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00:00:25The third child we let die
00:00:30It's getting out of hand
00:00:32A good friend of mine, the Duke of Montemayor
00:00:34Grandee of Spain and rich like no other
00:00:37She has just moved into the villa
00:00:38I have agreed with him to begin the procedures
00:00:40For his daughter's future wedding, Columio
00:00:44I don't think it's going to be a good idea for me to go back home
00:00:48Do you want to be doing this Chinese escape, Gonzalo?
00:00:51Don't know
00:00:51If the culprit is found, the children must be supervised.
00:00:56Is something wrong?
00:00:57My mother wants me to marry Leja Don Duque
00:01:00And I don't want to.
00:01:00Can you forgive me and forget the past?
00:01:04What I am is a miserable wretch, mother
00:01:06If I can't get married for love
00:01:07They are the main nobles of the court
00:01:10My killers are among them
00:01:13Unmask them
00:01:14Is that what Sevilla wants?
00:01:15But why?
00:01:17That I am the one who cannot forgive Sato
00:01:19I try, but I can't
00:01:20First my mother leaves, and now you're leaving too.
00:01:23I've done something wrong
00:01:25The crown is sending me to Mexico, and I want Muño to come with me.
00:01:27Please, mother, I don't want to go
00:01:28Don't force me
00:01:29Because resentment is very bad
00:01:30What goes here
00:01:31On the back
00:01:32And it weighs like a sack full of stones.
00:01:34Why are you so weird?
00:01:36I am sick
00:01:37My father says I have bad blood.
00:01:39I'm sure they're using blood as medicine.
00:01:42Don't go, please.
00:01:43It's not just because of Alonso
00:01:45It's for me too.
00:01:49Guard!
00:01:50Catalina!
00:01:50Put the killer
00:01:51That's impossible
00:01:53I'd bet my life on the end.
00:01:54You would get burned
00:01:55Javier, you're not interested!
00:01:59This gentleman is Montenayor's boss.
00:02:01He knows it
00:02:03Run, Calón, I'm the girl at the inn
00:02:04They went to the castle to see Ñullo
00:02:08Someone please help us!
00:02:13Querna? Do you have it here?
00:02:14You were an alchemist experimenting to find a cure
00:02:23Is there no faith in that?
00:02:28Your Majesty has summoned me to the palace this afternoon
00:02:30Everyone here, do you know?
00:03:00Help, help, help, help, help, help, help, help, help, help, help, help, help, help, help, help, help, help, help, help, help, help, help, help
00:03:03help, ...
00:03:03help, ...
00:03:05help, help, help, help, help, help, help, help, help, help, help, help, help, help, oh
00:03:21No.
00:03:23No.
00:03:32Are you coming for me?
00:03:33No.
00:03:35Are you coming for me?
00:03:36No, you're safe here, you're safe here.
00:03:39I'm very scared.
00:03:46Come in for my son
00:03:47What's wrong with him?
00:03:49He has nightmares
00:03:50Uncle Margarita, please stay with me
00:03:58Of course
00:04:02Do you want me to tell you a story?
00:04:06Go in peace.
00:04:08We fell asleep in a moment
00:04:11Thank you
00:04:13Come on
00:04:21Let's see
00:04:29It has awakened you too
00:04:32Of course these walls have them, you can hear everything
00:04:35Here, if you badmouth someone, the whole neighborhood finds out.
00:04:37How is the little boy?
00:04:39It's going to be hard for him to get over it.
00:04:41Isn't that what?
00:04:43Normal
00:04:45And I say, we're going now.
00:04:46Since it is the case that you are a stud at the same time
00:04:50Why don't you ask the kid about the details?
00:04:52No, I don't want to put Saturn through that as it is.
00:04:56I don't know, I understand it
00:04:58Because I love the boy as if he were my own, you already know that.
00:05:00But he's the only one who's seen the killer.
00:05:05He didn't get stuck, now he's just too nervous
00:05:07No no
00:05:07No no
00:05:08Down the street
00:05:09And leave only one
00:05:10And remove one
00:05:11And what it's going to cost you for everything
00:05:12Marosillo
00:05:14Sorry, Margarita
00:05:16Then, when you're done with Auntie
00:05:18I'll tell you stories from my travels
00:05:20Like when I was in the Netherlands
00:05:22I don't really know why they call it that.
00:05:23Because I was the shortest of them all
00:05:26Okay, then, okay?
00:05:29Take a rest
00:05:32Well, I told her.
00:05:34To rest
00:05:36Thank you, he didn't say
00:05:38For the future prince
00:05:41Sister
00:05:42Sister, for God's sake
00:05:44Let's see, sister
00:05:45How do I have to say that right now it's impossible for me to see her?
00:05:47That the marchioness is in a meeting
00:05:48It is very important
00:05:49Very important
00:05:51Sister
00:05:51Please, sister
00:05:52Sister, for God's sake
00:05:53No, that...
00:05:56Holy Virgin
00:05:57This woman is unstoppable
00:05:59Ma'am, I tried to stop you.
00:06:01But I haven't been able to
00:06:02I'm so sorry
00:06:03Well, we've run into the church.
00:06:06Hernán
00:06:07Leave us alone
00:06:10Is something wrong?
00:06:16Whatever you want
00:06:35What are you doing here?
00:06:37I bring bad news, Marchioness
00:06:42Speaks
00:06:44He has escaped
00:06:47As?
00:06:48What do you mean he escaped?
00:06:51When did you go?
00:06:52A week ago
00:07:14You can't sleep
00:07:20How do you know?
00:07:26How do you know?
00:07:28I know everything
00:07:29Do you remember?
00:07:32How are you?
00:07:34Good
00:07:35I can't sleep
00:07:36That's all
00:07:42If you want, we can talk.
00:07:43No, no, no
00:07:46No, it's not necessary
00:07:48Don't worry about me.
00:07:51Besides, I'm sure you have more important things to do.
00:07:57You're going to catch him, aren't you?
