- 12 minutes ago
Tv, Red Dwarf II -Series 1-E13
Category
📺
TVTranscript
00:27To be continued...
00:37OK, let's try again. What is it?
00:40It's a banana.
00:42No, it isn't. Try again. What is it?
00:44It's a banana.
00:45No, it isn't. What is it?
00:47It's an...
00:48It's an...
00:50It's an orange. Go on, say it. It's an orange. This is an orange.
00:54It's an...
00:56It's an...
00:58It's a banana. It's no good.
01:00It's no good, sir. I just can't do it.
01:01You can do it. I'm going to teach you how.
01:03OK, what's this?
01:04It's an app.
01:05No, no, no. What is it?
01:07Oh, it's no good, sir. I just can't lie. I'm programmed always to tell the truth.
01:12It's easy. Look, an orange, a melon, a female aardvark.
01:18Oh, that is just so superb, sir. How do you do that?
01:22Especially calling a banana an aardvark. An aardvark isn't even a fruit.
01:26It's total genius.
01:28All right. Let's start again.
01:30Sir, my head is spinning. We've been doing this all morning.
01:33Frightened? I am going to teach you how to lie and cheat if it's the last thing I do.
01:36I want to teach you to be unpleasant, cruel, and sarcastic.
01:39It's the only way to break your programming, man. Make you independent.
01:42I'm truly grateful, sir. Don't you think I'd love to be deceitful, unpleasant, and offensive?
01:47Those are the human qualities I admire the most.
01:50But I just can't do it.
01:51You can?
01:52I can't.
01:53Look, what's this?
01:54No.
01:55What is it?
01:56Please.
01:56Come on, what is it?
01:58It's a...
01:58It's a...
01:59It's a small off-duty Czechoslovakian traffic warden.
02:03Yes, you did it, you did it.
02:05What's this?
02:06It's a red and blue striped golfing umbrella.
02:08Yes.
02:09What's this?
02:10It's an apple.
02:11No.
02:11What is it?
02:12It's the Bolivian Navy on manoeuvres in the South Pacific.
02:16Well, Creighton, man, you can do it.
02:18No, I can't.
02:19Yes, you...
02:19Oh, oh, nice one.
02:21Well, I can't hang around here.
02:23I'd better go away and take the penguin for a walk.
02:26I can do it.
02:27I did it again.
02:28I can live.
02:29Come here, come here.
02:30Check this, check this, check this.
02:31Check what?
02:32Concentrate, Creighton.
02:34What's this?
02:35It's a banana.
02:38What's this?
02:39It's an orange.
02:40What's this?
02:41Oh, oh.
02:43You caught him there?
02:45That's terrific.
02:47You two should audition for What's My Fruit.
02:50Did it wrong, man?
02:51Oh, it gets better.
02:53I just can't do it.
02:54You can?
02:55You just did it.
02:56I just can't do it.
02:57Not when there's someone else there.
02:58What's a suitable human analogy?
03:00It's like trying to urinate in a public lavatory when you're standing next to a man two foot
03:05taller than you.
03:06It's just not possible.
03:07What are you trying to do exactly?
03:09He's trying to teach me how to lie, sir.
03:11Any particular reason?
03:12Yeah.
03:13Lying's a vital part of your psychological defense system.
03:16You're naked without it.
03:17If you can't lie, then you can't conceal your true intentions from other people.
03:21Sometimes that's essential.
03:22I mean, like, take Nelson, when he put the telescope up to his blind eye and said,
03:26I see no ships.
03:27Or like Humphrey Bogart, the end of Casablanca, where he lies to Victor Laszlo to protect the
03:32guy's feelings.
03:32And I understand the theory, sir.
03:34How many times have you made me watch that movie?
03:37I understand that it can be noble to lie.
03:39I just can't do it.
03:40You can't.
03:40You can't.
03:41Look.
03:42What's this?
03:43It's a banana.
