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00:21How could they play with me?
00:25Maritza, it's not what you think, Charlie, please.
00:27Because it's a joke, nothing more, the more.
00:30No wonder he invited me to lunch today, right?
00:33I thought you...
00:36Maritza, no.
00:37Look, things aren't like that.
00:38Let me explain, please.
00:40No, no, you don't have to explain anything to me.
00:42I understand now.
00:45I thought you were a good person.
00:48Maritza, Maritza, wait, please.
00:50Charlie.
00:52Is Julio Castañeda alive?
00:55Dead be she!
00:57Damn it, you should be dead.
00:59That means Romero lied to me, then.
01:07Is that what's happening to you, Barbara?
01:09This is what happens when you entrust your things to incompetent people.
01:15Maritza, the least you can do is listen to me, please.
01:17You have to believe me.
01:18Believe what?
01:20Believe what?
01:20Believe what?
01:21Was the bet not true?
01:23Look at me.
01:24Look me in the eyes and tell me it's a lie.
01:27Deny it, it's my face.
01:28Deny it.
01:29I can't deny it.
01:31But believe me, my intention was never to play with you.
01:34The bet was a stupid idea.
01:36I'm going to ask you for one thing.
01:39I don't like it.
01:41Don't talk to me.
01:43I don't want to know anything about you.
01:47Maritza.
01:50Please, someone help me.
01:52I need to take this woman to a hospital.
01:54And call him a taxi.
01:56Oh, he seemed so present.
01:56Regina, Regina.
01:58My kind lady.
02:00I can't believe he did that.
02:01The taxi has arrived, it has arrived.
02:03He made a fool of me, of my money.
02:05You'll say, "Not your money, Juliana's."
02:07Very kind, sir.
02:08Thank you so much.
02:11Everything I did to earn my respect.
02:15And that's the only thing that made me erase you from my mind.
02:18Maritza, what happened?
02:20Because?
02:21Why did he do it?
02:23My God, why?
02:24Maritza, try to calm down.
02:26Look, you're in a very bad way.
02:28It's going to give you something worse.
02:31Worse?
02:33This is the worst thing anyone has ever done to me.
02:38I can't stand it.
02:40I have to resign.
02:42Yes, Maritza.
02:43I don't know what happened.
02:45But you can't quit.
02:48Okay, but weren't you supposed to take care of Castaneda?
02:51No.
02:52Romero is lying to me.
02:54The idiot can't even do his job properly.
02:57Look, if Gabriel hadn't dismissed Marcos,
03:00He would have read the letter that Castañeda sent him.
03:02And they would have discovered us.
03:04Well, that Castañeda is a danger to you, my dear.
03:08That guy found out everything you did for years.
03:10Every step, every piece of information you gave to the competition.
03:14Well, I don't know.
03:15This needs to end, something definitive.
03:18Why don't you go to the place where he summoned Marcos?
03:20And you offer him a good amount of money to shut his big mouth once and for all?
03:24Notice that...
03:25Well, maybe.
03:26Sorry, Alberto.
03:27The models are waiting for him on the catwalk for the rehearsal.
03:31I'm coming.
03:35As I was saying, my dear,
03:39You have no alternative.
03:41You have no other choice.
03:42Rather than negotiating with him.
03:50Don't worry.
03:52I'll take care of this.
03:55Alone and in my own way.
03:59How are you?
04:01You showing up in that state at Don Gabriel's office.
04:04No, terrible.
04:06Well, and you shouldn't quit either.
04:09Haven't you realized everything you've accomplished?
04:12since you were hired.
04:14And what for, Chela?
04:16So that?
04:17What do you mean, "what for?"
04:19What you achieved with that makeup is something very important.
04:24Do you know how much money you're going to make this company?
04:27Well, and besides, work is work.
04:30And I imagine you need it.
04:33Yes, Chela.
04:35But my dignity comes before all of that.
04:38Let's see.
04:39What did they do to you?
04:40Do you want to tell me?
04:41Oh no.
04:42No, I don't want to talk about it anymore.
04:46But I still think it's best to leave.
04:49Alright.
04:50Don't tell me anything.
04:51But listen.
04:53If you resign,
04:54I will be very sorry that you left.
04:57That the most beautiful woman in this company has left.
05:00And when I say beautiful,
05:01I'm referring to what you have inside.
05:04I have dealt with many models and beautiful women.
05:07But you were the only one who, when she approached me, did so with simplicity.
05:13And that makes you worth a lot.
05:16I imagine that's why the engineer has so much affection for you.
05:20Oh, don't mention that man to me.
05:23I don't want to hear anything from him.
05:26Ah, now I know what's going on.
05:30It's because of him.
05:33Because of her?
05:34Are you that interested in Marisa Ferrer?
05:37Well yes.
05:37We're not talking about just any woman.
