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00:00:02Father, I have sinned.
00:00:04I've killed again.
00:00:16There are dark forces conspiring to seize power.
00:00:34I will find out who murdered my mother.
00:00:56Do you know Captain Rodrigo?
00:01:01Holy God.
00:01:03Do you want something to give me?
00:01:04Don't touch, man, don't touch.
00:01:06Without touching.
00:01:10My love, you know that I'm with you until death.
00:01:14But do you really think anyone in their right mind would hide here, in a place full of lepers?
00:01:21If the Captain we're looking for wants to hide, I don't know of any better place than this.
00:01:29Love, Love.
00:01:42Honey, look at that man.
00:01:44Oh my God, is he missing a piece of his nose?
00:01:48We need to ask, Sato.
00:01:50Sir, be careful, this is contagious to Consuelo, look.
00:02:04Do you know Captain Rodrigo?
00:02:06Water, water.
00:02:08Sato, give him water.
00:02:11Water.
00:02:14I'll bring the water.
00:02:16A little wine.
00:02:16Is that okay?
00:02:26He has a thing about touching!
00:02:28Meet the man I'm looking for.
00:02:34He hid here, but he left with the cripple.
00:02:38The lame man.
00:02:39Raimundo, the lame one.
00:02:41The beggars' bed in the center of the town.
00:02:44Fair.
00:02:45That.
00:02:46Fair.
00:02:52Water.
00:02:53Water.
00:02:54Water.
00:02:55And I'll bring perfume next time.
00:03:21You really know how to rub, Sato.
00:03:23If you keep going like this, you're going to get to the bone.
00:03:26What was it here where the leper touched me?
00:03:28Well.
00:03:29You see.
00:03:31Going into that hellish place.
00:03:33So that in the end Captain Rodrigo ends up with the lame man's beggars.
00:03:36Well, at least it served its purpose for you to wash up.
00:03:39How long has it been since you last touched water?
00:03:41But since I've been in this house, I haven't stopped washing.
00:03:44Stationary.
00:03:48Hey, sir.
00:03:51Do you think we've caught leperous disease?
00:03:54No, Sato, no.
00:03:55No, right?
00:03:58If we start losing members, I'm going to have a fit.
00:04:02I can get by without hands, but without...
00:04:08You don't understand.
00:04:09I understand you, Sato, I understand you.
00:04:15Mother of love, beautiful.
00:04:19What's up, Sato?
00:04:21What's going to happen to you?
00:04:24With so much weight on it, I don't know how it manages to take flight.
00:04:28Andas, Sato.
00:04:30Okay?
00:04:32I want them to play it, you've given me a little nudge.
00:04:35Good morning, sir, sit down and have breakfast.
00:04:39I'm not going to have breakfast, lunch, or dinner until you understand that I'm not going to
00:04:42go to that school.
00:04:44I agree with the child.
00:04:47Why do you force him to mingle with the commoners?
00:04:50Sit down and have breakfast, kid.
00:04:52Do you want me to go because the teacher is your friend?
00:04:55Do you know the teacher?
00:04:58Yeah.
00:05:01It's a...
00:05:02good childhood friend.
00:05:05How good?
00:05:08Excellent.
00:05:09Mother, I don't want to sit next to those poor children.
00:05:11I am a nobleman by birth.
00:05:12And as the noble person you are, you will do as I say.
00:05:14You will go to that school.
00:05:16Yes, but...
00:05:16That's my final word, dude.
00:05:24Come closer.
00:05:33You never listen to me.
00:05:36Never lay a hand on my son again.
00:05:40Because you'll run out of them.
00:05:47Good morning, Alonso.
00:05:48Good morning.
00:05:50Put out some spoons, go on.
00:05:51There's some delicious broth.
00:05:52Yes, broth.
00:05:53And now it's hot water, isn't it?
00:05:55Good morning, son.
00:05:57Hot water, nothing.
00:05:59Broth.
00:06:01And the taste of ham has to last us at least three months.
00:06:04Come on.
00:06:04Well, don't put me on.
00:06:05Thank you.
00:06:08Are you OK?
00:06:10I'm not hungry.
00:06:12As long as there's food, eat.
00:06:14Because you never know.
00:06:16Come on.
00:06:17You're not going to school on an empty stomach.
00:06:19So sit down and have breakfast.
00:06:21Clear.
00:06:27Can you tell me what's wrong?
00:06:31Alonso.
00:06:33Do I have to guess?
00:06:35Yeah?
00:06:37You ate Aunt Margarita's.
00:06:41Because?
00:06:44Did you know I wanted to see her?
00:06:48I thought you were asleep.
00:06:50Lie!
00:06:51You didn't want me to see her, that's why you kicked her out.
00:06:54Let's see, let's see.
00:06:55Look, let's do one thing.
00:06:56Let's go get some eggs from Cipri's and I'll make you some scrambled eggs.
00:07:00Come on.
00:07:01You want me to be alone, don't you?
00:07:03As?
00:07:05Why are you saying this?
00:07:06Because everything that's happening is your fault.
00:07:11Why did you stay in the tavern?
00:07:14Why didn't you go for the lamb?
00:07:19If you had gone, Mom would be alive.
00:07:23Ramón, his son.
00:07:24It's your fault.
00:07:26Mom died because of you.
00:07:29Am I living on the edge?
00:07:37How's it going?
00:07:41Look, here comes the taco.
00:07:43What a famoERS.
00:07:44Now, taco!
00:08:09Do you need anything?
00:08:14I bet he doesn't have any money.
00:08:16No, but I'm the best seamstress in the village. I can sew all the clothes you want.
00:08:23Do you have children?
00:08:24Yeah.
00:08:26Well, I'm sure they're tearing up their underwear. I, I can give them some...
00:08:30Come on, come on, go away, go away, I have a lot to do later.
00:08:36What, it's been days since I've eaten?
00:08:37No. I need money to get back to Seville. I can cook, I can clean.
