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*Fawlty Towers* is a classic British comedy set in a chaotic seaside hotel run by the short-tempered and socially awkward Basil Fawlty, played by John Cleese. Alongside his domineering wife Sybil Fawlty, the sensible maid Polly Sherman, and the hapless waiter Manuel, Basil constantly finds himself in absurd situations of his own making.
Across its two short seasons (1975 and 1979), the show delivers tightly written episodes filled with misunderstandings, farce, and escalating chaos—from dealing with difficult guests to famously disastrous events like the hotel inspection and the arrival of German tourists. Despite having only 12 episodes in total, *Fawlty Towers* is widely regarded as one of the greatest sitcoms ever made, known for its sharp writing, unforgettable characters, and relentless comedic timing.
*Fawlty Towers* is a classic British comedy set in a chaotic seaside hotel run by the short-tempered and socially awkward Basil Fawlty, played by John Cleese. Alongside his domineering wife Sybil Fawlty, the sensible maid Polly Sherman, and the hapless waiter Manuel, Basil constantly finds himself in absurd situations of his own making.
Across its two short seasons (1975 and 1979), the show delivers tightly written episodes filled with misunderstandings, farce, and escalating chaos—from dealing with difficult guests to famously disastrous events like the hotel inspection and the arrival of German tourists. Despite having only 12 episodes in total, *Fawlty Towers* is widely regarded as one of the greatest sitcoms ever made, known for its sharp writing, unforgettable characters, and relentless comedic timing.
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00:23Ha ha ha ha ha ha!
00:25Eh!
00:29Eh!
00:30Eh!
00:30So, it's warm tonight, isn't it, Boldy?
00:32It certainly is, Bladie, yes.
00:34Oh, very warm.
00:35Oh, can I get you another one?
00:36What?
00:37Oh, well, why not indeed.
00:39What a nice idea.
00:40Eh!
00:41It always reminds me of somebody machine gunning a seal.
00:44Eh!
00:45No, no, my wife's lying.
00:47Ah, yes.
00:49Ah, good evening, Mrs. Fenwar.
00:51Good evening.
00:52Thank you for your map.
00:53It was so useful.
00:55I must congratulate you.
00:57I had no idea how charming talk he was.
01:00Ah, enchanté.
01:01May I ask, did you find anything of interest?
01:03Hmm, a few pieces I like very much.
01:06And one.
01:07Oh, I had to have it.
01:09Ah, formidable.
01:11I'm so pleased.
01:12May I introduce, Sir Major Goen,
01:14our longest standing resident, Mrs. Penwar?
01:16How do you do, Major?
01:17How do you do, madam?
01:18Mrs. Penwar is an antique dealer.
01:20She's down here for a few days,
01:21sniffing around for dainty relics.
01:23Ah!
01:25Please don't alarm yourself.
01:27It's only my wife laughing.
01:28I'm afraid her local finishing school was bombed.
01:30Oh, dear.
01:31No, no, not really.
01:32Just a thought.
01:33Well, now, what can I get you?
01:34Do you have any Ricard?
01:36I'm sorry?
01:37Any Ricard?
01:38Ah, we're just out of it, I think.
01:41Just a sherry, then.
01:42But, of course.
01:43Tell me.
01:44Are you, by any chance, French at all?
01:47Yes, I am.
01:48Good Lord!
01:53Enjoying yourself, dear?
01:55We haven't put any nuts in the bell, have we?
01:58Well, I haven't.
01:58I don't know about you.
01:59Ah, well, I'll do it, then, shall I?
02:01That would be the simplest solution, dear.
02:03Well, where's Manuel?
02:04We've given him the evening off, dear.
02:06It's his birthday.
02:07I mean, how old is he?
02:08Two and a half?
02:13Excuse me.
02:14There are no nuts here, Sybil.
02:15No nuts!
02:18You'll find them in the kitchen.
02:20Oh, will I?
02:22Well, if you can bear to tear yourself away from Mrs Payne while you will,
02:25do go on.
02:30Did you ever see that film How to Murder Your Wife?
02:34Yes, awfully good.
02:35I saw it six times.
02:38Very funny.
02:42Are you all right, Mr Foddy?
02:43Yes, yes, thank you very much.
02:44You all right?
02:45Yes.
02:46Good, good.
02:46Well, we're all all right, then.
02:50Must be the heat.
