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00:00:30If I don't catch you, confess.
00:00:31I am going to ask the king for your hand in marriage.
00:00:36The Moor is condemned to die by stoning.
00:00:39For public shaming and as an example of behavior.
00:00:42Bacacuras!
00:00:43Why is he looking at you like that? It's like he knows you.
00:00:45Me? That monkey?
00:00:47I'm getting married.
00:00:48I always saw the commissioner as a father figure.
00:00:51No, not me.
00:00:52Does anyone know who the Moriscos are?
00:00:54Well, one reason is that they are very dark because they are never washed.
00:00:56The Moriscos are Muslims who were born in Spain and were forced to become Christian.
00:01:00And then they were expelled from this kingdom.
00:01:03Some Moors have entered the monastery where my little Murillo is watching over Father José.
00:01:06The next time you come to the palace, there will be another man.
00:01:12I think we should free the Moor.
00:01:14As?
00:01:17They're looking for something.
00:01:19Where are your people hiding?
00:01:20Something very strange is going on here.
00:01:22And that man is the only one who can tell us why the Moriscos have returned.
00:01:24We need to talk to him.
00:01:25Before signing your permission slip, I would need to meet your fiancée.
00:01:29Fernando de Orduña and I are going to get married soon.
00:01:34I will sign your permission.
00:01:45We all thought you were dead.
00:01:47Don't come back.
00:01:48I want the key to all the doors to the palace.
00:01:50I like you?
00:01:50Bring me the gold you promised me.
00:01:52And I will give him the medallion in front of the church of San Felipe.
00:01:56And to the man who was with you yesterday.
00:01:58We will not forget him.
00:01:59She shouldn't let anyone treat her like that.
00:02:01And so?
00:02:02They are looking for Saturn and want to kill him.
00:02:04This morning I saw my mother in the bathtub and her body was covered in bruises.
00:02:07He did it himself.
00:02:09Are you a Moor?
00:02:09No, I don't really love.
00:02:12My uncle.
00:02:13A woman appeared and offered me some food.
00:02:16She is my mother.
00:02:17He took me to his house and immediately became one of them.
00:02:20They have stolen our little ones from us.
00:02:23Tell me where the children of the Moriscos are.
00:02:26They were orders from the Inquisition.
00:02:27They've had them working like animals all these years.
00:02:31Ask war.
00:02:32The free ones!
00:02:33Come on!
00:02:36Come on, I'm free!
00:02:44My mother alone.
00:02:45And that woman is innocent!
00:02:47Come on!
00:02:58Go on, look at the theater.
00:02:59That tomorrow is coming.
00:03:02It is a work about the red eagle and the commissioner.
00:03:04The beech tree and family?
00:03:07Milk?
00:03:09But I used to work at this company.
00:03:11You?
00:03:12About what?
00:03:13The errand boy?
00:03:15No, Gaby, no.
00:03:17Believe it or not, I haven't always been raised this way.
00:03:20In my youth, in my youth, I was an actor, and a good one, mind you.
00:03:23Well, I discovered my career there, in beautiful Verona.
00:03:27Ah, those were the days!
00:03:28Excuse me, San Eugenio Street is this way, right?
00:03:33Well no, ma'am, no, rather not.
00:03:35It's more like that.
00:03:36Anyway, it's not right for a great lady like yourself to be out here alone at this hour.
00:03:41I'll go with you, come with me.
00:03:42Stop! This is a robbery!
00:03:44Behind me.
00:03:46Have the money, but don't hurt us.
00:03:49Take off her jewelry.
00:03:51Move aside!
00:03:52Yeah!
00:04:29Lady.
00:04:30Thank you.
00:04:32Are you okay?
00:04:33That's very good, yes.
00:04:34Andle!
00:04:36On guard duty! On guard duty!
00:04:37Andle!
00:04:59Many congratulations, Mr. Luño.
00:05:04Where is my son?
00:05:07Catalina.
00:05:08Don't know.
00:05:09Does anyone know where Mr. Luño is?
00:05:13I'm here, mother.
00:05:17Have you been riding horses at night?
00:05:19You know how dangerous that is, kid.
00:05:21I'm sorry, mother.
00:05:23Wait, don't be mad at me, it's my birthday.
00:05:27Let it not happen again.
00:05:30Congratulations, son.
00:05:34Oh, I can't believe you're already twelve years old.
00:05:38Young gentleman.
00:05:46Your gift, young man.
00:05:48On behalf of the entire service.
00:05:52It's genuine Flemish thread.
00:05:54I bit the initials myself.
00:05:58Commissar.
00:05:59Have you remembered?
00:06:00Sure, dude, sure.
00:06:02The thing is, I haven't been able to bring you anything.
00:06:04Ah, you don't need to give me anything.
00:06:05Don't worry.
00:06:06My son is right.
00:06:08What's important is your presence.
00:06:12Thanks for coming, brother.
00:06:14But I'm not saying I don't have any gifts for the child.
00:06:18Except I haven't been able to bring it because it doesn't fit here.
00:06:21Is my gift really so big that it won't fit in this palace?
00:06:23And what is it?
00:06:25Tomorrow, baby, tomorrow.
00:06:26Good things take time.
00:06:43When the thief was about to rob that lady, the red eagle suddenly appeared and saved us.
00:06:49I don't know, mother.
00:06:51The red eagle has a soft spot for me.
00:06:55Maybe he has a child or something that reminds him of me.
00:06:58Because that's not normal.
00:07:00But anyway, what I want to tell you is that everything is fine here.
00:07:06Well.
00:07:08Everything except Aunt Margarita's, who is going to marry Juan.
00:07:13I don't know.
00:07:16Could you ask someone up there to do something to prevent it?
00:07:21Well.
00:07:23If possible.
00:07:25Come on, if you hadn't shown up, it would have left me speechless...
00:07:29that roams the path.
00:07:30You need to be more careful.
00:07:32This village is becoming more dangerous every day.
00:07:34Well, with the way we look, even the pickpockets don't look at us.
00:07:37That lady they stopped to ask.
00:07:39Well, I was naturally curt, you know...
00:07:42Already.
00:07:43Did you notice the medallion?
00:07:47If I look closely, it says...
00:07:49I find the salt we're looking for appalling.
00:07:52Except that it had other stones, it was exactly the same.
00:07:55It is clear that it was made by the same hand.
00:07:57Providence is in everything, my love.
