- hace 6 horas
La decisión de Celia de proseguir su carrera como modelo, esta vez como protagonista de una campaña de ropa interior, sumirá a Diego en un profundo dilema: aceptar el camino emprendido por su novia o hacer caso a sus celos. La postura adoptada por Teté, que utiliza la decisión de Celia para deteriorar su imagen en el colegio, y las dudas de Carmen sobre su utilidad en el seno de la familia, añaden tensión a la situación. La obsesión de Lourditas por demostrar su validez ante Ana le llevará a renovar por sorpresa los ordenadores del colegio. Aconsejada por Choni, aceptarán una suculenta oferta de una tienda de informática. Sin embargo, ambas desconocen que tras esa rebaja se esconde una banda de ladrones dedicada a la venta de material robado. Los problemas con la ley continuarán con José Luis, que recibe una notificación de arresto domiciliario por resistencia y desacato a la autoridad. Movido por sus ansias de no defraudar a Choni, intentará ocultar a su esposa la delicada situación por la que atraviesa.
Categoría
📺
TVTranscripción
00:00:15Santifiti!
00:00:30Well, every cloud has a silver lining, right?
00:00:31A little relaxation, huh?
00:00:32A little Sunday family chat and that's it.
00:00:35I prefer football, you know?
00:00:37I'm here with the radio, listen, listen...
00:00:39Let's see...
00:00:39Let's see what we're going to do.
00:00:40Wait a moment.
00:00:41Wait a moment.
00:00:41Wait a moment.
00:00:42But as Fiti says, you always have to be vigilant.
00:00:45because the paths of stress are countless.
00:00:47What? I want to hear the weather?
00:00:49I like the Mario who hunts...
00:00:50Yes, of course, of course we have to listen to the times.
00:00:52That?
00:00:52Because?
00:00:53Because if tomorrow is a Catiuja day, if you ask us...
00:00:55But now that we're here, what do we do?
00:00:56What do we do?
00:00:56Sure, sure.
00:00:57Hey?
00:00:57We'll have to wait and see.
00:00:58But what time is it that you're doing this?
00:00:59What are you saying about the weather?
00:01:00No, no...
00:01:01Because deep down, adults are just like children.
00:01:03And for a friend they are capable of doing anything.
00:01:05What are you doing?
00:01:06Fuck you!
00:01:07The MP3.
00:01:08Wait, I'll get you a rag.
00:01:09Calm down, calm down, nothing's wrong.
00:01:10Of course, it's because I don't know you bring those things here to the bar.
00:01:13I mean, it's like kids.
00:01:15What's happening?
00:01:16I find out, coita.
00:01:17We're relieving our brother of stress with football.
00:01:18And he's going to study this P3 course, huh?
00:01:20I hadn't noticed, sorry.
00:01:22It was also a reflexive act of goodwill to listen for you.
00:01:26Ah, so it was because of Diego.
00:01:28Of course, so I didn't understand anything about your lack of interest in football.
00:01:30Well, I'm also prone to exaggeration.
00:01:32Come on, I have anxiety attacks every day,
00:01:34Otherwise, what are you kicking, cat?
00:01:35Luis, here, go on, here, here.
00:01:37Now, with this, let's see if you can dry it now.
00:01:40I'm going to change neighborhoods, and in the meantime, because this is over.
00:01:42Now that I have...
00:01:43No no!
00:01:44Let's give ourselves to each other!
00:01:45But what's happening? What's happening now?
00:01:46Let's give ourselves to each other!
00:01:47Let's give ourselves to each other!
00:01:48But what are you doing?
00:01:49Why don't you leave me alone?
00:01:49Because you already changed it.
00:01:51It's under control, damn it, Diego!
00:01:53Man!
00:01:53I didn't change!
00:01:54Open up, come on!
00:01:57But stress is treacherous.
00:01:59And no matter how much friends try,
00:02:01If people have to explode,
00:02:02because they end up exploding like that beer barrel.
00:02:08A station platform, under the blazing sun.
00:02:12You were talking about a skyscraper in the sky of New York.
00:02:15Come soon to see the sea.
00:02:17And you send a postcard.
00:02:19I already knew that day was the end.
00:02:24Now I have much more.
00:02:27Red, black, stop and even.
00:02:29Finally, luck brings an ace and a crystal to look through.
00:02:33And a wall to hang it on.
00:02:35Seven smiling faces in a passport photo.
00:02:38My stories were not about tales made by chance.
00:02:45Nobody told me that destiny was giving me this opportunity.
00:02:51One plus one equals seven.
00:02:54Who would have thought?
00:02:58That it was so easy to be happy.
00:03:08All the best.
00:03:14All the best.
00:03:14Good morning.
00:03:15Hey, Dad, sometimes we do a little shopping, right?
00:03:18Because these cookies look like wedge items.
00:03:21From here you can see that they are perfectly edible.
00:03:24They've got a feel for it, Dad.
00:03:26We'll have to be very careful with the tablecloth very soon.
00:03:28because there aren't even any napkins.
00:03:30And there isn't even any milk.
00:03:32Okay, but don't worry about that.
00:03:33Because we can always milk the neighbor's dog, right, Dad?
00:03:35How funny?
00:03:37Okay, fine, I'll find some time this afternoon and make a purchase, okay?
00:03:41It's been so long since my grandmother stopped coming around, and why doesn't Carmen come?
00:03:45Well, I don't know.
00:03:47Ask your father.
00:03:49Well, I cut this off for nothing, I mean, no, for no particular reason, I mean, what's the big deal?
00:03:53Her little things to do, like the hairdresser's, shopping, the usual stuff...
00:03:58Good evening, family.
00:03:59Good evening, look, look, look, look, look, look.
00:04:03So, what's up? How are we doing?
00:04:06Did you sleep well?
00:04:07The eight standard hours
00:04:08Yes, I slept wonderfully
00:04:10And another question, Santi, shouldn't you be opening the table?
00:04:12No, brother, we've decided to go help you load this week's order.
00:04:16This week's order?
00:04:17Yeah
00:04:18One moment
00:04:21Are you OK?
00:04:22Yes, yes, yes, no, I wanted to tell you
00:04:25What's happening?
00:04:26Do you want to worry my whole family?
00:04:28That's what you want, I told you so
00:04:29What happened to me is something that is not physical
00:04:31Which is something else entirely.
00:04:32And that I'm doing very well, that I can manage, that I'm as strong as an ox
00:04:34But come on, like a viura, I'm not denying it, Diego, it's true
00:04:37Damn, it was on my way to the garage, too...
00:04:43So, are you okay?
00:04:44Yes, I'm fine.
00:04:47Sorry, Teté, Teté, daughter
00:04:48Can someone tell me what you're still doing in your pajamas at this hour?
00:04:52Diego, I remind you that yes, expelled
00:04:53But hey, if you want, I'll wear my Fallera dress around the house
00:04:56Very funny, the bit about being a fallera made me laugh so much you can't even imagine.
00:05:00But let's see, being expelled is one thing, and being on vacation is another.
00:05:02In other words, if we don't want to do intellectual work
00:05:04Let's do a little bit of physical work
00:05:06What do you think?
00:05:07I
00:05:07Yes, you
00:05:08So, you're going to start cleaning the whole kitchen right now.
00:05:10As soon as we leave
00:05:11And you leave it sparkling clean, okay?
00:05:13Excuse me, Diego, but I'm nobody's kid, you know?
00:05:21Relax, Diego
00:05:23Okay, okay, okay
00:05:24And what a great TV!
00:05:26What a beautiful thing
00:05:27Have you ever seen anything like it?
00:05:29What, what, what
00:05:30How wonderful
00:05:31Well, thank you very much, okay?
00:05:33Hey, and I'm really sorry that the censor is here.
00:05:35When you come down, give me a call
00:05:37As far as I know, you haven't had a stroke or anything, huh?
00:05:39Okay, see you later, ma'am
00:05:40Lady, mother who gave birth to you
00:05:43Pussy
00:05:44Me, me, me, me
00:05:45Johnny, please tell me
00:05:46That this
00:05:47What I'm seeing here was probably bought on a scratch-off ticket.
00:05:49Tell me that.
00:05:50No, honey
00:05:51Well, it's been, it's been a bargain
00:05:54What's wrong, son?
00:05:55Damn, it looks more like I've got a grenlin than a fleas, mate.
00:05:57Okay, okay, okay
00:05:58And this?
00:06:00This is your farewell to analog television.
00:06:03What cane?
00:06:05Tecnomonic
00:06:06Latest model
00:06:07Forty-six inches
00:06:08Maximum definition
00:06:09And good plasma.
00:06:11What do you think?
00:06:14Embodied
00:06:15Ah!
00:06:15So, I went to the market for potatoes.
00:06:18And I came back with what I came back with.
00:06:20With a sinkhole?
00:06:22With the checking account?
00:06:23No, darling.
00:06:23Johnny, Johnny
00:06:24The Euribor is through the roof
00:06:26And we've reached the end of the month
00:06:27Well, well, well, reckoning
00:06:28Honey, it was a bargain!
00:06:30You can't even imagine it
00:06:31Half price at an Aulec where I found it
00:06:33If this, this is
00:06:34As if we were to say invest
00:06:35In leisure and infrastructure
00:06:37Domestic
00:06:37Yes, like the day you bought
00:06:38Yadro's dog
00:06:39Life-size
00:06:40That which was
00:06:40Investment in flora and fauna
00:06:42What was that?
00:06:43But it's going to be the same.
00:06:44Yadro's dog
00:06:45It's going to be the same
00:06:46Open the door
00:06:48Miño, what a beautiful TV like this one
00:06:52Good morning
00:06:53José Luis Salgado?
00:06:54Yes, yes
00:06:55Come on, help me put it on.
00:07:00Be careful
00:07:01Take care of your kidneys.
00:07:02Above
00:07:03Oh!
00:07:03Thank you
00:07:04Likewise, thank you
00:07:07Honey, a registered letter
00:07:08About what?
00:07:11Hey...
00:07:11No, from...
00:07:14From the readers' circle
00:07:15They get annoying
00:07:17If they start to...
00:07:18Book club?
00:07:19If all you read
00:07:20It's the shampoo label.
00:07:21When you're sitting
00:07:22In the electron
00:07:23The other one, margallosa
00:07:24Look, darling
00:07:25Don't tell me you don't like it
00:07:26It looks beautiful.
00:07:26It has become a...
00:07:28Yes, look
00:07:29I see it and I like it
00:07:30It gives it a stately touch
00:07:31To the room
00:07:32Right, darling?
00:07:34I knew you'd like it
00:07:35If I don't give a whore there, I hardly even...
00:07:37I like it a lot
00:07:38Come on, come on, come on
00:07:39It looks absolutely beautiful
00:07:41And you go to the dentist now.
00:07:42Call Carlos
00:07:44Man, that goes further
00:07:45It really does look like a different dining room
00:07:47A grandeur
00:07:48One aspect that gives
00:07:51Precious
00:07:52Call the dentist, Raúl
00:07:54It's about giving it your all sometimes, damn it
00:07:58God
00:08:05What is it?
00:08:06I already told you nothing.
00:08:07Like nothing.
00:08:08Like nothing.
00:08:10Pussy
00:08:11I will have been a single-minded killer
00:08:12Shut up, damn it
00:08:13Shut up, shut up
00:08:14If you don't love me, I'll die
00:08:15Shut up, shut up
00:08:16I'll tell you later, okay?
00:08:17And don't say anything
00:08:18I'll make your abscess pop up without anesthesia.
00:08:20Tell me now
00:08:23I'm worried
00:08:24Concerned
00:08:25Of course, that's normal.
00:08:26It's a bit difficult.
00:08:29Yes, it's a bit difficult.
00:08:31It's a bit difficult
00:08:32Because it seems
00:08:33The deaf girl
00:08:35But I'll tell you one thing, Santi
00:08:36In other words, I see the logic in this story.
00:08:38Because with this topic
00:08:39It must be quite difficult
00:08:40I'm not going to deny it
00:08:41I understand her
00:08:42And I understand Carmen too.
00:08:43Does Grandma complain too?
00:08:45What if Grandma complains?
00:08:46I'm going to tell you something
00:08:46That is, a few days ago
00:08:47He doesn't show up at home
00:08:48And that worries me.
00:08:49That's what the old woman had to do at her age
00:08:51It's about looking ahead
00:08:52Look ahead
00:08:53Relax, Santi
00:08:54We need to understand both sides as well
00:08:57Stay still, stay still, stay still
00:08:58Okay, leave me alone already.
00:08:59Let me get something
00:09:00At least
00:09:00I said that a kid did this
00:09:01And that's what a bull has done
00:09:02And that's it.
00:09:03I made a bull
00:09:04I made a bull
00:09:05And well, I've made a bull
00:09:06And a little yogurt too
00:09:09And speaking of everything, a little bit
00:09:11Celia's doing well, right?
00:09:13Okay, okay
00:09:14Good
00:09:15Sure, fuck
00:09:16It was about time something went right for you.
00:09:18Damn, it's not going to be a walk in the park, Diego.
00:09:19Yes, Celia
00:09:20Much Celia
00:09:21She has the bearing of a lady.
00:09:23She's a lady.
00:09:24She is a lady
00:09:25From head to toe
00:09:26Pay attention to what I'm telling you.
00:09:26I'm going to tell you something else
00:09:29I am happy
00:09:30And is it going well?
