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00:00:30Saint George is the patron saint of all of you men-at-arms.
00:00:34The Holy Grail is hidden in the grottoes beneath that meadow.
00:00:38I told him the whole truth, that's why I died.
00:00:41I've done all this myself.
00:00:43The orphans, what are you doing with them? Where are they?
00:00:46Underground.
00:00:52Are you OK?
00:00:53I've told you the man, I know where my mother is.
00:00:55I don't know where it is.
00:01:02Last night you were in bed with that woman.
00:01:04You were cursing your mother there too.
00:01:06I'd rather you didn't come to the funeral.
00:01:11Have you found your father?
00:01:14Keep looking for the trunk.
00:01:16Not just anyone can go in there, you hear me?
00:01:18We are talking about the Marchioness of Santillana.
00:01:23Claudia is going to stay and live with us for a while.
00:01:26What's that?
00:01:27What is that? Putting a Moor and a Christian together?
00:01:30That the two of them are into each other...
00:01:32Mister.
00:01:34Get out of the way, beggar!
00:01:36We will spread the rumor that there is a treasure in the village.
00:01:38People will rush to find it.
00:01:40The red eagle will not be able to stop them.
00:01:42Proceed.
00:01:43Lately, men make all the decisions without thinking about how others feel.
00:01:47I killed her.
00:01:49Where is Lucrecia, Catalina?
00:01:52It makes him fond of me.
00:01:53And when you think someone is going to remember you,
00:01:56He's going to leave him stranded like a dog.
00:01:57You can't just show up there and pretend to be rich like that, without any further explanation.
00:02:00For a letter, a gold shield is the minimum.
00:02:03I have a house.
00:02:05I swear we buried him there.
00:02:08Who buried him? You and who else?
00:02:12Commissioner, he's just a child.
00:02:14I know where you are, Evo.
00:02:19Eight and a half.
00:02:20You've gone too far.
00:02:22What are you doing?
00:02:24I've come to see my new house.
00:02:26Thank you!
00:02:34Where did you bet the house?
00:02:35In Jerónima's brothel.
00:02:41Wait for them.
00:02:42I think they've already learned their lesson.
00:02:45He's won it, come on!
00:02:47I am his son.
00:02:48I am your father.
00:02:50You are the son of a servant.
00:02:58Don't stop, Damian, keep going.
00:03:00Don't stop.
00:03:10Don't stop.
00:03:12Borred!
00:03:32Let's go! Let's go!
00:03:45Let's go! Let's go!
00:03:49Come on!
00:04:01Damian!
00:04:17Come on!
00:04:33No! No! No!
00:04:48No! No! No! No! No!
00:04:55No! No! No! No!
00:05:01How are you? How do you drink?
00:05:08Like a true gentleman.
00:05:13We've been waiting for you for dinner for a while now.
00:05:16Nuño, don't you think you're a bit too old to keep playing war games?
00:05:20Lucrecia, this has arrived.
00:05:32Mother, I am going to join the king's ranks.
00:05:35In two days I will march with the company of the Count of Tudela towards Cáceres.
00:05:39The king orders the Count of Tudela to march southwest, to the border with Portugal.
00:05:42And the count has put me among his men.
00:05:45That's great news, son.
00:05:47The time has finally come for me to become a knight under the command of His Majesty.
00:05:52I am very proud of you.
00:05:54I am going to make the Marquisate of Santellena stand out above the rest.
00:05:59Now you should go have dinner and rest.
00:06:01Tomorrow is the reception with the king and you must be in perfect condition.
00:06:14I will not tolerate my son going to war.
00:06:16Lucrecia is not going to war.
00:06:17Their detachment is in a purely diplomatic position.
00:06:20Until it ceases to be so.
00:06:21And they need men to go into battle.
00:06:24It's an unbeatable opportunity for Nuño.
00:06:27Starting out as a squire to the Count of Tudela foreshadowed an excellent military career for him.
00:06:31Damn the day you started his training.
00:06:34Your son is now old enough to serve this country.
00:06:36Don't worry. They're in the best hands.
00:06:38My son is.
00:06:41How long will it be?
00:06:43Hernán doesn't mention it here. How many months?
00:06:47Maybe a year.
00:06:52He's not going anywhere.
00:06:54How long do you think you can hold it back?
00:06:57She'll be there earlier. This day had to come, Lucrecia.
00:07:00It's best to leave things as they are.
00:07:02And you should start getting used to the idea that your son is already a man.
00:07:05And as such, it must comply.
00:07:24Wow, what a great idea.
00:07:26Because you may know a lot about swords and jumping, which I'm not denying, but you were better with women.
00:07:30in scarce.
00:07:33To the pirate and her wedge and to sleep side by side.
00:07:38That's one of the best ideas he's ever had.
00:07:41For now, it's the only solution.
00:07:45Tell me another one.
00:07:47Go on, put that straw back in the stable.
00:07:50This is already done.
00:07:52You'll see.
00:07:54Now that I tell you that's a very small cage for the wild animals.
00:07:59Listen to me.
00:08:01Wild beasts?
00:08:02What beasts?
00:08:06Flies?
00:08:08The ferocity of the flies that this year are as fat as calves.
00:08:13Hey?
00:08:16Well, you're welcome, if you don't mind.
00:08:23Thank you for letting Claudia sleep with you.
00:08:26I have another option.
00:08:38Well then, this is ready.
00:08:42I hope you get some rest.
00:08:44I'm comfortable even on the floor.
00:08:46You already know that.
00:08:48Already.
00:08:51Well.
00:08:52Well...
00:08:56Good night.
00:08:58Good night.
00:09:01Which side of the bed do you prefer?
00:09:03No, you choose.
00:09:05It's your room.
00:09:07That's it.
00:09:09Elected.
00:09:22Are you going to sleep like that?
00:09:24Yeah.
00:09:26Don't you want me to leave you a nightgown?