02:51Yes, and he's getting taller, isn't he?
02:53I don't think he's very well, dear.
02:55I think we ought to take care.
02:57Hello.
02:58I think I left it over here.
03:00Hang on.
03:03Oh, here it is.
03:05See you tonight.
03:15Yes, Sybil for tonight, is it?
03:17Mr Foddy, may I introduce Richard Turner?
03:19I'm sorry?
03:20He's a friend of mine.
03:21Oh, you know each other, do you?
03:22Just passing through, are you?
03:24Well, there you go, see you tonight.
03:25Oh, we've opened a library, have we?
03:27Oh, nice.
03:28Please don't leave on my account, Mr Turnip.
03:30I'm sorry.
03:31I'm here, Polly.
03:32We were just saying goodbye and there was nobody...
03:33Polly, what sort of a place do you think this is?
03:34A massage parlour?
03:35I mean, we are running a nice, respectable hike.
03:39I'm sorry, did I say something funny?
03:40No, I was just looking to...
03:42No, no, obviously I was saying something quite pretty comic.
03:44No, it's just the heat.
03:45Oh, well, so long as I amuse the staff, I mean, that's all I'm here for.
03:48I'll just take these in, shall I?
03:49One other thing, Polly.
03:50I'm afraid we've abandoned the idea of the topless afternoon teas,
03:53so if you wouldn't mind a changing before you go home where people may be trying to eat.
03:56I was going to.
03:58And Polly, would you come back here, please?
04:00I'm on form tonight.
04:01Yes, Mr Turnip.
04:02I know these kind of drawings are considered decent at art school.
04:04Would you please not leave them lying around on display at the reception?
04:07I'll put them away when I've got some clothes on.
04:10I mean, bit!
04:18PHONE RINGS
04:19Hello, faulty titties.
04:23Yes, yes.
04:25Oh, it's you, Audrey.
04:26Yes.
04:28Oh, he's left you again, has he?
04:29Oh, dear.
04:31Oh, dear.
04:32How sad.
04:33Hmm.
04:33Yes.
04:34Oh, good evening, Major.
04:35Yes, I'll be with you in just one moment.
04:37Yes, well, I'll get a call.
04:38Hmm.
04:39Yes, well, keep your pecker up.
04:40Bye.
04:43PHONE RINGS
04:44Oh, stop it!
04:50PHONE RINGS
04:50Hello.
04:52We've booked a room.
04:53Have you?
04:54Yes, a double one.
04:55The name is...
04:55One moment, please.
04:57It's a nice suit.
04:58What?
05:00I thought you said something.
05:01No.
05:03Are you all right?
05:05Yes, thank you.
05:09Are we ready?
05:10I think we are, yeah.
05:11Will we answer your name, please?
05:12Yes, it's Bruce.
05:14Mr and Mrs Bruce.
05:15That's right.
05:16Is it a double bed?
05:17I beg your pardon?
05:18Has our room got a double bed?
05:21A double bed?
05:22Yes.
05:23Well, we've only got one double bed.
05:24I mean, you want that?
05:25Oh, very much indeed, yes.
05:26Well, I'll have to put you in number 12, then.
05:28All right.
05:29Well, I mean, why...
05:30Oh, never mind, yes.
05:31All right.
05:31Has it got a breeze?
05:34Has it got a breeze?
05:35Oh, is it airy?
05:37What, is it airy in it?
05:38I mean, what...
05:40I think there's a letter for me.
05:42What?
05:42There's a letter for me there.
05:43No, there isn't.
05:44Yes.
05:45Jean Wilson.
05:48Jean Wilson, is this you?
05:49Mm-hm.
05:51Now, what's going on here?
05:53Well, I can't give you a double room, then.
05:54Oh, Lord.
05:55It's against the law.
05:56What law?
05:57The law of England.
05:57Nothing to do with me.
05:59Nothing to do with you?
06:00Nothing at all.
06:01I can give you two singles if you like, but...
06:03Look, should we go somewhere else?
06:04Excuse me.
06:05Yes, it's...
06:06Well, there's my key.
06:08And now I'm off to paint the town red.
06:10Thank you so much.
06:11Well, perhaps I'll see you later this evening?
06:14Yes, my wife and I will be up till quite late tonight, thank you.
06:18I don't believe a word.
06:19Excuse me.
06:20We'll have two singles, then, if that's all right with the police.