00:09:32March
00:09:33Zero
00:09:33Damn, some little detail
00:09:35Tell me, pirate
00:09:36Something like meat
00:09:38For friends, damn it
00:09:39Hey, the one I don't know
00:09:41Well, yes
00:09:42Well, there it is.
00:09:42Right now there is one thing
00:09:44Very pretty
00:09:45From nearby, you know, right?
00:09:48Yeah
00:09:48You
00:09:49Do you remember when
00:09:51That special thing that happens to people
00:09:54When they're really good together
00:09:55And then the rest of the world
00:09:56Well no?
00:09:58Well, that's how we are.
00:10:01With a
00:10:03With confidence
00:10:04With one thing that
00:10:05That's great!
00:10:06In other words, we are
00:10:07She, I
00:10:08And our privacy
00:10:10So how
00:10:11Okay, very good.
00:10:12Very good
00:10:17That's not it.
00:10:23Intimate female
00:10:35Diego
00:10:37Diego, calm down, okay?
00:10:38No, no, no
00:10:38I'm fine.
00:11:05No, no, no, no
00:11:12Grandmother
00:11:13Oh, bro
00:11:14Oh, daughter
00:11:15You gave me such a fright!
00:11:16But what a surprise!
00:11:20Yes darling
00:11:22And shouldn't you be in school?
00:11:25Yes, but...
00:11:28Are you feeling unwell?
00:11:29No, no, that...
00:11:31I'm grounded.
00:11:33I've been expelled from school for three days
00:11:36Expelled?
00:11:36You?
00:11:37But you've always been a saint.
00:11:39He hasn't caused a single problem at school
00:11:43Yes, but...
00:11:44What's happening?
00:11:45I just can't stand Celia, Grandma
00:11:46Oh, bro
00:11:47Don't mix things up
00:11:48No, it's not mixing.
00:11:49I just can't suffer.
00:11:52Look, bro
00:11:52Sometimes life
00:11:54Well...
00:11:54It tests us
00:11:55And in those moments you have to be an adult.
00:11:58And you already are, aren't you?
00:12:00If being an adult means having to forget about your mother, well...
00:12:03Tete, don't say that
00:12:05What you did at school was very wrong
00:12:06And you know it.
00:12:10I thought you were going to be on my side, at least.
00:12:12Look, Tete, you're my granddaughter
00:12:13And I will always be on your side
00:12:15But that doesn't mean you can do whatever you want.
00:12:18You have to admit that you were wrong
00:12:20Well, maybe you're the one who's wrong.
00:12:32Two
00:12:33I ran two red lights
00:12:34And a poorly chosen roundabout
00:12:36That's what I did.
00:12:37Damn, the traffic is terrible.
00:12:39They'll pass you on to the Gestapo
00:12:40Two days of house arrest
00:12:43Two days, no
00:12:43Forty-eight hours, Raúl, exactly
00:12:45Forty-eight hours
00:12:47As if one didn't have things to do.
00:12:49Imagine you're here, I don't know.
00:12:50You go downstairs for bread
00:12:52What's happening?
00:12:53What does she find out?
00:12:54Well, damn it, plasma, Raúl
00:12:56In other words, the...
00:12:57Plasma
00:12:58They can come at any time
00:13:00And if I'm not there, well...
00:13:02Well, if I'm not there, I can already see myself packing my bags for Laurín.
00:13:05Well, kid
00:13:06Well, for Laurino, my aunt will skin you alive.
00:13:09Fuck
00:13:11Two days, what are you going to do?
00:13:12Hey, how...
00:13:14How do you view self-harm?
00:13:17Self-harm?
00:13:18Yes, self-harm
00:13:18No, no, self-harm
00:13:19A...
00:13:21A...
00:13:21A small sprain
00:13:22A...
00:13:24A trauma
00:13:25That's it, a trauma
00:13:26Something like that
00:13:28Traumatize me
00:13:28Take this
00:13:29And you throw it at me...
00:13:32Throw it at my feet
00:13:32What are you saying?
00:13:33What, what, what?
00:13:34Yes, Raúl, please.
00:13:35And then you go to the dentist
00:13:35Throw that at me hard, with gusto.
00:13:37I don't see it.
00:13:37Here, at the foot
00:13:38I don't see this.
00:13:39Because I don't see it
00:13:40Don't throw that at my feet, damn it.
00:13:42Throw that at my feet
00:13:42On the count of three, okay?
00:13:43And you traumatize me once and for all
00:13:45Come on
00:13:48This...
00:13:49This is more traumatic
00:13:50No matter how you react
00:13:51Come on
00:13:52Be careful, okay?
00:13:53A
00:13:54A
00:13:55Two
00:13:55Two
00:13:56No!
00:13:58What are you doing, animal?
00:13:59What are you doing?
00:14:00What are you doing?
00:14:01It's not like you're going to destroy my foot
00:14:02And besides, I wouldn't be able to go to the emergency room.
00:14:04I couldn't go, why?
00:14:05Because I would be violating house arrest
00:14:07So this doesn't count either.
00:14:09Okay, Tito
00:14:10Okay, I have to go to the doctor, alright?
00:14:12My problem has a solution.
00:14:13I can't even get bad
00:14:17This is not even...
00:14:18This would have been better
00:14:24Satisfied
00:14:24With the hunk in the belly button
00:14:26It even makes you cold to look at her.
00:14:28The cold and what is not cold
00:14:29With all due respect to your brother
00:14:31I felt
00:14:33Don't hide
00:14:34Don't hide, Fiti
00:14:38What's happening?
00:14:39Is something wrong?
00:14:39It's all over the magazine
00:14:41With a little catalog, huh?
00:14:43As a gift
00:14:43In an intimate setting
00:14:44Intimate female
00:14:45Pussy
00:14:45If it's seen more than the bull of Ovorne
00:14:47Fuck
00:14:50It's advertising, isn't it?
00:14:51What is the purpose of advertising?
00:14:52No, what's the point?
00:14:52For sale
00:14:54Don't look at me like that, damn it!
00:14:55We are in the 21st century
00:14:57Fuck
00:14:57Does this kind of thing scare you?
00:14:58Do they scare you?
00:14:59But these are normal things.
00:15:00They're things like that, like aluminum foil.
00:15:02Come on, go on
00:15:02You really are, you really are
00:15:04I don't think there is one.
00:15:07Aluso
00:15:07It's aluso, this is aluso
00:15:08In other words, they're good jobs.
00:15:10They are beautiful works
00:15:11The composition is good.
00:15:12The light is fine.
00:15:15And the clothes?
00:15:16What does the clothes guy say?
00:15:17Hey?
00:15:18The clothes, what can I say?
00:15:19Until next time
00:15:20Well, austerity
00:15:21The word comes to me
00:15:23Austerity
00:15:24Yes, well, yes
00:15:25Like a Spartan
00:15:25It's a Spartan thing
00:15:26In detail
00:15:27In Spartan ornamentation
00:15:28Yes, what it is
00:15:29Clutches and bra
00:15:31But anyway, Diego
00:15:32You weren't aware
00:15:33From this campaign
00:15:34I?
00:15:34That?
00:15:35Of course, damn it!
00:15:36Of course!
00:15:37And I'm also very proud of it.
00:15:38Look, I know it's you.
00:15:39Because I've seen you before.
00:15:40Slicing ham
00:15:41With that set of dolls
00:15:42What do you have
00:15:42Don't you realize?
00:15:43They're putting your girlfriend on
00:15:44In the public domain?
00:15:47Santi, I'm going to tell you something
00:15:48And don't forget
00:15:49I'm going to tell you something
00:15:49The body is not what's dirty.
00:15:50No, it's the way you look at things that's dirty.
00:15:52The dirty look
00:15:53Yes, that's the dirty part
00:15:54Damn, this doesn't keep me up at night.
00:15:55That I have evolved
00:15:56Not like you
00:15:56Fuck
00:15:58I love Celia very much
00:16:00And I respect her a lot.
00:16:01And that's it.
00:16:02Santi
00:16:03There is no other option.
00:16:04There is no other option.
00:16:05Hats off to them!
00:16:06Yes sir
00:16:07Diego, yes sir
00:16:07There, giving lessons
00:16:09Damn, like José Tomás
00:16:11Are you sure you didn't touch anything, José María?
00:16:13The start button
00:16:14To turn it on, Lurditas
00:16:15Hey, Celia
00:16:16This one has also gotten stuck
00:16:17It seems to me that we're at rock bottom.
00:16:18Okay, calm down.
00:16:19We'll solve the problem now.
00:16:21Yes, yes
00:16:22Gisda, Gisda
00:16:23I have your problem
00:16:23Yes, yes
00:16:25Silence
00:16:27Can you tell me what's going on here?
00:16:29Nothing, nothing
00:16:30A small problem with computers
00:16:32Sorry, sorry, Ana, no
00:16:33But no problems at all.
00:16:34The technical deficiencies of this room
00:16:35They are unacceptable
00:16:36Also, sorry
00:16:37They hinder development
00:16:38And learning the subject
00:16:40Who are computers, Ana?
00:16:43You know what happens
00:16:43They are very old
00:16:44These are the first plasmas that came out
00:16:46Then precisely
00:16:46I think I know this one.
00:16:47We're being a little stingy.
00:16:48It's education
00:16:49And we also skimp.
00:16:50With the rations from the dining hall
00:16:51Okay, that's the end of the discussion.
00:16:53Theory class for everyone
00:16:54Until the problem is solved
00:16:55That?
00:16:56Come on, I'm not going to do it!
00:16:57And in silence!
00:17:00Guille, knowledge
00:17:02Let's see
00:17:02What are you planning with Ana?
00:17:04Woman, I've been here a week
00:17:05And I don't solve it, I don't solve it
00:17:06Well, don't get too upset.
00:17:07Because, let's see what
00:17:08What are you going to do, daughter?
00:17:09No, but it makes me angry
00:17:11Because he misses me
00:17:12On the other hand, if I were to solve this
00:17:13Well, the woman would look at me
00:17:14With different eyes
00:17:17I don't know what to say
00:17:17What is destiny?
00:17:20What is destiny?
00:17:22I found a
00:17:23All these things
00:17:24Halfway through depression
00:17:25Throw yourselves
00:17:26You keep the accounts here, right?
00:17:28Yeah
00:17:28And you want to crown yourself with Ana.
00:17:29Yeah
00:17:30Listen to me
00:17:31This will make you an equestrian statue
00:17:33Horse included
00:17:35What is it?
00:17:36As?
00:17:36Whatever I tell you
00:17:37Come
00:17:52Well, what about you...
00:17:53I'm...
00:17:54I'm impressed.
00:17:56You've left the kitchen
00:17:58Notice that it could be eaten
00:17:59Even on the ground
00:17:59Everything is so clean
00:18:00See?
00:18:02Thank you so much, daughter
00:18:03It wasn't me
00:18:05Oh, it wasn't you.
00:18:07Already
00:18:13It wasn't me
00:18:42Diego
00:18:44What are you doing here?
00:18:45How are you, Carmen?
00:18:46It's been a long time, hasn't it?
00:18:48Yeah
00:18:48May I come in?
00:18:49Yes, yes
00:18:51Thank you
00:18:51Has something happened?
00:18:53No, no, no
00:18:53What's going to happen, no
00:18:54That I was around here
00:18:55Through the neighborhood
00:18:55Running some errands
00:18:56And he told me
00:18:57Well, let's take advantage of it.
00:18:58And we're going to see Carmen
00:19:00Let's see...
00:19:01Clear
00:19:04And?
00:19:05That...
00:19:06How's everything going?
00:19:07Is that okay?
00:19:09Well yes
00:19:10Yes, yes, everything's fine, Diego
00:19:11Yes, as always.
00:19:13No, not as usual.
00:19:15No, because he hasn't been around the house for a long time.
00:19:18Already
00:19:19I've been very busy lately
00:19:22Ah, that's...
00:19:22Yeah
00:19:23What if we need to lend a hand?
00:19:25Whatever it takes, eh?
00:19:26No, no, no, Diego
00:19:27It's nothing.
00:19:28No
00:19:29Retirement things
00:19:32Some ailments
00:19:33Well, that's normal at this age.
00:19:36Carmen
00:19:36Carmen, please
00:19:37He's having sex with a young girl
00:19:38And it doesn't seem to me that we know each other.
00:19:41If you don't come home
00:19:43Something's up
00:19:44Don't deny it
00:19:48Okay, Carmen
00:19:51We are a family
00:19:52And families have to be together, right?
00:19:55You said it, Diego
00:19:57Yeah
00:19:57You are a family
00:20:01No
00:20:02Are
00:20:03Are
00:20:04So this story is over.
00:20:06That is, starting tomorrow
00:20:07I want to see her at home having breakfast
00:20:08Quietly
00:20:08Period.
00:20:08Because you can't be here alone.
00:20:10He was acting like he was doing it the whole time.
00:20:19No
00:20:21I'm not saying, really
00:20:22I apreciate it
00:20:25But...
00:20:26But it's better if I don't go.
00:20:28This is no longer my place
00:20:31Already
00:20:36Well
00:20:37This
00:20:38It's because I have
00:20:39I'm making lunch
00:20:41And so
00:20:41And if you don't mind
00:20:42Well...
00:20:43No, no, no
00:20:44I don't mind
00:20:45See you later
00:20:59Bye
00:21:00One, two, three
00:21:03Thirty computers
00:21:04Thirty computers at half price
00:21:06What a move, huh?