00:08:02I promise you
00:08:06It was horrible
00:08:08It all happened so fast
00:08:12On top of that, I was scared to death.
00:08:14I remember
00:08:15I remember the claw
00:08:17Full of blood
00:08:19The cage
00:08:21The shelter
00:08:25Where was that shelter?
00:08:27I just don't remember
00:08:32Well
00:08:34Well, yes
00:08:35Yes, I remember.
00:08:36One thing
00:08:38There was
00:08:39There was a tree
00:08:42A tree split in half
00:08:45Anything else?
00:08:47No agreement
00:08:51You've helped me a lot
00:08:53And you have been very brave.
00:08:58Close your eyes
00:09:00Who?
00:09:02Close your eyes
00:09:10I want you to take this
00:09:13It will protect you
00:09:18Thank you
00:09:24They've taken my son
00:09:26They've taken my son
00:09:27They've taken my son
00:09:28To your car
00:09:30Alonso returns home
00:09:31You'll be safe there
00:09:32Half!
00:09:35Half!
00:09:49Look!
00:10:04Look!
00:10:18What's happening?
00:10:44What's happening?
00:11:14What's happening?
00:11:15Good morning darling.
00:11:17Come on, I'll get your breakfast ready.
00:11:22Here, take it.
00:11:25Garlic soup again.
00:11:28I want chicken.
00:11:29Chicken, he says.
00:11:31Chicken is so hard to digest for breakfast.
00:11:33Come on, eat the soup, it's nice and warm and goes down really well.
00:11:36And you have to eat it all.
00:11:38You already know the house rule.
00:11:40The law of the poor...
00:11:41Burst before there's too much.
00:11:42My son is so clever.
00:11:45Come on, eat the ones you go to school with.
00:11:48Come on, son, they're going to get cold.
00:11:54Murillo.
00:11:56Murillo!
00:11:57Murillo, son!
00:11:58Son, what's wrong?
00:12:01Juan, Juan, help me.
00:12:04Help me, bite me, it's going to get cold.
00:12:07Juan.
00:12:09Dear.
00:12:10Murillo.
00:12:12Murillo, my son.
00:12:14Son.
00:12:15Son.
00:12:20Not to be rude, but Montalvo is spelled with a B.
00:12:25Help me.
00:12:30Well.
00:12:33Look how funny.
00:12:35You've been quick.
00:12:36It always works with my students.
00:12:39What you need to do is mend his pants.
00:12:44I don't know what he does, but he has them all worn out down here, in the crotch area.
00:12:48Is that true?
00:12:53What are you saying?
00:12:54What am I doing to help him?
00:12:56I'm campaigning for him.
00:13:08He came for me.
00:13:11He came for me last night.
00:13:14He was looking for me.
00:13:16He killed another child, but it was mine he wanted.
00:13:19Man, no, don't say that.
00:13:21Don't say that, come on, come on, there aren't any children around to...
00:13:25I mean, he's not going to come near you, there are other children who...
00:13:29So I don't know what I'm saying, sorry.
00:13:32Tarunzo, relax, nothing's going to happen to you.
00:13:34That's not true.
00:13:35He's not looking for you.
00:13:36That's not true.
00:13:38He won't stop until he finds me.
00:13:40It won't stop.
00:13:42Tarunzo, listen to me.
00:13:44I'm not going to let anyone hurt you, do you understand?
00:13:46Nobody.
00:13:47I promise you.
00:13:49And sooner or later they will catch that murderer and he will pay for what he has done.
00:13:54Go on.
00:13:55I'm going to wash you.
00:13:57Let's go.
00:14:07I swear I won't stop until I find him.
00:14:11I swear.
00:14:16Look, there it is.
00:14:17Yeah.
00:14:17Oh, thank God, my son, that you are alive.
00:14:20Thank God.
00:14:21Let's see.
00:14:24How are you, Murillo?
00:14:25Are you okay?
00:14:28Yeah?
00:14:29Very good.
00:14:30I'll take a look at you, okay?
00:14:38Well, he's as strong as an oak, huh?
00:14:41Put on your vest, don't get cold.
00:14:43Yeah.
00:14:46Catalina.
00:14:50What's wrong, Juan?
00:14:52How long has it been since the boy ate meat?
00:14:54As?
00:14:56Look, don't take offense, okay?
00:14:57But the boy is malnourished.
00:14:59He needs to eat meat, vegetables, cereals, but mostly meat.
00:15:03Already.
00:15:06Catalina.
00:15:08Do you have money?
00:15:09Yes, yes, yes.
00:15:11Yes, the thing is, the kid is a very picky eater and...
00:15:16But don't worry, I'll make sure you eat meat.
00:15:21You're right, they don't do anything for us.
00:15:23Of course not.
00:15:24This commissioner doesn't care what happens to us.
00:15:30That's not right, doctor.
00:15:32The killers out there waste their time arresting innocent people.
00:15:36The commissioner is the one who has to comply here.
00:15:38What is the commissioner doing?
00:15:39Nothing.
00:15:40No, nothing.
00:15:51Drinks and something to eat.
00:16:11Instead of being at the inn, shouldn't you be working?
00:16:16What are you saying, woman?
00:16:18Sit me down, Adriano.
00:16:19Please.
00:16:21Last night they took another child away.
00:16:23And what have they done?
00:16:24Hey?
00:16:24Nothing.
00:16:25Shut up, Inés, for God's sake.
00:16:27Excuse me, Commissioner, you seem a little nervous.
00:16:28I have a seven-year-old daughter.
00:16:30What do I have to do?
00:16:31Should I wait all this time for them to kill her?
00:16:35You're finished.
00:16:41Yeah.
00:16:42Then get out.
00:16:52This should be taken more seriously.
00:16:54And you should keep your mouth shut.
00:17:06That's enough, leave.
00:17:15Lucrecia.
00:17:17Lucrecia.
00:17:18You have to gather the lodge.
00:17:20The visit we were expecting is on its way.
00:17:24Take care of it, Hernán.
00:17:27We need to act quickly.
00:17:29The king is suspicious, and that makes him dangerous.
