Los Serrano - 6x25 - La parábola del hijo prófugo - HD 1080 - Vídeo Dailymotion

Aquellas_Maravillosas_Series

Guille huye del hogar familiar y viaja a Toulouse buscando refugio en la casa de su hermano Marcos. El mayor de los hermanos Serrano, volverá a Santa Justa para calmar los ánimos de su padre cuando Guille le comunique que ha tomado la decisión de establecerse definitivamente en Francia. Convencido de que su hijo se ha escapado al enterarse de la cena que mantuvo con Celia, Diego toma una drástica decisión: no volverá a quedar con una mujer y así conseguirá “reconstruir la unidad familiar”. Fiti y Santiago se muestran contrarios a la determinación tomada por Diego y tratarán de solucionar el problema por su cuenta. Adela, la madre de Lourditas y José Luis, necesita un lugar donde quedarse mientras se soluciona una avería en su hogar. Choni considera que en su casa no hay sitio para más personas, pero no puede negarle el alojamiento a su suegra cuando previamente acogió a su hermano Fiti y a su sobrino Raúl. Finalmente, Adela se instala en el piso de forma temporal provocando incómodas situaciones a todos sus habitantes.

Transcript

00:00:21Life is like Padrón peppers

00:00:40But lately he's only getting the kind that sting.

00:00:43Let's see, family, let's stay calm and see if together we can find out where the boy might be.

00:00:52Me, Fiti, if I think, I think, but nothing comes to mind, nothing comes to mind anywhere.

00:00:57The worst part is that when I think about it, I realize that I don't even know my own son, damn it.

00:01:01Don't postpone, Diego

00:01:03We're not going to think for a moment

00:01:05Well, maybe there's a friend we haven't called yet.

00:01:07Or some girlfriend

00:01:10Listen, I swear I can't think of anywhere else.

00:01:12What's more, I keep calling him, but he doesn't answer.

00:01:13My father, when he eats one that's spicy, says he'll never eat them again in his life.

00:01:18Manu, Manu, son, do me a favor, read the note again, let's see if we can discover something, I don't know.

00:01:23So, any other clues, please? Yes? Or some encrypted information that isn't out there...

00:01:26Outside of all the mint code

00:01:27Wait, let me see, I read

00:01:29It says here, Dad, I'm leaving home

00:01:31Yeah

00:01:31I'll be fine, don't worry.

00:01:34Guille

00:01:36I'll be fine.

00:01:36But when the stinging stops, he must miss the taste.

00:01:39Because it always ends up eating another one

00:01:41You're not satisfied, go on, you'll feel great

00:01:43For nerves, yes

00:01:44But how am I going to sit well? I'm trying to calm down with some herbs.

00:01:47My problem is that my son has run away, ma'am

00:01:49That he has run away and I don't know where he is

00:01:51I haven't the slightest idea where it is, for God's sake.

00:01:53Dad has the same problem with Guille as he does with peppers.

00:01:55When she's at home, she never stops complaining about him and saying he's a burden.

00:01:59Well, Diego, don't worry, all teenagers have run away from home at some point.

00:02:02Yes, but make sure she goes and I apologize to Tete.

00:02:05I saw that coming, I mean, we caught you at the station

00:02:07But Guille already knows the trick

00:02:09But now that he's gone, he even misses the arguments and the gossip.

00:02:13Thank you so much

00:02:14Thank you all

00:02:14You are welcome

00:02:15You're welcome, you're welcome

00:02:16You're welcome, yes

00:02:18What do I think?

00:02:25Guille

00:02:26Hello, hello, Marco

00:02:27How are you?

00:02:29Well, well, what are you doing touching your light?

00:02:30Well, uh

00:02:31And isn't it possible that in the end, both in life and with peppers, what we like is that

00:02:34Does it sting us?

00:02:35Has something happened?

00:02:36No, no, I don't see myself at all.

00:02:38All good

00:02:39A station platform under the blazing sun

00:02:42You were talking about a skyscraper in the sky of New York

00:02:46Come soon to see the sea and send a postcard

00:02:49I already knew that day was the end

00:02:54Now I have much more

00:02:57Red, black, stop and stop, finally luck brings an ace and a crystal to look through

00:03:03And a wall to hang it on.

00:03:05Seven smiling faces in one ID photo

00:03:08My stories weren't about tales made by chance.

00:03:15Nobody told me that fate would give me this opportunity.

00:03:22One plus one equals seven

00:03:24Who would have thought?

00:03:30It was so easy to be happy.

00:04:02So...

00:04:03A word is still worth a word

00:04:09Marcos

00:04:11Can I stay here with you?

00:04:13Yeah

00:04:13To live?

00:04:16To live?

00:04:18To live off living

00:04:19Well, if you don't want to, that's fine too.

00:04:20You know I'm going to find something else, that's all.

00:04:23How are you going to stay here and live?

00:04:25I mean, it's not that I don't want to

00:04:26I'd be delighted.

00:04:27But I don't know, grab your kit bag

00:04:30Leaving home, kung fu style

00:04:31I don't really see it.

00:04:33You have your life there, dwarf.

00:04:34Okay, fine, Marcos

00:04:35Well, I'm starting my whole life here

00:04:36Just like you, nothing's wrong.

00:04:38And what does Dad say about all this?

00:04:42Don't mess with me, Guillén

00:04:43Don't mess with me

00:04:44Please, Marcos

00:04:45You know how Dad is.

00:04:45You can't tell him

00:04:46But let's see

00:04:47Haven't you said anything to him?

00:04:48But you're not stupid.

00:04:50Because Dad has a heart condition.

00:04:51He's going to have a heart attack

00:04:53Call him

00:04:55Call him

00:04:55No, no, no, no

00:05:02That's enough already.

00:05:03Let's see, let's see if it's him

00:05:07Guille?

00:05:08Guille?

00:05:09Marcos

00:05:10It is from your light

00:05:11Let me tell you, for God's sake.

00:05:15Marcos

00:05:16Yes, how are you, son?

00:05:17How are you?

00:05:17Okay, okay, Dad.

00:05:18I have some news to tell you.

00:05:21Don't be scared

00:05:23No, yes, I already know, I already know

00:05:25How did you find out?

00:05:26Because he's here with me

00:05:27As?

00:05:30That Guille is with him in your light

00:05:32What do you mean Guille is there?

00:05:34Let's see

00:05:34Thank you

00:05:34Okay, now he'll explain it to me.

00:05:37Tell him to get on immediately

00:05:38Let it be put

00:05:38Yeah

00:05:40No, no, no

00:05:41What are you doing?

00:05:42What are you doing?

00:05:42No?

00:05:43Dad

00:05:43He just doesn't want to get on right now.

00:05:46Why doesn't he want to get on it?

00:05:48Hey...

00:05:48That it be put on immediately

00:05:49Marcos, what do we have?

00:05:51Marcos

00:05:51No, no, no

00:05:54Hey, Dad

00:05:54I'll call you tomorrow, okay?

00:05:56And we talked more calmly

00:05:56Yes, yes

00:05:57Okay

00:05:58Yes, Dad

00:05:59Dad, I'm hanging up on you

00:05:59I'm hanging up on you

00:06:00Put it on immediately

00:06:01Marcos

00:06:04Thank you, Marcos

00:06:06Thank you

00:06:08That's lucky, man.

00:06:09What you will need

00:06:10Silly

00:06:22What, they haven't arrived yet?

00:06:25No

00:06:27To the attack!

