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00:00:13The third had a face like a man, and the fourth was like a flying eagle.
00:00:23Very good, Daniel. Very well read. I'm going to sit you down.
00:00:27Juanillo, go ahead, it's your turn.
00:00:34Silence.
00:00:38Silence, I said.
00:00:40It's not okay to laugh at a colleague.
00:00:42I'm the groom!
00:00:48Come on, let's go home!
00:00:52Come on, damn it!
00:00:58Stay right there!
00:00:59Leave me alone, Father, they're leaving without me.
00:01:01You're staying with me. We need to do some shopping and then go home to help your mother.
00:01:04But you're a dad who loves women!
00:01:06Mother of women!
00:01:07Hey?
00:01:07It's a girl!
00:01:10So, how much is the suckling lamb?
00:01:1230 maravedis, pencil.
00:01:13Okay, we're not raising prices, are we? It's Christmas... Well, it's going to make me...
00:01:18He gives me some testicles.
00:01:19Sorry, sorry, sorry.
00:01:20Sorry, sorry.
00:01:20But I was there first.
00:01:21Sorry.
00:01:22Four suckling lambs.
00:01:24He's also going to give me seven pounds of pig's trotters and... does he have rabbit?
00:01:29I continue to offend.
00:01:30Yeah.
00:01:32Well, uh...
00:01:32Four...
00:01:33Four can be enough, yes.
00:01:35The Medici are coming for dinner.
00:01:37They don't know what they're swallowing.
00:01:38Here they go!
00:01:40They just made it!
00:01:41It's him!
00:01:42My cape!
00:01:43Thief!
00:01:44Guards!
00:01:44Guards!
00:01:48Where are you going, kid?
00:01:49Throw an eye!
00:01:53Where has he gone?
00:01:54I think that...
00:01:55He's gone up the stairs here.
00:01:59I'll pay for the rabbit.
00:02:04They'll be cut today, right?
00:02:06Yes sir.
00:02:07Good.
00:02:22The marchioness wants me to bring her fruit.
00:02:25Now fruit.
00:02:26Do you want me to take it?
00:02:30How old are you?
00:02:31Thirteen.
00:02:32And have you met a man yet?
00:02:34Have you been deflowered?
00:02:36No, for God's sake.
00:02:38Come on, just let it go.
00:02:39I'll take it to her.
00:02:43Do you give your permission to the Marchioness?
00:02:46Forward.
00:02:47The galleon wants to cross the Strait of Magellan.
00:02:50May I, Marchioness?
00:02:51Permission granted, Commissioner.
00:02:55Catalina, leave it here on the bed.
00:02:58Yes, ma'am.
00:03:00Sure, sorry.
00:03:01No.
00:03:02I'd be thinking, too, that there's a piece of fruit in the bed.
00:03:09Sorry.
00:03:10Cata, take it.
00:03:16Cata, take it.
00:03:17Catalina, daughter, that's for today.
00:03:21You can leave.
00:03:25And Merry Christmas, my dear.
00:03:27By the way.
00:03:30Haven't you told me what you want for Christmas yet?
00:03:32Well, it's very easy.
00:03:36I love you...
00:03:37All?
00:03:38All.
00:03:42All.
00:03:42Do you want to play?
00:04:12You can go.
00:04:23No, please, don't beat me, don't beat me.
00:04:26No, please don't beat me.
00:04:44There will come times of weeping and gnashing of teeth.
00:04:50Are you ready?
00:04:51Okay, fine.
00:04:54One, two, three.
00:04:57Tatán!
00:04:58An alphabet!
00:04:59Yeah.
00:05:00Didn't you need one?
00:05:01Who made it? Where did you buy it?
00:05:03Us?
00:05:04No, you didn't do it.
00:05:05We did it on a plate.
00:05:06Yes, yes, yes.
00:05:07What did you score? Artist? Are you an artist?
00:05:11Murillo helps us with the drawings, huh?
00:05:13Murillo.
00:05:13But just a little bit.
00:05:14It surprises me.
00:05:17Díaz, huh?
00:05:19Diaz.
00:05:19Do you really like it?
00:05:23Don't get too excited.
00:05:24You have to go get the lamb.
00:05:26Yeah.
00:05:32Runs.
00:05:34Mother.
00:05:35Aunt Margarita is coming this year.
00:05:37And you know he can't.
00:05:38But why?
00:05:39We haven't seen her in a long time.
00:05:42Children don't ask questions.
00:05:44No.
00:06:03Only through blood will the corrupt perish.
00:06:06We are the chosen ones of the new order.
00:06:09So be it.
00:06:10So be it.
00:06:11We are all here.
00:06:12We can begin.
00:06:18High!
00:06:19Your money or your life.
00:06:20Hello, Floro.
00:06:21Goodbye, Floro.
00:06:22I'm in a big hurry, Floro.
00:06:23Look, let's go.
00:06:24That's not a way to greet a friend.
00:06:25Floro, Floro.
00:06:26Listen to me.
00:06:26Do I need to find a roast lamb, Floro?
00:06:28Hey, but if it's roasted, I won't be able to go very far.
00:06:30Let's move on from the "yes, but have a little jug" thing.
00:06:32How many small jugs have you had, Floro?
00:06:33Just one.
00:06:34But it's Christmas.
00:06:36Don't look at me with those eyes, you know I have to eat you up.
00:06:41That's life, mate.
00:06:45Look, I'm going to cook for you with those candles.
00:06:48Come on.
00:06:53Our plans are coming to an end.
00:06:55The king's days are numbered.
00:06:58We're going too far.
00:07:00I will not be an accomplice to high treason.
00:07:03I remind you that you owe obedience to this society.
00:07:06You're talking about assassinating the king.
00:07:09Could it be that you lack courage?
00:07:11Enough is enough!
00:07:13Nobody calls the coward, Captain Rodrigo.
00:07:15Coward.
00:07:17I have evidence that incriminates all of you.
00:07:19That's impossible.
00:07:20How do you get through?
00:07:21I don't plan to use them.
00:07:22Not before testing my sword.
00:07:24It will be a pleasure.
00:07:35Arrest him.
00:07:42I'm going to see what happened to your father and the lamb.
00:07:46You stay here, okay?
00:07:47No, I want to go with you.
00:07:50What do I call?
00:07:51No, I don't want to be alone.
00:07:53Are you scared?
00:07:54The brave man is afraid.
00:07:57Just a moment, okay?
00:07:59Okay.
00:08:00Bye bye.
00:08:04The teacher and the barber can contribute whatever they want.
00:08:06Hello, what can I offer you?
00:08:08Well, it offers me an impressive landscape.
00:08:12Well, a jug of claret.
00:08:14If Catalina catches you, she's going to make you look like crap.
00:08:19What a woman you have, Cipri.
00:08:23Too much horse to give a little spin.
00:08:27Oh, thanks, man.
00:08:28Here, take my health.
00:08:34Good shot, Cipriano.
00:08:35That's a blast.
00:08:36Here, take my health.
00:08:37Us!
00:09:08You have to help me.
00:09:09What happened?
00:09:10You must give this book to the king.
00:09:12Something, love!
00:09:14Run for your lives!
00:09:20No no!
00:09:21Please, please!
00:09:22I haven't done anything!
00:09:23I am under arrest in the name of things!
00:09:24I haven't done anything!
00:09:26Shut up!
00:09:27Silence!
00:09:28Shut up!
00:09:28Please, please!
00:09:30Silence!
00:09:33Hey!
00:09:34Hey!
00:09:35Hey!
00:09:35No!
00:09:36No!
00:09:39I just wanted to catch his rabbit!
00:09:42Sorry.
