- hace 1 día
Categoría
📺
TVTranscripción
00:00:01Captain Rodrigo gave me the key because of some mutiny.
00:00:04The only clue I have about my wife's murder.
00:00:08No!
00:00:11I'm so glad you're with us.
00:00:15You know I have a certain fondness for my son's teacher.
00:00:18That's why I'm worried about his sister-in-law sleeping under his roof.
00:00:21That woman has hurt him a lot in the past and she can do it again.
00:00:24Gonzalo, how is he?
00:00:26Lucrecia, do you remember my sister-in-law?
00:00:29Daisy.
00:00:30I hadn't recognized you like that, so scantily clad.
00:00:34Commissioner, I've come to demand justice.
00:00:37Killing the king is risky enough.
00:00:39The theme of the key matches that of the painting.
00:00:42It speaks of a congregation that met to protect the sacred lance of Jesus Christ.
00:00:45They met in a hermitage, but it doesn't say where.
00:00:48Commissioner, if our mission succeeds, you will enjoy great power in the new government.
00:00:53The conspiracy goes much further, Gonzalo.
00:00:56It's not just the murder of your wife.
00:00:57I don't think the captain is going to be of much help to us.
00:01:02I'm not afraid of you.
00:01:03Well, you should.
00:01:04I've already heard that you're living at your brother-in-law's house.
00:01:06I'll stay until the bear recovers.
00:01:08Well, if Gonzalo has forgiven you for everything you did to him, I'm not going to be the one to say anything.
00:01:12nothing.
00:01:13Gonzalo, it's been a long time since then.
00:01:16What we have doesn't matter anymore.
00:01:18Gonzalo will never forgive me.
00:01:22No matter how hard you try, you can't hide from the past.
00:01:28Be careful, Gonzalo.
00:01:29It's not what it seems.
00:01:32I know that you and I can understand each other.
00:01:36To survive, you have to be strong.
00:01:38But above all, you have to look the part.
00:01:42Kill the Red Eagle and you will have a place among us.
00:01:46Arrest him!
00:01:47The safety of this village is in danger because of that Red Eagle and his gang of thieves.
00:01:53If my plant works, it won't be Red Eagle in a matter of hours.
00:01:57Your plan.
00:01:58Nothing disturbs a vigilante more than the suffering of the innocent.
00:02:01He's provoking you, Gonzalo.
00:02:03He knows you're going to rescue them and is waiting to kill you.
00:02:06Even so, I must take the risk.
00:02:07Prepare to die.
00:02:09What if you get captured?
00:02:10If I haven't returned to my right before, you know what to do.
00:02:12You need to be more careful with what you have at home.
00:02:14I'll keep that in mind.
00:02:16Well, let's raise a glass to that!
00:02:21Wait!
00:02:24I've located the door that opens onto that street.
00:02:29You deserve to be killed with my own hands.
00:02:31Come here, Father!
00:02:33You've heard of Lepanto, haven't you?
00:02:35It's nothing compared to the mess in that house.
00:02:38Between the father, the child, the aunt, the other.
00:02:50Give me my son!
00:02:52First lesson: stay alive.
00:02:54I'm sorry, Eagle.
00:02:56It's personal.
00:03:15It's like the chapel in my village.
00:03:19But like gold.
00:03:42Matthew 2:18
00:03:45Great crying, wailing, and shouting.
00:03:48Rachel, who cries for her children and does not want to be comforted.
00:03:52For these perished.
00:03:54I know that.
00:03:56It is the passage of the massacre of the innocents.
00:04:01What's happening?
00:04:02You're not looking at me, are you?
00:04:03He doesn't have his own culture, listen.
00:04:04I already told you I was an altar boy.
00:04:06How many times did Father Abilio not read that passage?
00:04:11Father Abilio, the children, didn't really like us much.
00:04:14He used to beat us senseless.
00:04:16And what do you think of this?
00:04:17This?
00:04:19It's a chalice.
00:04:20What am I going to think?
00:04:21Let's see, this came from Mass, didn't it...?
00:04:24This looks more like a...
00:04:27Valdepeñas?
00:04:29It's blood.
00:04:38The chalice is made from a baby's skull.
00:04:41Oh, God!
00:04:42What the hell is all this?
00:04:45I don't know, love.
00:04:48But let's get out of here before the chalice authors see us.
00:04:51And good salad bowls with our skulls.
00:04:54Come on.
00:05:25Watch your nether regions, boy.
00:05:27Even though I don't use them much, I'm very fond of them.
00:05:33If I want to get into school right away, I won't have to train.
00:05:37Professor Carranza will only choose one student this year.
00:05:40And that's going to be me.
00:05:44I don't know what your father will say about all that.
00:05:46Hey, hey, hey!
00:05:49Alonso!
00:05:50Alonso, watch out!
00:05:51Please be careful!
00:06:06Are you OK?
00:06:11Never, never trust your adversary.
00:06:15But above all, have no pity on him.
00:06:20Hernán, I asked you to train my son or not to kill him.
00:06:24Have you spoken with Maestro Carranza?
00:06:26Yes, yes.
00:06:27Yes, yes.
00:06:28That man is impossible.
00:06:29I've tried to convince him that you deserve this year's spot.
00:06:32But she insists that you must compete for it, like the other applicants.
00:06:35I have to get into that academy, no matter what.
00:06:37All the Marquesses of Santillano have done it.
00:06:40I'm afraid, son, that...
00:06:42They all earned the right to enter.
00:06:44I can't do any more.
00:06:47Come on, Nuño.
00:06:48We still have a lot of work to do.
00:06:57Hey, Alonso!
00:07:06Hey, hey, hey!
00:07:12Don't shove the sword up your...
00:07:14Satu.
00:07:16In a pod, buddy, in a pod.
00:07:17You're going to turn me into a kebab.
00:07:19Good morning.
00:07:21Good morning.
00:07:23I thought it was clear that there would be no swords.
00:07:27He's with the fencing school.
00:07:28That's all they think about.
00:07:30What's this about a fencing school?
00:07:32No, those are the tests to get into the Carranza school.
00:07:35Dad, I'm almost ten years old and I'm ready.
00:07:38I've been practicing with Sadur.
00:07:40It's clear that I find it very difficult to say no.
00:07:42And the little boy looks so excited...
00:07:44Alonso is still a child.
00:07:45And right now I should be paying more attention to books than to weapons.
00:07:49But, father, it's the best fencing school in the world!
00:07:52Everyone who has studied there is either a captain or a general, please.
00:07:55That sounds great to me, son.
00:07:56But let me make it clear that you are not allowed to sign up.
00:07:59And now he has breakfast and goes to school.
00:08:00And the sooner you forget about it, the better.
00:08:08I'm sorry, but I agree with your father.
00:08:12I don't think it's a good idea for you to go to that academy either.
00:08:15No, it's just that my father is a coward and he wants me to be one too.
00:08:17No, your father is not a coward.
00:08:19He doesn't like to talk about it much, but he was a very brave soldier.
00:08:23My father?
00:08:24Yeah.
00:08:25He has fought in many battles.
00:08:27And he knows the danger of weapons very well.
