- 52 minutes ago
مسلسل Poppa's House مترجم - Episode 1
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00:14Hey, Pop, need a favor.
00:16Son, can I at least get a sip of tea before you start asking me for favors?
00:22Yeah, yeah, do your thing, man.
00:24Sip it up.
00:47Can you pick the kids up from school today?
00:49I have a meeting with an ad agency to direct some spots.
00:51I thought you told Nina that you were going to stop chasing that directing dream.
00:54I said I was going to. I didn't put a hard clock on it.
00:57Oh, so you lied to your wife.
00:59Oh, whoa, whoa, whoa. Never.
01:02Our entire relationship is built on complete trust.
01:04I'm merely protecting her in case I don't get the job.
01:07That way I don't have to see that disappointed look in her eyes.
01:09Well, your mom had that look.
01:11It was her only look.
01:14So, what does the phone roller king think about you taking meetings on a work day?
01:20Well, you know, I just told JJ I'm on a sales run.
01:23I go and crush my meetings. Back to work. No harm, no foul.
01:25Well, there is a fact. You're stealing time from your boss.
01:30Look, Dad, I know you guys go way...
01:41You good?
01:47Look, I know you guys go way back, but I can't stand working for that dude.
01:51It's like having a human hemorrhoid for a father-in-law.
01:54This is true, but JJ loaned you money to buy that house next door,
01:59and he gave you a job so you can pay it back. That's a contract.
02:02Well, I could pay it back a lot quicker if you bought a couple hundred of these back for it.
02:06They don't do nothing for me.
02:10Look, I paid for your film school, son. That's it.
02:13Now, I support you emotionally.
02:16Dad, do you know that George Clooney once gave 15 of his best friends a million dollars each?
02:19That's nothing. I once gave an enemy five million dollars.
02:23Really? Who?
02:24Your mother and the divorce.
02:26She took away when he was three.
02:28That's because she didn't want to pay for film school.
02:31She's the worst.
02:32That's my mother.
02:35A book house, yeah.
02:40Kids, get in the car.
02:42Seatbelt's on. I'll be there in a minute.
02:44Bye, Dad.
02:45Bye, bud.
02:46Damon, I've been thinking.
02:48Uh-oh.
02:49If you took that management position Daddy's offering,
02:51and I planned a few more events,
02:54we could afford to send our kids to private school.
02:56Private school is overrated and overpriced.
02:58Babe, if you took that promotion, we could afford Buckingham.
03:01Yeah, but that promotion would leave me no time for doing what I love.
03:05Directing short films.
03:06Oh, kids with my short wife.
03:09Don't call me short.
03:10My sweetie patini.
03:11No.
03:12My little half-freaking American.
03:15How about Tiny Big, because that's all you're going to get if you keep joking about my height.
03:19Oh, right, we have kids.
03:21Yeah.
03:22Hey, don't forget to pick them up from school.
03:24Have I ever forgotten?
03:26They were fine.
03:36All right, New York City.
03:37We're going to bring it on home with a few phone calls.
03:40Papa Tiles, what's popping?
03:42Yo, man.
03:43Why you only play that old-school civil rights music?
03:47How come you don't rock with none of that new-school rap?
03:50Because I don't know who any of these new-school rappers are.
03:53They're all named Baby.
03:54You got Lil Baby, Dub Baby, Young Baby, Newborn Baby.
03:59These men need to grow up and get some real names.
04:02Till then, I play's what I play, player.
04:04You dig?
04:05You don't like it?
04:05Kick rocks.
04:07Papa Tiles, holler at your boy.
04:10Is this the Papa?
04:12The one and only, never lonely.
04:14Right.
04:15Why do you reduce every conversation you have with a woman to sex?
04:19Oh, it's not me.
04:21It's my dang-a-lang.
04:25There you go again, another reflexively asinine comment.
04:28First of all, my ass ain't a nine, it's a ten.
04:33And secondly, I thought we wasn't talkin' about sex, honeydip.
04:36It's doctor.
04:38Oh, doctor, like doctor doctor?
04:40So if someone's havin' a heart attack on a plane, you raise your hand?
04:44No, not that kinda doctor.
04:45Then not really a doctor, you know what I mean?
04:48I have a PhD in psychology, and I know men like you.
04:52Really?