00:09:43Not his wife.
00:09:44One that I had.
00:09:46Get out of here, scum!
00:09:53Homeless, shelterless, foodless.
00:09:59This 17th century is dragging on, isn't it?
00:10:21Please, please, please, I haven't done anything, I haven't done anything.
00:10:26Please, please, please, get me out of here, please!
00:10:32I really dislike these things, especially on Christmas Eve. I haven't done anything, I haven't
00:10:36I haven't done anything, please get me out of here!
00:10:40Would you rather be at home celebrating Christmas Eve with your loved ones?
00:10:43family, right?
00:10:45Well, it's very easy, you just have to tell me how you know the person you went on a date with.
00:10:49I haven't done anything, I haven't done anything, I haven't done anything, I haven't done anything,
00:10:53Please, I didn't sleep with anyone, no.
00:10:56The tools.
00:11:01It's good for scaring my wife's mother away with a single breath, look.
00:11:06Talk! Talk!
00:11:08That?
00:11:09What are you saying about my mother?
00:11:10I never talk about your mother.
00:11:12What's that?
00:11:13This is a little trumpet, look.
00:11:17Where does he head for home?
00:11:18We're not going to have dinner
00:11:19Merry christmas
00:11:20Merry christmas
00:11:22The Lamb
00:11:24Merry christmas
00:11:24See you later
00:11:25See you later
00:11:27I haven't done anything
00:11:28I haven't done anything
00:11:29I haven't done anything
00:11:30Please
00:11:35Please
00:11:35Please
00:11:36Please
00:11:36I haven't done anything
00:11:37Please
00:11:38This is going to hurt me much more than it will hurt you
00:11:57Family
00:11:57Everyone to the table
00:11:58The Lamb is already here
00:12:00Well
00:12:00You have no idea how drunk I am
00:12:01What are you doing here?
00:12:02You have no idea how drunk I am
00:12:03That carries a flower
00:12:04Catalina slapped him
00:12:07Where's Mommy?
00:12:09I don't know
00:12:09He went out to look for you
00:12:10Why were you taking so long?
00:12:14Come on
00:12:15Let's go find her
00:12:16André!
00:12:19Cristina!
00:12:21Come on
00:12:24Cristina!
00:12:27Where they haven't looked at me
00:12:28About the corral of quotes
00:12:30We could get closer
00:12:34Cristina!
00:12:37Cristina!
00:12:38Mother!
00:12:45Cristina!
00:12:48Cristina!
00:12:49Cristina!
00:12:52Mother!
00:12:53Cristina!
00:12:57Have you found it?
00:12:58Not a soul in the street
00:13:00Not even on the grill
00:13:00Not even in church
00:13:03Have you looked at the Plaza de Comendadoras?
00:13:04All desert
00:13:05Maybe he's come back home because of the knife-wielding.
00:13:08And we haven't crossed paths with her.
00:13:10OK
00:13:13Come on!
00:13:13Mother!
00:13:14Alonso, stay calm
00:13:15He's probably at home eating the lamb.
00:13:17Come on, son
00:13:22Come on, let's hurry up
00:13:23The plaza is the last one we made
00:13:24Cristina!
00:13:25Cristina!
00:13:26Cristina!
00:13:26Cristina!
00:13:29Cristina!
00:13:30Cristina!
00:13:31Cristina!
00:13:32Cristina!
00:13:32Father
00:13:33It's not your mother's shawl, is it?
00:13:53Cristina!
00:13:55Cristina!
00:13:58Cristina!
00:13:59What's happening?
00:14:01What's happening?
00:14:01Cristina!
00:14:03Cristina!
00:14:07And take care of Alonso
00:14:09Yeah
00:14:10Yeah
00:14:14It's like you
00:14:18He's a child
00:14:26Cristina
00:14:27Cristina!
00:14:30Cristina!
00:14:33Cristina!
00:14:35Already!
00:14:39Poma!
00:14:42Mother!
00:14:45Adonso!
00:14:46Catalina!
00:14:47Come on over!
00:14:48No! Mom! Don't leave me, please! Mother! No, please, Mom! No! Mother!
00:15:05No! Don't take it! Don't take it!
00:15:53Oh my God! You're going to eat! You're going to eat! Ah!
00:15:58Mother! Reference!
00:16:02Mother! Mother! I hope you've taken away!
00:16:04Have mercy! My little girl is dying!
00:16:07It's a little milk! We're hungry!
00:16:08The people are hungry!
00:16:10Do you know what happens when you steal?
00:16:12Come on, the gallows await you.
00:16:15Piety!
00:16:34Piety!
00:17:06He hasn't seen where he left his post!
00:17:08I'm not interested!
00:17:10But what has happened? What has happened, men of God?
00:17:13Hey, you've really helped him out!
00:17:15Let's see, let's see!
00:17:17Where to? Here!
00:17:17What's that drink over there that I have that I need to circulate?
00:17:19No, I was here first!
00:17:22Why did we have to come through these streets that are jammed up?
00:17:26What a nuisance, Madam Marchioness!
00:17:28Candies! Kill that car!
00:17:31Make way for the Marchioness!
00:17:40That's all?
00:17:41There are people who don't even have this.
00:17:52Here, go on. I'm not hungry.
00:17:55I drew the gaze.
00:17:57Come on, stop fantasizing. That's how he eats.
00:18:00That's true, Gaby saw it.
00:18:02He says he helps people. Maybe he knows who killed his mother.
00:18:06Alonso, that's enough.
00:18:08OK?
00:18:12He finishes his breakfast quickly.
00:18:14We're going to school.
00:18:16Eat it all!
00:18:19Cipri!
00:18:20Good one, Floro.
00:18:21Give me some brandy, I just cut off someone's ear.
00:18:23You wouldn't believe how he's gotten today.
00:18:25I've told you not to start working before you've had two glasses of wine.
00:18:29Your pulse is shaking a lot.
00:18:30Oh, this is going to be intense, isn't it?
00:18:31It's brandy.
00:18:32It's good?
00:18:35I think it will work.
00:18:54No, no, no, no, sorry.
00:18:56That's not why I'm here.
00:18:58I'm here for this.
00:19:00Cyprian!
00:19:01Cyprian!
00:19:05We are going to do a dictation about the apocalypse.
00:19:08I'm copying.
00:19:09Start here.
00:19:12That will be the day of judgment.
00:19:18Dear Aunt Margarita, I am writing to you again.
00:19:21Since his mother died, his father has been very ill.
00:19:24I know he is sad and angry about what happens at Christmas.
00:19:27But I have also lost my mother.
00:19:30Father needs someone to help him.
00:19:33Mother has always spoken well of you.
00:19:37Please come, we need you.
00:19:40Trumpets.
00:19:42And the heavens and the light will open.
00:19:50Apocalypse!
00:19:51Apocalypse!
00:19:52World apocalypse!
00:19:53Murillo, Murillo, Murillo.
00:19:54Nothing has happened, nothing has happened.
00:19:56Apocalypse!
00:19:57That's not funny, Gabriel!
00:19:59Sit down, Murillo.
00:20:01We haven't finished the dictation!
00:20:02Where were we, Alonso?
00:20:05Father, it's not what it seems.
00:20:08Do we need you?
00:20:11We don't need anyone, Alonso.
00:20:14Do you understand?
00:20:15Can you hear me when I speak?
00:20:18Hey?
00:20:20Alonso, look at me when I'm talking to you.
00:20:23I forbid you from writing to your aunt again.
00:20:27You understand?
00:20:35Class is over.
00:20:37Turns!
00:20:47Alonso, son.
00:20:49Alonso, wait.