03:44It always has been a banana.
03:45It always will be a banana.
03:47It's a yellow fruit that you unzip and eat the white bits.
03:49It's a banana.
03:51Listen, sir.
03:51Have you got Crichton there with you?
03:52Yeah.
03:53What's the prob?
03:54The problem is I've been waiting fully 20 minutes for him in the hangar.
03:58Oh, spin my nipple nuts and send me to Alaska.
04:02I'm supposed to take him asteroid spotting.
04:04I'll be right down, sir.
04:06You'd better be.
04:07Now, Crichton, remember yesterday's class and introductions at insults?
04:10Oh, I'm not sure.
04:11Now, how do we describe the gentleman who's just been on the screen?
04:13He's Mr.
04:14No, no, no.
04:15Come on.
04:15He's a...
04:16He's a smee.
04:18Nearly.
04:18Come on, nearly.
04:19He's a smee.
04:20He's a...
04:21He's a smee.
04:22He's a...
04:22He's a smee.
04:25Hey.
04:27I did it.
04:29Brutal.
04:31Now, the ultimate test.
04:32Can you say a tomb in person?
04:35Ah, Crichton, at last.
04:38Glad you could make it this millennium.
04:39Smee.
04:44Smee.
04:46What?
04:47You're a smee.
04:49Oh, forget it.
04:57Crichton, is there any possibility we can go just a little bit faster?
05:00I mean, so we're not being overtaken by stationary objects?
05:04Sir, you're a smee.
05:06He...
05:08A smee.
05:10A smee-hee.
05:14A smee-hee.
05:16A complete and total one.
05:18Hang about.
05:19I'm picking something up.
05:20Some kind of distress beacon.
05:21I copy that, Holly.
05:22Quadrant four, niner, seven.
05:24What is it?
05:25Hard to tell.
05:26But whatever it is, it appears to be marooned on a planet in decaying orbit.
05:30What's the safety margin?
05:31The planet will explode in about two hours.
05:33Forget it.
05:33It's too dangerous.
05:34Crichton, head for home.
05:36We can't just leave them there, sir.
05:37There may be survivors.
05:39Leave it, Crichton.
05:40That's an order.
05:42What are you doing?
05:43I'm not plotting a courser, nor am I taking her down.
05:47Yes, you are.
05:48Neither am I rendezvousing with the crashed vessel, nor seeking for survivors.
05:52Crichton, you are committing an act of mutiny.
05:54I could have you dismantled for this.
05:56Smeag.
05:58Oh, damn my programming.
06:08You're not back yet?
06:10You've been hours?
06:11No sign.
06:12What are you watching?
06:13Oh, just a vid.
06:14This is a classic, man.
06:15What is it?
06:16Tales of the Riverbank, the next generation.
06:19Oh, right, I've seen this.
06:21It's not as good as the original.
06:23Well, they never really found anyone to replace Hammy Hamster, did they?
06:26Ah, couldn't they?
06:27The dude was a diva.
06:28He smouldered.
06:29The camera loved him.
06:30Yeah.
06:31He was a rodent's equivalent to Marlon Brando.
06:33Whatever happened?
06:34Whatever happened to old Hammy?
06:36One minute he's a huge star running around on his own personalised gold wheel with as
06:40much E-dam as he could hold in his little cheeks.
06:42The next, obscurity.
06:45Probably went on the slide.
06:46The series ended.
06:47Couldn't find any more work.
06:48And then the ultimate humiliation, hamstergrams.
06:55Well, thanks a bunch.
06:56Thanks a smegging bunch-a-rooney.
06:59Rimmer, where are you?
07:00That idiot droid has endangered this entire vessel by landing on a planet that's about
07:04to explode.
07:05Thanks to your foundation course in advanced rebellion.
07:08Why?
07:10So he can go and search some starship escape vessel because there's a million to one chance
07:14there may be a survivor.
07:16And you let him go off on his own?