00:09:28I'll bring you one if you want.
00:09:30I'm more comfortable this way.
00:09:36It's no big deal.
00:09:37Does it bother you?
00:09:37Me?
00:09:39No.
00:09:40You can sleep however you want, as far as I'm concerned.
00:09:42Does that seem normal to you?
00:09:43Good night.
00:09:58And my son?
00:10:00Where is?
00:10:05Where is?
00:10:06Where is?
00:10:10No. It can't be.
00:10:13And the commissioner? Where are the people?
00:10:17What people, ma'am? It's just you and me here, all alone.
00:10:37No no.
00:11:07Ah! Ah!
00:11:14Ma'am, calm down. Calm down, ma'am. It was just a bad dream. You've been like this all night.
00:11:19Drink some water. It will do you good.
00:11:23I love you.
00:11:29Bring me my slippers and my robe.
00:11:32But, ma'am, where are you going? Tell me what you want and I'll bring it to you.
00:11:40Here you go, ma'am.
00:11:51Ma'am, I...
00:11:52I wanted...
00:11:55I wanted to thank you for allowing me to stay with you.
00:11:59You have been very generous to me. I will never abandon you, ma'am. Never.
00:12:05Never.
00:12:10Leave.
00:12:13Leave, Catalina.
00:12:15Yes, ma'am.
00:12:17Lady.
00:12:18I love it.
00:12:20I'm missing it.
00:12:36Video梅.
00:12:40Has.
00:12:46Jesus.
00:12:48At last.
00:12:50Here it is.
00:12:57This is not it.
00:13:00This is not it.
00:13:02But where the hell is that map?
00:13:05With all the mess here, well, no...
00:13:08This is godless.
00:13:11What's happening?
00:13:12Because I can't find the map of the hospitals, love.
00:13:15I don't know where we're going to go today to look for his mother.
00:13:18Look at the mess I've got here.
00:13:20And why don't you organize it?
00:13:21If I've organized it for you, then I've got it.
00:13:24Because you come along and leave everything lying around.
00:13:27Sometimes I'm amused by how tidy you are in your past life.
00:13:31Let's see, let's see if I can focus.
00:13:35This is the one from Saint Grecia.
00:13:37This is...
00:13:38This is the one about the virgins.
00:13:40This is the one with the pears.
00:13:43This...
00:13:44This is the one with the medallion.
00:13:46What is the medallion map doing here?
00:13:50It would be so simple, I had a little piece of furniture here.
00:13:52Here, here.
00:13:53To get everything in order and make do.
00:13:54Well no.
00:13:56Go on, Sato.
00:13:57Get up for a moment.
00:13:58My God.
00:14:03Here it is.
00:14:05Let's see.
00:14:07Look, these are the hospitals in the village that we have registered so far.
00:14:13And these are the ones we still have to see.
00:14:16If my mother is still sick, she has to be in one of these.
00:14:20Well, that's it.
00:14:21Now that the map issue is sorted, let's get down to business.
00:14:22Lest the buccaneer and her sister-in-law wake up early and catch us out of
00:14:26the house.
00:14:27Come on.
00:14:34What's happening?
00:14:36Something strange.
00:14:38What if it turns out that it's not in any of the three?
00:14:40We're sure we'll find his mother.
00:14:43We'll find her even if it's under the rocks.
00:14:46If her mother crossed my path, it wasn't for nothing.
00:14:49Rest assured.
00:14:52Hopefully.
00:14:53Go on, get the horses ready.
00:15:22And that thing?
00:15:25Do you usually knock before entering?
00:15:28I need to talk to you, it's urgent.
00:15:32Wait for me in my bedroom.
00:15:34I'll go right away.
00:15:44So, what is it that's so urgent?
00:15:49I was thinking that...
00:15:53Since the child is leaving, perhaps we could spend tomorrow in the meadow.
00:15:57The child loves it.
00:16:00You come in without knocking and drag me out of bed.
00:16:03To propose a country lunch.
00:16:05To offer you a family day, Hernán.
00:16:08Then Irene will have to come.
00:16:11She is now my family.
00:16:15How long have you been sleeping with her?
00:16:17What are you doing here now?
00:16:19It's just a simple question.
00:16:21No, Lucrecia.
00:16:23You never ask simple questions.
00:16:25What do you want?
00:16:26Nothing, I already told you.
00:16:28Couldn't he pay you a visit?
00:16:30But make a plan?
00:16:33In the middle of the night in the bedroom with my wife, no.
00:16:36You're in a bad mood.
00:16:37When they don't let you finish the way you like, darling.
00:16:42Well.
00:16:45I'll organize lunch tomorrow.
00:16:46Leave it to me, don't worry.
00:16:48No.
00:16:52Lucrecia, you and I no longer have anything that unites us.
00:16:55And now that it's not in a self, even less so.
00:17:00If you'll allow me, I have marital obligations that I would like to fulfill.
00:17:05Good evening, Lucrecia.
00:17:53I'm exhausted, completely exhausted, I love it.
00:17:57This business of riding around all night on horseback from one hospital to another is killing me.
00:18:03And all for what?
00:18:06Not at all.
00:18:11What do you mean, not at all?
00:18:14With all due respect, master, don't be a pessimist.
00:18:17The good news is that her mother is not sick.
00:18:19And that should be valued.
00:18:22Come on, listen to me.
00:18:23His mother is alive.
00:18:24And it's in the village.
00:18:25How do you know?
00:18:28I don't know, but I prefer to think that and nothing else.
00:18:32What do you want me to say?
00:18:33Is her mother dead or is she in France?
00:18:36We have to be positive, man.
00:18:39Good morning.
00:18:41Good morning.
00:18:42Just to say something.
00:18:42Good morning.
00:18:46How are you?
00:18:48How was your night?
00:18:52That's bad.
00:18:54I was very busy trying not to fall out of bed.