00:08:44Come on, get out, beggar, get out, get out. You're scaring away my customers. Come on, get out.
00:08:49Shall I give you three leeks? Let me see this basket, very good. I know what you want. If it scares me, I'll give it to you.
00:08:55What are you doing, thief? What did I see you doing? Spill that. They're stealing and you don't even know it.
00:09:00Drop that, you thief. You get robbed and you don't even know it. Slut.
00:09:06And what about Holland? If it weren't for me, why would you have had this pleasure?
00:09:10on the hips.
00:09:11Excellent.
00:09:14She's a goddess.
00:09:16Go away, you're blocking my view.
00:09:19Look.
00:09:21Slightly larger wings. They sell better.
00:09:24Yes, the... if she has bigger ones.
00:09:31Who is it?
00:09:33I, Cata.
00:09:35And he throws them away, even though they're brand new.
00:09:37She says she doesn't like them, but I'm telling you, it just looks perfect on her.
00:09:41What's the matter?
00:09:44You've argued with your father again.
00:09:47I hate him.
00:09:49Come on, finish it already.
00:09:51Today you're coming with me to sell the drawings.
00:09:55I don't feel like it, Cavi.
00:09:57Come on, cheer up.
00:09:59Let's do something new.
00:10:16You're sure?
00:10:18Maybe it's not the best time to go looking for the cripple's gang.
00:10:21Now is when I can.
00:10:22I say this because I see you there, turning the lunchbox over and over.
00:10:27Sato.
00:10:28You don't really like it.
00:10:29Yeah.
00:10:30And if he's right.
00:10:33Your wife didn't die because you were late.
00:10:37His wife died because...
00:10:40Because it had to be that way.
00:10:44What if I hadn't been entertained?
00:10:46Alonso is right.
00:10:47Cristina would still be alive.
00:10:48Or not.
00:10:50Or not.
00:10:51You never know.
00:10:52What happens to you is beyond your control, isn't it?
00:10:55Otherwise, I would be king.
00:10:57His boys were so angry, well...
00:11:00Because his thing is happening, his flight.
00:11:03Hey?
00:11:04Even the word itself says it.
00:11:05Du, he, it, du, he, huh?
00:11:06It's the same thing.
00:11:08Listen to me.
00:11:10It was a grab.
00:11:11He's probably been doing it for an hour already.
00:11:12Doesn't he see that he's just a little boy?
00:11:14With a little tact, these things can be fixed.
00:11:17I need to talk to him.
00:11:19I'll pick him up at school right now, talk to him, and that's it...
00:11:21Come on.
00:11:23Come on.
00:11:25The lame man.
00:11:26The people there, the lame one.
00:11:34Careful, where are you going, man?
00:11:35Esteban.
00:11:36Hey?
00:11:37Where did you get it from?
00:11:42Be careful, sir.
00:11:45I'm wearing the bird costume.
00:11:47Don't worry.
00:11:48Where did you get it from?
00:11:50Where was it taken from?
00:12:06Did you see where he went?
00:12:09Did he go out to pick a stick and then what?
00:12:12How does he do it?
00:12:15As?
00:12:20He went out to get a stick and then you brought him out at the school of the school of the school of the
00:12:59Are you hungry?
00:13:04Take.
00:13:07Take.
00:13:24Captain Rodrigo is still in the village.
00:13:27But this time it will be very difficult for him to escape.
00:13:30I've posted men guarding all the exits.
00:13:34And the book with our names.
00:13:36If it goes to court, we can all consider ourselves dead.
00:13:38When he catches the captain, he'll get his book.
00:13:41I guarantee it.
00:13:42We are at a crucial moment.
00:13:45The Habsburg dynasty is coming to an end.
00:13:48And we must ensure its disappearance.
00:13:51Don't worry.
00:13:52Don't worry about it anymore.
00:13:54The king will be eliminated.
00:13:57We will put our candidate in his place.
00:14:02I can guarantee that.
00:14:09We trust you, commissioner.
00:14:12Don't worry about it anymore.
00:14:21Don't worry about yourselves anymore.
00:14:56You have to catch the captain
00:14:59Our plans to kill the king depend on it.
00:15:02Neglect
00:15:04I'll have my face in my hands even if I have to lift every stone in this city
00:15:08You know I don't like to mix things up
00:15:10Pleasure and business
00:15:24We have arrived, Mr. Núñez
00:15:34Turn around
00:15:40But Mr. Núñez
00:15:41Her mother has made it very clear
00:15:43That you...
00:15:44You'll run out of hands if you don't.
00:15:45Turn around
00:15:46The return trip is already here.
00:15:46You don't.
00:15:48You don't.
00:16:00You don't.
00:16:22Hey! Hey! You! My clothes! You, my clothes! Thieves!
00:16:28Hey! Give me back my clothes!
00:16:32Shit!
00:16:40He looks terrible. He's very pale.
00:16:50Come on, kids, to class.
00:16:53Let the day begin, Juanillo!
00:16:55Good morning!
00:16:56Good morning!
00:16:58Sit down!
00:16:59Settle!
00:17:01Well, that's it.
00:17:03Not unusual, but...
00:17:06That's Femus, Satur.
00:17:08This?
00:17:09That?
00:17:10You've put your legs where your arms should be, Satur.
00:17:14Well, then...
00:17:15That's it. I haven't changed it.
00:17:17You explain it like this.
00:17:18I move it away from him like this.
00:17:19It's not that unusual.
00:17:22It looks like...
00:17:22She looks like a girlfriend I used to have.
00:17:24Hahaha!
00:17:26Ha ha ha!
00:17:30Bonillo.
00:17:31Where are Alonso and Gaby?
00:17:33I don't know.
00:17:34I haven't seen them all morning.
00:17:40We enjoyed seeing you.
00:17:43They liked them.
00:17:51You, you?
00:17:58And the money?
00:18:00What money?
00:18:01Ah!
00:18:04Ah!
00:18:04Ah!
00:18:04What a scoundrel!
00:18:06Ah!