00:17:31Our men are waiting.
00:17:33As soon as you gather the money, they will act.
00:17:35Many want to see the end of the Habsburgs.
00:17:39I know.
00:17:43That was a strange visit last night, wasn't it?
00:17:44What did the nun want?
00:17:48What they all want.
00:17:50Money.
00:17:52Money.
00:17:53Hernán, I need to be alone.
00:17:59Of course.
00:18:16Lady?
00:18:17Yeah.
00:18:20Ma'am, I don't mean to bother you, but...
00:18:24But I wanted to tell you...
00:18:27Well, I'd rather ask him.
00:18:30If it were possible...
00:18:31Will you just let it go, Catalina?
00:18:33Yes, ma'am.
00:18:35This month...
00:18:37I haven't received my salary yet.
00:18:39AND...
00:18:40If it were up to me, I wouldn't ask him, but...
00:18:42I have to feed my son.
00:18:44He doesn't know how sick he is.
00:18:45And how badly we're suffering.
00:18:48There is a severe food shortage in the village and...
00:18:51Well...
00:18:52If you could, I would be grateful...
00:18:54Can I tell you about my problems now, Catalina?
00:18:57I ask for a thousand pardons, sir.
00:19:00Already.
00:19:01You don't have enough to eat, but you have enough for treats.
00:19:04So that's what you're left with, right?
00:19:05No, ma'am.
00:19:06This little medal belonged to my grandmother.
00:19:07She left it for me in her bed...
00:19:08Are you going to answer me?
00:19:10No, ma'am.
00:19:11I would never dare.
00:19:15Leave.
00:19:16Take it with you.
00:19:23Come and say goodbye, Madam Marchioness.
00:19:25I'm going back to the convent.
00:19:27I still can't explain it.
00:19:30How is it possible that he escaped?
00:19:33I have been paying them to take care of him all this time.
00:19:36They would protect him.
00:19:38And above all, so that it would be monitored.
00:19:40Madam Marchioness, I assure you...
00:19:41Pray.
00:19:43Pray everything you know that he appears alive.
00:19:47Otherwise...
00:19:49You'll wish you'd never been born.
00:20:02Simon, where are you?
00:20:06Ah, you're there.
00:20:09Leave the cat and let's go.
00:20:36And tomorrow we will continue with the Battle of Lepanto.
00:20:39Which, by the way, is where one of our most illustrious authors lost his hand.
00:20:43Well, if he doesn't have a hand, I don't know what he's going to write.
00:20:47Well, none other than Don Quixote, Gaby.
00:20:49No more, no less.
00:20:51So next time I hope you'll think twice before making fun of someone.
00:20:54OK?
00:20:54Come on guys, we're all done, let's go home to rest and study.
00:21:01Don't be afraid, if the killer comes back I'll protect you, okay?
00:21:04Me too.
00:21:11Sato!
00:21:13Sato!
00:21:18We have to go to the forest to find the broken tree.
00:21:20Well, you'll have to agree with me that it's not a perfect solution. There are plenty of other options.
00:21:24Yes, I know. But it's the only clue we have.
00:21:26You search the hill area and I'll search the river area. Okay?
00:21:30What if we go together? I'm very absent-minded, I might get lost.
00:21:34Go on, Sato.
00:21:35Strip!
00:21:38Gonzalo.
00:21:40I've had work to do at home, and that's how we both are with Alonso.
00:21:44I won't be able to. I have something to take care of. Could you go with me to the house?
00:21:47Yes, but well, I mean, with the child in that state, you can't take care of that matter another day.
00:21:52It's important.
00:21:54Well.
00:21:55Okay, thanks.
00:21:58Alonso.
00:22:00How about we play cards tonight, you and I?
00:22:03I'm going to beat you.
00:22:04Well, we'll see about that.
00:22:06Are you more at ease?
00:22:07Yeah.
00:22:09Well, you're being very brave, aren't you?
00:22:14Alonso de Montalvo and Matilde Torres are under arrest.
00:22:20Come on, let's go!
00:22:21Let us go!
00:22:22Let us go!
00:22:23Come on!
00:22:24Let us go!
00:22:24Leave us alone, they haven't done anything!
00:22:26Okay, okay, okay, a little bit of manners.
00:22:28They're just children.
00:22:30What do you want from them?
00:22:32Where are you taking them?
00:22:34I only comply with Villanueva.
00:22:41Here, I'll keep it.
00:22:46Mother, well done!
00:22:50Hello good.
00:22:52That...
00:22:53Look, I have some things that...
00:22:56You might also be interested in these.
00:23:04Look at the shoes.
00:23:05They're brand new, huh?
00:23:13Hey, no, don't go.
00:23:15I'll keep the shirt and shoes for the same price.
00:23:18They are nothing but trinkets.
00:23:20For God's sake, don't go.
00:23:23How much can you give me for the medal?
00:23:33But, Catalina.
00:23:36These shoes are from Floro.
00:23:38And the shirt?
00:23:40Let's see what you women are like, huh?
00:23:42When you get the urge to clean house, you're like Attila the Hun.
00:23:44You destroy everything.
00:23:45He definitely doesn't throw away his things, even if they're ancient.
00:23:48But the husband's...
00:23:50Okay, will you sell me the medal?
00:23:54Catalina.
00:23:56What are you doing?
00:23:58Saturn, for God's sake, don't make it any harder for me.
00:24:00Ma'am, have you made up your mind or what?
00:24:02Show some respect, man.
00:24:05Don't you see what?
00:24:06The medal belonged to his grandmother.
00:24:09What's wrong with you?
00:24:09Doesn't she have a grandmother or what's the deal?
00:24:11Saturn, have you seen what you've done?
00:24:14Saturn needs the money.
00:24:17The son has nothing to eat.
00:24:21Woman, if you're in such great need...
00:24:24Which I have lent to friends, that's what they're for.
00:24:27I've already asked Gonzalo and Cipri.
00:24:29I can't ask for any more from them.