00:18:58That's because it's the first night.
00:19:00You'll get used to it.
00:19:02Little by little.
00:19:03No, I'm the one who has to get used to it.
00:19:05Or he no longer has any problems.
00:19:07That's what happens when you share the experience with someone.
00:19:10Especially if that someone is someone who...
00:19:13It's not of interest to anyone, is it?
00:19:15You don't understand.
00:19:18Gonzalo.
00:19:20You could talk to Claudia and tell her to at least put on a nightgown.
00:19:24It's already hard enough sleeping with her, but the fact that she doesn't do it naked on top of that... well...
00:19:29Sorry, I've been a bit of a mess.
00:19:32Good morning, Sato.
00:19:34Good morning.
00:19:35Good morning, uncle.
00:19:36Good morning.
00:19:37Good morning, son.
00:19:39And for breakfast, Sato?
00:19:40Lots of delicious things.
00:19:41Alonso, aren't you going to talk to me?
00:19:45I just don't like lies.
00:19:48And people who lie, I learned that from you.
00:19:55Good morning.
00:19:57Good morning.
00:20:05Is everything alright, Sato?
00:20:08Perfectly.
00:20:12Everyone come to breakfast.
00:20:15The people gather as witnesses to justice.
00:20:19The Court of Justice of Castile will make public the execution of Damián Espinosa.
00:20:25It will also be carried out in the square before the relevant authorities tomorrow at dawn.
00:20:40Damn it, I only found out now.
00:20:42So that?
00:20:42I must not have heard anything.
00:20:44The image has gotten stuck here.
00:20:46But what image?
00:20:47Let's see, what are you talking about?
00:20:49Mariana's, naked.
00:20:51It's gotten in here.
00:20:52There's no way to get her out, master.
00:20:56If the mere thought of them sleeping together made me nervous, imagine what it would be like if one of them did it naked.
00:21:01Sato, please.
00:21:02Well, excuse me.
00:21:04The thing is, I'm alive, unlike you.
00:21:06My imagination runs wild and I'm ready for the lances of Breda, I won't say any more.
00:21:28Cimi.
00:21:29What happened?
00:21:30He has killed the whole family.
00:21:32The father, the mother, and it is believed that his wife's body has not yet been found.
00:21:37It's outrageous, why is it so hard to start a family?
00:21:39The woman is eight months pregnant.
00:21:42What a wicked person you must be.
00:21:45How much are they going to kill him for?
00:21:47Tomorrow morning.
00:21:48Put the mass on heads.
00:22:15Killer!
00:22:15Let him be killed!
00:22:16Yes, kill him!
00:22:27How did he kill them?
00:22:29Marta, Kertzo.
00:22:29I just want to know how he killed them.
00:22:33He chased them through the forest until he killed us.
00:22:36They opened a channel.
00:22:38Come on, clear it up.
00:22:40Acefino!
00:22:41Let him be killed!
00:22:59Acer, master!
00:23:01My blood is boiling too, but to stone him...
00:23:14He is blind.
00:23:18They love!
00:23:20They love!
00:23:21They love!
00:23:24They love!
00:23:25They love!
00:23:27Go!
00:25:18I'll use mine.
00:25:30The centuries that an oak tree counts on its leaves, the tree counts them deaf, the trunk blind.
00:25:41He who sees the most, he who hears the most, lasts the least amount of time.
00:25:49Alonso, do you have any questions? Is there anything you don't know how to write?
00:25:54No, no, none.
00:25:57I'm not very interested in today's class.
00:26:01Let's see. It's not a question of whether you're interested or not. You're here to learn. And I am
00:26:06I decide what. Okay?
00:26:08Father, you can't force me to learn anything I don't want to.
00:26:13Alonso, step outside for a moment. I want to talk to you. Alone.
00:26:18Now.
00:26:20My God, what a career.
00:26:23Come on.
00:26:25We're going to run it around earlier than planned for fear of swelling.
00:26:29What about people who burn?
00:26:32Okay, guys. Class is over. Everyone out.
00:26:43Alonso, Alonso, wait, wait. Where are you going?
00:26:46Well, let's see how it goes, like everyone else.
00:26:48What's wrong? Can't I?
00:26:49No.
00:26:50No, no, you can't. Of course you can't.
00:26:52Because?
00:26:53Because it's an image that will never be erased from your memory.
00:26:57It will be etched in his memory how he squeezes that man's brain dry, and it will come out through his...
00:27:01eyes, ears, mouth everywhere.
00:27:03Alonso, go home and wait for me there. Go on.
00:27:05Sato, go with him.
00:27:08And you?
00:27:10I have a job.
00:27:11Go on, go.
00:27:18I love.
00:27:20I remember that man murdered his entire family.
00:27:23He is a criminal, not an innocent person.
00:27:25And you, you save innocent people.
00:27:27That's precisely why, Sato. It's impossible that that man killed his family. Impossible.
00:27:31And why is it impossible? Why is he blind?
00:27:32Yes, indeed. Let's see, Sato. How do you want me to chase them through the forest?
00:27:36Huh? And then he killed them?
00:27:37Impossible. He couldn't do it.
00:27:40You do impossible things.
00:27:42How many people do you know like me?
00:27:44Huh? Go on, go with Alonso.
00:27:45And keep an eye on it.
00:28:07Ah!
00:28:14Ah!
00:28:20Ah!
00:28:22Ah!
00:28:25Ah!
00:28:31Ah!
00:28:56Going down!
00:28:58Going down!
00:29:00Olé!
00:29:04Going down!
00:29:07Going down!
00:29:10Going down!
00:29:31Going down!
00:29:32Going down!
00:29:33Going down!
00:29:39Going down!
00:29:42Going down!
00:29:43Going down!
00:29:53Going down!
00:29:55Going down!
00:29:56Going down!
00:30:12Going down!
00:30:18Going down!