00:20:51Son.
00:20:52Son!
00:21:25Shit!
00:21:27Shit!
00:21:29Shit!
00:21:40What's happening?
00:21:41Have you never seen a leg or what?
00:21:43No, no, not me, no.
00:21:44Come on, I don't...
00:21:45Come on, let's get some air!
00:21:46At this rate, the grapes are going to ferment.
00:21:49Listen, look, I'm going to the village.
00:21:51If you'd like me to give you a ride...
00:21:53Yes, for the village.
00:21:56No, I already know this.
00:21:57If I know a shortcut,
00:21:59whether we go this way, whether we go that way,
00:22:00And in the end we end up frolicking in the air, right?
00:22:03Listen, miss, I'm married to Pascuala
00:22:05And very happily married, huh?
00:22:10Well, please forgive me,
00:22:13I've traveled a lot,
00:22:14I've come from Seville
00:22:15And they told me to touch the gas.
00:22:16And he tells me about it casually.
00:22:19But anyway, thank you very much.
00:22:21But if that's the case, I'm going to go for a walk.
00:22:23Well then, enjoy it!
00:22:25Because he has more than two days left on foot, you know?
00:22:28That?
00:22:30Hey, stop!
00:22:31Stop, stop!
00:22:32Stop!
00:22:33Stop!
00:22:35Woman, come on.
00:22:37Oh, okay!
00:22:40Thank you!
00:22:44Come on!
00:22:46Come on!
00:22:48How about...?
00:22:50Pascuala.
00:22:51With Pascuala? Do they have children?
00:22:52Yes, very good.
00:22:53Eight females.
00:22:54That's nothing.
00:22:55And what about you?
00:22:56How many?
00:22:56No, no, I...
00:22:58I don't have children.
00:22:59Huh?
00:23:00But I do have someone in my life
00:23:01who needs me a lot.
00:23:05Hey!
00:23:06Eat it!
00:23:06Eat it!
00:23:08Eat it!
00:23:09Let it go!
00:23:21Have you found anything?
00:23:22Nothing.
00:23:23There was no sign of the book.
00:23:25We have to leave the city.
00:23:28I think they're starting to suspect me.
00:23:30We can't see each other again.
00:23:32You are accused of killing the teacher's wife.
00:23:34If we were to recover the book,
00:23:36The entire conspiracy against the king would be exposed.
00:23:38Three months have passed.
00:23:40You'll never find it.
00:23:42Will you abandon me?
00:23:45No.
00:23:46But we're running out of time.
00:23:54Have you found Captain Rodrigo?
00:23:57One.
00:23:59He escaped three months ago.
00:24:02He knows too much.
00:24:04We have to find him and take him down.
00:24:06One of our men is helping Captain Rodrigo.
00:24:08And he knows his whereabouts.
00:24:10Let those who do not betray us stand up.
00:24:17He.
00:24:19He is the one who knows where Captain Rodrigo is.
00:24:25I swear to God.
00:24:26Misfortune never comes alone.
00:24:27What happened?
00:24:27The school has collapsed.
00:24:28Oh my God, Murillo, he's there...
00:24:29Don't worry, woman, the kids are fine.
00:24:31The only prejudiced one is like that, Gonzalo.
00:24:33Something has to be done about this man.
00:24:34So he barely gets out of one mess before he gets into another.
00:24:37So what do we do?
00:24:38Since his wife's death, Gonzalo hasn't been able to get back on his feet.
00:24:41I think he has the evil eye.
00:24:43Shut up, woman, you're not even lying about that.
00:24:45Gonzalo!
00:24:47A little more meatballs and more wine.
00:24:50Hey, for the rest of the eye, there's no nonsense, okay?
00:24:52Clear.
00:24:53By the Most High, the shame you put me through.
00:24:56What you, as his friends, need to do is roll up your sleeves and lend him a hand.
00:25:01You're all lazy bums.
00:25:03I'm going to get the water carrier.
00:25:04Are you coming?
00:25:05Yeah.
00:25:06Maybe your wife is right.
00:25:08No, you're the lazy one here.
00:25:10No, I'm talking about helping Gonzalo.
00:25:12Ah, yes.
00:25:14Yeah!
00:25:15The star has entered, Dina Roja!
00:25:16You'll never die!
00:25:19I am Dina Roja!
00:25:21You died!
00:25:24Hey, wait!
00:25:28Here's something.
00:25:29Look at him!
00:25:30Hello!
00:25:33Alonso, look!
00:25:34My drawings are barely there!
00:25:37Come on, let's play at lifting the nuns' backs.
00:25:41Let me.
00:25:42Please.
00:25:44You remember your mother, right?
00:25:47He should have accompanied me to look for my father.
00:25:50Then you wouldn't be here playing with us.
00:25:53Would you be in...
00:25:54The cemetery?
00:25:55No, heaven.
00:25:57I'm sure your mother is watching herself from up there.
00:26:00No.
00:26:01My mother is being eaten by worms.
00:26:05But hey, at least you have a father.
00:26:08No.
00:26:10Neither.
00:26:10My father is as if he weren't there.
00:26:13I think he doesn't love me anymore.
00:26:15At least you have one.
00:26:18I would like to have one.
00:26:22Even if it was bad.
00:26:26It's just that...
00:26:27I can barely remember his face anymore.
00:26:31Do you think I'll ever forget her?
00:26:33If you want, I'll draw it for you.
00:26:42I have papers.
00:26:43Now.
00:26:44These two mondigones are not good.
00:26:46Let's see those.
00:26:47That makes five already.
00:26:48When he pays me for what he's taken, I'll give him these.
00:26:50That's six reales.
00:26:52You'll see that there's something that...
00:26:57Because I am the red eagle.
00:27:00Pleased to meet you, red eagle.
00:27:01That's six reales.
00:27:02No, no, no, no, no, no, no.
00:27:04This is not how it works.
00:27:05Look, I'm supposed to help the poor.
00:27:08Just last night, except for a few.
00:27:10And then the poor help me.
00:27:12So...
00:27:13No, thank you.
00:27:15Don't even think about moving, okay?
00:27:16Stay right there.
00:27:17Floro, the syrup.
00:27:18Here it is.
00:27:20Stay right there.
00:27:21Don't move.
00:27:22First he pays me the six reales.
00:27:23Then he'll eat your meatballs or whatever you want.
00:27:25Okay, okay, okay.
00:27:26I am not the red eagle.
00:27:28I'm not very hungry and...
00:27:30And I'm crazy.
00:27:31Tede!
00:27:32I'm so crazy!
00:27:40Tede!
00:28:24Tonight you will taste the sweat.
00:28:26No, thanks.
00:28:28I've eaten enough, I don't want dessert.
00:28:30This is your last favor.
00:28:34Holy shit!
00:28:36Thank you, commissioner.
00:28:54Madam!
00:28:55Keep it up.
00:28:56You're going to drink the water in the urinals.
00:29:00God, it does look like this.
00:29:01Lepanto, after the battle.
00:29:03Leave me alone, Catalina.
00:29:04I have a lot of work to do, huh?
00:29:05Yeah.
00:29:05You still have a few glasses left to break.
00:29:10Hit it hard.
00:29:11What a way to take advantage.
00:29:13I can't take it anymore.
00:29:17Well, you'll have to be able to, because you're going to catch the plague in this house.
00:29:20What do you think?
00:29:21I'm not trying.
00:29:22Well, try harder.
00:29:23This place looks like a cave and your son looks like a lost soul.
00:29:27Don't you know how much I loved her?
00:29:29Don't you know how much I loved her?
00:29:29Of course I know.
00:29:31I won't know.
