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مسلسل Planners مترجم - Episode 2
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00:01This will be mom and dad's office. It'll be called unforgettable events. He doesn't like it. How could he not?
00:07What's up with it? He doesn't like it. Nope. Stop. RSVP. No. Yes. Why not? Come here. Come here. It
00:13should be. The name should be more. Much more of a family name. Right? So I've thought of something like.
00:19What? Like us. What? Gutierrez events. I don't like it. Okay. Well then Gutierrez and company. I don't know. No.
00:28Call it whatever you want. Stop. I just want
00:29my office over there. Okay? I called it. I called it. Yes. Hey stop. There's a problem. The architects told
00:35me your office can't go there. Why not? Let me just tell you what they told me. Look. Here. Between
00:39these two columns. Right? There has to be a large office right here to receive clients. That should be mine.
00:45Okay? And you should be by the team. Way over by the restroom. Right there. No. No. Come on. You're
00:54gonna love it. I promise you.
01:08You're gonna love it. You're gonna love it. I promise you.
01:30Milena. Milena. Milena. I'm sorry. Callie tells me your agency organized events at the embassy for the G20 summit. That's
01:40right. Did you get to talk to anyone?
01:44Uh. Well. No. Not really. I didn't really have any extra time. When was the uh. Christoph. That name is
01:50amazing. So impressive. I bet it's like Juan. Bear. But here it's important sounding.
01:55Going back to the event. Um. I want something unusual. It should be like a magical sunrise. Something really majestic.
02:03I know of a location that would be an ideal choice. I'd prefer that our set designer have a look
02:07at it first.
02:08Set designer? We've already arranged a team in the proposal for you.
02:11Anyway. Just give him a call please.
02:13Perfect.
02:14And the choreography is very important. We need to arrange Misha's trip for whenever he's free.
02:21Misha?
02:22Misha's the principal dancer. He's very important in the ballet in Moscow.
02:26He should fly in as soon as possible.
02:28It's done.
02:51I don't know. You have to let them express themselves. Talk. Then we interpret.
02:56Okay. Did you see how? You were such a badass. You're exaggerating.
03:00But it worked. Didn't it work?
03:01Oh sure. Yeah. Well I guess it worked. It didn't work. I don't know if it worked. Luncheon for the
03:06ministers.
03:08I was hardly even there. You did it.
03:13This event is huge. Yeah. We'll need to keep things structured okay? Someone to handle accounting.
03:18Ah. That's what I was gonna ask you. What they say about the deposit.
03:21Nothing.
03:21Really? Nothing? No. No. I can't believe they accepted our budgetary proposal without so much as a peak.
03:27Well we'll see. I'll put up the seed money and then I guess we'll see how it goes.
03:31No chance. They're paying the whole deposit. That's how you do it. Precision, seriousness and certainty.
03:37That's so much though.
03:39Well my ride's coming. Three blocks to go.
03:44And how do things stand with you now? Still planning on Madrid?
03:49Not sure yet. I'm gonna stay here as long as I need to.
03:55Uh, may I ask something more, uh, more personal?
03:59You're scaring me.
04:03How hard was it for you to decide to get divorced?
04:09If you don't want to talk about it, I-
04:10No. The thing is I wouldn't have much to tell because we seemed divorced for years.
04:17Yes, it was hard.
04:20It was super, super hard.
04:23Not the papers and all of that. That part was okay.
04:27Taking charge. That part's hard.
04:30What about you?
04:32Me what?
04:34Your, uh, your personal life. I mean, your own things.
04:40I don't know.
04:43My car is here.
05:06I can't believe this.
05:08I can't believe they're sticking us with their set designer.
05:11What? You're kidding. Look at his work.
05:13It's actually good.
05:17Yeah, it's good.
05:18No, because he's known for being an insufferable snob.
05:21Okay, let's set up a tech meeting with him.
05:23Okay, and what's next? Is there a to-do list?
05:25Yes. Check on the stylist.
05:27Russian Red.
05:29The assistant.
05:31Plus, accounting stuff.
05:32Know anyone? Because I swear I asked around about nothing.
05:34No, but I'll find one in a sec.
05:36When?
05:37Well, I already started.
05:39You'll keep me posted?
05:40Yeah.
05:41I'm right here, okay?
05:54Cool, so the agency's gonna be in your house?
05:56Yeah, in my house.