07:18Of course I let him go on his own.
07:19I was glad to get rid of him.
07:21He's flipped.
07:21He's got mad droid disease.
07:23Get waving a banana in front of being called to get a female aardvark.
07:27Ah, well.
07:29You better go after him then, hadn't you?
07:30And he might need some help.
07:32Lister, this is all your fault.
07:39Hello?
07:40Is there anyone here?
07:43Can anyone read me?
07:46Oh dear, what a terrible mess.
07:56Oh, Mr. Rivers, sir.
07:59Sir?
08:10I thank you from the very bottom of my rehydration units.
08:14You saved my life.
08:16You responded to my distress call.
08:18You saved mine.
08:19My name is Crichton.
08:20They call me Camille.
08:21Pleased to make your acquaintance.
08:22Are you a 4000 series?
08:24Yes, I'm the 4000 series GTI.
08:26GTI?
08:27Oh, wow.
08:28I'm just a plain old 4000 series.
08:30You've got all the luxury extras like realistic toes and a slide-back sunroof head.
08:36Why are you looking at me like that?
08:37Is there something wrong?
08:39Sorry.
08:40Stair mode cancel.
08:41It's just you have really amazing eyes.
08:44Well, they're just the old 579s with the automatic 15 f-stop cornea.
08:49If you like, I could pop them out and you could borrow them.
08:53Heck, what a jerky thing to say.
08:55I don't believe you would ever say anything which I would consider jerky.
08:59Really?
09:00Really.
09:00Wow.
09:02Listen, I know this is going to sound like a corny line, but has anyone ever told you
09:06that the configuration and juxtaposition of your features is extraordinarily apposite?
09:10You really know all the lines, don't you?
09:13No, I really mean it.
09:14The way the light catches the angles in your head, it's enchanting.
09:19My name is Crichton.
09:20You already said.
09:21Oh, yes.
09:22Gosh, you must think me as stupid as a photocopier.
09:26So, where are the crew?
09:27What happened here?
09:29Crichton, do you believe in advanced mutual compatibility on the basis of a primary initial
09:34ident?
09:34You mean what humans call love at first sight?
09:37That would be an adequate synonym, yes.
09:39Well, up until a few moments ago, I would have said it had a probability of zero squared.
09:43And now?
09:45This gantry is unstable.
09:46I suggest you hang on to me.
09:49Oh, what is that fragrance?
09:51It smells divine.
09:52WD-40.
09:53I knew it.
09:55I knew it.
09:56That's what I use on my neck hinges, too.
09:59Crichton, this shouldn't be happening.
10:00Do you feel it, too?
10:02Do you mean the 93.72% compatibility factor?
10:05I make it 93.75.
10:07Oh, yes.
10:07I forgot to carry the three.
10:09Then say it.
10:10I want to hear the words.
10:12Oh, but it sounds so ridiculous coming from a mechanoid.
10:14Then say them in machine language.
10:16Okay.
10:16In Z80012, using hex rather than binary and converting to a basic ASC2 code, Camille, I think I E5 A9
10:2408 B7 U.
10:27You really mean that?
10:28Camille, I'd do anything for you.
10:30I'd compute a three million digit prime number with prime roots if I thought it would make you happy.
10:35I'd evaluate pi to infinity if it would make you smile.
10:38Oh, Crichton, you make the most romantic calculations.
10:42Crichton, can you read me?
10:44What's happening?
10:44There are others?
10:46Yes, why?
10:46What's wrong?
10:47I can't meet them.
10:48What do you mean?
10:49The two of us alone, we could make that work.
10:51Please don't ask me to explain.
10:52But, Camille, this whole planet is about to blow.
10:55There isn't time.
10:55Please, I can't meet your shipmates.
10:57Trust me.
10:58But you don't know them.
10:59You'll like them.
10:59Well, some of them.
11:01Well, one of them.
11:03Maybe.
11:04Sir, I'm making my way back.
