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00:25Destructions.
00:30Destructions.
00:31Destructions.
00:32Destructions.
00:34Destructions.
00:42Destructions.
00:43Destructions.
00:44Destructions.
00:44Destructions.
00:45Destructions.
00:45Destructions.
00:46Destructions.
00:46Destructions.
00:47Destructions.
00:48Destructions.
00:48Destructions.
01:00Destructions.
01:01Destructions.
01:01The process called translation, because the four-letter alphabet of…
01:17Nuclear acid is translated into the
01:23replication or transcription.
01:36A protein is synthesized in the amino-to-boxyl direction by...
01:53It's next to the sink under the surface.
01:56It's labelled.
01:57Did I tell you, we're amalgamated with a big PR company in America, PRM.
02:00Yeah, that's the big time, darling.
02:02Well, it should be enough to bring Lulu back into the fold anyway.
02:06No, I'm getting all the majors from the States, darling.
02:08You know, Planet, Hollywood, AIDS, Big AIDS Conventions,
02:11Elizabeth Taylor AIDS Conventions, darling.
02:13And we're talking three lunch days.
02:16Goodbye, Tanya Briar, and hello, sweetie.
02:18Sweetie! Sweet!
02:20Damn, damn, bugger, bugger, box.
02:22Morning, Eddie.
02:24Oh, morning, darling.
02:26Do you sleep all right?
02:27Yeah, eventually.
02:28Well, you know, after a few hours.
02:32Oh, in Safi's bed.
02:34My bed.
02:35Oh, God.
02:36Who was it, anyway?
02:37Oh, it was just a male model.
02:39Square head and Calvin Klein underpants.
02:41Wanted to show me his portfolio.
02:44Oh.
02:46How was it?
02:47Fantastic.
02:50Do you want a cup of coffee, darling?
02:52Yeah, that'd be nice.
02:53Eddie, where did I leave my keys?
02:54Well, darling, I've told you, you're always leaving them around.
02:56When you come in the house, put them in the bowl.
02:59I'll put them in your bag for you.
03:01Ed, this is all like the old days, isn't it?
03:03You know, you and me just talking to each other in your kitchen.
03:06With that old Mrs. Grundy.
03:09Yeah, it's great, isn't it?
03:10I mean, I can just do whatever I want now, you know?
03:12I mean, a sort of free, liberated woman with a career that's going fabulously, you know?
03:18Well, I can just do whatever I want.
03:21What shall we do, darling, hmm?
03:22Oh, I've got to go and see Magda.
03:24Hmm?
03:25Yeah, I've got to sort out things here, and then I'll go into the office and sort out the deal.
03:28That's all right.
03:28Yeah, right. So I'll take the cash line and send him back for you.
03:31Yeah, all right.
03:31Oh, by the way, we're out of mixers.
03:34Okay.
03:34I'll put it on my list.
03:35See you later, last one.
03:36Ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah.
03:39You'll forget your head one day.
03:42Have a nice day at the office, darling.
03:43All right, thank you. I'll do this for you.
03:54That is not going to happen.
03:56No, no, no, no, no.
03:57Anyway, how come she was supposed to be the man?
03:59I don't...
04:02Talking to yourself, dear, that's the first sign of madness, you know.
04:05Only I thought it was talking to you.
04:09What do you want, huh?
04:11I've just popped by to use your oven to make the cakes for the shop.
04:15What, the old Misery's charity shop?
04:17That's right, dear.
04:18What, that I saw with a moth-eaten felt hat, a chipped cup and a couple of dead batteries passing
04:22as the window displayed first?
04:24Well, we don't put anything that people might want to buy in the window or we'd have to keep replacing
04:28it.
04:32You're all out of cocoa and I promised Mr. Potter a choccy cake this week.
04:36Well, this is all my stuff you use, is it, huh?
04:38What, dear?
04:39Oh, this, oh, this, this wheat powder, what's this?
04:42This.
04:43Flour, dear.
04:44Flour, yes.
04:46Well, this is mine, is it? I mean, I am now paying for old people to eat cake.
04:49Safi said you wouldn't mind, dear. Where is she?
04:54She left home, you knew that.
04:55Oh, yes, of course.
04:57Oh.
04:59Oh, yes.