06:23Two singles, certainly.
06:25Now, um...
06:25Next to each other.
06:27Next to each other.
06:27Oh, dear.
06:28We can't do that.
06:29What a shame.
06:30Good evening.
06:31Good evening.
06:32A double, is it?
06:33We'd like a double.
06:34Two singles, dear.
06:35Not married.
06:36Now, um...
06:37What?
06:38Nothing, dear.
06:39I'm dealing with it.
06:40Well, 17 and 18 are free.
06:41You'd have to share a bath.
06:43No.
06:43Oh, uh, Audrey called.
06:45I'll handle it.
06:45Uh, George is left for it again.
06:47Oh, no.
06:48Now, we've got one on the first floor and one right up at the top.
06:51Shall I deal with this, Basil?
06:52I'm dealing with it, dear.
06:53No, dear, that's all right.
06:54Now, you wanted two singles.
06:55I said I'd deal with it.
06:56Do you mind sharing your bathroom?
06:57Look, I was here first.
06:59Well, it's my turn now, then.
07:02I fought the Korean War, you know.
07:03I killed four men.
07:05LAUGHTER
07:07He was in the catering corps.
07:09He used to poison them.
07:12LAUGHTER
07:13Yes?
07:15Who is it?
07:16It's Manuel.
07:16Very well.
07:16What do you want?
07:17Can I go now?
07:19I thought you'd gone.
07:20OK.
07:21I thought you'd gone.
07:23No, no.
07:23I turned it off.
07:24What?
07:26It was about so high.
07:27No, no.
07:28I said I thought a creduto...
07:30It doesn't matter.
07:31OK.
07:31It doesn't matter.
07:32Oh, you think I'd gone?
07:34Yes.
07:35No, no.
07:35I go now.
07:36Wonderful.
07:36What, is OK?
07:37Is OK.
07:41Yes?
07:42Before I go.
07:43Is it...
07:45It's my birthday.
07:46Yes, I know.
07:48I want to thank you for beautiful presents.
07:51Oh, yes.
07:51And for your much kindness to me since I come here.
07:54Not at all.
07:55My pleasure.
07:55Since coming here from Spain, leaving my mother...
07:59Outside.
08:00OK.
08:00Outside.
08:01LAUGHTER
08:04Since coming here from Spain, leaving my five brothers and four sisters...
08:09OK.
08:09Sure.
08:10LAUGHTER
08:12Can I have it, Basil?
08:13What, dear?
08:14A key.
08:15I've only got the key to room twelve.
08:16That's the one.
08:17Now, look here, Sybil.
08:18Basil.
08:19If you were my size...
08:23Since coming...
08:24Well, where?
08:25She's...
08:25Number twelve, please.
08:28Basil.
08:34Jean!
08:35Hello, Paul.
08:36What are you doing here?
08:38Well, we couldn't get in at the Bellevue.
08:40Oh, no.
08:41Hello, Alan.
08:41It'll be fun.
08:43It'll be fun.
08:43My parents arrive tomorrow.
08:44What here?
08:45Hmm.
08:45Well, I warned you.
08:46Yes, we've already met the famous faulty.
08:48Shh!
08:48I'm not supposed to hobnob.
08:50Oh, dear.
08:50Oh, I like your outfit.
08:51I'll give you the pattern.
08:55Are you going to be at Fiona's wedding?
08:57I can't.
08:58But I'll be at the reception.
08:59My very own Jean Wilson creation.
09:01I want you to try that on later.
09:02OK.
09:03How's that Gordon stuck on?
09:04Oh, I haven't seen him for a month.
09:05He's been in Singapore.
09:06Oh, blast.
09:08I forgot to get those batteries for my electric razor.
09:11Is there anywhere still open, Paul?
09:12Well, you might find a chemist.
09:13Yeah, well, I'd better have a look.
09:14Hmm.
09:15Won't be long.
09:16Is Richard coming tonight?
09:17Hmm.
09:17We'll be along about ten.
09:18Great.
09:25Hello again.
09:26Well?
09:27Have you managed to get it all sorted out with your wife?
09:29All I wouldn't know about that, is there something you want?
09:30Ah, yes.
09:31Look, I know it's a bit late, but do you know if there's a chemist still open?
09:37Do you know if there's a chemist still open?
09:39I suppose you think this is funny, don't you?