00:06:29If you're stupid

00:06:30I was watching you

00:06:31Come

00:06:33Man

00:06:33Until one day they don't leave you alone

00:06:35We must take advantage

00:06:36Come on?

00:06:37Come here

00:06:38Come here

00:06:39Well, here

00:06:40Okay, you put

00:06:41You're being really annoying.

00:06:42You're being really annoying.

00:06:44Very heavy

00:06:48Oh well

00:06:48Everything, everything, everything

00:06:50Throughout

00:06:50Come on, come on, come on

00:06:51Throughout

00:06:54Come on, I'll bring you, brother!

00:06:58What's happening to me?

00:07:00Hey

00:07:00Hey, what's up?

00:07:01It's amazing

00:07:02The fast

00:07:04That goes away and comes back

00:07:05Suddenly, from the deck of cards...

00:07:06Neither you nor I, man

00:07:08One thing

00:07:08My God

00:07:09How much I wanted it

00:07:10Seeing your aunt

00:07:11Come here without shame

00:07:12If you are seen

00:07:13If you are seen

00:07:14If you are seen

00:07:16Chocolate

00:07:17Come on, tell your aunt

00:07:19How are things in the Canary Islands?

00:07:20Tell him/her

00:07:20You don't know what

00:07:21What islands, Auntie

00:07:25Lying there all day

00:07:26The foreigners

00:07:26A huge party

00:07:27He's handsome

00:07:28His uncle was handsome

00:07:28It doesn't surprise me.

00:07:29That the foreign women would give it their all

00:07:30Welcome

00:07:31Good

00:07:33Champion

00:07:34Let's unpack our suitcases

00:07:35We're going to undo it

00:07:36I'll prepare you.

00:07:37Something for breakfast

00:07:38Come on

00:07:47Damn, they almost did it.

00:07:48To catch us with

00:07:49With the whole issue

00:07:50No problem

00:07:51They are families

00:07:52It's not bad

00:07:52Yes, I know.

00:07:53We are a married couple

00:07:54And we're not like...

00:07:55To share a flat

00:07:56The four

00:07:57No, Choni.

00:07:57No no

00:07:59José Luis

00:07:59You're proposing

00:08:00An independence

00:08:01A divorce from the family

00:08:02That a marriage

00:08:03She needs privacy

00:08:04And I'm not saying anything.

00:08:04When we have a little one

00:08:05This is going to look like it

00:08:06The Mars brothers' dressing room

00:08:09Yes, you're right.

00:08:10But the thing is

00:08:11It makes me want to leave it like this

00:08:12To both of them

00:08:13Desamparaíco

00:08:14To my Fiti and my Raúl

00:08:15But if they think

00:08:15The same as us

00:08:16The problem is that they don't dare to say it.

00:08:17It's a mutual thing.

00:08:19Two guys there like

00:08:19Like two castles, damn it

00:08:22Living the single life

00:08:23Do you think so?

00:08:24Come on, it's not the same rhythm, Choni

00:08:28Things like this

00:08:29How are they presented?

00:08:30Because I don't

00:08:32They are raised

00:08:32And that's it.

00:08:33That he did not want to oppose

00:08:34I just don't understand it

00:08:35So, what's going on?

00:08:36Do I scare him or what?

00:08:38Okay, Diego, calm down.

00:08:39At least we know

00:08:40That's fine.

00:08:41Good

00:08:42It's going to be well finished.

00:08:43When I catch him

00:08:43Because I don't plan to talk to him

00:08:44Do you know what I'm going to do?

00:08:45Am I going to rip his head off?

00:08:46Yes, I'm going to rip his head off.

00:08:46Because this to a father

00:08:47It's not done to him

00:08:48And especially not to a father with a heart condition.

00:08:49Like me, who has a heart condition

00:08:50Dad, I'm never going to run away

00:08:51We'll see.

00:08:52We'll see when he's a teenager.

00:08:53You have half an hour left, by the way.

00:08:55Hey, Manu

00:08:56Do me a favor

00:08:57You call him

00:08:57Let's see if it works for you.

00:08:58I open

00:08:59Don't worry

00:08:59Thank you, Carmen

00:09:04Hi, come in

00:09:05Please come in.

00:09:06Hello, hello everyone

00:09:07Servín, hello

00:09:08Hi, how are you?

00:09:09Awesome, how could I be?

00:09:10How am I going to be?

00:09:11Okay, how am I going to be?

00:09:12The problems of constipation

00:09:14This is a piece of cake

00:09:15The problems of a cold

00:09:16Yeah

00:09:17Constipation problems, Robert Pérez

00:09:19Stop doing this

00:09:20Wait, what does it look like?

00:09:26Fuck

00:09:26And now, Manu

00:09:28How many have you had?

00:09:30Well, this one's by Manu

00:09:326.3 of tea, 3 of Carmen

00:09:33And Manu's 2.6

00:09:36Bonjour

00:09:37A coffee and a croissant, s'il vous plaît

00:09:39De suite

00:09:43Why don't you take it?

00:09:45Malano

00:09:46Yes, he pays for it.

00:09:52Guille, Guille, yes

00:09:53Hey, wait, wait

00:09:54That'll happen to your father, huh?

00:09:55Okay, yes, goodbye

00:09:56Okay, okay, Diego

00:09:57Calm down, okay?

00:09:58Yeah

00:09:58Calm

00:09:59Don't let them notice you're upset

00:10:01Okay?

00:10:02Okay, breathe.

00:10:02Okay, take that

00:10:03Wait

00:10:04Let's all come.

00:10:06Come on

00:10:10Guille, how are you, darling?

00:10:11Guille

00:10:13Hello, hello, dad

00:10:15Is everything alright, son?

00:10:16Okay, okay, here

00:10:17At Marcos' tavern

00:10:20With the

00:10:23That's great!

00:10:24Very good, son

00:10:24Very good

00:10:26Yes, well

00:10:27I had thought about...

00:10:28Well, to stay for a while

00:10:29How should I stay?

00:10:30Well, I mean

00:10:31From what time?

00:10:33How long are we talking about?

00:10:35A time to live

00:10:43To hell with Britishness

00:10:45How does it happen?

00:10:46Okay?

00:10:47Yes, Guille

00:10:47Guille, tell Marcos immediately

00:10:49Go to the station

00:10:50And then he pulls out a 30-euro note

00:10:51Marcos, can't you see?

00:10:52That's enough already, mate.

00:10:53A time to live

00:10:55Of course, you don't flatter me either.

00:10:57That?

00:10:57Diego, calm down

00:10:58No, I'm calm

00:10:58Yes, yes

00:10:59You heard right, Guille

00:11:00No, no, no

00:11:01You think you're so old

00:11:02And you're a kid

00:11:03You find out, a kid

00:11:04I already love you, I say.

00:11:04Don't flatter me, Guille.

00:11:06Tell Marcos to put

00:11:07Already

00:11:07Let it happen already.

00:11:15Did I remember?

00:11:16How strange.

00:11:22That the boy's escape is to blame

00:11:24It's mine

00:11:25Damn, the kid saw what he saw, for fuck's sake.

00:11:28And it hurt him

00:11:28I didn't know how to be

00:11:29That's the problem

00:11:29Why didn't I know how to be?

00:11:30Because I was fluttering around

00:11:31Butterflying in every sense of the word

00:11:33But, Diego, please

00:11:34How could it bother the kid so much?

00:11:36Are you seeing Celia?

00:11:37Well, she's really messed things up.

00:11:38Well, up to the point

00:11:40It's not that he ran away from home, no

00:11:42He's gone on a crusade, damn it!

00:11:44He's crossed two countries, for God's sake!