00:29:34Gonzalo, you made Cristina very happy.
00:29:38We shouldn't go into a place like that.
00:29:40Look, I won't allow you to talk back to me.
00:29:42I am hungry and my mother's palace is very far away.
00:29:48It is an honor to have you at my inn, Mr. Marquis.
00:29:51If there's anything I can do for you.
00:29:53Well, it would be good if this didn't look like a stable,
00:29:56But I'll settle for a cup of hot chocolate and some latches.
00:30:02I'm sorry, it's its essence, but we're out of chocolate.
00:30:06He doesn't know the food shortage we are suffering.
00:30:09We are having supply problems.
00:30:10Look, I've come here so you can tell me about your problems.
00:30:12Do you have anything to calm my appetite?
00:30:13Of course, Mr. Marquis.
00:30:26I have the best little sausages ever.
00:30:27And some amazing torrenos.
00:30:29I can vouch that you have never tasted anything tastier in your life.
00:30:32Keep this garbage for your pigs or for yourself.
00:30:35There's not much difference either.
00:30:37I...
00:30:38I don't know what else I can do.
00:30:40What did you say?
00:30:41Are you going to feed the Marquis of Santillana, you lout?
00:30:44But, sir, please...
00:30:45Can't I kill this commoner if I feel like it?
00:30:47But, sir, please...
00:30:48Put that sword down, Nuño.
00:30:50No.
00:30:57Obey.
00:31:00I am so sorry, Madam Marchioness.
00:31:02I haven't been able to control Don Nuño...
00:31:03You've been in control of it since day one.
00:31:05How could you bring my son to this dive?
00:31:07Come closer.
00:31:10He's fired.
00:31:12I don't want to see him again.
00:31:19Thank you, mother.
00:31:20That tutor made me...
00:31:20Have I given you permission to speak?
00:31:24Let's go.
00:31:26Now I'll have to find another tutor.
00:31:29For the inconvenience.
00:31:31Thank you, Marchioness.
00:31:33Come back whenever you like.
00:31:34At your feet, Madam Marchioness.
00:31:39That child...
00:31:41That child needs a firm hand.
00:31:43He's spoiled.
00:31:44Someone to raise him with a firm hand.
00:31:46I have the tomatoes!
00:31:48Tapico tomatoes!
00:31:49Come!
00:31:49Father!
00:31:50Father!
00:31:51A gift, you're going to love it.
00:31:53Thank you.
00:31:55She is a mother.
00:31:57Murillo drew him so that he will always be among us.
00:32:02What's happening?
00:32:02What don't you like?
00:32:06I've missed her too, son.
00:32:08But a drawing isn't going to bring her back.
00:32:11But Dad, I draw her...
00:32:12We have to live without her, Alonso.
00:32:20You don't know who I'm going to hang up on.
00:32:23You're going to get what's coming to you.
00:32:25God already told you.
00:32:26By order of the commissioner, for the acts of atrocity and plunder, they will be hanged by the neck until they stop.
00:32:32Breathe, for public scorn and as an example of behavior, Alejandro de Valencia, César Ruiz de Diego and the man who did not
00:32:39He wanted to give us his name.
00:32:41What are they going to do to them?
00:32:41Are they going to kill them?
00:32:45But nobody is going to help them.
00:33:12Verduo, if you leave it a little loose on the bill, I mean...
00:33:15I'll know how to reward you, because I'm a man of means, you know?
00:33:18Goat!
00:33:36Let me fall!
00:33:58Here, bird!
00:34:00Save me!
00:34:03Bird!
00:34:04Bird!
00:34:05They're not coming for me!
00:34:05They're going to kill me!
00:34:07I'm already here, bird!
00:34:17Long live Guemaraja!
00:34:50Take him to Cardozo. We'll kill him there in a slower, more painful way.
00:35:20Take him to Cardozo. We'll kill him there.
00:36:07Take him to Cardozo.
00:36:09But if he has no regard for other people's lives, then he doesn't. What can you do? Everyone
00:36:12We have our little things.
00:36:17Okay, but they're not going to deny me my last supper.
00:36:21Shut up, you scoundrel. Shut up, move on.
00:36:23He won't deny me that right. The Last Supper. The protocol of justice. The Last Supper before
00:36:32From Palmar. Note. My wish is for some Galician barnacles. It cost you your life. And what am I from there, you know?
00:36:40you?
00:36:41We're going to kill you tomorrow, you wretch.
00:36:46Well, I'm not going to be fussy about it. You're right.
00:36:50If it takes them a few weeks to process it, then I'll wait a week. Of course. Some barnacles.
00:37:02There's nothing here. No aunt or anything. Get down! Come on!
00:37:14Get down!
00:37:16Mother, I miss you. Do you know what I'm going to do? I'm going to Seville to find my aunt. We need
00:37:26aid.
00:37:26My father is very sad and we can't go on like this.
00:37:35I only ask one thing of you. That you give me strength.
00:37:39Don't worry. I'll be careful. I won't talk to strangers and all that.
00:37:44But you help me, okay?
00:37:56Thank you, mother.
00:38:18Father, I have sinned.
00:38:21I've killed again.
00:38:24But you have saved some innocent people and given hope back to the people.
00:38:29By marrying Cristina, I swear that I will never use violence again.
00:38:32Don't you remember how you were the first time you came?
00:38:36Now you have a mission.
00:38:38People need to believe in something.
00:38:40Isn't that what the church is for?
00:38:44The church does not take away hunger.
00:38:48Besides, neither you nor I trust her.
00:38:52I don't trust anyone anymore.
00:38:54Except for Antip.
00:38:55But my wife is dead and I still don't know why.
00:38:58Control your anger.
00:39:00And use it to help me.
00:39:05There are dark forces conspiring to seize power.
00:39:10What does that have to do with Cristina's death?
00:39:12I suspect it's all connected.
00:39:14As is no coincidence, you are running out of food.
00:39:18Look for those who are trading.
00:39:20They will take you to their masters.
00:39:25Father, I want to go to confession.
00:39:33Tell me, daughter.
00:39:35Are you sure about what you're doing?
00:39:37Me, but what I am sure of is that tonight she ceased to be a maid in the palace.
00:39:41But what, are you going to lose your job at the palace, woman?
00:39:44Who is the Marchioness's confidante?
00:39:47Well, you.
00:39:48Besides, if you're doing him a favor, don't you see that that little marquis has turned out to be a bit dim, and Gonzalo...
00:39:53Will it stabilize?
00:39:55You're confusing me again.
00:39:57But how can I confuse you if you're smarter?
00:40:00He's confusing you.
00:40:02I know, daughter, I know.
00:40:04We are works of the world.
00:40:06We have traveled.
00:40:09Well, if things get ugly, we'll sing that little song to the marchioness, the one about the marchioness.
00:40:15That one, with those on the table, you'll see how it looks.
00:40:20What a joke.
00:40:21If I lose my job because of you, you'll see what I mean.
00:40:24Floro.
00:40:26For these reasons.
00:40:26And no, woman, relax, don't worry.
00:40:29We've faced worse situations.
00:40:33Oh, what did we see in these men to make us marry them?
00:40:36Well, my daughter, they have no money and they're not handsome.
00:40:40We find them funny too.
00:40:51Hello.
00:40:53I could only bring you this because of the trip.
00:40:55Yeah.
00:40:56Thank you.
00:40:57I am this.
00:40:58Are you sure you want to escape to Seville?
00:41:01As sure as that thing jumping on your head is lice.
00:41:04Did you leave without saying goodbye?
00:41:06Yeah.
00:41:07And your aunt is going to love you, right?
00:41:09Let's see if you get there and he sells it to you.