00:08:00Find out who that woman is and where we can find her first thing tomorrow.
00:08:05Where is he going?
00:08:07Where is?
00:08:08Hello, Satur.
00:08:09Hello, Gonzalo.
00:08:10Juan?
00:08:11Are you in Margarita?
00:08:12No, he's still at the palace.
00:08:14Please, whenever it is, come and talk to me.
00:08:17I have some news to give you.
00:08:20Juan.
00:08:22Pass it on.
00:08:34From His Majesty, eh?
00:08:45Hello good.
00:08:54Why are they silent?
00:08:58Why are they silent?
00:09:06They're sending me to the front in two days.
00:09:12That?
00:09:26That's a setback, indeed.
00:09:29That's clear.
00:09:31No, but it makes sense on the other hand.
00:09:34Because nowhere is a doctor more needed than on a battlefield.
00:09:38So don't worry about it.
00:09:41He's going to come back from there with medals, decorations, and all the honors properly bestowed, huh?
00:09:47The war.
00:09:49Two days and...
00:09:51AND...
00:09:51And home.
00:09:55Goodbye, Gonzalo.
00:10:17Hey, ready to receive your gift?
00:10:19Of course, commissioner.
00:10:20What a display, Hernán!
00:10:22Let's hope the gift lives up to expectations.
00:10:28Is it for me?
00:10:29Clear.
00:10:36Thank you very much, commissioner.
00:10:38It's beautiful.
00:10:39The most beautiful horse I have ever seen.
00:10:41What's it called?
00:10:42That's up to you to decide.
00:10:43But do it soon so you can start your martial arts riding training.
00:10:47I'll call him General Santillana.
00:10:48Because that will be my name when I am in command of the cavalry of Spain.
00:10:52It seems that you and my son make a lot of plans for his future on your own.
00:10:57Don't you think it would have been a good idea to consult with her mother about this?
00:11:00It was a surprise to you too.
00:11:01I thought you'd be happy about it.
00:11:03If I wanted my son to have a horse, I would have bought it for him myself.
00:11:07If you don't want to effeminate and soften your son's character, you'll have to put his education in the hands of a
00:11:12The time has come, Lucrecia.
00:11:14And who decides when the time has come?
00:11:15Why you?
00:11:17You're not his father, don't forget that.
00:11:19Nuño!
00:11:20Come on, hurry up!
00:11:50Nuño!
00:11:53Next time, ask me about any decision that affects my son.
00:11:59Is that clear?
00:12:07Come on!
00:12:09I already know who he is.
00:12:11The woman with the medallion.
00:12:12Good.
00:12:13It turns out that Paquita, the niece of Antonio's sister, the blacksmith who makes our horses.
00:12:21Satura, the grain.
00:12:23She told me that the old woman in the medallion is none other than the Duchess of Balmayor and that she has her
00:12:28palace in the town of Arganda.
00:12:29Good.
00:12:30We'll go and pay him a visit tonight.
00:12:32And can't we leave it for tomorrow?
00:12:35Come on, for once the authorities are doing something for the people...
00:12:39Don't fool yourself, Sato.
00:12:41The authorities are trying to distract the people with this.
00:12:44Distract him so he doesn't realize they are killing him.
00:12:46You are always so negative.
00:12:48Well, let me tell you something.
00:12:49People aren't stupid.
00:12:51No matter how much theater they put on, he knows who is on the side of the people and who is not.
00:12:55By paying all my bills, I'm going to see the play for free.
00:12:57Although it's okay.
00:13:02But you're stupid, Cipri.
00:13:04You have to pay.
00:13:05They let you into the theater for free and you're happy to pay.
00:13:08We are sheep.
00:13:10All they want is to entertain us so we don't realize they're starving us to death.
00:13:16Don't bother me, Sato.
00:13:18The theater entertains me and makes me stop thinking about who I am for a moment.
00:13:24Who is it that... has left you?
00:13:27Yeah.
00:13:30You're right too, man.
00:13:33Enjoy the theater, Cipriano.
00:13:40All the money in that chest is stolen from the people's labor and sweat.
00:13:47Take this chest immediately to Cerro del Espinal.
00:13:49There he will be picked up by his lordship, the Cardinal of Mendoza.
00:13:54March!
00:14:10Love, we're not going to break up, Ana.
00:14:13Except.
00:14:23Margarita, look who's come to see you.
00:14:28You and I are going to go for a walk in the countryside right now.
00:14:32And then we'll eat.
00:14:33And then wherever you want.
00:14:35What do you think?
00:14:37No, Juan, I can't, I have a job.
00:14:39In the Marchioness?
00:14:42Or in the marquise, don't worry, I'll come up with something.
00:14:44Come on, woman, put down the embroidery.
00:14:46Let's both go out there.
00:14:47No, Catalina, I have to finish this tablecloth today.
00:14:50See you later, Juan.
00:15:07Margarita, why didn't you go with him?
00:15:09And don't lie to me about the tablecloths because they don't smell.
00:15:14Because I can't, Catalina.
00:15:17When I see it, it makes me want to cry.
00:15:20And because I'm terrified that he won't come back.
00:15:23Shit, wars.
00:15:26Yes, I know, Margarita, my daughter.
00:15:29Yes, I would be like you.
00:15:30But you have to live things one day at a time.
00:15:33If not, then what?
00:15:33What do we do?
00:15:34Should we all get out of the way?
00:15:35Because in the end, death is all that's left for us.
00:15:37No, you're right, but...
00:15:39No, but there are no buts to be had.
00:15:41What we have are two days like two suns.
00:15:43And you have to squeeze them to the fullest, get every last drop out of them.
00:15:46Damn, so you can pull from there later, as a souvenir.
00:15:50Besides, look what I'm telling you.
00:15:52If I were you,
00:15:54I'd wrap the blanket around my head and go for it.
00:15:56That's what I'm telling you.
00:15:58The lanterns?
00:15:59Me too.
00:16:01Let's see.
00:16:02Tonight I'm going to have sex with my little walls.
00:16:04and we both go to sleep with my cousin.
00:16:06And you two are staying alone in my house?
00:16:10And you do, then...
00:16:12For whatever you have to do.
00:16:15Do you understand me or not?
00:16:16Yes, yes.
00:16:17That's it.
00:16:19That's it.
00:16:21And so, well, at least, well...
00:16:24Well, you both will have a good memory.