00:30:19Going down!
00:30:25Going down!
00:30:27Going down!
00:30:31Going down!
00:30:32Going down!
00:30:34Going down!
00:30:36Going down!
00:30:41Going down!
00:30:44Going down!
00:30:45Going down!
00:30:45Going down!
00:30:46Going down!
00:30:50Going down!
00:30:54Going down!
00:30:55I went very early this morning, he asked them to saddle his horse and he hasn't wanted to tell me anything.
00:31:00And why didn't you go with her?
00:31:05How could you even think of letting her go alone?
00:31:08God, Lord.
00:31:15You will be stopping at the Royal Palace.
00:31:18Excuse me, commissioner, I don't want to judge anyone, but I think the marchioness's attire was inappropriate.
00:31:27to appear before His Majesty the King.
00:31:53Also, I know it wasn't you. What happened?
00:31:59Listen to me, I'm here to help you, trust me. Tell me everything that happened.
00:32:08Something that makes me miserable?
00:32:14Can you tell me what you're doing here?
00:32:16If that's not his logic, I thought I would bring this man to the place where it all happened.
00:32:20Did he tell you anything?
00:32:22Not a word at that moment.
00:32:26Blind and mute.
00:32:27We're in trouble.
00:32:53My goodness, whatever happened here, it must have been very unfortunate.
00:32:58It's nice.
00:32:59It's nice.
00:33:26Thank you!
00:33:40Thank you!
00:34:28Thank you!
00:34:31Do you recognize this?
00:34:37They took her away.
00:34:39Who did they take?
00:34:40To my wife.
00:34:42Who was it? Did something happen?
00:34:45Several, I don't know how many.
00:34:48They chased him for a long time through the forest.
00:34:51I ended up losing consciousness.
00:34:54When I sat Elena down, they were gone.
00:34:57What were the people who took her like?
00:34:59Of...
00:35:00He cannot see.
00:35:03TRUE.
00:35:04I got emotional like the first time I could ask without...
00:35:07It's all my fault.
00:35:09Not good at all.
00:35:10You're just another victim.
00:35:12What would you be to blame for?
00:35:15And who told the priest everything?
00:35:17To the priest?
00:35:20And what's a priest doing here now?
00:35:23Also.
00:35:23What did you tell him?
00:35:26That my wife was possessed.
00:35:28Oh, I...
00:35:32Oh.
00:35:49What's the matter?
00:35:52Are you OK?
00:35:54Elena.
00:35:55Let me.
00:35:56Elena, what's wrong?
00:35:57Let me.
00:35:58He returned to Arisca.
00:36:00Let me!
00:36:01Let me!
00:36:01He spoke strange, evil languages.
00:36:05He claimed to see things that no one else could see.
00:36:08Being near her is like being in hell.
00:36:13No, no, no, no, no, no, master, no, we've run into the devil.
00:36:18My hands and his feet were burning.
00:36:21Most Holy Virgin of beautiful love, protect us.
00:36:24We'll find your wife.
00:36:27He won't be able to.
00:36:29The devil took my wife.
00:36:35Damian, I'm going to untie you.
00:36:47Mother, who gave birth to me.
00:37:14He hasn't come.
00:37:16No, he's not coming.
00:37:17Calm down.
00:37:22I can't do it, commissioner.
00:37:25I can't go in there without my mother.
00:37:27No, no, control yourself.
00:37:29You're an adult now.
00:37:30You are here to receive the king's blessing and join his ranks in the future.
00:37:35So control yourself.
00:37:37She would never miss this event.
00:37:39It will appear at any moment.
00:37:45What if you come in with me?
00:37:48I cannot accompany you.
00:37:50I am not a nobleman and I am not your father.
00:37:59Go in there, you're the Marquis of Santillana.
00:38:02Prove it to yourself.
00:38:04Come on.
00:38:05Come on.
00:38:06Nuño Julián Federico de Santillana y Guzmán.
00:38:10Marquis of Santillana.
00:38:20Marquis of Santillana.
00:38:24Magistrate.
00:38:27Come closer.
00:38:34Where is your mother, the marchioness?
00:38:37Why hasn't he come?
00:38:38She was unwell, Your Honor.
00:38:43He must be in a very bad state not to want to appear before his king.
00:38:47Yes, Your Honor.
00:38:49She couldn't get out of bed.
00:38:50He deeply regrets not having come.
00:38:53I hope he gets better soon.
00:38:56Thank you.
00:39:05Welcome to my army.
00:39:07I trust that you will defend the crown with the same gallantry, as your father and grandfather did.
00:39:23So that you may secure your victories and with them bring peace to this kingdom.
00:39:30I will do so, Your Honor.
00:39:32The Marquisate of Santillana has placed itself before you.
00:39:36You have my blessing.
00:39:38Mister.
00:39:52For God's sake, listen to reason.
00:39:55That man clearly stated that his wife was possessed by a demon.
00:39:59Possessed by...
00:40:00Of...
00:40:00Of the devil.
00:40:02Of a demon from hell.
00:40:04The devil does not exist.
00:40:07Well, look what I needed for today.
00:40:09Let's see.
00:40:11There has to be a rational explanation for all of this.
00:40:13You stay there.
00:40:14Keep at it and keep at it with the heresy, and you'll see.
00:40:17They'll burn even the swallows.
00:40:18Think of your family, please.
00:40:20Look, in the forest I found a footprint that had something like this inscribed on it.
00:40:27And in ancient Egypt, the pharaohs engraved the emblem of their enemies on the soles of their shoes.
00:40:32This symbolized that they were always being trampled on.
00:40:34AND?
00:40:35What does Egypt have to do with this?
00:40:37Well, that custom changed.
00:40:38And now what is inscribed is one's own emblem.
00:40:41This is how one records their actions in the manner of a signature.
00:40:44So if we discover who that footprint belongs to, perhaps we'll know what happened in the forest.
