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*Fawlty Towers* is a classic British comedy set in a chaotic seaside hotel run by the short-tempered and socially awkward Basil Fawlty, played by John Cleese. Alongside his domineering wife Sybil Fawlty, the sensible maid Polly Sherman, and the hapless waiter Manuel, Basil constantly finds himself in absurd situations of his own making.
Across its two short seasons (1975 and 1979), the show delivers tightly written episodes filled with misunderstandings, farce, and escalating chaos—from dealing with difficult guests to famously disastrous events like the hotel inspection and the arrival of German tourists. Despite having only 12 episodes in total, *Fawlty Towers* is widely regarded as one of the greatest sitcoms ever made, known for its sharp writing, unforgettable characters, and relentless comedic timing.
*Fawlty Towers* is a classic British comedy set in a chaotic seaside hotel run by the short-tempered and socially awkward Basil Fawlty, played by John Cleese. Alongside his domineering wife Sybil Fawlty, the sensible maid Polly Sherman, and the hapless waiter Manuel, Basil constantly finds himself in absurd situations of his own making.
Across its two short seasons (1975 and 1979), the show delivers tightly written episodes filled with misunderstandings, farce, and escalating chaos—from dealing with difficult guests to famously disastrous events like the hotel inspection and the arrival of German tourists. Despite having only 12 episodes in total, *Fawlty Towers* is widely regarded as one of the greatest sitcoms ever made, known for its sharp writing, unforgettable characters, and relentless comedic timing.
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00:21One double room without Bath, the 16th, 17th and 18th.
00:24Yes, and if you'd be so good as to confirm by letter.
00:27Thank you so much. Goodbye.
00:28Have you made up the bill for room 12, Basil?
00:30No, I haven't yet, no.
00:31Well, they're in a hurry.
00:32Polly says they didn't get their alarm call.
00:35And, Basil, please get that picture up. It's been there for a week.
00:38It's been there since Monday, Sybil.
00:39Tuesday, Wednesday, Thursday.
00:41Good morning.
00:42Friday.
00:50Manuel, there is too much butter on those trays.
00:54Okay.
00:55There is too much butter on those trays.
00:58No, no, no, senor.
00:59What?
01:00Not, not on those trays.
01:03No, sir.
01:03Uno, dos, tres.
01:06No, dos, tres.
01:06No, dos, tres.
01:23Manuel, Manuel.
01:24Por favor.
01:25Momentum.
01:26Si, si, si.
01:27Nothing, dear.
01:28I'm just dealing with it.
01:29He speaks good, how you say.
01:31English.
01:32Mantachilia.
01:34Solamente dos.
01:35Dos.
01:37Don't look at me.
01:38You're the one who's supposed to be able to speak in.
01:40Two pieces.
01:41Two each.
01:43Arriba, arriba.
01:46I don't know why you wanted to hire him, Basil.
01:49Because he's cheap and keen to learn, dear.
01:51And in this day and age...
01:52But why did you say you could speak the language?
01:54I learned classical Spanish, not the strange dialect he seems to have picked up.
01:58Be quick to train a monkey.
02:00Morning, Miss Gatsby.
02:02Morning, Miss Tibbs.
02:02Good morning.
02:03Good morning.
02:07Basil.
02:08Yes, dear?
02:09Are you going to hang the picture?
02:11Yes, I am, dear.
02:11Yes, yes.
02:12Well, when I've...
02:13When I've...
02:14Hmm?
02:14Well, why don't you do it now?
02:15Well, I'm doing this, dear.
02:16I'm doing the menu.
02:17Well, you've got all morning to do the menu.
02:18Why don't you hang the picture now?
02:21Well?
02:21Yes, all right.
02:22I won't do the menu.
02:22I don't think you realise how long it takes to do the menu.
02:24But no, it doesn't matter.
02:25I'll hang the picture now.
02:26If the menus are late for lunch, it doesn't matter.
02:28The guests can all come and look at the picture till they are ready, right?
