Skip to playerSkip to main content
OnebeeeTV
  • 4 days ago
Minder S01E09 Monday Night Fever

Category

😹
Fun
Transcript
00:03I'm a limiter team, fifteen miles from nowhere
00:10Sunshine will find my truck in the rain
00:17From the wheel to the big deal, baby I just don't care
00:24I'll never know what to do with my sock and my pain
00:31I was dirty last night, I was dirty last night
00:35I was dirty last night, I was dirty last night
00:39I was dirty last night, I had a car in the jail
00:47Sunshine will find my mind that needs a rain
00:54From the wind
00:57Baby I just don't care
01:01I don't know where to go with my sock and my pain
01:08I was dirty last night, I was dirty last night
01:15Can't you find nothing to do?
01:17Well that's all very quiet
01:19Well for lovely music
01:21Well keep your eye on that little team at the bar
01:24They look like trouble
01:27Anything you say team
01:28I don't care
01:29I don't care
01:30I don't care
01:31I'm dying!
01:32That's why I'm dying!
01:35I'm dying!
01:37Ah!
01:40Ah!
01:41Ah!
01:42Ah!
01:44Ah!
01:47Ah!
02:02Great gig, fellas. You are definitely on an invite back.
02:06Oh, great.
02:07Here you go.
02:12It's Farrick.
02:14Something the matter?
02:15He was told he was getting 70.
02:17Told.
02:18Who told you that?
02:20Oh, 70.
02:20You said 70, didn't you?
02:22Yeah.
02:23Well, that's what you said, Chris, when I fixed the gig.
02:2770?
02:28I said 70.
02:31Hey, John, I think they're superstars.
02:33Well, 20 quid, it's hardly worth a while.
02:35I mean, knock-off transport, but left with about 2 quid each.
02:38I don't know.
02:39I don't understand you kids.
02:41I mean, you spend most of your time on the social security or gigging in pubs.
02:45I give you an opportunity to build up a personal following.
02:49I mean, you do want an invite back, don't you?
02:52Yeah, naturally.
02:53Then take your 20.
02:55And show a bit of gratitude as well.
02:58John.
03:00John.
03:01Now, we don't want no aggravation, do we?
03:06It's been a genuine misunderstanding.
03:09Right, Barry?
03:10Yeah, right.
03:12I think you went down quite well.
03:15Really nice.
03:18Thanks.
03:19So, listen, drop back in a couple of days, we'll talk about return engagement.
03:25Okay.
03:26Yeah, thanks a lot, Chris.
03:28See you, fellas.
03:30Start clearing out now, John.
03:38Okay, that's it for the night, Ray.
03:39Don't forget, we'll be back to you tomorrow night.
03:41And no, I look well.
03:42It's a solid soul night.
03:43Until then, good night, and be careful.
03:48What do you think of a drink?
03:50What's the drink on?
03:51Oh, it doesn't matter, Alan.
03:53It doesn't matter.
03:53You're kidding.
03:54Full Bacardi and Coke.
03:56Excuse me.
03:57I had a full drink there.
03:58They've taken it away.
03:59We're closed.
04:00It's not an all-night bloody drinking club.
04:02Full drink?
04:02I haven't even touched it.
04:04Shut up and get out.
04:05Listen, I had a full drink on that table.
04:08Are you trying to make trouble?
04:11I'm going to complain about you.
04:12Take your hands off me.
04:14Take your hands off me.
04:17Leave him alone!
04:18Get up here!
04:20Oh, help me, please!
04:21Leave him alone!
04:23Oh, look what you've done to him, you dirty master!
04:25Shut up!
04:27Come on, get out.
04:28Oh, I'm going to get on you.
04:29I'm just going to say he's mine.
04:31I'm not reporting you to the police!
04:33Shut up, you little shaggy.
04:34Get out!
04:36Oi, come on.
04:37Out!
04:38Out!
04:46You was a great help.
04:48Yeah, well, they weren't exactly the wild bunch, were they?
04:51Now, who do I see about getting paid?
04:54Me.
04:56Well...
05:04No, there should be three of those.
05:06Ten of them.
05:08And another fiver for VAT.
05:10Now, look here, pal.
05:12Now, don't give me any look here, pal, business.
05:14A mate of mine phoned me up, asked me to stand in for him, right?
05:17He said three fivers.
05:18That's what I'm leaving here with.
05:29How terribly kind.
05:31The next time your mate can't make it, I'll find a debt.
05:37With the money you're paying, you'll probably get my medallion, won't you?
05:47Well, it's all these dopey jobs you'll get involved with.
05:50Well, Dennis wanted a night off.
05:52Yeah.
05:53Dennis will be having a lot of nights off.
05:55How do you mean?
05:56Did you see the papers?
05:58No.
05:59Four of them.
06:00Thought they had it away with a Belgian juggernaut.
06:03Six old bills sitting in the back.
06:06Oh, dear old Lord.