05:57Kids, can you help me move this a little bit?
05:59Javi, can you wait a sec?
06:00No, that doesn't go there.
06:02But I'm just making your room.
06:02No, cut it back where it was.
06:03Okay.
06:04Come on.
06:06Oh, honey, thanks for remembering.
06:08Thanks.
06:09You're gonna have to start charging.
06:11This gopher needs a salary.
06:12Oh, okay.
06:13Well, if this gopher's going to get a salary, then I have another job for you.
06:25Fuck.
06:27One more thing.
06:28I spoke with Luis Gisanti.
06:30He's waiting on confirmation from Gutierrez.
06:32Could you hurry to see if I can get him?
06:34It's only two days, okay?
06:36Okay.
06:38And?
06:39Ah, just letting you know that I'm taking Soleil.
06:42I'm sorry, but I really need someone strong.
06:44And besides, I discovered her.
06:47Fine, take Soleil.
06:48I don't know.
06:48I'll miss her a lot.
06:49But I don't get it.
06:50You mean your thing's that large?
06:52Well, I don't know.
06:53I don't know.
06:53I don't want to mention size, honestly, because I get kind of nervous.
06:56I don't want to mess up, Ray, you know?
06:58Yes, yes, you're an expert.
06:59You'll be perfect.
07:00You'll see.
07:01You have no idea how jealous and happy I feel right now.
07:04I know, I know.
07:06Everything will be fine.
07:08Everything's okay.
07:09Thanks, buddy.
07:10I love you.
07:11Thanks.
07:12Wait, where are you?
07:15Huh?
07:15Nothing.
07:16Bathroom.
07:16Better go.
07:30Malay, this Andy Garrison guy is a diva and never responded to my texts.
07:33He won't answer?
07:34No, he won't.
07:35Why didn't you already tell me that?
07:36Well, I'm telling you now.
07:38Yeah, yeah, but now we're behind the ball, aren't we?
07:39So what about tomorrow?
07:40Well, I don't know.
07:41I'll give you his number.
07:43Let me know what happens.
07:44Right now, I'm out of here.
07:53Hi, this is Melena Carregal.
07:55I'm calling to confirm tomorrow's meeting at the location.
07:58I need confirmation because the entire team's booked there tomorrow.
08:01Ah, and one more thing.
08:03We need to lock in the specifics of prices and conditions because it's urgent.
08:06Thank you very much.
08:08Goodbye now.
08:13Hmm.
08:29Hmm.
08:35Hmm.
08:40Hmm.
08:41Hmm.
08:43Hmm.
08:43Hmm.
08:44I don't know.
09:38No, he's not answering, no answer, no communication.
09:42He sends people I don't know.
09:44Weird, right?
09:45Weird, weird, weird.
09:46Are you okay?
09:48Yeah, I'm okay.
09:49Up late last night testing product and was sucked into a documentary on horses, whatever.
09:54Back up.
09:54What product testing?
09:55And how much, Callie?
09:58One bottle.
09:59I opened another, so two.
10:01I don't know how you do it.
10:02I should call him again, right?
10:03Hello.
10:04I prefer...
10:04Hello, good morning.
10:06Hi.
10:07Andy.
10:08Callie.
10:09Malena, hi there.
10:11I present Ivan, technical lead, Goyo and Rocio assistance.
10:15Sort out all the costs with them, okay?
10:17Yes, but later.
10:19Of course.
10:19Andy, I texted you numerous times today.
10:21Since you didn't respond, I brought our lead.
10:24We can't have two technical leads.
10:26Sorry, I only work with Ivan.
10:28You understand, huh?
10:29Excuse me.
10:32Hey, uh, listen.
10:33I'm totally fine working with another technical supervisor.
10:36No, right, right.
10:37It's not a problem.
10:39Okay.
10:40This will be the entrance.
10:41The guest's first contact with the experience, right?
10:44From here.
10:46We can start to create the optical illusion.
10:50Prioritize the sense of sight.
10:51Write that down, Rocio, please.
10:52Who does he think he is?
10:53Do you believe this?
10:55I envisioned it wide open, didn't I?
10:57Yes, yes.
10:58Let me know what you need to get it resolved.
11:00I don't resolve other people's issues, so no.
11:01Okay, noted.
11:02Thanks.
11:03With what he charges, he should resolve my indigestion, you know?
11:06I'm coming down.