02:31Lower.
02:34Lower.
02:35Up a bit.
02:36There.
02:37Thank you, dear.
02:37Thank you so much.
02:39I don't know where I'd be without you.
02:41The land of the living, probably.
02:47Yes?
02:48Er, could we have our bill, please?
02:51Well, can you wait a minute?
02:52Well, I'm afraid we're a bit late for our train.
02:54We didn't get our alarm call.
02:56Right!
02:58That is, I'm a tribe, you know.
03:00We do have staff problems.
03:02I'm so sorry it's not all done by magic.
03:03Basil, are you doing the menu?
03:04No, I'm not doing the menu, dear.
03:06I'm doing the bill for these charming people who are in a hurry.
03:08I'm sorry to cause all this trouble, but the reason we're late is we didn't get our alarm call.
03:13Oh, dear.
03:14I am sorry.
03:14Basil, why didn't they get their alarm call?
03:16Because I forgot.
03:17I am so sorry I am not perfect.
03:21There you are.
03:22There's the bill.
03:22Perhaps you'll pay my wife.
03:23I have to put the picture up.
03:25There aren't any dustbins to be cleaned out.
03:27There's papers.
03:35Goodbye.
03:36See you again.
03:40Don't forget the picture, Basil.
03:42I won't, dear.
03:42Leave it to me.
03:43I'm going out now.
03:44I expect it to be out when I come back.
03:46Drive carefully, dear.
03:50Morning, Major.
03:51Morning, Voter.
03:52I do apologise for the tardiness at the arrival of your newspaper this morning, Major.
03:55I will speak to them again, see if something can be done.
03:58Ah, more strikes.
03:59No.
03:59Dustman, post office.
04:01Oh, makes you want to cry, doesn't it?
04:02Oh.
04:02What's happened to the old idea of doing something for your fellow man?
04:05Of service.
04:06I mean, today, people just...
04:07Mr. Paul...
04:07Yes, I'm coming.
04:08I'm coming.
04:08Wait a moment.
04:11They treat you like dirt, you know.
04:12Of course, it's pure ignorance.
04:14We're the class of ghosts.
04:15Ah, Dolly Vera made a hundred.
04:16Did he?
04:17Yes.
04:17Did he really?
04:18Good for him.
04:19Good old Dolly.
04:20Well, well, well.
04:21Ah, thank you, boys.
04:23Ah, we'll only stay until Sunday.
04:26Right.
04:27Yes, yes.
04:30Oh, yes, yes.
04:52Oh, I thought you were going out, dear.
04:55What's this?
04:57I decided, Sybil, to advertise...
04:59How much did it cost?
05:00Oh, I, um, fifteen.
05:02Forty.
05:03Forty?
05:04I have told you where we advertise.
05:07Sybil, I know the hotel business.
05:09No, you don't, Basil.
05:10Sybil, we've got to try and attract a better class of person.
05:13Why?
05:14Well, but losing tone.
05:15You're making money.
05:16Yes, yes.
05:18Just?
05:19Yes, but now we can try and build up a higher class of clientele.
05:23Turn away some of that riffraff.
05:24So long as they pay their bills, Basil.
05:26Is that all that matters to you, Sybil?
05:28Money?
05:28This advertisement is a waste of forty pounds.
05:31One moment.
05:32One moment, please.
05:35Well?
05:36Well?
05:37My dear woman, Sir Richard and Lady Morris arriving this evening for two nights.
05:40You see, they saw our advertisement in Country Life.
05:42I wish they were staying a week.
05:44Well, so do I.
05:45Might pay for the ad, then.
05:46Well, look, if we can attract this class of customer, I mean, the sky's the limit.
05:51Basil, twenty-two rooms is the limit.
05:54Have you seen the people in room six?
05:57They've never even sat on chairs before.
05:59They're the cobbled, vulgarist most of...
06:13Hello.
06:16Got a room.
06:19I beg your pardon?