05:03Is, um, is old Patsy coming back?
05:06No.
05:08Well, there's a thing.
05:11You and me alone at last.
05:15Oh, I see, well...
05:17Well, when was the last time?
05:19Actually, dear, I think it's a first.
05:22Well, don't feel you have to say anything to mark the occasion, please.
05:25No, no.
05:26It's probably better if I go.
05:28Yeah, yeah, off you go.
05:28I'll come back later and finish this when, when there's somebody here.
05:31Yeah.
05:36Actually, dear, there is one thing I've always wanted to say.
05:40Okay, it doesn't matter.
05:41No, but I promised your father I would.
05:42Look, I don't want some scene, okay?
05:44This is very difficult for me, dear.
05:46Well, don't bother then, I'm sure I'll survive.
05:48Edwina, dear, do you remember your first pair of platform shoes?
05:53What, the ones you saw Patsy steal, yeah?
05:56Yes, dear.
05:57Well, Patsy didn't steal them.
05:59Your father and I took them on a camping trip to the Rhineland.
06:05To bang the tent pegs in with.
06:09I should have told you earlier.
06:11Just go, just go, just go.
06:13I told you when you bought them, they were very shoddily made.
06:16Leave now!
06:18They absolutely fell to bits.
06:20And, eventually, we had to invest in a mallet.
06:24Oh, just leave.
06:25Oh, just leave.
06:26Oh!
06:30Say the name word again.
06:33Lulu?
06:33Oh, like sting.
06:36What is it you do?
06:38I'm a singer.
06:39Look, I'm her number one client.
06:42She tells everyone that.
06:44Don't tell her I said that though, will ya?
06:47Trade secret.
06:49I'm thinking of getting someone else to do my PR.
06:51But don't tell her that, will you?
06:52Trade secret.
06:53That's me, I hope.
06:55Because I am hopeless with faces, names and people.
07:00Funny how you've been called Lulu though.
07:02Because there was that one, weren't there?
07:05I'm just a jack-in-a-box.
07:07You'll never know.
07:09I'll jump up and die to the string.
07:12Well, that was not me.
07:14Here's one of yours then.
07:16No.
07:17Go on!
07:19Don't be shy.
07:20I bet you've got a lovely voice when you try.
07:24OK.
07:25Wait!
07:26Stop!
07:27Stop!
07:29That can't be you.
07:31She'd be really, really old now.
07:35That's me.
07:36But you look too young.
07:39Just kidding.
07:40You've got to say that.
07:41Go on, yeah.
07:42Yeah, don't panic.
07:44Hello, Lulu, darling.
07:45Hello.
07:46Has Bubbles filled you in on our big news?
07:48Look, I'm just here as a formality.
07:50I don't want to do anything.
07:51Let me tell you, darling.
07:52We've joined forces with PRM in New York.
07:54PRM?
07:55Is Whitney Houston wrong, darling?
07:56Wrong?
07:57Is she wrong?
07:59Whitney Houston.
08:00Go and see if she's wrong, darling.
08:01Whitney Houston and De Niro.
08:03What?
08:03CV's wrong?
08:05Whitney and De Niro.
08:06Just go and see.
08:07Wrong!
08:07Go on!
08:08Go on!
08:12You did say PRM.
08:15Yeah, PRM.
08:16Yeah.
08:16I've been rushed off my feet, you know.
08:18Bands, book launches, Ralph Lauren, Calvin Klein, Donna Karan, Hollywood Bowl, Wembley Arena.
08:23There's just been names, names, names.
08:25Neil Sedaka.
08:26Sir.
08:27No, no.
08:28Nothing, nothing.
08:29I'll have that champagne you offered.
08:32Glass of champagne.
08:33A bottle.
08:35A bottle of champagne for Luna.
08:40It'll be alright, sir.
08:43I'll give you a month.
08:47God, it's been push, push, push for that woman since the boat that I row.
08:51Damn, wrong.
08:53But that woman with PMT.
08:55PRM.
08:58Phone to say that she'd fixed a meeting for you with...
09:01Come on.
09:03Bear with me.
09:04Yeah.
09:06She had a really strange accent.
09:08I could barely understand her.
09:09Oh.
09:11And that other woman?
09:12Mm-hm.
09:12Very, very high voice.