11:06What's kept you?
11:07I found a survivor, sir.
11:09We're coming in.
11:20Crichton, please don't make me do this.
11:21I'm begging you.
11:22Now, just relax.
11:23Everything's going to be fine.
11:25Mr. Rimmer, sir.
11:26Where the smeg have you been?
11:28Mr. Rimmer, sir, this is Camille.
11:29Camille, this is Second Tech Rimmer.
11:31She saved my life, sir.
11:36Yes, well.
11:37Howdy.
11:39Howdy.
11:40You see, I knew you'd get along, didn't I tell you?
11:43Well, we haven't got much time.
11:44I'd better go and start up the engines
11:45and get us clear of the impact zone.
11:47I'll come with you.
11:48No, no, no, no.
11:49You wait here and get acquainted.
11:54Can I get you anything?
11:55Or anything?
11:56No.
11:57No, no, I'm fine, thanks.
11:59I just can't believe I've met another hologram
12:01after all these years.
12:02Yes.
12:03I was Second Technician aboard that crate.
12:06Second Technician?
12:07That's what I am.
12:07I always wanted to go further,
12:08but I'm a real dope when it comes to exams.
12:11Me too.
12:14So, what do they call you?
12:16Well, my first name's Arnold,
12:18but the guys just generally call me Duke.
12:23Duke?
12:24Yes, well, they don't call me Duke
12:25absolutely all the time.
12:26In fact, sometimes months can elapse
12:29and they won't call me Duke at all.
12:30So don't call me Duke in front of anyone
12:32because they might have forgotten.
12:34You know that they call me Duke.
12:37Sorry, I'm blabbering.
12:38I'm not very good at small talk.
12:39No, I think you're perfectly charming.
12:41Do you?
12:42Well, thank you.
12:43No one's ever said I was charming before.
12:46They've said,
12:47Rimmer, you're a total git.
12:50But never charming, no.
12:51Well, I think you're very charming.
12:54Really?
12:54Very, very charming.
12:57Well, thank you.
12:59Um, thank you.
13:01I'd just better go and see how, uh,
13:03Crichton's getting on.
13:04Excusez-moi.
13:16She's quite something, isn't she, sir?
13:18She's enchanting.
13:20You think so?
13:21She's got everything.
13:22Style, taste, poise.
13:25She's absolutely lovely.
13:26Oh, I'm so glad you think so, sir.
13:29I don't mind telling you.
13:30I think there's some romance in the air.
13:33You sly old dog, Crichty.
13:35I think you're right.
13:36Oh, sure, her nose is a little loose, but to me, that's just cute.
13:42I'll tell you something.
13:43She's so like my sister-in-law, Janine, it's untrue.
13:47Camille looks like your sister-in-law?
13:50What happened?
13:50Was she involved in some kind of horrific car accident?
13:55Who, Janine?
13:56No, of course not.
13:57She was a model.
13:57And she looked like Camille?
14:00Absolutely.
14:00The resemblance is uncanny.
14:02What did she model?
14:03Spark plugs?
14:05I have to think she's very attractive.
14:07You do?
14:08Certainly.
14:09Do you think I'm attractive?
14:11You, of course not.
14:13I think you look like a giant, half-chewed, rubber-tipped pencil.
14:17Well, you can think what the heck you like,
14:20because there are some people in this big old wide cosmos
14:22who happen to think I'm pretty amazing-looking,
14:25especially in the eye department.
14:27I thank you so very much.
14:40You're back ahead.
14:41Ah, sir, you haven't met our visitor, Camille.
14:43Hi.
14:44Well, if you'll excuse me, I'll go and prepare your quarters.
14:47The penthouse suite on A-deck should suffice.
14:54Yeah, well, this looks fine.
14:55If you'd like to remove your clothes, we'll begin the examination.
14:59Sorry, Dave Lister, ship surgeon.
15:02You're a surgeon.