06:21Got a room for tonight, mate.
06:23Now, shall I have to see, sir? A single?
06:25Yeah.
06:27No, make it a double. I feel lucky today.
06:32Hello.
06:33Good morning.
06:37Only joking.
06:38Only joking.
06:38No, we haven't...
06:39What? We haven't any rooms.
06:40Good day.
06:41Number seven is free, Basil.
06:43What? No.
06:43Mr. Tone is in number seven, dear.
06:45No.
06:45He left while you were putting the picture up, Basil.
06:48You have luggage, sir?
06:49Just one case.
06:51In the car.
06:52The white sports.
06:55Fill this in, would you, sir?
06:56If you can.
07:00I hope you enjoy your stay, Mr. Brown.
07:03Manuel, would you fetch this gentleman's case from the car outside to take to room seven?
07:11He's not easy for me.
07:12What?
07:13He's not easy for me, entender.
07:15Ah, it's not easy for you to understand.
07:17Manuel, we're training him. He's from Barcelona.
07:22In Spain.
07:22Obtener la valisa.
07:25Okay?
07:26La valisa en el auto bianco sportif y a la sala siete, por favor.
07:37Pronto?
07:38He's impossible.
07:40What?
07:40He's impossible, entender.
07:41It's perfectly simple!
07:42Manuel, si va, si busca mi equipaje qui este en el automovil blanco y lo trae a la sala numero
07:49siete.
07:50Señor, habla espanol.
07:52Oh, solo un poco, lo siento.
07:54Pero que he olvidado mucho.
07:56No, señor, habla muy bien. Muy, muy bien. Formidable.
07:59Oh, gracias, gracias.
08:00No voy a coger ahora.
08:06Well, if there's anything else, I'm sure Manuel will be able to tell you,
08:09as you seem to get on so well together.
08:12Ah, ¿qué?
08:36Hello, dear. Just doing the picture.
08:40Don't forget the menu.
08:43I beg your pardon?
08:45Don't forget the menu.
08:46I beg your pardon?
08:46I thought you said you want...
08:47Right, I'll do the menu.
08:51You could have had them both come by now if you hadn't spent the whole morning skulking in there listening
08:55to that racket.
08:55Bracket?
08:57Bracket?
08:58That's Brahms!
09:00Brahms' third racket!
09:06The whole morning.
09:08Two bars.
09:11Ready to order?
09:12Yeah.
09:13What's a grail frit?
09:15Grapefruit.
09:16Oh.
09:17And crème pot rouge?
09:20Oh, Portuguese.
09:21Tomato soup.
09:21I'll have the grail frit.
09:23Now, balm carousel.
09:27Lamb?
09:27Casserole.
09:28Oh, sounds good.
09:29Does it come with a smile?
09:30Comes with sprouts or carrots?
09:31Oh, a smile's extra, is it?
09:33You'll get one if you eat up all your sprouts.
09:37Waiter!
09:45I beg your pardon?
09:47Oh, hello.
09:49Can I have some wine, please?
09:50The waiter is busy, sir, but I will bring you the carte de vin when I have finished attending to
09:55this gentleman.
09:56Oh, fine.
09:57No worry.
09:58Oh, good.
09:58How nice.
10:00I trust the beer is to your satisfaction, sir?
10:02Yeah.
10:04Fine.
10:05Ah, good.
10:05May I wish you bon appétit?
10:09Manuel?
10:12Would you fetch the wine list, please?
10:14Si, senor.
10:16The wine list.
10:18See?
10:19The wine...
10:19Vino.
10:20Senor.
10:21No, no, no, no.
10:22The list.
10:24There, there, the list.
10:27The list there.
10:29The...
10:29The red...
10:30Look there.
10:32There.
10:33Ah.
10:36Thank you very well.
10:38I'm your way.
10:42Have you got half a bottle of the Beaujolais?
10:44Yes?
10:45Oh, fine.
10:47Right, get mine.