09:15Hello, hello.
09:16How are you, sweetheart?
09:17I've just won the Grand National.
09:19Elizabeth Taylor.
09:23We'll have lunch next week.
09:25Lunch, lunch.
09:25My God, I'll have to change.
09:26No.
09:27Something, something, something.
09:28Blah, blah, blah, blah, blah, blah, blah.
09:31What, what, what?
09:32A fax.
09:34A fax.
09:36A fax.
09:38Oh, my God.
09:40Strategy meeting with clients and accountants, urgent press release and individual campaign advertising budget outlines needed.
09:45Crappy.
09:46Yeah.
09:47It's the big time for us.
09:49Great.
09:50I'm gonna have to sack you, okay?
09:52Right.
09:53I shall endeavor to transcribe it onto my pad, photocopy it, and file it for a future reference.
10:03Hello, hello.
10:05Hello.
10:07Hello.
10:08Hello, hello, hello.
10:08Oh, you're fine.
10:12Yeah, fine, thanks.
10:13Yeah, done.
10:14You have a nice time at your bloody university, are you, sweetie?
10:16Are you having a nice time at your university?
10:18Shout!
10:19Shout!
10:20I'm just doing what I really like now.
10:36I'm just doing what I really like now.
10:51BLIND SCREAMING
11:01Hello, Eddie.
11:02I've got Magda, Fleur and Catraena back here.
11:04We're just having a little drink.
11:05All right?
11:06How are you doing?
11:06Look, I can't stay much longer.
11:08I've got, um, well, bugger all to do till next week, actually.
11:11Take a holiday, darling.
11:12It's not the front.
11:13No, I don't do holidays.
11:14Everybody's a nobody in a bikini.
11:16I bumped into Anna Wintner once when I was wearing a G-string
11:18and I felt my power base slipping.
11:20What do you mean?
11:21How can you take a holiday?
11:22We've got a guest senator or something.
11:24It's not at the club.
11:24Yeah, the magazine's folded.
11:26We've just had our final meeting.
11:27We've cleared out.
11:30What?
11:31Oh, yes, you missed that bit.
11:33You were in the loo.
11:34Closed?
11:35Yes.
11:38Yes, that's what we all thought.
11:40Well, what are you going to do, darling, huh?
11:41Oh, usual routine.
11:42Hang around for a couple of weeks until someone opens another one.
11:44Oh, right.
11:45You know, see who's looking a bit fragile in the competition and move in.
11:48I can tell you some of them will be shaking on their mastheads
11:50knowing I'm on the loo.
11:53Yeah, of course it will, darling.
11:54I was going to say...
11:55What?
11:56What?
11:59Sorry, I thought I knew what you were going to say then, but I don't.
12:04I was going to say, it's a pity, really.
12:06We had a meeting with Paloma Perfumes with a view to...
12:09Getting some free perfume?
12:10Yes.
12:11It's a shame.
12:11It took months to set up.
12:13Well, see, can I use your phone?
12:14I'm expecting a call from New York and I don't want to clog up my mobile.
12:16Yeah.
12:17New York?
12:18So what are you going to do?
12:20Well, I've got a friend with a lovely job, so maybe...
12:24Don't be stupid.
12:26I'm only my arse, though.
12:27I don't come as a package.
12:30Well, look, I've sacked Bubble.
12:31Why don't you have her job?
12:33There you are.
12:33Yeah.
12:34No, no, no, mate.
12:34I don't even get out of bed and piss for that kind of money.
12:39And as for me, well...
12:41Self-confidence and fun are my words du jour.
12:45Of course, I shall have to fall back on my Vevalon connections.
12:48I mean, after all, I've got an awful lot of...
12:49Make-up?
12:50Yeah.
12:52What do you mean, bad circulation?
12:53It needs triple bypass surgery and I'm holding the scalpel.
12:56All right.
12:57Right, I'm off.
12:58They just made me edit over of HQ magazine in New York.
13:00Oh, congratulations.
13:02Yeah, don't push it.
13:04I've got a non-smoking brunch with Marlboro Lights
13:06and a designer douche launch to get to by 10 o'clock tomorrow morning.
13:09And all this with my tar, nice of work.
13:11If you're ashamed, it's closed, but it was a crap mag anyway.