00:16:26The way God intended.
00:16:30That's it.
00:16:43That's it.
00:16:45That's it.
00:16:47That's it.
00:17:06Well, this is a beautiful area, isn't it?
00:17:11For a picnic, I mean.
00:17:12Well, now that Margarita is sad and alone, could we organize an outing or something around here?
00:17:20Watch out, Sato.
00:17:21Yes, I'm already keeping an eye on things. You can keep an eye on things and talk at the same time.
00:17:25Now, if you don't want me to talk about your sister-in-law, that's a different story altogether.
00:17:30No offense intended, but every time you put on your hero costume, you seem to concentrate too much.
00:17:38Just a comment.
00:17:43What's happening?
00:17:48Coachman! This is not the way! Coachman!
00:17:59Queer.
00:18:00You're not going anywhere that way.
00:18:03Where will His Eminence go?
00:18:04We'll find out now.
00:18:31That was incredible, commissioner. A perfect attack.
00:18:34Well, it takes many years of training. If you work hard, you'll be rewarded.
00:18:38It doesn't matter if it's tough, just teach me to ride like that so I can smash the heads of those damn Portuguese guys.
00:18:43I'm going to kill more enemies than anyone else in the world.
00:18:45Nuño, war is a very serious matter. Put your sword away.
00:18:48I'm going to be the best general in the kingdom.
00:18:52Nuño!
00:18:56Nuño!
00:18:58Nuño!
00:18:59Nuño!
00:19:00Nuño!
00:19:05Nuño!
00:19:12Nuño!
00:19:22Nuño!
00:19:51Hello.
00:19:53What do you want?
00:19:59I heard you're going to war.
00:20:02I've heard that too, yes.
00:20:06What's wrong? Why are you looking at me like that?
00:20:10Because I wanted to ask for your forgiveness.
00:20:13Pardon me? Why?
00:20:16No, look, come, come.
00:20:19Look.
00:20:20Look, I know it hasn't been easy for you to accept all this about your aunt's wedding
00:20:27with me and all that.
00:20:28And maybe that's why you haven't been very nice, but it's absolutely fine.
00:20:33I'm sure that in a while you and I will get along very well.
00:20:37But no... I'm not apologizing for that.
00:20:41Oh, no? Why?
00:20:42You can't do anything to avoid going to war.
00:20:46No, I'm afraid not.
00:20:49Already.
00:20:52Well then...
00:20:53Will you forgive me, please?
00:20:54But forgive you? Why? It's not your fault I'm going to war.
00:20:58Yeah.
00:20:58Yes, it's my fault, okay?
00:21:02Because I have desired it.
00:21:05I've wanted it.
00:21:08Forgive me.
00:21:17The key, cardinal.
00:21:22I don't have it, I threw it away.
00:21:27Bécil!
00:21:31Open it.
00:21:38Step aside, brother.
00:21:51And now let me go, you have the money.
00:21:55My guard is about to arrive.
00:21:57That's ok.
00:21:59That way they can accompany him to that hell he talks about so much and that he is about to experience.
00:22:46Brother!
00:22:48Brother!
00:22:49Brother!
00:22:50Brother!
00:22:52Brother!
00:22:52Brother!
00:22:53Brother!
00:22:54Brother!
00:22:54Brother!
00:22:55Brother!
00:22:56Brother!
00:22:57Brother!
00:23:00Come on!
00:23:28He's from the town.
00:23:30And he will return to the village.
00:24:06What's happening?
00:24:07What's wrong with my son?
00:24:09My child?
00:24:12What's wrong with my son, Hernán?
00:24:15The horse.
00:24:17He reared up and threw him on his back.
00:24:21My son.
00:24:22My son.
00:24:24My son.
00:24:26Why don't you open your eyes, Hernán?
00:24:28Come on, he doesn't open them.
00:24:31Notify the doctor.
00:24:32Let Juan come immediately.
00:24:40But what's a doctor for?
00:24:42Son.
00:24:49What's wrong? Why are you looking at me like that?
00:24:51What's happening?
00:24:52The young man is very active.
00:24:54And it gave us all a terrible fright. That happens.
00:24:56Next time we'll do it without weapons.
00:25:00Okay, okay. Mother, take it away, take it away.
00:25:02I want to get up.
00:25:10What's wrong, Nuño?
00:25:14No...
00:25:15Mother, I can't move my legs.
00:25:24I can't move my legs.
00:25:34So that's how it ended.
00:25:35This afternoon you are in charge of accompanying the children to the theatre while I go to visit the duchess.
00:25:39OK?
00:25:40Yes, love, yes.
00:25:42And for me it's an honor, you know?
00:25:44That without meaning to sin...
00:25:46You're welcome, then...
00:25:47Well, theater is my forte.
00:25:48No, no, I see it now.
00:25:50You love it.
00:25:51No, it's that he sings to me.
00:25:52I love it, no, it drives me crazy.
00:25:55That's why I wanted to ask you to let me speak during the talk.
00:25:58So that my Gaby can see that I'm not so insignificant.
00:26:01Get involved whenever you want.
00:26:02Thank you, sir.
00:26:03Okay, kids.
00:26:04Listen to me.
00:26:06Put yourselves there.
00:26:08Very good.
00:26:10Let's see.
00:26:10One of the most important functions of the theatre is to serve as a mirror of customs and a vehicle for teaching
00:26:16for society.
00:26:18Isn't that right, Satur?
00:26:19What are you, as an actor?
00:26:20What do you think?
00:26:24Forward.
00:26:26Well, I think that...
00:26:28yes.
00:26:30And I also think not.
00:26:32Because when you're up here, performing, and you see the audience down below falling asleep, well...
00:26:38Forgive me, master, but neither vehicle, nor mirror, nor custom, nor the mother who founded it.
00:26:43Either you entertain the audience, or they'll throw everything at you, even excrement.
00:26:46I've experienced it firsthand.
00:26:48So the first thing about theater is to entertain.
00:26:51Hey?
00:26:52Saturn Garcia?
00:26:56Pelayo!
00:26:58But what are you doing here, old friend?
00:27:00What a joy to see you!
00:27:01The same, I say, admiral.
00:27:03Admiral, that's messed up.
00:27:05I am named after the great Christopher Columbus.
00:27:07Whom I had the honor of portraying.
00:27:09Ah, it was colossal.