10:49Manuel, another grapefruit for David's car, please.
10:51Manuel, I do a beg of a pardon.
10:53I apologise.
10:54I'm so sorry.
10:55I'm so sorry.
11:02Throw it away.
11:04Get it.
11:04Throw it away.
11:06Throw it away.
11:07Now.
11:07Throw it away.
11:10Now.
11:12Throw it...
11:17Sorry.
11:18Sorry.
11:18What do you mean throw?
11:24Sorry about that.
11:25No.
11:26I like a bit of cabaret.
11:28You, er...
11:29You left your sketch.
11:30Oh, sorry.
11:31It's very good.
11:32Do you sell any?
11:32Enough to keep me in waitressing.
11:34Ah.
11:35One half bottle of Beaujolais.
11:40Symbol.
11:40Someone at reception, dear.
11:46Yes.
11:47Yes.
11:47Well, yes.
11:49Well, I was wondering if you could offer me accommodation for a few nights.
11:52Well, have you booked?
11:52I'm sorry.
11:53Have you booked?
11:54Have you booked?
11:54I know.
11:55Oh, dear.
11:56Why, are you full?
11:58No, no, we're not full.
12:00We're not full.
12:01Of course we're not full.
12:03Well, I'd like to...
12:04One moment.
12:04One moment, please.
12:07Yes.
12:08A single woman.
12:08Your name, please.
12:09Could I have your name?
12:10A male woman.
12:11One second, please.
12:12Hello?
12:14Ah, yes, Mr O'Reilly.
12:15Well, it's perfectly simple.
12:16When I asked you to build me a wall, I was rather hoping that instead of just dumping
12:20the bricks in a pile, you might have found time to cement them together, you know,
12:23one on top of the other in the traditional fashion.
12:26Could you fill it in, please?
12:29Oh, splendid.
12:30Ah, yes, yes, yes.
12:32Ah, but when, Mr O'Reilly?
12:33There, there, there.
12:36Yes, yes, yes, but when?
12:38Yes, yes, yes, yes.
12:41Ah, the flu.
12:42Yes.
12:43Both names, please.
12:45Yes, I should have guessed, Mr O'Reilly, that of the potato famine, I suppose.
12:48Yeah, I beg your pardon?
12:50Would you put both your names, please?
12:52Well, would you give me a date?
12:53No, I only use one.
12:54You don't have a first name.
12:56No, I am Lord Melbury, so I simply sign Melbury.
13:03Go away.
13:04And so, what else do I do?
13:07I do apologise, please do, Mr O'Reilly.
13:10Now, is there something, something, anything, that I can do for you?
13:13Anything?
13:14Yes, well, I have filled this in.
13:16Oh, please, don't bother with that.
13:17Now, a room, a special room, a single?
13:19A double?
13:20A suite?
13:21Well, we don't have any suites, but we have some beautiful doubles.
13:23Oh, no, no, no, just a single.
13:24Just a single, absolutely.
13:25How very wise, if I may say so, Your Honour.
13:27With a bath?
13:28Oh, naturally.
13:29Naturally.
13:31Naturellement.
13:34Well, I shall, I shall be staying for one or two nights.
13:37Oh, please, please.
13:38Manuel!
13:43Well, it's rather grey today, isn't it?
13:45Oh, yes, it is rather.
13:46Yes.
13:47Of course, usually down here it's quite beautiful, but today is a real old rotter.
13:54Manuel!
13:56Still, it's good for the wheat.
13:58Oh, yes, I suppose so.
13:59Oh, yes, I hear it's coming on wonderfully at the moment.
14:01Oh, thank God.
14:02Oh, I love the wheat.
14:03Oh, there's no sight like a field of wheat waving in the...
14:07Waving in...
14:08Manuel!
14:11Well, how are you?
14:13I mean, if it's not a personal question...
14:15Well, it is a personal question.
14:15Lord, let me get your cases for you.
14:17Oh, yes, thank you very much.