00:21:08Okay, play
00:21:08If your instinct has kicked in
00:21:09Business killer, Lourdes
00:21:11And then Ana says I have no economic vision
00:21:14Hey
00:21:15A dozen mats
00:21:17We got them for free.
00:21:18No no
00:21:18Anita is going to be shocked when she sees this
00:21:20Well, and the savings
00:21:21The book savings
00:21:22My daughter, you have covered yourself
00:21:23You've covered yourself, Lourdes.
00:21:24Let's go with her
00:21:25Come on, this is the last one
00:21:26We're already here
00:21:27Let's see
00:21:29A
00:21:30Two
00:21:31And three
00:21:31Wait, wait, wait
00:21:32On the count of three, and that's it!
00:21:33Or on the count of three
00:21:35On the count of three and a quarter
00:21:36Look, even the coplovis
00:21:37Come on
00:21:38Come on
00:21:39Push
00:21:39There the
00:21:40There it is
00:21:41There it is
00:21:43God
00:21:45What those little boxes cost us
00:21:47Oh, my
00:21:48So, what about you?
00:21:49You're taking the same TV I did yesterday
00:21:50But even cheaper
00:21:51The fucking
00:21:52But how lucky!
00:21:53Come on
00:21:55Okay, that's it.
00:21:56Come on
00:21:57Come on
00:21:57Well
00:21:58Well, let's see if Santi is okay with it.
00:22:01Because you take from the brotherhood of the fist
00:22:02He doesn't appreciate unforeseen events.
00:22:05I hope this helps.
00:22:06I'll take care of this.
00:22:08Lift it
00:22:09No, well
00:22:10Don't mess around without my brother getting all dolled up
00:22:13So, can you tell me where José Luis is?
00:22:15I don't know, Santi
00:22:15Am I my brother-in-law's guardian?
00:22:18Hey
00:22:19Hey
00:22:19Where are you?
00:22:21Where are you?
00:22:21Well, that's it, I'm
00:22:22I'm in bed, Santi
00:22:24Because of...
00:22:26I don't know
00:22:26Due to catching one...
00:22:29Gastroenteritis or...
00:22:32You have gastroenteritis and you're eating it?
00:22:33I?
00:22:34No, man, no
00:22:35No
00:22:35What am I going to have...
00:22:37Come on, let's...
00:22:38I have the thermometer in my mouth
00:22:41Look, I'm looking at it now.
00:22:42And I have a few tenths
00:22:43The tenth is the tenth time you've missed work
00:22:45Then you'll want to get paid at the end of the month
00:22:47Santiago, damn it, I'm telling you it's a health problem
00:22:49That you are a Christian man
00:22:50Ah!
00:22:52Ah!
00:22:53My spring is loosening, forgive me.
00:22:54Ah!
00:22:55Ah!
00:22:56Ah!
00:23:00Yes, yes, yes, yes
00:23:01The tenth faith, look
00:23:03Hi there
00:23:05How are you?
00:23:06How's it going, Cain?
00:23:07How's everything?
00:23:08Okay, okay
00:23:10Cleaning and stuff, tidying up, we're going
00:23:12How are you?
00:23:13Very good
00:23:14I was passing by here
00:23:15And well
00:23:16I thought I'd come and tell you
00:23:18To find out if you've seen the advertising campaign
00:23:23Of course I've seen her, yes, yes
00:23:25I've seen it, yes
00:23:25How could I not see it?
00:23:26I did a campaign there in Mexico a while ago.
00:23:28And now they go and show it here
00:23:30What do you think?
00:23:33What do I think?
00:23:35Well, honestly, Celia
00:23:37To be honest with you
00:23:39There's something I don't see.
00:23:42So, no...
00:23:44Let me try to explain.
00:23:47Composition
00:23:48In other words, what the composition is.
00:23:49And the attitude
00:23:49In other words, your attitude towards composition.
00:23:51I think she looks good.
00:23:52I think that's great!
00:23:52But the color, girl
00:23:53So, what about the color?
00:23:55In other words, the color doesn't
00:23:56The color dulls you.
00:23:57What turns it off?
00:23:58What turns it off?
00:23:59I have it right here, burned into a bright red.
00:24:00It is a special treatment
00:24:02What they give to photography
00:24:03And it's called halftone
00:24:05Ah, because it's called...
00:24:06Ah, of course, of course
00:24:06That's why.
00:24:07In other words, he's on the opposition.
00:24:08Sure, but that's just in general.
00:24:11What do you think?
00:24:13Level...
00:24:13Ah, what do I think about...
00:24:15Okay, okay, fine.
00:24:16Let's see
00:24:16In other words, I understand your work
00:24:19In other words, I feel
00:24:20With an open mind
00:24:20Yeah?
00:24:21In other words, the couples
00:24:22This is how we are right now.
00:24:23In other words, there is understanding.
00:24:24There is one...
00:24:25I mean, for example
00:24:26In other words, I cut ham
00:24:27And you, you pose in...
00:24:29In other words, what the lance would do
00:24:33Oh, you don't know how happy you make me.
00:24:37Because the truth is, I was very worried.
00:24:38Yeah
00:24:38I didn't know what you were going to think.
00:24:40And what will they think at work?
00:24:42The children
00:24:43But what are they going to think, please?
00:24:44They're going to like it a lot
00:24:44Which is one thing...
00:24:45They're going to like it a lot
00:24:46Artistic
00:24:47You think?
00:24:47That's right, of course, for sure.
00:24:49One thing I wanted to tell you
00:24:51Changing the subject
00:24:52It's a minor matter
00:24:53This is about...
00:24:55It's about the TT
00:24:55That it would be possible to return to school
00:24:58I know.
00:24:59No, Celia
00:25:00I know.
00:25:00So, it's...
00:25:01There are rules
00:25:02They must be followed
00:25:03But...
00:25:04But it's happening
00:25:05A delicate moment
00:25:06And she's a good girl, isn't she?
00:25:07Yes, I know, Diego
00:25:08Don't worry
00:25:08I'm going to talk to Urditas.
00:25:10Oh, come
00:25:11I loved seeing you
00:25:14Bye
00:25:14Bye
00:25:15See you
00:25:16No, no, goodbye
00:25:33Uh, I have...
00:25:38We're studying, okay?
00:25:40Study?
00:25:41What's that?
00:25:44Damn, girl, I preferred you as a nerd, huh?
00:25:46Even after reading more, thank you
00:25:47Hello good
00:25:48Hello
00:25:50How are you, kids?
00:25:51Can you leave me alone with TT for a moment?
00:25:54Please
00:25:55Of course, it's all yours.
00:25:56Let's see if you understand it.
00:26:00Okay, that's all for now.
00:26:02See you later
00:26:03They would become 12,000
00:26:04A sum of money
00:26:06Quite, quite important
00:26:09Sorry
00:26:10Tete, it's obvious that between you and me
00:26:12There's a kind of black hole, isn't there?
00:26:14Of...
00:26:14Yeah
00:26:16But I'm going to give you some good news.
00:26:18Did you break up with Celia?
00:26:19No
00:26:19But I talk to her
00:26:21And I have asked him to lift your punishment.
00:26:22Hey?
00:26:23AND?
00:26:25Well, nothing.
00:26:25He told me there was no problem.
00:26:26That he was going to talk to Urditas
00:26:27And that you can return to school tomorrow
00:26:30What if I don't feel like going?
00:26:31I don't know if you understand me.
00:26:33Let's see
00:26:34I asked him as a personal favor
00:26:35That he didn't have to do it to me
00:26:36But I did it.
00:26:37Already
00:26:37But I'm really strapped for cash at home.
00:26:38I don't want to go to school
00:26:43Tete, please
00:26:44What are we all doing?
00:26:45A very big effort
00:26:45A very big effort
00:26:47I haven't asked for any favors, Diego.
00:26:49And especially not that one
00:26:51That one has a name.
00:26:52And you go to school tomorrow
00:26:53Yes or yes
00:26:53Understood?
00:26:54We'll see about that.
00:26:55We'll see about that.
00:26:57Resale and spending already today
00:26:58With the boxes
00:26:59What a height!
00:26:59Oh, really?
00:27:00You said it, Chony?
00:27:01I believe
00:27:01I don't think I was sweating that much.
00:27:03Since I brought Santiago
00:27:04And in the world
00:27:05The one who doesn't sweat at work
00:27:06He's your brother
00:27:08Let's see
00:27:09Let's see that thermometer.
00:27:11This has a reaction time
00:27:13Santiago, I don't make myself visible.
00:27:14I'm going through the test pit
00:27:15But Santiago
00:27:15He is sick
00:27:16A little Christian charity
00:27:17Well, I see it, Angelico
00:27:18He has a sickly face
00:27:21What you have to do
00:27:22It's watching TV
00:27:23Exactly like that one you bought
00:27:24What a waste!
00:27:25This is an investment in leisure infrastructure, Santiago
00:27:28The leisure aspect is that you want it
00:27:29But Santiago is half price
00:27:31That's a bargain
00:27:32What great matches!
00:27:33Let's enjoy ourselves there
00:27:34Okay, this will take 20 minutes.
00:27:36I propose the men's division
00:27:38A little beer down there
00:27:39While it's being finished
00:27:40Who's in?
00:27:41I
00:27:41Where are you going?
00:27:42Where are you going?
00:27:43What more could I want?
00:27:45No, go on
00:27:45That when one lacks health
00:27:46He notices the good things
00:27:48That they have life
00:27:50Already
00:27:51I'm leaving because of the general's absence.
00:27:52Damn, watch out
00:27:53Come on, let's go
00:27:54Damn, those boxes are crap.
00:27:55You have to wear shin guards.
00:27:56Through the house
00:27:57Come on, get off
00:27:58I'm staying here
00:27:59Take care of the oven
00:28:00Look, Lourdes
00:28:00Like I was saying
00:28:01I see the tomato
00:28:02At the same time as the news
00:28:04Look
00:28:05Click this button
00:28:06And the screen splits
00:28:08Now he gives this
00:28:09Hilario again
00:28:11In telematic
00:28:16Like in people
00:28:17The records
00:28:33We got tangled up
00:28:36Two reeds
00:28:37Yes, one on tiptoe
00:28:39Okay, okay
00:28:43How things have gotten, haven't they?
00:28:44Well, besides suddenly
00:28:46Yeah
00:29:02The mother who gave birth to me
00:29:04One on tiptoe, brother
00:29:06But what does it say about tiptoes?
00:29:07We're not in Chipiola.
00:29:08With the baby squid
00:29:09We Iberians are here, Santi
00:29:10Little squid
00:29:10Lace trim
00:29:12Two of chantilly cream
00:29:13And four satin ones
00:29:14And marching
00:29:14What is for today?
00:29:16That
00:29:16That's lingerie, isn't it?
00:29:17Fine lingerie, Diego
00:29:29What are you doing?
00:29:29What are you doing?
00:29:30What are you doing standing there?
00:29:30Come on
00:29:30Come on
00:29:31But, Santi
00:29:31How long has it been
00:29:32Exposed Icelia
00:29:33In the cigarette machine?
00:29:34The body does not offend
00:29:36Did you say it?
00:29:37Or didn't you say so?
00:29:38Of course you said it
00:29:39Clear
00:29:40Of course you said it
00:29:41Yes sir
00:29:42And in absence
00:29:43With a dirty look
00:29:44Who doesn't like something sweet?
00:29:55But, Celia
00:29:55What are you doing like that?
00:29:56But, for God's sake!
00:29:57He's looking at you
00:29:57Everyone
00:29:57Don't you see it?
00:29:58But, Diego
00:29:59It's my job
00:30:01Advertising
00:30:01That's just how it is
00:30:03You told me
00:30:03You understand, right?
00:30:05I?
00:30:09That?
00:30:10I don't understand
00:30:10Of course I understand.
00:30:11How could I not understand?
00:30:12I understand
00:30:12I understand perfectly.
00:30:13Yes, I understand.
00:30:23I understand perfectly.
00:30:29I understand perfectly.
00:30:30I understand perfectly.
00:30:31I understand perfectly.
00:30:32I understand perfectly.
00:30:35I understand perfectly.
00:30:35I understand perfectly.
00:30:35I understand perfectly.
00:30:35I understand perfectly.
00:30:36I understand perfectly.
00:30:46Good morning. Have I waited for my little job?
00:30:48Yeah.
00:30:48Very well, thank you very much, son.
00:30:50Yes, Diego, yes, I'm dressed.
00:30:52Good, good, good.
00:30:53I know you're a good girl, Tete, and that you have a sense of duty and responsibility,
00:30:57There it is, good.
00:30:58And a little bit of plugging in.
00:30:59No, son, no favoritism, I'm giving him a vote of confidence because Tete deserves it.
00:31:03I didn't ask for that trust. Come on, just get yourself in order here.
00:31:09Dad, he's calling me bowling and telling me that...
00:31:13That?
00:31:14That Celia appears naked in magazines.
00:31:16What, Celia appears naked in magazines?
00:31:19How can Celia appear naked in magazines? Don't talk nonsense.
00:31:22That you're always thinking...
00:31:23Your father's girlfriend.
00:31:26But this is a bus.
00:31:29It's a bus that not many people use, that type of bus, but it's a bus that isn't
00:31:34through the city center, so it's just another bus...
00:31:36Oh, well, yes, you already knew that Celia was an actress, right?
00:31:40Well, let's just say these are the last gasps of his career.
00:31:43Already.
00:31:45Someone is waiting for me today, Dad.