11:07I'm coming down.
11:07I'm coming down.
11:08Here we would feel somewhat outdoors, hmm?
11:10You see?
11:10Yeah, so she'd cover up all the skylights.
11:13Goyo, in the afternoon?
11:14I would use fog.
11:14Fog?
11:14Fog, yes.
11:15It creates more ambience.
11:16For the sunrise and when the dancers come in, it could be a nice effect.
11:20There's no fog in an eclipse.
11:22Right, yes.
11:22But it's no eclipse, it's a sunrise.
11:24That's where you're wrong.
11:26Christoph adored the eclipse idea.
11:28Well, I'm going to ask when you speak to the client by yourself, you let me know, okay?
11:33Because we're a team, right?
11:36Okay.
11:36It's still an eclipse.
11:38Don't worry.
11:39A bathroom.
11:40There are three bathrooms.
11:42Anything you need.
11:43And the nicest part of the house, the office.
11:46For example, over there gets sun all day, so I would grab it if I were you.
11:50Understood.
11:51Ready to dive in?
11:53Yeah.
11:54Blacksmith to start?
11:55Yes, I got to email this file.
11:57Good.
11:58To make this work, we're going to need a first mock-up by next week.
12:01And what happened to the scale drawings of the hut?
12:05Hi.
12:05Hello.
12:06One moment.
12:06What's up?
12:07Hi, Kelly.
12:07Hi, kids.
12:08Hi.
12:08Hi, sweetie.
12:09All good?
12:09We're starving.
12:10Yes, it's in the kitchen.
12:11I'll tell you later.
12:12Kitchen, sweetie.
12:13Kitchen?
12:13You were asking about the plans?
12:15Mm-hmm.
12:16I'm looking into that.
12:17Yes, and when my team arrives, I'll need some more space, okay?
12:22Perfect.
12:23Sure, you'll get it.
12:24Great.
12:27Well, I'm going to have to leave again.
12:29I'll be back in an hour.
12:31Okay.
12:32Can you manage it?
12:33Manage.
12:33Tony, the social media girls come in.
12:34And you'll manage it.
12:36Cover it all.
12:36Alanush, please, help me.
12:37Put the chairs out.
12:44Andres, do you want coffee?
12:45Anything?
12:46Andy.
12:46It's Andy.
12:48I prefer tea.
12:49Andy, tea.
12:50Thanks a lot.
12:52Andy, Callie, Andy.
13:00There are many myths about eclipses.
13:04To some people, they're threats.
13:09To me, they're the universe's way of creating balance.
13:13Hmm.
13:15The darkness restores what the light cannot repair.
13:19I like that.
13:20It's not mine, but it sounds good.
13:22Do you want to open the gift now?
13:25Hmm.
13:32This resembles one of the sets my grandma had.
13:36My dear grandmother.
13:39Many secrets of these handicrafts have been lost over the years.
13:42Yes, so that's why I thought that when we do present the product, we use this vintage style, but combined
13:48with contemporary elements within the presentation.
13:51I think the blend is important.
13:52Good.
13:54Were you able to speak with Misha?
13:56Yes, it's all worked out.
13:58Oh, that's great.
14:05Okay, I'm leaving.
14:07Tomorrow, I need someone to go pick up the samples and take care of the logistics at the location.
14:12Maybe you can go, too?
14:14Not production, but yes.
14:15Count on me for whatever you need.
14:16Well, you'll have it by tomorrow.
14:18Andy.
14:19Ciao.
14:20Andy, the set designer?
14:21That's him there?
14:22Yeah.
14:22I'm going.
14:23Ah, leaving?
14:24Okay.
14:24See you tomorrow.
14:25See you.
14:26I'm sorry, I'm sorry, I'm sorry.
14:28I'm, I know, super late.
14:30Antonia, how are you?
14:31Call me, Tony, how are you?
14:32A pleasure.
14:34Not sure what you know, but I'll catch you up.
14:37So mainly, as long as you handle some of the socials, design, and editing, we'll be more than happy with
14:42it.
14:42You'll handle a little of every aspect of our digital world, that is.
14:45We'll adjust as we go.
14:46Perfect, we'll adapt.
14:47Okay, perfect.
14:49Misha, any news there?
14:50I spoke to Misha.
14:52He has the flight info, so you can relax now.
14:54Great.
14:56Ken.
15:13No.