13:13Lunch floating about here.
13:14Thanks for the drink.
13:15Pats eat a word.
13:18Oh.
13:20Oh.
13:22HQ magazine.
13:23Tina's moved on again.
13:26Well, I must be off.
13:27Well, if you want that job, I mean just going to the office
13:29because I've sacked Bubbles so she can just show you the ropes.
13:31All right.
13:36All right.
13:37Vevalon, here I come.
13:40Excuse me, madam.
13:41Would you like to try Vevalon's new refreshments, babe?
13:43Psst.
13:50Pat.
13:51Pat.
13:53Pat.
13:54Well, you don't know how to do that in here anymore, you know?
13:57Yeah, it's great, isn't it?
13:58Yeah.
13:58No bitch daughter.
14:02I'm not going to smoke this anyway, now.
14:04Ew.
14:05You know?
14:09What did Magda want?
14:11Oh, she wants to take me to HQ with her.
14:13Well, you know, familiar face and all that.
14:18All right.
14:19Yeah.
14:20I mean, you could be looking at the new Grace Collington here, you know?
14:23Yeah.
14:23Flash ed supreme.
14:25Yeah.
14:25I mean, it would be major league.
14:27It would mean major...
14:28Discounts, wouldn't it?
14:29Yeah.
14:30Yeah, it'd be great, wouldn't it?
14:31Because I'd see you, like, in New York, you know, with PRM and there'd be...
14:34You, the new Julie Coppington, me, just the fantastic...
14:37Yeah.
14:38I'll drink to that.
14:40Cheers, guys.
14:40Cheers.
14:41Cheers to our fantastic, beautiful lives.
14:43Yeah.
14:43Cheers.
14:45What do you see when you look in the mirror, darling?
14:47Me looking fabulous.
14:48What do you see?
14:51Yeah, just the rum.
14:57I can't do it, Eddie!
14:59Oh, well, what?
15:01What?
15:01Well, huh?
15:02No, I mean, why can't everything just stay still?
15:05I mean, like, what's suddenly happened?
15:07What?
15:07I mean, it's just like everything I ever wanted, but...
15:10But all I want to do is to throw up.
15:11No, you don't want to throw up.
15:12You don't have any head run.
15:13Darling, come back here.
15:14Come back here, darling.
15:14You don't want to do that.
15:15You don't want to be doing that.
15:16You just want a little drink, darling.
15:18You need a little drink.
15:21That's it.
15:22There, there, there.
15:23I mean, you just stand up.
15:25And you put your neck on the line, and they chop it off.
15:27You just put your head up over the parapet, and they just kick away the stool.
15:31Well, they won't, darling.
15:32Yeah, they will, they will.
15:33They've done it before.
15:34Well, you're not still thinking about that, are you, darling?
15:37Well, it frightens me, Eddie.
15:38Well, still?
15:39Yeah.
15:41I think it is my only memory.
15:47You are strong!
15:48And he says...
15:50And he says...
15:50I see you...
15:52I see you...
15:55You sit and watch the...
15:59That's...
16:01That's...
16:01That's...
16:02That's...
16:02That's...
16:03That's...
16:15That's...
16:23That's...
16:32That's...
16:34That's...
16:39That's...
16:39That's...
16:39That's...
16:40That's...
16:40That's...
16:42That's...
16:51That's...
16:52That's...
17:01I don't think it even ever went out.
17:03I don't think it even ever saw it.
17:04Anyway...
17:04Bastards!
17:06Bastard!
17:07You don't know what that did to me, Eddie.
17:08Didn't seem to affect you at all.
17:10It wasn't my song, was it?
17:13Yeah, you played on it.
17:14It was just a bit of fun.
17:16I mean, darling, you don't have to do anything.
17:19You don't have to do anything.
17:20You just stay here.
17:20You don't have to do anything, you know?
17:22No, darling, you're just nothing.
17:23You're not just nothing.
17:25No, I know you're not just nothing.
17:26I mean, I'm not just born and died.
17:27I'm not just nothing, but I'm...
17:29I'm not out there.
17:31Where, where?
17:32You know, I just want people to be scared of me.
17:34I want them to think, you know, Patsy, you know, great.
17:37And I can't be, because I'm too, I'm too...