14:18They're just outside.
14:19Thank you so much.
14:20I won't be alone.
14:25Well, you know, it's really, you know...
14:28Why don't you just put your address...
14:29Ah, Lord Melbury, may I introduce my wife?
14:32Yes, we have, ma'am.
14:33Ah, my wife.
14:34May I introduce his lordship?
14:35Thank you, Basil.
14:36We've sorted it out now.
14:37Splendly, splendid.
14:38Now, could I deposit this case with you?
14:41It's just a few valuables.
14:43Valuables?
14:43Of course, please.
14:44Let me take it now and have it put in the safe straight away.
14:46Uh, Sybil, would you put this in the safe, please?
14:48I'm just off to the kitchens, Basil.
14:50Yes, well, if you're too busy.
14:51Nice to have met you, Lord Melbury.
14:52We hope you enjoy your stay.
14:53Thank you so much.
14:54I'll do it then.
14:54Then I'll do the picture.
14:55I'll put this away in one moment, you Lord.
14:57Manuel, would you take these cases to room twenty-one?
15:02OK?
15:03Take to room twenty-one.
15:07No entender.
15:09Trente las casas.
15:11Oh, it doesn't matter.
15:12I'll do it.
15:12Thank you, Manuel.
15:14Oh, I take them.
15:15No, no, no.
15:15See, see, see.
15:16Go and wait.
15:17Go and wait.
15:19Wait.
15:20Wait.
15:20Wait.
15:20In there.
15:21Go and wait in there.
15:22Go and be a waiter in there.
15:28I do apologise, Your Lordship.
15:30I'm afraid he's only just joined us.
15:32A bit quicker to train a monkey.
15:46Oh, do, er, do please follow me.
15:48I mean, if you're ready.
15:49There's no hurry.
15:50Oh, yes, yes.
15:51No, fine.
15:58Excuse me.
15:58I'm sorry to bother you.
15:59Would you mind moving to that table?
16:01Of course.
16:02Could I ask you, please, to move to that table over there?
16:04I'm so sorry to trouble you.
16:06We're halfway through.
16:07Thank you so much.
16:07This is Lord Melbury's table, you see.
16:09What?
16:09Lord Melbury, when he stays with us, he always sits at this table.
16:12Why did they put us here, then?
16:14An oversight on my wife's part.
16:15I'm so sorry.
16:16He's only just arrived, you see.
16:17Would you mind, Polly?
16:18Would you help these people move?
16:19Great food round your ears.
16:21Thank you so much.
16:22Come on.
16:23Come on.
16:33Ah, Lord Melbury, do please come this way, Your Lordship.
16:37I have your table over here by the window, as usual.
16:41Just here.
16:44Thank you very much.
16:45Oh!
16:47Oh!
16:48Oh!
16:48Oh, my God!
16:49Oh, my God!
16:50He's killed you!
16:51What?
16:51Get off with your mules!
16:52Thank you so much.
17:04Lord Melbury, I really must apologize again.
17:06Oh, no, no, no.
17:07Please, please, think nothing of it.
17:08Oh, but it was...
17:09No, no, no.
17:10Smallest of accidents could have occurred anywhere.
17:12Yes, but I mean...
17:13No, no, I've forgotten all about it.
17:14Well, that's most...
17:15I mean, you're really...
17:16Your Lordship.
17:17Would you allow me to offer you dinner here tonight as our guest?
17:22Oh, that's extremely kind of you.
17:23Unfortunately, I have an engagement tonight.
17:25Oh.
17:26Oh, actually...
17:27Yes.
17:27There is one thing.
17:28Oh, good, good.
17:30I was wondering, can you cash me a small cheque?
17:33I'm playing golf this afternoon.
17:34Oh, delighted!
17:35I'd rather not go into the town.
17:37Absolutely!
17:38I mean, uh...
17:39How much?
17:40If it's not a rude question.
17:41No, well, uh...
17:42Could you manage, um...