00:27:10Okay, okay.
00:27:13Well, this is done with...
00:27:15With her shoulder-length hair, huh?
00:27:17You have to imagine it like this.
00:27:19The best thing to do was to go there.
00:27:21What is that I see?
00:27:23What is that I see?
00:27:23Juan of the thing?
00:27:26Are those the Indian women?
00:27:28Or something else?
00:27:29Ah, hahahaha!
00:27:33Yes, thank you.
00:27:35Well, it looks better with the short hair, but...
00:27:39Guys, follow me.
00:27:41Let's look at the back.
00:27:45Wait, I'll swear on your dead...
00:27:47Give me a role, because my son has never seen me on stage there and he would be thrilled.
00:27:51If you had arrived just a couple of hours earlier, I could have given you the commissioner's papers.
00:27:55But how? Didn't you have an actor?
00:27:56He was found dead this morning near the camp.
00:27:58What do you say?
00:27:59A disgrace.
00:28:01He didn't care about the wine.
00:28:02A fight.
00:28:04Thank goodness that the one who came to us as if fallen from heaven has appeared.
00:28:07Is that guy over there going to be the replacement?
00:28:09And if I write myself a few lines...
00:28:11You would be doing me a huge favor, especially for the little boy.
00:28:14Write whatever you want.
00:28:16But don't change the story on me.
00:28:18For God's sake, Pelayo.
00:28:20What a joy to see you.
00:28:22I owe you one.
00:28:23Come on!
00:28:29Come on!
00:28:31Come on!
00:28:31Have our men occupy positions among the audience during the performance.
00:28:35Either they give my brother back, or not even God will get out of here alive.
00:28:37Okay, boss.
00:28:44Come on! Come on!
00:28:45Come on! Come on!
00:28:57Evidence.
00:29:22Evidence.
00:29:23Come on!
00:29:30Give me back my money.
00:29:33Forget your dreams of grandeur.
00:29:40Come on!
00:29:44Come on!
00:29:49Come on!
00:29:58Come on!
00:30:03Come on!
00:30:04My brother will come for me, commissioner.
00:30:08He will teach him what suffering is.
00:30:12Commissar.
00:30:13If you continue, yes, he will kill him.
00:30:21Increased vigilance.
00:30:22If they come for him, let them find us ready.
00:30:24Yes sir.
00:30:25So what do we do with him?
00:30:26Death to the garrote.
00:30:27Tomorrow at sunset.
00:30:29Before the people.
00:30:39Hello good.
00:30:40Hello.
00:30:44Do you want something?
00:30:46Yes, I wanted to tell you something so you don't worry.
00:30:50Why worry?
00:30:51Well, because I might be late tonight.
00:30:54Do you go to the theater too?
00:30:57No, not to the theater, here to Catalina's house.
00:30:59Hello, Margarita.
00:31:01Do you go to Catalina's house a million times?
00:31:06So, why are you telling me this so mysteriously?
00:31:09Nothing, it's okay.
00:31:11Daisy.
00:31:14What's happening?
00:31:15Nothing, Gonzalo.
00:31:19No.
00:31:25What do I want, to spend the night with Juan?
00:31:37Well, that's it, you've told me.
00:31:40I'm not worried anymore.
00:31:42Gonzalo, it's because he passed it on tomorrow.
00:31:46Well, I just wanted you to know.
00:31:48Already.
00:31:49That's it.
00:31:50No problem.
00:31:52No problem.
00:32:05Andy, you too...
00:32:07So clever in some things, and so...
00:32:10short.
00:32:11Forgive my frankness.
00:32:13Come on, I had already figured out where she was going on the first try.
00:32:15Have you been listening to us?
00:32:17Hey?
00:32:19Satur.
00:32:21Sorry, it's just that she naturally knows I'm curious.
00:32:25I saw how agitated Doña Margarita was when she asked me about you...
00:32:28Satur, I don't know how to tell you that the matter with Margarita is settled.
00:32:32So please, mind your own business.
00:32:34That I don't care?
00:32:35No.
00:32:36But how could I not care about her happiness and that of her son?
00:32:39Are we crazy or what?
00:32:43Do something.
00:32:45Do something now, for God's sake.
00:32:47But don't let them...
00:32:49to concubine.
00:32:50So, cohabitation...
00:32:52Well, it unites, it unites a lot.
00:32:53Join, join, join...
00:32:54Like limpets.
00:32:57Okay.
00:33:01I won't be quiet anymore because...
00:33:02Good.
00:33:18Commissioner.
00:33:20Take these herbs, they will do you good.
00:33:22No, thank you.
00:33:26Excuse me for insisting, sir, but they work like a charm.
00:33:28I said no, Catalina.
00:33:32Let's see if they come out or if they don't say anything to you.
00:33:47How are you doing?
00:33:49It's too early to make a diagnosis.
00:33:51We have to wait and see how it develops in the coming days.
00:33:55Juan.
00:33:58He could become disabled.
00:34:00No, you don't have to think about that now.
00:34:02Tell me the truth, Juan.
00:34:17I'm leaving in two days.
00:34:19But I'll visit him again tomorrow.
00:34:23And then I'll leave a doctor I trust in charge.
00:34:27No, Lucrecia.
00:34:29Cheer up.
00:34:29Cheer up.
00:34:31Cheer up.
00:34:45Cheer up.
00:34:46Very sorry.
00:34:48No...
00:34:49I couldn't have imagined that this...
00:34:51I'm burning!
00:34:54Get out of my house right now.
00:34:57And never come back.
00:35:31Well, and this place you see half empty, it'll be packed in no time, you know?
00:35:36You'll see.
00:35:38And so, next to the stage.
00:35:41It is where the magic of theatre is created.
00:35:44Behold.
00:35:46Well, what do we have here?
00:35:47Columbus's own wig, huh?
00:35:53And here are the souls.
00:35:56Do you see this gun?
00:35:58Look closely.
00:35:59Because it has its barrels closed.
00:36:00She is blind.
00:36:01Because theatre is a lie.
00:36:04But everything has to look true.
00:36:06For example, in this role I get killed.
00:36:07Yes? They'll kill me.
00:36:08And you don't know how good I am at dying.
00:36:10My specialty.
00:36:11Yeah.
00:36:12Yes, Gaby, yes.
00:36:14Dying is an art.
00:36:15Do you want to see it?
00:36:16Okay.