00:11:45Look, you're telling me that's the date

00:11:47Is it work or a snack?

00:11:49I believe it.

00:11:50But Guille

00:11:50Guille is a face

00:11:52I'm going now

00:11:52Okay, very good.

00:11:53Okay, very good.

00:11:54It will be expensive.

00:11:55But I'll say one thing

00:11:56And you know it too.

00:11:56The kid has feelings, damn it!

00:11:58And this is a sign

00:11:59What happens when I approach a woman?

00:12:02Well, the family

00:12:02I mean, what a family is, is laughing their heads off.

00:12:04So for me, that's it for women.

00:12:05And that's it, it's over

00:12:10But, Diego, let's see

00:12:11Let's see

00:12:13One thing is to focus on family

00:12:15That's ok

00:12:16And it's your obligation as a parent.

00:12:17But total astringency is another matter entirely.

00:12:19Pussy

00:12:19No

00:12:21It's over

00:12:21And that's it.

00:12:22So what?

00:12:23And what will happen when the chicks leave the mess?

00:12:25What's happening?

00:12:26That's the way of life

00:12:27What's going to happen?

00:12:28Hey?

00:12:28You're going to be left alone and without a woman.

00:12:29So what are you going to do?

00:12:31Hey?

00:12:33Well, it has come to me

00:12:34Let's see the little birds, shall we?

00:12:39Mother of God

00:12:44Just look at the waste.

00:12:45You'll see, the touch won't cost a fortune.

00:12:48You'll see

00:12:48I can't, José Luis

00:12:49What do you mean I can't?

00:12:51Oh well

00:12:51I stand right in front of them

00:12:53Hey, you guys should look for another apartment

00:12:55Well yes

00:12:55Yeah

00:12:55I can't, damn it.

00:12:57My legs are trembling.

00:12:57Just thinking about it

00:12:58Your legs are going to tremble then, go on.

00:13:00Go on

00:13:01Just me

00:13:02You to my house

00:13:03You'll see how it's going to work out

00:13:18Come on, let's go

00:13:18Come on

00:13:19Sit down, we're starving.

00:13:20Come on, man

00:13:21The roe

00:13:22How are the roe?

00:13:23They are fine

00:13:24No, come here

00:13:27Hey, talking about everything a little bit

00:13:31You, Raúl

00:13:33I don't know

00:13:34Do you have something like that planned?

00:13:36From work?

00:13:37So, in the near future?

00:13:38Hey, man

00:13:39Nothing, with all the digestion

00:13:40I just landed

00:13:42I'll think of something, man.

00:13:43No, man, no

00:13:43I'm telling you this because I was just thinking about it.

00:13:45Back in the days when you lived with your buddies

00:13:48And I was thinking the same thing.

00:13:49Well, a little worker is coming your way.

00:13:51Well, to try again

00:13:52Because that era will never return.

00:13:53No, that doesn't come back.

00:13:54That time of living with friends

00:13:55That was a failure, man.

00:13:57Not what I want

00:13:58It's like being at home

00:13:59Tiradito, resting

00:14:01Still

00:14:01Of course, son

00:14:02There's no place like home.

00:14:04I say one side

00:14:05We don't notice things

00:14:07Look how lucky we are

00:14:09To have such a close-knit family

00:14:11I'm thinking about Diego right now.

00:14:12And my feet calm down, you see.

00:14:14I mean, I

00:14:15A home like this, half empty

00:14:17That's a low point

00:14:18That's a low point

00:14:19No, no, no

00:14:19Don't think, Fiti, that that has its advantages.

00:14:21Having an empty home has its advantages.

00:14:23No, no way, man

00:14:24That won't even help.

00:14:25Let's make a toast to our family

00:14:28As?

00:14:29Yes or what?

00:14:29We're going to toast

00:14:30I'll bring the cava

00:14:32The cava

00:14:34Come on, let's toast properly

00:14:35This woman, one thing

00:14:37I know you're going to be so splendid

00:14:39He's really been thinking about it.

00:14:40To ask you the favor I want to ask of you

00:14:42What favor?

00:14:44Nothing, damn it, if possible

00:14:46I'll pay you for this month along with next month's.

00:14:50This is a bit short

00:14:51How's the wine?

00:14:53Hey, what if there's a problem?

00:14:55If there's a real problem

00:14:56With complete confidence

00:14:57Ask for an advance and that's it

00:15:00Problem, you say.

00:15:00If there's a problem, you say

00:15:01What problem is there going to be?

00:15:03What problem is there going to be?

00:15:04That's not it.

00:15:04What are families for?

00:15:06What are we here for?

00:15:07In health, in sickness

00:15:08In wealth, in poverty

00:15:10That was in marriage

00:15:11The health thing, all that nonsense

00:15:13In marriage, in the family

00:15:14No, marriage

00:15:15No, no, I told you so

00:15:17That's what I meant when I talked about the pandemic

00:15:19Come on, let's be joyful

00:15:20I'm telling you this.

00:15:20Joy, let's raise our glasses!

00:15:22Well, let's make a toast to our family

00:15:25The united family

00:15:26I'm sure this is going to my head.

00:15:28And then we say silly things

00:15:30Cheers!

00:15:33For as long as we're together

00:15:35A lot, a little

00:15:38Marcos, you don't remember

00:15:39That you came here

00:15:40Only speaking Spanish

00:15:41And bad.

00:15:46And what about the transfer of the file?

00:15:47I don't know, my colleagues will send it to me.

00:15:49Or whoever

00:15:50Ah, I see.

00:15:50And with Dad?

00:15:52Your colleagues should speak too, shouldn't they?

00:15:54Guillén, problems are not solved by running away

00:15:56Let's see, Marcos

00:15:57I remind you that you came to London

00:15:58Because they couldn't stand Eva, huh?

00:15:59One moment

00:16:00When I went to London

00:16:01I told Dad

00:16:02I told my colleagues

00:16:02And I told everyone

00:16:03I didn't leave a note

00:16:05I did things right

00:16:06If you want to be an old uncle

00:16:08Act like an old uncle

00:16:09Not like a child

00:16:10Remove

00:16:17Okay, that's fine.

00:16:18And if I come back and do things right

00:16:20Will you let me come and live with you?

00:16:23First, do things right.

00:16:25And then we'll see.

00:16:30Will you come with me, please?

00:16:32Please

00:16:33Where will you accompany me, please?

00:16:34Please come with me to Madrid

00:16:35Come with me

00:16:36You're stupid, man.

00:16:37Please come with me

00:16:40Come with me, come with me, come with me

00:16:41Please, Marcoso

00:16:42Damn, okay, Guille, okay

00:16:43Thanks, man.

00:16:45You have the best brother

00:16:46You have the best brother anyone could have.

00:16:46No, no, ma'am, let me go, I have to pick up.

00:16:48And don't touch anything, okay?

00:16:49Please

00:16:50But look, I've told you this before, Mom.

00:16:52Look, I've got it for you.

00:16:52You get what you pay for.

00:16:54Sure, sure

00:16:54It's very, very, very you

00:16:57With so many yous, well, very you

00:16:59Okay, yes, I saw it on Wednesday.

00:17:01Come on, ever since I saw him I've wanted him for half my life

00:17:03And they had it like that, with your face.

00:17:05Isn't there another one with mine?

00:17:07Oh, damn it, Santi, this will be taken care of.

00:17:09Okay, yes, yes, come on, let's go

00:17:11Don't let him come, yes.

00:17:12I'll call you later and you can tell me, okay?