06:08Your name was up for that and all.
06:11Oh, that's nice, isn't it?
06:13I said, no, not my Terry.
06:14You don't want to know about pickaxe handles and shooters.
06:25Not that I've gone over to the other side, I said.
06:26It's just that, like, Sweden, during the war, we're declaring our neutrality.
06:35Oh, my good God, what's this?
06:38What have you done, Arthur?
06:40Stum, Terry.
06:42Very, very stum.
06:51Hello, Mr. Chisholm.
06:52I never knew this was your gaff, Arthur.
06:55I didn't say it was.
06:56What's the trouble?
06:57I mean, we've got no record of you as landlord, tenant or registered keyholder.
07:02What's the problem?
07:04You've had the burglars around.
07:06Don't suppose you caught them?
07:08A troll car spotted them.
07:10Oh.
07:11But we're not sure.
07:12Were they, uh, coming out or still trying to get in?
07:16It is your place, is it?
07:17Yeah, well, sort of.
07:19Well, let's take a look inside and we'll see if they've got away with anything.
07:22No, no, no, no.
07:22Not necessary at all.
07:24Well, what have you got in there?
07:26Odds and ends.
07:28Very nice of you fellas to, uh, take an interest.
07:33I'll let you know if there's anything missing.
07:36Yeah, all right, Arthur.
07:41You'll be well insured, I suppose.
07:44No worries.
07:45National fidelity.
07:47Nah.
07:48Terry.
07:51Well, just remember, Arthur, if you're going away for the weekend, don't forget to inform
07:57your local police station.
08:00There's certainty to get your gaff turned over then.
08:03See you, Mr Chisholm.
08:08All right, Arthur.
08:09No wonder Sir Keith Joseph keeps on about law and order.
08:12Everywhere you look, tea leaves.
08:23Shut the door.
08:24All right, all right.
08:31Oh, my God.
08:34You're at the long firm again, aren't you?
08:36What are you talking about?
08:37I paid for all this.
08:40It's bent gear, innit?
08:40You want to get me nicked again, don't you?
08:42Terry, this is all kosher.
08:44Then why didn't you want the law to have a look?
08:46Of course, it's none of their business.
08:48Do you think they have the law poking their nose in every five minutes down at Arendt's?
08:54Nice suit.
08:55Swedish.
08:56Hey, you like a nice Oscar Jacobson, don't you?
08:59Get your jacket off.
09:00Fly this one off.
09:01Just your colour.
09:03Grey Ellenbone.
09:05There we are.
09:06Listen, just because I'm trying it on, don't mean to say I've bought it.
09:09No bother.
09:12130 quid in the shops.
09:15Oh, yes.
09:16Oh, yes.
09:17You look the business in that, my son.
09:18No bother.
09:20Oh, yes.
09:20You can have that one.
09:2170.
09:22Do what?
09:23All right.
09:24Then give me 50.
09:25Listen, I wouldn't pay 50 for a suit that fitted.
09:29Now, come on, Arthur.
09:30This is all bent, isn't it?
09:32Terry, on my landlord's life, this is all straight.
09:35I have got bills of sale, receipts, invoices.
09:38Show me, then.
09:39No, the fellas bring it round.
09:41Insurance people.
09:42Container burst open.
09:43Happens all the time.
09:44All I'd done was buy a job lot.
09:46It's all export stuff.
09:47Export?
09:48You just said this was made in Sweden.
09:49Yeah, well, import as well.
09:50Now, look, how about this?
09:52500 copies of the digest edition of the collected works of Charles Breeden Dickens.
09:55Now, you're not going to tell me that's Swedish, are you?
09:57Now, what we've got to do is shift this lot and get some stronger locks for those doors.
10:02And...
10:03And what?
10:04Work out who it was who sussed the gear was here and tried to break in last night.
10:09I suppose it's never occurred to you that it might be a few pals of the geezer you bought it
10:13off of.
10:15You know what, young Terrence?
10:18It probably was.
10:38I'm knocking these out at three quid a bottle.
10:40Is that about right?
10:42Yeah, it's about right, isn't it?
10:43Going there tonight, buy three large ones, you bought yourself a bottle back.
10:46Ha, very clever.
10:48Bloody publicans.
10:49Three weeks and I'll be out of pocket.
10:54The shadow of your smile
10:59When you are gone
11:04Will color all my dreams
11:08And light the dawn
11:13Look into my eyes
11:17My love
11:19And see
11:23All the lovely things
11:26You are
11:27She's in the nostalgia seat.
11:31Oh, yeah.
11:32A wistful little star
11:35Was far
11:37Too high
11:41A teardropped kissed your lips
11:44Dear old Lord
11:44Good way to go to your pub, isn't it?
11:47Oh, then that's what I really call a song.
11:50Hey?
11:52Oh, what a knockout.
11:55Hey?
11:56All the joys of love they bring
12:01I will be real
12:03It's hardly a capital chart climber, is it?