00:24:31Well, this isn't the solution, Catalina.
00:24:34Because when you have no more things to sell, what are you going to do?
00:24:38Selling your body.
00:24:39Well, if necessary, yes.
00:24:41I would do anything for my son.
00:24:43Do you find out anything?
00:24:47That Murillo is malnourished.
00:24:50And he has to eat meat.
00:24:53And where do I get the meat, Saturn?
00:24:55Where do I get it?
00:25:08Come on!
00:25:09Come on!
00:25:17As you can see, we lock up bad people here.
00:25:21To bad people and to those who lie.
00:25:26That is precisely why I have brought you here.
00:25:31We don't know anything.
00:25:33I'm sure you could tell me what he looked like or where he locked you up.
00:25:44You have a brave face.
00:25:46When you grow up you could be the commissioner.
00:25:48I don't want to be the commissioner.
00:25:50I want to be Red Eagle.
00:25:52We don't know anything, I swear.
00:25:55It was night and nothing could be seen.
00:25:57Let us go.
00:26:00What you'd really like is to be out on the street or with your friends, right?
00:26:06The sooner you help me, the sooner you can leave.
00:26:20Where could this be?
00:26:22Sure, as if it were that easy.
00:26:29That?
00:26:32Come on, let's go!
00:26:34Find a split tree.
00:26:38And besides, I don't know where I am.
00:26:40I don't know.
00:26:41I don't know where I am.
00:26:43If the sun rises over Antequera.
00:26:46And Antequera is in the south.
00:26:51I'm...
00:26:56I'm...
00:26:57Where am I?
00:27:08Who's there?
00:27:11Beware of me.
00:27:15Beware of me, for I am the Red Eagle.
00:27:25That's enough, love, one day you'll leave me high and dry.
00:27:29Furthermore, you didn't say you would go to the river area.
00:27:32That's where I come from.
00:27:33Have you seen anything?
00:27:35I looked at every tree, one by one, and...
00:27:39I mean, no...
00:27:41It won't have gotten complicated, Aloncillo.
00:27:43Was the site of a split tree...
00:27:45Was it an orguid?
00:27:47No.
00:27:48For now, it's the only clue we have.
00:27:50So we'll have to make sure.
00:27:52No, I was telling him because...
00:27:56That's very good, I am your servant.
00:27:58But...
00:27:59I've worked many hours.
00:28:01And I have my own life, you know?
00:28:03And my little things, you know what I mean?
00:28:05Where do you have to go?
00:28:07Hey?
00:28:10This...
00:28:11No, someone.
00:28:12I have to help a lady.
00:28:16Already.
00:28:17You have to help a lady.
00:28:19The lady has to help you.
00:28:22Go on, leave.
00:28:24I'll find the tree myself.
00:28:36You know that not speaking with authority is a crime, right?
00:28:41What are your tools, commissioner?
00:28:44But don't you see they're just children?
00:28:47Not yet.
00:28:52If you don't help me catch the killer,
00:28:55Many children will die.
00:28:57And it will all be your fault.
00:28:59We've already told him that we don't remember anything.
00:29:01You escaped once, but it can come back for you.
00:29:04He might come back for you!
00:29:07And then you won't be able to escape.
00:29:13There was a tree.
00:29:17Next to the shelter was a broken tree.
00:29:21A tree, huh?
00:29:26Do you remember anything else?
00:29:27No, I swear.
00:29:32Alright.
00:29:35You can leave.
00:29:42What have you done to them?
00:29:46Just my job.
00:29:49Good morning, ma'am.
00:30:03Was there a tree split in half?
00:30:13Let's sorted off.
00:30:17No, 당연 center.
00:30:20Good, ma'am!
00:30:26Mister!
00:30:27To follow a tree?
00:30:28Come on!
00:30:29I love him!
00:30:33Come on!
00:30:35Thank you, Mom!
00:31:02He is trembling.
00:31:05And sweating.
00:31:08He has a racing heart.
00:31:11I believe...
00:31:12I think he even has a fever.
00:31:14No, aunt, I'm fine.
00:31:15Yes, you're fine.
00:31:16Okay, let me put the shirt on him.
00:31:18If I already fear that all the little pockets of me remain in the dungeons...
00:31:22That's because it was very cold.
00:31:24Sure, that's normal.
00:31:26Dungeons are always freezing cold, aren't they?
00:31:30I think he's out of sorts.
00:31:32He hasn't slept a wink in days.
00:31:34Well, don't worry, okay?
00:31:35I'm going to give you some herbs that will make you feel really good, okay?
00:31:37And above all, you have to stay calm.
00:31:40Because neither your aunt nor your father will let anything bad happen to you.
00:31:44Okay, brave one?
00:31:45So from now on I want to see you without fear.
00:31:48How are you?
00:31:50Good.
00:31:50Fearless?
00:31:51Yeah.
00:31:51Come on, come here.
00:31:55Are you OK?
00:31:56Yeah?
00:31:57Wait a moment.
00:32:00What do you think of him?
00:32:01Okay, don't worry.
00:32:02Look.
00:32:03Make this infusion.
00:32:04He'll sleep much better and, above all, he'll be very distracted.
00:32:08Thank you so much.
00:32:09Thank you so much.
00:32:09Tell me what I owe you.
00:32:10No, no, you don't owe me anything.
00:32:12It's the least I can do after how you've treated me.
00:32:14You are the only person who trusted me when everyone else said I wouldn't kill him.
00:32:19Well, that's because they don't know you.
00:32:30Hey, we'd better dance.
00:32:33Hey, Alonso, Alonso, stop that.
00:32:35Come on, let's go.
00:32:37Anything you need, you know where to find me.
00:32:41Thank you.
00:32:50Isatur, we shouldn't be here.
00:32:52Besides, I should already be at the palace by now.
00:32:54Look, look, look, look, look, look.
00:32:56A rabbit.
00:32:59And another one?
00:33:01That's messed up.
00:33:03With all the hunger in the world, and all this, animals are crying.
00:33:05Yeah, and whatever else you want, but this is a bad idea.