00:17:14To the

00:17:15Mom, a bathroom pipe has burst.

00:17:17It's completely flooded

00:17:19Half worth

00:17:19Look, now the poor woman is going to have to move

00:17:22So they can fix the downpipe

00:17:23Oh, well, no, it's the downpipe

00:17:24It'll fix in a couple of days, man.

00:17:26You can take it home tomorrow.

00:17:27And I'll stop by in the afternoon.

00:17:29In case the woman needs anything

00:17:30No, no, it won't be possible

00:17:31As?

00:17:32Because?

00:17:32Well, Santiago is growing his teeth.

00:17:34And the woman won't be able to sleep.

00:17:35That's true

00:17:36And also, he has another son

00:17:38That is also true

00:17:40No, no, but our house can't be

00:17:42Because there are many of us.

00:17:43There are many of us.

00:17:44Also, if the woman is coming for a couple of days

00:17:46She'll be more comfortable in a hotel

00:17:48And why don't Raúl and Fiti go to a hotel?

00:17:50They'll be much more comfortable too, huh?

00:17:52Well, mostly because they're at home

00:17:53Ah, yes

00:17:55In other words, it's your family's home.

00:17:56This isn't your house, is it?

00:17:58No, no, no

00:17:59Don't misunderstand me, I didn't mean that.

00:18:02I didn't say that.

00:18:03Sorry?

00:18:03Did you say it or not?

00:18:05Because...

00:18:05Yes, yes, yes

00:18:05Did you say it?

00:18:06Man, not with those words.

00:18:07But you did say it.

00:18:08Well, I didn't want to say it.

00:18:09I didn't mean that

00:18:10What I meant was that my Fiti isn't the same as your mother.

00:18:12Ooh!

00:18:13But how can it not be the same?

00:18:14But let's see, let's see

00:18:15No, I know where you're going with this.

00:18:16So, I have to put up with your family?

00:18:18And you don't like mine

00:18:19Is that it?

00:18:20Let's see, Perlica

00:18:21That's not the case.

00:18:22The family isn't meant for these things.

00:18:24What was it like?

00:18:25In sickness and in health

00:18:26In wealth and in poverty

00:18:27But of course, we're not talking about downpipes.

00:18:29Well, no, right?

00:18:30Let's see

00:18:31Let's see

00:18:32Let's see

00:18:32If your mother has to come home

00:18:34I'd be delighted.

00:18:35But of course...

00:18:36But that goes without saying.

00:18:37My mother is going to a hotel

00:18:38Please give it to me.

00:18:39I'm going to get it right now.

00:18:41And I bring her home

00:18:42That?

00:18:42Of course!

00:18:43My mother like a dog in a hotel

00:18:44That man

00:18:46Attend

00:18:46Pay attention to how it has become

00:18:49No, and the fucked up thing is, he's right.

00:18:50Yeah

00:18:51Yes, she does have it.

00:18:52Don't make a big deal out of it, Santi, okay?

00:18:55But she does have one, Choni.

00:18:56Yes, she does have it.

00:18:58Fuck

00:19:00Here, go

00:19:01To relieve your heartburn

00:19:03Are we already atomizing or what?

00:19:04Dude, like a brain tributary, I'm going

00:19:13Marcos

00:19:14Marcos, son, tell me

00:19:16Okay, Dad.

00:19:17Guille

00:19:18He's coming back tomorrow.

00:19:19I've convinced him

00:19:21Oh really

00:19:22But...

00:19:22Really, son

00:19:23You're a pro

00:19:24What am I saying?

00:19:24An axe

00:19:24You are a guardian angel

00:19:25An angel...

00:19:26Guille is back

00:19:26Guille is coming home

00:19:27Yes, yes

00:19:29Wait

00:19:30Hey, one thing

00:19:31That's the good news.

00:19:33Tell me the bad news

00:19:34Because there's bound to be a bad one

00:19:35No

00:19:36No, there's no news.

00:19:37Bad

00:19:37Well, yes

00:19:37I will accompany her

00:19:39You're one of a kind.

00:19:40Really

00:19:40You bring me so much joy

00:19:41Hey, one thing

00:19:42Eva and the girl are coming

00:19:43No, Dad

00:19:44I'm going alone

00:19:45I'm going alone

00:19:45Yes, yes

00:19:46And return

00:19:47That...

00:19:47Okay, I'll leave you now, alright?

00:19:48That costs money

00:19:50Wait

00:19:50What have I always told you?

00:19:51That already took me out

00:19:52From what's reversed, damn it

00:19:53Dad

00:19:55Hey, one little thing

00:19:56Have a little patience with him, okay?

00:19:58I'm going to be patient.

00:19:59Don't worry

00:20:00I'm going to be a saint, son.

00:20:01The holy Job

00:20:02Come on, a big kiss

00:20:03See you tomorrow

00:20:03See you later

00:20:06I know he's coming, Guille.

00:20:07I've already said it.

00:20:08Damn, God is tough.

00:20:09But it doesn't drown

00:20:09Of course I said it

00:20:10What is it, damn it

00:20:14Hello hello

00:20:14That?

00:20:15No, I found out

00:20:16About Guille

00:20:17And I wanted to know how you were.

00:20:18Uh, uh

00:20:19Okay, fine, good

00:20:20Nothing, now...

00:20:21Everything is now sub-subbed

00:20:22All subdued

00:20:23Yeah

00:20:24Come on, tomorrow

00:20:25At the latest by tomorrow's pass

00:20:26You have it at school

00:20:28Don't take the car

00:20:29Just in case

00:20:29Well, I'm very happy about that.

00:20:31That he returns

00:20:32Thank you so much

00:20:33Do you know that I once

00:20:34Did I run away from home too?

00:20:35Oh, really?

00:20:35Don't tell me

00:20:36I'm going for another beer

00:20:37Wait, Fiti

00:20:38If you don't mind

00:20:39Bring me one

00:20:40I've missed the opportunity.

00:20:41From chamomile

00:20:41With joy

00:20:42And all that

00:20:42Fuck

00:20:42And do you want one to celebrate?

00:20:45About...

00:20:46Oh ok

00:20:46If it's for a celebration, of course.

00:20:48Two beers

00:20:49The day of cooking

00:20:49You're welcome, thanks.

00:20:51Speaking of that

00:20:52Running away from home

00:20:52I'm thinking about it.

00:20:53If I had escaped

00:20:54Sometimes from home

00:20:55In other words, on the way back

00:20:56My father has surely given it to him

00:20:57My bed to Faust

00:20:58Look

00:20:58Splendor

00:20:59And my brother's pig

00:21:10I'm running.

00:21:11Okay, thanks too.

00:21:16Hello, family

00:21:20Does anyone want a croissant from France?

00:21:22Frame!

00:21:23Oh, child, you've returned.

00:21:26You gave us quite a scare, daughter!

00:21:28Thank God

00:21:29Give me your arm

00:21:30She

00:21:33I don't know if I should give you a hug

00:21:35Or give you an affected one

00:21:37Well, the first option is better.

00:21:40Better, yes

00:21:45Well

00:21:46Well, now

00:21:47We are all here

00:21:48Let's have breakfast

00:21:48Come on, yes

00:21:49Come on

00:21:49Come on, a little ball

00:21:52Frankly, Guillermo

00:21:52Don't make me come

00:21:54Because I thought you were leaving forever.

00:21:55What a silly thing to say, right?

00:22:02What's happening?

00:22:03Is something wrong?

00:22:05Okay, Dad

00:22:06That...

00:22:07I have something to tell you.

00:22:09I've simply come to collect my things.