00:31:49We chose very well, Diego.
00:31:51Yes sir.
00:32:05What a mess we've gotten ourselves into, Choni.
00:32:07They didn't take long to lift the aile, not even the screws they gave.
00:32:09Mister.
00:32:10So what are we going to do?
00:32:11The police are looking for us.
00:32:13Our hair is going to fall out, Choni.
00:32:16What if we surrender?
00:32:17No, not at all.
00:32:17We haven't done anything wrong.
00:32:19That's all I needed.
00:32:20On top of being a scammer, damn it.
00:32:21Well, I think that's the best thing.
00:32:22Look, we'd better go to the police station and explain what happened.
00:32:25Yes, of course, and they actually believe it.
00:32:27With our pretty faces.
00:32:28Damn it, Lourdes, we have the evidence right there at home.
00:32:31Well, we took it to them so they could see that we didn't have bad intentions.
00:32:34Then we take them to the classroom so they can see that we already have some left there.
00:32:36Hello good morning.
00:32:37Hello good morning.
00:32:38Lourdes, we have 15 minutes left.
00:32:39No, no, no.
00:32:40Yeah.
00:32:41Ah, uh, Lourdes, she told me about the crazy computer thing, huh?
00:32:45That...
00:32:46Very good.
00:32:47Thank you.
00:32:47Very good.
00:32:48Thank you.
00:32:48Yeah.
00:32:50Very good.
00:32:51So what do I tell him?
00:32:53No computers, no money.
00:32:55Choni, we've lost more than in Cuba.
00:32:56We have to surrender, okay?
00:32:57We have no other choice.
00:32:59Well, that's it.
00:33:01Are you worried, my brother, about today?
00:33:03And on top of that, the poor guy is there with all his anxieties.
00:33:05Come on, damn it, don't be such a worrywart.
00:33:07Damn, he's proving he can handle it perfectly.
00:33:09What if he's suffering from it?
00:33:10What if he's suffering from it like hemorrhoids?
00:33:12Does she have hemorrhoids too?
00:33:13No, it's just an example.
00:33:14When you have hemorrhoids, you cover them up, so as not to worry others.
00:33:20What's that?
00:33:21Well, this.
00:33:23This is garbage, Santi.
00:33:24What is this going to be?
00:33:25Well, this is garbage.
00:33:26Have you seen the state of the entrance?
00:33:27He's in a terrible state.
00:33:28Although customers will have to enter using a pole.
00:33:30Look.
00:33:31Okay, so what?
00:33:32What about your brother-in-law?
00:33:33He's not coming today either?
00:33:34Well, what do I know?
00:33:35Relax a little, because damn it, it's going downhill fast.
00:33:38What is the man going to do?
00:33:40Look, look, look, the neighborhood, the neighborhood.
00:33:42The multinational Tecnomónic has been able to place its product on the black market in neighborhoods
00:33:47adjacent to the banks of the Manzanares River in Madrid.
00:33:50Really.
00:33:52Right here.
00:33:53In a humble neighborhood.
00:33:54You have to be shameless.
00:33:55Is the seller really to blame?
00:33:57How does he buy it?
00:33:58Carrota mil.
00:33:58He'll give it to all of them.
00:34:00Brother.
00:34:00Hey?
00:34:02Where were you going with that bag?
00:34:05For cleaning.
00:34:06Where were you going with a bag of grease?
00:34:07Time to clean.
00:34:08Time to clean.
00:34:09Damn it, I already told him.
00:34:09That place over there should be used as a landfill.
00:34:11Okay, brother.
00:34:13Since I'm feeling better, Santi.
00:34:14I'm perfectly fine.
00:34:15Man, I'll be right back.
00:34:16I'll be right back.
00:34:18Come on, come on.
00:34:20Now she's taken to cleaning.
00:34:22Okay, so we've moved the tutorials to Tuesdays and Thursdays.
00:34:25And so happy.
00:34:26Very good.
00:34:27Oh, by the way, that...
00:34:29Sorry, I know it wasn't on the agenda,
00:34:31But it's a topic that worries me.
00:34:34I was at home browsing this magazine
00:34:35And I came across this.
00:34:37Lourdes, as director.
00:34:39What do you think?
00:34:41No, man, play in Santa!
00:34:42That's outrageous!
00:34:45Man, I...
00:34:46Excuse me, but I'm a school teacher
00:34:48thus emerging in his underwear,
00:34:49I honestly don't see it.
00:34:50Yes, you can't do this
00:34:51working in an educational center
00:34:52for the students who can see it.
00:34:54These are some photos I took a very long time ago in Mexico
00:34:56and I had no idea
00:34:57that they were going to bring them out here now.
00:34:58Already.
00:34:59Come on, please, I don't think it's that big of a deal.
00:35:01Oh my God, and she looks gorgeous.
00:35:03What a great body, girl.
00:35:04Of course not, of course not, woman.
00:35:05And they release these campaigns every single day.
00:35:07And the children are already used to it.
00:35:08You see.
00:35:09These forums are really well done, aren't they?
00:35:11And I believe that as long as I do my job well...
00:35:13Well, now that you mention your job,
00:35:15I just ran into T.T.
00:35:17I think she's been expelled through the hallway.
00:35:19Can you explain it to me, please?
00:35:21Well, I've just been assessing the situation.
00:35:23And I think he deserved a second chance.
00:35:26She's a girl with impeccable behavior and...
00:35:28Not to mention his grades.
00:35:29Yes, well, I, Celia,
00:35:31I would worry a lot less.
00:35:33because of the behavior of others
00:35:35and I would start to worry about mine.
00:35:37You had to consult on that decision.
00:35:39with me and Lourdes.
00:35:42Yes, I know, and I was going to tell you, but...
00:35:45Yes, but nothing, Celia.
00:35:46Look, I don't care what you do with your life.
00:35:49As long as it doesn't affect the school, okay?
00:35:51Otherwise, the director and I
00:35:53We will have to take action.
00:35:55Well, I was just leaving.
00:35:56Oh no, no, no, wait, wait.
00:35:57I forgot.
00:35:58We already have computers.
00:36:00What are you saying?
00:36:01Yes, thanks to Lourdes,
00:36:02and he got them at half price.
00:36:05Congratulations, Lourdes.
00:36:06Very good, Lourdes.
00:36:08What price?
00:36:09And how much, how much are you taking?
00:36:12Disgusting.
00:36:12Good job, man.
00:36:14It's not that bad, man.
00:36:16You don't say the same thing when you drink beer,
00:36:18Thank you, I won't charge you for them.
00:36:20Here it goes.
00:36:21What are you doing?
00:36:21I like the sun.
00:36:23Did you fall?
00:36:24No, damn it, they just fell off.
00:36:25Hold me.
00:36:26Look, man, let's see if I can appeal with a broken glass
00:36:28and you're going to split your legs.
00:36:30Damn, that's all I needed.
00:36:31Okay, out.
00:36:33Out.
00:36:34Out.
00:36:38Ready?
00:36:39Excellent?
00:36:41Who is that here?
00:36:43Hey?
00:36:44Well, imagine.
00:36:45To the one who gives it up for cleaning.
00:36:48What, what, what, what, what, what, what?
00:36:49What do we do now?
00:36:51One of two.
00:36:52Or has your brother developed Sophocles syndrome?
00:36:53with Celia's merchandise
00:36:56Or does Santi not handle openness well?
00:36:58Hey, Sophocles, what have I done to him?
00:37:00I'm shocked.
00:37:01Imagine what my brother must be going through.
00:37:06What should we do, Santi?
00:37:07What should we do?
00:37:08Yes, it's me.
00:37:10To serve you, God, and country.
00:37:12Yeah.
00:37:13Yes, I'll open it right away, yes, yes.
00:37:16This?
00:37:25What are you doing here?
00:37:27And you?
00:37:29Nothing, I'm still dealing with the aftereffects of the virus and...
00:37:33Although Ana told me she has something urgent to tell you, come up.
00:37:38Ana, but Ana is at school.
00:37:40Ana, no, uh...
00:37:40Africa.
00:37:41Africa, which is a matter of life or death.
00:37:43But Africa is also in school.
00:37:44Well, it was the other one.
00:37:45You have to go up!
00:37:46Let's see, Jocico!
00:37:48Let's see, Jocico!
00:37:48What's the matter?
00:37:49It's very strange.
00:37:52Let's see.
00:37:55Don't be alarmed.
00:37:57Don't be alarmed, but...
00:37:58But at this very moment, in this moment of our lives...
00:38:03She's coming up the stairs...
00:38:07The police.
00:38:08No, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no,
00:38:10no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no,
00:38:13They haven't fallen for you.
00:38:13Just two days.
00:38:14Jocico, for God's sake, all this is stolen, all this is stolen, they're looking for us, my God.
00:38:18How to steal?
00:38:18Well, you're trying to ruin me, I'm a person with a criminal record, damn it.
00:38:24Jocico, we've been deceived, it's been a scam, we just wanted to buy it cheaper.
00:38:28But, Johnny, I've told you that cheap things end up being expensive.
00:38:31Organization!
00:38:32Let's see.
00:38:34Good heavens, weren't you planning to say them?
00:38:36Were you under house arrest or what?
00:38:38But let's see, let's see.
00:38:39We have very little time, and a lot to explain, so...
00:38:43What the heck do we do?
00:38:44What the heck do we do?
00:38:45What do we do about this?
00:38:47Because they're going up.
00:38:48What do we do about this?
00:38:48Get him out of here!
00:38:49Get him out of here!
00:38:50Where do we put it?
00:38:51I'm going up to Africa's house!
00:38:53I'm going to check if the police officer is okay on the walk.
00:38:55The key!
00:38:56The key is here!
00:38:58No!
00:39:00Prey!
00:39:02Don't close the door now!
00:39:03Oh, God!
00:39:04Well, Teté, I'm glad you're back here with everyone again.
00:39:09Welcome.
00:39:09But wait, explain something to me.
00:39:10How did they forgive you?
00:39:12Did you bribe anyone?
00:39:12What did you do?
00:39:13I?
00:39:14Seba.
00:39:15I become me, dude, I become...
00:39:17And I get life imprisonment.
00:39:18Or the electric chair, you know?
00:39:20Well, you're so lucky, you misbehave and they do things right for you.
00:39:23But what are you saying? I didn't want to come!
00:39:24Come on, I was so happy at home, doing nothing.
00:39:27Oh, sorry!
00:39:28Good morning.
00:39:29Please take your seats.
00:39:30Good morning.
00:39:36Well, before we begin, I'd like to see if someone can explain to Teté what we saw in class yesterday.
00:39:41No need, thank you.
00:39:43Yeah, but then you won't understand today's class.
00:39:46I don't care.
00:39:47To be honest, I haven't even thought about listening.
00:39:50And so?
00:39:53Well, because I brought the magazine with me so I wouldn't get bored.
00:39:56Yes, but in two weeks we have Teté's exam and I don't think the answers will be in that magazine.
00:40:00answers.
00:40:02You think?
00:40:04Because there are some very interesting things here, you know?
00:40:09Will you please be quiet?
00:40:11Teté, leave the classroom right now.
00:40:13I don't feel like it.
00:40:13I told you to go outside.
00:40:14And did I tell you I didn't feel like it?
00:40:16Alright, everyone go outside.
00:40:18That?
00:40:18"Everyone leave right now," I told them.
00:40:37And I remind you that you cannot leave your home under any circumstances during the defined 48 hours.
00:40:41by the judge.
00:40:46Likewise, it is exposed to unexpected visits like this throughout the 48 hours.
00:40:53The neighbor, what about her?
00:40:55They spend all day promoting furniture.
00:40:58I see, I see.
00:40:59Uh-huh.
00:41:00Yeah.
00:41:02Are you alright?
00:41:03He seems a little upset, doesn't he?
00:41:07Hey...
00:41:07Yes, when he arrived I was doing a little bit of...
00:41:11From exercise.
00:41:13For maintenance, more than anything.
00:41:14Come on, I'm fine.
00:41:15To maintain?
00:41:16Yes, to maintain.
00:41:17Wearing a dress shirt and trousers.
00:41:19Yes, well, one always retains the...
00:41:21Or it's about...
00:41:22Maintain your elegance, eh?
00:41:23Ah.
00:41:24The class.
00:41:25And this is the last one.
00:41:32What you were saying is that they're scandalous and...
00:41:35Upstairs, right?
00:41:36Upstairs.
00:41:37I think I should go up and see...
00:41:38No, no, no, no.
00:41:39Sorry, that's enough.
00:41:43What's happening?
00:41:45What's happening?
00:41:46What's happening?
00:41:47What's happening?
00:41:47What's happening?
00:41:47What's happening?
00:41:48What's happening?
00:41:48Man!
00:41:52If they are a couple.
00:41:54Do you know?
00:41:54But come on, right now...
00:41:56They make up and reconcile, huh?
00:41:59They're a little...
00:42:00A little scandalous, that's all.
00:42:05What was I saying to you?
00:42:06They must be holding...
00:42:09Making them.
00:42:11The attitude that has done a lot of damage.
00:42:16Good morning.
00:42:23Look, Tete, you have to understand that at school I'm your teacher.
00:42:25And I am obliged to take certain measures.
00:42:27And I can't overlook these things.
00:42:29So please don't put me in an awkward position.
00:42:33Castillo, huh?
00:42:35You're looking forward to it, aren't you?
00:42:36But, let's see...
00:42:37But why are you telling me that, Tete?