00:33:08And a bad idea always ends up tasting bad in the end.
00:33:10No, woman, no.
00:33:10You think we're making a more equitable distribution of the world.
00:33:14There are too many rabbits here.
00:33:16There is too much hunger in the village.
00:33:19It's a matter of justice, Catalina.
00:33:57I came looking for a killer and I find a big bird.
00:34:01Now the important thing is to capture that killer.
00:34:03And to give me the pleasure of killing you?
00:34:04No, thanks.
00:34:13Naria!
00:34:19Naria!
00:34:27Naria!
00:34:59But you know, what we're doing is very serious.
00:35:02That for stealing in a cotopiba they can send us to be flogged.
00:35:04And to the galleys.
00:35:05And I've even seen death sentences.
00:35:07Okay, okay.
00:35:08Let's not jump to conclusions, okay?
00:35:09Besides, you do think your son will eat meat, right?
00:35:12That's it.
00:35:13Yeah, but we'll grab a rabbit and leave, okay?
00:35:16Let's see, Catalina.
00:35:18Let me make one thing clear.
00:35:19You and I are risking our lives to get in here.
00:35:22Is your plan to just take one rabbit and leave?
00:35:24Pussy!
00:35:25I have no plan, I have no plan.
00:35:27I'm just telling you that I have more than enough rabbit to feed my son.
00:35:29But you said it yourself.
00:35:31What difference does it make if one rabbit or ten rabbits catch us and we're sent to the galleys?
00:35:34Besides, since we're at it, we might as well make it through the month.
00:35:38Look, look, look!
00:35:39Look!
00:35:39A rabbit.
00:35:41Grab it, grab it, grab it, grab it, grab it, grab it!
00:35:46Catalina, Catalina, this isn't how it works.
00:35:48This isn't as simple as just showing up and catching the rabbit.
00:35:50Oh, no.
00:35:50You have to set the trap and wait for the little animals to appear.
00:35:55One hour, two hours, however many it takes.
00:35:57Oh, Satur, for God's sake, don't tell me that.
00:35:58Don't tell me that, because at the palace I said I was going to make an excuse and that I would come back.
00:36:02Whichever ones.
00:36:06Oh, Virgin of Beautiful Love.
00:36:08May God catch us with kisses.
00:36:10Satur, if they catch us,
00:36:12We are playing for our lives.
00:36:58Oh, Virgin of Beautiful Love.
00:37:21Sister, is that you?
00:37:28Yeah.
00:37:32I belong to God.
00:37:36I belong to God.
00:38:01Satu! Satu!
00:38:02I'm back now. How have you been?
00:38:04Well, look, another one.
00:38:06And we've got 15 in two hours.
00:38:08This is paradise, Catalina.
00:38:10I'm going to come here every week.
00:38:13Besides, I finally think I've found my true calling.
00:38:16But, let's see, Satu.
00:38:19Satu, this means you're not listening.
00:38:22Come on, let's pack all this up and go.
00:38:25I don't know if we'll be able to fit everything in that bag.
00:38:27Here's the woman.
00:38:28I've brought more satchels.
00:38:30I am a cautious man.
00:38:32Yeah.
00:38:35Come on.
00:38:36Catalina.
00:38:37This rabbit is so strange.
00:38:39It will do us good.
00:38:42Oh! Oh, my God!
00:38:44What's happening?
00:38:45Oh my God!
00:38:46What's happening?
00:38:48Oh, it's the Marchioness's dog, Satu!
00:38:53Look at the medal!
00:38:55Oh my God, Satu!
00:38:57Oh no, we're going to kill the Marchioness's dog, Satu!
00:39:00Oh my God!
00:39:00Oh my God!
00:39:13Oh my God!
00:39:22Oh my God!
00:39:46No, no, no.
00:39:58No, no, no.
00:40:23No, no, no.
00:40:47No, no, no.
00:41:16No, no, no.
00:41:22No, no, no.
00:41:49He's working on it.
00:41:51Come on, I say.
00:41:53Because that's what he does, that little eaglet, right?
00:41:56Come on, try some broth.
00:41:59It turned out finger-licking good.
00:42:01Hot water?
00:42:03No.
00:42:03No no.
00:42:04We are...
00:42:04Not this time.
00:42:05It turned out delicious, you know?
00:42:07Because it's made with a lot of love.
00:42:10He tastes like rabbit to me.
00:42:13A rabbit.
00:42:15That's what hunger is.
00:42:16There's nothing like wanting to believe.
00:42:18Can?
00:42:20Yes, yes, of course.
00:42:21What a surprise to see you here.
00:42:23Well, I came to see how Alonso was doing because yesterday during the reconnaissance I saw him a little nervous.
00:42:28Oh, you visited him yesterday.
00:42:31Uh, yes.
00:42:33I hadn't told you anything.
00:42:35Uh, I took Alonso to see the doctor.
00:42:38And he was very kind to us.
00:42:40Well, thank you very much.
00:42:42You are welcome.
00:42:43Look, I brought Valería, Ana.
00:42:44I'm sure it will suit him well.
00:42:46Thank you.
00:42:48Yes, thanks.
00:42:51Well, I guess I'll have to go to work.
00:42:54There will be sick people to take care of, I mean, right?
00:42:57If I...
00:42:58I'm leaving because...
00:43:00I'm late to the Palace.
00:43:01Hey, Alonso, darling, are you on my side?
00:43:03Come on, I'll walk you to school.
00:43:05I'll join you.
00:43:07Bye bye.
00:43:09Bye bye.
00:43:10Bye bye.
00:43:15Have you seen that?
00:43:17Have you seen that?
00:43:18Yes, I have seen the one that is Saturn.
00:43:20Well, that little doctor is very clever.
00:43:22He's used the kid as bait.
00:43:24And he's there like a fisherman.
00:43:26And what does a fisherman do?
00:43:28No, what does a fisherman do?
00:43:30Well, fishing.
00:43:31AND?
00:43:33Margarita is already old.