00:41:10Sell me?
00:41:12In case my aunt is richer than the Sultan of Damascus.
00:41:15But not me.
00:41:17If I had money...
00:41:19Well, look, my son takes an open one, perfect for you.
00:41:25Do you want me to rob you?
00:41:26No.
00:41:27Just borrow some money.
00:41:29If you really want to go to Seville, you won't have any reasons not to.
00:41:33But if they catch me...
00:41:35We're kicking you out.
00:42:03What swimming is, is polish.
00:42:05What a luxury!
00:42:06Come on.
00:42:07These paintings are beautiful.
00:42:08They are fresh.
00:42:09They have been decorating the walls of palaces across almost all of Europe like this for over 200 years.
00:42:19Painted walls.
00:42:20Now that's decorating!
00:42:22There is fear.
00:42:23Come here, dog.
00:42:25Come on, good man.
00:42:28Come on.
00:42:29Come here.
00:42:30Come on.
00:42:31No!
00:42:32No!
00:42:35Aid!
00:42:36They forced me!
00:42:37They forced me!
00:42:40Very!
00:42:41Get me out of here, please!
00:42:42I'm going to tell my mother everything so she can warn your father.
00:42:45Okay!
00:42:45But run!
00:42:56And how do you know so many things?
00:42:58Because I read a lot.
00:43:01Do you have a headache?
00:43:02Ah!
00:43:03Ah!
00:43:04What's wrong, Silvio?
00:43:06Because?
00:43:07Well?
00:43:10Madam Marchioness, so much, so much, so much.
00:43:12You have a proposal to make to me, don't you?
00:43:14Yes, well.
00:43:15Especially because of his son.
00:43:16Since we witnessed the dispute with the tutor, let's try to make sure the position has become vacant.
00:43:20We have an acquaintance who could fill the position.
00:43:24He is a teacher by profession.
00:43:25He is the perfect candidate, if you need his presence.
00:43:28I have the information, but I need references.
00:43:30Tell me about your friend, he's a good teacher.
00:43:32He's the best.
00:43:33He is a person who can read, knows Latin, knows Greek, knows arithmetic, and has traveled a lot.
00:43:39He has even been to China.
00:43:41To China?
00:43:43And I have to trust a barber and a...
00:43:45Innkeeper.
00:43:46On one occasion the Count-Duke of Olivares stopped at my inn and I gave him a glass of wine and
00:43:49The grateful man told me...
00:43:49Enough is enough!
00:43:54I suppose I have nothing to lose by meeting him.
00:43:56Tell him to come immediately.
00:43:58Its essence will be here in less time than it takes a rooster to crow.
00:44:01If you need it.
00:44:05Over there.
00:44:14Let's go.
00:44:16They're going to impale me.
00:44:17They're impaling me, but how is that possible?
00:44:19Eleven crosses in a row!
00:44:21How is that possible?
00:44:25Come!
00:44:26Come in!
00:44:31Which country?
00:44:33What a country!
00:44:33Children are not even respected anymore!
00:44:36Why have they arrested you, boy?
00:44:38He stole a bag of money from me.
00:44:40Noble profession of thief.
00:44:41Yes sir.
00:44:43Although you would have been better off learning it better.
00:44:45That the penalty for stealing is the amputation of a hand.
00:44:51But that...
00:44:52That's in the worst-case scenario.
00:44:53With a bit of luck, they'll only send you to the galleys for a year.
00:44:55A year in the galleys.
00:44:58Boy, in the galleys all you have to do is row.
00:45:02What's happening?
00:45:03Nothing, they're...
00:45:05They are torturing a man.
00:45:08But it's like I say.
00:45:09Better him than us.
00:45:10No?
00:45:14For the kingdom's best friends.
00:45:16Us.
00:45:19Well, it hasn't been that difficult.
00:45:20Deep down, nobles are just like us.
00:45:22They explain things to them and they understand them.
00:45:26If all men are equal.
00:45:28Yeah.
00:45:28Some are more equal than others.
00:45:29Because the marchioness has enough jewels to stop a carriage and I, look...
00:45:32This little medal.
00:45:33From my grandmother, may she rest in peace.
00:45:34Otherwise, neither.
00:45:35Gonzalo will be so happy when you tell him he's going to teach the son of
00:45:38the marchioness.
00:45:39Well, I think I'm jumping for joy.
00:45:42Have you seen Alonso?
00:45:44He'll be playing with my little wall.
00:45:45If you see him, send him to school.
00:45:46I'm trying to fix the beams.
00:45:47Wait, Gonzalo.
00:45:48Don't go.
00:45:49Come here for a moment.
00:45:50That?
00:45:51You don't have to fix anything.
00:45:52Are you going to help me?
00:45:54Yeah.
00:45:54Come on.
00:45:55Yeah.
00:45:55Well, yes.
00:45:56We've already helped you.
00:45:57That...
00:45:58You're going to trade the cabin for a palace.
00:46:00Let's see.
00:46:01Well, you tell him yourselves.
00:46:03We've gotten you a job at the Marchioness's palace.
00:46:05Since my lady marchioness doesn't have a tutor for her son and you don't have a school, well...
00:46:12How can you propose this to me, Catalina?
00:46:15Thank you very much, Catalina.
00:46:17Also, see.
00:46:18If you see Alonso, send him away.
00:46:21Catalina.
00:46:21Look.
00:46:23The revelry he's put on to celebrate.
00:46:25You should have asked him first.
00:46:27You do things haphazardly.
00:46:34Lieutenant.
00:46:36Where is Captain Rodrigo?
00:46:38I haven't heard from him in months.
00:46:41Don't lie to me.
00:46:41Have you been seen together?
00:46:43Where are you hiding the book?
00:46:46I don't know what you're talking about.
00:46:49Nor does that woman have corrals.
00:46:52What a woman.
00:47:15I'm referring to the woman who died at Christmas.
00:47:18The teacher's wife.
00:47:20The teacher's wife.
00:47:21The teacher's wife.
00:47:22The teacher's wife.
00:47:28Help me.
00:47:28I need to see what's going on.
00:47:32Boy.
00:47:33Dude, what they're doing there isn't nice, baby.
00:47:35Child demon.
00:47:36If you see torture, you won't sleep for three months.
00:47:39Get down from there.
00:47:40Where is the captain?
00:47:42Where is the captain?
00:47:43That woman.
00:47:45Did you know her?
00:47:46I tell him I didn't know that woman.
00:47:49Nobody knew her.
00:47:54Lieutenant.
00:47:55Perhaps the captain knew her.
00:48:18Hello, Lucrecia.
00:48:19This is off to a bad start.
00:48:21You need to know that I ordered the last servant who addressed me informally to be flogged.
00:48:24I'm Gonzalo.
00:48:28Gonzalo?
00:48:30How much time has passed?
00:48:32A lot.
00:48:32We were almost children.
00:48:38Can you withdraw?
00:48:39Tell me.
00:48:41Where have you been hiding all these years?
00:48:44I have traveled a lot.
00:48:45I met my wife.
00:48:46I became a teacher.
00:48:47I had a son.
00:48:49So, must he be a happy man?
00:48:52My wife died a few months ago.
00:48:55I'm sorry.
00:48:56I am a widow too.
00:48:58Gonzalo and I grew up together.
00:49:02Godmother, don't remind me that it was this commoner.
00:49:05See? I really need a tutor.
00:49:07I am a teacher.
00:49:09If you want your child to learn with me, they can attend my school.
00:49:11I don't plan on going to a poor people's escort service.
00:49:14Being noble doesn't give you the right to be insolent.
00:49:19Forgive me.