04:53Could you put one of them on the phone?
04:54Cause I'm bored talkin' with you.
04:56You're probably sitting there with your goofy baseball cap,
05:00cocked to the side, in your menopause cardigan,
05:03thinking that your scruffy beard makes you look cool,
05:05but it really just makes you look like a ghetto Papa Smurf.
05:10Ha!
05:11You couldn't be more wrong about me.
05:14New York, that's my time.
05:16I'm outie.
05:18There he is.
05:20Big Papa Fulton.
05:22Alan, what's our system?
05:24I need to knock.
05:24And then what do I say?
05:25Go away.
05:26And then what do you do?
05:27I go away.
05:28So why are you in my studio?
05:30Corporate has some ideas.
05:33Oh.
05:34Mm-mm-mm.
05:35Why are they messin' with my number one show?
05:38Number two show.
05:39We've taken a hit with our female demographic,
05:41so corporate thinks it might be cool
05:43to add a female presence in studio.
05:46Sorry, but a woman would change the entire culture.
05:49Entire?
05:50It's just you.
05:51That's right.
05:51I'm the culture,
05:52and you guys keep tryin' to change that.
05:54See, I like sittin' in my studio,
05:56playin' my kind of music,
05:58eatin' boiled eggs,
05:59drinkin' coffee while I farted up in there.
06:02That's my happy place, Alan.
06:05Hello.
06:06Dr. Ivy Reed.
06:08Nice hat.
06:10So the call was comin' from inside the house.
06:14You've probably heard Dr. Reed's podcast
06:17just like a woman.
06:18Or maybe not.
06:20I don't do podcasts.
06:22Here's the hierarchy.
06:24You've got movies, TV, recording artists,
06:27radio personality,
06:29mime, organ grinder monkey,
06:33podcasts.
06:35Listen, I'm here to bring the fun,
06:37to get us back to number one,
06:39because if I don't, son, you're done.
06:43Your rhyme is whack.
06:45That's a fact.
06:46Me and you together,
06:47I ain't havin' that.
06:49So don't get comfortable
06:50and try to unpack,
06:51because Ray Charles said it best.
06:53Hit the road, Jack.
06:56Make that go away.
07:00Man, I hope your day went better than mine.
07:02You know, they tried to jam me
07:04with a female co-host.
07:05What?
07:06It comes to Papa's house
07:07with a female perspective.
07:08Right?
07:09I mean, I don't pick up Cosmo
07:11to see if the Knicks won.
07:13They didn't, by the way.
07:14Yeah, they never did.
07:16Oh, hey, Dad.
07:25That ad agency loved my ideas.
07:28Awesome.
07:28Yeah.
07:28There was one slight problem, though.
07:31What's that?
07:32Well, the meeting, it went long,
07:34and I kind of missed a very important sales pitch
07:37to a top foam roller client.
07:39JJ must have went cray-cray
07:41when he heard about your day-day.
07:43Cray-cray like Kanye-yay.
07:47You fired me.
07:48Are you serious?
07:50And what did Nina say?
07:52Well, I haven't told her yet.
07:53Junior, I'm gonna kill you.
08:05So, I say we need money
08:06for private school,
08:07and you get fired.
08:09Well, context missing,
08:11but correct.
08:13Babe, I had a meeting
08:14with the top ad agency.
08:15Why didn't you tell me?
08:16We don't lie in this relationship.
08:18We're supposed to tell
08:19each other everything.
08:20This job could pay
08:21for private school.
08:23Daddy gave you a job offer
08:24that wouldn't pay
08:25for private school,
08:26and you threw it away.
08:27He said that's the third meeting
08:28you've missed in two months.
08:29Those are just the ones
08:30he knows about.
08:32Babe, this is my calling.
08:34I know it.
08:34I'm so close.
08:36But you have been so close
08:37for so long, Damon.
08:39You're 35, babe,
08:40with a family.
08:41I needed to believe in me.
08:42I do believe in you.
08:44But I also want the best
08:45for our kids.
08:46Maybe now is not the time
08:47for dreaming.
08:48Well, then you shouldn't
08:49be so damn dreamy.
08:51Sorry.
08:51It was cuter
08:52when you had a job.
08:58Thank God,
08:59you're still alive.
