33But what do you want me to do?
01:04:34Well, that's what they do.
01:04:36To hold each other's arms.
01:04:37Tell me lentils.
01:04:46Tell me.
01:04:50Tell me.
01:04:56Tell me.
01:07:52Hey, stop!
01:07:54Stop, please!
01:07:57Stop, please!
01:08:01Stop, please!
01:08:06Stop!
01:08:08No, no, no!
01:08:38Get on your knees.
01:08:39It won't hurt me, please.
01:08:42Drop the sword!
01:08:44Let go of the child.
01:08:48Get on your knees.
01:08:50On your knees.
01:08:51I have no money, I swear.
01:08:54One more step and I'll kill him!
01:08:56Please, it won't hurt me.
01:08:58Drop the sword and take off the mask!
01:09:25Come on!
01:09:34Are you OK?
01:09:35Yeah.
01:09:36Sure?
01:09:36Yes.
01:09:37I told you not to follow me.
01:09:40Please, let me be your squire.
01:09:43Please.
01:09:46Do you think you can be my squire?
01:09:48Yes, yes.
01:09:49Look, for example, I gave you the ring yesterday.
01:09:56And I thank you for that.
01:09:58But being a squire is not an easy task.
01:10:00It's very dangerous.
01:10:01They were almost killed a moment ago.
01:10:03Aren't you afraid to die?
01:10:05No, because I know that I will always be safe by your side.
01:10:08Already.
01:10:08And when I'm not there to save you,
01:10:11Do you know how to handle a sword?
01:10:13Yeah.
01:10:14My father taught me; he was a soldier.
01:10:17Let's see what kind of teacher your father was.
01:10:29Attack me.
01:10:30That?
01:10:31That you attack me.
01:10:41Again.
01:10:49No, no, no, you're hurting me.
01:10:51At the door.
01:10:53This is no game.
01:10:54Okay.
01:10:55Go back home.
01:11:03Swear to me that you will never follow me again.
01:11:07Hands forward.
01:11:11Swear it to me.
01:11:13I swear.
01:11:17Now go home.
01:11:30Go back home.
01:11:48No, no, no.
01:12:17Alonso.
01:12:20Come on, kid.
01:12:21Okay, okay.
01:12:23He is in his room, sleeping.
01:12:25Oh my God.
01:12:27Oh my God, thank God it arrived intact.
01:12:29Because?
01:12:30Because if not, I'll be furious.
01:12:34That I'm a wretch.
01:12:36That it was not seen from that height.
01:12:38Forgive me, master.
01:12:39And I'm not saying that precisely because he's a short shoe,
01:12:41Yes, for the one thing he sends me and...
01:12:44No, Sator, forgive me.
01:12:46It's my fault.
01:12:48The fault is, that is, that I am to blame.
01:12:51I'd let a kid get me drunk, but...
01:12:53Sator, leave it.
01:12:54Sator, Sator.
01:12:55I'm asking too much of you.
01:12:57My mother, my mother, my mother,
01:12:58that if something happens to the boy,
01:13:01for this...
01:13:02Should I cut it off?
01:13:05I'll cut off my hand.
01:13:10I love that kid so much,
01:13:13which is like blood of my blood.
01:13:17Which is practically all we have, love.
01:13:23Sator.
01:13:26But I am responsible.
01:13:31And tonight I have endangered my son's life.
01:13:37If it doesn't arrive.
01:13:39This isn't life.
01:13:42Whether up or down,
01:13:44whether father, teacher, or eagle.
01:13:48If there's no one to focus.
01:13:51Well, I have to do it.
01:13:54Otherwise, one of my people will end up losing their life.
01:13:58Gonzalo.
01:13:59Gonzalo.
01:14:00Daisy.
01:14:01What happened to you?
01:14:02Are you hurt?
01:14:03No.
01:14:05Who did this to you?
01:14:06Don't know.
01:14:08Don't know.
01:14:10Don't know.
01:14:14I have no idea, Gonzalo.
01:14:15I left her in the carriage.
01:14:16I don't know how something like this could have happened.
01:14:18Me neither.
01:14:20What can your coachman have?
01:14:21to harm Margarita?
01:14:22Don't know.
01:14:23My God.
01:14:24Don't know.
01:14:25It's very rare.
01:14:26If not, then I have something to do with it.
01:14:32Madam Marchioness,
01:14:33The commissioner is waiting for her in the garden.
01:14:35He says there's something you should see.
01:14:39What happened?
01:14:41I found it hidden in the bushes.
01:14:44He is his coachman.
01:14:45Isn't that right?
01:14:47Yeah.
01:14:50Because of the body's giggle
01:14:51It looks like he's been dead for a couple of hours.
01:14:53My God.
01:15:06I still don't understand what has happened.
01:15:07It's obvious.
01:15:08Someone killed the coachman and took his place
01:15:11to attempt to assassinate the Marchioness.
01:15:12I am devastated.
01:15:15Margarita almost died because of me.
01:15:18Yes, but it's strange that someone would enter the palace.
01:15:20I murdered a servant and nobody saw anything.
01:15:29Are you accusing, Lucrecia?
01:15:34Teacher,
01:15:37The Marchioness is waiting for your apology.
01:15:38Hernán, it's not necessary.
01:15:39Yeah.
01:15:42If required.
01:15:45Well?
01:15:52Lucrecia,
01:15:54I'm sorry you're in danger.
01:15:57I shouldn't have distrusted you.
01:15:59No.
01:16:00You shouldn't.
01:16:16It seems you've forgotten your people's motto.
01:16:19The cause is more important than life itself.
01:16:23That?
01:16:24Why do you say that?
01:16:25Because of your stubbornness in getting rid of that woman
01:16:29may jeopardize the cause.
01:16:34Don't worry.
01:16:36I wouldn't make a mistake like that again.
01:16:40He was a good coachman.
01:16:43Did you have to kill him?
01:16:45Kill a coachman for helping you?
01:16:48I think it's a reasonable price.
01:16:49Oh, Hernán.
01:16:51You're always so timely.
01:16:54What I don't know yet is...
01:16:56Who?
01:16:58Who takes after Margarita?
01:17:05The Red Eagle.
01:17:07Who else?
01:17:09Remove that corpse from my garden as soon as possible.
01:17:12Yeah.
01:17:29What are you asking me for?
01:17:30Marry you?
01:17:31Well, since I did it, yes.
01:17:33I know how to catch the Red Eagle.
01:17:37Then do it.
01:17:37At once.
01:17:38Wait, which one?
01:17:39Are you messing around with this money, Satur?
01:17:42I felt like I wasn't alone.
01:17:44I heard someone else.
01:17:45With Catalina.
01:17:46Well, you know, I thought he was a man.
01:17:48with that hoarse voice.
01:17:49Saturna Garcia.
01:17:50Tomorrow he joins the ranks for the Portugal campaign.
01:17:53Let's see, Floro.
01:17:54I was surprised that you put your son to work
01:17:55You were going to think about it.
01:17:56Out of necessity.
01:18:03The commissioner always asks for a reward.
01:18:05Always.
01:18:06That's my business.
01:18:07Who sent you?
01:18:08You've made too many mistakes.
01:18:10There are very important people from the court.
01:18:14Turn it over!
01:18:15If not, then don't fight.
01:18:16If we have to fight, then we fight.
01:18:18He is sentenced to death by hanging for slander.
01:18:21to Gonzalo de Montalvo,
01:18:22alias Red Eagle.
01:18:30Excuse me, love.
01:18:31I don't really understand all of this.
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