12:06Well, don't tell me you know about music, for God's sake.
12:08That, that was, um, 1965, if my memory serves me right.
12:13Liz Taylor and the Welshman, what's his name in the film?
12:1765?
12:18Yeah.
12:19Yeah, Cassius Clay changed his name
12:20After dumping Liston after one minute in the first.
12:23You can't fault me on history, my son.
12:26When did Harold get in the eye?
12:29Oh, I don't know, I didn't see that fight.
12:31The shadow of your smile
12:39Smile
12:48Beautiful.
12:50Knockout.
12:51Oh, the tower.
12:53Well, I'll tell you what, darling
12:57Basically, it's a rock and roll pub, you know what I mean?
13:00So, um...
13:00So you don't want to know?
13:02No, I don't.
13:09You're all the bloody same, you lot.
13:12Hey, hey, hey, hey, hey, hey, hey, hey, hey, hey, da, da, da, da, leave it to me.
13:20Just a minute, little lady.
13:22Don't you let that lot in there upset you.
13:25They don't appreciate anything good, them sort of people.
13:28Course they don't.
13:29Only a boozer, Friday night full of yobbos.
13:32See, my dear, your style is more your talk of the town, ain't it?
13:38Yeah.
13:40Yeah, well, that's what I think.
13:42Come on, dry them little tears.
13:45You got a motor?
13:47Where do you live?
13:49Down the Fulham Road.
13:50Oh, well, I'd better give you a lift home then, eh?
13:56Oh, lovely.
13:59It's a nice Anki.
14:02It's silk, isn't it?
14:04I've got another couple of dozen of them at home.
14:06Go with different suits, you know.
14:08Come on.
14:16All right?
14:20Are you in the business, then?
14:24I'm Arthur Daly.
14:27I'm Sharon Nightingale.
14:30It's not my real name, of course.
14:32What, Sharon?
14:33No.
14:35No, Nightingale.
14:37Sounds better than Dobbs, anyway.
14:40I thought you must be in the business, being so appreciative and everything.
14:45Well, I tell you, Sharon, I have lots of contacts in the business, you know, clubs, hotels.
14:51I was having a drink with Jimmy Savile the other night, the charity dinner we were at, you know.
14:56Well, I tell you, Sharon, contacts is the name of the game.
15:00Yeah, I know.
15:02That could be a lot of help to you in your career, you know.
15:04Make sure you get the right promotion.
15:08The proper handling.
15:10Yeah, that's what I think.
15:13Married?
15:13No.
15:15Fellow at the park, your boyfriend?
15:17Oh, no, nothing like that.
15:19No.
15:20He wants to be an agent.
15:22He's been to Pittman's business college and everything.
15:25Nice.
15:27Oh!
15:28Did you see that?
15:29You've shot window a dress.
15:31Really nice.
15:33I mean, beautiful.
15:34I thought I was witness to a robbery or something.
15:37We couldn't just go back a bit, could we?
15:39Just so I could have a look.
15:40Yeah, of course.
15:41Oh, thanks.
15:46And you, China!
15:53It's like you said, Arthur.
15:55Presentation is everything in this game, isn't it?
15:57Of course it is.
15:58I mean, look at the gear that Shirley Bassey wears.
16:01See, on the stage, singing my sort of songs.
16:05They don't look beautiful.
16:06Do you want to try it on?
16:08Oh, Arthur.
16:10Should I?
16:11When you're with Arthur Daly, sweetheart, it's cabaret time.
16:15Live a little, eh?
16:43Long lie in?
16:44Oh, yeah.
16:46With her indoors, hoovering round her bed all the time.
16:48Oh, I didn't get in till four.
16:50Oh, dear.
16:50Oh, dear.
16:51Who was it?
16:52Singing scrubber.
16:55What did you call her?
16:57You heard.
16:58She is a very special young lady, Terry.
17:02Oh, yeah.
17:03What are her specialities, then, eh?
17:05Oh, yeah.
17:05That's all you would understand, isn't it?
17:08Nice girl.
17:09Nice company.
17:10Plus.
17:10Plus.
17:12Enormous.
17:13Does it begin with T?
17:15Talent.
17:17Enormous talent.
17:18Oh.
17:19I thought you were going to say something else for a minute.
17:20Yeah, you would.
17:21Hey, I thought Jackie Strong was coming for these jeans.
17:23He was, and he did.
17:25He said these jeans with the famous label were all made in Albania and would last about two weeks,
17:30which would ruin his reputation as an oddest trader down the market.
17:33Yeah, bound to.
17:34He was only selling Christian Dior perfume the other week, made up by a little packy in his council flat
17:38kitchen by QPR Stadium, no less.
17:41Well, listen, come on.
17:41You were going to tell me about this enormous talent, though.
17:45That girl is going to be a superstar.
17:47I'll be her manager.
17:48I'll give it two years.
17:50We'll be tax evening it in the Cayman Islands.