09:01I thought I'd come back
09:02to a chalk outline.
09:04She's like a reverse Hulk.
09:06When she gets angry,
09:06she gets smaller.
09:09Why can't she understand
09:10how much directing
09:11means to me?
09:12Son, don't put this
09:13all on her.
09:14Sit down.
09:15Let me tell you a story.
09:18When I first started out
09:19in the radio,
09:20I was working at
09:21the station mailroom.
09:22Okay?
09:23My big break came
09:24when the night DJ
09:25got sick.
09:26I sat in for a month.
09:27I got rave reviews.
09:29You the man?
09:30Yeah, I thought I was.
09:32I quit my mailroom job.
09:34And then the DJ recovered
09:35and came back to work.
09:36And I was out of two jobs.
09:38I mean, things got bad, son.
09:40So bad that we were
09:41eating rice and beans
09:42every day.
09:43You had to wear
09:44my T-shirts as diapers.
09:47You owe me
09:47a public enemy.
09:51And I felt like
09:52a complete failure
09:53because I let my dream
09:55become my family's nightmare.
09:57So I ended up
09:58taking a job
09:59on a sanitation truck
10:00in the middle of winter
10:01just to provide for us.
10:03And that's why
10:04your fingers smell like that?
10:07I never knew that, do you?
10:09Yeah, well,
10:10here's what I learned.
10:11A man's got to do
10:12what a man's got to do
10:14until he can do
10:15what he wants to do.
10:18You're right, pal.
10:20So how do I get my job back?
10:23I guess we'll invite
10:24the human hemorrhoid over here.
10:27We'll open up
10:28a nice expensive bottle of wine,
10:30couple of glasses.
10:31He'll say yes to anything.
10:33It's just like his daughter.
10:42Alan,
10:44when I said
10:45make this go away,
10:46you heard
10:46get her a chair
10:47and a microphone.
10:48I couldn't sell it upstairs,
10:50corporate.
10:51What's with the candle?
10:53Oh,
10:53had to light it.
10:54It smelled like
10:54someone had sex
10:55with a boiled egg in here.
10:58Where is my lava lamp?
11:00Oh,
11:00had to make room
11:01for the monitors.
11:02Monitors?
11:02For what?
11:03And why are these cameras
11:04in here?
11:05For the streaming video.
11:06Corporate loves
11:07how they do it
11:08on Dr. Reed's pod.
11:09Yeah, well,
11:09we're not doing cameras.
11:11Do they intimidate you?
11:12Me?
11:13Intimidated?
11:15Hey, is my head
11:16really that small?
11:18Like a baby pigeon.
11:24I'm not doing cameras.
11:26I'm sorry.
11:26You have to.
11:27You've got a contract.
11:28Contracts were made
11:29to be broken.
11:30I quit.
11:32Papa?
11:33Papa,
11:33Papa,
11:33come back!
11:37Listen,
11:38I refuse to let them
11:39change my show.
11:40I'd rather retire.
11:41Kick back,
11:42relax,
11:42spend up all that
11:43inheritance money
11:44you think you're gonna get.
11:46Hey,
11:47what happened
11:47with your ad agency?
11:48Uh,
11:49haven't heard anything yet.
11:50No news is bad news
11:51in show business.
11:53Well,
11:53here's some good news.
11:54We're gonna try
11:55and get you that job
11:56that you hate back.
11:58Remember,
11:58don't make this
12:00about your stupid
12:00rivalry with daddy.
12:02Hey,
12:02if he don't start none,
12:03there won't be none.
12:05How about
12:05even if he does start some,
12:07there'll still be none.
12:10J.J.,
12:11what up?
12:12My portfolio.
12:16That's what up,
12:17Mr. DJ.
12:18And you?
12:19Oh,
12:20it's all good in my hood.
12:21I wouldn't complain
12:22even if I should.
12:23Oh,
12:23you're still rhyming?
12:26At your age?
12:29How quaint.
12:31Nice coat.
12:32Yeah,
12:32it's cashmere.
12:33Don't let it rub up
12:33against any of your stuff.
12:40You better pick that up
12:41before I drop you
12:42like I did in 78.
12:44Oh,
12:44why you bring up 78?
12:45Huh?
12:46What about the beatdown
12:47of summer 82?
12:48That don't count.