00:08:32Why hasn't he told me anything?
00:08:39Because your father isn't going to tell you everything.
00:08:42My father is a jerk.
00:08:43Alonso!
00:08:45Never say that.
00:08:47You don't deserve the parent you were given.
00:08:50Mine sold me to a blind man and I went through hell.
00:08:54But I can win, you've seen me fight.
00:08:56Excellent!
00:08:57Give the mule to the lathe.
00:09:01Do you really want to be good with a sword?
00:09:04You must be agile and experienced.
00:09:16Cunning.
00:09:20What did he want?
00:09:21Yes, yes, what did you want?
00:09:22And when the difficult one was going, to get off on the body.
00:09:31Fit them into the opposite's clothes.
00:09:32Madam, who doesn't have a beautiful behind to adorn my face?
00:09:39Stuart?
00:09:40Stuart, is that you?
00:09:41It's me, Saturn.
00:09:42I don't know anyone who...
00:09:46Saturn?
00:09:47Yeah.
00:09:49How dare you greet me after what you did to me?
00:09:53We were right to fit in, to fit in perfectly.
00:09:56Gaby's mother really slapped you, huh?
00:09:59Is Tuarda Gaby's mother?
00:10:02Okay, open your mouth, open your mouth.
00:10:05Well, I don't see anything wrong with it, Floro, what do you want me to say?
00:10:07Yes, woman, yes, down there, the one at the back.
00:10:09That's skin.
00:10:12We've gotten ourselves into a real rabbit-like jealousy, haven't we, Pustulino?
00:10:14No, no, there it is.
00:10:17Take away any one, even if they're all rotten.
00:10:19Well, that's true too.
00:10:21Let's go!
00:10:22Okay, fine.
00:10:23There, like that.
00:10:24No, don't move.
00:10:25Come on, there, there.
00:10:26Open your mouth, open it.
00:10:27There, there.
00:10:30Did you hear anything?
00:10:31It must have been his guts; it wouldn't be the first time.
00:10:34No, no, no, they were inside the house.
00:10:35What are you saying?
00:10:36Thieves, this is the third time they've robbed us this month.
00:10:39You stay there, don't move.
00:10:40Slowly.
00:10:45No, no, no, no, no.
00:11:14How is he so thin?
00:11:15It looks like a small stub.
00:11:20Oh, my daughter.
00:11:23Oh, my daughter.
00:11:31I thought they had disappeared a long time ago.
00:11:34But who are they?
00:11:35A secret society.
00:11:37Its members kidnapped and killed newborns and then drank their blood.
00:11:42There's definitely all sorts of people in the world.
00:11:43They say they took the children from the old Santa Catalina hospice.
00:11:47They thought that by summoning the evil one, he would help them.
00:11:50That?
00:11:51To seize power.
00:11:53I'm getting lost.
00:11:55Did they kill his wife to drink her eggs?
00:11:57Satur!
00:12:01Animals.
00:12:04We have a lot to find out. We'll go back to the hermitage.
00:12:07No, you have discovered the altar, so they will not return.
00:12:11You must start with the hospice.
00:12:13Well, we're not going to that place.
00:12:16It's a cursed place.
00:12:18It is full of suffering souls and ghosts.
00:12:22No, let's look.
00:12:24Oh, really?
00:12:25Well, I resign.
00:12:27This is as far as poor Satur has come.
00:12:29No matter how it goes, I'm not getting involved.
00:12:34That's not it, father.
00:12:42Cipri.
00:12:43Cipri, is it a string of garlic?
00:12:45Nothing, please.
00:12:46Okay.
00:12:51Back?
00:12:52Here you have it.
00:12:53It is for today to enter the spirits.
00:12:55Where are you going with a horseshoe, a fixed crossroads, and a string of garlic?
00:12:58If I tell you, you won't believe me. I'm going to...
00:13:01On a pilgrimage. I'm going on a pilgrimage.
00:13:04You're right, I don't believe you.
00:13:07Okay, I'm going to ask the saint for my sweetheart.
00:13:13And how do you do that? Tell me.
00:13:16Well, I've just reunited with my first love.
00:13:19The light of my life, the thief of my heart.
00:13:23How beautiful Satur is.
00:13:24With the way she disturbs me with her gaze, with the way she drives me crazy, with her cleavage, with the way she gives me
00:13:31clapping when I...
00:13:33I'm in love, come on.
00:13:35And why don't you tell him?
00:13:37There's a small problem.
00:13:40That I have already dishonored her.
00:13:42But only once.
00:13:43And then, well, I had to leave it to seek my fortune.
00:13:48You're all the same. You'd better not go near her.
00:13:50If it were me, I'd cut you open, you pig.
00:13:53Don't pay any attention to him.
00:13:54The girl is worth it.
00:13:57Good.
00:13:58You went off to seek your fortune, didn't you?
00:13:59Yeah.
00:14:00Well, show her that you've got it.
00:14:01But I am a poor servant, Cipri.
00:14:03Ah, mistake. She doesn't know that.
00:14:06If you dress appropriately, you can look like whoever you want.
00:14:09Well, let's see it.
00:14:13What's it going to be?
00:14:19I just can't stop hugging you.
00:14:21This calls for a celebration.
00:14:23I'm going to tell Cipri to prepare a proper suckling pig.
00:14:26It's best not to tell too many people I'm here.
00:14:30My captain, the Marquis of Espino.
00:14:33Well, he's had to come to the city because of some pretty serious family matters.
00:14:37But you're staying with us for a few days, right?
00:14:39Yeah.
00:14:40Oh, son.
00:14:41I'm so glad to see you again.
00:14:45Bruno!
00:14:47Little brother!
00:14:49But you have grown.
00:14:53How are your little angels?
00:14:54Are you still painting?
00:15:02Do you like it?
00:15:06For you.
00:15:07I have more.
00:15:07I have the soldier's cross.
00:15:08I'm the hero!
00:15:14Murillo.
00:15:15Pay attention, this is important.
00:15:17You can't tell anyone I'm here.
00:15:19Nobody.
00:15:21How are you?
00:15:22You can't tell anyone I'm here.
00:15:52You can't tell anyone.
00:16:08See you!
00:16:12See you!
00:16:15Hello.
00:16:16Hello.
00:16:18Hello.
00:16:42What are you doing?
00:16:43What a scare!
00:16:44I was stealing my father's clothes.
00:16:46Stealing is a very ugly word.
00:16:49Was...
00:16:50I was airing it out.
00:16:51That the moth is very voracious.
00:16:53And I don't want to see that short Adam.
00:16:55But that's why you wear it.
00:16:57You're going to tell me I'm a kid, but I'm not stupid.
00:17:00Let me explain it to you.
00:17:05Don't you have a friend you haven't seen for many, many years?
00:17:08I'm not just eight years old.
00:17:10Yes, of course.
00:17:12Well, it was my mother, Gaby, and me...
00:17:14We were very good friends.
00:17:16Friends and something more.
00:17:19And now that I've seen it, well...
00:17:23Well, it's what I'm attracted to.
00:17:24Are you and Stuart dating?
00:17:26Well yes.
00:17:27But I'm very old.