17:53I'll be caravanning it down to Canvey Island, do you mean?
17:55Do you know what you know?
17:56Nothing.
17:58You forget I still have friends in Clubland.
18:00I'm still owed a few favors, so I start making a few calls.
18:03Like where?
18:04Like where?
18:05Top places, like the Blue Camellia.
18:07The what?
18:08The what, he says.
18:10Only one of the most exclusive nighter is in the West End, in German Street.
18:14You know where that is?
18:15Arthur, that was closed down in the swinging 60s, along with all the other places like that.
18:20The Golden Bangle.
18:23The Lavish Floor Show.
18:24The Lavish Floor Show now consists of a geezer putting on records while three Debs and a rock star have
18:30hamburgers and chips.
18:33Oh, all those beautiful places.
18:36We lost India and all.
18:38Yeah.
18:38Yeah, look, don't wind me up on history, Terry.
18:40Sorry.
18:41No, see, I don't do the West End much these days.
18:44I mean, how do they start, you know?
18:47All the kids, top of the pops.
18:48Where do they start?
18:50Don't know, really.
18:50Pubs, I suppose.
18:53Hey, that place you were working the other night.
18:55That's, uh, that's music, isn't it?
18:57Well, that's what they called it, yeah.
18:59Look, what's the guy's name?
19:00The Ed Man.
19:01How do I know?
19:02I was sitting on the sub's bench for a bouncer.
19:04Look, you make it your job to know.
19:06That's how you get on in the world.
19:08Hey, hey, what am I supposed to do now?
19:11Oh, yeah, look, all their metric sizes, change them into the approximate English equivalent,
19:17all right?
19:18Hey?
19:19Yeah, hey.
19:21Think about it.
19:22Give them little muscles up there a chance for a workout.
19:34500 kids and psychedelic lights, it all looks a bit different.
19:37I'm very glad to hear it.
19:43Anyway, you, uh, you probably know my name well enough.
19:46Arthur Daly.
19:47Can't say I do, really.
19:50No, no, it's a little bit off my manner.
19:52Well, the thing is, I've got this good girl singer.
19:55Maybe you should let me decide that.
19:57What?
19:58Whether she's very good.
20:00Got a demo?
20:01Got a what?
20:03Cassette.
20:04Yeah, no, look, just take my word for it, eh?
20:09Do you get that toy for Christmas?
20:12Friend of mine, got the number five in the charts.
20:14We, uh, get a lot of presents.
20:17Only way to do business, isn't it?
20:19Presents given, favours done.
20:20Everybody's happy.
20:22You want the record companies here.
20:23You want the booking managers, television people.
20:25Takes a lot of arranging.
20:26Phone calls, drinks, the musical press.
20:28Yeah, all that.
20:30Backing, top musicians.
20:31I mean, that'll set you back 300 for a start.
20:33My time, my staff's time, all the arrangements, the hassles, my reputation.
20:39Maybe joint management, if I like it.
20:41What does it all add up to?
20:42Simple figures.
20:44Six.
20:46Readies.
20:47Well, no, no, no.
20:49No arguments, no aggling.
20:51600, up front.
20:52That's it.
20:58Good chick singer.
20:59I mean, you could end up making a fortune.
21:02A man of my experience, why would I be interested otherwise?
21:14I'd better go now, Arthur.
21:17Don't I get a cup of coffee?
21:19Well, I'd really like to, but it's the other girls see you.
21:23I understand, my darling.
21:25Don't you worry.
21:26We'll have you out of here before long.
21:28Arthur, you've been really wonderful to me.
21:32Nothing.
21:33That Chinese meal.
21:35Never had nothing like that before.
21:36Well, they know I like a good king prawn in there.
21:39And going on at the music room.
21:42That's really, really unbelievable.
21:44Well, I told you, I'm well known, respected.
21:48Probably get a record contract out of it.
21:50No, no.
21:52Yeah, I've got a lot of record people coming down, personal acquaintances.
21:56Oh, Arthur.
21:59We get things sorted out.
22:01We'll go away for a few days, eh?
22:03Marbella.
22:03You been there?
22:05That's all those racing drivers lived there, don't they?
22:07That's right, yeah.
22:08James Hunt and all that lot.
22:09And what's his name?
22:10Nicky Shouter.
22:11Yeah.
22:13Arthur, you know what we were saying earlier?
22:15You know about the difference in ages and everything?
22:18Mm-hmm.
22:18I don't think it matters.
22:20No, of course it don't.
22:21I mean, all the stars do it, don't they?
22:24Yeah.
22:25It's like they need a more mature man.
22:28And you are a star, my darling.
22:35You won't get in trouble or nothing at home, will you?
22:38Share on my darling, I've told you.
22:41I know how to handle everything.
22:45Bye.
23:07Yeah?
23:08Me.
23:13What time is it?
23:14Quarter to five.
23:16Oh, what do you live in this shambles?
23:21What are you doing?