00:36:17Sure?
00:36:23Aid!
00:36:25Oh dear, oh dear, oh dear.
00:36:26You're very serious.
00:36:27What's the matter?
00:36:30I heard something that isn't right.
00:36:35Let's see.
00:36:37What have you done this time?
00:36:43Hey...
00:36:44They've given Juan to me to go to war.
00:36:46Oh.
00:36:48Well...
00:36:48Well, you certainly have influence.
00:36:51And not...
00:36:52I didn't know you had such high-level contacts in the military.
00:36:54No, in the army.
00:36:56So where?
00:37:00In the sky.
00:37:03I asked my mother for it.
00:37:07I told him that...
00:37:10That he should do something to prevent him from marrying Aunt Margaret.
00:37:16Alonso, don't worry.
00:37:18It is not God, but the king who sends him to the front.
00:37:21You have nothing to do with it.
00:37:22And how do you know that?
00:37:24I asked him for it.
00:37:25And it has come to pass.
00:37:29Do you think my aunt will forgive me?
00:37:31Of course he's going to forgive you.
00:37:33Of course.
00:37:39First warning!
00:37:40Leave that alone.
00:37:41Settle!
00:37:41Gaby, Gaby!
00:37:43Come on!
00:37:45In that reserved bank.
00:37:48It's you.
00:37:49I'm going to see the duchess.
00:37:51Best of luck.
00:37:52Thank you, love.
00:37:53I wish the same for you.
00:37:54Come on.
00:37:58Cipri.
00:38:00Take a look at it.
00:38:01Of course, teacher.
00:38:02Come on.
00:38:03Come on.
00:38:06Make way.
00:38:19I'm going back to the poster with all the men.
00:38:21Sanchez's gang is just waiting for a slip-up to free them.
00:38:25But what about you, commissioner?
00:38:26I can't leave him unprotected.
00:38:28Commissioner, if I may.
00:38:28Obey!
00:38:31Come on.
00:38:33Come on.
00:39:08Sir, allow me to help you.
00:39:10Leave me alone, Catalina.
00:39:12Sir, for God's sake, I saw you as a child in a swaddling cloth.
00:39:14Don't be ashamed.
00:39:15No, Catalina, I want to do it myself!
00:39:22Shit!
00:39:23What's up, Luño?
00:39:25What did the doctor tell you?
00:39:30That?
00:39:32You'll gradually improve.
00:39:35That's a lie! What did he tell you?
00:39:43He told me it's still too early to make a diagnosis.
00:39:49If I can't walk.
00:39:53I don't want to live.
00:39:58Never say that.
00:40:00You heard me, Luño.
00:40:02Never!
00:40:03Can't you tell me why you're crying?
00:40:06No, ma'am.
00:40:08He cries because he knows I'll never become a general.
00:40:11And that I will not marry or have children.
00:40:13My surname will not have a successor.
00:40:15Those titles that mean so much to you will be with me.
00:40:20That's why she's crying, mother.
00:40:21That's why.
00:40:38That's why.
00:40:51Look, it's Satur
00:40:53I am a beggar, not that mines
00:40:57No, but let's go see Satur, he's very funny, okay?
00:41:01Poor man, he's so hungry
00:41:03I'll see if I have any coins.
00:41:06Although I am a great lord
00:41:08My heart is enormous.
00:41:10To the one in need
00:41:11I like to help
00:41:27Either you give me the money or I'll screw you over
00:41:30Take the money
00:41:31Leave me alive and whole
00:41:34That's a lie, the Red Eagle would never do that
00:41:39The authorities are here.
00:41:41Return that property
00:41:43This work is so bad
00:41:44But Satur does very well
00:41:46Please don't shoot!
00:41:48I am your servant.
00:42:05Order my brother released immediately, commissioner
00:42:08And there will be no injuries
00:42:12I will never give that order.
00:42:13I will not accept blackmail
00:42:14I will not accept blackmail
00:42:43Juan?
00:42:53Juan?
00:42:59Juan?
00:43:03Juan?
00:43:04It's okay, I was getting changed.
00:43:05Yes, but I should have called before coming in.
00:43:08No, don't worry
00:43:09That's it
00:43:16That's it
00:43:17What a situation, isn't it?
00:43:21That's it
00:43:26I'm sorry
00:43:28Nothing
00:43:28Did you want something?
00:43:30Yes, but now I feel... I don't know...
00:43:34What's happening?
00:43:37That
00:43:37I want to spend the night with you, Juan
00:43:45Well
00:43:47If you want, of course.
00:43:58There is nothing in the world I could wish for more
00:44:46Are you sure this is what you want?
00:44:50I don't think he's forcing anyone.
00:44:52Yes, but
00:44:53We had always planned to wait until we got married
00:44:56Why do you want to do it now?
00:45:08Have
00:45:10You're afraid he's going to die in the war, aren't you?
00:45:15No
00:45:17No
00:45:17No
00:45:18Don't worry
00:45:21No, no, no
00:45:22I know you love me
00:45:24And that you will wait for me
00:45:25That's a good reason to come back, don't you think?
00:45:30Do you swear to it?
00:45:31I swear
00:45:33No
00:45:33No
00:45:34No
00:45:34No
00:45:39No
00:45:40No
00:45:41No, no, no.
00:46:19Don't shout and nothing will happen to you.
00:46:23I don't want to hurt you, Duchess.
00:46:27I just want to know who made this medallion.
00:46:30Where can I find it?
00:46:32It's my husband who gives the orders, right?
00:46:34Answer.
00:46:36A goldsmith made it 20 years ago.
00:46:38I know nothing about him.
00:46:41It has a secret combination, right?
00:46:46That's fine, Duchess.
00:46:48Perhaps you should talk to your husband.
00:46:49No, wait.
00:46:54Demelo.
00:46:56No.
00:47:09No.
00:47:35Who is he?
00:47:37The real father of my son.
00:47:40The real father of my son.
00:48:09Take care of this.
00:48:10Come on, let's go.
00:48:12Come here.
00:48:17Go on.
00:48:19Next.
00:48:22Who is it?
00:48:24I'll take care of it.
00:48:33Thank you, Mr. Bandit.
00:48:35All I wanted to tell him is that he's making a mistake with me.
00:48:38I'm not involved in anything, and I'm not...
00:48:39Be quiet!
00:48:40If I stay silent, I can't explain myself.