05:39So, why did I have to get involved in your blessed betting game?
05:43But oh well, there's nothing we can do now.
05:44And unfortunately he heard us, but that's it, Marcos.
05:47But you don't understand, Charlie.
05:48Why didn't you see it?
05:49Why didn't you see?
05:52The sadness in her eyes, that tore my soul apart.
05:55Life is hard, my brother, but it will pass.
05:59I feel very bad.
06:01I feel like the worst man in the world.
06:04Understand something, Charlie.
06:05I don't want Marisa to suffer because of me.
06:09It's your fault, Paco.
06:12This is all your fault.
06:14Godmother, I took you out of there because you looked very bad.
06:17If the press finds out that I was deceived by a quack doctor before I had liposuction.
06:24Oh, I can just imagine the headlines.
06:27But don't think about it anymore and try to relax, okay?
06:31I hope this serves as a lesson for you, my dear friend.
06:34And get that absurd idea out of your head about getting liposuction.
06:39Because that's dangerous.
06:41Very, very dangerous.
06:45Teacher.
06:47I brought her the herbal tea she asked for.
06:50And what happens next?
06:52To be honest, I'm starting to get really worried.
06:56I can already see the headlines.
07:00Famous model deceived by fake doctor.
07:06We discovered Regina Soler, a very famous model from the eighties.
07:11Living in complete destitution.
07:16Midwife.
07:20Tomato.
07:21Midwife.
07:25Midwife.
07:27Hey!
07:28Midwife.
07:29Wednesday.
07:30This does seem serious.
07:32Go to the doctor on the corner and tell Juliana.
07:35But move it, girl.
07:39Cousin, I have to tell you something.
07:42Everything is going great.
07:44Marcos saw this stupid girl talking to Alberto.
07:47And I think she swallowed the whole story that the two of them have something going on.
07:52Oh, but the only thing I don't like about your plan is that you've already made Gabriel take it away
07:55the position to Marcos.
07:57I want to marry the company's vice president, right?
08:00With one of your assistants.
08:01Yes, guys, I know exactly what I'm doing, okay?
08:04Besides, I told you it was temporary.
08:06So, what's the reason for this bad mood?
08:09Ugh, I'm fed up with people doing things differently than I tell them.
08:13I'm fed up with complaints.
08:14I'm fed up with that.
08:16I also have the right to say what I think, you know?
08:21Look, darling.
08:23I imagine I don't need to remind you that you're in this company thanks to me, right?
08:28Or do I have to remind you every day under what conditions and for what purpose I brought you here?
08:32No, you don't have to remind me of anything.
08:35I know perfectly well what you want and what I want.
08:38Perfect.
08:40Perfect.
08:41Then go.
08:42Please save me the time.
08:45Don't waste my time on stupid things.
08:47Go to your office, okay?
08:51You know where the door is, right?
08:53I have something very urgent to resolve.
08:59Tito Castañeda.
09:01Tito Castañeda.
09:03Besides, I'm not that important to Marica.
09:05I understand that she really likes that Alberto guy.
09:10Look, look, look.
09:11Don't go to extremes, okay?
09:12Because I only told you that I saw them go out to lunch and that has nothing to do with it.
09:16And I saw them having lunch too.
09:18Because everyone here is saying that they've been dating ever since he joined the company.
09:22So, it's nothing new.
09:24Hey, so we were behind on the news, right?
09:27Marcos, can I give you some advice?
09:29Oh really?
09:30Why don't you forget it, huh?
09:35Well no.
09:37I will not forget her.
09:39No, if he's already interested in Alberto, that's great.
09:41But I feel the need to clarify things for him.
09:44Now, if you still think I'm a bad guy after I tell you what I think,
09:48Oh well.
09:49But I'm not going to let that thorn in my side.
09:52No, sir.
09:53I'm going to look for her.
09:56A bet?
10:00That must have been Charlie's idea.
10:03Don't defend him, Chela.
10:06It was silly of me to think that Marcos was interested in me.
10:10You're in love with him, aren't you?
10:16Well, you don't need to answer.
10:19I already read it on your face, Maritza.
10:21And you know what?
10:23I have known engineer Marcos for a long time.
10:26And if there's one thing I can assure you,
10:28He's a good person.
10:33Hello.
10:34And how are things going here?
10:37Oh, see you in a bit.
10:42Maritza.
10:44What's the matter?
10:47Why that face, huh?
10:49No, no, no, come, come.
10:52What's the matter?
10:54Tell me, what happened to you?
10:55Already.
10:57Already.
11:21Honey, how do you expect me to be calm?
11:22If we don't meet with the Japanese,
11:25The competition will.
11:28Yes, yes, you're absolutely right.
11:31We should talk to them as soon as possible.
11:34Both?
11:36My love, I just don't know what to do.
11:39Give me your advice, look.