23:23Is this an early start or a late finish?
23:24Burning doors.
23:26Locked me out, didn't she?
23:28I thought you had her in trade.
23:31Yeah.
23:32I was giving Cher on a bell from home.
23:34She was ear-holding on the extension.
23:36Yeah, I saw the film.
23:38Oi!
23:39Do you want to get a cup of tea or something?
23:41She brought your own tea bag.
23:44You got a duvet or something?
23:46Uh, yeah, there's a tartan travel rug on one of those covers.
23:53This is a Karsie, you know that.
23:55The Karsie's through there.
23:57Simon come about them jeans?
24:01Did Simon come about them jeans?
24:03Yeah, Simon did come about those bloody jeans.
24:06He said they're all made in Albania.
24:08And Levi's is spelt with an I and not a Y.
24:13Oh, I love the Garters.
24:15What's everyone got against Albania?
24:18They were on our side during the war.
24:22Blah!
24:23Hey, look, this has got stuff all over it.
24:25It's probably wheat germ.
24:27It's a little bit bloody germ by the look of it.
24:30I might get a flat with that Cher on.
24:33Arthur, you're a happily married man.
24:36Yeah, she got her cards tonight.
24:38I told her.
24:39I thought you said she locked the door on you.
24:41I'm shouting through the letterbox.
24:43Oh, this cushion could do with a visit to Skechleys and all.
24:47Oh!
24:53Oi!
24:56Oi!
24:57What?
24:58Wake me a quarter to eight.
25:00What for?
25:01I've got to take the kids to school, haven't I?
25:03Yeah, I forgot.
25:05What?
25:06Well, they don't arrive on the Daimler.
25:08Get expelled, don't they?
25:09Oh, shut up, Terry.
25:11I'm trying to get to sleep.
25:14Terry?
25:16What?
25:17Put the light out.
25:20Oh, man.
25:48I suppose there's a slightest chance of us rehearsing one of my numbers now, is there?
25:53Oh, yeah, sure. What do you want to do?
25:55Who can I turn to?
25:57What key?
25:58Well, I don't know, do I?
26:00You're the pianist. You're the one who's supposed to know about things like that.
26:05Oh, er, yeah, er, it's this one, isn't it?
26:13Yeah, but that's too high, and I'll do it ever slow.
26:17Oh, all right. Well, as the man said, you start before I leave.
26:21All right.
26:22I won't. I never even heard of it.
26:24Shut up.
26:28What do you mean, you don't fancy it?
26:30It's not my scene, is it, that kind of music?
26:33I am launching a star.
26:36Well, there ain't going to be any riots down there, are there?
26:39And you'll be glad handing it all over the place.
26:41You don't need me, mate.
26:44Thought you might like to share in a moment of triumph.
26:48Look, I've said good luck and all that, haven't I?
26:52Anyway, I've been doing that metrication all day, and meet a bird at night.
26:58Bring her down!
27:01I'll promise to take her for a Greek meal.
27:03Well, give her a quick don of kebab and chips and bring her down.
27:06No, she's into soul music.
27:08I'll tell you what, I'll see how it goes, all right?
27:09Oh, thank you.
27:11Very considerate.
27:15Oh, and, uh, Arthur, you know the sofa situation.
27:19Not tonight, eh?
27:20Have I asked?
27:21No, but...
27:22Hotels all over the place, you know.
27:24Well, it's all right then, innit?
27:25Terrific.
27:29Might one inquire who is this little creature that makes you forsake your friends?
27:35Aerostess.
27:36Oh, not the little dark-haired job.
27:40Yes.
27:42I mean, she's not exactly jet-set, is she?
27:45I mean, she's not on Mandy, fly me to Dallas, Texas.
27:48No, her name is Penny, and she works on the, uh, London to Manchester shuttle service.
27:53Yeah, you don't exactly have to be fluent in three languages for that, do you?
27:56All she needs is a good umbrella.
27:59At least you don't sing.
28:02Terrence.
28:06Who can I turn to
28:10When nobody needs me
28:15My heart wants to know
28:19And so I must go
28:21Where destiny leads me
28:24With no one to guide me
28:29And no one beside me
28:34I'll go on my way
28:37And after the day
28:39The darkness will hide me
28:44And maybe tomorrow
28:48I'll find what I'm on
28:48Where is everybody?
28:50Monday night, innit?
28:51Anyway, most nights you don't come in till the booth is closed.
28:54Yeah, vodka, sir.
28:54Sorrow, bed, steal, or borrow
28:57My share of concern
28:59Where is everybody?
29:01Oh, probably
29:02I don't know
29:02The record producers
29:04The faces, the guests
29:06When you
29:07On a new day
29:10But who
29:12Can I turn to
29:13If you
29:14Turn
29:16Away
29:27They'll be doing
29:28Come Dancing next week.
29:33She's got another vodka in there.