00:18:07Ah!
00:18:07It's a rat.
00:18:10Don't worry, we've already sold a lot for today.
00:18:12The truth is, we have triumphed.
00:18:14And... we have to start dying so that he does more.
00:18:17Yeah.
00:18:22Do you really think your father was to blame for what happened to your mother?
00:18:26Yes, because if my father hadn't gone drinking with his friends, my mother would be, you see.
00:18:38Come on.
00:18:39Let's go to Peragil's tavern
00:18:41Let's celebrate that we've made the deal of the century.
00:18:44Come on!
00:18:45But they don't let children in.
00:18:47What do you mean, no?
00:18:49With this you can enter any site.
00:18:51Come on!
00:18:53Come on, Mom!
00:18:55Come on!
00:19:19Come on!
00:19:21Come on!
00:19:27Come on!
00:19:31Come on!
00:19:34Come on!
00:19:35Come on!
00:19:35Come on, come on, let's get spicy...
00:19:37Come on!
00:19:40Do you think I did the right thing by forcing Núñezones to go to that school?
00:19:43It really looks like a pigsty.
00:19:48With all due respect, Madam Marchioness, my son also goes to that school
00:19:52And we are poor, but clean
00:19:55My child always looks like he's on skates.
00:19:59No tutor has managed to teach Núñez even a little bit of discipline.
00:20:03I didn't know what to do with him anymore.
00:20:06Gonzalo is the right person, ma'am, don't worry
00:20:08Furthermore, with him as the teacher, you will be more attentive.
00:20:15About your son's education
00:20:20Coachman! Faster!
00:20:23I can't stand so much rattling.
00:20:33Now with the child, with the child
00:20:36It's stuck to the carrot, he grabs it and takes off my clothes
00:20:39It's a real shame.
00:20:42Oh my God, can anything else happen to me?
00:20:44Hey?
00:20:59Hey! Hey! You guys!
00:21:01Give me the clothes! Go ahead!
00:21:03Protina! Go for it!
00:21:09Vadí!
00:21:12Vadí!
00:21:15Vadí!
00:21:22Vadí!
00:21:34Well, it's about time. You've made your father happy.
00:21:38What's wrong, kid?
00:21:41Alonso?
00:21:43Can you tell that...?
00:21:44Sadur, stop, please.
00:21:47Have you been drinking?
00:21:48No, I haven't been drinking.
00:21:51Are we going back to that Jumilla you're throwing away?
00:21:53What do you mean you haven't had a drink? Sit here.
00:21:56Open your mouth, so I can smell you.
00:21:58No.
00:22:00Alonso, open that mouth, so I can smell you.
00:22:04Yeah.
00:22:06Even demons come out here.
00:22:09Sadur, hey, what are you playing at, kid?
00:22:11Please, Sadur, don't move me, I'm going to throw up.
00:22:13But if your father finds out, he'll make things difficult for me and for you.
00:22:16Sadur.
00:22:22Come on, let's go into the room.
00:22:24Sadur.
00:22:38What happened to you?
00:22:39Nothing.
00:22:41I'm a little confused.
00:22:45Are you okay?
00:22:47Perfectly.
00:22:49Nothing, just the potato monkeys that...
00:22:51no matter how hard I try, well, they suit me well.
00:22:54Is Alonso in his room?
00:22:55Yes, yes.
00:22:57I'm going to talk to him.
00:23:00You say talk to him?
00:23:02The way the child is...
00:23:04asleep.
00:23:06Besides, what does she want to talk to him about now?
00:23:08What do you mean, what are you up to?
00:23:10I need to know how she is, because she hasn't been to school.
00:23:12Where has he been?
00:23:14He doesn't know, forgive me, sir, but...
00:23:16But look at their approach.
00:23:18She doesn't wake him up to see his aunt
00:23:21and wakes him up to talk about the argument they had at breakfast.
00:23:24Which is also why he hasn't gone to school.
00:23:30He's fast asleep.
00:23:32Like a log.
00:23:35Dale.
00:23:38He's still breathing.
00:23:40What's happening?
00:23:42Madam, we've run over a beggar.
00:23:46AND?
00:23:48Get him out of the way and let's move on.
00:23:50But ma'am, he's hurt.
00:23:51Perhaps we should notify a doctor.
00:23:53A doctor?
00:23:55I'm not going to bother any decent person over something so trivial.
00:23:58Come on, let's go.
00:23:59What are you waiting for?
00:24:04Listen.
00:24:06Throw it behind the car without the marchioness seeing you.
00:24:09We'll see when we get to the palace.
00:24:12We're not going to leave it here, are we?
00:24:17Don't let him see you.
00:24:30It's so hot here!
00:24:32Come on, little one, come on.
00:24:35Come on, little one.
00:24:36My God.
00:24:38I'm saving myself here, my people.
00:24:45This is no more than you do in painting.
00:24:51Where did he get that from?
00:24:54I asked you.
00:24:56Where did you get this sheet of paper?
00:24:57No, no, no.
00:24:57No, no, don't kill him.
00:24:58We bought it from a child.
00:24:59Near the Pataliebre Inn.
00:25:06This silver needs a refinishing.
00:25:09I want it to shine.
00:25:10Yes, ma'am.
00:25:13Have my bedroom prepared.
00:25:15Oh, these carriage rides are ruining my back.
00:25:17Yes, ma'am.
00:25:26Good night, mother.
00:25:27Good night, child.
00:25:29How are you?
00:25:30Did I go to school with you?
00:25:31Very good.
00:25:33Very good.
00:25:34Well, considering that the school is a breeding ground for lice,
00:25:38My colleagues are ill-mannered commoners,
00:25:41I'm lucky to be alive.
00:25:55Catalina has woken up and...
00:25:57What's happening?
00:25:59Nothing, ma'am.
00:26:00I'll take care of it.
00:26:01I'm not talking to you.
00:26:03Girl, speak.
00:26:04What's happening?
00:26:06The beggar has woken up.
00:26:08He's in the kitchen.