00:42:39I'm trying really hard to earn your friendship.
00:42:41Do you want to be my friend?
00:42:43Well, kick me out again.
00:42:47Look, Tete.
00:42:48I can understand what you're going through.
00:42:50Oh, really?
00:42:51Have you lost a mother?
00:42:52No, I haven't lost a mother.
00:42:54And I understand that it must be really hard, Tete.
00:42:58And also that another woman appears at the house.
00:43:02But I've simply fallen in love with Diego.
00:43:05I'm not trying to take your mother's place, Tete.
00:43:08Look.
00:43:10Don't ever talk about my mother again, okay?
00:43:13I won't allow it.
00:43:27Poor.
00:43:28With the pain that has been given to me.
00:43:29And as if nothing had happened...
00:43:31It's downright creepy, damn it.
00:43:32He looks like one of those endearing psychopaths who then have the corpse in their suitcase.
00:43:36Yes, look at me, look at me.
00:43:38This is serious, man.
00:43:39Santi.
00:43:40Do me a favor, damn it, there's a lot of work to do.
00:43:41Can you tell me what you're accomplishing there?
00:43:43Nothing, Diego, we're here.
00:43:45Look, we didn't want to bother you, but Fermín was telling us, it's a disgrace.
00:43:49So, has another boyfriend dumped her?
00:43:52What does Fermín tell me?
00:43:53But oh my God, seriously, what a race!
00:43:55Dude, sorry, I'm sorry you're feeling it, aren't you?
00:43:57Please continue.
00:43:58Continue.
00:43:59Excuse me, Fermín, damn it, it's just that...
00:44:01Fuck.
00:44:01It's just the first thing that came to mind.
00:44:03I consulted a historical record and this is what...
00:44:04Leave it be.
00:44:04No, okay.
00:44:05Leave it be, Fiti.
00:44:06You're going to sink me.
00:44:07Let's see.
00:44:08Take.
00:44:08Yes, yes.
00:44:09Let's see.
00:44:09Okay, so the thing is, Diego said he accepted Celia's offer, but that in reality
00:44:14He's covering it up, isn't he?
00:44:15But the two bags full of photos speak for themselves.
00:44:18And why are you ruling out the frontal route?
00:44:19Talk to him, that's the easiest thing to do.
00:44:20No, no, no, no, I don't see it.
00:44:22In other words, not frontality.
00:44:24Because?
00:44:25Because right now it's a pressure cooker.
00:44:27This guy, huh?
00:44:28The family's all over the place, and they're all twitching with Celia, huh?
00:44:32And on top of that, the grandmother, damn it, is doing it as a form of acquiescence.
00:44:34Clear.
00:44:35And the mess he made last week and didn't tell us anything.
00:44:38He's covering us up, Fermín, he's covering us up.
00:44:40Well, that seems to be breaking down the trust with you guys, huh?
00:44:43Don't tell me that, Fermín, don't tell me that.
00:44:46I'm feeling very sensitive, aren't I?
00:44:47But it makes sense, it makes sense, yes, Diego.
00:44:49No, don't be honest with yourselves, it's because there's distance and mistrust.
00:44:52Santilla, how are things?
00:44:54Sir, we haven't been very receptive to the topic of the photos.
00:44:57Better call, brother.
00:44:58A Cain, that's what I am.
00:45:02How do we solve this, Fermín?
00:45:05Well...
00:45:05With understanding.
00:45:07Comprehension.
00:45:08Comprehension.
00:45:09Comprehension.
00:45:10What did you say?
00:45:11You are his brother, you are his best friend.
00:45:13You've been together since you were kids, right?
00:45:14That.
00:45:15Well, that's all you have to do.
00:45:17Okay.
00:45:18Remind them, remind them that you have always been there, that you will always be there for him.
00:45:23Remember, remember, remember.
00:45:25As usual, okay?
00:45:27This is for you from the house.
00:45:29And cheer up, man, there are more guys than bottles of beer.
00:45:31Don't worry.
00:45:31Come on.
00:45:32Now, please continue.
00:45:34No, I don't understand why you have to pick on me like this, and even less why you're calling me whatever you're calling me.
00:45:38So, if you don't like that I slept with all those sluts, well,
00:45:43This is a problem.
00:45:43Because I am very lucky.
00:45:45I am very lucky to be who I am and how I am.
00:45:52Hey?
00:45:52No no.
00:45:53No no.
00:45:55Baby, it's been done...
00:46:12Damn, I'm telling you
00:46:13Hold on there and let go
00:46:15No matter how much I dislike Lourdes
00:46:16This is what we've been doing
00:46:17This is what we've been up to, Choni
00:46:19Because of the scandal we've caused.
00:46:21They almost caught us.
00:46:21And Joselito to jail
00:46:24For us
00:46:24Well, it's not that it wasn't missing
00:46:25Yes daddy
00:46:26Okay
00:46:28Dad, dad
00:46:28Wait
00:46:29Let's see
00:46:29Look, let's do one thing
00:46:31Are you coming home this afternoon?
00:46:32We'll have a coffee and that's how you see her
00:46:34Seem to you?
00:46:35Very good
00:46:37Yes, yes, I'm looking forward to seeing you too.
00:46:38A little kiss
00:46:40Bye
00:46:41How destitute the poor man is!
00:46:42Your father
00:46:43Hey, what was I going to say?
00:46:44How is your father?
00:46:45Is he still a police officer or has he retired?
00:46:49Retire my father, what are you saying?
00:46:50And they've just appointed him inspector
00:46:53Inspector?
00:46:54Excellent
00:46:54Look, well, nothing, daughter
00:46:56Congratulations!
00:46:57Hey, I hope he likes your house
00:46:58Lourdes and I have to go.
00:47:00Come on
00:47:01Girls, what about computers?
00:47:03There's class this afternoon.
00:47:04And they haven't arrived yet.
00:47:07The delivery boys
00:47:09That they know each other
00:47:10They're telling me they have to make excuses.
00:47:11Don't worry
00:47:12You'll have them here in no time.
00:47:13They're about to fall
00:47:14We have to go
00:47:16Hello
00:47:16Hello
00:47:17Let's see if I can solve this
00:47:22Raúl
00:47:22Yes, it's me.
00:47:24Look, would you do me a favor?
00:47:27What's wrong, God?
00:47:28How's it going?
00:47:29Hey, what are you doing here?
00:47:30So, nothing.
00:47:30I'm getting ready to go to the tavern
00:47:31Santi, we didn't make it.
00:47:32Yeah, so far there's never anyone here, brother.
00:47:34Look, I've brought you some pitusus
00:47:36From Lancarni's confectionery
00:47:38Do you remember?
00:47:39From Lancarni?
00:47:40From Lancarni
00:47:41Well, I'm open-minded.
00:47:41But I think it's open, damn it.
00:47:43We haven't stopped since then.
00:47:44Ever since we were chavs
00:47:45That we have no historical memory
00:47:47And we mustn't lose sight of our role models.
00:47:48They're also freshly made
00:47:49Just the way you like them
00:47:50Damn, but one standing here
00:47:52Yes, but I take
00:47:52Wait, no
00:47:53Standing up, no
00:47:53Sitting
00:47:54Hey?
00:47:55Yeah
00:47:55We digest better
00:47:56Come on, sit down
00:47:57There
00:47:59Go on
00:47:59And so?
00:48:00And so?
00:48:00What is this?
00:48:01Clear
00:48:02Go on
00:48:02And for the same bookstore
00:48:04In laminating it
00:48:05Now, with historical memory
00:48:07We must cultivate our heritage
00:48:08Yes sir
00:48:09Let's see, let's see
00:48:09Okay, it's here
00:48:10But come on, Diego
00:48:11Among us
00:48:13We have it here
00:48:14All
00:48:14We have it here
00:48:15Yes, yes
00:48:16Because we haven't changed either.
00:48:17We haven't changed.
00:48:18Ope, don't say so much
00:48:19Don't you think so?
00:48:20Hey?
00:48:22A little bit like this
00:48:23There
00:48:23We were walking in the Campos Moro
00:48:25Do you remember?
00:48:27The year was 1974
00:48:28What's up, man?
00:48:29Really
00:48:29That
00:48:29Wouldn't it be better to forget everything?
00:48:31Don't forget anything
00:48:32No
00:48:33Remember
00:48:34Remember
00:48:35There we are, the three of us.
00:48:36Hey?
00:48:36From the channels of history
00:48:37Like the three
00:48:38One for all
00:48:39And all for one
00:48:40Hey?
00:48:40You bet!
00:48:41No, no, no
00:48:41No, no, no
00:48:42No, no, no
00:48:58What have you done, you wretch?
00:49:00What have you done?
00:49:01Well, he committed suicide
00:49:02I loved it
00:49:04Brother
00:49:07What a drink!
00:49:08And how reckless you were, Santi, for God's sake!
00:49:10How reckless you were
00:49:11Recklessness no
00:49:12Recklessness no
00:49:13Friendship
00:49:14Hey?
00:49:14That if one went forward
00:49:15We were going
00:49:16Us too
00:49:17Furthermore, recklessness also
00:49:19Have you been there?
00:49:20And you have committed
00:49:21For friendship and brotherhood
00:49:23I remember you
00:49:23When we took Santi
00:49:24To the convent
00:49:25Before Lurditas
00:49:26He will take the votes
00:49:33Structurally it's fine
00:49:34But the bar needs to be reinforced
00:49:36There the
00:49:36One has to
00:49:38Can you explain this to me, Lourdes?
00:49:40What an embarrassing experience we had!
00:49:41I remember
00:49:41Oh well
00:49:42Can anyone find out what all this is about?
00:49:43No?
00:49:43Explain it to me
00:49:44Because frankly
00:49:45I mean
00:49:45I don't find it funny.
00:49:46To expose the shameful
00:49:47What needs to be done
00:49:47Don't remove them, damn it!
00:49:48Shameful, man.
00:49:49Shameful
00:49:50It's shameful.
00:49:50In the incomparable setting
00:49:52About friendship
00:49:53Hey, enough with the shame, man
00:49:54You don't trust us, Diego
00:49:56Hey?
00:49:57Yes, yes, damn it
00:49:58Yeah
00:49:58And one thing, Diego
00:50:01Do you have something to tell us?
00:50:02That's how...
00:50:04I?
00:50:07Yeah
00:50:08Okay
00:50:09Let's see
00:50:11Come on
00:50:12Let's see
00:50:12We have to go to the tavern
00:50:14Pussy
00:50:14To think about all this nonsense
00:50:16What have we done?
00:50:16We have time now.
00:50:17Later
00:50:18Come on, let's go
00:50:19Come on!
00:50:22How does the damn thing cover it up?
00:50:23Cover, cover
00:50:25A little bit of water
00:50:26Here
00:50:27And you're not alone either
00:50:28You would have been left with one hand
00:50:29For lending us a hand
00:50:30Let's see, chatunga
00:50:31Which I would have loved
00:50:32But I can't leave the house
00:50:33Can't
00:50:35Well, they've already been here once.
00:50:36Well, I don't think they'll reappear.
00:50:37Well, I don't think so.
00:50:39There will be no
00:50:40There will be no
00:50:41There will be no
00:50:41There will be no
00:50:41No, here comes this psychosis
00:50:42Calm down, woman
00:50:43No problem
00:50:48What's happening?
00:50:49What is it?
00:50:52The father of Africa
00:50:53Oh!
00:50:54There's someone!
00:50:56I give up
00:50:58I'm coming!
00:51:03Yes, yes!
00:51:10Damn it, Ramón!
00:51:11How long?
00:51:14How are you, José Luis?
00:51:16Yeah, we're getting there.
00:51:17Hey, look
00:51:17That he had arranged to meet with Africa
00:51:18But there's nobody home.
00:51:19If you see her, you tell her
00:51:20I'll stop by the school tomorrow.
00:51:22And we eat together
00:51:23Don't worry
00:51:24I'm telling you, okay?
00:51:24And how is your wife?
00:51:25Well then
00:51:26Come on,
00:51:27He's at school
00:51:28Give her kisses
00:51:29Good service
00:51:30Yeah
00:51:32I surrender, Chami
00:51:33I'll take charge if you want.
00:51:35With all the blame
00:51:36But I surrender
00:51:37Shut up, shut up
00:51:38He's already told me about that
00:51:39We're going to the police.
00:51:40And we certify
00:51:41And in all the boxes
00:51:41As?
00:51:42No, no, no, no
00:51:43These boxes are full
00:51:44From my footprints
00:51:45From my footprints
00:51:46From my footprints
00:51:46And of yours
00:51:47Careful
00:51:47Hey, well, we can explain it to them.
00:51:49We explained everything to them.
00:51:50And they'll understand, right?
00:51:51No
00:51:51No, the police
00:51:53She's not stupid
00:51:53And it's very convoluted.
00:51:54He's going to pull the thread
00:51:55Of kinship
00:51:56And who's on the other side?
00:51:57Hey?
00:51:58Who?
00:51:58Well, I
00:51:58Me with the footprint
00:52:00Given the background
00:52:01There's a reason.
00:52:01There's a reason.
00:52:02What is Zaldívar looking at?
00:52:03And Julián Muñoz
00:52:04That for the one
00:52:04The other one fell
00:52:05Very good, very good
00:52:06Well then
00:52:07What do we do with all this?
00:52:08Well
00:52:09Calm, calm
00:52:10Let's think
00:52:11Let's see what happens
00:52:14Let's see what
00:52:15That's it
00:52:17That's it
00:52:19Tonight
00:52:20We took everything to the landfill
00:52:22And that's it.