11:40I would really love to,
11:41But I think that as long as I'm responding
11:43for Marcos's position and for mine,
11:45I don't know, I don't think I should leave the company.
11:48Relax, don't worry.
11:50I'll talk to them.
11:55Hello, Karina.
11:58Please, I am going to travel to San Joaquin.
12:00Make sure everything is ready for tonight.
12:04Anything else, my love?
12:06No, my love, thank you.
12:07Okay, I'm off because I have a meeting
12:09in the boardroom.
12:10Okay.
12:11Bye.
12:18Perfect.
12:20Now I'll have enough time
12:22to make my move with Castañeda.
12:25Marixa, I thought I was alone.
12:27Don't worry, Marcos.
12:29Happens?
12:30No.
12:32No.
12:32I prefer not to interrupt.
12:34See you later.
12:37Permission.
12:49Yeah?
12:50Midwife.
12:51Godmother, I need you to come home now.
12:54So, Mila, what happened?
12:56Well, your mom got very sick, Juliana.
12:59It's very bad.
13:01But anyway, right now he's with your godfather.
13:04Oh my God, that was the only thing I needed.
13:06No, tell my godfather not to worry.
13:09I'm already on my way there.
13:11Is something wrong?
13:13Yes, my mom is very sick
13:15And I need to talk to engineer Marcos.
13:17so that he'll let me out.
13:18But Marcos, why Marcos?
13:20He's not your boss anymore.
13:23I forgot.
13:24Well, with Doña Bárbara.
13:25What is right?
13:25But I have to go.
13:26Okay, go ahead, I'll talk to Barbara.
13:28I thank Don Alberto.
13:30If you need anything, don't hesitate to talk to me, okay?
13:32Yes sir.
13:45What are you complaining about?
13:46If Alberto got ahead of us, it's because
13:49Maritza probably needs it too.
13:50to whoever hugs and comforts her.
13:53We made a bad impression on him, didn't we, Marcos?
13:54Well, if that's the case, tell me to my face.
13:56Tell me what that little story is that Alberto brought.
13:59Wait, wait.
14:00Marcos, you and she have no relationship.
14:02They don't have to give you explanations.
14:03Well, I don't care.
14:06If she thinks I wasn't honest with what I told her,
14:09Then I'm going to confront him about it.
14:10that she's not being honest with me either.
14:12It happens to me, man.
14:19Uh, yeah, well.
14:21Hello, yes, it's Marcos.
14:23Alberto is speaking.
14:26How are you, Alberto, with Marcos?
14:28Could you put Maritza on for a second?
14:30Do I need to talk to her?
14:31Marcos, look, Maritza left
14:33and he left me his cell phone.
14:35Can I help you with anything?
14:37Thank you.
14:44I can't believe it.
14:47Did you really do that?
14:49The opportunity was perfect.
14:50Maritza is leaving,
14:51forgets his cell phone
14:52And I'll answer it for her.
14:53And the best part of all
14:54It was because she saw me hugging her.
14:56No!
14:58Marcos must be fuming,
15:00Let me tell you.
15:01Well done.
15:02Well, Shomi,
15:03It seems that things
15:04They are improving a lot for you.
15:06Just to see that poor woman's face,
15:07It seems that Marcos
15:09He did something very bad to her.
15:10And where is she now?
15:13He went home.
15:14Someone called him,
15:15He asked me for permission to leave.
15:17It seems that he was presented with
15:18a family problem
15:18or something like that.
15:20That girl is always on the same page.
15:21to get into another one.
15:25Oh, what happened, Luzmila?
15:26Where is my mom?
15:27Oh, little sister,
15:29She is in the room.
15:30The doctor just left.
15:31So, what happened to him?
15:32Well, um,
15:33He said,
15:34He said he was,
15:36Hey,
15:36Oh, how do you say it, little sister?
15:38This,
15:39potato tones.
15:40That?
15:41And what is that?
15:42No, I don't know.
15:43I don't know,
15:44But it turns out that the doctor
15:45that she was going to have the surgery
15:46He turned out to be a charlatan.
15:47little hand.
15:48So what happens then?
15:49She became very ill.
15:50And I saw her like that, mute,
15:52as if staring at the ceiling.
15:53Oh my God,
15:54It was because my heart was racing
15:55who was not a doctor.
15:56Oh, Luzmila,
15:57What are we going to do now?
15:58Well,
15:59Well, wait.
16:00wait.
16:01Yes indeed,
16:01The doctor said that
16:02this was temporary
16:03and that it came off by itself.
16:04Now your godfather
16:05He's with her.
16:07Do me a favor.
16:08Distract my godfather
16:09And I'm going to the lab.
16:10and I'll prepare something for my mom.
16:11Okay, thanks.
16:12Bye.
16:14Calm down, brother.
16:16There is a possibility
16:17that he has indeed forgotten
16:18her cell phone with Alberto.