00:48:42And if I don't explain myself, then I won't point out the error.
00:48:46I understand that you and the commissioner are natural enemies, but...
00:48:49I am a commoner, like you, but without weapons.
00:48:57And what about you?
00:48:58Don't you have anything to say?
00:49:00This...
00:49:10We have toys like yours here too, commissioner.
00:49:13I'm not afraid of you, you son of a bitch.
00:49:17What harm is this doing to me, commissioner?
00:49:19Yes, I'm going to come to you.
00:49:20Take them to the store.
00:49:22Until their time comes.
00:49:24Let's go.
00:49:25What time?
00:49:27What are they saying now?
00:49:29Whose time?
00:49:30Come on.
00:49:31Hey?
00:49:31Come on, get in there.
00:49:33Hey!
00:49:34Go inside and shut up already.
00:49:35What did he say?
00:49:35Shut up.
00:49:36You're going, okay.
00:49:38What time is it!
00:49:38Shut up, man!
00:49:41I want to talk to Catalina.
00:49:43Well, don't be impatient, your mother will bring it right now.
00:49:46Yes, but I want it fresh from the well and she never brings it to me from there.
00:49:49Oh.
00:49:49Please, Catalina, I would go.
00:49:52If I could.
00:49:57I'll be right back.
00:50:08Oh!
00:50:13Oh!
00:50:16Oh!
00:50:21Oh!
00:50:25Oh!
00:50:30Oh!
00:50:41Oh!
00:50:46No, no, no, no.
00:51:22What are you doing? Catalina! Catalina!
00:51:26Ma'am, follow me. Let's go. Miss, follow me. Come here. Let me go, Catalina.
00:51:36Where have you been, you wretch? I'd just come out. The lady sent me for water.
00:51:41Let the blacksmith come. Let him put some bars on this window immediately.
00:51:45Please, mother, leave him alone, please.
00:51:46I'm not going to let you hurt yourself. Is that clear, kid?
00:51:52Come on, Catalina, what are you waiting for?
00:52:21What's happening?
00:52:24What's wrong? What's happening?
00:52:24The theater has erupted.
00:52:26He has kidnapped the commissioner.
00:52:27And Sato, they've taken Sato too.
00:52:29To Sato?
00:52:30Cipri, are there any injuries?
00:52:32Some, doctor.
00:52:33In the panic, people started running and trampling each other.
00:52:37Don't worry, play with them.
00:52:45Go home. I'm going to look for Sato.
00:52:51Let's go home.
00:52:56Are you OK?
00:52:57He is my father.
00:53:00I've never said anything nice to him.
00:53:11Who would have thought a commissioner like you and a nobody like me would be together?
00:53:16We were going to wait for death shoulder to shoulder, weren't we?
00:53:21You will close your life.
00:53:24Well, if that's how it has to be, let it be as soon as possible.
00:53:27Because it's best not to prolong these things.
00:53:29Close your mouth.
00:53:37Do you know what really hurts me?
00:53:40That it had to happen just now, when I was starting to be happy.
00:53:43Because I had a really tough life.
00:53:47But now things were going well for me.
00:53:51He was beginning to become part of the teacher's family.
00:53:56And also...
00:53:58I had also met my son, who is the greatest thing that has ever happened to me in this world.
00:54:06I don't know if with hands like this one can't even cry.
00:54:09There was no room for crying.
00:54:10But help, damn it.
00:54:15And untie this knot I have in the pit of my stomach from thinking that...
00:54:20I'm not going to see that creature grow up.
00:54:24Of course, since you don't have children...
00:54:25Enough.
00:54:33Let me go, for God's sake.
00:54:35Let me go, I don't want to die.
00:54:36Let me go.
00:54:37You're not going to die.
00:54:39It's good.
00:54:40You're going to negotiate the exchange of the commissioner for my brother.
00:54:42Hey?
00:54:48That's done.
00:54:51I'm quite the negotiator of cargo.
00:54:52Do not move unless ordered to do so.
00:54:57Yes, Mr. Bandit.
00:55:00Thank you for the trust you have placed in me.
00:55:05You won't tell my men any of this.
00:55:11Because?
00:55:12Because that exchange is not going to happen.
00:55:17But he doesn't see that he has no chance.
00:55:20They'll finish you off before you can say "cock-a-doodle-doo."
00:55:26That.
00:55:29It's not your problem.
00:55:31You don't want to die.
00:55:34Obey.
00:55:50Okay, my love.
00:55:56Why don't you take this and go get some rest?
00:55:58You haven't slept at all last night.
00:56:00Yeah.
00:56:02Go on.
00:56:03You'll see how when you wake up, until your father is with Satur.
00:56:09Father.
00:56:11And Satur?
00:56:12Not a trace.
00:56:14But you've looked for it under the bridge.
00:56:16And in the caves in the forest?
00:56:17And on the way to the hermitage?
00:56:18Alonso, yes.
00:56:20But I swear I'm going to find him.
00:56:21What if you don't arrive on time?
00:56:23I'll arrive.
00:56:24What if they kill him before then, like what happened to Madri?
00:56:36Satur!
00:56:39Satur!
00:56:41Oh, mother!
00:56:57Ciao!
00:56:58Is there one, Mother?
00:57:00What is this?
00:57:02Is there one, Mother?
00:57:09No, no, no, no, no.
00:57:39No, no, no, no, no.
00:58:09And so?
00:58:10Because he liked me.
00:58:13Do you need to know what the saying goes, Alonso?
00:58:14It's better to be liked than to be funny.
00:58:19And the commissioner?
00:58:21Hey?
00:58:22Are they going to kill him?
00:58:23Okay, enough questions, Satur needs to rest.
00:58:26Alonso, to school.
00:58:28Now it's my turn.
00:58:29Okay.
00:58:30Come on, I'll go with you.
00:58:32God be with you.
00:58:35Satur.
00:58:38I had been very worried about you.
00:58:42Worried about me?
00:58:43Yeah.
00:58:44Really?
00:58:54Okay, tell me what happened.
00:58:59Well, Manuel Sánchez, the leader of the bandits,
00:59:03We have ordered him to go to the barracks
00:59:05and offer an exchange.
00:59:07The commissioner, by Julián Sánchez.
00:59:10And that they accept that they can sneak in a blue rag
00:59:12in San Felipe and the church.
00:59:15Of course, the commissioner has given me a counter-order.