00:52:23Nothing has happened here anymore.
00:52:25If there is no body
00:52:27There is no crime
00:52:28If only
00:52:30With the opportunity
00:52:31I'm already gouting.
00:52:32Exactly
00:52:33If it even has a coconut
00:52:34For what you want
00:52:35Scoundrel
00:52:36That
00:52:37But what are you doing?
00:52:38For God's sake
00:52:39But what are you doing?
00:52:40Now what do I tell you?
00:52:41Ann
00:52:41What have I done with the funds?
00:52:43Really
00:52:43I'm not resigning from this.
00:52:44They're kicking me out of this one.
00:52:46Well, woman
00:52:46Don't get overwhelmed
00:52:47You did well to call Diego
00:52:48You'll see
00:52:49Like between the two
00:52:50Can
00:52:51I would be
00:52:51Hello
00:52:52Man, Germín
00:52:53What's happening?
00:52:53Hi, Diego
00:52:54How are you?
00:52:54How are things going for you?
00:52:56Good
00:52:56Okay, better
00:52:57Thank you so much
00:52:58I'll leave you now.
00:52:59Okay?
00:53:00Very good
00:53:00Thank you, see you later
00:53:01See you later
00:53:02How are you?
00:53:03Hello
00:53:04What was that about?
00:53:06Well, nothing.
00:53:06The poor man who is lovesick
00:53:08It's amazing
00:53:09Because he's so handsome
00:53:10What is it?
00:53:10She's unlucky with men
00:53:11The uncle
00:53:11So, what did you want to tell me?
00:53:13Hey, you see, Diego
00:53:16I know you're still there
00:53:17A little delicate
00:53:17I don't want you to worry
00:53:19But something happened today.
00:53:20With Teté
00:53:21I knew it, didn't I?
00:53:23I mean, I knew I was going to take a risk.
00:53:24He hasn't come to school, of course.
00:53:25No, no, no
00:53:25It has come
00:53:27But I had to kick him out of class
00:53:28What have you done to her?
00:53:30But what has he done?
00:53:31For the love of God
00:53:31Damn, really
00:53:32She brought it out in class
00:53:35And I think we need to see
00:53:37How are we going to deal with this?
00:53:38We're a couple now, Diego
00:53:39And I think this problem
00:53:40We need to solve this together.
00:53:41Yes, yes
00:53:42You're absolutely right
00:53:43But don't worry
00:53:43Peaceful
00:53:44Let's take it one step at a time
00:53:45Step by step
00:53:45Well, for now
00:53:47For now at least
00:53:48He's come to school, hasn't he?
00:53:49But Diego
00:53:50What he has done is very serious
00:53:51But it's not for that many women either.
00:53:52That when we were little
00:53:53We've all taken out
00:53:54A little magazine in class
00:53:55Diego, who has taught this
00:53:56To the whole class
00:53:57What has it taught?
00:53:58Did he teach this?
00:53:59Yeah
00:53:59The mother who made me
00:54:01Sorry to interrupt
00:54:01Students look into
00:54:02Although I can see that it's not a good time
00:54:04No, no, no
00:54:04I'm coming, I'm coming
00:54:05We'll talk later
00:54:06Yes, yes
00:54:08Sorry
00:54:09Yeah
00:54:13No
00:54:16Listen to me
00:54:16Listen to me
00:54:17Look
00:54:19Let's see
00:54:20You take it at night
00:54:21Okay?
00:54:22Yeah
00:54:23You take it at night
00:54:24That is
00:54:24And you get yourselves together
00:54:26A wheelbarrow
00:54:27Dark clothing
00:54:27And some boots
00:54:28High boots
00:54:29That place must be awful.
00:54:30The landfill
00:54:31Okay?
00:54:32And don't take a taxi
00:54:34Taxi no because
00:54:36Come on
00:54:38A kiss
00:54:45Well, this is good
00:54:46For God's sake
00:54:58Total
00:54:59No
00:54:59That
00:55:00Well, treat me to a fringe
00:55:01I was going to take my eye out of my face
00:55:03And glass
00:55:04No way, man
00:55:04Son who did not
00:55:05It doesn't have to be that much.
00:55:06That
00:55:06Pussy
00:55:08You'll have to ask somewhere else.
00:55:10I'm sure there are more affordable places.
00:55:11Well
00:55:12I'll help you take this to school.
00:55:14But then you bring it in.
00:55:15That I pass
00:55:16Me?
00:55:17I think you've got something there.
00:55:23No, fuck
00:55:24The thing is
00:55:25Someone will have to go back to the workshop
00:55:26I say
00:55:28That's why you don't want to talk to Aunt Ana
00:55:29Okay?
00:55:30No?
00:55:31What did you tell me, that you're picking up the phone now?
00:55:33Oh
00:55:34Yes, because I saw him drinking the car
00:55:35Te paro
00:55:36Sure, sure
00:55:38The car
00:55:38The car
00:55:39But come on
00:55:41Hurry, we're in a hurry!
00:55:42But it's okay, man.
00:55:43Then
00:55:44Damn, he doesn't get angry anymore.
00:55:45You invite him to a coffee shop
00:55:46This man
00:55:47Clear
00:55:47That's going to be it
00:56:06The truncated
00:56:06Hey, Guille's stepmother is an impressive
00:56:08Dude, it's everywhere.
00:56:10It's delicious!
00:56:11Look, it's like a dream come true, dude.
00:56:15Dude, your sister's gone too far, huh?
00:56:17But he's not that dim-witted.
00:56:18What is this?
00:56:25Out, out, out of here everyone
00:56:27Come on, let's go
00:56:27There's nothing to see here
00:56:28Come on, everyone go home
00:56:29I mean, to class
00:56:30Yeah
00:56:30Come on
00:56:30You who look
00:56:32Come on, come on, come on
00:56:33Haven't you heard?
00:56:33Out
00:56:34Are you guys deaf or what's wrong with you?
00:56:36Long
00:56:37Come on
00:56:38Where is your sister?
00:56:40That's what I'm saying.
00:56:41He left a little while ago.
00:56:42And I don't know where it's gone.
00:56:44And he's gone.
00:56:45There, to the doctor
00:56:46Pussy
00:56:47Uh, I don't know about the ashen one
00:56:48He probably went somewhere to get some fresh air.
00:56:50Brother!
00:56:52Santi, for God's sake!
00:56:53Sorry
00:56:54Forgive me
00:56:55I had a heart attack last night
00:56:57That's all we needed
00:56:58You are not alone, children, Luis
00:57:00Seeing you makes me happy
00:57:01I'll tell you
00:57:02I'm coming from school
00:57:03And he's talking to Celia, right?
00:57:05Oh, with Celia?
00:57:06So, how's it going?
00:57:07Well, more of the same.
00:57:08More of the same
00:57:08So, she's faced him again.
00:57:09And she's really stirred things up.
00:57:10Damn, for the girl
00:57:12Hey, on top of everything else...
00:57:13Celia had already readmitted him
00:57:14That I had asked for it
00:57:16Really
00:57:17I don't know how to bring this to a successful conclusion.
00:57:19Don't know
00:57:19Don't overdo it, brother
00:57:21Don't burden yourself
00:57:21Do you want me to make you a tiguita?
00:57:23Do me a favor
00:57:23Okay, thanks to you
00:57:25How are things with you?
00:57:25Can you come here for a moment, Dad?
00:57:27That?
00:57:29Well, that...
00:57:30It's because someone at school has tricked you.
00:57:32And you won't believe it.
00:57:33Yeah, I don't know, I already know
00:57:35I just came from talking to Celia.
00:57:36She's already told me about the class
00:57:39No, Dad, another one
00:57:41What do you mean she's done another one?
00:57:44Well, they've plastered the school hallways with pictures of Celia naked.
00:57:47That?
00:57:48What are you...?
00:57:52Okay, go home, do me a favor.
00:57:55Thank you
00:57:55Yes, yes, thank you very much.
00:57:57Okay, see you later
00:58:09I'm going to get some fresh air
00:58:16Let's go after him so he's behind him
00:58:18He's on the viaduct in a flash
00:58:19What is José Luis going to put?
00:58:21She's going to have to stay until she sees nothing empty.
00:58:24Gentlemen, gentlemen
00:58:27Simulacro, disuncentio
00:58:27That
00:58:28We need to go outside
00:58:29So peace of mind is worth a lot
00:58:31We'll throw it in the landfill and that's it, kid.
00:58:32Where are they?
00:58:35Where are they?
00:58:36Just wait, José probably tucked it in somewhere, just in case.
00:58:39That's a lie, come to the room, he probably put it in the room.
00:58:41Where are they?
00:58:46I've turned into a prune
00:58:48Josico!
00:58:49Josico!
00:58:50Where have they put the computers? We can't see them.
00:58:51Where are they?
00:58:54Where are they?
00:58:56If the computers were here, where are the computers now?
00:58:58That's what I say.
00:58:59I haven't moved from here, where are they?
00:59:01Okay, how so?
00:59:02When I was little, he used to do the same to me.
00:59:03He did the same thing to me with toys.
00:59:05He would hide them and then tell me he didn't know anything
00:59:07To make me angry
00:59:07But, José Luis, these aren't toys.
00:59:09This is very serious.
00:59:10You're kidding me
00:59:10I don't know where they are.
00:59:11I don't see them.
00:59:13They are not
00:59:13You haven't moved from here all day.
00:59:15That they have left
00:59:16Well, I don't know.
00:59:17Myself
00:59:17If they are not
00:59:18Let's see
00:59:19Hey!
00:59:20What's happening?
00:59:22Hi Rafa
00:59:23You don't know what it's like to live well until you suffer.
00:59:26Let me tell you something
00:59:27The idea that they hurt you at the dentist
00:59:30An urban myth
00:59:32I've just come from the dentist
00:59:33Come on, like someone who's just come from a spa
00:59:38Well, we're very happy for you, son.
00:59:39Yes, we're very happy.
00:59:40One world we rejoice in
00:59:42It has changed my life
00:59:43Yeah
00:59:44Life
00:59:46It went very well, darling.
00:59:48Saura
00:59:48Hello, very good
00:59:49By the way, can't you see the look on Ana's face?
00:59:51When we took him to the computers, man
00:59:53She loved them
00:59:55Yeah?
00:59:56More or less that
00:59:59See you later
01:00:01Mother who bore him
01:00:02Africa's father, Ramón
01:00:05He's a police officer, an inspector.
01:00:06He's going to school today.
01:00:08Well
01:00:08It reaches you
01:00:09It reaches you, brother.
01:00:11Yes, it does reach me.
01:00:12But I would mean much more to you if you left me alone.
01:00:14No no
01:00:15Because it needs to be aired out
01:00:16You need to get some fresh air in company.
01:00:18Hey?
01:00:18For as long as I can remember
01:00:19What's this about airing yourself out alone?
01:00:20And if we have to talk
01:00:21Well, it's being talked about
01:00:22Of course, he has a point here.
01:00:23No, just relax
01:00:25Relax
01:00:26And he speaks, but without shame.
01:00:28Hey?
01:00:28That we
01:00:28What are we here for?
01:00:29To listen to you
01:00:30No, it's not weighed, please.
01:00:32What I want is not to talk
01:00:33It's breathing calmly
01:00:35Pussy
01:00:40I'd take that one.
01:00:41I added more meat.
01:00:42To the well truck
01:00:43What does it say?
01:00:44What are you saying, man?
01:00:45Take it ass
01:00:46Here we are
01:00:49Diego, Diego
01:00:49Let it be closed
01:00:51Let it be closed, Diego
01:00:52What are you doing?
01:00:53Because I don't understand it
01:00:55As?
01:00:55Can you tell me what he does?
01:00:56Celia
01:00:57Where else would it be?
01:00:57Let's go see my girlfriend who's right there in front
01:00:59Okay, please.
01:00:59He's going to explain why.
01:01:00The destruction of street furniture
01:01:01Well, well, no, no
01:01:02No problem
01:01:02Because this man has paid
01:01:03Celia
01:01:04Celia, wait
01:01:05Calm down
01:01:05Please
01:01:06That I'm going to leave
01:01:06But he doesn't follow me.
01:01:07I'm listening to you.
01:01:08But my girlfriend is leaving me
01:01:09Celia
01:01:10Celia
01:01:10Listen
01:01:11Calm down
01:01:12I am very calm.
01:01:13I'm very calm
01:01:14Nothing's wrong
01:01:14We are all calm
01:01:37The father of Africa
01:01:43From Africa
01:01:43He went out for coffee
01:01:44To the bar across the street
01:01:45Well, thank goodness.
01:01:48Tell me, I don't know this
01:01:53Can't
01:01:55I can't, Chobi
01:01:56This is not right
01:01:57This is very bad, Chobi
01:01:59It's very bad.
01:01:59The Aragonese guy screwed us over
01:02:00With the flowers
01:02:01That's wrong
01:02:01I know.
01:02:02That's wrong
01:02:02That's better
01:02:04That your son
01:02:05The little creature
01:02:05That he is not to blame for anything
01:02:06I have to go and visit
01:02:07His mother went to jail
01:02:08That's better.
01:02:09And what about your little nose?
01:02:10To your little mouth
01:02:11It doesn't save him from urination
01:02:12Nobody
01:02:13Chobi
01:02:14I am not a daughter
01:02:14You're going to make me cry
01:02:18Josico
01:02:23Josico
01:02:23For God's sake
01:02:24Why are you bringing us here?