00:22:11After that, I'm going to live in Toulouse with Marcos.

00:22:13What did you say?

00:22:14She's going to live in Toulouse with Marcos.

00:22:15Audience, I've already heard it

00:22:18Let's see, Guillermo

00:22:19Yes, yes, Dad.

00:22:20And well

00:22:20That the truth

00:22:21He came to do the school's paperwork.

00:22:22And then I'll go see you all

00:22:24Okay, let's see.

00:22:25Let's see, Guillermo

00:22:27That can't be.

00:22:28I mean, think about it because that can't be.

00:22:29Or don't you understand that it can't be?

00:22:30I've thought it through.

00:22:31And look, I have the ticket

00:22:31I'm leaving tomorrow, okay?

00:22:32I'm going upstairs to put my things away.

00:22:41There was no bad news, was there?

00:22:47Guillermo

00:22:50Which son?

00:22:51How's it going in France and all that?

00:22:54Have you met any people?

00:22:55Well, very good

00:22:56Thank you so much, Dad.

00:22:57I'm leaving anyway, okay?

00:23:01Hey, why don't we talk about it?

00:23:02Because it might be silly.

00:23:04Why do you want to leave?

00:23:08It's already...

00:23:08Maybe that's why...

00:23:11What you saw, right?

00:23:11What did you think...

00:23:16Because of Celia

00:23:18Celia?

00:23:20Then...

00:23:20I'll tell you later, Marcos

00:23:22That's why, right?

00:23:23But no, man, no, Dad

00:23:24That has nothing to do with it, Dad.

00:23:25What I'm trying to say is that you got the wrong impression.

00:23:27So, between Celia and me, there's nothing.

00:23:28Nothing

00:23:31As?

00:23:31Let's see, Dad

00:23:32Honestly, I don't care.

00:23:33Whatever is between Celia and you

00:23:34That seems great to me.

00:23:36Oh, really?

00:23:37Yeah

00:23:38So, kid, forgive me for saying this.

00:23:39Because I don't understand anything

00:23:40And I'm left much more worried.

00:23:41Okay, Guille, listen to me

00:23:42Listen to me, what have you done?

00:23:43And let me tell you something else.

00:23:44In this life, everything can be fixed.

00:23:45But what have you done?

00:23:46Let's see, Dad, please

00:23:47That I haven't done anything

00:23:47I haven't gotten any girl pregnant

00:23:49I haven't gotten into any trouble.

00:23:50I simply need to leave

00:23:51I can't take it anymore.

00:23:52But what do you mean you can't take it anymore?

00:23:53He's telling me I can't take it anymore.

00:23:53But what are we?

00:23:54Is this in a Camilo song?

00:23:55So, what's wrong with you?

00:23:56Dad, nothing's wrong with me.

00:23:58I mean, I simply have to leave

00:24:00That's it, this is getting too small for me

00:24:01Is it getting too small for you?

00:24:02This? What?

00:24:03But small?

00:24:04But what are you saying when you were little?

00:24:05Don't you realize that the little one is your companion?

00:24:06But, Dad, I don't care if you don't understand.

00:24:07I'm leaving tomorrow anyway.

00:24:08Well, no

00:24:08Oh, you're leaving tomorrow anyway.

00:24:09Well, let me tell you something

00:24:10First, you're not leaving tomorrow

00:24:11Because I'm doing stupid things

00:24:12And second, you're not leaving tomorrow

00:24:13Because I'm keeping the ticket, okay?

00:24:14Dad, give me the ticket

00:24:15I'm not going to give you the ticket, that's all.

00:24:16It's over.

00:24:16Guille

00:24:18Look, you know what?

00:24:19We'll see if it's with or without a ticket.

00:24:20Should I leave or not?

00:24:21Okay, very good.

00:24:24Fuck

00:24:26I'll shit on everything

00:24:32Let's see

00:24:33Do you know what's going on?

00:24:34Do you know something?

00:24:38But why do the fans of the chacoyo have to leave home?

00:24:40Give it time

00:24:41But how much time can I give him?

00:24:42He's leaving tomorrow!

00:24:48And one thing

00:24:49The Celia theme

00:24:50That?

00:24:51That?

00:24:51Are you going to put that lid on or what?

00:24:53This lid!

00:24:53And what lid, man?

00:24:54The lid is a nice touch.

00:24:55Besides, you never get tips

00:24:56That?

00:24:57Infoy?

00:24:58Since you're back

00:24:58What are your life plans?

00:25:00If you have one, of course.

00:25:01Why don't you find yourself?

00:25:02Dad, dad

00:25:03Don't worry

00:25:03So, I just arrived

00:25:05Know?

00:25:05In other words, we're going to lay the groundwork.

00:25:07And then we built

00:25:08Know?

00:25:09My old lady

00:25:09With the foundations and the constructions

00:25:11Damn it...

00:25:12But let's see

00:25:12I remind you that we do not contribute at home

00:25:15Hey?

00:25:15That we do not contribute

00:25:16Hey?

00:25:16And money is needed.

00:25:17Who do you think you are?

00:25:18That I don't want to

00:25:18I don't want to, Dad.

00:25:19Of course I want it, I really want it

00:25:20I don't want to be standing still

00:25:21You understand?

00:25:22In other words, I want movement.

00:25:23Fuck

00:25:23If they call me

00:25:24I'll take it

00:25:25Four, four, four, four, three, twelve

00:25:26Come on

00:25:31Damn, Santi

00:25:32Hey?

00:25:33What a mess you're in, huh?

00:25:34You can't keep up

00:25:35Have you seen Cusico around here?

00:25:36No

00:25:37And to Diego

00:25:38Even less so

00:25:39When it's not work

00:25:40It's Guille

00:25:40And when it's not a, it's a corda

00:25:42The thing is, I'm always alone.

00:25:43And on top of that, you're telling us it's taking so long.

00:25:45I mean

00:25:46That a couple more hands

00:25:47They'd be perfect for you, wouldn't they?

00:25:50Dad, I'm coming to you

00:25:51Well, here they are.

00:25:52With both hands

00:25:53Come on, don't mess with me

00:25:54Don't mess with me

00:25:55Let's see

00:25:56You're not looking for someone

00:25:57Well, my son is looking for a job

00:25:58Fuck

00:25:58And also, just the way you like it

00:25:59Without any contract

00:26:00Hey?

00:26:01Hey?

00:26:02Damn, congratulations!

00:26:04Congratulations, kid!

00:26:05Fuck

00:26:05That little thing you wanted

00:26:06While you were looking for something better

00:26:07Well, nothing.

00:26:08Here it is, in the tavern.

00:26:10But you're my father.

00:26:11Because they took my ticket

00:26:11I'm going to stay here

00:26:12No, well for now you're staying here, buddy

00:26:14Your old man knows how to store merchandise well.

00:26:15Okay, grandma

00:26:16Look, you know what I'm saying.

00:26:17I just don't care.

00:26:17Even if I have to hitchhike

00:26:18And even if I have to go on one leg

00:26:19I don't care

00:26:19I'm going to leave here

00:26:20No

00:26:21I don't intend to give him back the ticket.

00:26:23And that's it.

00:26:24Dad, you should

00:26:25Because he bought them with his savings

00:26:26But what savings?

00:26:27Marco, what are you saying about savings?

00:26:28I'll give him all the money he has.

00:26:29What savings?

00:26:30But do you think that by taking away his ticket

00:26:32Is he going to stop leaving?

00:26:33Well, I don't know.

00:26:34Don't know

00:26:34But what if you don't have the ticket?