12:49You had a growth spurt.
12:50Yeah,
12:50you should try.
12:51All right,
12:52all right,
12:52all right,
12:52all right.
12:52That is,
12:53that is,
12:53that is.
12:55All right,
12:56Golden Girls,
12:56we get it.
12:57You have history.
12:58Why don't we all sit?
13:00Yes,
13:00let's all,
13:01all right.
13:04Let's all sit down.
13:05Oh,
13:05Ray,
13:06yes,
13:06still mad at me.
13:09Well,
13:10here we are.
13:11So,
13:12Junior,
13:12what's on your mind?
13:13I'll just have a glass of red.
13:14Yeah,
13:15not that.
13:16Right,
13:17no,
13:17yes,
13:18um,
13:19Dad,
13:19can I call you Dad?
13:20No.
13:20Okay.
13:21Mr. Jackson,
13:22there's no denying
13:23how much the world
13:24has benefited
13:25from your brilliant invention.
13:26you started selling
13:28your foam rollers
13:28out of your trunk
13:29and you grew it
13:30into my empire.
13:32I was going to say business,
13:33but sure.
13:35I would like to apologize
13:36for missing that meeting.
13:38If you give me my job back,
13:39I promise you
13:40this will never,
13:41ever happen again.
13:42Yeah,
13:42look,
13:43Junior,
13:43I know it may not seem like it,
13:46but I don't like you.
13:49I mean,
13:50you're a very creative
13:51people person
13:52and a great communicator
13:54and,
13:54uh,
13:56ah,
13:56man,
13:56my daughter's making me
13:57say all this stuff.
13:58Daddy!
13:59No,
13:59I'm sorry,
14:00Princess,
14:00but I told you
14:01I couldn't fake it.
14:02Now,
14:02listen,
14:02Junior,
14:03you're just wasting your time
14:04with that silly
14:05directing dream.
14:06Now,
14:06if you want to work
14:07for my company,
14:07I'm going to lead you
14:08on the management track
14:0912 hours a day,
14:11shoulder to shoulder
14:12with me.
14:12So,
14:14are you all in
14:15or are you all out?
14:19Hey,
14:21home is where the heart is.
14:23Foam is where the heart is.
14:25Is that what I did there?
14:26It's like home,
14:27but I was like,
14:27nah,
14:28foam.
14:29That's my next catalog title
14:30right there.
14:31Well done,
14:32son.
14:32Thank you, sir.
14:33I think you're finally
14:34growing up.
14:35Growing up,
14:36ain't it great?
14:36Yeah,
14:37you should try it sometime.
14:38See what I mean?
14:39Try it.
14:40Try it.
14:40Give it to me.
14:41Give it to me.
14:45So,
14:46now that I got the job
14:47that I hate back,
14:48what are you going to do
14:49about the job
14:49that you love?
14:50You know,
14:51I'm not sure
14:51I love it anymore.
14:52What?
14:53What's that?
14:54Forget about corporate
14:55and the cameras
14:56and Dr. Reed.
14:57What made you fall in love
14:58with radio in the first place?
15:01It was about community.
15:03I'd play a song
15:04by Bill Withers
15:05or Al Green
15:05and then
15:06I'd talk about
15:07the memories
15:08it brought up
15:09for me growing up
15:09in New York.
15:10and then the listeners
15:11and then the listeners
15:11would call in
15:12and they'd share
15:13their memories
15:13and that's what it became
15:15like this beautiful
15:16shared experience.
15:18Couldn't it still be that?
15:19No,
15:20because it's not about
15:20the listener anymore.
15:22Corporate is chasing
15:23data and demographics
15:25and in the process
15:26they're killing
15:27everything that's good
15:27and real.
15:29I can't do the cameras,
15:30son.
15:30They make me nervous
15:31and insecure.
15:32Because your little head?
15:37Is it really that small?
15:39Look, Dad,
15:40if you want to relax
15:41on camera,
15:42I tell my actors
15:43these three things,
15:44right?
15:45Quiet hands,
15:46always smile,
15:47and never look
15:48in the camera.
15:49That's it?
15:50That's it.
15:50Nothing else?
15:51Well,
15:52let Dr. Reed know
15:53whose house she's in.
15:54What do you mean?
15:56Whose house
15:57is Dr. Reed in?