15:18No.
15:19I don't know.
15:53Too much.
16:00Doing well.
16:02Wow.
16:24I don't know.
16:27I don't know.
16:49I don't know.
16:58Here.
17:00Thanks.
17:03Andy?
17:04No coffee.
17:05No, no, it's tea.
17:06Tea?
17:06Yes.
17:08And here you go, Mom.
17:09This is for you.
17:10Thanks so much, honey.
17:11Thanks a lot.
17:12Come over here. Let's see. Let's see. Here. A little more over here? No way. There. Careful. Drop the rest
17:23of it, then you can go, boys. Thanks a lot. Thanks. Thanks. Love them. Not this. Not here in the
17:28middle. No, listen. Try it. It looks weird. Come on. No, I'm not gonna try it. No, thank you. Really?
17:33Try it out. I'm asking you, please. How much did you spend? No, nothing. It's used. Everything used fits within
17:38our budget. Relax. Everything's okay. Fine. Hello?
17:42Uh, I don't understand anything. What? Hugo?
17:50Lost your luggage? What? Flight number 322. Yes, yes. Buenos Aires. Sorry? Oh, yes. It's a big gray suitcase. I
18:05need it back ASAP.
18:07Grazie, grazie. Absolutely. Yes.
18:11Molly, the Russian is here with the dancer. I've got a bombshell. Incredible. No bombshells. No bombshells. No bombshells. No
18:17bombshells. No bombshells. No bombshells. The wedding clients I'm schmoozing are almost ready to sign. Amazing. The world of Polo's
18:24good for something. Drop call a second time. Will you wait here, please? Just a moment.
18:33Ray, any news on the tailor? Because I need to know soon, preferably.
18:40Hello?
18:41Good afternoon.
18:43Sorry, I keep calling so much.
18:46You look great in white, you know that? It's your color. It really is. Really nice.
18:53Here I am. Only for today, okay? Tomorrow I'll come from Moral Support. Yes, yes, yes.
18:58I spoke to Norman. Let's plan a test for tomorrow morning at 6. How does that sound? Yeah?
19:03Keeping you by my bedside, Ray. At the very least, huh?
19:07Thanks. Thanks. You got it, of course.
19:13Good afternoon. Christoph, Misha. I'll handle this, thank you.
19:17Well, we found the most reputable tailors to help us make an exact replica of the costume.
19:22We'll keep looking for your bags, of course. But meanwhile, we have a plan B.
19:26That is, making another costume with only the finest fabrics available.
19:30It's gonna be fine.
19:32Can't dance without my costumes.
19:33Excuse me.
19:34There will be no show.
19:43So, how are things? What's new? How's the paperwork for the trip coming along?
19:48Good.
19:50Did you fill the forms out?
19:53Yes, but this week I couldn't because of school.
19:56Wait, wait, wait. Yes or no?
19:59I don't know. They wanted me to answer things that had me stumped.
20:02Well, you can just ask me for help or bother your mom, but you got to move it, champ.
20:07Take the opportunity, Javi. You'll be an adult one day with a lot of problems, responsibilities.
20:14How can I explain it?
20:15You're a young man. You need to experience many things in the world still.
20:21You need to discover things, okay?
20:23You don't want to squander your liberty, you see.
20:27Because afterwards, we're still going to be busy with your studies and work as well.
20:32I already work.
20:34Well, giving mom a hand, but it's work though.
20:39Aha. Look at you.
20:42Thanks.
20:43With your mom, you said?
20:45And doing what?
20:47Mom's doing an event for these, you know, Russians, a bottle of vodka, and I'm helping her.
20:52She started an agency.
20:54Oh.
20:54That's my flan. Hey.
20:56Oh.
21:00You ate my flan.
21:03Are you okay?
21:04Yeah.
21:08What's up?
21:09What's up with you?
21:10What you doing, man?
21:10Oh, you know what I'm doing.
21:11Son of a bitch.
21:12Hey, come here.
21:13Come here.
21:14You want to go with me?
21:15Yeah, I want to go with me.
21:15Yeah, I do want to go.
21:17Get on.
21:31Well, I can't stay long.
21:33I'll tell you what I know.
21:34I gave your number to my sister so she's able to message you when she's in Buenos Aires and you'll
21:39connect.
21:40But they want to marry in July.
21:41They're starting to look at agencies.