00:26:11Beggar?
00:26:12What beggar, Catalina?
00:26:15The one we ran over, ma'am.
00:26:17That's what you did to me.
00:26:19How could you even think of bringing a stranger into my palace?
00:26:23Do you know how many diseases it can have?
00:26:24Yes, ma'am.
00:26:26I'll fix it right away.
00:26:26No, leave it.
00:26:28And you and I will talk about this incident.
00:26:31I'll fix this right now.
00:26:32Come on.
00:26:33Come on.
00:26:37Come on.
00:27:02I can see that you are perfectly fine.
00:27:05And on top of that, he's eating my pantry.
00:27:09You!
00:27:10The banquet is over.
00:27:12Get out of my kitchen!
00:27:13Ma'am, with your permission.
00:27:18Hey, I know you're scared,
00:27:21But the lady has been very generous.
00:27:24With the big heart he has
00:27:26and that has always characterized her,
00:27:29He took you into his home and fed you.
00:27:32So, obey and leave.
00:27:34Are you mute?
00:27:35My patience is running out!
00:27:47Marita.
00:27:48Marita.
00:28:05Marita.
00:28:06Yes, where are Captain Rodrigo, him, and me?
00:28:09We set our sights on Constantinople.
00:28:15Maybe he didn't quite get the tone right, did he?
00:28:19As?
00:28:21Pull, pull!
00:28:25The soldiers!
00:28:26The soldiers are coming!
00:28:28The soldiers!
00:28:38The soldiers!
00:28:42The soldiers!
00:28:43Am Roeldos!
00:28:45High...
00:30:02Where are the beggars?
00:30:18Where are the beggars?
00:30:27Where are the beggars?
00:30:38Where are the beggars?
00:30:51Where are the beggars?
00:30:59Where are the beggars?
00:31:10Where are the beggars?
00:31:22Where are the beggars?
00:31:41Where are the beggars?
00:31:52Where are the beggars?
00:32:20Where are the beggars?
00:32:22Where are the beggars?
00:32:30Where are the beggars?
00:32:36Where are the beggars?
00:32:40Where are the beggars?
00:32:45Something, something, because we have to be careful.
00:32:49He thinks he's too old for some things.
00:32:54Satur, will you speak clearly once and for all?
00:32:56Well, nothing, what's up?
00:33:01Good morning, son
00:33:02Good morning
00:33:08Are you okay?
00:33:12Oh
00:33:13Don't you look very well?
00:33:17Yes, it's because I'm racking my brain.
00:33:20Clear
00:33:22Why not?
00:33:24Alonso, I know you miss Mom
00:33:28And it's not easy.
00:33:32I miss her too
00:33:37AND...
00:33:40I want you to know that I'm not angry because you didn't go to school yesterday.
00:33:43But I don't want you to miss another one.
00:33:45OK?
00:33:48He is a little angry, yes.
00:33:51What happened? Your father?
00:33:54So you have breakfast, get dressed, and we talk on the way to school
00:33:58Seem to you?
00:34:00I'm not going to school.
00:34:03Well
00:34:04Alonso
00:34:05Alonso
00:34:06It's one thing that you didn't go to school yesterday
00:34:07And it's a completely different matter if you don't go today.
00:34:09Father
00:34:12I'm never going to school again
00:34:19What a pair of little balls!
00:34:21Let's see what the kid can do now.
00:34:23Let's see what the kid can do now.
00:34:47Let's see what the kid can do now.
00:34:51Did you want something?
00:34:56Are you sure about this woman?
00:35:05But she's my wife.
00:35:09Naked
00:35:10You will be from exercise
00:35:11Because you have a drawing of my wife
00:35:13Aquilita!
00:35:15Hey you!
00:35:17Wait!
00:35:17Come back here, I was born here!
00:35:30Good morning
00:35:32Good morning, ma'am
00:35:33Good morning
00:35:37Did you sleep well?
00:35:39Very good
00:35:41Thank you very much, Lucrecia
00:35:42For everything you're doing
00:35:43Catalina
00:35:45Can I continue, please?
00:35:46Well, here you go
00:35:48No, Catalina
00:35:50Leave her alone
00:35:50Let him do his job.
00:35:52Catalina below
00:35:54There
00:35:55That's fine
00:36:00So
00:36:03You came back
00:36:03Because your nephew wrote to you
00:36:06Yeah
00:36:08Now that's very sad.
00:36:11I'm very worried about him
00:36:13She misses her mother a lot
00:36:14That's normal, don't you think?
00:36:17The death of your sister
00:36:18It's still very recent
00:36:25I'm thinking that
00:36:28Perhaps it would be good
00:36:29That I should keep the child
00:36:31He needs me
00:36:33I don't think it's a good idea to stay.
00:36:36Because?
00:36:38Alonso is a child
00:36:38She has lost her mother
00:36:41And Gonzalo?
00:36:43He will never leave
00:36:44Take responsibility for his son
00:36:45That's why he kicked you out
00:36:47What do you think, Catalina?
00:36:49I completely agree
00:36:50With the lady
00:36:52It's a friend's advice.
00:36:54Of course
00:36:55You are free
00:36:56To do whatever you want
00:37:00Catalina will give you
00:37:00Everything you need
00:37:01For the trip
00:37:03And come see me before you leave
00:37:05Don't do what you did last time.
00:37:20Gonzalo, son
00:37:21Never forget your promises
00:37:24My son
00:37:25Don't come back
00:37:27Stay alive, my love
00:37:29Stay alive
00:38:26No!
00:38:28No!
00:38:35What have you done, Gonzalo?
00:38:38What have you done, for God's sake?
00:38:48Stay alive, my love
00:38:50Stay alive
00:38:51Stay alive
00:38:56You promised me you wouldn't do it again.
00:39:03Don't be scared.
00:39:07I wouldn't use it again.
00:39:09On that occasion you didn't hesitate for a moment.
00:39:14On that occasion I found my parents dead.