00:17:31That's why.
00:17:34Because I have very few opportunities left, Alonso.
00:17:40And I would like to have a family like yours.
00:17:48No one has ever loved me.
00:17:53I only cling to the bailiffs, to a seal.
00:17:56Sato, don't say that.
00:17:57I love you.
00:18:02Thank you so much.
00:18:04But I am only a servant.
00:18:07Sato.
00:18:17You're very good, Alonso.
00:18:18Very good.
00:18:21If you ever need anything from me, you don't even have to say it.
00:18:26Well, what are you saying now?
00:18:28How will you do as an actor?
00:18:30I?
00:18:31Yeah.
00:18:33I've never told you that I was an actor in Verona.
00:18:35No?
00:18:36Oh, no.
00:18:37Go ahead, go ahead, I'll tell you.
00:18:40Take Alonso.
00:18:42But of those taken out?
00:18:43A friend of my mother left it at home.
00:18:45I'm going to use it for the Academy tests this afternoon.
00:18:47Have you convinced your father to let you run?
00:18:51More or less, but...
00:18:52You already know how it is.
00:18:54Are you going to take the tests at the Carranza Academy?
00:18:58Yes, why?
00:18:58With that.
00:19:00That's a sword.
00:19:01And if you don't shut your mouth,
00:19:03My friend is going to stick it in your little marquise's ass, don't you understand?
00:19:05That remains to be seen.
00:19:07Of course, I doubt the Academy's tests.
00:19:09A commoner like you doesn't stand a chance.
00:19:12Children, all seated.
00:19:15Listen, this is important.
00:19:18Juanillo still hasn't appeared.
00:19:20It is essential that you tell me any details that will help us find him.
00:19:24Father, the last time we saw Juanito we left him talking to Nuño.
00:19:29Nuño, what do you know about Juanillo?
00:19:32I?
00:19:38You don't need a gun.
00:19:40Leave me alone, don't touch me!
00:19:50I don't know anything.
00:19:52Well, if you find out anything, let me know.
00:19:56His family is very worried.
00:19:57We're going to do a dictation.
00:20:08Wait, wait.
00:20:09Wait, Stuart.
00:20:10I love you.
00:20:11Glad to hear it.
00:20:13No, I haven't explained myself well.
00:20:15I explained myself badly.
00:20:16You haven't changed at all, you look beautiful.
00:20:19Thank you so much.
00:20:20You haven't grown much either.
00:20:22Oh, what do you want, Satur?
00:20:23Why are you stalking me?
00:20:24I wanted to apologize.
00:20:26I didn't treat you well.
00:20:28Well, I didn't behave badly either.
00:20:30That I behaved like a champion in the hayrca.
00:20:32Satur, what did you want?
00:20:32No, I'm sorry.
00:20:34Didn't I get a little scared when you started talking about marriage?
00:20:36And you ran away like the coward who...
00:20:38Yes, yes, yes.
00:20:39You were right until you were right.
00:20:41I don't know.
00:20:42Seeing you this morning made me...
00:20:45It made my heart skip a beat.
00:20:48To the heart and to the other.
00:20:51Well, it was more of a... than a complete turnaround
00:20:52It was swelling.
00:20:54Estuarda, whom I have always asked of you.
00:20:56Why are you laughing now?
00:20:59It's clothes, isn't it?
00:21:00No...
00:21:01I knew it wasn't going to work.
00:21:02No, no, no, Satur, that's not it.
00:21:04It's been eight years since we last saw each other, and now you come to me with this.
00:21:06Well, it's incredible.
00:21:07Everything I've told you is true, Stuart.
00:21:09Oh, Satur, we're not children anymore.
00:21:11Hey?
00:21:12You can't show up like that.
00:21:13Well, why?
00:21:15We can try it, right?
00:21:16No, it's too late.
00:21:18Look, I've had a really bad time, Satur, but now I'm happy.
00:21:21Very happy.
00:21:22Me too, I am also...
00:21:23Oh!
00:21:28Stuart!
00:21:30Dear!
00:21:33I can't see you, I can't see you here.
00:21:34You have to leave.
00:21:36No, no, no, that's not the way out.
00:21:40Stuart.
00:21:41You have to leave.
00:21:42Are you married?
00:21:43No, no, there's no time for worries.
00:21:45He hasn't told me anything.
00:21:46Why didn't you tell me anything before?
00:21:47Jump, Satur!
00:21:49You jump, you jump.
00:21:51Let go, let go, let go, let go.
00:21:53Come on, let me touch myself there.
00:21:54No, no, no, no.
00:21:54Let go, wait.
00:22:01Dear!
00:22:04Let's go home, Palomita, you have no idea how much I've missed you.
00:22:08Come on.
00:22:08Let's go home, Palomita, because...
00:22:14Let's go home!
00:22:18To the!
00:22:19Ala, la, la, la!
00:22:28Please, my father is about to arrive.
00:22:30No, it can't be without your father.
00:22:37So where were you?
00:22:39That they are about to begin.
00:22:41Don't ask, son, don't ask.
00:22:44Take note, good sir.
00:22:47What's wrong? Don't make that dumb face.
00:22:48I've had an accident in the stables of my palace and...
00:22:52Note.
00:22:54Here, Gonzalo de Montalvo, principal man, present here.
00:22:58He gives his consent to his son, Alonso de Montalvo, who is also present here.
00:23:03To take the entrance exams.
00:23:07No, Montalvo with a V, with a V.
00:23:11He's a blockhead.
00:23:15Just so you know, your father is going to kill me.
00:23:17I don't know how he tricked me, but this gives me the impression...
00:23:19Matario and le fijo.
00:23:41Careful, careful, careful, that's sharp.
00:23:43Otherwise, we're going to end up like a Moor.
00:23:46You know, kid, no mercy.
00:23:51Come on, Alonso and I.
00:23:54Fight like you know how, huh?
00:23:57Good luck, son.
00:24:00Thank you, mother.
00:24:01But I won't need it.
00:24:04Get rid of them.
00:24:27Oh, what did he do to me?
00:24:38Thank you!
00:25:03Thank you!
00:25:31They have now reached the end of the competition.
00:25:32They will face each other tomorrow for the only place in the Carranza Academy for this year.
00:25:37The fight will take place tomorrow at the same time.
00:25:51Come on, Satur, take all that off.
00:25:54Do you know you're making a fool of yourself?
00:25:57Have you seen yourself?
00:25:59At least I wouldn't have gone to the garterana.
00:26:03Come on, let's go.
00:26:16Love.
00:26:17Do you think we'll find anything here?
00:26:21I think that friar friend of yours is having a bit of a goosebump.
00:26:25Would you leave me now?
00:26:27That here there are only ghosts and souls from purgatory.
00:26:33That's enough, Satur. Wait for me outside.
00:26:36I'm not going to argue with you this time, love.
00:26:38I'm not staying in here for another second.
00:26:45My love.
00:26:51My love is.
00:26:54My love.
00:26:55My love.
00:27:02My love is.
00:27:09No, no, no, no, no, no, no.
00:27:42I swear to you, sir, that I will die here right now.