17:41No, darling, you're not that old.
17:43No, I'm not too old.
17:46I know I'm not too old, it's just that I'm too scared.
17:49Why?
17:50Well, it's just old age.
17:53I mean, you know, the older you get, the more frightening life is.
17:57It should be the other way around, but it ain't, you know?
18:00Bloody old people.
18:01I don't want to be them.
18:02Oh, darling, do you remember, do you remember when you could just, like, get up in the morning
18:07and feel fabulous, you know?
18:08Yeah, without pills.
18:10Yeah, you know, like, every day it was just like, you know, you're just like Henry Winkler
18:14walking into happy days.
18:16Hello, hello.
18:17You know, I know what I'm doing.
18:19This is mine.
18:20People love me, you know?
18:20Yeah, they know who I am.
18:22Yeah, applause.
18:25Like some bloody old person who can't even bloody cross the road
18:28and they're just pingling, crossing the shadow, walk, walk!
18:36Pat, Pat, Pat.
18:38Yeah.
18:38You know, like, um, like when you're in a room or something
18:42and you think someone's, like, staring at you.
18:44Oh, in a room?
18:45Well, like, on a plane or anywhere, anywhere.
18:47And, like, you're sort of doing things because you think someone's looking at you
18:51like people are looking at you, you know?
18:52On a plane?
18:53Well, anywhere, anywhere.
18:54And then you look at them and they're just sort of asleep.
18:58But their head is flopped in your direction, you know?
19:02Well, I don't want that to happen.
19:04I don't want that to be my life, you know?
19:05Whole world asleep.
19:08What?
19:10Eddie, Eddie.
19:11Yeah?
19:11Eddie, this is very important.
19:13Yeah?
19:14Don't ever make me a cup of tea.
19:18No, I won't.
19:18No, no, Eddie, Eddie.
19:20I mean, don't ever make me a cup of tea.
19:22No, I won't, darling.
19:24I won't.
19:25What?
19:29What?
19:30What?
19:31What?
19:31No, what?
19:32What?
19:32No, I've forgotten the word now.
19:33No, what?
19:34What is that?
19:34What?
19:35On your grave marker.
19:36The words on your grave.
19:37What is that?
19:38On your epitomb.
19:40Your epitomb.
19:41Yeah.
19:42What is that, what you want on your epitomb?
19:45I want...
19:46She wants fantastic.
19:49Patsy was here.
19:54And are you going to stuff Patsy's stone?
19:59Eddie, oh, Eddie, Eddie.
20:01Eddie, wait for this.
20:02Yeah, yeah.
20:03Eddie, still no thinner.
20:10Yeah, that's great.
20:11You know, these are really funny.
20:12We could sell these.
20:14Sell them.
20:15I'm telling, darling, for the bitch daughter.
20:19You could put the mitche.
20:22No, no, don't say the mitch.
20:23Don't say the mitch.
20:24Don't say the mitch.
20:25Don't say the mitch.
20:26Don't say the mitch.
20:30Hoping all right.
20:32I need a waz.
20:34Lock it, lock it, lock it, darling.
20:36Go upstairs.
20:36Use the upstairs waz.
20:43So, you're home then, aren't you?
20:44What a pleasure, hmm?
20:45I'm not going to argue with you when you're stoned.
20:47Who's staying?
20:47Just tonight.
20:48We can talk tomorrow.
20:49Better change the sheets than that.
20:50Don't bother.
20:51I've done it.
20:52One of the sheets was crawling out on its own accord in search of an ovo.
20:58Darling, why didn't you come home, sweetie?
21:01Huh?
21:01Huh?
21:01Mum, what's the problem?
21:03I have my life and you have yours.
21:05This is what you wanted.
21:07I feel orphaned, you know?
21:10What's the matter?
21:11Has the deal fallen through?
21:12No, not the deal, not the deal, not that.
21:15It's just...
21:17What?
21:17Well, darling, you've just sort of abandoned me in this sort of wilderness of potential greatness
21:23and fabulousness, haven't you?
21:25You know, all my walls have gone flop, flop, flop, flop.
21:29And I'm just like this kind of prisoner that's released or a released prisoner, darling,
21:34walking out into the squinting sun and the hissing of summer lawns.