00:39:18I wanted to share all my travels with them.
00:39:22Everything I had learned in the East, but I arrived too late.
00:39:29Why did you take it out?
00:39:32You can smell my moods.
00:39:36When Cristina died, you reappeared.
00:39:39Every time my world falls apart, you're there.
00:39:44How do you do it?
00:39:46Well, it's divine will, nothing more.
00:39:50But you haven't answered my question.
00:39:58I just wanted to take a look.
00:40:02I guess today isn't a good day.
00:40:06My relationship with my son is becoming increasingly difficult.
00:40:11It's slipping out of my hands, Agustín.
00:40:14It's slipping out of my hands.
00:40:18I am not a good father.
00:40:21You are the best father she has.
00:40:24Even when you have doubts.
00:40:35The commissioner is removing the beggars from the streets.
00:40:39Do you know why?
00:40:41All I know is that he's taking them out of the village.
00:40:45Across the esplanade.
00:40:46Southward.
00:40:48Southward.
00:40:55Hello good.
00:40:58Is there anything I can help with?
00:41:02Don't trust him.
00:41:03There she is, with that innocent face, but she's a viper.
00:41:07She comes here pretending to be a martyr with the marchioness.
00:41:09If I haven't eaten,
00:41:11that they've thrown me out onto the street,
00:41:13Something worse could have happened to him.
00:41:15He truly deserves it.
00:41:19Don't talk like that, Catalina, we were friends.
00:41:21Friends, you say.
00:41:23Do you know what he did to Gonzalo?
00:41:25To the teacher.
00:41:27He had it in love.
00:41:28Haunted.
00:41:30But of course, she wasn't a bad girl enough.
00:41:34That's why she had to get involved with the first nobleman who came her way.
00:41:37That's not true.
00:41:39It was a silly thing to do to make her jealous.
00:41:41Of course, when Gonzalo finds her there,
00:41:44frolicking with the other,
00:41:46He went crazy with jealousy.
00:41:48He fought a duel with the nobleman and killed him.
00:41:52He had to flee
00:41:52so that they would not arrest him and hang him.
00:41:56It was a kiss, Catalina.
00:41:57A kiss.
00:41:58Yeah, I believe it.
00:42:00But that wasn't the worst part.
00:42:01Right, Margarita?
00:42:03Tell him, okay?
00:42:04Be quiet.
00:42:04Tell him.
00:42:05Be quiet.
00:42:06Tell him.
00:42:06Shut up!
00:42:08I was 15 years old.
00:42:10Catalina,
00:42:11I didn't know what was going to happen.
00:42:14I did everything I could to prevent them from being reported.
00:42:17Of course, since they couldn't find Gonzalo,
00:42:20They captured their parents
00:42:22and they were imprisoned.
00:42:25I've grown old among the poor.
00:42:28And there they were,
00:42:29torturing them.
00:42:32They didn't even last two weeks.
00:42:36She cries.
00:42:38Cry now that they are dead.
00:42:40Cry now.
00:42:55Sato, leave me alone.
00:42:56that you are no longer with a child.
00:42:57Yes, your father's loyal friend.
00:43:00I intend to follow you until you listen to reason.
00:43:02No, you're afraid of my father.
00:43:03That's why you follow me.
00:43:04No, sir,
00:43:04I'm not afraid of anyone.
00:43:05I'm doing it for you.
00:43:08You know how your father is, boys.
00:43:09And what about me?
00:43:11Do you think you're going to solve anything?
00:43:12Are you letting Alonso go to school?
00:43:16Don't look at me like that.
00:43:18I'm not going to leave you until you answer me.
00:43:22It's okay to go to school.
00:43:26And will you speak to your father?
00:43:29No, Alonso.
00:43:31I want to hear it.
00:43:33And I will speak with my father.
00:43:36You won't drink again until you're older.
00:43:39No, no, no.
00:43:40I'm not going to drink again, I promise you.
00:43:42Very good.
00:43:43Now yes.
00:43:44Now I'm really leaving.
00:43:46Sato, stop.
00:43:47Hey?
00:43:50Sure, later.
00:44:18I want to sign up.
00:44:22Very good, Gaby.
00:44:29Kids, keep writing.
00:44:32I've spoken with Alonso.
00:44:34He has a little boy.
00:44:35More understanding and nicer.
00:44:38I've spoken to him and listen, he's been more reasonable.
00:44:41All you had to do was say the right words.
00:44:45No, sorry.
00:44:47I don't mean to imply that you don't know.
00:44:48I mean that...
00:44:50Well, everything's sorted now.
00:44:53And where is it?
00:44:54Why didn't he come with you?
00:44:55I'm not saying.
00:44:56It's on its way.
00:44:58In no time, you'll have your child sitting with these little angels.
00:45:04What are you telling me?
00:45:05What are you doing to me?
00:45:06Gods!
00:45:09Gods!
00:45:11Good heavens, what have I told you!
00:45:13Nothing is thrown at visitors.
00:45:15Gods!
00:45:15OK?
00:45:18Unless it's Sato.
00:45:25Keep writing.
00:45:27Another matter, I call.
00:45:29What am I thinking?
00:45:32If the captain is with the beggars, then maybe I could transform myself into one of them.
00:45:36No, not Sato.
00:45:37What was wrong with refusing help?
00:45:39No, I know the underworld like the back of my hand.
00:45:42Sato.
00:45:43The commissioner is taking away all the beggars.
00:45:46No?
00:45:47It's too dangerous.
00:45:48Sir, the Marchioness of Santillana wishes to see you urgently at the palace.
00:45:58Run, quietly!
00:46:00Open the cell!
00:46:15Open the cell!
00:46:38What do we do with them, Commissioner?
00:46:43Do the same to us.
00:46:46And keep combing the village.
00:46:55No!
00:47:02You've made the right decision.
00:47:05You'll do much better in Seville.
00:47:07Yes, I suppose so.
00:47:11Well, I honestly don't know how I'm going to be able to repay you for everything you're doing for me.