00:26:35Well, until I get another one

00:26:36You can't go

00:26:37And what if I don't pay him?

00:26:38Well, he has no savings.

00:26:39And if you have no savings

00:26:39Well, you can't go

00:26:40And that's it, and the ticket isn't bought.

00:26:41And that's it.

00:26:42And that's it.

00:26:42Yes, you can keep it for a month

00:26:44But in the end, he will leave.

00:26:46And the hard way, Dad.

00:26:47And it's going to get worse.

00:26:48It's not that prohibiting is inciting.

00:26:50It's encouraging her to leave.

00:26:51No, no, no, no

00:26:52Okay, let's clear this up.

00:26:53Not prohibiting is not inciting

00:26:54If it is

00:26:55No, no, prohibiting is prohibiting.

00:26:56The word itself says so.

00:26:57But you know Guille

00:26:58So, you shake Guille's hand.

00:26:59And he grabs his arm

00:27:00What do I mean, my arm?

00:27:01He grabs both arms

00:27:02For God's sake

00:27:07Okay

00:27:07Very good

00:27:08Well, I don't forbid it

00:27:09Well, I don't forbid it

00:27:11But wait, what do I do?

00:27:12Tell me

00:27:12Because no, no

00:27:13You don't think I'm going to leave, do you?

00:27:14That my 16-year-old son

00:27:15Go peacefully to Toulouse

00:27:16Without me protesting

00:27:17That's not it.

00:27:17No, Dad, I went to London

00:27:18And I returned

00:27:20Give it some time

00:27:21That he will come to his senses

00:27:22But how can I give him time, Marcos?

00:27:24Just a reminder that he's leaving tomorrow.

00:27:25He's leaving for Toulouse tomorrow.

00:27:26Tomorrow

00:27:26Okay, Diego

00:27:27Let's take it one step at a time, okay?

00:27:29If you want to prevent it from leaving

00:27:31The first thing you have to do

00:27:32It's about finding out why they want to leave.

00:27:34But how am I going to find out?

00:27:36In other words, to find out

00:27:36I'm explaining it to you.

00:27:37So, Guille is closed

00:27:38Like an oyster

00:27:39In other words, inside

00:27:40Inside

00:27:41I thought it had been

00:27:42Because of Celia, right?

00:27:43But not

00:27:44Oh, and it wasn't

00:27:44It wasn't

00:27:46What I was telling you

00:27:47Hey, excuse me

00:27:48Excuse me, Fermín

00:27:48And I'm sorry to say it like this.

00:27:49I mean, but don't change the subject.

00:27:51What I'm asking you

00:27:52Tell me

00:27:52What the heck do I do with Guille?

00:27:53I don't know what to do

00:27:54I just can't deal with him

00:27:55I'm asking you please

00:27:56Explain it to me.

00:27:57And however you want me to know

00:27:57You are the father, Diego

00:28:00You're not giving me any solutions, Fermín.

00:28:01You're not giving me any solutions today.

00:28:02Look, Diego

00:28:04That's all I can tell you

00:28:05It doesn't help at all.

00:28:05To bring calm

00:28:07So think, relax

00:28:09Count to 100

00:28:10If required

00:28:10What do you mean, up to 100?

00:28:11Up to 1000 even

00:28:13No, no, sorry

00:28:15It's that I've

00:28:16The custom

00:28:18I'm fed up

00:28:19So much psychology

00:28:20And so much milk

00:28:20The problem of history

00:28:21It's just that when kids grow up

00:28:22And they reach adolescence

00:28:23Nobody there knows anything

00:28:24That's the problem

00:28:34Hi, Diego

00:28:35How are you?

00:28:37Well, look

00:28:38Frankly, just okay

00:28:39So that he sees you cheating.

00:28:40Ah, look

00:28:41Marcos, my eldest son

00:28:42Celia

00:28:43Hi how are things?

00:28:44This one too

00:28:45The game was played in Toulouse

00:28:47A while ago

00:28:47Nice to meet you

00:28:48Likewise

00:28:50Delighted

00:28:50Yes, yes, very good

00:28:51Marcos?

00:28:53Oh, Maria Afri!

00:28:54What a surprise!

00:28:55How are you?

00:28:56Very good

00:28:57Hey, Diego

00:28:57What looks

00:28:57I spoke with Guille

00:28:59Just in case

00:29:00It had bothered him

00:29:01The other day

00:29:01I know.

00:29:02I've spoken to him too.

00:29:04AND...

00:29:04No, it hasn't bothered him

00:29:05I mean

00:29:05That he hasn't gone away

00:29:06From what he saw

00:29:08But...

00:29:09That this...

00:29:11That doesn't change anything.

00:29:14Already

00:29:15Let's see

00:29:16Let me try to explain.

00:29:18You...

00:29:19You...

00:29:19So, it's not because of you.

00:29:20You are a wonderful woman.

00:29:21It's because of me

00:29:22Which is a whole

00:29:23In other words, a whole

00:29:23That I...

00:29:24That I don't have a body

00:29:25I'm...

00:29:26But, Diego

00:29:26You don't have to make excuses either.

00:29:28No no

00:29:29No, no, no

00:29:29If they're not excuses

00:29:31Is...

00:29:31What I want to tell you

00:29:32Well, if...

00:29:33If I had met you sooner

00:29:34That also...

00:29:36No, not before either.

00:29:37Or later

00:29:39Well...

00:29:40But now I think

00:29:42It's not the right time.

00:29:42That's all

00:29:43Don't worry

00:29:44Don't worry

00:29:44Yeah...

00:29:45I understand

00:29:45No problem

00:29:47Marcos

00:29:47This is the famous Celia

00:29:49Oh, yes, she's famous.

00:29:51Have they told you yet?

00:29:52No no

00:29:53Don't mess with Celia, okay?

00:29:54Yeah

00:29:55She's a very good actress

00:29:58As?

00:29:59Take

00:30:03Well, I am

00:30:05Enjoy!

00:30:06Enjoy!

00:30:07Wait, kid

00:30:08That the table must be blessed

00:30:12Bless us, Lord

00:30:12And bless these foods

00:30:14That through your kindness

00:30:15We're going to take

00:30:16Well

00:30:17And we thank you

00:30:19For your gifts

00:30:21Amen

00:30:24Amen

00:30:25Amen

00:30:26Amen

00:30:28Amen

00:30:28Adela, it's just that here

00:30:29Neither did our family

00:30:31We have never been

00:30:32To bless

00:30:33No, if anything

00:30:34It's Christmas

00:30:34Christmas, yes

00:30:36Clear

00:30:36And so

00:30:38Have you been?

00:30:43That's lovely

00:30:44This is delicious!

00:30:44Sound

00:30:45It's really good.

00:30:46Very good

00:30:48But Josélito, son

00:30:49If you don't like vegetables

00:30:51Come on

00:30:52You've never eaten them in your life

00:30:53Well, you can eat them here.

00:30:54You really do eat them.

00:30:56Okay, that's what my child likes

00:31:00What a change she's made to the house!

00:31:01To my mom

00:31:03Yeah

00:31:03You didn't have to go to the trouble

00:31:06Who has come here as a guest

00:31:08Not a maid

00:31:09I've changed the number four a little, daughter

00:31:12Because of course

00:31:13I feel four in the house

00:31:16I'm going to heat up the second course a little.

00:31:19Yes, that's it.

00:31:19The first one turned out a little cold.

00:31:21Mother

00:31:23Mother

00:31:23Joselito

00:31:24There are microwaves.

00:31:26My child likes his food very hot.