00:27:47He was covered in blood and it was as if he were floating.
00:27:51I almost died of fright.
00:27:55Sato, it's impossible for anyone to leave through here.
00:27:58I've already told you, I'm stuck in a spectrum.
00:28:01Specters pass through walls.
00:28:14Son, what are you doing?
00:28:17Were you stealing?
00:28:18No, mother
00:28:20What do you mean, no? What's that?
00:28:25Look at me
00:28:27I've done something horrible, mother
00:28:29What have you done, Bruno?
00:28:32I deserted from the army and the commissioner's guards are looking for me.
00:28:37I have to go
00:28:38No, you're not going anywhere
00:28:41Mother, if I stay, you would be in danger too.
00:28:44Wait, wait, wait
00:28:45Mother, when I was at the front...
00:28:48Don't tell me anything, Bruno
00:28:50I don't want to know.
00:28:53Go on, go to sleep
00:28:57Not a word of this to your father
00:29:00He was very happy to see you and I don't want to upset him.
00:29:18Come on, musketeer
00:29:19To bed
00:29:21I've made it to the final, Aunt Margarita
00:29:22If you can't get into the academy now
00:29:24I will be a soldier, captain
00:29:26Did you submit to those tests despite what your father told you?
00:29:29If I tell him, I don't think he'll mind.
00:29:31No, he won't let you, Alonso
00:29:32And give me the sword
00:29:34Give me the sword
00:29:35Because?
00:29:36Because I told you not to do it, son
00:29:37I forbade you from taking those tests
00:29:39But I have reached the final
00:29:40I don't care, you're not going to show up.
00:29:42It's for your own good, son.
00:29:43I'm just fed up with you always doing everything for my own good.
00:30:04You've gotten angry with your father again.
00:30:06I just can't take it anymore
00:30:08I just want to be left alone to do what I like
00:30:11Study, of course
00:30:12No, it's disgusting.
00:30:13I have to win the fight to get into the best school in the village
00:30:17But my father won't let me.
00:30:19Is it that important for you to get into that academy?
00:30:22I want to learn how to fight so I can join the army and travel the world.
00:30:27I don't want to live like my father.
00:30:30Come with me
00:30:32I think you need to see something
00:30:40Why have you brought me here?
00:31:06A donation for charity
00:31:08I haven't had anything in my mouth for days.
00:31:11What happened to you?
00:31:12An ambush in Flanders
00:31:14All my comrades died there.
00:31:16But I was able to save myself
00:31:18Bye
00:31:21Many of these men were like you
00:31:24Very skilled with the sword
00:31:27They enlisted in the army
00:31:28Thirsty for money and adventure
00:31:29Yes, but the same thing shouldn't happen to me.
00:31:31I'm very good with a sword.
00:31:33War is not a game
00:31:36Yes, that's exactly why I have to be prepared
00:31:38To be able to go
00:31:39After having seen all these men
00:31:41Do you still want to get into that academy?
00:31:48Yeah
00:31:51Useless
00:31:52You are unable to find an unarmed deserter
00:31:57I want him in jail tonight.
00:31:58Or someone will pay with their life.
00:32:00Come on!
00:32:02You are unable to find an unarmed deserter
00:32:09You are unable to find an unarmed deserter
00:32:29But never forget this
00:32:30If there is no body
00:32:31There is no crime
00:32:34Have you practiced with the sword?
00:32:38Come on, let's get something to eat
00:32:44You'll see how delicious it is!
00:32:45Come on
00:32:46This morning Satur
00:32:48It has been overcome
00:32:49Proof
00:32:49Have you already thought about how you're going to fix my clothes?
00:32:52I?
00:32:54But this is nothing
00:32:55A little mud
00:32:56Tell him you're being picky.
00:32:58Fix this mess, go on.
00:33:00Let's see Satur
00:33:01Bring those clothes
00:33:03But Gonzalo
00:33:04Is it just a matter of water and a cloth to make it look brand new?
00:33:09Or not?
00:33:11Well, this is going to be a problem.
00:33:13I'll just buy others and that's it.
00:33:17Lots of milk
00:33:28Father
00:33:29I wanted to tell you something
00:33:32I'm so sorry I disobeyed you
00:33:34But
00:33:35I'm already in the final and
00:33:41With this attitude you're not going to win the tournament
00:33:46Will you let me?
00:33:49Did you hear that, Margarita?
00:33:50Yeah
00:33:51With one condition
00:33:52I'll train you for combat
00:33:55Thank you
00:33:56Thank you, you're the best
00:33:58Come on, Rogue
00:34:02I don't understand you, Gonzalo
00:34:04I thought you didn't want us to learn how to fight
00:34:07It's their decision.
00:34:10I can't stop her from doing something she wants so badly.
00:34:13Gonzalo, you are his father
00:34:15Do you want me to go through the same thing you went through?
00:34:18That's precisely why
00:34:18I can teach him to have more control
00:34:20Something I didn't have
00:34:22And also
00:34:23My son's education
00:34:24It's my business.
00:34:26Gonzalo
00:34:27Excuse me for interrupting
00:34:29I need your help
00:34:33Gonzalo, wait
00:34:39She doesn't have a man who can break her.
00:34:41She is married
00:34:43Well, maybe it was a visiting relative.
00:34:45Or a distant cousin
00:34:46It didn't have to be that far away
00:34:47He grabbed her buttocks
00:34:49It looked like an octopus lying down to die.
00:34:52It's over
00:34:53She also told me that she is very happy now.
00:34:55Well then, leave her alone for once.
00:34:58I am suffering because
00:34:59There is no medicine
00:35:05Okay, it's definitely fake.
00:35:08What are you saying? It's authentic.
00:35:11Give it back to me
00:35:11I have taken off my cross
00:35:13What's going on here?
00:35:17Where did he get it from?
00:35:20Answer right now
00:35:21Where did he get it from?
00:35:22Her brother gave it to her.
00:35:23He is a soldier
00:35:24He's home
00:35:25She has come to spend a few days with us
00:35:27When did it arrive?
00:35:28Yesterday, but my son hasn't done anything
00:35:30He came with the Marquis of Espino
00:35:32For some family matters
00:35:39Please, mother
00:35:40Don't involve anyone else in this
00:35:41We can't do it alone, Bruno
00:35:43We need help.
00:35:43To get you out of here
00:35:46Catarina
00:35:47Don't worry
00:35:48We're not going to leave you alone in this.
00:35:51Thank you very much, Margarita
00:35:53I treated you so badly today.
00:35:54And how badly I've made you suffer.
00:35:56Well
00:35:57We've been friends for a long time
00:36:00It's the least I can do
00:36:01While I'm here
00:36:02And Flora?
00:36:03Oh my God, no way!
00:36:04Not a word to Flora
00:36:05He's getting a bit faint
00:36:07Poor Tico, with all the hope he had.
00:36:09That he had come on leave
00:36:14Alright
00:36:15Cipri has a cart
00:36:17I think it will be useful to us
00:36:19Thank you very much, Gonzalo
00:36:21I'm going to pack my luggage
00:36:22I'm going to help you
00:36:34What have you done?