29:38I would now like to do
29:40A lovely love song
29:43Called
29:44The Shadow of Your Smile
29:51The Shadow of Your Smile
29:56When You Are God
30:02We'll color all my dreams
30:06Undy it
30:08But don't
30:12Look into my
30:17Oh, my God
30:25Hey, that's not a twenty-eight.
30:27Sorry about that.
30:28This is your DJ here
30:29The music room
30:30And here we go
30:31With our first number
30:40Don't you fret, my darling
30:45Oh, my dear
30:46Oh, my God
30:49They're all pink
30:51Oh, my God
30:53They don't appreciate nothing
30:55No, no, you're quite right, my dear
30:57Dress looked nice, sir
30:58Oh, my God
31:00Sorry, Sharon
31:01It wasn't very much together
31:02You and your fan
31:04You would have been nicked
31:05It wasn't our fault
31:06Well, whose fault was it, then?
31:08Well, she just did a few bum notes, that's all
31:10Bum notes?
31:11You weren't exactly meant to Varney yourself
31:14Who?
31:16Who, he says
31:19Matt O'Varney
31:21Famous musician
31:21Bloody great orchestra
31:22Could play anything
31:23Oh, well, the difficult numbers
31:25For a band like ours
31:26Listen, for 300 quid a go
31:28You should be able to get through
31:29The Warsaw Concerto
31:30300?
31:31Your proxy fee
31:32We got 25 quid
31:33And that's a 5-1 last time
31:35What did you say?
31:3725?
31:40Dry her tears
31:48You, you turned me over
31:50Now, calm down, Mr. Daly
31:53Calm down, you had 600 quid off me
31:54She went on?
31:55She went off
31:56Not my fault
31:57Where are the people?
31:58The record producers are celebs
31:59Didn't show
32:01Invites, telephone calls
32:02Did I try my best, John?
32:04Worked our fingers to the bone, didn't we?
32:06You're lying
32:06I want my dough back
32:07Then all I can suggest
32:08Is that you put the matter
32:09In the hands of your legal advisors
32:11I don't have legal advisors, Sonny
32:13I have people who come round
32:15And punch your little head in
32:16That's a very nasty threat, Mr. Daly
32:18Made in front of witnesses
32:20Perhaps you'd better show Mr. Daly the door, John
32:24Hey, watch it, watch it
32:26It's 80 guinea velvet
32:27Don't we get messed up now, do we, Mr. Daly?
32:31You don't know me, son, do you?
32:33Well, we have heard the name
32:36What was that old election slogan?
32:39Yesterday's people
32:42That's a trouble, ain't it, Mr. Daly?
32:43Times change, don't they?
32:46See ya
32:55Here, I cracked it with this metrication
33:00You see, one inch equals two and a half centimetres
33:03Yeah, well, forget all that
33:04They had me over, Terry
33:06No stars on Sunday
33:07That Chris is gonna be seeing some stars
33:10Forty? That's a 17 collar
33:12Near enough
33:13Collar?
33:14I thought it was a chest size
33:16They tuck me up very nice
33:18Poxy band
33:19Record executives
33:21Producers
33:21They had about ten squatters in the place
33:23Sharing half a pint of shandy between them
33:26Well, that's show business, Arthur
33:27It's diabolical business
33:29600 sobs
33:31That man, that little flash Chris
33:33He stole my money
33:34And that is a crime
33:35That is a liberty
33:36So you forget all that metrication
33:38And get over there and give him a pull
33:41Get the money back?
33:42Right
33:44Well, supposedly he don't want to pay
33:46Then he gets a spank
33:48And he keeps getting spanked
33:49Till he does want to pay
33:51Hmm
33:53What do you mean?
33:54Hmm
33:56I mean, those days are over, aren't they?
33:59Eh?
33:59Putting the frighteners on
34:01Helping one of the chaps out
34:03Collecting bad gambling debts
34:05Gambling debt?
34:06That man stole my money
34:08No, he didn't, Arthur
34:10He just ripped you off
34:11Which is your game, innit?
34:13I mean, how many mug punters have you had over, eh?
34:15You thought you were on a winner, didn't you?
34:17With Fulham's answer to Dusty Springfield
34:19But you were wrong
34:20Alright, you lost
34:21So what? Tough
34:22The man threatened me
34:24Oh, what's he gonna do it?
34:26You over the head with his silver bracelet?
34:28Yeah, marvellous
34:29I mean, here you are supposed to be minding out for me
34:32I'll come to you with a genuine grievance
34:34And you don't want to know
34:35That's gonna sound good on a man, isn't it?
34:37That's gonna do a lot for my image
34:39Your image?
34:41Listen, sunshine, I am highly respected person
34:44Oh, yeah, and where would that be?
34:47Sunshine, sunshine, a few afternoon drinking clubs, car auctions, a few old villains with long memories
34:53I don't know what's got into you
34:55I mean, have I, have I, have I, have I not done you a favour, Arthur?