16:21Alberto told me
16:22Maritza left it for him.
16:24Now,
16:25I need to see her
16:26to clarify for me
16:27What is happening?
16:29Look,
16:29Stop being foolish.
16:31If you want explanations,
16:33You asked Shomara for them
16:34that she is your girlfriend.
16:35Since when
16:36You have the right
16:36to demand something from him
16:37Maritza Ferrer?
16:38Well, starting today.
16:39You'll see.
16:41Thank you.
17:09Drops of prickly pear
17:11to loosen up.
17:14shrub twigs
17:17so that he'll get over it
17:19the fright
17:20and many seeds
17:22of espaote
17:23to make things ruffled.
17:28This powerful energizer
17:30It is used for cases
17:31of nervous shock.
17:33It must be administered
17:34carefully
17:34because a high dose
17:36can cause
17:37an exacerbated effect.
17:41How's that going?
17:42I've finished now.
17:43I'm going to take it to him.
17:44to my mom.
17:45Ah,
17:45No.
17:46How could you even think of that, Juliana?
17:48You can't
17:48It appears like that, doesn't it?
17:49Well,
17:50So what?
17:51I am your cousin
17:51the one from the mountain.
17:52Nobody is going to say anything.
17:53Oh, yes.
17:54Let's see, let's see.
17:56It turns out that also
17:56my cousin from the mountains
17:58She knows home remedies
17:59like Juliana.
18:00Oh, godmother,
18:01quite a coincidence.
18:02No.
18:02No, ma'am.
18:03If we're not careful,
18:05They end up discovering you.
18:06Oh, Luzmi,
18:07But she's my mom!
18:08the one who is sick.
18:09Look, you just hold on there,
18:11woman, I'm going,
18:12I give him that remedy
18:13And if it's so good
18:14As you say,
18:14That's a sure cure, right?
18:16Meanwhile,
18:17you transform
18:18in Juliana
18:19And then you'll see her
18:20And that's it.
18:20Give it to me.
18:22Make it happen
18:23just ten drops.
18:24Only ten.
18:25Uh-huh.
18:29Look, Nelson,
18:30you know that I
18:31I have no money
18:32and the rent
18:34You can charge her for it
18:35to my dad.
18:36Okay, Pedrito.
18:37Alright?
18:39Yeah.
18:40Let it be known
18:41This isn't free,
18:41This has me...
18:42your dad has to pay.
18:44Good.
18:44OK?
18:45OK.
18:52What's happening?
18:55Hey, hey, hey, hey, hey.
18:57Only two.
19:05Five, six, seven,
19:09eight, nine and ten.
19:12Ready.
19:14Let's see, Mrs. Regina.
19:16Please,
19:17Give me your mouth.
19:20That.
19:21And this remedy is taken.
19:25Yeah.
19:26No, not even close.
19:27Well,
19:31Juli told me
19:32that this was having an effect
19:34half an hour.
19:36I can go and come back.
19:40Doña Regina,
19:43please
19:43stay here quietly,
19:45that I'm going to
19:46to talk to her daughter.
19:59Oh!
20:01Oh!
20:05What thing
20:06So delicious!
20:18Food fit for the gods.
20:21For you, Regina.
20:32The disguise
20:33of the mask
20:33of gold.
20:37If only
20:38I had enough to buy it.
20:41Oh!
20:42But I look divine.
20:45What a waist!
20:47I don't need
20:48surgeries.
20:49That's how I am
20:50really pretty.
20:51Regina Soler
20:52You're perfect!
20:54Oh!
20:55Why is that?
20:56Is he that bored?
20:57I know
20:58that is needed.
20:59Yes, I know.
21:02Black, night, night, black.
21:05What can I do?
21:07Your arrival
21:08inevitable
21:09separates me from him.
21:13Night, black,
21:14black, night.
21:15I don't know
21:16to do.
21:21To you
21:22in what language
21:23Do I need to talk to you?
21:24Didn't you understand?
21:26the little message
21:26that I left you last night.
21:28I'm not coming
21:28looking for trouble
21:29for the nth time,
21:30nth,
21:31for the umpteenth time.
21:32I come
21:33to visit
21:33to a friend
21:34who lives here.
21:34That's clear,
21:35Yes, no problem.
21:36You don't say.
21:38One day
21:39for another
21:40you turned out
21:41be the boss
21:41Julian's.
21:42And not now,
21:43Now you're a friend
21:44from everyone here.
21:45I don't think you understood.
21:47I don't want any trouble.
21:49So,
21:50please,
21:50Get out of here
21:51And leave me alone.
21:52When do you think
21:53no?
21:54You're not getting in.
21:55And if you don't understand
21:56by peaceful means,
21:58you will be again
21:58by force.
21:59that.
22:04Knowing how you're going to look.
22:22oh, oh, oh, oh,
22:23it just can't be.