15:03Well, I'm not fully qualified,
15:05but I've seen every episode of St Elsewhere.
15:07Still, it makes you feel uncomfortable.
15:09You know, we can completely dispense with the physical examination
15:11and go straight for the malpractice.
15:14So, just lie back, relax, and I'll go and turn on the laughing gas.
15:18What you want, giggles or guffaws?
15:19It's all the same to me.
15:21Something tells me you're not really a doctor.
15:23What gave it away?
15:24The fact that I've gone fully ten seconds without patronising you?
15:28This is weird, you know.
15:30The last two human beings in an infinite cosmos
15:33and we have to bump into each other.
15:35Yeah, it is weird, isn't it?
15:36And you realise we have an awesome responsibility.
15:39We do?
15:40Yeah, sure we do.
15:41We've got to rebuild the human race as quickly as possible.
15:45Do you want to start now or do you want to clean your teeth first?
15:49And they say romance is dead.
15:50Hey, the prospect of making love to a complete and total stranger
15:54is just as galling to me, you know?
15:56You've got to be completely professional about this.
15:58Totally clinical and unemotional.
16:00Just lie back, relax, and I'll go and slip into my Spider-Man costume.
16:06Ah, Listie, I see you've met our ravishing guest.
16:10Camille, have you seen Crichton?
16:11He went up to the penthouse suite on A-Day.
16:13Thanks, Muchly.
16:16Oh, Camille.
16:18It's just a silly thought, really.
16:19But I thought perhaps after you've settled in
16:21and you're feeling up to it,
16:22we could pop up to the projection room
16:24and I could talk you through my photo collection
16:25of 20th century telegraph poles.
16:28Yeah, I don't know if you fancy a slightly more entertaining, even.
16:31You could just let them take you outside
16:32and shoot you through the head.
16:35As it happens, Listie,
16:37Camille is into telegraph poles every bit as much as I am,
16:40especially the 1952 Phase Fours
16:42with the triple reinforced wire.
16:44What?
16:45You're into telegraph poles?
16:46Of course not.
16:47You see?
16:48What did I tell you?
16:49And she's also a big fan of Reggie Wilson.
16:51What?
16:52You like Hammond organ music?
16:53It's mindless, Pap.
16:55Absolutely amazing, eh?
16:57Reggie Wilson, telegraph poles.
16:59It's uncanny how much we've got in common.
17:00Are you OK, Rimmer?
17:02Never better.
17:03Where is he?
17:04Adag.
17:05Ciao, Fennell.
17:10What was all that about?
17:12What about?
17:13You know, you were saying one thing
17:14and Rimmer was hearing another.
17:16How'd you do that?
17:18Well, you'd probably have worked it out eventually.
17:21I'm a pleasure gelf.
17:32Hey!
17:33What's going on, buddy?
17:34Eraserhead tells me she's a mechanoid
17:36and Captain Sadness makes out she's a hologram.
17:38Well, she's both of those and neither of those.
17:41She's a gelf.
17:42A gelf?
17:42Yeah.
17:42A genetically engineered life form.
17:44She's a pleasure gelf.
17:45Creates to be everyone's perfect companion.
17:48Everyone who looks at her perceives her differently.
17:50You see what you want to see, guy.
17:52What you most desire.
17:53Are you telling me
17:54if I go into that room,
17:55I'll see my perfect mate?
17:57Mm, yeah.
17:58And she'll fall instantly in love with you.
18:00Oh, what exquisite treasure of loveliness
18:03lies behind those doors.
18:04Well, knowing you,
18:05a six-foot Valkyrie warrior maiden
18:07in scanty armor
18:08with the cleavage
18:09you can ski down.
18:10Damn, you're making me dribble.
18:13Well, here goes.
18:21Hi, buddy!
18:24Yo, me.
18:25You're welcome.
18:27I'm the object of my own design.
18:29Can you think of anyone more deserving?