00:47:16You never know.
00:47:17What I don't understand is this obsession with dressing as a man.
00:47:22I could have lent you one of my old dresses.
00:47:27No, I don't want to take advantage of your hospitality any further.
00:47:29Whatever you want.
00:47:31One last thing before you leave.
00:47:37Tasting.
00:47:40Cata, now.
00:47:45Take.
00:47:47No, I cannot accept it.
00:47:49Of course you can.
00:47:50How are you going to pay for the errand if not?
00:47:53Don't worry.
00:47:54Keep it.
00:47:56Lucrecia.
00:47:57Yeah.
00:47:59Why are you doing all this?
00:48:04Because...
00:48:05Because I can, I suppose.
00:48:09We practically grew up together.
00:48:10There's nothing wrong with helping a friend.
00:48:13I want you to start your new life in Seville on the right foot.
00:48:18I will return every last coin.
00:48:20I promise you.
00:48:23Of course, dear.
00:48:25But don't worry.
00:48:27I don't need it.
00:48:30Luck.
00:48:38Come on.
00:48:43At least we got something good out of this.
00:48:46That you won't do any more harm here.
00:48:48You're not going to see Gonzalo again.
00:48:52Whenever you're by my side, I get the feeling that you want to escape.
00:48:56Is anyone eating?
00:48:57Would you like to spend a few minutes with me?
00:48:59I don't know, Lucrecia.
00:49:02The thing is, you still haven't told me why you wanted to see me.
00:49:03And I have important matters that are pressing.
00:49:06Ah, of course.
00:49:07Well, I suppose Margarita's visit
00:49:08It may have been somewhat inopportune.
00:49:11Margarita has already left the villa.
00:49:15By the way, I was right.
00:49:19About what?
00:49:20Your child is very happy at your school.
00:49:23Are you happy?
00:49:24Yeah.
00:49:25Why does it surprise you?
00:49:28Has there been a problem?
00:49:30No.
00:49:31The only thing is that your son hasn't come to my school yet.
00:49:39That's not how we move forward.
00:49:41That has more than two-quarters of a bottle of wine wasted.
00:49:45Do you know Captain Rodrigo or not?
00:49:47Give me wine.
00:49:47There's no more wine.
00:49:49Where is Captain Rodrigo?
00:49:50One who has a tattoo here.
00:49:51Where is?
00:49:52Everyone is looking for him.
00:49:53Yeah.
00:49:54He spent one night here with us.
00:49:57This is more of a vice than...
00:49:58Come on, go for it.
00:50:01Love.
00:50:11Where is he now?
00:50:14He has fallen asleep.
00:50:18Boss.
00:50:20Boss.
00:50:21Pour.
00:50:23He has fallen asleep.
00:50:26Mother, who gave birth to me.
00:50:27He's fallen asleep.
00:50:32Excuse me, the road to Seville.
00:50:35Do you have any coins?
00:50:37I haven't eaten in days.
00:50:38No!
00:50:39The soldiers are coming again!
00:50:41No!
00:50:48No!
00:50:49I love you all, Mr. Dungeon.
00:50:51Fast!
00:50:53Guys, don't just stand there, man.
00:50:54No!
00:50:55They'll definitely catch you.
00:50:56Come on!
00:50:58Strip!
00:50:59Come on, shoot!
00:51:02Come on!
00:51:03Make room for me, I don't take up much space!
00:51:05Make room for me!
00:51:06Make room for me!
00:51:09Give it to me!
00:51:10Give it to me!
00:51:11Be careful with me, you can't see yourselves because you won't stay still.
00:51:14They'll throw me off the field!
00:51:43Subscribe to the channel!
00:51:53Subscribe to the channel!
00:52:43Subscribe to the channel!
00:52:59Subscribe to the channel!
00:52:59Come on in!
00:53:01Come on, let's get pizza inside!
00:53:05No!
00:53:06Don't put any more in here, you can't breathe.
00:53:10Come on!
00:53:14And what about that cell over there?
00:53:16It's half empty.
00:53:17You have to see the noble beggars, don't you?
00:53:20That one over there.
00:53:21That one over there is empty.
00:53:23That one over there!
00:53:30If I had the native language,
00:53:32You'll find out.
00:53:37Come on, come on, come on, come on!
00:53:43That?
00:53:44That?
00:53:47Trying to get some sleep?
00:53:50Are you doing yourself good?
00:53:52Is the one we're going to spend in here now?
00:54:00Oh, boys, boys, boys, girls!
00:54:03The first rule, the imprisoned,
00:54:05There's no crying in the dungeons.
00:54:08If you come here scared,
00:54:10They take away everything you have.
00:54:12Listen, someone might even punch you in the face.
00:54:14Jamen, peace!
00:54:19And that voice?
00:54:22Will you be...
00:54:24Will you be a castrati?
00:54:29Are you sure you're not a castrate?
00:54:30No.
00:54:33Clear.
00:54:34But then you are...
00:54:36You are sensitive.
00:54:40Do you understand me?
00:54:41The kind that...
00:54:42who are very good friends with their friends.
00:54:44Or rather, about his friends' business.
00:54:47It's not that...
00:54:47It's not that I have anything against it.
00:54:48The thing is, here in prison...
00:54:51It's best to be discreet about those things.
00:54:55Here, when you let your guard down...
00:54:57Snap!
00:54:59They take your underwear off.
00:55:06Hey!
00:55:09Hey!
00:55:10Hey!
00:55:10Hey!
00:55:11Hey!
00:55:14Hey!
00:55:30They're not like that, they're much bigger.
00:55:33They've always been like that.
00:55:34What are you saying? Were they very big before?
00:55:35What are you saying? They've always been like this, don't you remember?
00:55:38Hello.
00:55:41Well, what?
00:55:43Have you done it?
00:55:45And?
00:55:46What? But they gave us a nice uniform and everything.
00:55:50Soliform?
00:55:51Murillo, greetings to Captain Alonso.