00:40:50The problem was that there were numerous footprints, but none of them complete.
00:40:57I don't really know what this drawing is.
00:40:59It looks like a bonfire, doesn't it?
00:41:04Indeed.
00:41:07It's the bonfire of hell, master. It's the devil's footprint.
00:41:10Please fix it, for God's sake.
00:41:12Let's see.
00:41:13Does the devil wear boots?
00:41:15I love you, I beg you in God's name to listen to reason.
00:41:17It's a fight between God and the devil.
00:41:19What are we doing in the middle of all this, Mr. Mindundis?
00:41:21I intend to find that woman.
00:41:24No, no, no.
00:41:29No no.
00:41:32No no.
00:42:00Lady, for God's sake.
00:42:03Ma'am, what are you doing here? Where did you come from?
00:42:08I don't have to give explanations, Catalina.
00:42:12But madam, should you be at the Royal Palace to hear your son's reception?
00:42:23My dress, Catalina.
00:42:27No, I don't have to do it in the bathroom.
00:42:30Yes, ma'am, don't worry, I'll help you.
00:42:34I'm going to ask them to prepare her golden dress, okay?
00:42:36Mother!
00:42:53Mother, are you drunk?
00:42:57I don't have a moment, no, I don't.
00:43:00I'm fine, Catalina.
00:43:02Lie!
00:43:03How could you?
00:43:06Look at yourself.
00:43:08You're pathetic.
00:43:10Grief.
00:43:10Sir, go to your room.
00:43:16Trena, retire.
00:43:18Mister.
00:43:19Mister.
00:43:20My God, my God, my God.
00:43:24At least before, you knew how to be discreet.
00:43:34Thank you.
00:43:36Can you tell me at home how bad a mother I am?
00:43:41You're looking forward to it.
00:43:45For pleasure, or was it another one of your businesses?
00:43:49Perhaps both.
00:43:53I hope it was worth it for you, although judging by your appearance I'm sure it was.
00:43:57You have always been very generous in your giving.
00:44:16Something strange is going on here, and you know it.
00:44:19We spent two hours wandering around these parts without stopping and not a soul saw me.
00:44:25Not a single countryman, not a single lumberjack, nothing.
00:44:30Have they left the abandoned farms to their fate?
00:44:32That doesn't mean anything.
00:44:34That means everyone here has left in a hurry.
00:44:38That's what usually happens when evil appears.
00:44:41And not like us, going to look for it.
00:44:43An innocent woman has disappeared.
00:44:45And we're going to find her.
00:44:49Someone's coming.
00:45:02Good morning, father.
00:45:04We are looking for Elena's house.
00:45:07A pregnant girl who has disappeared.
00:45:09And who's asking?
00:45:11We are relatives of yours from the village.
00:45:13I didn't know he had any relatives.
00:45:16Look, I can't tell you anything.
00:45:17I just dedicate myself to my work and delivering bread and milk to the pregnant women in the area.
00:45:23Nothing else.
00:45:24Father.
00:45:27Excuse me, but...
00:45:27Damian told us that he had reported his wife to the priest.
00:45:32I mean, you.
00:45:34Please understand us, Father.
00:45:35We want to find her so we can give her a Christian burial if necessary.
00:45:42They won't be able to find her.
00:45:44The devil took her.
00:45:46When it gets inside you, there's nothing you can do.
00:45:50And how can he be so sure that the devil took her?
00:45:53And who else, son?
00:45:54Just as God, our Lord, jealously guards his flock, evil lurks around every corner.
00:46:03Elena was not the only wayward soul.
00:46:07What do you mean she wasn't the only one?
00:46:09What do you mean by that?
00:46:11Five more women have disappeared.
00:46:15All pregnant and possessed.
00:46:19He has brought misfortune to this land.
00:46:22They have now been warned.
00:46:45Come on.
00:46:56Anne!
00:46:57I've made you let me go!
00:47:03Since when do they have to drag you here to give you a present, son?
00:47:08Why did you make me come here?
00:47:10Let him go.
00:47:24A true, purebred.
00:47:28The best on the battlefield.
00:47:32Oh.
00:47:33You're speechless, aren't you?
00:47:36It's a beautiful specimen.
00:47:38I don't want it.
00:47:41Oh, no?
00:47:46Take it away.
00:48:07I understand your reaction, son.
00:48:09You're still at a very difficult age.
00:48:11You don't really know what you want or what you don't.
00:48:13You don't even know how to interpret what you see.
00:48:15I've always been a nuisance to you.
00:48:17What are you talking about now?
00:48:19That's enough, mother.
00:48:21We both know perfectly well that I have never been one of your priorities.
00:48:24You don't even know me.
00:48:25Of course I know you, son.
00:48:27I don't know if you remember that I gave birth to you.
00:48:29Oh, really?
00:48:30Yeah.
00:48:31What are my favorite clothes, Mom?
00:48:33A book.
00:48:35My favorite food.
00:48:36Your favorite food is venison roast, son.
00:48:38I know that perfectly well.
00:48:41Catalina, what do I like?
00:48:45Answer me right now, Catalina.
00:48:48Catalina.
00:48:50Wait, ma'am.
00:48:51It's lentils.
00:48:53It doesn't matter.
00:48:54What's the point of this stupid game?
00:48:56You are a nobleman, Nuño.
00:48:58I have given you an education fit for a king.
00:49:00Every possible whim.
00:49:02I have dedicated myself to you every minute of my life.
00:49:05Do you know what I remember from when I was a child, Mother?
00:49:09I remember that he was always playing alone in the garden.
00:49:13And I also remember the laughter that came from your bedroom.
00:49:19When I leave the palace this afternoon,
00:49:22You will never see me again.
00:49:33Ma'am, it's just the heat.
00:49:34He's not serious.
00:49:38I know my son.
00:49:43He will not return.
00:49:55Come on.