09:42Funny?
09:43Ha, ha, ha.
09:45No, no.
09:46I really want to know.
09:47Oh, do you?
09:47Well, I don't.
09:48So far as I know, all the chemists are shut.
09:49You'll just have to wait for tomorrow.
09:51Sorry.
09:53Bit of a blow, I imagine.
09:54What?
09:55Nothing, you heard.
09:56What?
09:57Is it all?
09:58Well?
09:59Yes?
09:59I don't suppose you've got a...
10:01No, look!
10:02Just don't push your luck.
10:04I have a breaking point, you know.
10:06I only want some batteries.
10:10I don't believe it.
10:12What?
10:12Batteries, eh?
10:13You know something?
10:14You disgust me.
10:16I know what people like you get up to, and I think it's disgusting.
10:20What are you talking about?
10:22I want some batteries for my electric razor.
10:23I want to shave.
10:24Oh, yes?
10:24Yes, I'm shaved today.
10:26Look, see?
10:26Electric razor, huh?
10:27Right.
10:29Well, that's what I was referring to when I said it was disgusting.
10:31It is, of course, disgusting that you haven't shaved.
10:33But, uh, understandable.
10:34I mean, sometimes I don't shave either, and that's disgusting, too.
10:37So, I shall have an appraiser sent up to your room straight away.
10:39Thank you so much.
10:40Good night.
10:42Good night.
10:56Good night.
11:08G
11:21hello Audrey any news oh dear he hasn't oh I know he doesn't deserve you order he really
11:36doesn't exactly I know you have I know I know oh I know what was that Audrey oh I know
11:52I know why is she
11:55telling you then I understand yeah I really do I can't stand it anymore I don't clean the roof or
12:04something oh there's a front doorbell somebody's got back late yes yes I expect they got to get
12:09their passkey I know let them in yeah I'll go then shall I yes I agree right I'll go then
12:17I mean
12:18know who that is don't you I mean that's your pair the karma suit was said good evening welcome to
12:22basil 40 knocking shops limited no dear it's only basil I'm coming I'm coming and I suppose you know
12:36what time it is I'm so sorry oh no I had a few little jobs to do oh you're so
12:49kind oh well I had just a
12:52lovely evening did you I'm very nice I saw some friends I hadn't seen for years I had a little
12:59bit too much to drink I'm afraid oh I mean what's life for if
13:03one can't get a bit well hardly blotter oh Mr. Fawlty you're so charming well one does one's best I
13:13hope Mrs. Fawlty appreciates how lucky she is
13:17well I think probably not in fact but oh sorry sorry sorry I'm very good but ah let me out
13:24oh oh sorry sorry sorry ha ha ha where you are but I'm kind of awfully sorry no it's quite
13:29extraordinary
13:29the front doorbell went and Mr. Margaret to Tokyo and I thought to myself I expect that'll be Alan and
13:34so down I go and lobehold it's not you at all it's Mrs. Penoir have you met Alan and this
13:39is Mrs. Penoir she's an antique dealer you know I mean she deals in antiques she's not
13:43tightly old or anything ah so I live in just 10 seconds I mean hardly five I mean hardly time
13:47to say good evening in she comes
13:49lots of things down I go down she goes oh there you are this my soul is going golly is
13:53that the time my goodness I was thinking it was a quarter past ten
13:56my god when I never get to bed I can't stand around talking all night I can't get an early
14:00night bye bye
14:02sorry
14:09are you all right yes I am good night good night do you know just make that call mmm don't
14:16be too long
14:24good night
14:26hmm
14:26who was it
14:28oh it was your uh your pair
14:30huh
14:31oh
14:32good night
14:33bonne nuit
14:37oh and that uh that woman uh
14:41Mrs. Penoir
14:42er yes something like that
14:44hmm
14:44hmm
14:44Dormi bien
14:45Mr. Patti
14:52how's Audrey?
14:54she's in a terrible state
14:55ah
14:56good
14:56good
15:00there's someone at the door of Sybil?
15:02why are you shouting Basil?
15:04was I shouting? sorry Sybil
15:05er
15:05well I'd better go and see who that is then Sybil
15:08ha ha
15:08I expected some cue forgot to get the guests for their door or something like that
15:11some innocent explanation
15:13huh
15:13are you ready Sybil?
