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00:01Sweetie. Oh, darling. Oh, God, sweetie, what a day. What a day I've had, sweetie. Darling, darling, come on, sweetie.
00:13I have been at work since I left here this morning.
00:16Want some lunch?
00:17No, I don't want to sit down at the studio. Studio, sweetie, studio. Studio, darling.
00:26Action, lights, camera.
00:28What have you been doing?
00:29The Popspecs ad.
00:30What?
00:31Well, you know I represent Popspecs, darling. We're doing a new ad. We're up-marketing the image.
00:35What are Popspecs?
00:36What are Popspecs?
00:39Are you dead? I'm dead. These are them. These are them. I'm not dying. These are Popspecs.
00:44Look.
00:47See that one? See that one?
00:52Schizophrenia.
00:54They're fantastic.
00:55How can you up-market, though?
00:57The Popspecs agreed to put them in a fashion shoot for a magazine. And there's a new ad, darling. A
01:01new ad, sweetie. Which is mainly my idea. My original idea. It's very clever.
01:04God, they'd better bloody work. Otherwise, you know, my company's going to be left with one minor department store, two
01:10student designers, smudgy bars and Lulu paying for your upkeep, darling.
01:14And Lulu's like that, sweetie.
01:17You could show a little enthusiasm, you know.
01:20Mum, why should I be happy that you're going to spend thousands of pounds?
01:22Hundreds of thousands of pounds.
01:25Persuading people to buy some cheap bit of plastic junk that they don't even want.
01:28Don't know they want yet, sweetie.
01:30Something they want to say.
01:31That will then be thrown away in a matter of months once the novelty wears off and will sit around
01:35polluting the planet.
01:38That's it, is it? That's it, is it? Can I show you something, sweetie? Can I show you something on
01:42this? Look at that. What do you think that is there? What's that?
01:45It's a sticker with a green tree on it.
01:47Yes.
01:48What does that mean?
01:50Kind to trees, sweetie.
01:56How are they kind to trees?
01:58Well, they ain't made of wood. How kind do you opt?
02:02What a day. What a long, tedious day.
02:06It's two o'clock.
02:07I've been at work all day as well, Pat.
02:09You're a fool.
02:10Still, hey-ho.
02:11Now, have you sorted Marrakesh? Have you telephoned Humphrey?
02:13Yeah, yeah. We can stay in his villa.
02:15Fantastic.
02:16Marrakesh.
02:17Why are you going to Marrakesh?
02:19Well, for the fashion shoot, sweetie.
02:20Why do you have to go there?
02:21Oh, God, who are you? Magnus Macasson all of a sudden.
02:25Hands on buzzers. I don't know. Pass. Just because.
02:28All right.
02:28No, Eddie, Eddie. Not just because.
02:30This is my job. I mean, these things aren't just chosen at random.
02:33No, no. No, no.
02:34It's supposed to be really beautiful out there.
02:37Well, you know, darling.
02:38It's when all those Christmases out there.
02:39Don't you remember? When you were a child?
02:40You never took me. You always left me here with Grant.
02:42Well, you got the postcards, didn't you?
02:45I'm studying the indigenous people of that particular region of Northern Africa
02:48for my anthropology module at college this term.
02:57Do you want some folly, darling?
02:58Here, just a sec.
03:00It would be really great to be able to go there and study.
03:05Study?
03:06You don't go to Marrakesh to study, darling.
03:08No, you don't.
03:09I mean, there's a lot of reasons to go to Marrakesh.
03:11Yeah.
03:11Studying is not one of them, sweetie.
03:13I mean, you've got to Marrakesh, you go for, I don't know, drugs,
03:15dirt cheap plates and rugs.
03:16Yeah, easy-going sex with gorgeous underage dudes.
03:21Sex changes, wasn't it?
03:24Well, not now, anyway.
03:25Not now, anyway.
03:26So, darling, you don't go there to study some ingenuous peasants from an anthology molecule.
03:30That's not the reason.
03:31It would really help me with my course.
03:33No, no, no.
03:35What?
03:36Well, Mum, could I...
03:37No, Eddie.
03:38What?
03:39No to whatever she's going to say.
03:40Well, well, well, well...
03:40I'm talking to my mother!
03:42Just say no, Eddie.
03:43Well, what?
03:43Just tell her no, Eddie.
03:44Well, what? Steve, well, I don't understand.
03:46Let me go to Marrakesh.
03:47No!