17:43Fif...
17:43Oh.
17:44A hundred?
17:46A hundred?
17:47Oh!
17:48Ha, ha, ha, ha!
17:49Absolutely!
17:50Oh, yes.
17:51I mean, uh...
17:52Will a hundred be enough?
17:53I mean, a hundred and fifty?
17:54Two hundred?
17:55A hundred and sixty?
17:56Well, yeah, well, now, let's see.
17:58It's dinner tonight.
17:58A few tips.
17:59Oh, and it's the weekend, isn't it?
18:00Ah.
18:00Would two hundred be all right?
18:04Oh!
18:04Ha, ha, ha, ha!
18:05Oh, please!
18:06Oh, tremendous!
18:08Oh!
18:08I'm so happy!
18:10Oh, I'll send someone down to the town straight away
18:12and have it for you here when you get back.
18:14Yes, well, that'll be splendid.
18:15Oh, thank you.
18:16Thank you a lot.
18:17Thank you so much.
18:17No, not at all.
18:18I mean, my privilege.
18:19Ah!
18:21It's really, I mean...
18:23Sure.
18:23Ah!
18:25Hello, dear.
18:27What are you doing?
18:28I'm kissing you, dear.
18:29Hello?
18:30Well, don't.
18:31Ah, I thought it might be nice.
18:32I thought it was some small sign, okay?
18:34I've heard about lunch.
18:35What?
18:36Oh, that!
18:36Oh, think nothing of it.
18:37What?
18:38It was the smallest of accidents.
18:39Could have happened anywhere.
18:40Anywhere?
18:41First you move that nice family in the middle of their meal
18:43and then you attack Lord Melbury with a chair.
18:46Okay, sir.
18:47Well, I've had a word with Lord Melbury about it.
18:49He was quite charming.
18:51Oh!
18:51It's delightful to have people, I bet, staying here.
18:53Sheer class.
18:54Golf.
18:56Bath.
18:56There's engagements.
18:57Couple of hundred...
18:58Horses?
19:00Well, I've never seen such tatty cases.
19:02Of course you haven't!
19:04It's only a true upper class that would have tat like that.
19:06It's the whole point!
19:08Oh, you don't know what I'm talking about.
19:09No, I don't.
19:10But don't ever move guests in the middle of a meal again
19:12and get that picture off.
19:14Darling.
19:15You son of a rat.
19:20Ah!
19:20Polly!
19:21Um...
19:21Would you do me a favour?
19:23When you're down in the town this afternoon,
19:25would you just pop...
19:27Just between ourselves, don't mention my wife.
19:29Pop into the bank.
19:30And just...
19:32Can we read it?
19:40Thank you very much.
19:55Oh, God, bij me!
20:07Come on, come on.
20:39could somebody answer that please
20:45hello is there nobody who can answer that there must be someone not you
21:08did you catch it yes mr. 40 good good could I have a word with you what could I
21:12speak to you in the office it's very important yes I'm just saying dear
21:17thank you thank you so much
21:30oh oh why not indeed why not I just been watching one of those nature films on
21:36television oh yes did you know the female gibbon gestates for seven months
21:42seven months yeah well I never there you are major seven oh my word ah good evening mr.
21:50weary a gin and orange a lemon squash and a scotch and water please certainly is there
21:57any part of the room you would like us to keep your mouth open
21:59oh we'll be over there then seven well evening faulty oh good evening lord melbury
22:09anywhere yes anywhere really well lord melbury may I offer you a little aperitif as our guest
22:15oh that's very kind of you dry sherry if you please what else oh such oh I don't know what
22:23je ne sais quoi exactly exactly ah there you are civil good evening major good evening mrs.