00:31:28Well

00:31:31Well, I think that

00:31:32That in Madrid he wanted to date Cacá

00:31:34Well

00:31:34Those things aren't discussed at the dinner table.

00:31:37Easel

00:31:38Is it rude?

00:31:39No

00:31:39We are eating

00:31:44Let's see

00:31:45What I'm getting at is this

00:31:46Be careful, because I

00:31:47Well

00:31:47Let's see, let's see

00:31:49Wow, let's see how this food is.

00:31:50I'm going to try a little bit

00:31:51I know this isn't done.

00:31:52But I'm going to try it a little bit first.

00:31:55How are you?

00:31:56Well

00:31:59Congratulations Carmen

00:31:59Come on

00:32:00Excellent

00:32:01What a real cook

00:32:01No, I didn't cook today.

00:32:03Hey?

00:32:04Ah

00:32:04That?

00:32:05No, no, don't look at me

00:32:06Okay, Dad.

00:32:07It was me who asked how I was going to become independent.

00:32:08Well, I need to practice a little.

00:32:09No?

00:32:11Okay, Guille

00:32:12Listen to me

00:32:13And let's talk seriously

00:32:14It's clear there's a problem here.

00:32:16I don't know exactly what it is.

00:32:18But I'm sure I'm largely to blame for it.

00:32:19That goes one way

00:32:20But Dad

00:32:20That you are not to blame.

00:32:21Yes, I am guilty.

00:32:22Yes, but I'll also tell you something else.

00:32:23I also have very good intentions.

00:32:25And with goodwill

00:32:26Things will work out

00:32:27Perhaps you have some needs

00:32:29That I have not been able to see

00:32:30Pay, for example

00:32:31Okay, but what if you don't agree with the pay?

00:32:33Hey, so we negotiated the pay.

00:32:34And Dad, what, does that have nothing to do with pay?

00:32:35Do you want macaroni?

00:32:36No, macaroni won't do.

00:32:37No, leave it.

00:32:40Well, you tell me, Guille, son

00:32:41Because

00:32:42If you explain it to me

00:32:43I know I'm doing something wrong.

00:32:45But if you don't tell me

00:32:46But if you explain it to me

00:32:47I correct myself

00:32:49Maybe it's because I've always been too attentive to you

00:32:50And I've overwhelmed you

00:32:51I haven't let you live.

00:32:52Is that it?

00:32:53That's not it either.

00:32:55And the schedules?

00:32:55Okay, if you want we can also talk about the schedules

00:32:57What time do you want to be home?

00:32:58Okay, just tell me and that's it

00:32:59Dad, not anywhere because I'm not going to live here

00:33:01The truth is that it has nothing to do with pay.

00:33:03Neither with the schedules, nor anything else

00:33:05It's not your fault

00:33:05Guille, son, well then

00:33:07You'll have to put something in.

00:33:08Because your father is putting everything into it.

00:33:09You have to give her an explanation, don't you?

00:33:1210, 11, 12, 13, 14, 15

00:33:16Okay, we're leaving, alright?

00:33:19Sorry

00:33:2010, 18, 19, 20, 21, 22, 23, 24, 25, 26, 27

00:33:27Dad, I'm leaving

00:33:31Look, because I've already told you before.

00:33:34Because this is getting too small for me

00:33:35And well, I need to expand.

00:33:37That's it

00:33:3931, 32, 32

00:33:40Hey, Dad, Marcos went to London and nothing happened

00:33:42Nobody said anything to him

00:33:43Hey, not that way, okay?

00:33:44Not that way

00:33:45Don't drag me into this mess

00:33:4734, 35, 36

00:33:49Did you hear that, Carmen?

00:33:50Did you hear what he said?

00:33:51Did he say that this place is too small for him and he needs to expand?

00:33:53You heard that perfectly well too

00:33:54Well, with all due respect to the whole teenage thing, Guille

00:33:56That's bullshit.

00:33:57Well, look, Dad

00:33:58I'm sorry because I plan to leave tomorrow.

00:33:59I don't care if it's with tickets, by bus, or on foot.

00:34:01Walking

00:34:01You're going to leave on foot because I'm taking your money now and burning it.

00:34:04I eat it and burn it

00:34:11I'm sorry, Carmen, I'm sorry

00:34:13I'm losing my patience.

00:34:16I know I'm doing it wrong

00:34:17But they're not doing their best, damn it.

00:34:18No

00:34:20No, Diego, son, no

00:34:21You did very well

00:34:28Go ahead, go ahead

00:34:29The thing is...

00:34:31And forget about watching football on TV

00:34:33You can only see it on TV

00:34:35Look who's dancing

00:34:36And as long as the dancers wear tapas

00:34:38And brush your teeth before you go home, okay?

00:34:41That woman has a breathalyzer in her nose

00:34:43More perfect than that of civil abortion

00:34:45Damn, what a pair

00:34:46Let's see

00:34:47You're depressing me

00:34:48Let's see

00:34:50I live there

00:34:51Working without a contract

00:34:54Living with the Rottenmeyer

00:34:56I was having such a good time in the Canary Islands, man.

00:34:58Who sent me?

00:34:59Making that decision to...

00:35:04Pussy

00:35:05The neighborhood hasn't been put up

00:35:08Hello

00:35:10How are you?

00:35:11Very good

00:35:11Hello

00:35:12What can I do for you, Morena?

00:35:14Well, for now, one straw is enough.

00:35:17Well, here's a beer.

00:35:18Of course

00:35:19Where do I know?

00:35:21Are you new to the neighborhood?

00:35:23Well...

00:35:24More or less

00:35:25Yeah?

00:35:26Well, nothing.

00:35:28Welcome

00:35:28Thank you

00:35:29I do it every day at 8

00:35:30No

00:35:31If you ever feel like it

00:35:32I can show you the secrets of the neighborhood.

00:35:34Its corners

00:35:35Its romantic spots

00:35:36It's mostly so you don't get lost.

00:35:39Hey, hey, Raúl

00:35:40Raúl

00:35:41Leave, leave, leave

00:35:42Let me tell you, the boy is very nice.

00:35:45So...

00:35:47Your name is mostly Raúl

00:35:49Raúl Martínez

00:35:50At your service

00:35:51Ana Blanco

00:35:52So that you can be of service to me

00:35:56Clear

00:35:57No...

00:35:59Of course not, yes, yes

00:36:01My dad told me you were around here

00:36:03Sure, sure

00:36:04Aunt Ana

00:36:05How are you?

00:36:06Very good

00:36:07Very good

00:36:08You don't think anything of it, Mom, huh?

00:36:10Well, you're a bit like your father.

00:36:11But?

00:36:12Yeah

00:36:13But, Raúl

00:36:16Aunt Ana

00:36:18But whenever you want

00:36:20You'll teach me the secrets of the neighborhood

00:36:24And its romantic spots

00:36:26Sure, I caught you a while ago

00:36:28Yeah

00:36:30That...

00:36:30Okay, okay, whenever you want

00:36:32Yes, yes

00:36:33That...

00:36:33Yeah!

00:36:34Ah, yes

00:36:35Well, I'm a bit fed up

00:36:36Let's see if...

00:36:38Okay

00:36:38Whenever you want

00:36:39Yeah

00:36:40Come on, hey, put a lid on my aunt, man.

00:36:42That's not...

00:36:42That doesn't just go in on its own.

00:36:44Come on

00:36:47Fuck

00:36:48How can you be so silly?

00:36:50I can't help it

00:36:51The mother...