00:36:36I deserted from the army
00:36:38No
00:36:40Many people are leaving the army.
00:36:41And nobody goes to that much trouble
00:36:43To find it
00:36:48What have you done?
00:37:06Kill them
00:37:17I said that the math
00:37:22Please
00:37:23Don't kill us
00:37:28They're just children.
00:37:30I'll do it myself.
00:37:33Give me the gun
00:37:35No!
00:37:37No!
00:37:40Open up!
00:37:42Open up in the name of justice!
00:37:45The commissioner
00:37:46Open it or it will pull the short one down
00:37:50Open up!
00:37:53Oh my God!
00:37:54I said open up!
00:37:56Goes!
00:38:03Where is your son?
00:38:04He left very early this morning.
00:38:06I returned to the front
00:38:07I accompanied him myself
00:38:11Don't get too clever, teacher
00:38:15This doesn't apply to you.
00:38:17If you tell the truth
00:38:18You have nothing to fear
00:38:20But if finally
00:38:21We found it here
00:38:24You will pay the consequences
00:38:25Having given shelter
00:38:26A killer
00:38:28Record everything
00:38:44Get out of here, you scoundrel
00:38:46Hello
00:39:00Hello
00:39:04Is anyone there?
00:39:10I should have become a merchant
00:39:12My father already told me so.
00:39:17Listen
00:39:18The merchandise is inspected
00:39:19But it's not touched.
00:39:20Well, you've had enough.
00:39:21Boss
00:39:22But you
00:39:23Are you you?
00:39:25Do we know each other?
00:39:27No no
00:39:28Equal view
00:39:30Don't be late
00:39:31That here still
00:39:32Keep the one you cut
00:39:38Okay, okay, okay
00:39:44It seems that this time
00:39:45You have been spared
00:39:49What's up there?
00:39:51Nothing, sir
00:39:53They must be rats
00:39:54We have many
00:39:55They're coming in from everywhere
00:39:58I have a great remedy
00:39:59For the rats
00:40:22Sooner or later
00:40:23I will find it
00:40:32Don't doubt it
00:40:34We're leaving
00:40:44Bad, very bad
00:40:57What are you thinking about?
00:40:58You're not learning anything.
00:41:00Take up your sword
00:41:03You're missing red.
00:41:04Your rival has twice as much as you.
00:41:05That commoner
00:41:06If you want to ensure your victory
00:41:08You have to undermine their morale
00:41:10That's your only chance.
00:41:11If I win that fight
00:41:13A demoralized fighter
00:41:14He is a defeated fighter
00:41:15But I don't know how
00:41:16You do
00:41:18I know you're skilled
00:41:19You just have to find
00:41:20Their weak point
00:41:25Mark
00:41:32Don't be afraid
00:41:33From the teacher's son
00:41:35No, mother
00:41:36He's just a poor wretch.
00:41:38If you want to demoralize him
00:41:40Tell him that
00:41:41Her father married her mother
00:41:44Because she couldn't have her aunt
00:41:46Because she couldn't have her aunt
00:41:46Her aunt
00:41:47She was the teacher's true love.
00:41:59Where are you going with that?
00:42:00No
00:42:01Take off your breastplate and leave the sword.
00:42:04But father
00:42:06Take it off
00:42:09Take it off
00:42:12My first lesson
00:42:13Never question a teacher
00:42:15Arms outstretched
00:42:21Bend your legs
00:42:22But father
00:42:23Why are you punishing me like this?
00:42:25Nobody said learning to fight was easy.
00:42:26Bend your legs
00:42:27Don't let them fall on you
00:42:29Ah, yes
00:42:31Until all the sand is gone
00:42:38Why are you punishing me?
00:43:03Very good
00:43:05That's it
00:43:06You can rest
00:43:15Alonso, son
00:43:15Get up, we have to keep training
00:43:17So that?
00:43:18I'm tired of lifting buckets
00:43:19And draw silly things
00:43:20You're not teaching me how to fight.
00:43:25You think?
00:43:29Come on, Rogue
00:43:30On guard
00:43:34Are you ready?
00:43:35Yeah
00:43:38You lied to me
00:43:39Let's not start, Floro
00:43:40I already told you it was my fault
00:43:42You are a murderer
00:43:43A traitor and a murderer
00:43:44Father
00:43:45It was an accident
00:43:46That's why you're running away, isn't it?
00:43:47Because you are guilty
00:43:48That's the reason
00:43:49You don't understand anything.
00:43:50What would poor people like us do?
00:43:52Facing a nobleman?
00:43:53They wouldn't even give him the chance to speak.
00:43:55He would be condemned outright.
00:43:57An honest man must be consistent with his actions
00:44:00I didn't raise you to kill that man
00:44:02And then you'll run away like a coward
00:44:04I'm ashamed of you
00:44:05Who said that?
00:44:07The commissioner?
00:44:09I don't care what he's done
00:44:10He's my son and I'm not going to give him up.
00:44:12You should have said that sooner.
00:44:13And you are also his father, Floro
00:44:15Are you going to help us or not?
00:44:21I am ashamed of you.
00:44:33Yes, they're taking better care of you.
00:44:35Oh, how delicate the commoners have become.
00:44:37Hey, Marquesita
00:44:39Do you want me to introduce you to Ana, that fist?
00:44:41Forget it, Gaby, it's not worth it
00:44:42What's wrong? Am I scaring you?
00:44:44Maybe your mother can accompany you to the fight this afternoon
00:44:46In case he needs to dry your tears
00:44:48You're an idiot!
00:44:50Her mother is dead
00:44:51Oh, really? Well, let her aunt accompany her.
00:44:53I'm sure your father will approve.
00:44:54What are you talking about?
00:44:56Well, your father married your mother against his will.
00:44:58He preferred your aunt
00:45:11Can you tell me what's going on here?
00:45:14And what about you? Haven't you learned anything?
00:45:17I'm training you so you don't become a bully.
00:45:25Come on, sit down
00:45:31Will my son be okay in there?
00:45:34Let's see if he's short of breath.
00:45:35That's very small
00:45:35And he's going to get that monophobia or something.
00:45:37No, woman, don't worry
00:45:40Borzón has prepared the barrel very well.
00:45:41Nothing will happen to him
00:45:44Margarita has treated me very well and I
00:45:48I don't know what to tell you
00:45:49Well, don't say anything, you pest.
00:45:55Good luck
00:46:04And Gonzalo
00:46:05The sooner we leave, the better.
00:46:07I told Gonzalo I wasn't coming
00:46:09Floro, for God's sake.
00:46:11Do you really think I'm going to leave you to do this alone, Catalina?
00:46:16Oh, darling.
00:46:22He's not going to tell your son anything.
00:46:23It's hidden back there.
00:46:25No, I'm doing what I have to do
00:46:28But I haven't changed my mind
00:46:33Thank you very much, Margarita
00:46:36Ah, it stings
00:46:53What itches heals.
00:46:58This behavior in a child doesn't surprise me.
00:47:01But I didn't think your son was capable of something like that
00:47:04Is everything alright at home?
00:47:08Alonso is going through very difficult times
00:47:11But don't worry, I'll make sure he never does anything like that again.