00:59:19A counter-order?
00:59:20A counter-order, yes.
00:59:21That he does not report.
00:59:23That exchange should not be carried out.
00:59:26Because?
00:59:27That's exactly what I asked.
00:59:28I don't know, he seemed kind of strange to me.
00:59:31as if sad.
00:59:34That for me, who desired death, I love.
00:59:38Well, if he wants to die, let him die.
00:59:41I should have done it a long time ago.
00:59:44Very well spoken.
00:59:45Let's not forget that he was the one who killed his wife.
00:59:50Although he later spared his son's life,
00:59:52when the little boy shot him.
00:59:54That's why I didn't kill him.
00:59:56But now our debt is paid.
00:59:58Let him face his destiny.
00:59:59Let him face it.
01:00:00No matter how much of a brother he is to you.
01:00:01Let him face it.
01:00:14Are you comfortable, commissioner?
01:00:20There will be no exchange.
01:00:22I have given orders that they should not give in to your blackmail.
01:00:26I don't believe him.
01:00:27I don't believe him.
01:00:33Why would I order something so stupid?
01:00:36Everyone appreciates their life.
01:00:42Your brother is going to die in a few hours.
01:00:52I was going to kill you.
01:00:53But now you're going to suffer too.
01:00:58Gavi!
01:01:01Gavi, son, I'm alive!
01:01:03Yes, the bear already told me.
01:01:07Yes, the bear told you.
01:01:10No, well, just so you know.
01:01:17Come here, Gavi.
01:01:19Come on, guys.
01:01:20To class.
01:01:20Attention!
01:01:21Wait for me inside, come on.
01:01:23Citizens of the Village!
01:01:27Citizens of the Village!
01:01:30It is hereby announced that this afternoon the bandit Julián Sánchez will be publicly executed in Garrotevil, at seven o'clock.
01:01:43the town hall square.
01:01:45I don't say anything to him, love.
01:01:47But that stick is also for his brother.
01:01:50It's the same thing, if one dies, then the other dies.
01:01:56Citizens of the Village!
01:01:58Citizens of the Village!
01:01:58Citizens of the Village!
01:01:58Pedro!
01:02:00Commissioner, what do you know?
01:02:03Nothing, it's just that you don't do it to me.
01:02:10Lucrecia, what's wrong?
01:02:17The boy has had an accident while riding a horse and may never walk again.
01:02:23I'm sorry.
01:02:26Gonzalo, how am I going to say it now that the commissioner has been kidnapped?
01:02:30The boy loves him like a father, but when he finds out all this he will completely give up, Gonzalo.
01:02:35Lucrecia, Niño is strong.
01:02:37Yeah.
01:02:39I'm going home.
01:02:41Thank you.
01:02:48Have you noticed that even the most vile people have people who love them?
01:02:52Whether it's friends, family...
01:02:55Let me tell you something, master.
01:02:58What I've decided with my head, I didn't ruin with my gut.
01:03:03I'm not getting married.
01:03:17Margarita, you might have something to tell me, right?
01:03:21About what?
01:03:23Well, look, I'm telling you about the price of saffron.
01:03:27Jimena, those lamps.
01:03:37That?
01:03:38Well, woman, what...
01:03:40What happened last night between you and your fiancé?
01:03:44Look, don't misunderstand me, I don't want details.
01:03:47But just a little something like that in general.
01:03:49Daughter, ever since he left for my flowers I've been so lacking in passion.
01:03:53Well, what I'm about to tell you isn't going to raise your temperature much either.
01:03:58Don't tell me nothing at all.
01:03:59Well, I'll tell you.
01:04:01But come on, you're not more boring because you don't have a bigger body.
01:04:04Can you tell me why you turned back?
01:04:06Because he didn't want to.
01:04:10Are you telling me that you gave yourself to that man and that he rejected you?
01:04:17No, she didn't reject me, Cata.
01:04:20He told me that if I was doing it out of fear that I wouldn't return from the war, it wasn't necessary.
01:04:25That he would come back for me.
01:04:28He was a juror.
01:04:31Just listen to you, look how my hair stands on end.
01:04:35Yours is a real love story, one that's not even found in books.
01:04:39What a beautiful, thick thing.
01:04:40Catalina.
01:04:41Lady.
01:04:42How's that cake coming along?
01:04:44Well, that's all.
01:04:46Come on, leave me alone, give me the chocolate.
01:04:48Yeah.
01:04:49We're going to put a lot into it.
01:04:50You know what he likes, Nuño.
01:04:55Oh, Catalina.
01:04:57Do you remember when we found him sitting there?
01:05:00With the chocolate ladle in his hand, he did nothing.
01:05:02Well, two years, I would have been two years old.
01:05:05And suddenly we lost sight of him for a moment, and the child was nowhere to be seen.
01:05:09What a scare!
01:05:09We arrived and found him there, with the chocolate ladle, his hands up to his neck.
01:05:15If he didn't eat two pounds, he didn't eat any.
01:05:18Lady.
01:05:20Nuño refuses to eat a bite.
01:05:22He says he doesn't plan to eat ever again.
01:05:32It's over.
01:05:34Catalina, order that a carriage be prepared immediately and dress my son.
01:05:38We're leaving.
01:06:02Sato!
01:06:05Sato!
01:06:05Control your impulses, or one day you'll leave me like this with the place. From a fright or a blow, you know.
01:06:11You'll see.
01:06:16Have you put up a sign so the bandits know the exchange is going to take place?
01:06:19Yes, love, yes. I used the brightest blue I could find, so it would look good.
01:06:28They won't be long. They might have decided to take another route.
01:06:33And why would they do that?
01:06:36Well, that's life. And as soon as we say one thing, they're determined to take us away.
01:06:42On the contrary. I wouldn't want what happened to his brother to end up weighing on my conscience.
01:06:51I love.
01:06:53Come on! Let's go! Let's go!
01:07:15God be with you!
01:07:19Come on!
01:07:22Let's see if you can keep your mouth shut when I cut you open!
01:07:33They haven't put up the sign, Manuel!
01:07:36They've accepted the exchange!
01:07:39Gather the men.
01:07:42You're lucky that your eyes are still useful to me.
01:07:46Pig.
01:07:57I want to go back to the palace. I don't feel like walking around.
01:07:59And who told you this was a walk in the park?
01:08:01Well, the thing is, I don't want to go anywhere.