34:58Oh, four, even
34:59Looked after your mum while you were away?
35:01Here we go, yeah
35:03Dropped round with a few prezzies?
35:05Oh, yeah
35:06A nice set of drail on curtains, as advertised on Police 5
35:09She can't live without them
35:10Set you up when you came out?
35:12You're getting there, Arthur
35:14But now you're setting me up to go back in again
35:16Look, I'm not asking you to go and shoot the geezer
35:18All I want is a little friendly retribution
35:20I'm sorry, Arthur, I'm not doing it
35:22Look, he nicked 600 out of my pocket
35:25And what you are saying is I should just stand for that, eh?
35:27No, I'm not saying that
35:28Well, what are you saying, then?
35:30Well, it's got to be something else, hasn't it?
35:31I don't know, solicitor's letters
35:33I mean, 600, it's high finance, innit?
35:38Just sussed it
35:40Bottle job
35:41Uh-uh
35:43Happens
35:43You said so yourself in the past
35:45There is always going to be somebody better
35:47Well, it has come to pass
35:50That Chris has got himself well protected
35:52You've made your decision
35:55Swallowed it
35:55Oi
35:57Look at me
35:58Am I trembling?
36:00The guy that got down there
36:01I could have him over in ten seconds
36:02Including the Count
36:04Course you could
36:05Then you'd have a whack at that Chris
36:06Walk out with the money
36:07And there'd be a nice drink in it for you
36:08Yeah
36:09And then little Chris phones the old bill
36:10I get done for assault
36:12And demanding money with menaces
36:13Look, can't I get it through to you?
36:15I'm not doing it
36:16End of message
36:17All right
36:18End of job
36:23Job?
36:26I suppose redundancy pays out of the question
36:33Oi
36:34My biro and notebook
36:40I don't want to be found ripping you off for a biro and notebook
36:44I mean
36:45You might get a contract out on me
37:03I don't want to be found out on me
37:03I don't want to be found out on me
37:03I don't want to be found out on me
37:04I don't want to be found out on me
37:04I don't want to be found out on me
37:04I don't want to be found out on me
37:04I don't want to be found out on me
37:04I don't want to be found out on me
37:04I don't want to be found out on me
37:05I don't want to be found out on me
37:08I don't want to be found out on me
37:24Hello. Hello, my love. How are you? Maybe we could, um, have a little meal together
37:30tonight? Oh, I don't think that I can tonight, Arthur. And why not? What? I was going to
37:35rehearse, see? Where? I don't really know. Um, you know Barry, the keyboard player? Well,
37:43he was going to teach me all about chromatic scales and that. But he was diabolical. No,
37:49no, he's good. He really is. Um, you see, last night wasn't really his fault. I tell you
37:57what, can you phone me back later and then I'll tell you where I'm going to be, all right?
38:02You know, I'm thinking of doing a whole new act. A whole new act, eh? Yeah, all right.
38:09Now, now, don't you worry, my love. I'll call you later. Bye. Bye.
38:40I thought you were working. I thought you'd have gone. Five minutes. You do this? Well,
38:46you can't say it didn't need it. Oh, I think I'd better have you living in. Yeah, I don't
38:51spoil my uniform. I want to look all fresh and alluring for all those fellas who want to
38:56fly me to sun-drenched Manchester. Oh, do that, Arthur. You are romantic. Come back specially
39:05to see me. Well, no, not really. Yeah, I mean, that's a bonus, but, um, I had a row with
39:11Arthur. What, your best friend? Great pal. All that money's like a dad to me. Yeah, well,
39:20best friend wants a favour but could land me up somewhere where I haven't been for a few
39:25years. Oh, don't do it. Cos I miss you. Yeah, but a pal is a pal is a pal. Somebody
39:33hurt him.
39:34It's only where it hurts most. Pocket. Pardon me expression, but I've got to fly. I've got
39:40three days off in eight days' time. Thought I'd spend it in London. It'd be a lot more fun if
39:45you weren't in one of scrubs. Phone you, OK? OK. And another thing. You love me. Yeah. But
39:54get some new bags for your vacuum cleaner. Ta-ra. Do you know what, son? You're a right little
40:07charmer. Well, to tell the truth, Arthur, I'm sorry to hear it. Adams, forsake not an old friend
40:16is a good book, has it? That's what he done. Dave, I'm not asking you to take sides. If Terry
40:21had
40:21been where he should have been, it would never have happened. I was heavily outnumbered. Outgunned,
40:25you might say. What? They had to shoot us out? Figuratively. I'll put it not stronger than that.
40:33I'll get out, will you, Jimmy? OK. May you squeeze another one there, Arthur? I don't see why not.
40:43It's Vic Piner. Ah. Here. Well, you can just leave the door closed. Says he's got to meet
40:49with Arthur. That's right. Leave it out, Arthur. The man's barred. In my company? I vouch for
40:56him. All right? You're joking. We just want to discuss a little business. I'm sorry. I'm not
41:01here. I mean, no disrespect to you, Arthur, but that man has upset so many people. He don't
41:06come in. That's that. Well, I'm certainly learning something about friends today. Eh? Cheers.