00:47:15Perhaps you should withdraw him from the competition for the academy spot
00:47:20Perhaps he's under too much pressure
00:47:23Anything else, Marchioness?
00:47:25No, Gonzalo
00:47:29We accept your apology, you may leave.
00:47:34Sorry, silly
00:47:43Highly strung?
00:47:45I?
00:47:46Because?
00:47:47I wouldn't be here if I knew they were going to kill my son
00:47:51I'm in a bit of a hurry
00:47:52If you'll allow me
00:47:54It must be hereditary
00:47:56From a cowardly father
00:47:57Cowardly son
00:48:02I don't know what the Marchioness could have seen in a man like you
00:48:09I'm not going to fall for your provocations.
00:48:12You are merely the whim of a noblewoman
00:48:15I wonder when he'll get tired of you
00:48:25Sato, where are you taking me?
00:48:26You have to come with me, it's a matter of life and death
00:48:28The last time you did this to me, I just finished undressing a haystack.
00:48:30That's it, we've arrived
00:48:31Sorry
00:48:35Sorry
00:48:37Did the gentlemen want something?
00:48:39We want a little shame
00:48:40Do I still have any left?
00:48:41Or has he spent it all in there?
00:48:43Sato, what the hell are you doing?
00:48:45But I don't understand
00:48:46Look, if what they want is money
00:48:49We can fix it
00:48:50But now please go.
00:48:51Money
00:48:52But who does he take me for?
00:48:53This is incredible
00:48:53Sato, let's go
00:48:54No, not at all.
00:48:55This guy is going to find out.
00:48:57Indicative
00:48:58Shameless
00:49:00Let the whole world know
00:49:02This heartless man is cheating on his wife
00:49:05Is something wrong, Braulio?
00:49:06That's it!
00:49:07Your husband was with that whore!
00:49:09Dirty!
00:49:10Roman wells!
00:49:11Is this lady my wife?
00:49:14What a liar!
00:49:16Liar!
00:49:16You son of a bitch!
00:49:17What could the name be?
00:49:18How can he say that with that face?
00:49:20Because I'm his wife
00:49:21We are married in the church
00:49:22Are they married?
00:49:23Are they married?
00:49:25Are they married?
00:49:27So
00:49:29You?
00:49:30Let's go, please.
00:49:31Can anyone tell us what's going on?
00:49:33Nothing
00:49:34These two gentlemen have made a mistake
00:49:41Are you Arda?
00:49:43Are you Arda?
00:49:50Are you Arda?
00:49:51No
00:49:52I realize we're doing badly
00:49:55We're doing badly.
00:49:56I told you.
00:49:56You missed the exit
00:49:57It was after the church on the right.
00:50:00This doesn't ring a bell at all.
00:50:00But what a right-winger
00:50:02What dead child?
00:50:02This is the path of a lifetime
00:50:04Catalina
00:50:04Well, you really find it hard to admit it.
00:50:06Hey, turn around and ask
00:50:07I'm not asking.
00:50:08I drive, I decide
00:50:09Also, if we haven't gotten lost yet
00:50:11Well, nothing.
00:50:12Go on
00:50:13That we're going to arrive
00:50:14Where Christ lost his bun
00:50:23Catalina, stay calm
00:50:24Nothing's wrong
00:50:30Good afternoon
00:50:31Have you
00:50:35Get out of the car
00:50:35And unload the merchandise
00:50:37Commissioner
00:50:38We only carry wine
00:50:40Cipri, the tavern keeper
00:50:41That he has entrusted me with
00:50:41Let him take these barrels
00:50:42To Toledo
00:50:43They're for one of his cousins.
00:50:52Where have you hidden it?
00:50:54I don't have all day
00:50:55Moron
00:50:59You're starting to test my patience
00:51:03Here I am, commissioner
00:51:05Don't touch my parents
00:51:09Grab him
00:51:11Who touches it?
00:51:42He will pay with his life.
00:51:42Why did you fight with Nuño?
00:51:44No, it's nothing.
00:51:45He said something I didn't like.
00:51:47But I know it's a lie.
00:51:48Already
00:51:50Okay, sorry.
00:51:55Dear
00:51:56Can you go and get water from the well?
00:51:57Can you go and fetch some water from the well, please?
00:52:09Gonzalo
00:52:12You have to withdraw Alonso from that competition
00:52:14You too?
00:52:15You too?
00:52:16My son is going to compete
00:52:17What are you trying to prove?
00:52:19He's a child, Gonzalo.
00:52:20That they can harm him
00:52:22That's not going to happen
00:52:24Well, I can't help being afraid
00:52:25My son is much smarter.
00:52:27I wouldn't do the same stupid things.
00:52:28What did I do when I was in love with this place?
00:52:32So it's true
00:52:34Did you love Aunt Margarita?
00:52:38Alonso, son
00:52:38No
00:52:39You wouldn't make mom
00:53:22What do you mean?
00:53:43It seems the son has shown more sense than the father
00:53:45And he knew when to retire.
00:53:47I'm going to tell the judge
00:53:49Who declares Nuño the Thinker
00:53:56Commissar
00:53:56There Godados
00:54:13Alonso, we need to talk
00:54:15I can't speak now.
00:54:17Now I have to fight
00:54:19Alright
00:54:24But remember
00:54:25You're not fighting against anyone.
00:54:26You fight to get what you want
00:54:28OK?
00:54:35This is for you
00:54:44It's incredible.
00:54:46It's my first sword
00:54:48Your grandmother gave it to me.
00:54:50It will bring you luck
00:54:52Because you don't need it.
00:54:54OK?
00:54:55Grandmother
00:55:20OK?
00:55:44Thank you!
00:56:12Finish him off
00:56:18Can you continue?
00:56:43Thank you!
00:56:44What does it mean?
00:56:45Are you okay, son?
00:56:46Yes, alone.
00:56:47Fire!
00:56:50Good fight, Nuyo.
00:56:52It's a shame your rival agrees with me.
00:56:53was not up to the task.
00:56:54Were you able to kill my son?
00:56:56A tragic accident, no doubt.
00:57:01This is not an accident.
00:57:04What are you implying, teacher?
00:57:07Gonzalo, your son needs you.
00:57:09That.
00:57:11Go away, Gonzalo, go home.
00:57:12Your cowardly son needs you.
00:57:21If you want us to settle this like men,
00:57:24I'm available whenever you want.
00:57:27Alright.
00:57:29At dawn on the bridge.
00:57:32I would be delighted to attend that meeting.
00:57:58The ship has already set sail from the Americas.
00:58:01Is he carrying the gold cargo?
00:58:03I myself have seen the documents that prove it.
00:58:06Did you do what we asked?
00:58:08Yes, ma'am.
00:58:09The ship's captain received the bribe money.
00:58:12Soon the cargo will belong to this brotherhood.
00:58:15Very good.
00:58:17That gold is essential to our crusade against the king.
00:58:22Pay him.
00:58:31Get rid of that body.
00:58:38How could he even think of challenging the commissioner?
00:58:40No, because if he kills him, that's bad.
00:58:42And if he doesn't kill him, then worse.