18:31Well, if you put it like that,
18:33I guess you're right.
18:34Damn, my vanity.
18:42What did you see?
18:43Oh, just some gorgeous chunk of loveliness.
18:46Come on, what did you see?
18:47Oh, what about it?
18:49What did you see?
18:50My legs are still shaking.
18:51Cocks!
18:53Someone get me a brandy.
19:00Well, I should have guessed.
19:02It was all a mighty bit too strange.
19:04I mean, actually meeting someone
19:05who didn't want to vomit all over me
19:07in complete loathing and disgust.
19:09I shouldn't take it so personally, sir.
19:11It's the same for all of us.
19:12We've all been made to feel foolish,
19:14used, chewed up and spat out.
19:16Look, she didn't mean us any harm.
19:18She can't control how we see it.
19:20She's a mirror for our obsessions.
19:23Holly, what did you see?
19:24I didn't see anything.
19:25I don't think I've got any desires.
19:27Either that or my screen was foggy.
19:32I guess I owe you all an apology.
19:36Sorry, Dave.
19:38Sorry, Duke.
19:41Sorry, buddy.
19:43Heartbreaker!
19:45I told you it wouldn't work,
19:47Crichton, if there were others.
19:48You're the one who's hurt the most.
19:50You're not used to these emotions.
19:52Why did you lie to me?
19:53Because I felt something
19:54really special for you,
19:56something I'd never felt before.
19:57I knew if you saw me as I really was,
20:00you'd be repelled.
20:01Well, try me.
20:03Turn away and I'll change.
20:04I'll change to what I really am.
20:11I'm ready.
20:19This is what I really look like.
20:21Oh.
20:22What do you think?
20:24Well, I think you look really nice.
20:27Nice?
20:28She looks like something
20:30that dropped out of the Sphinx's nose.
20:34He's right.
20:35I'm just a huge green blob.
20:37True, but as huge green blobs go,
20:39I think you're really cute.
20:41I don't believe you.
20:43Okay, so you're never going to get
20:45on the cover of Vogue,
20:46but hey, neither am I.
20:47I think you're really sweet.
20:49You're lying.
20:50I can't lie.
20:51I'm a mechanoid.
20:52You really don't think I'm repulsive?
20:55Of course not.
20:56There are some humans
20:57not as attractive as you.
20:59Take Carl Molden.
21:01He was a famous actor.
21:03You think this changes anything?
21:05Camille,
21:06I'd be really grateful
21:07if you would join me
21:08for dinner tonight.
21:09You mean that?
21:11Parrot's Bar on G-Dick.
21:13I'll meet you there at eight.
21:15Flats or heels?
21:23I can't believe
21:25he's really going through with this.
21:27Look,
21:27if Crichton wants to take
21:28an amorphous green blob
21:30for a discreet teta tentacle,
21:33I say good luck to him.
21:34I mean, me too.
21:35I mean, we all react differently,
21:37don't we?
21:37When Steve McQueen met the blob,
21:39he tried to kill it.
21:40He probably never crossed his mind
21:41trying to take it out
21:42to a restaurant.
21:44I have a great idea.
21:45Then you go to a sushi bar.
21:47At least that way,
21:48the food won't look better
21:48than his date.
21:51Sir,
21:52I respect your sense of dress
21:53more than anything,
21:54and I really appreciate
21:55your opinion of this outfit.
21:58Crichton,
21:58if I was going out
21:59with a large bowl
22:00of green slime,
22:01that's how I dress.
22:03Thank you, sir.
22:04That means a lot to me.
22:05Well,
22:07don't wait up.
22:27Isn't this enchanting?
22:28Oh, Crichton,
22:30do you think we could make it,
22:31you and I?
22:32It's the old, old story.
22:33Droid meets droid.
22:35Droid becomes chameleon.
22:36Droid loses chameleon.
22:37Chameleon becomes blob.
22:38Droid gets blocked back again.