41:27You're, uh, you're not very popular, Vic. He slagged me off that day. No, no, no, no, no,
41:31no. Take it easy. Take it easy. No. Just said you were barred. Didn't cast any aspersions
41:35on you. We, uh, we'd better go and have a cup of tea somewhere. Tea? Oh, are there any
41:44licensed premises on the manor where you're not barred? No. No. I wonder why. I get picked
41:54on a lot, see? People look at me. They think, oh, who does he think he is? So I tell
42:01him. Same
42:02thing with me barrows. So you've got to stand by him, wouldn't you? I mean, family. Oh, yeah.
42:10Family is a very precious thing. Want some geezer done over, do you? No, just, just, uh, persuade
42:18it to pay a little debt. Yeah. We'll drop round me above us yard. Ah, well, no, I don't,
42:24I don't think it's a matter for the whole family, Piner. No, it's only round the corner.
42:28Just drop by, eh? Well, don't tell him I told you. I mean, don't say I phoned. Well, that
42:34Vic, they wouldn't even welcome him to Broadmoor. Yeah, but he's over 21, isn't he? He's made
42:40his decision. Yeah, but, Terry, if that goes wrong, I could. Your old pal, and never mind
42:47falling out. Your old pal, he's up for conspiracy to murder. Should've heard her sing and all.
43:18Wait till you see this elephant. Wait till you see Henry's collection.
43:24Antique, that is. Austin 7 starting, and this, oh, World War 1, that is. Yeah, I'll keep it nice.
43:35They, uh, they all been used? Oh, yeah. I mean, depending how much you want to earn.
43:39Any one of those could kill somebody, Bill. Oh, easy. I don't want anyone killed,
43:45just frightened a bit, you know. Well, you tell him you're going to kill him,
43:49you'll probably frighten him, won't you? He only owes me 600 quid. Well, let's say now,
43:57he only owes you 300, eh? See what I mean?
44:13Oi! What's your game? I need to talk to you. John! John!
44:19Never mind, John. I've come here to help you. Now, be quiet and listen. You had Arthur Daly over,
44:25all right? Okay, good luck to you. The only problem is, Arthur is a bit tight with his money.
44:30If you've come here to threaten me... You shut up and listen, will you? Have you ever heard of Vic
44:34Piner? No, well, Muscle's here, Muscle, haven't you? Yeah. He's a nutter. Mad Vic. Now, if he gets
44:41hold of you, you'll need more than that St. Christopher to get you home. He's right, Chris.
44:45What's he going to do, then? Well, what he wants to do is come in here, take the money, and
44:49then give
44:50you a good hiding just for the fun of it. And what's your angle? Oh, you're one of those,
44:54are you? Everyone has to have an angle. Well, mine's quite simple. Arthur Daly is an old mate
44:59of mine, and I can't afford the petrol to go and see him if they lock him up. Secondly,
45:04I don't see why you should get your legs broken just for being too greedy.
45:11No, no, no, no, no. We'll try to stay his door around the back.
45:28A bit early for the dancing, aren't you? What are you doing here? Oh, I've just been
45:32chatting to my friend Chris. He tenders his apologies, and he says that you left this in
45:38his office. 400. Well, he reckons he's due 200 on account of first teaching you a lesson
45:48and secondly, having to listen to that bird say. All right. Reasonable. Of course, it's a wasted
45:55journey for young Victor here, isn't it? Oi, you just nipped my job. Job? You're not even on the
46:02firm, son. I was on 300. Oh. What's that? 100 a year? You bastard! I'm surprised at you, Arthur.
46:18I always made you a good judge of a fighter. Yeah.
46:25Oi. Can you hear? Yeah. Look, I'll do a deal with you, sunshine. You and your brothers
46:31don't start a war, and I won't tell a soul that he only took one good left-hander to knock
46:35you spark out, all right?
46:48Clever, eh? See, together, you and me are very, very clever, Terry.
46:52Putting mad fit that him weren't too clever, was it?
46:54Wasn't it?
46:55Well, was it?
46:56Well, it got you working quick, didn't it? Oh, my God, what now?
47:22Well, it really did you this time, Arthur. Cleaned you out. There was nothing in here, Mr. Chisholm.
47:29Nothing. Odds and ends. All we found was a few records. Musical, that is. Not criminal.
47:37Yeah, he's very partial to music, he's young Arthur.
47:39Yeah, I used to be in the business. I used to manage a girl singer.
47:43Oh, yeah? What happened to her, then?
47:45Well, you know the way the kids are these days. Run off with a tone-deaf piano player.
47:51But that's showbiz, isn't it, Mr. Chisholm?
48:04There was nothing in him.
48:06No. Odds and ends.
48:08Yes, sir.
Comments