00:58:53He's just a man in a red robe.
00:58:56That guy is drier than a bone.
00:59:01Come on?
00:59:01Where to?
00:59:05Where to?
00:59:17Can I help you with the loading?
00:59:19It seems heavy.
00:59:23Come on!
00:59:35Come on!
00:59:37Come on!
01:00:09My son!
01:00:10What have they done to you?
01:00:13I love you so much!
01:00:16How can you keep him there as if he were a darling!
01:00:21My son!
01:00:25Oh my God!
01:00:29Oh, Floro, they're going to kill him!
01:00:32It's my fault.
01:00:34But you're not to blame for anything.
01:00:37I'm sure you did what you had to do.
01:00:43I love you.
01:00:45I love you, Floro.
01:00:51Gonzalo.
01:00:54Forget that grief, please.
01:00:56They tried to kill my son.
01:00:58Besides, it's none of your business.
01:01:01Like nothing that has to do with me.
01:01:02Can you tell me why you hate me so much?
01:01:04Do I have to remind you?
01:01:06I haven't forgotten.
01:01:08I know you still blame me for that man's death.
01:01:10You still think I betrayed you with him!
01:01:13So you didn't listen to me.
01:01:16Do it now.
01:01:17Please.
01:01:25Come on!
01:01:26Come on, come on!
01:01:27Come on!
01:01:27Come on!
01:01:27Come on!
01:01:27Come on!
01:01:28Come on!
01:01:28Come on!
01:01:28Come on!
01:01:28Let me!
01:01:30I'm the one who's superfluous!
01:01:31I looked behind the army and they'll take me as their assistant!
01:01:34But where are you going to go?
01:01:35Son!
01:01:37Let's talk about this seriously.
01:01:39I loved your mother very much.
01:01:40A lot.
01:01:41And never doubt that this is true.
01:01:44So, is it true that you fell in love with Aunt Margarita before your mother?
01:01:51No.
01:01:52I knew Aunt Margarita before your mother did.
01:01:54What happened was that...
01:01:58Your father met me and he liked me a little.
01:02:02But of course, then I met my sister.
01:02:05And your mother was so beautiful, so kind, and so cheerful that...
01:02:09That she fell in love suddenly.
01:02:11Clear.
01:02:12Mother was gorgeous, wasn't she?
01:02:13Yeah.
01:02:15Although Aunt Margarita is also very pretty, isn't she?
01:02:19Come on.
01:02:23Teacher.
01:02:26Either I buy a horse, a donkey, a pony, or...
01:02:29Or any other means of transport.
01:02:31Or I'll take one of these palm trees.
01:02:33I've spent all night walking.
01:02:36Father.
01:02:37Please don't do it.
01:02:39I just don't want you to die because of me.
01:02:43Nothing's going to happen to me, son.
01:02:46Really.
01:02:48Don't worry.
01:02:55Look.
01:02:57The little boy will hear you like goosebumps.
01:03:03If he leaves us orphans...
01:03:05Stop complaining and vent, Sato.
01:03:08Well, the hooded man is a certain Mr. de Alarcón.
01:03:12He saw in a castle where Juana the Mad shouted three times.
01:03:15We'll have to pay a visit.
01:03:16That is, if everything goes well with the commissioner.
01:03:22It'll be alright, Sato.
01:03:24It will be alright.
01:03:30Oh, Sato.
01:03:32You're getting a little tiresome, aren't you?
01:03:34Please wait a minute.
01:03:35Just one minute.
01:03:35I can't stand you, Sato.
01:03:36I just can't.
01:03:37One minute.
01:03:38One minute.
01:03:39What do you want now?
01:03:40Every time you cross my path, you ruin my life.
01:03:42Wait, what do you want from me?
01:03:43Just one thing.
01:03:45The fabric guy, that Braulio.
01:03:48Was he the one who was with you?
01:03:49Yeah.
01:03:51And do you see yourself today?
01:03:52I saw it.
01:03:53Yeah.
01:03:54So I wasn't confused.
01:03:57Except that...
01:04:01Yes, Sato.
01:04:02I am his mistress.
01:04:04Well, it was because she doesn't even want to see me anymore.
01:04:07He supported me, paid for my son's school, and everything else.
01:04:09So yes, you've left me without a livelihood.
01:04:11Thank you so much.
01:04:12I didn't know that...
01:04:14That it was...
01:04:15That you were that.
01:04:16Don't even think about throwing it in my face, okay?
01:04:18No no.
01:04:18No.
01:04:19When you left me stranded, there was only one thing people were talking about in town.
01:04:21That you had dishonored me.
01:04:23Wait, wait, Stuart.
01:04:24I did it to help you.
01:04:25I had to leave because I was dying of embarrassment.
01:04:28And since then I've had to manage on my own.
01:04:30With my son.
01:04:31And that's what I keep doing.
01:04:33I didn't explain myself well.
01:04:36I...
01:04:37I love you just the way you are.
01:04:40Then and now.
01:04:45That I have always loved you, Stuart.
01:04:47And I still love you.
01:04:52Oh, Sato.
01:04:55I appreciate what you were trying to do.
01:04:58Sato.
01:04:59Sato.
01:04:59I know you have a good heart.
01:05:00And much better than people think.
01:05:03Our relationship can't work.
01:05:06Where do a servant and a whore go?
01:05:11I'm sorry.
01:05:22Three.
01:05:27Three.
01:05:37Sato.
01:05:38Three.
01:05:40Drs.
01:06:14We're leaving, there's no time to lose
01:06:15No, you know I can't escape, they would kill my family
01:06:22Here, this will save you suffering.
01:06:24What is this?
01:06:25I don't need anything, I'm not a coward.
01:06:28If you won't do it for yourself, do it for that family of yours you talk about so much.
01:06:32Spare them the ordeal of having to pick up your remains all over the square
01:06:54So, how did it go with the married woman? Did you work things out?
01:06:57No, in the end, Stuart was not married.
01:07:01He works as...
01:07:05Panceba
01:07:06About what?
01:07:07A cheerful woman, a woman of life
01:07:10Ah
01:07:15Well, I didn't know any of them, what do they do?
01:07:18Cipri, you whore
01:07:19Ah, damn it, speak clearly, Satur
01:07:22Well, I'm sorry, I know, you seemed to be having a hard time with the...
01:07:24No, don't worry, it's just that I looked
01:07:27Between bad things, better a whore than a married woman
01:07:32Hey, what if she doesn't have a husband?
01:07:34Who is Gaby's father?
01:07:35I have no idea, kid.
01:07:45Is something wrong?
01:07:48No, nothing
01:07:53You won't believe what I've found out
01:07:55What's happening?
01:07:55Is there any news about Floro's son?
01:07:57They have been called to go to the barracks
01:07:58But they haven't been told anything else.
01:08:00But there's still more
01:08:01The commissioner has challenged Gonzalo to a duel to the death.
01:08:04That can't be true.
01:08:06Furthermore, duels are prohibited.
01:08:07And the commissioner...
01:08:08The commissioner does whatever he pleases.
01:08:09And you know nothing, he's your master
01:08:11Well, to know, to know...