00:49:20There's nothing to forgive. My son is a spoiled brat.
00:49:22In the end.
00:49:24Contracted?
00:49:24Will you come here to teach him, to teach him the letters, the numbers?
00:49:27Do you know Latin?
00:49:27And Greek, but I don't think you knew that...
00:49:29Don't worry.
00:49:29Of course I plan to pay you.
00:49:31No.
00:49:31It's not about money.
00:49:33It's a matter of honesty.
00:49:35My profession is teacher, not tutor.
00:49:37You know I really don't like being told no?
00:49:39Don't take it as one.
00:49:41I'll be at my school in case you change your mind.
00:49:45It's been a pleasure seeing you again, Lucrecia.
00:49:50Okay, let's start again.
00:49:51Come on, Nuño.
00:49:54Give me the sword.
00:49:57Someone move this chair.
00:49:59Stop listening.
00:50:01That's all for today.
00:50:03She hasn't moaned or screamed for a while now.
00:50:05I need to know who he is.
00:50:07My son, you already have enough problems without asking about anyone else.
00:50:10That in this house we all have a very bleak future.
00:50:13They asked me about my mother.
00:50:14Maybe he knows why he died.
00:50:17Alonso out of the car!
00:50:20They'll be coming for you very soon, boy.
00:50:23Alonso out of the car!
00:50:25What are they going to do?
00:50:27They're going to execute me.
00:50:37No, please, let them leave.
00:50:39No, no, no.
00:50:42Fortune, boy.
00:50:44Ruelos!
00:50:45Who's there?
00:51:00Mother, mother.
00:51:01There is a man there.
00:51:03Alonso.
00:51:04I hope you have a good explanation for this.
00:51:06Yes, yes, there's a man there who...
00:51:18There was a man who spoke about his mother, and they also asked him about her.
00:51:22He had... he had a tattoo on...
00:51:24That's not what I've been asking.
00:51:26You're aware that they could have hanged you, huh?
00:51:31You know what I had to do to get them to let you go.
00:51:34I sold the horse.
00:51:35We have nothing left.
00:51:36Nothing!
00:51:38And what's this about you going to Seville, huh?
00:51:39I wanted to see Aunt Margarita.
00:51:41What's happening?
00:51:43Is life not good here?
00:51:45Yeah.
00:51:47Are they sick today?
00:51:48No, but we're very lonely.
00:51:50Aunt Margarita can help us.
00:51:52She...
00:51:52She's going to stay where she is, and we're going to stay here.
00:51:54We are a family.
00:51:55We solve our own problems.
00:51:57She's part of the family too.
00:51:59Alonso.
00:52:08Okay, sorry.
00:52:09I haven't behaved well.
00:52:10But there was a man in jail who was being tortured and he spoke of his mother.
00:52:18It doesn't matter.
00:52:19Justice will take care of the son.
00:52:22What's wrong with you? Can't you hear me?
00:52:23There is a man who knows what happened to Mother.
00:52:25I've already heard you. You don't need to repeat it.
00:52:29You're not going to do anything.
00:52:32You don't care about what happened to your mother.
00:52:34You're a coward.
00:52:36Coward!
00:52:38I will find out who murdered my mother.
00:52:48No.
00:52:53No.
00:52:59No.
00:53:02No.
00:53:04No.
00:53:04No.
00:53:13No.
00:53:14No.
00:53:14That's why they were in such a hurry to find shelter.
00:53:15Isn't it bad that night catches him in these parts?
00:53:18And stop worrying so much.
00:53:20You'll see how the kid will react as soon as he sees her.
00:53:22He's going to shower her with kisses
00:53:23No, I'm not worried about the child.
00:53:25I'm worried about the father.
00:53:26Ale, with God
00:53:28And thank you.
00:53:55No, no, no
00:54:17Lieutenant
00:54:20Lieutenant
00:54:21Lieutenant
00:54:24No, please
00:54:34Don't kill me, please
00:54:36I am a child
00:54:38What's a kid like you doing peeking out from a wall in the middle of the night?
00:54:49Red Eagle
00:54:51Can you help me?
00:54:53My mother was killed
00:54:54And in there is a man who knows something.
00:54:58Go back home
00:55:00You're not going to do anything
00:55:04This is not the place for you
00:55:06But I have to go to jail
00:55:09Do you want to be killed?
00:55:12I don't care
00:55:14I am not a coward like my father
00:55:18You're the master's son, aren't you?
00:55:23How do you know that?
00:55:26I know everything
00:55:29So?
00:55:30Who killed my mother?
00:55:33Well
00:55:34I know almost everything
00:55:36But I'm going to find out who it was.
00:55:38With one condition
00:55:40You have to listen to everything your father says.
00:55:43OK?
00:55:48Now go back home
00:55:52As?
00:55:53That's my business.
00:55:58Ready?
00:55:59Yeah
00:56:08Runs
00:56:08And remember everything I've told you
00:56:36He says that when you're choked, you get a hard-on
00:56:39That which one takes to heaven
00:56:40If they let you into heaven with a fever
00:56:42I don't know.
00:56:43Silence in the cell!
00:56:52There's little you can do here, Father.
00:56:55These two already have one foot in hell
00:56:57Help me, Father
00:56:58Help me, I used to be an altar boy
00:57:00I went to mass so often they almost made me a cardinal, a bishop
00:57:03And once even pope
00:57:04That I have always been very close to God
00:57:05Help me, Father
00:57:06If you don't want me to send you with him
00:57:08Keep your mouth closed
00:57:09Yes, sorry.
00:57:11Who are you?
00:57:12What do you know about the teacher's wife?
00:57:15Why would I say anything to you?
00:57:17Because I'm the only one who can get you out of here
00:57:22She died because she tripped over something very serious
00:57:26The captain knows the whole story
00:57:29Which captain are you talking about?
00:57:30The captain, Rodrigo
00:57:33I told them I was dead
00:57:36But that's not true.
00:57:36He is alive
00:57:38Tell me what it's like
00:57:39How can I recognize it?
00:57:42Has
00:57:44A tattoo
00:57:45Like mine
00:57:47On the nape of the neck
00:58:00They
00:58:01They want to kill
00:58:07Whom?
00:58:09Who do they want to kill?
00:58:10Where can I find Captain Rodrigo?
00:58:12Tell me
00:58:18No matter how much you shake it
00:58:19You're not going to get anything more out of it.
00:58:21It's stiffer than the sole of my sandal.
00:58:24Guard!
00:58:25If you've been left wanting to save someone
00:58:26I could use to get out of here
00:58:28I can withstand very bad torture
00:58:29I can help you
00:58:31Cleaning, cooking, raising animals
00:58:34To play the hurdy-gurdy
00:58:35Who is stealing the city's food?
00:58:37That interests me.
00:58:38And I'm interested in the rope business.
00:58:50There is hunger.
00:58:53Because they are saving
00:58:54The food
00:58:56So that prices go up
00:58:58I will be a thief
00:58:59But
00:59:01Those who really steal
00:59:02They are of a higher cradle than mine
00:59:05The guard is coming in, so hurry!
00:59:06Yeah
00:59:08Water
00:59:15Water
00:59:17Without sin
00:59:18With your wisdom
00:59:23See how useful this will be for you?
00:59:31Father of God, brothers
00:59:35Have you seen?
00:59:37They swallowed it.
00:59:38I was an actor in Verona
00:59:39Well, what a success we had!
00:59:42If they don't manage to hang the company director
00:59:44For her dominance
00:59:44We would have done something to each other
00:59:45Do you want to shut your mouth and walk faster?
00:59:47If I had removed my chains
00:59:48I'd rather leave my son with a Barbary pirate.