00:50:02Another map.
00:50:05Come on.
00:50:06If you don't help either,
00:50:08Well, let's see where I put it.
00:50:09with the mess of papers I have up there.
00:50:12Six pregnant women have been taken away.
00:50:14All about to give birth.
00:50:16And at six o'clock,
00:50:16with signs of possession.
00:50:18But they didn't know each other.
00:50:20They all live in different villages.
00:50:24I can't find the pattern, Sato.
00:50:27Do you want me to tell him right now?
00:50:28Do you want to know?
00:50:30Tell me.
00:50:31The evil one.
00:50:33They disappeared at night
00:50:34and nobody saw or heard anything.
00:50:35What more proof do you want?
00:50:36The malino, I'm telling you.
00:50:37No, Sato.
00:50:38The devil hasn't taken them.
00:50:40And that's what we need to find out.
00:50:41Who and why?
00:50:43Father.
00:50:49I've already done everything you asked me to do.
00:50:51Can I go outside?
00:50:52And the dictation?
00:50:54And the dictation?
00:50:55Yeah.
00:50:56Very good.
00:50:57Then yes.
00:50:58Very good, we're on the right track.
00:50:59Then you can go out.
00:51:00Take.
00:51:01I brought this with me.
00:51:02A bread roll filled with chorizo inside.
00:51:04Well, your father brought it to you.
00:51:05You'll see how good it is.
00:51:06Okay, you can leave then.
00:51:08But don't come back late.
00:51:14Don't look at me like that.
00:51:15I didn't take anything from him.
00:51:16I hate that altar boy
00:51:17while you were talking.
00:51:18He certainly had plenty.
00:51:19Gonzalo.
00:51:23What a house!
00:51:26Catalina.
00:51:27What's happening?
00:51:28Can I talk to you for a moment?
00:51:34Yeah.
00:51:35Tell me.
00:51:36She is the marchioness.
00:51:37I know you appreciate her
00:51:39and I have no one to turn to.
00:51:40He has disappeared twice
00:51:41in two days.
00:51:43Well, Catalina, but...
00:51:44The thing is...
00:51:49That?
00:51:59Since when have you smoked, Pio?
00:52:01That the Marchioness has smoked, Pio.
00:52:04Sorry.
00:52:05It was in the early years
00:52:07of her wedding to the marquis.
00:52:09It was hell, Gonzalo.
00:52:10He lost his appetite,
00:52:11It completely changed his character.
00:52:13And has he been smoking ever since?
00:52:15No.
00:52:15When she became pregnant with Nuño,
00:52:17He left it.
00:52:17And why has Pio started smoking again?
00:52:20Nuño is leaving home.
00:52:22He's had a very big fight
00:52:23and he told her
00:52:24that he never wants to see her again.
00:52:27Alright.
00:52:28Don't worry.
00:52:29You return to the Palace
00:52:30And I'll take care of finding her.
00:52:33Thank you, Gonzalo.
00:52:34Let's see.
00:52:34Let's see.
00:52:39How do you know about opium?
00:52:41Have you tried it?
00:52:43There were many opium dens in the East.
00:52:45It's one of the worst drugs
00:52:46that there is.
00:52:47Tanula the will.
00:52:50Yes, but he has tried it.
00:52:52Satur, I'm going to look for Lucrecia.
00:52:53Yes, he has tried it.
00:52:54Yes, he has tried it.
00:53:49He has no pulse.
00:53:51What do we do?
00:53:53What do we do?
00:53:55Get him out of here.
00:53:55I don't want any trouble, local man.
00:53:59You, help him.
00:54:07Stay still, stay still, stay still.
00:54:11This is for me.
00:54:13Do whatever you want with the rest
00:54:15through the back door.
00:54:26Weekly tax.
00:54:27Quickly, I don't have all day.
00:54:42Is this all?
00:54:49What are you carrying there?
00:54:55What are you hiding there?
00:55:01See, it's like you had something more?
00:55:06Good boy.
00:55:10Come on.
00:55:29With these images...
00:55:38What are you doing?
00:55:40Let's tidy all this up a bit.
00:55:42If I don't do something, I'm going to go crazy.
00:55:47Excuse me, but...
00:55:48If you don't mind...
00:55:52It's in my territory.
00:55:58Leave it to me.
00:56:06Can I do it alone?
00:56:06Yeah.
00:56:12Sorry.
00:56:13Weren't you in charge of the food?
00:56:15Yeah.
00:56:16Yeah?
00:56:17Well, there it is, all burned out.
00:56:19Otherwise, we'll all go up in flames.
00:56:21I'm sorry.
00:56:24What have I gotten myself into with all this?
00:56:25Well, that's it.
00:56:26Let's see what we eat.
00:56:29Look, believe it or not,
00:56:30I'm trying to bother you as little as possible.
00:56:33And if I'm organizing this,
00:56:34It's so I can sleep here tonight.
00:56:37And leave you alone.
00:56:39As?
00:56:39With Satu?
00:56:40With me?
00:56:41Look, it's one thing that I have to put up with it
00:56:44that she sleeps naked.
00:56:45Naked?
00:56:45There is no.
00:56:47But he, well, I don't know if...
00:56:49No.
00:56:50No, that's not it.
00:56:52I never thought I could say this,
00:56:54But Miss Margarita is right.
00:56:56Naked, no.
00:57:00Aloncillo.
00:57:03I see you've made good use of the stuffed bun.
00:57:06Auntie, where is my father?
00:57:10It's just not...
00:57:11I'm not feeling very well.
00:57:13Alonso.
00:57:14Alonso, son, what's wrong?
00:57:15Aloncillo.
00:57:15Alonso.
00:57:16Alonso.
00:57:17Alonso.
00:57:18Alonso.
00:57:19Alonso.
00:57:19Okay, breathe.
00:57:21Alonso, what's wrong?
00:57:22Oh my God, the devil!