15:59My house?
16:01Get up!
16:02Say it!
16:02Papa's house.
16:04Say it!
16:04She in Papa's house.
16:06Whose house
16:06is Dr. Reed in?
16:07She in my house!
16:11She in your house
16:12and she's trespassing.
16:14That's right.
16:14The living legend.
16:16Six-time Marconi
16:17Radio Award winner.
16:18Seven times.
16:19Seven times
16:19Marconi Radio Award winner.
16:22The master of the mic.
16:23The king of the commute.
16:25The Adonis of audio.
16:27The MJ of the airwaves.
16:29Give me that LeBron.
16:33Fire line.
16:41Okay.
16:42It's love action time.
16:45Right here in the living room?
16:47Therapist said we got to
16:48when there's unresolved anger.
16:50Okay.
16:52Let's do it.
16:56I'm sorry I didn't tell you
16:58about the meeting.
16:58I'm sorry if I made you feel
17:00you couldn't share
17:01everything with me.
17:03You know,
17:04it's so painful
17:05when I say no.
17:06I didn't want you
17:06to feel that again.
17:08That's why I'm here,
17:09silly.
17:10For better
17:11or for worse.
17:12I love you
17:13and I believe in you.
17:15I know.
17:17It's just
17:18my dream can't be
17:19my family's nightmare.
17:21Well,
17:21my dream
17:22is that my children
17:23grow up with a happy father.
17:25I know you're a great director
17:27and everyone else
17:28is going to know it soon, too.
17:29So we need to make time
17:31for your dream.
17:32Happy spouse,
17:34happy house.
17:36I love you,
17:37sweetie Petiti.
17:38Give me a kiss.
17:39Give me a kiss.
17:42You ready for that tiny bit,
17:44Mr. Love Action?
17:45I'll give you some love action.
17:47About two and a half minutes.
17:59And do him.
18:14So,
18:15you're here to honor
18:15your contract?
18:16Alan,
18:18what's our system?
18:19Have a great show.
18:26Did you dye your beard?
18:28No.
18:29I want that
18:30like this.
18:35And we're on.
18:37Hey,
18:38New York City,
18:39what's crack-a-lackin'?
18:41It's your boy,
18:41Big Papa,
18:42still a little crowded
18:43up in here
18:44with Dr. Ivy Reed
18:46overstaying her welcome
18:47to the party
18:48she was not invited to.
18:52You're right,
18:52I wasn't invited.
18:54I was begged,
18:55please come save this show.
18:57And yet,
18:58you were available.
19:01Because I had just finished
19:02writing my best-selling book.
19:04And what's it called?
19:05No,
19:06not that kind of doctor.
19:09It's called
19:10Tiny Head,
19:11Tiny Mind.
19:14You're such a hater.
19:15Yeah.
19:16And you know what I hate most?
19:18That my idol
19:19has become
19:19a cantankerous cynic.
19:22Idol?
19:23Me?
19:24That's all you heard?
19:27I used to listen to you
19:28every morning in college.
19:30And back then,
19:30you were always so
19:32uplifting,
19:33positive,
19:33and fun.
19:34You got me through
19:35some really tough times.
19:36And then,
19:37you got a divorce
19:38and you changed
19:39into this curmudgeon.
19:41And I refuse
19:42to let you go out
19:43like that.
19:43So I'm here
19:44to give back
19:45some of what you gave me.
19:47What's that?
19:49Motivation.
19:50To fight
19:51for what you love.
19:58Okay,
19:59New York.
20:01Let's take a call.
20:02Papa's house,
20:03what's good in your hood?
20:05Hey,
20:05if I wanted to listen
20:06to an old married couple bicker,
20:08I'd talk to my wife.
20:09Play some damn music.
20:12You got it,
20:13my man.
20:14Can I choose a song?
20:15No.
20:16No.
20:29Your rhymes is whack,
20:30though you're cute
20:31in the front
20:31and you might be stacked.
20:33But check this out.
20:34You ain't working with me.
20:39They do nothing for me.
20:42I'm just orgasming.
20:44Yeah,
20:44I finished and I'm done.
20:45I don't want to see it anymore.
20:48I don't want to see it anymore.
20:50I don't want to see it anymore.
20:58I don't want to see it anymore.
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