21:43They're with, uh, you can answer.
21:46I don't mind.
21:47No, no, no, no, no.
21:48It's okay.
21:49Go on, please.
21:50Scones with endives and arugula.
21:52Kwampi and I both really value catering.
21:55And I love the venue you proposed.
21:57It's magical.
21:58Well, Kwampi should see it.
22:00Kwampi.
22:01Yes.
22:02Exactly.
22:02Yes.
22:03Elegant and clean, but with a quality bar.
22:05So I'll talk to him and then get right back.
22:08Okay, perfect.
22:09Great.
22:09It's set then.
22:11Sorry, do you have another card?
22:12This one was declined.
22:14Don't worry, I got...
22:15No, no, no, no, no, no, no.
22:16Um, why don't you try it again?
22:21One more, try it, please.
22:23Try it again.
22:24Excuse me.
22:32Do you want some juice?
22:33No, thanks.
22:35I'm exhausted.
22:36I stayed up late last night playing.
22:37I didn't sleep a wink, but still got a thousand hours to go.
22:40Do you play much?
22:41Hmm.
22:47Can you smoke?
22:49Yeah.
22:59Give it back.
23:02Have you finished school?
23:04Yeah.
23:05I'm done this year.
23:06Know what you'll study?
23:08Apparently, business administration.
23:11Interesting.
23:16Well, I should probably work.
23:19Uh, you need some help?
23:20Sure.
23:28The ladder's moving.
23:30And if you stay still, it won't.
23:31I'm gonna need the saw.
23:34Do you have the saw there?
23:35Yes, yes.
23:36Here.
23:37Grab it.
23:37Careful.
23:39Careful.
23:41Here.
23:46A little more, please.
23:48Yes, gather.
23:50But at the same time.
23:53A little bit more.
23:58Careful.
23:59Careful.
24:01What happened?
24:03Everybody okay?
24:04It's okay.
24:05Everything's okay.
24:06Andy, no.
24:07What?
24:08No, you can't be moving stuff in the middle of a rehearsal.
24:11What?
24:11No, no way.
24:11We gotta practice while setting up.
24:13It's crazy.
24:13I need the choreographer to do what he needs to do.
24:15Why don't you consult the timeline?
24:17The rehearsal is scheduled.
24:18Oh, I see that your priorities are perfectly clear.
24:21Good.
24:21The power went up.
24:23Ivan, do you copy?
24:24Yes, I copy.
24:26Yeah, it went out again.
24:27I'll go and check the panel.
24:30Let's go.
24:33Hi, Dad.
24:33We're on our way.
24:35Wait for me there.
24:38Hey, remember that the doc said it's almost a fracture?
24:40Yeah.
24:43Wait up.
24:44Wait, wait.
24:45Javi, what happened?
24:46Are you okay?
24:48Oh, hi, Mom.
24:49Yeah, everything's okay with me.
24:50Don't worry.
24:52I'll be back soon.
24:53Bye now.
24:56Okay.
24:57You okay?
24:58Yes, yes, yes.
24:59Okay, good.
25:01That's good.
25:04Oh, Javi, you okay?
25:05Yeah.
25:05Does it hurt?
25:07Not bad.
25:08Not bad?
25:09Come on, don't be a tough guy.
25:10It hurts.
25:11I can't believe it.
25:13Does it hurt?
25:14It was stupid.
25:15Yes, I fell.
25:16Were you crying?
25:17No, no.
25:18Yes, you were crying, Javier.
25:19Your eyes are red, honey.
25:20No, no, I'm tired.
25:21Yes, your eyes are red.
25:22It's true.
25:23Do you want some tea?
25:24Yeah, come on.
25:25I'll make you tea.
25:26I'll take you tea.
25:26I'll take you tea.
25:27I'll take you tea.
25:27I'll make it.
25:29Take care, okay?
25:30Yeah.
25:31Take this.
25:31Don't forget your medicine, okay?
25:33Ah, yeah.
25:34Don't forget.
25:34Okay, right.
25:34Let's go, come on.
25:35I love you very much.
25:36Me too.
25:37Javi, let me know.
25:38Whatever you need.
25:39Can we talk for a second?
25:41Yes.
25:49What's up?
25:51Why don't you answer my calls?
25:54I answer your calls.
25:55No, you didn't answer my calls.
25:56Well, I don't know.
25:57I must have missed it.