03:47Well, why not? Let her go to Marrakesh.
03:49We're going to Marrakesh.
03:50This is not her.
03:53This little scum from her is trying to slime her way onto a trip, and we don't want her.
03:57Mum!
03:57Don't you bat mum her!
04:01You're not wanting her!
04:02We don't want her!
04:03Please, I want her!
04:07Ugh!
04:08Shh!
04:11Just do whatever you want.
04:13Eddie!
04:13Oh.
04:14Well, but as your mother, I cannot be held responsible for your well-being, all right?
04:21Come with us, you're on your own.
04:25Ow!
04:28She burnt me with her cigarette!
04:30It was an accident.
04:33No, no.
04:34No, no, no, no, no.
04:36No, no, no, no, no, no, no, no, no, no, there's no limits!
04:39No, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no,
04:40no, no, no, no, no, no, no.
04:40Listen, darling, please.
04:42I need to sort out the Popsvex business before I go.
04:44Well, we're going to be late. Have you switched everything off upstairs?
04:46Yes, yes, yes.
04:47Quick, let's go before she gets back.
04:49No, stay with us.
04:50Now, listen, darling.
04:51You've got to get the information and the figures and things by next week, all right?
04:54Yeah?
04:55Yeah, it's right here.
04:58Where are you?
04:59Get the shower and some bubbling mush on.
05:01That's bikini wax, darling.
05:02It was for you, unless you're happy with those sideburns when you're in a fire.
05:06Come on, listen.
05:07She's not travelling club, is she?
05:08No, darling, I've got to into economy, practically cargo.
05:11Now, you have got the information, haven't you?
05:13Most of it?
05:14Yeah.
05:15Oh, yeah.
05:16Until the special thing broke.
05:18Come on!
05:19Come on, hang on.
05:20What thing?
05:21The thing that's attached to the typewriter.
05:23Little animal with a ball.
05:27What animal?
05:28Little animal.
05:30Small.
05:31Creeps about.
05:33Not a rat.
05:35A gerbil.
05:36A squirrel head panel.
05:37Don't panic, we'll never get anywhere.
05:38What, what?
05:40A mouse?
05:40Yeah.
05:42The mouse that's got a telly with VD.
05:44Hi, the VDU.
05:46The VDU.
05:47The word processor.
05:48Yeah.
05:49That fell off the table when I took the mouse home.
05:53Eddie, get rid of it for I'm running to a very tight schedule.
05:55I've got customs car in a meeting in the class cocktail in 140 minutes.
05:57Hang on, hang on, I'm coming.
05:58This is important.
05:59You broke the computer.
06:01Yeah.
06:02When?
06:03What can I say?
06:05Now listen, you bloody brainless bimbo.
06:08I need this client.
06:09And I don't need some bollicky vegetable Yankee bloody doodle to mess it up for me.
06:14All right.
06:14She's talking to you.
06:16Just go.
06:17Just go.
06:19I've got everything.
06:21Yes, yes.
06:22I've got everything.
06:27Tickets, money, passport.
06:30Tickets, money, passport.
06:35Where's the photograph?
06:36Where's the pop sex bag?
06:38Where's the luggage?
06:40I'm sorry.
06:41The equipment must have gone too dangerous.
06:43The rest, I don't know.
06:48Pop specs!
07:02Mom, that's my bag.
07:04That's my mother!
07:05I've claimed!
07:07Help, Mommy, darling!
07:10It's all right.
07:11It's all right, Dad.
07:11Just...
07:13I'll just...
07:16I'll just go.
07:22Oh, leave them. They can sort it out.
07:24Don't do that look off your face.
07:26They've got a lot of stuff in here you can borrow.
07:28I'd rather wear a yashmack.
07:29That can be arranged.
07:30Just get in the cab and just go, sweetie.
07:33Now, prepare yourself for the heat you're not used to.
07:43Wake up, Mum. We're here.
07:45Whoa.
07:51Shut up. Come on.
08:01Shaw.
08:02Where's your Humphrey?
08:03Humphrey, it's here.
08:05Humphrey, it's here.
08:08Thank you, darling.
08:15Do you want some of this, darling?
08:16Do you want some of this, sweetie?
08:16Oh, thank you.
08:17Go on, go on. It's legal here, so you can't disapprove.
08:20Come on, come on.
08:23In fact, it's compulsory, darling.
08:26They'll bust you for not having one of these dangling alley-outs around here.