00:57:23Already.
00:57:23Alonso.
00:57:24Alonso.
00:57:26Oh my God, the devil!
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01:04:39He doesn't know, he's hallucinating, he's muttering things, he won't stop trembling, tell me what's wrong with him,
01:04:46You don't know, do you? Well, I'll tell you, they're possessed. This morning I was fine, it's been...
01:04:51Suddenly. Do you think the devil asks permission to enter? Good morning, I am the devil.
01:04:54Will you let me through? No, of course not, something has to be done, this is beyond us, love, we have to
01:04:59ask
01:04:59Help. Bread has been bread. Who is bread now? It has to be bread, this is the
01:05:08spot
01:05:08In common, the pregnant women ate that bread and now Alonso, the bread must be contaminated.
01:05:16Son, Alonso. You'll be missed around here, Mr. Nuño, it seems like only yesterday when
01:05:28I saw him running around this room, he never stopped moving. Don't be too hard on him
01:05:37Mother. We all make mistakes, but you know she loves you with all her heart.
01:05:46At least say goodbye to her.
01:05:49That's enough, Catalina. I'll go see if the carriage is ready.
01:06:05You need to rest, Lucrecia.
01:06:10Leave us alone.
01:06:23I'm a mess, son.
01:06:32It's becoming a habit.
01:06:39Nuño, I...
01:06:42I suppose so.
01:06:47I guess I've been a bad mother.
01:06:52I didn't know how to do my best, son. I didn't know.
01:06:58I just want you to know that it has never, ever been my intention to hurt you.
01:07:08I hope you will forgive me someday.
01:07:18I have nothing more to say, son.
01:07:26Oh my God, I hadn't even noticed.
01:07:30You're taller than me, son.
01:07:34Bye bye.
01:07:37Goodbye, son.
01:07:43I would give everything I've experienced.
01:07:46Because you would stay by my side for one more second.
01:07:51Bye bye.
01:08:15Damn, damn, damn.
01:08:16If only, if only, the little boy was almost poisoned.
01:08:20You can't even trust butts.
01:08:22Now I swear on my holy mother that I will never take any food from anyone again.
01:08:26Let's go, not even if you give me a leg of lamb.
01:08:29Don't worry, Sato.
01:08:30It's not your fault.
01:08:32It is a fungus that affects the center tree.
01:08:35It's called ergot.
01:08:37The person taking it may suffer seizures and hallucinations.
01:08:40It can even cause death.
01:08:43Are you telling me that all of this is the fault of a fungus?
01:08:46Well, don't tell me that's not the work of the devil.
01:08:48No, Sato.
01:08:49The priest was distributing bread among the pregnant women.
01:08:51That's why only they got sick.
01:08:54We need to find out where they might have been taken.
01:08:57Well, it's not going to be easy.
01:08:59Because all we have are six pregnant women, six kids...
01:09:05And for you to tell.
01:09:09So...
01:09:18Come on, this is the first time I've ever seen him read the Bible.
01:09:21See?
01:09:22That's going well.
01:09:23No.
01:09:24Sato.
01:09:25The apocalypse describes the battle between good and evil.
01:09:28Between God and the devil.
01:09:30Here it is.
01:09:34The devil's number is six, six, six.
01:09:38I have to reread the Bible again.
01:09:40I didn't know there was a number too.
01:09:48They are looking for the devil's son.
01:09:51The devil has a son.
01:09:52But since when has he had a child?
01:09:55Everything is related to the number six.
01:09:57Six women, six children, six...
01:10:00We're missing a six.
01:10:02That's the key to finding where the women are.
01:10:06I can't smell it.
01:10:07It's nonsense.
01:10:08Let's see if it's going to be six.
01:10:10That?
01:10:13Satur what?
01:10:15Do you remember when I went with Fermín to sell flowers, we went there to the Cerro de Los
01:10:18Angels?
01:10:19Yeah.
01:10:20Because they killed six pilgrims.
01:10:22They have them buried right there.
01:10:24And there are still people who go to that mountain to put flowers on it as if it were a saint.
01:11:02Mr. Núñez, your carriage awaits you.
01:11:06Leave.
01:11:14Leave.
01:11:51Leave.
01:11:58Leave.
01:12:03Leave.
01:12:13Leave.
01:12:15Leave.
01:12:17Leave.
01:12:17Leave.
01:12:17No.
01:12:21No.
01:12:23Please.
01:12:23Don't do anything to him!
01:12:27Is it him?
01:12:34No.
01:12:35It's not him.
01:12:53Don't do anything to him!
01:13:23They're not possessed!
01:13:25They only got food poisoning.
01:13:28My child.
01:13:29Please, my child.
01:13:37My child.
01:13:38No!
01:14:11Hurts?
01:14:12Yeah.
01:14:12Stay still, stay still now.
01:14:14Hurts?
01:14:17This is not how you can start your training.
01:14:19It will have to be postponed.
01:14:22If you can tell where you got such a blow.
01:14:26I tripped.
01:14:28And I hit my shoulder on the headboard of the bed.
01:14:32So you tripped, huh?
01:14:34Yeah.
01:14:35Yes, it was bad luck.
01:14:37And such bad luck that you hit the arm you use to wield the sword.
01:14:43Surely this has nothing to do with the conversation you had with your mother, right?
01:14:46I fell.
01:14:49That's all.
01:14:51I had forgotten that you were a Santillana.
01:14:54Proud to the end.
01:14:56Wouldn't it have been better if you had spoken to her?
01:14:59It would be less painful.
01:15:01You could have broken your arm.
01:15:09It's a matter of measurement, commissioner.
01:15:12Wasn't that what you told me?
01:15:39How much does it cost you to put on a simple nightgown?
01:15:42Yeah.
01:15:43It bothers me.
01:15:45I can't believe it.
01:15:51I've been hearing how I have to do things all day.