22:25Are they going to start already?
22:26again?
22:27Tell this guy
22:27Let them be longer, maestro.
22:28Yes, Nino, yes.
22:31I'm not leaving here
22:32until I see
22:33to the person
22:34that I came to find.
22:35Alright?
22:36Oh, but what is this?
22:39buddy?
22:40What is that way?
22:41of dealing with people
22:42fine approaching
22:43This way?
22:45Oh, chubby cheeks,
22:46And you
22:47They never taught you
22:48Manners in your home?
22:49Regina,
22:50This is none of your business.
22:51Don't get involved.
22:51Don't get involved.
22:52Of course it's my business.
22:54Don't you see that this man
22:56Is he my friend?
22:57They should be grateful.
22:59that a person
23:00of such a high category,
23:01at my same level,
23:03humiliate yourself
23:04to the point
23:05of visiting this place.
23:06Instead of being
23:07standing there,
23:08Take care of it.
23:09Yes, it could be you, my friend,
23:11But you're not allowed in here.
23:12You're not allowed in.
23:12Wait a minute, chubby cheeks.
23:14To this place
23:16that belongs to him
23:17to my friend Paco,
23:19I can bring
23:20The guests
23:20that I feel like
23:22And it won't be you.
23:23whoever forbids it.
23:24Here, respect is paramount.
23:26This time the godmother
23:28Nino is right.
23:29Turn it down, please.
23:31Turn it down.
23:35And the bet
23:36what you and I did
23:37to see who wins it?
23:39I'm going to win it.
23:40my brother.
23:54Well.
23:55Well, my dear friend,
23:56I already gave him that potion
23:58to your mom
23:58and I left her alone.
24:01You shouldn't have left her alone.
24:03Luzmila.
24:05Let's see, let's see,
24:06It won't happen to her
24:07Nothing, godmother.
24:09The one that's worrying me
24:10Now it's your turn.
24:12And don't tell me
24:13Nothing's wrong with you, Juliana.
24:15Because
24:16Those little eyes of yours really show.
24:18How sad you are.
24:21Oh, Luzmila,
24:22the thing is
24:25I discovered the little game
24:26that Marcos
24:26He was with me.
24:28In that way?
24:29What do you mean, what do you mean?
24:31Shuffle it more slowly
24:32because I'm not with you
24:33Getting the hang of it, right?
24:34What game?
24:35Are you talking to me?
24:37From the bet
24:38that he
24:39and his friend
24:40and Charly
24:41They did to see
24:42which one won me over
24:43first.
24:44No.
24:47Yeah.
24:49The only interest
24:51that Marcos
24:52I had for myself
24:53It was to win
24:54a dirty bet.
24:59I bet
25:00that a long time ago
25:01He didn't move like that.
25:03But what does it matter?
25:04The night is young
25:05and we must take advantage of it.
25:06Ha ha ha!
25:09You are a couple
25:10wonderful.
25:12Ha ha ha!
25:20If I hadn't had them
25:21heard,
25:22I swear
25:22neither
25:23I would have believed it.
25:25Oh, my Luzmi!
25:28I didn't know
25:29that I give
25:29both a disappointment.
25:32Already.
25:33Yes, godmother.
25:34Yes, yes.
25:35Don't get like that, no.
25:37There is something very important
25:39And that's because
25:40We must give thanks
25:41bye
25:42that exposed the copper
25:44on time
25:45and that, well,
25:47we realized
25:48with what type
25:49You were going to get tangled up.
25:52Oh, little sister,
25:53How was it?
25:54to deceive ourselves
25:54To the cough?
25:56Appearances
25:57They're deceiving you, my dear.
26:00Ha ha ha!
26:04Isn't that
26:04My mom's voice?
26:06Oh my God!
26:09Come on!
26:11Come on!
26:48Come on!
26:51Come on!
26:52Come on!
26:52Come on!
26:52Come on!
26:52Come on!
26:54So what?
26:55Shall we do another one?
26:57Excuse me,
26:58But the thing is
26:58I have something to do.
27:00Oh.
27:01My mom is with
27:04Mercos.
27:08Look, you
27:09are,
27:11such a good dancer.
27:14It's wonderful
27:15find a partner
27:16like you.
27:18You know?
27:20Since last time
27:22that you were here
27:22I wanted to ask him something.
27:24Oh.
27:25The thing is
27:26I don't know,
27:27her face
27:27It's so familiar to me.
27:29You won't be
27:31relative
27:32of someone
27:32of my friends
27:33from the world of modeling?
27:35Excuse me, ma'am,
27:36But I have to leave him.
27:37The thing is
27:37I came to look for
27:38a friend
27:39who lives here.
27:40Yeah,
27:40She is a girl.
27:42She's very pretty
27:43she
27:43and it's called
27:44Marisa Ferrer.