00:43:35You can do whatever you want.
00:43:39He's going to turn it towards Constantinople.
00:43:41He's going to put it in Constantinople.
00:43:45Hey...
00:43:51What happened?
00:43:52The marchioness has said that we should wait here.
00:43:55I've seen it, they've...
00:43:57They caught a poacher on their hunting grounds and...
00:43:59And they killed his dog.
00:44:03What's the matter?
00:44:04Lucrecia is a very dangerous killer.
00:44:06You should be careful with him.
00:44:07Yes, I'll have it.
00:44:09I almost caught him.
00:44:11I even left.
00:44:14Did you see his face?
00:44:15Do you know who he is?
00:44:17No, I didn't see her, but I'm sure he's a very dangerous killer and he may be nearby.
00:44:21You should be careful with Nuño.
00:44:24Oh, Frog.
00:44:25Don't worry so much about Nuño.
00:44:27Worry more about making sure your men keep a better watch over my territory.
00:44:31I will be extra vigilant.
00:44:32It won't happen again.
00:44:35As you know, we have captured the poacher who was hunting on my hunting grounds.
00:44:41And that has ended the life of my dog.
00:44:44Bring the poacher.
00:44:47I want everyone to know who that outcast is.
00:44:51Ma'am, ma'am.
00:44:52Raina, that's enough.
00:45:01Have mercy.
00:45:03I didn't send his dog.
00:45:05Let him be flogged.
00:45:09Ah!
00:45:11Ah!
00:45:13Ah!
00:45:16I hope this helps you stay calm.
00:45:20I'm warning you.
00:45:21As another one appears.
00:45:23He will be punished with my dog...
00:45:26Ah!
00:45:28Ah!
00:45:32Take him away from here.
00:45:34I don't want bloodstains in my garden.
00:45:36Ah!
00:45:41Wait!
00:45:54Wait!
00:45:56That's clear.
00:45:57The doctor was very professional, very much so.
00:45:59I'm sure he goes from house to house every morning visiting his patients.
00:46:03Especially if there are single sisters-in-law.
00:46:05Saturn, you start, huh?
00:46:07But you are right.
00:46:08That you suffer from very reliable conditions.
00:46:10But I'm warning you.
00:46:11When he finally realizes it, he finds him sitting in his chair eating.
00:46:14and...
00:46:15and putting her son to bed at night.
00:46:18Come on!
00:46:19Come on!
00:46:25What appeared to the Virgin Mary?
00:46:28Look at this.
00:46:33What do you see?
00:46:36He's a child and...
00:46:38a girl holding hands, very bucolic.
00:46:40Saturn.
00:46:42Don't you see the church?
00:46:43I can't see her very well.
00:46:46But...
00:46:47What exactly do you want me to see?
00:46:49Well, it's this same church.
00:46:51Except that 15 years ago, instead of the Virgin Mary, there was Saint Philip.
00:46:55One night on Saint John's Eve, the saint's statue burned, and that's why they replaced it.
00:46:58So what does he say now?
00:46:59Yes, yes, yes.
00:47:01This drawing is over 15 years old.
00:47:02It's impossible that a child today could have drawn it.
00:47:05So?
00:47:07The murderer himself had to paint it.
00:47:11Pardí.
00:47:13The child in the drawing must be the murderer.
00:47:17You are my idol, my love.
00:47:18My idol.
00:47:20But one question.
00:47:22So who is the girl?
00:47:24That's what we need to find out, Saturn.
00:47:32How are you?
00:47:41Have you rested?
00:47:44I thought you wouldn't come back.
00:47:47I told you, I would take care of you.
00:47:50Why didn't you return to the convent either?
00:47:57You left me alone.
00:48:00Locked up.
00:48:03I waited for you for years, sister.
00:48:07Simon, understand this.
00:48:10You were better off with the nuns than on the street.
00:48:12Look what you've done as soon as you left.
00:48:14You never came back.
00:48:21Simon.
00:48:33Now we are together.
00:48:42Do you want some food?
00:48:45Yeah?
00:48:46No, I don't want food.
00:48:50I want something else.
00:49:00Give me a child.
00:49:14What are you doing?
00:49:14What are you doing?
00:49:18What I do?
00:49:19Well, I'm there with...
00:49:21Come on, I had the same look on my face as you did when I saw the
00:49:24rabbits.
00:49:26Yes, yes, yes, and I said to myself, well, look, I'm going to pick up the rabbits and return them to their
00:49:31owner.
00:49:32Because all these people will have owners, yes, owners, owners.
00:49:34Yes, owners, they're dead.
00:49:35Of course, may they rest in peace.
00:49:37Hey, don't you have homework to do?
00:49:38Yes, what you want is for me to leave.
00:49:40Of course you should leave.
00:49:42Come on, let's do our homework.
00:49:43To get formed.
00:49:45Come on.
00:49:45Am I going to get caught?
00:49:46Yes, come on, let's go, let's go, let's go.
00:49:50What a kid's husband.
00:49:52This is the damn thing.
00:49:54What, what, what, what...
00:49:54It's always there, smoking.
00:49:58Sato.
00:50:01We need to talk immediately.
00:50:03Leave my Catalina alone, you won't believe it when I tell you.
00:50:06I spoke with the merchant and he gives me 30 maravedís per rabbit, Catalina.
00:50:10Do you know what that means?
00:50:11Well, well, well, a mountain of wonders.
00:50:15Sato, this is over.
00:50:17That?
00:50:18The marquess has killed an innocent person because of us.
00:50:22For killing his dog.
00:50:27But, to kill, to kill like a mother.
00:50:29Sato killed him.
00:50:37All of this needs to be done before you become suspicious.
00:50:39No, Sato, no, Sato.
00:50:40It needs to be burned and that's it.
00:50:42Yes, yes, yes.
00:50:43What's over?
00:50:46He's finished.
00:50:48He.
00:50:49Yes, he's finished.
00:50:52He has to wash me every day, man.
00:50:54It's over.
00:50:55You go outside and you immediately smell dirt again.