01:15:54You should make one like mine, shouldn't you?
01:15:57What do you mean?
01:15:58That she sleeps naked?
01:16:01I dreamt I spoke to you.
01:16:09You're not going to wear it, are you?
01:16:13No.
01:16:15Well, that's it.
01:16:19Well then, get on.
01:16:21Even though you're naked and on the floor, it's still my turn to take care of you and the cold you're about to catch.
01:16:43So those monks were from the Inquisition?
01:16:50They were looking for the devil's son.
01:16:53To kill him.
01:16:55Yes, the Inquisition was a real pain.
01:16:59They don't hold back when it comes to saving souls.
01:17:02They thought they were doing it correctly.
01:17:06I guess.
01:17:09But you see.
01:17:10There is nothing worse than blindly believing in a superstition.
01:17:14Those women were innocent.
01:17:17And they almost killed them all.
01:17:19Forgive me, but believing in God is not superstition.
01:17:22It's a necessity.
01:17:25It can't be that after the miserable life we lead there's nothing left.
01:17:29Come on, that would be the last straw.
01:17:31If you say so.
01:17:38You don't feel very alone, like that, without believing in anything.
01:17:41I believe in people.
01:17:43I believe in Alonso.
01:17:44In you.
01:17:45Yes, yes, yes.
01:17:46I haven't asked him that.
01:17:47So don't go off on a tangent.
01:17:51For example, when you look at the sky, what do you see?
01:17:58Well, the Big Dipper, the Little Dipper, the constellations.
01:18:04Ah, I've caught him.
01:18:05And who put them there?
01:18:08Nobody.
01:18:10Why no one?
01:18:11Did someone have to put them there?
01:18:15I'm not convinced.
01:18:17Look, master, there are people who do good and people who do evil.
01:18:19And that has to come from somewhere.
01:18:21From the same men?
01:18:22No, not from men.
01:18:23Men aren't that smart.
01:18:24No.
01:18:28I'm going to rest.
01:18:30We'll continue looking for my mother tomorrow.
01:18:32OK?
01:18:35Well.
01:18:37I suppose Mariana and Margarita are already asleep, aren't they?
01:18:44You've expressed regret, haven't you?
01:18:47He has expressed his regret for you.
01:18:48What's happening?
01:18:50I have to do something.
01:18:53I have to, I have to, I have to...
01:18:54I swear.
01:18:55Good night to you.
01:18:57Good night.
01:19:04Good night.
01:19:37Good night.
01:19:42Good night.
01:19:43What, the neighborhood is going to see you here?
01:19:48I'll be hiding like two chicks.
01:19:52You know I can't go to sleep, Cyplete.
01:19:53Yes, but we're going to catch pneumonia.
01:19:58How was your day?
01:20:00Go on, get to work. And yours too.
01:20:05Go, the past one.
01:20:10Take that, I'm sure they'd eat us alive all day long.
01:20:14Thank you.
01:20:17He doesn't explain to you that we can be seen here.
01:20:22Good night.
01:20:25Good night.
01:20:39Good night.
01:20:41Excuse me.
01:20:43Excuse me, sir.
01:20:45Could you give me some food?
01:20:47No, I have nothing.
01:20:50Please.
01:20:51I haven't eaten for two days.
01:20:55I'm sorry.
01:20:57Alright.
01:20:59Don't worry.
01:21:01I understand.
01:21:13Wait.
01:21:18Take it.
01:21:19Total.
01:21:22My stomach has already closed up.
01:21:26Do you have a closed stomach?
01:21:30Yes, father.
01:21:31Don't laugh.
01:21:32Lovers don't need to eat.
01:21:35So you're in love.
01:21:38And can we know who the lucky winner is?
01:21:41No no.
01:21:41It's a secret.
01:21:44A secret.
01:21:46Look, if you eat half of it, I'll tell you another one.
01:21:49A very important secret that our family has.
01:21:52And what is it?
01:22:02Which is it?
01:22:04A cubu.
01:22:07You must always carry it with you.
01:22:15Listen.
01:22:16If you're old enough to fall in love, you're also old enough to know our secret.
01:22:21It's very serious, Laura.
01:22:23It's a big responsibility.
01:22:26For hundreds of years, our family has been in charge of safeguarding a very precious asset.
01:22:39And now, listen to me carefully.
01:22:43When you find yourself in trouble, go to the pillars of the Briñas bridge.
01:22:47Next to the river, you will find a mark.
01:22:51Under the stone, you will find our treasure.
01:23:07The stone, you will open our mother.
01:23:08I know, you're in trouble.
01:23:08The stone, you will open our mother.
01:23:12A stranger.
01:23:14The stone, you will open our mother.
01:23:20In the beginner category, go somewhere else.
01:23:23The stone, you will open our mother.
01:23:25Instead of going to the stone.
01:23:32Today we will explore this area
01:23:33Stop, stop, stop
01:23:34If you don't stop looking for her
01:23:36And she keeps looking for you
01:23:37You'll have to tell me how they are.
01:23:38I have to go to the places where she took me
01:23:40The royal treasury is becoming more and more indebted every day.
01:23:44Bankruptcy will soon be inevitable
01:23:46I will not tolerate a group of indigenous people
01:23:49Put my king in check
01:23:55My name is Anahuac
01:23:56I'm going to leave this room
01:23:58Until that indigenous woman leaves this palace
01:24:01And if my mother took the chalice
01:24:03And what if it were the key?
01:24:05I want them to receive exemplary punishment.
01:24:08They were searching for the Holy Grail
01:24:14Cipri, we can't keep doing this to him
01:24:16I don't know what we were thinking
01:24:18The best courtesans end up becoming the best madams
01:24:22We're going to help you escape
01:24:24Resist everyone
01:24:26Kill anything that resists.
01:24:29Come on, say something, for God's sake.
01:24:30Thank you!
01:24:35Thank you!