27:45Oh,
27:46I don't know her.
27:47But if he comes here
27:48to look for people
27:49of its category
27:50You won't find them.
27:52Without fail
27:53to modesty
27:53the only
27:54that is up to his level
27:54it's me.
27:57Oh,
27:57a sample.
27:59What are you waiting for?
28:00midwife?
28:01Go and talk to him.
28:03No,
28:03No,
28:04I have nothing
28:05to talk to that man.
28:06Well, it's going to be your turn.
28:08It's going to be your turn
28:08because with how crazy she is
28:09that left
28:09to your mom.
28:10That thing you prepared for him
28:11He's going to open his big mouth
28:12and Marcos
28:13can discover you,
28:14godmother walks.
28:15Paquito of my soul.
28:19Shall we dance?
28:19Because with a teacher
28:21like you
28:21we're going to look
28:22troops.
28:28What do you want?
28:30Come,
28:32I've come to talk
28:32with Marixa.
28:33I need to tell you
28:34something very important.
28:53She's not here.
28:54Don't lie to me,
28:55Juliana,
28:55It cannot be possible
28:56that every time I come
28:57to look for her
28:58not be in the house.
28:59Oh,
28:59I don't have to
29:00give the explanation.
29:01Hey,
29:01the only explanation
29:02that I find
29:03the thing is
29:04He's not there because
29:06because it's coming out
29:08with Alberto.
29:09Oh,
29:09No,
29:09stop saying
29:10so many absurdities
29:11that's not true.
29:12Well, I saw it
29:12with my own eyes.
29:14And what do you know?
29:15yes it's true?
29:15Did she tell you that?
29:17Well, he told me
29:18many things,
29:19Yeah,
29:20and he told me
29:22that you
29:22It's rubbish.
29:25The thing is,
29:25as,
29:26how was he able
29:27to make her fall in love
29:28to win a bet?
29:29Yeah,
29:30I accept that it was a bet
29:31and it was a game
29:32into which I fell
29:33stupidly
29:34with my friend
29:34and I feel
29:35very sorry
29:36about that
29:37And I don't want to.
29:38see again
29:38sadness
29:39that was in his eyes
29:40when he realized it.
29:41You are a disgrace.
29:43How was he able to
29:44to play
29:45with their feelings
29:47and to mock
29:48her?
29:50Please,
29:51Why are you acting like this?
29:53Because,
29:55because,
29:57because I acquire
29:58a lot
29:59and you
30:00It hurt him a lot.
30:03Really
30:05That much?
30:06She never
30:07has had nothing
30:09with no one.
30:11You were very important
30:13for her.
30:14But understand me,
30:15I,
30:16I,
30:16I am not God.
30:18For her
30:19That was how it was
30:20And do you know why?
30:21Because she never
30:23has had
30:24a charming man.
30:27Never
30:27has had a man
30:28tell him
30:29pretty things.
30:32And she believed
30:33that with you
30:34his dream
30:35it was going to be possible
30:36to make it happen.
30:45Where will it be?
30:46The engineer?
30:49Engineer,
30:49Thank goodness he came.
30:51Now yes
30:51I'll be able to tell you
30:52all serious things
30:53What are you doing?
30:54Mrs. Barbara
30:55in the company.
30:55Don't tell me,
30:57Castañeda.
30:57That?
31:00Surprised?
31:04I find it incredible
31:05what you're telling me.
31:07And why?
31:08Are you so surprised?
31:09because being a woman
31:10so beautiful
31:11as it is
31:11I don't understand
31:12that no man
31:13have tried
31:15pretend to.
31:16If it were me
31:17It wouldn't surprise him,
31:18TRUE?
31:19No no,
31:20I did not mean that.
31:21No, don't worry
31:22that it doesn't hurt.
31:26Believe me, Marcos,
31:28Maris
31:29has only had life
31:30to take care
31:31to his mother.
31:32She never
31:33has fallen in love
31:34nor has it had
31:35a boyfriend.
31:36Well,
31:37I think
31:38very difficult
31:38understand that
31:39has never had
31:40a man
31:41in his life.
31:42Well,
31:43to calm
31:44their curiosity.
31:49I,
31:51that is to say,
31:53Maris,
31:55not even
31:56knows
31:57what a kiss is.
31:59Glad.
32:03How many pains
32:04headfirst
32:05it has caused me
32:05you,
32:06Castañeda?
32:08Of course I
32:08I should have taken care of it
32:09I know this personally.
32:11If I had done so,
32:12we wouldn't be here,
32:14in the middle of the night,
32:15enduring
32:16this wretch
32:17cold and all
32:17to kill
32:18to a rat
32:18like you.
32:19Let's do one thing,
32:20Mrs. Barbara.
32:21Look at me,
32:21Don't kill me.
32:23And I promise you
32:24I'm staying
32:24with your mouth closed,
32:25Yeah?