15:14I'm ready
15:15right well I'll just see where that is then Sybil
15:16oh
15:17all right Sybil
15:20hello
15:25hello
15:25hello
15:26ha
15:28holly
15:29oh
15:30oh
15:30oh so sorry Mr. Faldi
15:32oh poor Mr. Faldi
15:34oh
15:34are you all right?
15:35no I'm dying but don't get out of bed
15:37I hurt you
15:38and you're so wonderful to me
15:39give me such beautiful presents
15:41thank you
15:42you're drunk Manuel
15:43no no no
15:44it's beautiful
15:45it's my first one
15:46now listen
15:47oh
15:47oh poor Mr. Faldi
15:50so sorry please
15:51Mr. Faldi
15:52I love you
15:53I love you
15:54you're so kind to me
15:55you're so good to me
15:56I love you
15:57I love you
15:57I'm trying to read in here
15:59since I come here from Spain
16:02leaving my five mothers
16:03and four aunties
16:05with a not right leg
16:06ha ha
16:09ha
16:09ha
16:09ha
16:09ha
16:09ha ha
16:13eh maintenant
16:14un peu de café
16:15ah oui s'il vous plait
16:16café au lait
16:17café what?
16:18au lait
16:19ah
16:19au lait
16:20oh
16:25oh
16:26oh
16:26oh
16:26oh
16:27oh
16:31oh
16:32oh
16:32oh
16:39there we are
16:40voilà sommes-nous
16:42café pour vous
16:43vous?
16:43pas pour toi?
16:45uh well I'll probably have one later
16:47oh
16:48oh good
16:48oh Mr. Faldi
16:49I forget
16:50the window in my bedroom
16:51I can't open it
16:52could you?
16:53oh certainly I'll pop up and fix it
16:54certainly
17:10Thank you so much.
17:13It's terrible.
17:14Go to the kitchen, ma'am.
17:15I cannot.
17:16Ma'am, I'll go to the kitchen.
17:17No, no, no.
17:18Come on, ma'am.
17:19No, no, please.
17:19I die here.
17:20Please.
17:21Sorry, Magnus.
17:22We've been all working awfully hard recently.
17:24You know, I can manage to take a pint.
17:27No, no.
17:28Please, Mr.
17:28Oh, no, Mr.
17:30Oh, no, Mr.
17:30Oh, no.
17:32It's disgusting.
17:33I beg your pardon?
17:35Nothing.
17:35I thought you said something.
17:36No, no, no.
17:37Carry on.
17:46Get on with your meals.
17:50Thank you, Mr. Lloyd.
17:51And this is just for tonight, isn't it?
17:53That's right.
17:54Will you be taking lunch?
17:55Oh, we won't have time, I'm afraid.
17:56We've got this wedding at half past two.
17:57Oh.
17:58I wonder, could I make a call?
18:00Oh, please, use that phone.
18:01Would it be possible to have some sandwiches sent up to the room?
18:03Certainly.
18:04Here's the key.
18:05I'll have your bags brought up in a moment.
18:07Would you like coffee with the sandwiches?
18:09Oh, yes, please.
18:11Mum!
18:13Hello, darling.
18:14Hello, hello, Alan.
18:15Hello, Rachel.
18:16Oh, where's Philip?
18:17Did he have a good trip?
18:18Marvellous.
18:18He's upstairs.
18:19Oh, could I speak to Mrs. Bryce, please?
18:21I'll see you in a moment.
18:22All right, darling.
18:23I'm just going to finish my breakfast.
18:23Right, hola.
18:26There they are.
18:27Where's the key?
18:28He's already taken it up, Basil.
18:30Oh, right.
18:31Anne, it's Rachel Lloyd here.
18:33How's everything?
18:34I'm going to take your cases upstairs.
18:35Yes, I know.
18:39Darling, it's beautiful.
18:42Oh!
18:44Oh!
18:51Sibyl!
18:52Sibyl!
18:57Sibyl!
18:57Hello.
18:58Hello.
18:59It's Mrs. Lloyd, isn't it?
19:00That's right.
19:01How do you do?
19:01Forty.
19:02Barrel Forty.
19:02How do you do?
19:03Oh, pretty well, really.
19:04Can't complain.
19:06Yes, well, we had this door knocked through recently.
19:08Made a rather good job of it, don't you think?
19:11Yes, yes.
19:12It's very nice.
19:12Yes, marvellous.