08:29I mean, look, we've only been here an hour and already Pats has got some stuff.
08:32No, actually, I brought these with me, Eddie.
08:40Oh, this is the life, eh, Eddie?
08:46Yeah, this is the life.
08:48God, it's all coming back to me now, you know.
08:50The noise, the smell.
08:52Yeah, it's like everything's on heat.
08:54Yeah.
08:56Remember that sofa and those tiles.
08:58Those tiles.
08:58Oh, gorgeous.
08:59Do you know something?
09:01You can't get those tiles in Fire Death for love and money anymore.
09:04I mean, even in Holland Park, darling.
09:06I mean, it's ridiculous.
09:07It's ridiculous.
09:09And over here, they're just hanging around on people's walls.
09:11Yeah, even on peasants' walls.
09:13Yeah, yeah.
09:14Sweetie, we dragged these people screaming into the 20th century.
09:18We gave them all the mod cons, darling.
09:21We gave them the non-squat toilet.
09:24Toilet tissue, darling.
09:26I mean, how do you think they used to wipe their bottoms before we came along?
09:29Mm-hmm, mm-hmm.
09:30Old bits of hoof off.
09:34Now, they can't even be bothered, sweetie, to send us a few cracked old craft tiles.
09:39Well, I'm fed up a bit, really.
09:40I'm fed up a bit.
09:42Are you going to change?
09:43Are you going to change?
09:44I haven't got anything.
09:45I thought Patsy offered you the chute clothes, didn't she?
09:49Well, as long as she shaves her scabby armpits and sweat over everything.
09:55Oh, wash these.
09:56Oh, wash these.
09:57Get a travel wash with you, honey, a travel wash.
10:00Well, if you could try and look a little less like a Christian missionary, I'm sure we'd all be a
10:05lot sick.
10:07They're all muslin round here, you know, darling.
10:18Look at those stars.
10:20I mean, they're like talcum powder, isn't it, or something?
10:24It's like it just goes on forever, or something, out there.
10:28Oh, shooting star.
10:31Where?
10:32No, no, no, it's gone.
10:37Say it quicker.
10:37The next time you see it, it's a safe place.
10:43Mom!
10:43Mom, help me!
10:47Mom!
10:48Help me!
10:50Mom!
10:51What's happening?
10:52You're going to be popped by some laundry.
10:55It's suffering, darling.
10:57Oh, good Lord, I didn't see you that.
10:59Oh, I'm so sorry.
11:01That's all right, it's so sappy.
11:02Oh, Patsy, sorry, I've just had a couple of drinks, and from behind...
11:06It's the only way she'll ever stand a chance.
11:10I'm very embarrassed, my dear, I think.
11:12It's okay, really.
11:13I hope you didn't think I was some sort of dirty old man.
11:16I don't know at all.
11:17Oh, good, because that could never do.
11:20Hmm, I say, you're like your mother.
11:23Hmm.
11:23Hmm, Bordeaux.
11:25Uh, ha, tabaqui, uh, mah-na-ha-ha.
11:29Thank you, Ian Top.
11:30Now, would you like to try a little local speciality?
11:35Oh, yes, I'd love to.
11:36Well, you take a pot of scented honey, mixed with goat cheese yoghurt, sprinkled with almonds from the Atlas Mountains,
11:42spread it all over your naked, nubile young body, and allow a man old enough to be your father to
11:49lick it off.
11:53It's like her mother, tease, tease, tease.
12:01Are you feeling all right, darling?
12:03Are you all right?
12:04Can you eat up your cake?
12:05Eat up your little cake.
12:06Go on, baby.
12:11You know, I'm sorry you got off to such a bad start with Humphrey, darling, but he's really very nice,
12:15you know.
12:15He's a really good chap.
12:16That, you know, cigar, old man.
12:18Oh, thanks, old boy.
12:19God, you know, it's really, when we first came in, it was so beautiful.
12:23It was just like a little, a little tiny little oasis, darling, here.
12:27Yeah, with, like, a town.
12:29Hmm, quite a couple of quite decent five-star international hotels.
12:33Yeah, yeah, yeah, yeah.
12:33A bit jacuzzi.
12:34And an airport.
12:35Yeah, all right, all right, all right.
12:36I'm just trying to be poetic.
12:39I'm studying the indigenous population of the area, the tribes.
12:43I don't know how many of them left.
12:44The Guinnesses, the Teessons, all gone.
12:48The Divots and Princess Margaret are just a distant memory.