00:50:58There's no stopping it.
00:51:00Your sweat smells really strong, Sato.
00:51:03It stays like that, retested.
00:51:05No.
00:51:06Already.
00:51:07Sato, you haven't seen my satchel, have you?
00:51:10The satchel?
00:51:12The one Margarita made for me?
00:51:15It was there on the shelf.
00:51:21Well, I'm wearing this, this, this.
00:51:26This one too.
00:51:27What the hell?
00:51:31Okay, let it be too much, not too little.
00:51:33Clear.
00:51:35No, not me...
00:51:38Come on, not me...
00:51:40No, I don't know, do I?
00:51:42I must have left it at school, right?
00:51:50Did you take the satchel with you?
00:52:09How's it going, Palacio?
00:52:13The satchel what?
00:52:16This one is in the Marchioness's cotton, which has left me after falling into the night without the
00:52:20Well, we're not going back there.
00:52:21That place is full of guards.
00:52:22If the satchel is lost, then it's lost.
00:52:24What we're going to do is leave him without a satchel.
00:52:25The worst thing that can happen is that it's that.
00:52:26I don't think I explained it well.
00:52:31The satchel has Gonzalo's name on it, which Margarita sewed on.
00:52:38That?
00:52:39The satchel has the name Gonzalo on it.
00:52:41I know!
00:52:44If only for...
00:52:46Is this how it is for you?
00:52:47I don't know what for...
00:52:48What for?
00:52:49I know!
00:52:50Since he's leaving my son an orphan, he must be killed!
00:53:07What happened here?
00:53:08The dog brought us here, commissioner.
00:53:11Any leads?
00:53:11We've found something that might interest you.
00:53:22Let's follow the trail of blood.
00:53:24Let's see where this leads us.
00:53:33Subscribe to the channel!
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00:54:01Subscribe to the channel!
00:54:08Subscribe to the channel!
00:54:22Subscribe to the channel!
00:54:31Subscribe to the channel!
00:54:50Subscribe to the channel!
00:54:53Don't go, I have something for you.
00:55:05Look, come here.
00:55:07It's for you.
00:55:23Damn it, I was meant to be here.
00:55:26Catalina, should we go through here or not?
00:55:27I don't know if we'll go this way or not. All places look the same to me now, Satur.
00:55:31And I have a feeling we're not going to find the satchel, huh?
00:55:33Let's see, it looks like they're going to the river.
00:55:35Satur! The guard!
00:55:38Satur!
00:55:39Damn it all. The tree. Run to the tree.
00:55:42Come on, Catalina! Let's go, I'll help you!
00:55:44Come on!
00:55:45Get on here! Get on here! There, come on!
00:55:53Come on, Catalina!
00:55:56You three, come with me.
00:56:05There appear to be footprints around here.
00:56:15Sir, there's something here.
00:56:17It's a satchel.
00:56:21Come on!
00:56:43It's blood.
00:56:45The drawing is made with the blood of the victims.
00:56:48Already.
00:56:50Summer...
00:56:51It's not that I'm not interested, but...
00:56:53Now that we're alone, I'd like to talk to you about something.
00:56:57Tell me.
00:57:00This...
00:57:02It's a rather delicate subject.
00:57:03I don't really know where to start.
00:57:06You're starting to get scared, aren't you?
00:57:08That's why...
00:57:09That hasn't even started yet.
00:57:11Gonzalo!
00:57:13Fuck!
00:57:14I just can't get used to this man's appearances.
00:57:16Felipe de Balbo has arrived in the village.
00:57:20Should you know who he is?
00:57:22He is a nobleman from the House of Bourbon.
00:57:24They say that if our king were to die, he would take his place.
00:57:28I don't know about you, but it seems very strange to me.
00:57:31Well, maybe...
00:57:33is visiting.
00:57:35Because the French are... they love to travel.
00:57:38No matter what they say, here in Spain, the food is much better than there in France.
00:57:43I'm telling you that.
00:57:45We need to be vigilant and find out what he's doing here.
00:57:47I suspect something very serious might happen.
00:57:50Don't worry, Agustín.
00:57:51As soon as I catch the child killer, I'll take care of that Felipe guy.
00:57:55Be careful, okay?
00:57:57It could be very dangerous.
00:57:59Don't worry.
00:58:09Come on, get out.
00:58:22Gaby, be very careful, okay?
00:58:25You're an old fool and you're not cut out for anything, come on.
00:58:27Yes, Saturn, yes.
00:58:28The jacket.
00:58:30Gaby.
00:58:30And remember to do your homework.
00:58:32Homework?
00:58:34Put on the...
00:58:34The jacket.
00:58:36Come on.
00:58:37Good, son.
00:58:38How are you?
00:58:40Good, really.
00:58:41Sure?
00:58:42Yeah.
00:58:43Okay, great.
00:58:44Aunt Margarita will be here soon, and you'll go home with her.
00:58:46When I pick this up, I'm going there.
00:58:48OK?
00:58:48There are the lovebirds.
00:58:54Well, now that we're alone, I'd like to tell you something.
00:58:59Are you going to declare your love for me, Saturn?
00:59:02That's what I like most about you, your sense of humor.
00:59:04And that you are very magnanimous.
00:59:07It's the same drawing.
00:59:10My God.
00:59:11And how did I get here?
00:59:13Because one of the children is in contact with the murderer.
00:59:22I've brought you what you asked for.
00:59:24Come closer.
00:59:36Why are you here?
00:59:40You don't know.
00:59:55You like life.
00:59:58You're hurting me.
00:59:59No.
01:00:00Because not me.
01:00:01I don't like it anymore!
01:00:02Let me go!
01:00:03Let me go!
01:00:04Let me go!
01:00:05Let me go!
01:00:05Let me go!
01:00:06Let me go!
01:00:06Daisy.
01:00:08Where are the others?
01:00:09Murillo, Gabi...
01:00:11Gabi.
01:00:11They won't be at home, Gonzalo.
01:00:13What's happening?
01:00:14Nothing.