19:13It's changed our lives, really.
19:14You know, we used to have to do the hundred yards through there and back again, but now
19:17we can just sort of open it and...
19:18Oh, dear.
19:19This isn't what I think it's right as it usually does.
19:21Ah!
19:23Go right in.
19:25Just like that.
19:26Marvellous, really.
19:26It's sort of simple but effective.
19:27Would you like to have a try?
19:29Well, I'd love to one day, but I think just now I'd better get upstairs, so I'll see
19:34you later.
19:34Ah!
19:38Are you all right?
19:39Oh, a bit of trouble with the old leg.
19:40I'd better just sit down here.
19:42A bit of shrapnel.
19:43Corian war.
19:44Still in there.
19:45Can't they get it out?
19:46No, no.
19:47Too deep.
19:47Too deep.
19:48Well, this is the kitchen, as you can see.
19:50What?
19:51The kitchen.
19:52Yes, we had it past about five years ago.
19:54We've got a few cracks up there now.
19:58Oh!
19:59Ah!
19:59Don't worry about him.
20:00It's just having a lie down.
20:03Spanish.
20:04From Barcelona.
20:05You know, sort of siesta.
20:06But he's fine.
20:06Ah!
20:08It was his birthday yesterday.
20:10Anyway, we've got a few cracks up there now, but nothing serious.
20:13So, as I say, it's not the Sistine Chapel.
20:16We're very happy with it.
20:17Are you sure he's all right?
20:19Oh, yes.
20:20Yes, he's fine.
20:20Yes.
20:21But he's groaning.
20:22Is he?
20:23Is he?
20:23Can't you hear him?
20:25So, yes.
20:25Listen, I just remembered, I left your cases just outside your room, by mistake.
20:29Um, er, er, would you mind if I went up and put them inside now?
20:32Unless there's anything else you'd like to...
20:33Don't you think, perhaps we should open them?
20:35No, no, no, no.
20:35Don't worry about that.
20:36My wife will deal with that.
20:37Sybil!
20:37So, if you'd like to, er...
20:39Come along, come along.
20:42Come in.
20:44You're sandwiches, Mr Lloyd.
20:47Polly!
20:48Hello.
20:49How are you?
20:50Fantastic.
20:51Oh, it's great to see you.
20:53You're still gorgeous.
20:54Oh, dear, dear, dear.
21:06Is anything the matter?
21:10Mrs Lloyd, can I have a word with you?
21:12You are?
21:13Yes.
21:14Oh, well, there's something that I need to explain.
21:16Well.
21:17Er, could we go in now?
21:18Oh, really?
21:19Is it absolutely necessary?
21:20I'm afraid it is.
21:23Go.
21:28Mrs Lloyd, I'm so sorry, but this is a much nicer room than the one we've given you.
21:38What?
21:39I'm sorry.
21:39I was just saying that this room is so much nicer than yours and I wanted to bring you in
21:44here now and share it to you and apologise in case you found out about it later and got
21:48rather cross.
21:48Now, the point is, the point is, if it turns out you don't like that room, then we can
21:55always move you in here, but I don't think it's worth doing until you've definitely decided
21:58that you don't like that one as much as this one, and then we can sort of sit down around
22:02a table, sort of discuss it, you know, kind of chew it over and, er, and it would
22:09be a piece of cake.
22:11Bob's your uncle.
22:12Okay?
22:14Ha!
22:15Fine.
22:16You've been done.
22:17Oh, sorry.
22:18Sorry.
22:24Thank you very much.
22:25I wonder where you were, darling.
22:30Darling?
22:31Darling?
22:32Darling, are you all right?
22:34This room is exactly the same as the one that you can...
22:39Oh, she is absolutely smashing.
22:43Bit tight across the bust.
22:44Oh, I love it.
22:45Laura, Laura, Laura.
22:46You sure?
22:47Can I pick it up tonight?
22:49Laura, Laura, Laura.
22:51That's it.
22:52That's it.
22:52Oh, that is amazing.
22:54That is amazing!
22:56That is amazing!
22:57Oh, ha, ha, ha.
22:59Ha, ha, ha, ha, ha, ha.
23:02Oh, ha, ha, ha!
23:04Oh, ha, ha, ha, ha, ha.
23:04Oh, ha, ha, ha, ha.
23:04Oh, ha, ha, ha, ha, ha.