12:51I know the Berbers.
12:52Berbers, I don't remember them.
12:54Perhaps they're an American couple.
12:55I think I met them at a cocktail.
12:56You see, the reason people came here no longer exist, you know.
13:00I mean, you can get everything you've got here anywhere else.
13:02Much cheaper.
13:03Yeah.
13:04Safer, I've got.
13:06What?
13:07Huh?
13:26Come on, darling, sing.
13:28Yes, come on, Pat, I'll tell you.
13:33Come on, let's do that Sonny and Shannon.
13:38They say, uh...
13:40Hang on, I'll just get this call right.
13:42They say, uh...
13:44Oh, no.
13:44You're like a brandy, Pat, little chap.
13:46Shall we leave the girls, can we?
13:47Well, let's do that all, then.
13:51Mum?
13:53What was Patsy?
13:54Oh, don't worry, darling.
13:56It was only for a year and then it fell off.
14:01Mum, I think I'm going to be sick.
14:03Help me.
14:13Oh, how are you feeling?
14:14All right.
14:15I'm feeling good.
14:16Oh.
14:17She had sappy this morning.
14:18Little toad.
14:19Glad that you need to worry, darling.
14:21I don't think she'll remember anything about last night.
14:24Oh, here she comes.
14:25Here she comes.
14:26Ah.
14:29Oh, sweetie.
14:32Darling, did you find the swimsuits?
14:34Haven't you got any low-cut ones?
14:36How many knee-length swimsuits, darling?
14:39Have you got cream on one?
14:41Olive oil.
14:44I think I might have a swim first.
14:46Oh, I see.
14:47Come on, take this off.
14:48Take this off.
14:51Who's looking at you, doll?
15:08Quite a big tit.
15:12What happened?
15:13Well, you should have a wax, darling.
15:15That dilapidatory cream's no good at all.
15:18I thought we were going to have a look around.
15:20You can't just sit by the pool all day.
15:21We could be anywhere.
15:22I'm not moving.
15:23I just need to be charged by a little bit of luxury
15:26after our journey.
15:27You deserve it.
15:29And what about all the shopping you wanted to get in?
15:31Shopping?
15:33No, it's short.
15:33Don't take this.
15:34I should go shopping.
15:35Oh, I think so.
15:37Before we know it, I mean,
15:37I've found the bloody equipment.
15:39I'm going to do some work or something.
15:41I wish you'd cover yourself up, Mum.
15:43Darling, these people don't mind.
15:44Now, I've got to get some jewellery, boxes,
15:49bowls, plates, rugs, jillabas.
15:51What about you, Kat?
15:52I'm just going to get some little gorgeous things.
15:55We should have got a guide.
15:56Oh, stop it.
15:56I know this place, darling.
15:57I know these people.
15:58I can't, I can't, I can't, I can't.
15:59It's so good.
16:00Don't start buying anything yet.
16:02I'm not going to have a proper soup.
16:03Yeah.
16:05What are they all looking at?
16:06What are they all looking at?
16:07I'm looking at you.
16:08Well, I know they're looking at me, darling.
16:09I don't think I would care about that.
16:11You're never going to see any of these people
16:12ever again in your whole life.
16:16You're asking for trouble.
16:18Hello, hello, hello.
16:18Stare.
16:19Stare.
16:22No, you see, that's quite nice, isn't it?
16:23That, but I mean, that's to a penny
16:25in liberty-based.
16:26That's one of those sort of, you know,
16:29cat-hanging things that the women wear.
16:30That's a pile of crap, darling.
16:35You like this down here.
16:37It's so touristy now, isn't it?
16:38I know, it's changed rather a lot.
16:40It's ridiculous, darling.
16:41You used to be so chic down here.
16:44Mum, mum, mum, mum, pinch me!
16:46Don't worry, he's obviously very old
16:48and completely blind.
16:49Pinch me, how much?
16:51Well, you didn't pinch me.
16:52You know what's pinch me?
16:54I don't want the bracelets, darling.
16:56You can get those to a penny in liberty.
16:57No, no, no, no, no, no, no, no,
16:59I don't think someone's put an insect,
17:01that's what I want!
17:04Starving now.
17:05Do you know what starving means?
17:07I'm hungry!
17:08I'm starving, all right, I'm starving!
17:10Stop moaning!
17:11I'll go to the hotel and get a drink, sweetie.
17:13I don't have any bars, I don't think.
17:15There's only bars and everything down.