01:02:25Once we need
01:02:26Concentration
01:02:28Yes, man
01:02:29Clear
01:02:29That's all we needed
01:02:31General
01:02:33Help me
01:02:33I know.
01:02:34I know.
01:02:35Yes, yes, yes
01:02:36It makes sense.
01:02:36It makes sense.
01:02:37Okay, fine.
01:02:39Yes, it's worth it.
01:02:40Fuck
01:02:41Come on, short and sweet.
01:02:43Short
01:02:50What are you doing?
01:02:50What are you doing?
01:02:51Have you gone crazy?
01:02:52No
01:02:52What if we leave?
01:02:53Nothing but computers
01:02:54They'll know the clue
01:02:56It's us
01:02:56Damn, we have to do
01:02:57As if there had been a robbery
01:02:58I don't understand
01:03:00If you can't ask me
01:03:00Let him destroy the school
01:03:02Oh, no
01:03:03No
01:03:04Well, nothing.
01:03:05Break your mother's heart
01:03:07Break your mother's heart
01:03:08Your son visiting you in jail
01:03:10And she to hers
01:03:11And no, Laurín
01:03:12The poor woman
01:03:13With a broken heart
01:03:20God forgive me
01:03:33Hi, Dad
01:03:36Hello good
01:03:36Good morning
01:03:38Auntie, aunt, aunt
01:03:38Auntie, please
01:03:39You gave me such a fright!
01:03:40Hey man, what are you doing here?
01:03:41A breakfast
01:03:42You're going to lick your fingers.
01:03:44Okay, and where's my father?
01:03:46Buddy
01:03:47Making arrangements
01:03:47What steps?
01:03:48But I haven't seen him get up today.
01:03:50Because he got up very early
01:03:52He went to negotiate the Uribor.
01:03:53Santi
01:03:54The Uribor rate is non-negotiable.
01:03:56Yes, it's non-negotiable, daughter.
01:03:57Don't even talk about me
01:03:59Happens
01:04:02How embarrassing, Fiti
01:04:03Really
01:04:03What a shame
01:04:04For God's sake
01:04:05Like a criminal
01:04:06All night at the police station
01:04:07That I am a criminal
01:04:07No, fuck
01:04:08Stop beating yourself up, damn it
01:04:10You pay your taxes
01:04:11That's it
01:04:12Street furniture belongs to everyone.
01:04:13You have already broken your part
01:04:14Fuck off, man
01:04:15Damn, Fiti
01:04:15What things you say, really.
01:04:18What do I tell the girls?
01:04:19No, we'll improvise something.
01:04:21Also, look
01:04:21Is Santi there?
01:04:22Providing us with coverage
01:04:23You fixed
01:04:27Strip
01:04:28Thank you
01:04:28Okay, miss
01:04:31Good morning
01:04:32Hello
01:04:33Hello good
01:04:33Okay, what's up, Dad?
01:04:35Where were you?
01:04:38That I was in the...
01:04:40Okay, where were we?
01:04:41Now they see what happened with the elevator.
01:04:42From my house
01:04:44We've been left hanging
01:04:46All night
01:04:46All night in the elevator of his building
01:04:48But weren't you taking care of the arrangements?
01:04:51Yeah
01:04:51Yeah
01:04:52We started back when we were
01:04:53Between the elevator
01:04:53Since we had hung up
01:04:54We knew it
01:04:55They were making arrangements.
01:04:55Call the fire department
01:04:56Fundamentally
01:04:57And then when the firefighters arrive
01:04:58The paperboy
01:04:58Firefighters are civil servants
01:05:00And to delay
01:05:01And the papers
01:05:02Well, they take a while.
01:05:02Look, Diego
01:05:03We're not stupid
01:05:04Are you coming to spend the night with Celia?
01:05:06And your friends are covering for you.
01:05:07You say so.
01:05:07No problem.
01:05:09Okay, let's see
01:05:10So that it's clear to everyone
01:05:11I didn't spend the night with Celia
01:05:12Even my friends aren't covering for me.
01:05:14It's clear.
01:05:14And a little bit of respect
01:05:15Tete, you're doing well now.
01:05:17Okay, okay
01:05:18But then
01:05:18Why don't you tell us the truth?
01:05:21Do you want to know the truth?
01:05:22Well, I'm going to tell you the truth.
01:05:23He's right.
01:05:24That in this family
01:05:25I have always been honest and upfront.
01:05:26Well, I'm telling you the truth.
01:05:27I spent the whole night at the police station.
01:05:29Because I broke a marquee
01:05:30That's it
01:05:34You
01:05:35You broke a marquee
01:05:37Already
01:05:37I
01:05:38Yeah
01:05:39And you spent all night at the police station, right?
01:05:41Yeah
01:05:41I
01:05:42Already
01:05:42And now, what will you tell us next?
01:05:43Because the Tooth Fairy also exists
01:05:45Okay, come on
01:05:46Come on
01:05:51Drainage
01:05:52The Tooth Fairy exists
01:05:54I'm telling you.
01:05:55Friti
01:05:56I'm not getting any younger, you know?
01:06:01Did he take me apart?
01:06:02It's thrown me for a loop.
01:06:12Did he take me apart?
01:06:18What a damn life
01:06:19How is everything?
01:06:21If I was natural, Luz
01:06:23And naturalness, for God's sake.
01:06:24Do I see myself in jail on the day of my First Communion?
01:06:26No
01:06:27When we have something, we will inform you.
01:06:29No, no, no
01:06:29Yes, well, but the thing is
01:06:30I don't know
01:06:31Is there any news, Ana?
01:06:33Nothing
01:06:33Nothing
01:06:34They took the computers and nothing else
01:06:36Police believe they came specifically for them
01:06:39And that everything else has been a distraction
01:06:41Really
01:06:42And what a twisted mind
01:06:44It's beyond human comprehension, isn't it?
01:06:45Yeah, tell me about it.
01:06:45I feel awful, too.
01:06:46You went to the trouble of getting the computers for nothing.
01:06:49Well, it's okay.
01:06:50And well, and the thieves, we know who they might have been.
01:06:52It is known
01:06:52No way.
01:06:53But what if there are no footprints or clues?
01:06:54Nothing
01:06:55And besides, the police don't think they'll get caught.
01:06:57No
01:06:58No
01:06:58Look, these things are truly disgusting.
01:07:01Yes, but they sense it
01:07:02They suspect you might be a student at the center
01:07:04But what will a student at the center be like?
01:07:06Good heavens, that's impossible!
01:07:07But well, impossible, impossible
01:07:08Don't vouch for anyone either.
01:07:11Kids are getting really violent with computer stuff these days.
01:07:14The heads very...
01:07:15Look, Lurditas
01:07:16We're going to have to explain everything that's happened to them.
01:07:18And I think you're the right person because you're the director
01:07:21Hey?
01:07:22AND...
01:07:22And let that be perfectly clear to them.
01:07:24It's very clear that we're going to hunt down the culprits.
01:07:26Because that kind of scum
01:07:28He always ends up getting caught
01:07:30Lurditas, for God's sake, now they've come
01:07:34For the love of God, come
01:07:46Is it possible, Celia?
01:07:49Yes, they were already telling me that...
01:07:51I don't mind it, do I?
01:07:55The first thing I want to do is apologize for what happened with Tete.
01:07:58Because...
01:07:58But make sure it's recognizable, really.
01:08:00So...
01:08:01I don't know how to approach her
01:08:02I've tried, but...
01:08:03Yes, yes, yes
01:08:03But instead you go around Santa Justa
01:08:05Breaking down marquees, aren't they?
01:08:09Forgive me
01:08:10That?
01:08:10You know I'm not like that.
01:08:11I mean, I really don't know what happened to me.
01:08:12I lost my mind
01:08:13And I'm not like that.
01:08:14You know that perfectly well.
01:08:14I am a much calmer person.
01:08:16Yes, well, anyone would say so.
01:08:18And also acknowledge that...
01:08:20He's under a lot of pressure
01:08:22Yes, Celia, because without mincing words.
01:08:24I told you I didn't care about the campaign
01:08:25Well, it was a lie.
01:08:26Yes, it mattered to me.
01:08:27It's beyond my strength.
01:08:29It's seeing you in your underwear
01:08:30In front of everyone
01:08:31And I can't, I mean, it's giving me a heart attack.
01:08:33And you haven't been able to tell me?
01:08:34Well, no, I haven't been able to
01:08:35Celia, I haven't been able to
01:08:35I'm sorry
01:08:37You can call me old-fashioned.
01:08:38With the mañón or with whatever you want
01:08:39Anyway, I knew one thing
01:08:40Ever since I saw the photos on the bus
01:08:41I knew this story was going to cause problems
01:08:42I didn't know perfectly
01:08:43No, no, in the end look at what happened with T.T.
01:08:45Look
01:08:45Okay, forgive me
01:08:46Are you telling me that now the T.T. thing is my fault?
01:08:48No, I'm not saying that.
01:08:49No, no, I'm not saying that.
01:08:51I'm...
01:08:52Understand me, let's see
01:08:53Look, yes
01:08:54I always understand you
01:08:55Since I met you
01:08:56I'm making a huge effort to understand you
01:08:58But when it comes to understanding me
01:08:59Things change, don't they?
01:09:05I am me
01:09:06And for once I do something you don't like
01:09:07You go and throw it in my face
01:09:11Forgive me, Celia
01:09:14Forgive me
01:09:14Also acknowledge that
01:09:15Damn it, I don't go out in my underwear.
01:09:17That too...
01:09:18That's all I needed
01:09:19Look
01:09:21What a disappointment!
01:09:28Can you send us home?
01:09:29What are we doing here for?
01:09:31Well, there you have it, mate.
01:09:32What a mess, huh, man?
01:09:34Hey, who do you think it was?
01:09:36Maybe it was, Tete
01:09:38I'll take you away
01:09:38You're touching my hair
01:09:39She's my sister, you know.
01:09:40I've already been to you, man.
01:09:42She's unrecognizable.
01:09:43Okay, will you shut up already?
01:09:54What are you doing?
01:09:55Well, I do whatever the hell I want.
01:09:56Like you
01:09:59Have you come here to lecture me?
01:10:00Like I was a little girl?
01:10:01Yes, because look
01:10:02That's what you are
01:10:03She's a selfish brat.
01:10:03That he only thinks about her
01:10:05Leave me alone
01:10:05No, Tete
01:10:06I won't leave you alone
01:10:07I'm fed up with seeing my father suffer
01:10:09What's happening?
01:10:09Can't you see him happy?
01:10:10What I cannot see
01:10:11It's like I despise my mother, you know?
01:10:12What are you saying?
01:10:14My father is trying to recover
01:10:15What should you do?
01:10:16It's very easy for you.
01:10:17Because you haven't lost a mother
01:10:18No, Tete
01:10:18I haven't lost a mother
01:10:21I've already lost two.
01:10:42Okay, so what?
01:10:43There was no agreement on the marquee issue.
01:10:45No, Fiti
01:10:47Neither understanding, nor anything else
01:10:49She told me that I have disappointed her.
01:10:51Come on, so you know
01:10:52That the separation is imminent
01:10:55What are you saying, brother?
01:10:56Sit down
01:10:57Go on
01:10:58Well, that's it
01:11:00Besides, I'm thinking
01:11:01Because I deserve it.
01:11:02I deserve it because I'm an idiot.
01:11:03An incompetent person
01:11:04A troglodyte
01:11:05That's who I am
01:11:05What are you going to do, a troglodyte?
01:11:07If you have always been very sensitive
01:11:08What I had to do
01:11:09It's like the ground you walk on is heavy.
01:11:10Santi, damn it
01:11:11I hate a marquee
01:11:12Damn, no nightlife
01:11:12But with treachery
01:11:13In other words, he looked like a punk.
01:11:14Diego, damn it
01:11:15Hide as you hide
01:11:17That can't be healthy.
01:11:17You need to get that checked out.
01:11:18Damn, any day now
01:11:19It gives you another heart attack
01:11:20No, no, no, Fiti
01:11:21You know what I'm saying?
01:11:21Do you know what I should have done?
01:11:22Let's see, he's keeping quiet.
01:11:23Because I look much better when I'm quiet.
01:11:24But I don't realize it
01:11:25That's because it's true.
01:11:25I'm not a crystal-clear guy.
01:11:27I'm not a transparent guy
01:11:28I'm an idiot
01:11:29And she, meanwhile
01:11:29He's there supporting me
01:11:30And understanding me
01:11:31What is he doing?
01:11:33Decompression
01:11:33And look how it's turned out
01:11:34Regarding the campaign
01:11:35Well, it puts up with me
01:11:36But he doesn't realize that he puts up with me.
01:11:37That puts up with all my hesitations
01:11:38She puts up with all the nonsense I do
01:11:40She puts up with them.
01:11:40Even the temporary employment agency can put up with me.
01:11:41Damn, he's always there
01:11:42Right there at the foot of the cannon
01:11:43No, seen that way
01:11:44She really has patience.
01:11:45If what I'm thinking
01:11:46It's clear.
01:11:47That I don't deserve
01:11:48A stunning woman like this
01:11:49I don't deserve it
01:11:50And that's it.
01:11:50But almost you
01:11:51Anyone would have done it.
01:11:53It's not old, damn it.
01:11:54I'm leaving
01:11:55That I lose it
01:11:56He doesn't realize
01:11:57And what has this woman done?