00:59:51To let go of yourself
00:59:54High!
00:59:55The impactors are escaping!
01:00:11The impactors are escaping!
01:00:18Come on!
01:00:44Come on!
01:00:48Have you seen that fighting style before?
01:00:51Sure, you.
01:00:54Hey! Hey!
01:00:56You're the one who saved me from the gallows!
01:00:58You're the one who saved the people!
01:01:00Yes of course!
01:01:02Hey! You're the one who saved me from the gallows!
01:01:04Yes of course!
01:01:08You haven't seen his face!
01:01:11Now I'll have to kill you.
01:01:14Why kill me?
01:01:16You just freed me.
01:01:18That's why I've left myself inside, because I can endure torture better than death.
01:01:21One moment.
01:01:22Wait a moment, I can be your servant, I can be your attendant, your postilion, your...
01:01:26your bedroom straw, your biggest...
01:01:31Runs!
01:01:33Runs!
01:01:34I've been saved four times already!
01:01:36Come on, I'll be your servant for life!
01:01:39Why else but grateful!
01:01:47Stop, open up!
01:01:48Write me down!
01:01:48Come on, I'm sure of it!
01:01:50Come on, leave me alone!
01:02:03Stop, open up!
01:02:05I was looking for you!
01:02:06Boy, boy!
01:02:07Clear!
01:02:07Calm down, calm down, son!
01:02:09It's Satur, our servant.
01:02:11We have a servant.
01:02:13To call me a servant is to oversimplify my condition.
01:02:15I would rather say that I am a page, a postilion, a cook.
01:02:22Come on, I coordinate things and people too.
01:02:27I could say that I am a personal coordinator.
01:02:30But you're the one in jail.
01:02:32No, yes, well.
01:02:34It was a mistake.
01:02:36They've let me go now.
01:02:37Hey, go wash up, you stink.
01:02:40Look, it's not summer yet.
01:02:43Could it be the little boy who had dinner?
01:02:45Go ahead, you have the water out there.
01:02:47Strip.
01:02:48Come on, go wash up, what can you do?
01:02:50Why wasn't it me? Let the record show.
01:02:56Father, I wanted to tell you something.
01:02:59I've given you a very bad life and from now on I promise to do everything you tell me.
01:03:06Amazing, Alonso.
01:03:08And I don't think you're a coward because you take care of a family, a school.
01:03:17And tell me one thing.
01:03:18Did you come up with this on your own?
01:03:20Because it seems like you had, I don't know, an apparition.
01:03:23An apparition, no, no, no.
01:03:26No way?
01:03:27I came up with this myself.
01:03:31As you say I have to think, look, it's already started.
01:03:33And you may seem unfair, but you are good.
01:03:43Come on, come here.
01:03:48I love you, Alonso.
01:03:50Me too.
01:03:50What a gem of a kid, huh?
01:03:54Ah, from the guard!
01:03:58They've already caught me.
01:04:00How little great joy there is in the house of the poor.
01:04:02Tell it about Montalvo?
01:04:04I knew it was going to cause problems.
01:04:06Relax.
01:04:07It's me.
01:04:08What do you want from me?
01:04:08You have to come with us.
01:04:16Calm down, son.
01:04:17I'll be right back.
01:04:19Sato, take care of him.
01:04:25To the kid.
01:04:26Where are you going?
01:04:27No, no, they are...
01:04:29They are friends of your father who...
01:04:31They'll be right back.
01:04:33Hey?
01:04:34Come on, let's go play over there.
01:04:35Let's Play.
01:04:36And now you tell me what you had for dinner last night.
01:04:38Hey?
01:04:38Captain Rodrigo's hostage has died without telling us anything.
01:04:41Commissioner, you are more deadly than the plague.
01:04:45If only it were just as effective at obtaining information.
01:04:49It must be very easy from the luxury of their chambers
01:04:51while I take care of tearing the prisoners to pieces.
01:04:53You're not in the mood for bravado.
01:04:55He keeps making mistakes.
01:04:57What do we know about the Captain?
01:04:59My men are looking for him.
01:05:00But they have a lot of work.
01:05:01There are riots, robberies.
01:05:02That Red Eagle.
01:05:03Find the Captain and take down Red Eagle.
01:05:06For our own good.
01:05:08And especially for yours, commissioner.
01:05:19I'll consider it a suggestion.
01:05:22Instead of a threat.
01:05:48Did you know that for lesser offenses than yours, some people have to row to Cintia?
01:05:53Do you always have to resort to chains to hire your servants?
01:05:57Ten years ago you were not a servant.
01:06:00Nor are you a marchioness.
01:06:02I owe it partly to you.
01:06:03Thank you.
01:06:05If it hadn't been you, I wouldn't have married Mr. Márquez.
01:06:09You already have something to thank me for.
01:06:12We actually look quite alike.
01:06:16We are both widowers and we both need each other.
01:06:21All I need is for you to untie me and let me go.
01:06:25And who is going to educate my child?
01:06:27I have big plans for him and I want you to be his tutor.
01:06:33I already refused once.
01:06:37I had never stopped you so completely at my mercy.
01:06:40What are you going to do?
01:06:42Have me imprisoned?
01:06:44Why are you so stubborn?
01:06:47I can give you anything you want if you're useful to me.
01:06:50Can you give me dignity?
01:06:51Can you eat it?
01:06:53You don't even have your school anymore.
01:06:56I will rebuild it.
01:06:58I let you go years ago.
01:07:00I'm not going to make that mistake again.
01:07:03Accompany the teacher to the door and...
01:07:06Take away his ropes.
01:07:21The Marchioness received Gonzalo while she was taking her donkey milk bath.
01:07:27Naked.
01:07:27Like a fish.
01:07:29Oh, how holy, how shameless.
01:07:31Furthermore, I've been told that she was with him for almost an hour.
01:07:35One hour?
01:07:37Well, that's average.
01:07:38I don't have that much time.
01:07:40That's just gossip.
01:07:41As if the marchioness were Cleopatra.
01:07:43And after the bath, what does she do with the milk?
01:07:45Se la pebe.
01:07:46What do they drink?
01:07:49How's it going with the marchioness?
01:07:50Were you worrying us?
01:07:51Tell me, tell me.
01:07:52With the marchioness?
01:07:53Yeah.
01:07:54Good.
01:07:55I insisted that he be his son's guardian, but I told him no.
01:07:58But what if you have no money or school?
01:08:00There are things more important than money.
01:08:02School is the last thing I have left of Cristina and I'm going to rebuild it, no matter what it costs me.
01:08:06Already.
01:08:07Well, if not, it's going to take years.
01:08:08The time that has been taken from people.
01:08:10Well, Gonzalo, if I hadn't known, I wouldn't have spoken to anyone.
01:08:12Of course, it's because he gets us involved and then...
01:08:14What value does it have? I'm risking my job.
01:08:16And now he tells her no.
01:08:18This?
01:08:19No, no, no.
01:08:19I don't think so because it's the first time I've come to this inn.
01:08:22No, no, no.
01:08:22You are...
01:08:23You're the one with the sausages.
01:08:24He is my servant.
01:08:25A kind of...
01:08:27Of a slave.
01:08:28Well, calling me a slave is...
01:08:29Is...
01:08:30It's about simplifying my situation.
01:08:31I would say rather that I am a...
01:08:34Slave.
01:08:34It's because the marchioness has given you a slave.
01:08:38Silence here gives consent, son of Satan.
01:08:39The marchioness has given him a slave as a gift.
01:08:4112 years with her and you don't even give me a ring.
01:08:44What are you getting yourself?