17:16Shall we shop all the dried up things?
17:18I should be at home, then.
17:20I don't like something.
17:22Sue, should we go to the hotel
17:23and get a nice drink?
17:24Yeah, that'd be nice.
17:24A bit of gin.
17:27If you're starving, you'd eat this?
17:29Maybe if I took the face off, I'd eat it.
17:32I know where it is.
17:33I know where it is.
17:34Look, darling, we're going through
17:34a couple of little stalls here.
17:36Let's go through this thing here, darling.
17:39Just here, darling.
17:40You sure?
17:40Well, well, I don't know, do I?
17:43We just want to...
17:44Hold your nose, darling.
17:45Meet.
17:47Let's over there, darling.
17:48Can you see?
17:49And people keep taking things.
17:51Darling, we're going over here.
17:52Over there.
17:53I would, Eddie, if I could see where I was going
17:55and not having to forever be
17:57trailing behind this little insect.
18:06What is that?
18:06What is that?
18:08Sam?
18:09Sam?
18:14She'll be all right.
18:17James, the heat.
18:19I mean, that's the last time I ever
18:20stepped foot in a toilet bowl in Northern Africa.
18:23I mean, how dare they spit at me?
18:25The nation has a pillowcase
18:27without slitting it as a national costume.
18:29We're back here with clean things, clean air.
18:31Lovely peace and quiet, lovely gin and tea.
18:33Yeah, I like it.
18:36I know, but I just...
18:37I somehow, I just...
18:38I just don't think you should have
18:40sold Safi like that.
18:42I mean like that.
18:42It wasn't just like that.
18:43I had to haggle them up.
18:45I got a pretty shade rate.
18:46What did you get?
18:46Well, one sour-faced little ditch rat
18:49for 2,000 dirham.
18:51And darling, she said she wanted to see
18:52how the real people live.
18:54I think the white slave trade
18:56was quite what she had in mind.
18:59I mean, it's not as if she enjoyed
19:01a normal life anyway, is it really?
19:03I mean, it might bring something out in her.
19:04She might just live in painful servitude
19:06for the rest of her life.
19:08Well, I mean, nothing is certain.
19:10Not for anyone.
19:12Cheers, Eddie.
19:12Cheers.
19:22Mademoiselle?
19:23Mademoiselle?
19:25I'll overlook it this time.
19:30That's the stone.
19:33Yep.
19:35Oh, no.
19:36Are you sure?
19:37Oh, God.
19:39Damn.
19:39Damn.
19:40Damn.
19:41No bad news, darling.
19:43Well, here's the equipment's turned up.
19:45They're going to shoot this afternoon.
19:47I'm going to meet them by this wall.
19:49I don't have to come, do I?
19:51If you want your crapo specs
19:52to appear in high-class glossy print...
19:55Hmm?
19:58Have you eaten something?
20:00No, not since 1973.
20:04Oh, God.
20:06Oh, God.
20:07Oh, God.
20:07Oh, God.
20:08Oh, God.
20:09Oh, God.
20:17Oh, God.
20:17This is the wall for recognising from the photograph.
20:20I have to go to see some other people.
20:22Vogue are surely a father up in the mountains.
20:24Vogue?
20:25Yeah.
20:26And I have to arrange catering for a movie that is shooting here too.
20:30Oh, what movie?
20:31Life of Jesus Christ 2.
20:35Who is Jesus these days?
20:37Uh, Charles Dunn.
20:39Okay.
20:39I'll come back and check you're okay later.
20:41Um, no, no.
20:42Go away and don't bother to come back.
20:43Just go and don't come back.
20:45Are you sure?
20:47He's working for Vogue, Eddie.
20:49We don't want him hanging around.
20:52Oh, are you seeing the way of all these children are dressed up?
20:55Who is it?
20:55In the hottest countries of the world, they put them all in his own little woolly jumpers.
20:59I think Gap would have spotted the hole in the market, wouldn't he?
21:02I mean, the whole population here is crying out for good quality, reasonably priced kids' casuals.
21:07Oh, shut up, Eddie.
21:11I don't think they're coming, Platt.
21:13I need a loo.
21:17What are we going to do?
21:20Bastards.
21:22Eddie, I really need to go to the loo now.
21:25Let's just go and find a hotel or a cafe or something.
21:27And you can phone and I'll go to the loo.
21:31Must be a sort of centre of town.
21:33Something up here.
21:35Or some champagne, darling.