23:07Hey, baby.
23:09Have you been taking lessons?
23:11Oh, so, see you tonight, huh?
23:15That's absolutely fantastic.
23:29Oh.
23:32No, no, no. No, no, no.
23:34No, no, no. No, no, no.
23:42Molly, I want to see you at reception in one minute in your hat and coat.
23:45I'm sorry?
23:45I want to see you at reception in one minute in your hat and coat.
23:48Will they fit you?
23:49No.
23:50You, you!
23:52They're going.
23:53What?
23:54They're going.
24:03I'm sorry, but you have to go. We made a mistake. All these rooms are taken.
24:06Hello?
24:07She was sitting on him.
24:09Five minutes later, I found him lying on the floor underneath the waiter.
24:15I'm sorry, but...
24:16Ah, there you are. Got together, have you?
24:18Yes, yes, I might have guessed, mightn't I?
24:20Yes, I see.
24:21Of course, we're a bit behind the time zone here in Torquay.
24:24Well, I'm sorry, but you have to go.
24:25We made a mistake. All these rooms are taken.
24:26I'm so sorry.
24:29Well, actually, I'm not, sir.
24:30I mean, you come in here just like that and, well,
24:32to be perfectly blunt, you have a very good time at our expense.
24:35I mean, I think you know what I mean.
24:36I mean, you have had a very, very good time, haven't you?
24:39Well, not here you don't.
24:40Oh, no.
24:41Thank you and good night.
24:52Well, that's taken care of that.
24:54Basil, what is going on?
24:55Why did you tell Polly to get her hat and coat?
24:57Because she's going along with the Lloyds and that pair you let in.
24:59I've never seen anything like it in my life.
25:00My God!
25:01Basil, what are you on about? Why are they leaving?
25:03I'll tell you exactly why they're leaving.
25:04First of all, I go up there and I find that girl in his arms, in Lloyd's arms.
25:07Five minutes later, Polly's in there!
25:09What girl?
25:10That, that girl!
25:12She's his daughter.
25:13What?
25:15She's Mr Lloyd's stepdaughter.
25:17They're all one family.
25:34Well, what about Polly?
25:35She was at school with Jean. She's known them all for years.
25:38Four years, huh?
25:39Four years.
25:41What have I done?
25:42What have you done?
25:43I told them to leave.
25:44You've told them to leave?
25:46Well, how was I supposed to know?
25:48Why didn't you tell me, you halfwigs?
25:49Why didn't they tell me?
25:50You can't blame me for this.
25:51Go and tell them they can stay.
25:53Why don't you go and tell them?
25:54I didn't tell them to go.
25:55Oh, no.
25:55No, I suppose it's all my fault, isn't it?
25:57Go and tell them.
25:58Now.
25:59No, I won't.
25:59You will.
26:00No, no, I won't.
26:01Oh, yes, you will.
26:01Oh, yes, I will.
26:02Right, yes, that's right.
26:03Leave it to me.
26:03Let me get you out of it.
26:04That's all I'm good for, isn't it?
26:05That's all faulty limited.
26:07And a people's mess is cleared up by appointment to my wife, Sybil.
26:09I mean, what am I going to say?
26:11Tell them you made a mistake.
26:13Oh, brilliant!
26:15Brilliant!
26:16Is that what made Britain great?
26:18I'm too sorry a meal of steak.
26:20I need a job for a brain sponge cake.
26:26Well, very nice, very nice.
26:27Take them off.
26:28Get back to work.
26:28I'm so sorry I made a mistake.
26:33I'm so sorry I made a mistake.
26:35I'm so sorry I made a mistake.
26:35I'm sorry.
26:35I'm so sorry.
26:36But my wife has made a mistake.
26:38I don't know how she did, but she did.
26:39She's made a complete pudding in the whole thing as usual.
26:41It'll be perfectly all right for you to stay.
26:43I've sorted it all out.
26:44I'm frankly sorry.
26:44But you know what women are like.
26:45They've got one brain between the lot of them.
26:47Well, not all of them.
26:47But I mean, some of them have.
26:48My wife.
26:48So please do stay.
26:50And see you all later on.
26:52Thank you so much.
26:54I'm just saying, please do stay.
26:56My wife made a most dreadful mistake.
26:59Yes, I think she probably did.
27:08Beautiful day.
27:09Ah, evening, Major.