32:26Clear,
32:27you will maintain
32:27closed mouth
32:28because it's going to be
32:29wretched dead
32:30and the dead
32:31They don't open their mouths.
32:33Kneel down.
32:36Let him kneel,
32:37I tell him.
32:38Please,
32:38have mercy,
32:39and think of my family,
32:41in my wife.
32:42As if I'd have
32:43compassion
32:44with a file
32:45like you.
32:51You wretched little woman!
32:54Sincerely,
32:55you know
32:56Marisa
32:56Does he/she feel something for me?
32:57If I didn't feel it,
33:00I wouldn't have given it to him
33:02so hard
33:02the barbarity
33:03that he did to her.
33:05But Marisa,
33:06he believed
33:07all,
33:08all the words
33:09pretty
33:10that you were telling him.
33:11But they were sincere,
33:13I swear.
33:13It was true.
33:14Don't hurt him anymore.
33:17Forget about her.
33:19Just like her,
33:21from now on,
33:23He's going to forget
33:24from you.
33:26So,
33:27my permission
33:28because
33:29I have many things
33:30to do.
33:35What happened?
33:36What happened?
33:38Nothing.
33:40Again
33:41Did he do something wrong to you?
33:41No?
33:41No,
33:42No,
33:42No,
33:42No,
33:42No,
33:43No,
33:43No.
33:45Right now only
33:46I have to
33:48go help
33:48to my mom.
33:53No,
33:54No,
33:54Do not move
33:54because I shoot him.
33:56Think that you are not capable
33:58because the traitors
33:59They're always cowards.
34:02If it moves,
34:04I shoot him.
34:05Kill me!
34:09Rosemary,
34:11Rosemary,
34:11What are you doing here?
34:13He was going home,
34:14lady,
34:15because I wanted to talk
34:15with you
34:16when I saw her come out
34:17nervous
34:18and I decided to follow her
34:19as it was very late.
34:23Is he dead?
34:25Yeah,
34:25lady.
34:26Kill me,
34:26feel,
34:26I feel miserable!
34:30I think he's waiting,
34:31Rosemary.
34:33It needs to be buried.
34:34Yeah,
34:34No,
34:35here,
34:35No,
34:35here,
34:35No,
34:37help me
34:38to take it
34:38to the trunk.
34:45Mother,
34:46Why did you take
34:47the whole remedy
34:48What did Luzmila give you?
34:49Because I knew
34:50food fit for the gods.
34:53Julianita,
34:54feel
34:54of 15.
34:56I just want to know
34:58where from
34:59Luzmila took it out.
35:00Oh,
35:00mother,
35:01That's enough.
35:02It's better
35:03Go to sleep.
35:04Oh,
35:04How did you come up with that?
35:06I feel
35:08full of life.
35:09Look at her,
35:10He's already getting better.
35:12No,
35:12I feel very young,
35:14I had never felt like this before.
35:14So,
35:14I can't go to sleep.
35:15No,
35:16Juliana.
35:17I beg you.
35:20Juliana,
35:21Are you crying?
35:22because you're excited
35:24to see me
35:24so full of energy
35:26and so happy,
35:26TRUE?
35:27Come on,
35:28mother.
35:29Oh,
35:31Juliana.
35:34It's just that I feel
35:36good.
35:36I don't love myself.
35:55Now I understand.
35:56Now I understand
35:58Why was it so hard?
35:58for her.
36:01I am the first person
36:03I don't care
36:05really
36:05in his life.
36:08I behaved
36:09like the worst man
36:10of this world.
36:12Maritza,
36:13I'm sorry,
36:14I'm sorry,
36:15forgive me,
36:16I did not know,
36:17I did not know.
36:19Would you like to stay?
36:24Ready,
36:24lady.
36:26So,
36:27Let's go that way.
36:27Yes, ma'am.
36:38He escaped.
36:40He escaped,
36:40Rosemary,
36:41witch it.
36:42It has to be around here.
36:43He couldn't have gone
36:44very far.
36:45The sañera,
36:46exit.
36:46I don't know
36:47nor pity
36:48nor forgiveness.
36:50So I warn you
36:51that there shouldn't be any here
36:52not a single place
36:53in which he can hide.
36:55We are not here.
36:59Chestnut seller!
37:02Chestnut seller,
37:02save me the trouble
37:04of looking for it
37:04And get out of here already!
37:07Oh, my dear,
37:09You've sweated enough.
37:10so that it would happen
37:11the effect of the formula.
37:12Oh,
37:13What a night.
37:15I hadn't had fun
37:17both since my adolescence.
37:19This concoction
37:20that you gave me
37:21It's wonderful,
37:22Juliana,
37:22It's wonderful,
37:23It's wonderful,
37:24It's wonderful,
37:25It's wonderful.
37:26How wonderful.