21:40I'm so inhibited now.
21:41I mean, why don't you just go up the side of the bloody road, darling?
21:45I mean, the gutter's all right for you in London, isn't it?
21:47I mean, you go in the gutter and rush out of traffic in front of a whole party of your
21:51friends.
21:52What are you not going to dig a hole and just go here now, hmm?
21:57It's not somewhere in the gutter.
22:02God, it's so small.
22:09I mean, this place is enough to make you want to call Sting.
22:15Well, look, we just take what we need and we can just dump the suitcase.
22:19Dump it, darling.
22:21For God's sake, we might be eating each other in the night.
22:23We're not going to worry about the luggage.
22:27No, I don't know.
22:28Well, which way do we go?
22:29Oh, I don't know.
22:30Let's just follow a donkey, darling.
22:32We must be going somewhere.
22:33Oh, there's a donkey.
22:34Excuse me.
22:36I'm a little ashamed.
22:37What is that smell?
22:39Oh, no, I think...
22:41I think it's fish.
22:55Ow!
22:56What's the matter now, darling?
22:58Well, it's my turn on the donkey now.
23:00We said by the time we got here, it'd be my turn.
23:01Oh, I'm not moving.
23:03What's the matter with you, Mary?
23:04Oh, well, I...
23:05Just don't question me.
23:07Oh, God.
23:07Look, hang on.
23:07I'm going to go in here.
23:09Oh, Ned.
23:12Christmas bell.
23:14Hello?
23:16Hello?
23:18Have you got a...
23:19Have you got a twilight, one of madame?
23:22Mademoiselle?
23:23Mademoiselle.
23:24Oh, my God.
23:27Look, I'm not just going to hold somewhere.
23:29Go on, Eddie, over there.
23:32Come on.
23:32Oh, I'm not trying it.
23:35He's in the talk.
23:36It's really nice.
23:38Hotel.
23:40Hotel.
23:40Hotel.
23:41Oh, he's got a house.
23:43It could be a mass murder for all of you.
23:45No.
23:47Here?
23:48Here?
23:49Are you kidding?
23:50Well, this must be it.
23:52Oh, God.
23:54Well, it looks fine, actually.
23:55Oh, no, stop moaning, Eddie.
23:57No, I can't stay here.
23:58Ed, it's lovely.
23:59Just...
24:00Just let me in here.
24:01No, no, no.
24:10Go now.
24:11Just don't do this, darling.
24:13I don't know.
24:13Conrad might want that, darling.
24:16Bloody donkey's gone.
24:18Shit.
24:20It's my turn on the bloody donkey.
24:22Oh, God.
24:35Mom.
24:40Mom!
24:45Damn!
24:53Oh, darling, where did you go?
24:56I found you, darling.
24:58Pants.
24:59Yeah, fantastic.
25:00Oh, darling, darling.
25:02Well, what bad luck.
25:05It was a joke.
25:06I didn't think anyone would be idiot enough to take you.
25:10It's been so hard, hasn't it?
25:12It wasn't a holiday, Eddie.
25:14Not a holiday.
25:15I've got any Popsbeck's photos, any merchandising, any other shopping.
25:19The only thing I was in danger of sleeping with was a donkey and even needed a runner.
25:24You must have a good time in your few final days.
25:27You must see the real Marrakech.
25:29Everything from sabre-wielding horsemen to the Elizabeth Taylor caftan museum.
25:35I've published myself a little brochure.
25:38Marrakech is an emotional graduate, all its own.
25:42Wickedly grinning old men, ready to haggle far off the hop.
25:46Then you'll be a runner, runner, runner.
25:49Oh, I find it.
25:50He got a gift of sophisticated piano.
25:53Sometimes it's a little bit of a little bit of a little bit of a lint pine.
25:57Scoundrels.
25:58Oh, you've got no end of treats in the store.
26:01You'll be treated like film stars.
26:03like Ava Gardner and companion enjoy enjoy I have to go and see a camel about
26:21up fantastic
26:24come on wake up
26:38oh god
26:44wake up
26:48Oh, I'm going to catch up with a bit of luxury, sweetie.
26:53I'm going to have some breakfast and then sit by the pool or something.
26:58We've got to go. It's Friday.
27:00Friday?
27:01You've been unconscious for three days.
27:08What's the smell?
27:10What's the smell?
27:11Is that you, sweetie?
27:12That sort of honey, yogurty smell?
27:14Is that you?
27:16What's the smell?