00:55:53Gaby, I'm not going to be captain. I'm going to be such a ball boy.
00:55:58What have you signed up for?
00:55:59Shh! Your father was going to kill you.
00:56:01Murillo, my father isn't going to do anything to me because he won't find out.
00:56:05You're not going to tell him.
00:56:08Today I will stay at school, like every day.
00:56:12And I'm leaving tomorrow.
00:56:14So, Murillo, please don't put your foot in it.
00:56:17Yeah.
00:56:19Guys.
00:56:21Inside.
00:56:28Come on, kids.
00:56:29Take paper, pen, and ink.
00:56:30Come on!
00:56:38I'm glad you came.
00:56:50Are you leaving already?
00:56:52So soon?
00:56:54I have many obligations.
00:56:55You already know that.
00:56:59Have you found the captain?
00:57:02No, not yet.
00:57:03But don't worry.
00:57:04I'll find him.
00:57:07Yeah?
00:57:08Mother, it's Duño.
00:57:10Fast.
00:57:10He is the Owner.
00:57:11Get out of here.
00:57:14Forward.
00:57:17Hello, mother.
00:57:19What are you doing in bed so early?
00:57:20Are you sick?
00:57:22Yeah.
00:57:24Migraine.
00:57:27Is everything alright at school?
00:57:33As always, mother.
00:57:35Disgusting.
00:57:38Already.
00:57:42Leave me alone.
00:57:44I want to rest.
00:57:57This is the second time today he has lied to me about school.
00:58:01The holiest men denied it three times.
00:58:06What are you surprised about, Lucrecia?
00:58:08You do it constantly.
00:58:12Lie.
00:58:13It runs in the family.
00:58:17Yeah.
00:58:19You're right.
00:58:22I'm very good at pretending in everything.
00:58:29Oh.
00:58:31And a little more of...
00:58:35And what about food?
00:58:38Mamibitas.
00:58:39Mamibras.
00:58:40I will always do it.
00:58:41Well, I don't know.
00:58:41My mom is bringing home some blood sausages I made this morning.
00:58:44That's great.
00:58:44Excellent.
00:58:45Should I put it on?
00:58:46Yes please.
00:58:47And do you try it?
00:58:48Okay.
00:58:48And some lentils I made at midday.
00:58:50How wonderful.
00:58:51Okay.
00:58:54Come on.
00:58:55Thank you.
00:58:58Thank you.
00:59:02Thank you.
00:59:04Thank you.
00:59:23What are you doing there?
00:59:32What are you doing there?
00:59:34What are you doing there?
00:59:35No.
00:59:36Baloney.
00:59:42Shameless.
00:59:44I'm going to...
00:59:45Run, Murillo!
00:59:46Come here.
00:59:47Don't be in such a hurry.
00:59:49Owl.
00:59:50Let's go see your mother.
00:59:51Ah, let go!
00:59:53Ah!
00:59:54Let go!
00:59:57What happened?
00:59:59Have you seen what's dedicated to your son?
01:00:02To draw my lady.
01:00:03Naked.
01:00:05What are you going to do with this teacraciao?
01:00:07The mother who gave birth to you.
01:00:09But how could you even think of doing these things?
01:00:11Go on and head home.
01:00:12When your father finds out, he's going to beat you senseless.
01:00:15Strip!
01:00:21Listen.
01:00:22My Murillo drew this.
01:00:27I mean, what talent does that kid have?
01:00:35He's a big-time artist, and what a star!
01:00:49I don't like it at all.
01:00:51Above.
01:00:53Come on, Escobia.
01:00:55Everything is in line.
01:00:58Unlock yourselves.
01:01:01Come on!
01:01:02Hurry, we don't have all day!
01:01:09Check it out or not, but I don't know if any of them have the tattoo.
01:01:12Do you want to move, kid?
01:01:15Be whatever you want to be.
01:01:18But since the commissioner sees that you're not undressing,
01:01:21He's going to send you to the torture rack, right now.
01:01:24These people don't mess around.
01:01:28It's just a tiny bit of nothing.
01:01:31It doesn't mark like that.
01:01:33It opens to the body.
01:01:35Look.
01:01:42Why don't you get naked?
01:01:49The thing is...
01:01:49She has the flu.
01:01:52And if she takes off her clothes, she's going to start shivering.
01:01:55Then there's no stopping him.
01:01:57Furthermore, it is a very sensitive creature.
01:02:02One more word.
01:02:03And I'll cut out your tongue.
01:02:06Very good.
01:02:13I won't repeat myself.
01:02:34They saw Captain Rodrigo entering an inn.
01:02:37It's in the village.
01:02:48Come on.
01:02:54Take them to the ones you already know where to find them.
01:03:02Calm down, kid.
01:03:04I didn't find what I was looking for here.
01:03:06Come on.
01:03:08Where are they taking him?
01:03:10Go for a walk.
01:03:11Where to go for a walk?
01:03:12To the mountains!
01:03:13Come on!
01:03:13To the mountain, to the mountain!
01:03:15Come on, let him come out here!
01:03:16Come on, keep going!
01:03:17They're taking us to the mountains!
01:03:21Good afternoon, Catalina.
01:03:22Hello good.
01:03:23Have you seen this?
01:03:25And Murillo.
01:03:28Well, she looks more like Inés, doesn't she?
01:03:31You've really outdone yourself, Gonzalo, son.
01:03:33Well, don't tell me that kid isn't a great artist.
01:03:34Look at it, my love, what strokes?
01:03:36This makes me wonder if Sabeli should tell you how the painter does...
01:03:45Hey, to become a court painter, where should I aim?
01:03:51Where did Catalina get this paper?
01:03:53I had it, Cipri.
01:03:54He has a book full of my son's drawings.
01:04:00Where are you going?
01:04:02Cipri.
01:04:03What are you doing?
01:04:04Are you going to hug yourself, you animal?
01:04:06Are you an animal?
01:04:07What are you doing burning my son's drawings?
01:04:08Our drawings are immoral and deserve to be burned.