21:43I mean, you've cast me a trip with no oars, sweetie.
21:46You've got oars.
21:47I haven't.
21:47You have.
21:48You're just too lazy and fat to use them.
21:50You're a filth.
21:52I, darling, am a fighter.
21:55Yeah.
21:55You are hyperactive and disorganised, that's all.
21:58You waste time at the speed of sound and get what you want by shouting loud enough.
22:01Bitch, trog!
22:04Yeah, well, you know, I mean, I don't want all these things.
22:09You think I want the success and the deal and the...
22:12I don't want this.
22:12I don't want...
22:12I don't want this house.
22:14You do?
22:15I'm coming home at weekends.
22:18Yes.
22:19Yeah, well, that'd be all right for you, isn't it?
22:21What, coming home weekends?
22:22What, a dinner hotel?
22:25Huh?
22:26Oh, yeah, yeah, that'd be very convenient for you, wouldn't it?
22:28Yes.
22:29Oh, your mother's doing all right, everything's labelled.
22:30Her career's going fabulously, coming home at weekends.
22:33Well, it's not that simple, darling, you know, just weekends.
22:36It's a bit more difficult than just come home weekends.
22:38Huh?
22:39Well, I mean, you know, I need to find myself.
22:43Because, sweetie, I have been a paradise, but I have never been to me.
22:51I need to kind of, you know, see who's in there.
22:54Who me be.
22:57God's sake, Mum.
22:58Every year, for as long as I can remember, you've gone in search of yourself.
23:01You've done everything from wobble naked round standing stoves near Bristol
23:04to circus skills in a tent in Clapham Common.
23:08It's all part of a journey.
23:10You pulled tickets and got hit in the face with a plank twice a day.
23:13Well, my knees froze.
23:15I couldn't duck, you know.
23:17There isn't a course that can help you find yourself.
23:19There isn't a course in redemption.
23:21You'd be better off giving all your money to charity.
23:23Oh, well, I already pay for old people to eat cake.
23:28Just start living your life and stop trying to find yourself fascinating.
23:31I am fascinating.
23:33You cannot become a better person through massage.
23:36You piece of filth!
23:39I mean, oh, well, I see you feel like that.
23:42Do you feel like that, huh?
23:44You feel like that?
23:44Well, maybe I should just...
23:46Yeah.
23:48Yeah.
23:49Maybe I should just go and, you know, like, live with people who understand me.
23:54What?
23:54And sell the house?
23:57Yeah, I might.
23:58Yeah, I will.
23:59Yeah.
24:00Well, good luck, then.
24:01I hope you do go away and find yourself and then do us all a favour and get lost!
24:09Sweetheart.
24:09Oh, leave already.
24:10You didn't really mean it.
24:11No, I did, I did.
24:12No, you didn't.
24:13This is great.
24:14This is just like the old days.
24:15Me and your lovely bolly, me and your lovely ciggies, me and your lovely home, me and
24:20your lovely life.
24:23Yeah, it's just like the old days, isn't it?
24:24Yeah, it's great.
24:26Yeah, well, maybe I just don't want that anymore, you know.
24:29Huh?
24:30I mean, maybe I think that maybe that me meant to be somebody somewhere, you know?
24:37Yeah.
24:38I should go away, yeah.
24:40Away?
24:41Mm-hmm.
24:41Yeah, I'm fine with it, darling.
24:43Well, for how long?
24:43Well, forever.
24:47You'll be all right when you pass, huh?
24:52You'll be all right.
24:53You'll be all right.
24:53You'll be all right.
24:54You'll be all right.
24:55You'll be all right.
24:55You'll be all right.
24:56You'll be all right.
24:57You'll be all right.
25:10Yeah, I'll be all right.
25:14I'll go to New York.
25:15Yeah.
25:17I don't need you, Eddie.
25:19You've always been just...
25:21You know?
25:22I'm going to be a bloody great success.
25:26You all right?
25:27Yeah, all right.
25:30Well, I'll see you then, huh?
25:32Don't count on it, babe.
25:51Oh, God.
25:54Wheels on fire
25:56Rolling down the road
26:02There's no way by my next login
26:06This will shine and fly
26:09They'll have mining again
26:20Tsk, tsk, tsk, tsk, tsk, tsk.