37:27Rest, Mommy,
37:28rest.
37:48Marcos came to pick me up.
37:51Could it be that he has feelings for me?
37:55What I do?
38:04What I do?
38:06Oh,
38:07hello,
38:08little hand.
38:09I brought you the ironed clothes.
38:11Thank you,
38:11Luzmina,
38:12But lower your voice.
38:13that my mom is asleep.
38:14Oh,
38:15Well,
38:16hey,
38:17I was thinking
38:18in Marcos last night.
38:19Well,
38:19say,
38:19I was thinking
38:21that if that Marcos
38:22He is so unfortunate
38:23As you say,
38:24Why did he come last night?
38:25to look for you?
38:27Luzmina,
38:27I'm not going to fall again.
38:29That man
38:29It's very good.
38:30with words,
38:31but me
38:32He won't fool me again.
38:33No, no, no.
38:34No no.
38:35Hey,
38:35And how about that?
38:36that he is telling the truth
38:37and that he loves you
38:38Seriously?
38:39Oh,
38:40No,
38:40No,
38:41friend,
38:41don't try
38:41brainwashing
38:42Because I'm not going to listen to myself.
38:46Yesterday
38:47I was tempted
38:48to resign
38:49to the company
38:51but I was
38:52thinking better
38:53And what I'm going to do
38:55It's about facing it.
38:57to muster up courage
38:58and create an account
39:00that Marcos Muti
39:02It doesn't exist for me.
39:03Let's see,
39:04little sister,
39:05what he told her
39:06Juliana
39:06He told you that too
39:07to you,
39:07I mean,
39:08to Maritza.
39:09What he feels
39:09for you
39:10He feels it too.
39:11by Juliana.
39:12Well,
39:12rather,
39:13I am completely
39:13sure that man
39:14I was talking to you
39:15with all my heart,
39:16and that he is sorry
39:17for everything he did.
39:19You already know
39:20what are men like?
39:21my Julis.
39:21They say any stupid thing.
39:23and then they regret it
39:24consciousness
39:24like an elephant.
39:26Oh,
39:26already,
39:26Luzmila,
39:27Don't defend him.
39:28And if you are
39:29so convinced
39:32like why
39:33You put it on today
39:33that pretty.
39:36Oh,
39:37already,
39:39That's better, my favor.
39:40Yeah,
39:41see you later
39:42and take care of my mom.
39:43Thank you.
39:48It comes to him
39:48the nail.
39:56And will it be
39:56How can I help her?
39:58Clear,
39:58I don't know much
39:59of mechanics,
40:00But I think without this
40:02It won't turn on.
40:03Mrs. Barbara,
40:04please,
40:05please,
40:05Don't do anything like that to me.
40:06Rosemary,
40:07Help me,
40:08if you knew
40:09how much it bothers me
40:10someone let me in
40:11the sleepless night,
40:13I wouldn't have done this to myself.
40:14No,
40:15please,
40:15Mrs. Barbara.
40:16Rosemary,
40:16Help me.
40:18Romero is going to do it.
40:20But, ma'am...
40:20Finish your work.
40:23Kill him.
40:24Kill him.
40:27Kill him.
40:49Good morning,
40:51Marixa.
40:51How are you?
40:52engineer?
40:54Two to eight,
40:55How punctual.
40:56Are you that upset?
40:57that not even
40:58Do you want me to see your face?
41:01Please,
41:02Yeah?
41:05That's better.
41:07He went to look for you yesterday
41:08to your house.
41:09Yeah,
41:10I know.
41:11And I don't want to.
41:12Tell me about it.
41:13Already Juliana,
41:14my friend,
41:15He told her everything
41:15what I thought.
41:17So from now on
41:18from now on
41:18our deal
41:19It's going to be
41:19strictly professional.
41:22Well,
41:23And why?
41:23Does it have an elevator?
41:24Last night
41:25I couldn't sleep
41:25thinking about all this.
41:27And if,
41:29He was a fool.
41:31He was stupid.
41:32having done
41:34that bet
41:34with Charlie
41:34of which
41:35feel
41:35very sorry.
41:37What do I have to do?
41:38so that you will forgive me,
41:39Marixa?
41:40I forgive him,
41:41But please,
41:42make the elevator
41:42move.
41:42I don't want your forgiveness,
41:43I want you to understand me.
41:45I feel things
41:46for you
41:46that I had never felt
41:48by no other woman.
41:50I can't believe him.
41:52Listen to me carefully,
41:54please,
41:55never
41:57I have lied
41:58in my life
42:00when the speaker
42:01for me
42:03It's my heart.
42:05Imagine at the same time
42:10that my heart
42:15would beat,
42:17would beat
42:19because of your being.
42:22longing
42:24to love you,
42:25everywhere
42:27time,
42:29longing
42:30to love you
42:30always
42:31I beg you.
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