01:04:11You're the one who deserves to be burned, you piece of shit.
01:04:13Gonzalo.
01:04:14Gonzalo.
01:04:14That?
01:04:15Satura is in a real mess.
01:04:18What happened?
01:04:19They say he's been arrested.
01:04:20They took him away with more beggars.
01:04:31Where are they taking us?
01:04:33Because this doesn't look like a cultural visit.
01:04:36They're taking us to Galera, for sure.
01:04:39This is all very strange, one.
01:04:42If they take us to Galera, you'll have to deal with it, kid.
01:04:45You're lazy.
01:04:48Who knows, because you've done a couple of things to the commissioner.
01:04:54Why didn't you want to get naked?
01:04:58It's difficult to talk to you, my son.
01:05:02Come on!
01:05:05I blew all this up.
01:05:08The Holy Virgin, who must have sent me to infiltrate.
01:05:12My master already told me so.
01:05:23Come on!
01:05:24Come on!
01:05:28Come on!
01:05:30Come on!
01:05:39Come on!
01:05:42Come on!
01:05:57Come on!
01:07:13Come on, let's go!
01:07:20Where are they taking us from?
01:07:24Because we have to eat, we're exhausted.
01:07:26Don't worry, there's plenty of meat where we're taking you.
01:07:32Come on!
01:07:43No, no please, I don't want to die, no, no
01:07:47I told myself not to stop, let's go!
01:07:54Where are they taking us?
01:07:56Where are they taking us?
01:07:58Where are they taking us?
01:08:04I won't deny that I'm the first one who enjoys the scenery.
01:08:07But maybe you could wear a slightly less revealing top, woman.
01:08:09You've got the kids all worked up.
01:08:14Did it close on you?
01:08:16You again?
01:08:17I told you we're...
01:08:17Estecito, I'll pierce you!
01:08:19Fun, what's up?
01:08:20Be quiet!
01:08:21Be quiet!
01:08:22Tell your wife to shut up, or I'll cut your throat.
01:08:24Shut up, Inés!
01:08:24Be quiet!
01:08:25Shut up, Inés!
01:08:26Shut up, for God's sake!
01:08:28Where is the book?
01:08:28Which book?
01:08:29You arrive on read with me
01:08:30Did you have a book?
01:08:31Where is?
01:08:32I have...
01:08:33I burned it
01:08:33That?
01:08:35Yeah
01:08:35Look at yourself, only ashes remain
01:08:38Shut up, Inés!
01:08:41Don't hurt him!
01:08:43Move your hand!
01:08:44I'll kill her!
01:08:45You understand?
01:08:49Get on!
01:09:05God!
01:09:10Damn!
01:09:19You didn't see me!
01:09:22Idiot!
01:09:40Idiot!
01:09:55Come on, I said don't stop.
01:09:58No, no, no, but where are you going?
01:10:01No!
01:10:03I'd rather die than leave that hole.
01:10:04No!
01:10:05Oh, really?
01:10:06Yeah?
01:10:08You're not going to...
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01:19:46This symbol matches the clasp I found on Cristina's dress
01:19:49and with the captain's tattoo.
01:19:52The Count of Queiroz holds the key.
01:19:57I'm finally going to find out who murdered my wife.
01:20:01Now we're going to talk to that count, don't worry, master.
01:20:04Listen, and if you don't mind, I'd like to keep Alonso's uniform.
01:20:10Look, it fits me like a glove and gives me a sort of martial air, doesn't it?
01:20:16I'm sorry, Satur, but no. We have to return it to the army.
01:20:19Oh dear. Now that I'd gotten used to the idea of wearing a uniform like you, well...
01:20:26There it is.
01:20:48Where are we going with all this rush?
01:20:55Count de Queiroz, who knows about the murder of the teacher's wife.
01:21:01I don't know what you're talking about.
01:21:12Satur, let's go!
01:21:14Come on, Satur!
01:21:16Satur, look!
01:21:33Nucrecia.
01:21:37I have bad news.
01:21:42They have killed the Count of Queiroz.
01:21:49Who?
01:21:51Captain Rodrigo.
01:21:57Didn't you say you were going to stop him?
01:21:59My men are searching for him day and night all over the city.
01:22:01Don't ask me to calm down.
01:22:04If the captain wants to eliminate the members of the brotherhood,
01:22:08Who says I won't be next?
01:22:10Myself.
01:22:11I will take care of your safety.
01:22:15You know I wouldn't leave.
01:22:17Nothing will happen to you?
01:22:45Nothing will happen to you?
01:23:09Nothing will happen to you?
01:23:09What were you thinking?
01:23:09That I would never find you?
01:23:13At your feet, ma'am, and the rest of the body.
01:23:15A pleasure.
01:23:15When we were young, your aunt and I had some differences.
01:23:19He says that woman has given her next of medicaments.
01:23:21It has also helped many people.
01:23:23The king is coming to the reception we're giving tomorrow night.
01:23:26The King of Spain?
01:23:27Look, I'm old enough to have seen my mother die.
01:23:30Did you come for Nuño or for me?
01:23:33The little marquise.
01:23:34That her mother is the marchioness.
01:23:36What's wrong with the child?
01:23:37I can't breathe, it's very bad.
01:23:38You shouldn't be here.
01:23:40That woman is no good for you, Gonzalo.
01:23:41The Holy Inquisition doesn't mess around, it's a sure thing.
01:23:44The commissioner is supposedly investigating my wife's death.
01:23:47But things remain the same as on the first day.
01:23:49The witch will get you!
01:23:53Majesty!
01:23:57You're insensitive, not to mention a complete beast.
01:24:01How could the little boy not have birds in his head?
01:24:03All commoners have a price.
01:24:05If the father is an eagle.
01:24:08I'm going to die with my mom.
01:24:11And what about the feathers?
01:24:13Do they fall out or do you leave them?
01:24:15Get us out of here!
01:24:16And don't torture the prisoners.
01:24:25Get us out of here!
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