25:57It's just, today was complicated.
25:59I see.
26:00Hmm.
26:01What's happening in the house?
26:04What?
26:04So you're doing events now, Molly?
26:06Ah, yes, Marcos.
26:08Honestly, I'm taking the world by storm.
26:10So anyhow, you wanted to talk about Javier?
26:13Yeah, so, no, look.
26:14While you take the world by storm,
26:15you could answer the phone.
26:17Your son almost fractured a bone,
26:19and you're suddenly unreachable.
26:20You're his mother.
26:21And that's why he also has a father.
26:23Of course, that's why mothers and fathers are responsible.
26:26Mm-hmm.
26:27That's why I'm asking, please,
26:29that you pay more attention to Javi.
26:31He seems very, I don't know, scatterbrained.
26:34Mm-hmm.
26:35I'll keep that in mind, then.
26:36Okay.
26:37Thanks.
26:39Marcos.
26:41Yes?
26:44Uh, just remember to get your things in the foyer.
27:12They're still setting things up.
27:14They're killing me with overtime.
27:16I know it.
27:17That's the product.
27:18Don't touch it.
27:20What's that?
27:21Product is not ours to touch.
27:24This is my house,
27:26and I'm going to take this bottle
27:28and put it in my refrigerator
27:30because I feel that I need it.
27:31And more than that,
27:32I deserve it, too.
27:37Your ex is Marcos Gutierrez?
27:41Yes.
27:42I worked there for years.
27:45He never valued me.
27:47Maybe it wasn't the place for you.
27:52Here, I'm going to give you
27:53Marcello's phone number and flight information.
27:55What?
27:56Send a car tomorrow at 6 p.m. to Isaisa.
27:59Marcello has Misha's baggage.
28:01Are you for real?
28:02For real.
28:02Oh, wow.
28:05You're welcome.
28:06Here it is.
28:08Never touch the product, though.
28:10Never.
28:10Rest up now.
28:11Okay.
28:12Go on.
28:14Good night.
28:15Ciao, Andy.
28:16I just got off the phone
28:17with the HUD people
28:18and we talked about lighting.
28:20We're waiting on the accountant
28:21to finish it all up.
28:22And for what's next.
28:23What's next?
28:24What's next?
28:25We are about this...
28:27This close to confirming the wedding.
28:30Got him here.
28:31Look, smack in the palm of my hand.
28:33And I've got feelers everywhere.
28:35I can see us.
28:36I can really see us.
28:40I really missed all of this.
28:43I'm loving it.
28:44I'm thrilled.
28:45I was bored.
29:15I'm, I'm, I'm, I'm, I'm...
29:40I'm just...
29:42cards you should have told me please what can i say that i'm a bad guy what should i say
29:47i do
29:48everything wrong i'm always in trouble because i'm not with you what do i need to explain or
29:52what do you want me to explain what tell me what do you want me to say and i'll say
29:55talking over
29:55the phone is depressing i didn't choose this i'm not the one i didn't choose to speak like this you
30:00left whatever they threw me out of training they want to beat me up i messed up when i'm not
30:06with
30:06you i need you
30:53malanush huge bombshell marcello's here with the suitcase great great good news you know you
31:00should use bombshell sparingly because you make me nervous cali okay misha your suitcase
31:09guest may come in now we're ready here
31:48everyone ready cali andy ray perfect it's a go yes we're ready all right let's go
32:06go
32:06I don't know.
32:45I don't know.
33:18I don't know.
33:42I don't know.
34:08I don't know.
34:22I don't know.
34:27I don't know.
34:31I don't know.
34:52I don't know.
34:54I don't know.
35:04I don't know.
35:14I don't know.
35:19I don't know.
35:26I don't know.
35:27I don't know.
35:29I don't know.
35:30I don't know.
35:31I don't know.
35:31I don't know.
35:41I don't know.
35:45I don't know.
35:46I don't know.
36:06I don't know.
36:07I don't know.
36:10I don't know.
36:11I don't know.
36:17I don't know.
36:20I don't know.
36:21I don't know.
36:41I don't know.
36:43I don't know.
36:43I don't know.
36:49I don't know.
36:53I don't know.
36:54I don't know.
36:55I don't know.
36:58I don't know.
36:59I don't know.
37:01I don't know.
37:05I don't know.
37:06I don't know.
37:06I don't know.
37:07You
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