27:11Paper's arrived yet?
27:12Oh, yes.
27:13Sorry, sir.
27:13I didn't get here till five.
27:14Have to have a word with them again.
27:16Where's your lady wife this evening?
27:18Oh, she's spending the night at Audrey's.
27:20You know, George has walked out on her again.
27:21So she's in the usual state.
27:23Sterling must have upset her a bit.
27:25Well, I guess she makes her song and dance about it.
27:27Well, you don't like Audrey very much, do you?
27:30Dreadful woman.
27:30Dreadful.
27:31Well, I think it's very decent of your wife to go around there and to listen to all that rubbish.
27:37Couldn't do without her, Major.
27:38She's a fine woman, Mrs Fawlty.
27:41No, no, I wouldn't say that.
27:43No, no, will I.
27:46Hi, Major.
27:51Hi, Mr Fawlty.
27:53Ah, good evening.
27:54Sorry.
27:55No, no, don't switch it off.
27:57I love Chopin.
27:58Oh, really?
27:59Ah, there's your key.
28:01Oh, it's so romantic.
28:04Yes, yes, exactly.
28:05Are you romantic, Mr Fawlty?
28:07Ah, no, good God, no.
28:10Well, I think you are.
28:12I think beneath that English exterior throbs a passion that would make Lord Byron look like a tobacconist.
28:19Oh, no way.
28:21No, sorry.
28:22Oh, don't look so bashful.
28:24I won't try and sit on you again.
28:33And where is your charming wife this evening?
28:35Oh, she's, er, she's spending the night with a friend.
28:37Hmm.
28:38Oh, er, a girl.
28:39A lady friend.
28:40When the cat's away, eh?
28:42Oh, hardly, no.
28:43Too much to do.
28:44Ah, well, good night.
28:46When we...
28:46Oh, Mr Fawlty.
28:47Yes?
28:48Did you fix my window?
28:49Oh, er, down.
28:50Oh, if you could, please.
28:51It's so hot tonight.
28:53Yes, yes, okay.
28:54Right.
28:55Oh.
29:06Here we are.
29:07Ah, you're so strong.
29:10Oh, well, I'm sure you are too, if you put your mind to it.
29:13Your wife shouldn't leave you with strange women.
29:16Oh, well, I wouldn't call you that strange.
29:19Mr Fawlty, you're so charming.
29:21Oh, only a little.
29:22Oh, well.
29:22Do you feel that way?
29:23Isn't it wonderful?
29:25Yes, it's nice, isn't it?
29:26I shall sleep au naturel tonight.
29:29Good idea.
29:30Right.
29:31Only it's not so much fun on your own.
29:34Oh, well, one could always pretend.
29:36Oh, a twinch from the old leg.
29:37Better go and lie down.
29:38Good night.
29:39Good night.
29:40Damn shrapnel.
29:55Uh, who is it?
29:56Oh, Mr Fawlty.
30:02Hello.
30:02I'm so sorry, but I have to leave early tomorrow.
30:05Could I have a call at seven o'clock, please?
30:07Oh, Marvis, is that all absolutely seven o'clock?
30:09Please don't go yet.
30:11Oh, really?
30:12Ah.
30:12I think you've forgotten something.
30:14Did I?
30:15Damn.
30:15Well, there you go.
30:16You're a recorder.
30:18Oh, thank you.
30:19You left it in my room.
30:21Oh, thank you so much.
30:22You left it in my room so you could come and get it, didn't you?
30:28I'm not having you knocking on my door in the middle of the night.
30:36You naughty man.
31:02You naughty on rum.
31:04I won't ask you again.
31:05Open the door.
31:06Listen, I can't. My wife has just got back unexpectedly.
31:10She's in the bathroom.
31:11What, dear? I think you'll find it on the second shelf, civil darling.
31:16Let me in, Basil.
31:17You'll meet somebody else sooner or later.
31:20Basil, try to control yourself. Where do you think you are, Paris?
31:23Let me in.
31:25Shut up, will you, you silly tart.
31:28Go away. My wife will hear us.
31:31This is your wife.
31:38Oh, what a terrible dream.
31:48There's a burglar downstairs.
31:50George got back, did he?
31:51There's a burglar downstairs.
31:53What?
31:53A burglar. Quick.
32:11Oh!
32:17And well?
32:27We've been to a wedding
32:48Thank you
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