01:08:05Ladies, shall we see a famous doctor?
01:08:07No.
01:08:10No, it's already done for the showmanship, right?
01:08:22For what the exhibition is about.
01:08:24Now, for the ungrateful...
01:08:26That's what the sato is for, huh?
01:08:28That's what the sato is for.
01:08:29And on top of that, this one.
01:08:43Mother of God.
01:08:54Let go of the horse!
01:08:56And I'll do the same!
01:08:59No!
01:09:01We'll do it together!
01:09:03At my signal!
01:09:07Already!
01:09:09Let's go!
01:09:11Ah! Ah!
01:09:46Brother!
01:09:51Brother!
01:09:55Kill him!
01:10:06At my signal!
01:10:20At my signal!
01:10:34No!
01:11:15Why did you save my life?
01:11:44Can you see how I'm leaving?
01:11:47Stay there, Catalina.
01:11:49But, ma'am, what I'm saying is that if it's to take a break,
01:11:53that we can look for a more peaceful place...
01:11:55And who said this was a break?
01:12:02Mom, what's wrong?
01:12:10Leave it there.
01:12:12Leave it there, I said!
01:12:39But, ma'am, how can we just leave the poor creature there?
01:12:42This is a very dangerous place; he's not listening to the wolves.
01:12:45So what's the problem?
01:12:47Nuño has decided that he no longer wants to live.
01:12:51Get in the carriage.
01:12:52But, ma'am, for God's sake...
01:12:53I said get riding!
01:13:08Ma'am, are you sure?
01:13:09Let's go!
01:13:11Let's go!
01:13:12Let's go!
01:13:14Let's go!
01:13:15Mother, please!
01:13:17Mother!
01:13:19Mother, don't leave me here, I want to live!
01:13:22My love!
01:13:25Mother!
01:13:27Mother!
01:13:33Mother, please!
01:13:35Mother, please!
01:13:36Mother, please!
01:13:36Mother, please!
01:13:43Mother, please!
01:13:46Five, yes!
01:14:09Thank you!
01:14:32Thank you!
01:14:34Do you feel anything?
01:14:35I don't know. I don't think so.
01:14:41Well, little by little.
01:14:44Huh? Yes?
01:15:00Commissar!
01:15:03You have...
01:15:04You've moved...
01:15:05You moved your foot.
01:15:07Nuño!
01:15:09Yes, you've moved your fingers, Nuño.
01:15:11When you've seen the commissioner.
01:15:13Go again, son!
01:15:14Come on!
01:15:15Come on, son!
01:15:18Come on!
01:15:34Come on!
01:15:40Come on!
01:15:41But I can only do a little bit.
01:15:43Don't worry, Nuño.
01:15:45Tomorrow you'll move it more, and the day after, much more.
01:15:49You'll see.
01:15:51You'll see.
01:16:02Come on!
01:16:03You're no better than bread.
01:16:06Do you realize that today you have spared the life of your worst enemy?
01:16:09No.
01:16:10I saved a man's life.
01:16:12Nothing else.
01:16:12To a bad man?
01:16:14It just so happens that he's his own flesh and blood.
01:16:17I know how important the matter of roots is to you.
01:16:21By the way, speaking of roots.
01:16:23What does the medallion of the Duchess of Valmayor hold?
01:16:25With all the kidnappings and all the chaos, he hasn't told me anything.
01:16:29It keeps secrets.
01:16:31Secrets of the heart.
01:16:32In prose, I love, in prose.
01:16:33At this hour, I no longer decipher poetry.
01:16:36She carries a small portrait of her son's real father.
01:16:40He's not her husband, of course.
01:16:42Grandma?
01:16:42I was wasting my time.
01:16:44No.
01:16:45Excuse me, what does this mean?
01:16:46Of course, the medallion we are looking for hides the portrait of his father.
01:16:51Perhaps.
01:16:53Perhaps.
01:16:54If there were already many people in his family, scattered and separated, with this...
01:16:57Grandma gave birth.
01:17:00Juan.
01:17:02Juan, wait.
01:17:11You were planning to leave without saying goodbye to me.
01:17:14This isn't a goodbye.
01:17:19I promise I'll come back.
01:17:21I'm coming back for you.
01:17:26So I'll wait for you?
01:17:37Mind you, the doctor has never been one of my favorite people, but this man always hits a nerve when he speaks.
01:17:43The advantage is in confessing what one feels.
01:17:49What I'm bringing with me is that I've been told, love, about a place there on the road to Burgos
01:17:54where there are nymphs who... who... who... who tremble at the mystery.
01:17:57No.
01:17:58No.
01:18:01Well...
01:18:01I say that it will always be better to dedicate oneself to social life than to abandon oneself to crafts.
01:18:05Do you believe it?
01:18:09Well, with your permission, I have to send my little soldier to the front, so I'm going, no matter what.
01:18:12Yeah.
01:18:13I'll tell you later.
01:18:14I'll tell you later.
01:18:17I'll tell you later.
01:18:33I'll tell you later.
01:18:39I'll tell you later.
01:19:09Juan is fine.
01:19:10You are strong.
01:19:12I'm sure he'll be back.
01:19:13I haven't eaten for two days, two days.
01:19:15Do you have smallpox?
01:19:16No, no, I don't know what we're going to do anymore.
01:19:25I come on behalf of Agustín.
01:19:27Is it for your girlfriend?
01:19:29I don't have a girlfriend; I haven't found the perfect girl yet.
01:19:32What have we found? Your brother?
01:19:33Sancho, his name was Sancho, yes, he lives there.
01:19:36With Brunete, we're practically neighbors.
01:19:39You're stealing.
01:19:43Forget her now, Martín, forget her.
01:19:46Can't.
01:19:48Is that Gaby's mother?
01:19:50I would like him to stop seeing my nephew.
01:19:54Bites.
01:19:56But the arrows were not shot by any animal.
01:20:00Let me take care of you.
01:20:05I have a feeling we're going to find him.
01:20:17I have a feeling we're going to find him.
01:20:18I have a feeling we're going to find him.
01:20:19I have a feeling we're going to find him.
01:20:20I have a feeling we're going to find him.
01:20:21I have a feeling we're going to find him.
01:20:22I have a feeling we're going to find him.
01:20:23I have a feeling we're going to find him.
01:20:23I have a feeling we're going to find him.
01:20:23Thank you.
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