01:08:13Yes, I know everything.
01:08:15And it's true
01:08:16The son of the marquis has gone to Alonso
01:08:18Gonzalo blamed the commissioner, and the commissioner challenged him.
01:08:20Oh my God
01:08:22He's going to kill him
01:08:23Gonzalo has no chance.
01:08:25Man, be careful.
01:08:25There he is, as you can see.
01:08:27We've deceived myself quite a bit
01:08:28He's going to skewer it with a skewer.
01:08:29Please, it was difficult to talk to him
01:08:30I've already tried Margarita.
01:08:31And he hasn't been able to.
01:08:33He couldn't do anything
01:08:34So relax
01:08:36Come on, let's calm down.
01:08:41But where is the boy?
01:08:42For God's sake, Floro
01:08:43But what have they told you?
01:08:44Nothing, we just came to the barracks door
01:08:46And we would wait
01:08:46But that we should wait until...
01:08:54Oh, my son!
01:08:55My son!
01:08:56My son!
01:08:57Oh!
01:08:58My son!
01:09:00Oh!
01:09:03What happened?
01:09:04He committed suicide
01:09:05Oh, my son!
01:09:10Oh, my son!
01:09:13Oh, my son!
01:09:25Come on, Catalina
01:09:27Can't
01:09:30My son
01:09:36My son
01:09:46How are you, son?
01:09:48Sad
01:09:49It reminds me of what we did to my mother
01:09:52I remember her very well too.
01:09:55Alonso
01:09:55I loved your mother
01:09:57It was what I loved most in this world.
01:09:59Father, you stay calm.
01:10:00I won't hesitate any longer.
01:10:02As Nuño says
01:10:04Margarita was your first love and...
01:10:06Forget about that
01:10:07That Margarita was the biggest mistake
01:10:08What have I done in this life?
01:10:09I'm going to comfort your friend
01:10:20You will need it
01:10:23You will need it
01:10:35It's your brother's, isn't it?
01:10:37Yeah
01:10:40If we return it
01:10:50He is alive
01:10:52No, no, he's alive.
01:10:53He is alive
01:10:53My son
01:10:56My son
01:10:57My son
01:10:58It's a miracle, it's a miracle
01:10:59My son
01:11:04My son
01:11:06My son
01:11:09My son
01:11:10My son
01:11:26My son
01:11:28Stop the duel with the teacher
01:11:33Why am I not surprised?
01:11:36What do you mean?
01:11:44If you looked just once
01:11:45The way you look at him
01:11:47That would be enough
01:11:51The role of the spurned lover
01:11:52It doesn't suit you, Hernán.
01:12:01You will do what I ask.
01:12:03It's not going to be possible
01:12:05I feel that what you just did
01:12:06It's useless to you.
01:12:10It has been a pleasure for me
01:12:14As always, Marchioness
01:12:28I'm asking you one last time.
01:12:30Don't go to the duel
01:12:34If you don't do it for me
01:12:37Do it for Alonso
01:12:39Please
01:12:44I'm going to bed
01:12:47I have to get up early tomorrow
01:13:11What is this thing I'm flying?
01:13:12Are you scared?
01:13:14Words are unnecessary, Hernán
01:13:15This is the first time I've heard
01:13:17A bit like a school teacher
01:13:17It says something like that
01:13:39Mother!
01:13:41Mother!
01:13:42Alonso, come home!
01:13:43No
01:13:44Have you brought reinforcements yet?
01:13:48Margarita, take my son home
01:13:49No, Gonzalo!
01:13:50I won't let them kill you
01:13:52Father
01:13:52Father, hear me
01:13:54You can't fight this man.
01:13:56You told me
01:13:57We must flee from violence
01:13:59Alonso, you don't understand.
01:14:00Yes, I understand.
01:14:01You told me
01:14:02I believed you
01:14:13Let's go home
01:14:20Let's go home
01:14:21No, teacher
01:14:22You can't run away like that
01:14:30Alright
01:14:32Go away
01:14:34But everyone will know you're a coward.
01:14:46Coward
01:14:46No, you can't run away from violence
01:14:53No, more meat and less potatoes.
01:14:59Did your sister-in-law mourn with you?
01:15:01Well, let's not take away from his son's merit either.
01:15:03That's your Gonzalo Montalvo
01:15:04Exemplary teacher
01:15:07Brave as a mouse
01:15:10What's happening?
01:15:14Leave
01:15:16Something serious?
01:15:18Offal
01:15:20They have found the body of a murdered child
01:15:23No?
01:15:24It's Venetian glass
01:15:27Oh, how awful!
01:15:29Who could have done something like that?
01:15:31Lucrecia
01:15:33Let's not ruin our dinner by talking about this.
01:15:36Besides, it was yours
01:15:38I don't think I'd notice the difference between being alive and dead.
01:15:41I don't even want to think about something similar happening to the child.
01:15:45Don't worry about that, Lucrecia
01:15:48You know I take care of the child's safety.
01:15:50Right, kid?
01:16:07Good evening, sir...
01:16:10Mister?
01:16:14What do you want from me?
01:16:17Money
01:16:18I will give you everything you want.
01:16:20We don't want your money.
01:16:22Help, please, help!
01:16:24Why are you doing that in the asphyxiation?
01:16:26Who was that man?
01:16:27And why did you kill the teacher's wife?
01:16:29I don't know anything
01:16:30No?
01:16:32What is this?
01:16:40He's eating the ring, sir!
01:16:45The ring!
01:16:49Open!
01:16:50Open!
01:16:56Mister
01:17:02What is he going to do?
01:17:04Give her the ring!
01:17:06There's time, sir!
01:17:08Let's go!
01:17:16Now we have to discover what this ring has that would make someone willing to risk their life.
01:17:21Let's go!
01:17:22I have offered her the job of being my seamstress
01:17:25This is the most powerful
01:17:26Lethal and without antidote
01:17:28Let's go inside and I'll apply it to you.
01:17:29Cousin
01:17:31Please, Catalina
01:17:32I'm sure that letter was for me
01:17:33Why do you want to be my squire?
01:17:35To find my mother's killers
01:17:37Do you know what it must be like for an ordinary mortal?
01:17:39Follow a hero who goes from rooftop to rooftop?
01:17:41I don't feel sorry for it.
01:17:42It seems the teacher was very fond of his sister-in-law.
01:17:44It will only be a matter of time before all of that resurfaces.
01:17:46But that's precisely what they won't have.
01:17:47As far as I'm concerned
01:17:48You and I never separated
01:17:49Because we were never together
01:17:54Stop, please!
01:17:57Last night he followed us to the hospice square
01:17:59Have you discovered them?
01:18:01No matter how many times you read that letter
01:18:03It will never be for you, Lucrecia
01:18:07Get on your knees!
01:18:08It won't hurt me, please.
01:18:10But there
01:18:12Lucrecia
01:18:12I shouldn't have distrusted you
01:18:16Please don't do this to me
01:18:20Eagle!
01:18:22Eagle!
01:18:29Eagle!
01:18:30Eagle!
01:18:31Eagle!
01:18:34Eagle!
01:18:34Thanks for watching the video.
Comentarios