01:00:15Advertisement.
01:00:16Whose drawing is this?
01:00:19This child.
01:00:21Let me go!
01:00:22Let me go!
01:00:23Let me go!
01:00:23Let me go!
01:00:26Let me go!
01:00:27Let me go!
01:00:30Look me in the eyes.
01:00:32Look at me.
01:00:35That's it.
01:00:40Go home.
01:00:43And it's Lucrecia.
01:00:44The cutlery is his father's cutlery.
01:00:46I'm coming with you, love.
01:00:47Stay with them.
01:00:53Nuño, run.
01:00:55Obey!
01:01:04Forgive me.
01:01:19Nuño!
01:01:21Nuño!
01:01:23Where is the parka?
01:01:25Where?
01:01:25Don't know.
01:01:29What's happening?
01:01:30What's happening?
01:01:31He has a son.
01:01:32The killer has a son.
01:01:35Come on!
01:01:36Come on!
01:02:06No, please.
01:02:07No, please.
01:02:07Don't hurt me.
01:02:10No, please don't hurt me.
01:02:13I didn't want this.
01:02:16Let it go!
01:02:19Don't come near him or I'll kill him
01:02:26Let the child go
01:02:42Are you OK?
01:03:01It's just that the commissioner has worn out the killer, huh?
01:03:08Look how healthy she looks!
01:03:11As if you didn't fall asleep, huh?
01:03:12Yes, but I need to sleep a couple more hours.
01:03:15But I think I shouldn't go to school today.
01:03:18Fine, then don't go.
01:03:20Okay
01:03:21No, nice try, but it won't work.
01:03:25Kid, stop pecking her, you look like a chicken
01:03:28I'm hungry
01:03:30Furthermore, the red eagle has told me that I have to eat a lot to be as strong as him.
01:03:34That way I can help him hunt down the bad guys
01:03:36Pass?
01:03:38Did he tell you that?
01:03:40By the way
01:03:43This?
01:03:45Is this yours?
01:03:46Yeah
01:03:49Sure?
01:03:51Yeah
01:03:52You do get along well with him, don't you?
01:03:56Come on
01:03:57Does this have a minute?
01:04:00Yeah
01:04:05Catalina
01:04:08Gonzalo
01:04:09First and foremost, I wanted to ask for your forgiveness.
01:04:12Very sorry
01:04:14Ask for forgiveness?
01:04:15Because?
01:04:18Haven't you told him yet?
01:04:20It's not
01:04:21Or I haven't found the moment
01:04:24Well, it seems you've already found it.
01:04:26Let's see
01:04:28Tell me what?
01:04:32So, well, the thing is that
01:04:35That I
01:04:36I took the man's satchel.
01:04:38This one who has addressed his name
01:04:40And we went to
01:04:42To hunt in the Marchioness's hunting grounds
01:04:45And chance willed that I
01:04:47Well
01:04:47He lost his satchel
01:04:48AND
01:04:49And I found it in the guards
01:04:51I mean, you
01:04:51But how do you get cured?
01:04:52It was my fault, Gonzalo
01:04:54That is forbidden.
01:04:55It was my fault
01:04:56That I was desperate
01:04:57AND
01:04:57And my son had to eat meat.
01:04:59And I didn't know how.
01:05:00The guard passed!
01:05:02Oh, Gonzalo
01:05:03They're coming for you
01:05:03That come to me
01:05:04Don't panic.
01:05:10They're bringing in the bloodsucker's body
01:05:12To hang it in the alb
01:05:15But why haven't you told me anything?
01:05:18Because I was embarrassed, Gonzalo
01:05:22But don't worry
01:05:23I'm speaking with the marchioness today.
01:05:24And I tell him it was me.
01:05:25And that's it.
01:05:26No, no, no
01:05:26The last thing Murillo needs
01:05:28It's about getting fired from your job.
01:05:30From now on
01:05:32I'll take care of it.
01:05:33That he doesn't lack food
01:05:34OK?
01:05:41I think you are a good person, sir.
01:05:43And if you
01:05:44My hair stood on end.
01:05:47Already
01:05:49You and I
01:05:50We'll talk later
01:05:52Yes, yes
01:06:09The people wanted the killer's head.
01:06:11And I gave it to her.
01:06:14That way they'll know who to respect
01:06:42No no
01:06:44Leave me
01:06:47They're going to take very good care of you
01:06:49You'll see
01:06:50Why, sister?
01:06:51Why don't you love me?
01:06:52I have to do it, Simon
01:06:54If the marquis knows you exist
01:06:56He will never marry me
01:06:57Never
01:06:58I can't leave you alone
01:07:00I can't leave you alone
01:07:00Do you understand?
01:07:03Because?
01:07:05Leave me
01:07:06When I'm rich
01:07:07I'll come find you
01:07:08I promise you
01:07:10I promise you
01:07:11I can't leave you alone
01:07:12I can't leave you alone
01:07:14Please
01:07:15No no
01:07:16No no
01:07:21No no
01:07:36No
01:07:36No
01:07:36No
01:07:36No
01:07:42No
01:07:45No
01:07:53No
01:07:54Esteban, who was born, almost killed my son.
01:07:58I didn't know what I was doing.
01:08:02He was sick
01:08:06It always was.
01:08:14Do you know who he is?
01:08:21I wanted it
01:08:24I know
01:08:29It wasn't growing
01:08:31We all make mistakes
01:08:37Yeah
01:08:40And you should know it
01:08:42Better than anybody
01:08:46I'll let it go this time.
01:08:47But if you hunt again
01:08:49On my property
01:08:50You'll pay for it
01:09:09Hello good
01:09:11I don't want to bother you.
01:09:13No, you're not bothering me.
01:09:16I did it myself
01:09:18This is to thank you for how good you've been to Alonso.
01:09:22Thanks a lot
01:09:24And should I just leave it here?
01:09:29I'm sorry
01:09:36That?
01:09:38That?
01:09:55What I granted you
01:09:56No no
01:09:57No no
01:10:11No
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