22:30folding there you are your lordship oh thank you very much I see my little collection of coins tickles
22:36your interest what yeah oh oh yes yes yes yes old british empire of course used to be quite a
22:42hobby of
22:42mine little investment too yeah quite I'm talking about um did you manage oh yes yes
22:49there you are your lordship oh yes you know these sorts of things they their values soared this last
23:05couple of years have they oh yes now you take my advice you get them revalued and insure them for
23:10the full amount yes yes I will you can't take any whisks nowadays I'm afraid no no well I must
23:16be off
23:17well thank you very much your lordship yes I'm just talking to lord melbury dear uh gin and orange
23:22lemon squash and a scotch I do apologize I was just talking to you I was um I was thinking
23:29you see I am
23:31having dinner tonight uh with the duke of buckley do you know him uh not not personally no oh well
23:39he's a great expert you know Sotheby's and all that you see well now if you liked I could take
23:44them with
23:44me ask him to have a quick look at them and find their current value would you yes yes certainly
23:50yes yes now I'll be off in a few moments you know it's really soon
23:53basil
23:53lemon squash and a scotch and water all right all right
24:06oh mr. porty was that lord melbury has he gone I will mr. porty I must speak with you what
24:10can't you see I'm busy
24:11please it's very important can we talk in there I can't it's very important I'm just uh did him something
24:16important out here several thank you yes it's all right yes yes well well yes yes right yes
24:23lord melbury yes he's not lord melbury he's a confidence trickster I beg your pardon mr. brown
24:29told me oh mr. brown's from the cid they've been watching melbury because he's pulling some big con
24:35trick in the town they're going to arrest him as soon as he leaves here so as not to cause
24:38you
24:38embarrassment but he asked me to tell how nice of you oh please oh I don't know what other tales
24:44mr. brown of mi5 has been impressing your worth he's a con man oh yes of course it stands out
24:48a
24:48mile doesn't it he's so common unlike that cockney git whose ulterior motives will soon no doubt become
24:55apparent to you poor innocent misguided child that you are what's going nothing my dear nothing
25:00at all mrs 40 now look yes i don't know mr brown is from the cid he showed me identification
25:08they're
25:09watching melbury he's a confidence trickster i see what do what do you mean you see let's have a look
25:14at these valuables what are you doing civil civil i forbid you to open that safe civil i forbid you
25:19to
25:19make that case do not open that case i forbid it i have forbidden it i never thought i would
25:25live to
25:25see the day when i appear at the room trusts to us case of adams in trust
25:56i'll call the police they're already here mr brown's outside
26:01someone at reception basil
26:14ah um all right uh
26:19good evening i believe you were expecting us no no i was expecting somebody else sir richard and
26:24lady morris yes yes them as well i'm sorry how did you know what oh you were sir richard and
26:29lady
26:29oh do you beg your pardon i was just the uh would you mind uh filling this out please uh
26:40we've given
26:40you room uh aha ah 40. mr 40 to you lord melbury i'll beg your pardon oh nothing please forget
26:48all
26:48about it ah well uh see um check for 200 pounds ah thank you so much
26:55and now about my priceless collection of coins oh yes do you still do i still want you to take
26:59them
26:59to be valued by the duke of buckley my lord oh yeah i know i don't because we just heard
27:03that the duke
27:04buckley is dead yes got his head knocked off by golf ball tragic tragic well how are you lord melbury
27:12how are you then all right mate
27:14how's my old bucking how's my old bucking any valuables to deposit sir richard any bricks
27:21i do apologize you bastard
27:26i don't know if you have any of them 12 that you overlook in the park i'm sure you'll like
27:30you
27:30have your bags brought up to you oh and may i introduce your wife hello lord melbury
27:40please um think nothing of it
27:41well
27:47do uh do please excuse me one moment
27:54oh
28:07how are you going we're leaving oh don't please stay you'll like it i've never been in such a place
28:19of my life
28:20you snobs you stupid stuck up toffee-nosed half-footed upper-class piles of
28:38oh just one sorry mr falty sorry mr falty
29:06uh thank you polly for the
29:12well done manuel okay oh oh lay sorry about that mr falty can i buy you a drink no no
29:20i better put this
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