01:08:44What did he give you?
01:08:45What's that?
01:08:45There's something you give yourself.
01:08:47The good thing is that I can't believe it.
01:08:49Sir, something.
01:08:51You should know something.
01:08:53Furthermore, gentlemen.
01:08:54God be with you.
01:08:55Angelina.
01:08:56Every day, more than five carts enter the Carabanchel market.
01:08:59There must be thousands of bushels of wheat in the warehouse.
01:09:01And do you know the route they take?
01:09:03Every morning they cross the city along the Alcalá road.
01:09:06They were very well covered up so that no one could see them.
01:09:08The commissioner sends his men to make sure no one gets close.
01:09:12Is the commissioner involved in this?
01:09:15The commissioner is involved in everything.
01:09:17Hey, and nobody else knows this but me?
01:09:19Do you know what?
01:09:21Well, no...
01:09:23What about you?
01:09:25That you are...
01:09:26Well, the teacher and the eaglet.
01:09:29Same thing.
01:09:34Stick out your tongue.
01:09:37Further?
01:09:40Let's see...
01:09:42Let that be clear.
01:09:49If you want to keep the language, don't let anyone, absolutely no one, find out about this.
01:09:53OK?
01:10:19Hey, look!
01:10:20That's the Red Eagle that brings us food.
01:10:23Do you want to tell us something?
01:10:25This...
01:10:25This is the food they've been stealing from you.
01:10:28If you want to satisfy your hunger,
01:10:29and go to the Carabanchel sales.
01:10:30There's enough for everyone.
01:10:32Catch us!
01:10:33Red Eagle bringing us food!
01:10:37The guard is coming!
01:10:40Keep watch!
01:10:49A tattoo like mine.
01:10:52Captain Rodrigo!
01:11:04Captain Rodrigo!
01:11:05Stop!
01:11:07Captain Rodrigo!
01:11:09Captain Rodrigo!
01:11:11We need to talk!
01:11:12You've got the wrong man!
01:11:14He is closer to you than you think!
01:11:19Let's see if you handle yourself as well on the ground as you do on the rooftops.
01:11:22Ha!
01:11:39Are you still there?
01:11:41I thought you had disappeared with one of your flips.
01:11:56So you had an ace up your sleeve, didn't you?
01:11:59I have mine too.
01:12:07Ha!
01:12:10Ha!
01:12:20Ha!
01:12:23Ha!
01:12:43We've lost the entire shipment.
01:12:46I apologize, commissioner.
01:12:59Apologies, appropriate.
01:13:07What are you doing here?
01:13:09If we have to rebuild this, we'll have to start somewhere.
01:13:12Wait, let me help you.
01:13:13Gonzalo, the only game we found was that one over there.
01:13:17It's nowhere to be found.
01:13:38Is this where you want me to mess up my class?
01:13:44We're going somewhere else now.
01:13:47It used to be a place for us, but now we don't go.
01:13:53Floro, Cibli.
01:13:56Thank you.
01:14:03In time, this school will be as it once was.
01:14:05And if it's worthy for my son, it's also worthy for yours.
01:14:08You're going to need more than just time to prevent this from falling on your students' heads.
01:14:15I already told you it wasn't for sale.
01:14:18I'm not trying to buy you off, consider this your first paycheck.
01:14:22I didn't remember how stubborn you were.
01:14:24Do you realize what it means for a nobleman to study surrounded by commoners?
01:14:28What are they going to say in court?
01:14:30I think it's the best thing for him.
01:14:31I am willing to have a child come here to teach.
01:14:34But if any problem arises, you will go and teach at the Palace.
01:14:36I understand that we are only talking about your child's education.
01:14:39That became very clear to you when you were in my chambers.
01:14:44One more thing.
01:14:48You need to know that I am a patient woman.
01:14:52Very patient.
01:15:00Good evening, Sato.
01:15:01Just a minute and dinner's ready, huh?
01:15:05Three sacks of wheat that they gave me.
01:15:07We're going to eat porridge about Emperor Charles V.
01:15:10One minute.
01:15:11And thanks to the Red Eagle.
01:15:16Alonso, what are you doing?
01:15:18I told you not to write to your aunt again.
01:15:21But I was just doing calculations, since there's no class.
01:15:29I'm sorry, son.
01:15:31I've had a very hard day.
01:15:33Go on, get some water for dinner.
01:15:35Well.
01:15:39Difficult, my cool one.
01:15:40You have assigned us.
01:15:43Father and hero at the same time.
01:15:48Alonso.
01:15:52Alonso.
01:15:56Alonso.
01:15:57Alonso.
01:15:57Majesty.
01:15:59Tell me you have good news.
01:16:02That's right, Your Majesty.
01:16:04The problem of food for the people is being solved.
01:16:07In a few days, the clandestine warehouses will be dismantled by the citizens themselves.
01:16:12Good.
01:16:13I had to do something.
01:16:14I don't want to know how you did it.
01:16:17But the people must not go hungry.
01:16:20Anything else?
01:16:22No, Your Majesty.
01:16:24You can leave.
01:16:28Augustine.
01:16:32Yes, Your Majesty.
01:16:34Are you still taking care of my children?
01:16:40As if they were my own, Your Majesty.
01:16:45Thank you.
01:17:03Gonzalo.
01:17:06Gonzalo, wake up.
01:17:08What are you doing here, Margarita?
01:17:10I have received some letters from Alonso asking for my help.
01:17:13I came as soon as I could.
01:17:16You know you're not welcome.
01:17:20I know perfectly well what you think of me.
01:17:22But my nephew needs me and I'm here only for him.
01:17:26Foolishness.
01:17:28We can take care of ourselves.
01:17:30Alonso has sent me more than ten letters.
01:17:32Gonzalo.
01:17:33Gonzalo, you can't do this alone.
01:17:34You need help.
01:17:36Your help?
01:17:39You can't be here after what happened to us.
01:17:42Many years have passed for me.
01:17:43You can't hold that against me.
01:17:49Leave.
01:17:50You'll never forgive me.
01:17:52At least let me see the child I just arrived from Seville.
01:17:58Close the door, Saiz.
01:18:01Leave.
01:18:28Thank you!
01:18:33A comfortable place, a good fire.
01:18:36There Saturn, how you have prospered.
01:18:45I was attacked for what they did.
01:19:08That?
01:19:21What did you do to Aunt Margalita?
01:19:23You didn't want me to see her, that's why you kicked her out.
01:19:25I am not a good father.
01:19:26You are the best father she has, even when you have doubts.
01:19:29She looks terrible.
01:19:31Do you know the teacher?
01:19:32Good friend, from childhood.
01:19:34How good?
01:19:34With so much cargo, I don't know how it manages to take flight.
01:19:37Excellent.
01:19:38The king will be eliminated.
01:19:41Where is the book?
01:19:42Which book?
01:19:42Where is?
01:19:43Tomorrow I'm going to war.
01:19:45Don't touch, man, don't touch!
01:19:49Alonso is leaving me, Cristina.
01:19:51She's a goddess.
01:19:52What's with this obsession with touching!
01:19:57Where is Captain Rodrigo?
01:19:58He and I are looking towards Constantinople.
01:20:01When he catches the captain, he'll get his book.
01:20:04I guarantee it.
01:20:06I'm very reliable in everything.
01:20:08Bitch.
01:20:09His wife.
01:20:13It's your fault.
01:20:14Mom, she died because of you.
01:20:17No!
01:20:18No!
01:20:18No!
01:20:26No!
01:20:28No!
01:20:29No!
01:20:29No!
01:20:31No!
01:20:32No!
01:20:34No!
01:20:34No!
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