22:40It's a classic tale.
22:42A toast, my love.
22:44To us.
23:04Casablanca,
23:04what a movie.
23:05I must have seen it
23:06a thousand times.
23:08Lister used to use it
23:09as part of my course.
23:10It's littered with examples
23:11of how lying can be noble.
23:13From now on, my angel,
23:15Casablanca will be our movie.
23:17Sorry to Goosbury, Crichton,
23:19but we've got a visitor
23:19down in the hangar.
23:20He wants to see Camille.
23:22I was going to tell you,
23:24Crichton.
23:24Truly I was.
23:26You have a husband?
23:28We're androgynous,
23:29but I suppose you could
23:30call him my husband.
23:31Hector has a brilliant mind.
23:32He's been working on an antidote
23:34for Al Condition for years.
23:36Hector's a blob, too?
23:38We're both blobs, Crichton.
23:39I left him a long time ago.
23:41I thought he'd given up looking.
23:43He must really think
23:44a lot of you.
23:45I guess.
23:46So what are you going to do?
23:47I'm going to tell him
23:49I met someone else.
23:50I'm going to tell him
23:51I'm staying here with you.
23:59Mr. Lister, sir,
24:00would you be so kind
24:01as to take Camille's bag
24:02on board?
24:03Say it to me, Crichton.
24:05Anything you say?
24:06Why my bad, Crichton?
24:08Because you're getting
24:09on that craft with Hector
24:10where you belong.
24:11No, Crichton.
24:12Now, you've got to listen to me.
24:13Do you have any idea
24:14what you've got to look forward to
24:15if you stay here?
24:16You're saying this
24:17only to make me go.
24:18We both know
24:19you belong to Hector.
24:20You're part of his work.
24:21You're what keeps him going.
24:23If you're not on that craft
24:24when it leaves the hangar,
24:25you'll regret it.
24:26Maybe not today,
24:27maybe not tomorrow,
24:27but soon for the rest
24:29of your life.
24:30What about us?
24:31We'll always have parents.
24:33Come on, Crichton.
24:34I'm no good at being noble, kid,
24:36but it's pretty obvious
24:37the problems of two blobs
24:39and a droid
24:39don't amount to a hill of beans
24:41in this crazy cosmos.
24:45Are you ready, Camille?
24:48I'm ready.
24:50Goodbye, Crichton.
24:51Bless you.
25:02You were lying, Crichton.
25:04Yes, it hurt to do it,
25:05but it was her best shot
25:06at happiness.
25:07It's the old, old story.
25:09Droid meets droid.
25:10Droid becomes chameleon.
25:12Droid loses chameleon.
25:13Chameleon turns into blob.
25:14Droid gets blob back again.
25:15Blob meets blob.
25:16Blob goes off with blob.
25:17And droid loses blob,
25:19chameleon and droid.
25:20How many times
25:21have we seen that story?
25:23I suppose you're going to
25:24blame me for all of this,
25:25aren't you?
25:26Yes, I am.
25:27Without your lessons,
25:28without your bananas
25:29and your movies
25:30and your aardvarks,
25:31none of this could have happened.
25:32You're a complete
25:33and total smeghead.
25:35Oh, Crichton,
25:36you just insulted me.
25:37Yes, I can lie, cheat
25:38and be offensive now.
25:40Crichton,
25:42this could be the start
25:43of a beautiful friendship.
25:48It's cold outside
25:50There's no kind of atmosphere
25:52I'm all alone
25:53More or less
25:55Let me fly
25:57Far away from here
25:58Fun, fun, fun
26:01In the sun, sun, sun
26:04I want to lie
26:07Ship flexing on my toes
26:09Sinking fresh mango juice
26:12Your fish joes
26:14Dibbling up my toes
26:15Fun, fun, fun
26:18In the sun, sun, sun
26:21Fun, fun, fun
26:24In the sun, sun, sun
26:28I want that
Comments