01:11:58What has he done?
01:11:59Well, sometimes some artistic photos
01:12:00Because the photos are artistic
01:12:02And for an advertising campaign
01:12:03Well, that's great.
01:12:04Damn, that's really good
01:12:05That I should feel proud of her
01:12:06And not having committed such a barbaric act
01:12:08What has he done, damn it?
01:12:11You know what I'm saying, Diego?
01:12:12You know what I'm saying?
01:12:13That because of her
01:12:14And with two balls
01:12:16You're right, Fiki
01:12:18No, I'm going to talk to her again.
01:12:19But as I say, not like before.
01:12:20I don't want to lose this aunt
01:12:21Because if it doesn't leave me
01:12:22No, I don't want to lose her.
01:12:23Brother
01:12:23But I do suffer you
01:12:24Remember that you are dedicated
01:12:26Yes, yes, yes
01:12:26Come on, come on
01:12:27Come on, come on
01:12:28Come on, come on
01:12:30Your brother blows my mind, man.
01:12:32What a capacity for reinvention, damn
01:12:33He's like Messi.
01:12:34Let's see if I can swallow this
01:12:36Come on
01:12:42Very good morning
01:12:44It was a picture-perfect moment
01:12:45Yes, well, that's what's left.
01:12:47Between Tete's situation and the robbery
01:12:48My parents are fuming.
01:12:50But I already apologized for yesterday, Ana
01:12:52What else do you want me to do?
01:12:57What's wrong with her?
01:13:00Well...
01:13:00He's on his last legs with Diego.
01:13:04Go
01:13:07Hello, Africa, how are you?
01:13:09Hello
01:13:09And is Celia there?
01:13:10Yes, yes, it happens
01:13:12Hello
01:13:13Hello, Celia
01:13:20Shall we go for a coffee?
01:13:23Well, yes
01:13:26Bye
01:13:27See you later
01:13:29I'll help you
01:13:29Come on
01:13:30See you later
01:13:36You'll see, Celia
01:13:36That...
01:13:37I want to tell you that we've said a lot of things to each other before.
01:13:39But I forgot to tell you the most important thing
01:13:43That...
01:13:44I know.
01:13:45That I'm a difficult and complicated guy
01:13:48And I am very grateful for the patience you have had with me.
01:13:52But I want to tell you that it's not true that I don't make an effort to understand you.
01:13:55I swear I'm trying with all my might
01:13:56The thing is, I'm more...
01:13:58I don't know how to explain to you what...
01:13:59In other words, it takes me longer
01:14:00And to say, I am more...
01:14:02Slower
01:14:03That
01:14:04I am slower than...
01:14:06But I understand you.
01:14:08And I understand your job, I understand it.
01:14:10And I know that what I've done is very wrong
01:14:11That's a stupid thing to do, I shouldn't have done it
01:14:14But that I loved you...
01:14:15I wanted to apologize.
01:14:17And to tell you one more thing, and then I'll leave.
01:14:19That...
01:14:21I'm asking you, please
01:14:22No...
01:14:23Don't leave me
01:14:26But if we haven't stopped, Diego
01:14:29We haven't stopped, have we?
01:14:31No, I don't know.
01:14:32Let's see, we've discussed
01:14:33We got angry
01:14:34But...
01:14:34But we haven't stopped.
01:14:36I was thinking that since you left like that
01:14:38But I don't know, like...
01:14:39I mean, like...
01:14:40But, Diego, let's look at something
01:14:41It's true that that's my profession.
01:14:44But...
01:14:44You are much more important to me.
01:14:45That any campaign
01:14:47And I don't want to see you suffer.
01:14:50No
01:14:51Celia, no
01:14:52No, no, no
01:14:53I cannot allow you to sacrifice your job
01:14:55No, no, I can't
01:14:56No, no, no
01:14:56I shouldn't do that.
01:14:57No, well, I didn't say I was going to sacrifice him.
01:14:59I was thinking more about doing campaigns
01:15:01But...
01:15:02Winter
01:15:06So, that...
01:15:07Have you thought about doing winter campaigns?
01:15:08Especially what winter is like
01:15:09So, you wear a coat in winter.
01:15:11And then the scarf
01:15:13What is a scarf?
01:15:13And a sweater underneath
01:15:15So you don't get cold, that's it.
01:15:16I prefer those types of campaigns
01:15:18Yeah
01:15:20And I like you a lot.
01:15:26A lot
01:15:27In water?
01:15:36It's not just about the money, Choni
01:15:38That I have not left a single commandment alive
01:15:40Well, woman
01:15:41But you should remember that you did it for the family.
01:15:43And also
01:15:43We must have purged something, right?
01:15:45We were up until 3 in the morning
01:15:46There at that landfill
01:15:47We're going to take fish to shit
01:15:49See you next week
01:15:49Very good
01:15:50Mother
01:15:51What happened?
01:15:52Have you resurrected again?
01:15:53Well then
01:15:54And balance the books.
01:15:55Relax, Santi
01:15:56Don't overwhelm me
01:15:57I'm still recovering
01:15:58Look at me
01:15:59What are you doing here?
01:16:00What are you doing here?
01:16:00What are they going to pitch you?
01:16:00The arrest has now ended
01:16:03Free, free
01:16:03I want to, yes
01:16:05And thank you all
01:16:07I'm going to keep following it
01:16:08My love
01:16:09Okay, okay
01:16:09And how pleased I feel
01:16:10Look, I left myself out there outside of Spain
01:16:12And she's a girl, too.
01:16:13Okay, everyone.
01:16:15Just a moment
01:16:16Come here
01:16:16Don't you notice?
01:16:19By visual acuity, I mean
01:16:21Anything new at the tavern?
01:16:23I mean, from...
01:16:24Hey?
01:16:25A device there
01:16:29But what are you doing to Telia and Santi?
01:16:32Well, that's it, little dove
01:16:33The cabinet had to be closed
01:16:35To put it at home
01:16:36Look how pretty it looks here
01:16:37Hey?
01:16:38You've thrown everything away
01:16:39The mother of the cup
01:16:39You've thrown everything away
01:16:40It's because she laughed at me
01:16:41The TV at home
01:16:43Well
01:16:44Calm down, calm down
01:16:45We're not in danger here.
01:16:46No?
01:16:47No, well
01:16:47We're doing better now.
01:16:50There goes my old lady
01:16:51And here is the seventh cavalry
01:16:53What's happening?
01:16:54What's happening?
01:16:54What's happening?
01:16:55No, well
01:16:56Hello
01:16:56Santiago, get some beers ready.
01:16:58We're celebrating my promotion
01:17:00Fuck
01:17:00No, the good one, man.
01:17:01No, the good one
01:17:02Damn, the one about the arrest
01:17:03Man
01:17:03Well, the day was salty
01:17:04Man
01:17:05How are you?
01:17:06How are you?
01:17:06What a great memory, huh?
01:17:08Hey
01:17:09Are you not showing the match this afternoon?
01:17:11What were we thinking?
01:17:12See it here?
01:17:13In the area
01:17:14The match
01:17:15No, man
01:17:15No, the match
01:17:16The Ramón football match
01:17:17That's something you see at home, isn't it?
01:17:18This comes from home, man.
01:17:19Besides
01:17:20The more you come here
01:17:21The police
01:17:22Better than this neighborhood
01:17:23It's full of chorizo
01:17:24You'll see.
01:17:24As God intended
01:17:25On that TV
01:17:26Oh
01:17:33And this TV?
01:17:39We really didn't know anything
01:17:41We knew nothing about technology
01:17:44The technology that surpasses the poor
01:17:47We're out
01:17:48Come on
01:17:48We bought the TV
01:17:50Well
01:17:51For the size
01:17:51But not
01:17:53He's not convinced
01:17:54Ramón
01:17:55A very big TV
01:17:56But
01:17:57What do you say?
01:17:58I don't know what I'm saying, Ramón.
01:18:00What do you say?
01:18:02This TV is awesome
01:18:04This TV is awesome
01:18:05What is Ramón?
01:18:05Here we're going to watch the league
01:18:07The Champions
01:18:07And whatever it takes.
01:18:08Of course, Ramón
01:18:09Of course
01:18:09One round for everyone
01:18:12Thanks Ramón
01:18:12Very good, Ramón
01:18:13Long live Ramón
01:18:14Of course
01:18:14For me
01:18:15Of course it is
01:18:15This month
01:18:17We reached capacity
01:18:18With the device
01:18:18Hello good
01:18:19Man
01:18:20Diego
01:18:21Come and see
01:18:22Account
01:18:22Excellent?
01:18:23Have you recovered it?
01:18:24Let's see
01:18:25Has it been truly recovered?
01:18:27No
01:18:27We hadn't stopped.
01:18:29But everything has gone very well.
01:18:30So everything's great.
01:18:30Very good
01:18:31That's my little Diego.
01:18:32It's all settled.
01:18:36All
01:18:36Not yet
01:18:39Solid!
01:18:41Carmen
01:18:41If the mountain won't come to Muhammad
01:18:43Muhammad goes to the mountain
01:18:44And why isn't that lady coming?
01:18:45We've come for dinner
01:18:46Pretty
01:18:46Hello
01:18:47But let's see
01:18:48Are you coming for dinner?
01:18:49But I have nothing.
01:18:50What to offer you
01:18:51No, ma'am
01:18:51No, ma'am
01:18:52Top quality genre
01:18:54Your little blood sausage
01:18:55His Siberian
01:18:56Don't forget your chistorra sausage!
01:18:57We've even brought chicken giblets
01:18:58Doña Carmen
01:18:59This is going to be
01:19:00The Cholesterol Party
01:19:01No, but
01:19:01Beware of the party
01:19:02Because let's see if Carmen
01:19:03He's going to have a stomach obstruction.
01:19:04Take that with you.
01:19:05No, no, I'll take this.
01:19:06I'm getting ready
01:19:06What are you like?
01:19:08This, but Diego
01:19:08No, no, no
01:19:09Don't tell me anything.
01:19:10Which I already know perfectly well.
01:19:11What he's going to tell me
01:19:12Leave that there, son.
01:19:13Very well, thank you very much.
01:19:15The kids
01:19:16They missed her very much
01:19:17Well, me too.
01:19:19And Tete?
01:19:21That's what I wanted to get to.
01:19:23Carmen, we need you at home
01:19:27Carmen, do you know where the glasses are?
01:19:28Yes of course
01:19:29Above
01:19:29Up on the shelf
01:19:30In the cabinet
01:19:31But
01:19:31Things are that bad
01:19:33Yes
01:19:34It's awful
01:19:35Carmen
01:19:36It's awful
01:19:38Do it for your granddaughter
01:19:39And for us
01:19:40Hey?
01:19:41What do you say?
01:19:43Okay, Diego
01:19:44If you need me
01:19:46Well
01:19:46Of course
01:19:46We are very
01:19:47What a joy, Carmen!
01:19:48What a joy!
01:19:49A hug
01:19:49Let's see those little hands.
01:19:51That go to the bread
01:19:52And your mother-in-law
01:19:53There is a lot of hardship in this family.
01:19:56Leave something for others
01:19:57Oh, you're something else!
01:19:58What a big-headed fool you are!
01:20:00You are what you are
01:20:02Okay, come on
01:20:02Okay, come on
01:20:03Pick up everything
01:20:06Forgive me, forgive me
01:20:07Shoulder width
01:20:08Narrow ass
01:20:09I am Jorge Díaz
01:20:10You know, this morning I met a guy
01:20:11Okay, I'll tell you a guy
01:20:12To a god
01:20:13Have you tried to tell me something?
01:20:14That Celia and you don't
01:20:15That you have not yet reached the pleasures
01:20:16Diego feels powerless
01:20:18Or it can't
01:20:20He doesn't know
01:20:20No, no, no
01:20:21A little bit of patience
01:20:22I'm not going to force it either.
01:20:24Well, I have a date too.
01:20:26Yeah?
01:20:27He likes sports
01:20:28He dresses well
01:20:29What have I seen in you?
01:20:30Spiderman, I've seen you
01:20:31I don't want you to have a bad time
01:20:33Don't do it
01:20:33Blah, blah, blah
01:20:34Sign up for the dance contest
01:20:36Santiago and I
01:20:36Going around and around
01:20:37Like Olivia Newton-John
01:20:38And me again
01:20:39Have a dizzy spider crab
01:20:41Blah, blah, blah, blah, blah, blah
01:20:43My favorite patient
01:20:44I'm perfectly fine.
01:20:45I am all yours
01:20:46Check me out completely
01:20:47And in depth
01:20:48Blah, blah, blah, blah
01:20:49Do you plan to continue like this?
01:20:50With that attitude for how long?
01:20:52Until you disappear from my life
01:20:53Since it's the first time
01:20:54Well, I want to cause him
01:20:54Good impression
01:20:55No hot baths, Ana
01:20:56That guy is no good for you.
01:20:57Hey, hey, let me
01:20:58I don't know if
01:20:59I wonder if I broke something on him.
01:21:01But when I'm under pressure
01:21:02I don't measure
01:21:03I didn't break anything on him.
01:21:06But
01:21:10I don't know No
01:21:12lle hubo eu cargo La
01:21:16That battery
01:21:17It is an activity that indicates
01:21:21That's one
01:21:23activity I had s It means
01:21:25That is an activity
01:21:26And also, let me
01:21:32Dive
01:21:33Thanks for watching the video.
Comentarios