00:36:54Here, Fer, a package for you

00:36:55Very good

00:36:55Well, then the lady tells me

00:36:57That I have abandoned my husband

00:36:58Because I work outside the home.

00:36:59He must have thought

00:37:00That four mouths live like this

00:37:02From the air

00:37:02But just ignore her, Choni.

00:37:05He's going to screw things up just for the sake of it.

00:37:06Like all mothers-in-law

00:37:07I know, Afri

00:37:08Yes I know

00:37:10But what are we going to do?

00:37:11It's the least I owe my son, kid.

00:37:13It's better to get along than not, right?

00:37:14And what do you think, I don't try?

00:37:15Shouldn't I try?

00:37:17I will stop understanding it

00:37:18That his mother, hears

00:37:19And he's already done quite a bit of military service, huh?

00:37:22With my fitness partner and my Raúl at home

00:37:24So nothing

00:37:24I have to suck it up

00:37:25Well, I'll just have to deal with it.

00:37:26That's the spirit, Choni

00:37:27Besides, it's going to be two days, right?

00:37:29Yes, but what a couple of days

00:37:31What a two days!

00:37:31The lady has arrived.

00:37:32Putting on the Christ

00:37:33What a mess!

00:37:34What are you talking about?

00:37:35Of Christ?

00:37:36Well

00:37:37That Christ figure has immeasurable value.

00:37:40Blessed by John XXIII

00:37:42Tell them, Choni

00:37:42Tell them

00:37:43That's what I was telling you.

00:37:45A family jewel

00:37:46I have it there.

00:37:50Dude, I'm looking at her straight on.

00:37:51From the side and from all sides

00:37:53And they don't look alike at all, Mom.

00:37:54They took aim before firing.

00:37:56Pink Floyd

00:37:57At three in the morning

00:37:59Two hundred kilometers from Madrid

00:38:00Dressed like a Playboy Playmate with her little daughter

00:38:02So, imagine the return trip with my father

00:38:04I remember it perfectly.

00:38:05I mean, I remember what your father was like.

00:38:06Wow, your father was quite a character.

00:38:07And one thing

00:38:08And why do you do such crazy things?

00:38:10Because I was a teenager

00:38:12So stop dwelling so much on Guille, okay?

00:38:14Yes, yes.

00:38:16Look, do you know what you're going to do tonight?

00:38:18Well no

00:38:18Are you going to have a drink with me?

00:38:20No, no, no, no, no, no, no

00:38:22Tonight I want to be home by Siguillo

00:38:24So, what I'm going to tell you

00:38:24Hey Diego, you have the tickets, right?

00:38:26Well, you can't go anywhere.

00:38:28Hey, going out will do you good.

00:38:30The more you obsess, the worse it gets.

00:38:31Look, yes

00:38:32That tonight at ten

00:38:33In that open Arab restaurant

00:38:36I know which ones, but no, no

00:38:38Yes

00:38:38Look, I'll treat you to dinner.

00:38:39And you're buying me a drink

00:38:40Ann

00:38:42Hello, Fiti

00:38:42You don't greet me anymore

00:38:43No, well, you were there messing around and stuff.

00:38:45Hello

00:38:45Okay, well, hello

00:38:47Hello hello

00:38:48See you later, Ana

00:38:54That?

00:38:55Uh, fuck

00:38:56How are we doing, huh?

00:38:58Hey, Dieguito?

00:38:59How are we?

00:39:01Well, we are where we are.

00:39:02Or it wasn't what it was

00:39:04Fiti, I don't know what you're saying

00:39:06But come on, it wasn't

00:39:07It was, it was, brother

00:39:09And with the little donkey

00:39:10So you'll end up being my uncle, Diego.

00:39:13Another one, another one, funny

00:39:14Hey, do me a favor, Raúl, shut up

00:39:15He has a lot to keep quiet about.

00:39:16To that store in that area, do me a favor

00:39:18Come on

00:39:18Are you understanding?

00:39:19I mean, listen, listen to that

00:39:21Damn, Ana saw me looking worried

00:39:22Because he has been worried

00:39:23And, well, he wants me to get some fresh air.

00:39:24In other words, normal.

00:39:25In other words, a friend is worried about a friend.

00:39:26This is so

00:39:27Friend

00:39:28The friend arrives

00:39:29You say

00:39:30No, no, no

00:39:30It's an older tactic.

00:39:32What else do you know?

00:39:32And give it to the lathe, parrot.

00:39:33Damn, she's a friend

00:39:34What have I told you?

00:39:35A friend is Celia

00:39:36Hey?

00:39:37And it seemed good, too.

00:39:38And you're giving Celia the cold shoulder.

00:39:40And to my sister-in-law

00:39:40The gauze

00:39:41That's not fair

00:39:44Let's see

00:39:44I mean, you just don't understand.

00:39:45I'm not up for that.

00:39:47In other words, I'm not even up for Celia

00:39:48Not even for Ana

00:39:48Not even for Aba Garner

00:39:49Who is presenting himself here right now

00:39:50Already

00:39:52Already

00:39:54Already?

00:39:56You're going to see it as

00:39:57No, no, no

00:39:57I'm not up for anything

00:39:58You're going to see it

00:39:59What are you doing?

00:40:00What are you doing?

00:40:01You'll see

00:40:02Staying still

00:40:05Ann

00:40:08Voicemail

00:40:09Ana, Ana

00:40:11Listen to me

00:40:11That's me, I'm Diego

00:40:12Sorry

00:40:13But I want to cancel the appointment

00:40:14What have we done for tonight?

00:40:15Be quiet

00:40:15For tonight at the restaurant

00:40:18Currito

00:40:18He wants me to lend him a hand

00:40:20With math and all that

00:40:22Come on

00:40:22And sorry, okay?

00:40:24A kiss, I'm sorry

00:40:31That wasn't it either, damn it.

00:40:32That your brother

00:40:33There is no middle ground.

00:40:35So what happens now?

00:40:36Back in the spiral.

00:40:37Of mourning and seclusion

00:40:40Damn, that's not the way

00:40:41Seclusion is not the way

00:40:43Well, look, let me tell you something

00:40:44Where there are daisies

00:40:45There is no confinement

00:40:47As?

00:40:49Wait

00:40:50The daisy of Santa Justa?

00:40:52Yeah

00:40:52Can I have a margarita, please?

00:40:54Oh, hello, Margarita

00:40:55That he wanted to put him in charge

00:40:57From a home delivery

00:41:00Hey

00:41:02I haven't been able to see you

00:41:03Not even a little bit alone

00:41:05How's it in your light?

00:41:06Okay, okay

00:41:06Good

00:41:08In the end we couldn't talk

00:41:10Why did you leave?

00:41:13No, it's nothing.

00:41:14No reason

00:41:14And that's it.

00:41:15And I say if you need to talk

00:41:17Tell me.

00:41:17No, no

00:41:18Really

00:41:18I'm going to get cold

00:41:19Thank you

00:41:23Damn, dude

00:41:24I'm going into third grade

00:41:25I just made you

00:41:26Very light

00:41:27At 16 years old

00:41:28You say you're going home

00:41:29You'll have to explain something.

00:41:30No?

00:41:31Do you hear it?

00:41:33Guille

00:41:35Sit down

00:41:39This is not what we agreed on.

00:41:41You were supposed to come here

00:41:42And you explained what was happening

00:41:45So

00:41:46You will have to tell the truth

00:41:47At least to Dad

00:41:48But no, man, Marcos

00:41:49Please

00:41:49Which is the truth

00:41:50No way

00:41:50Can't you see I'm going crazy for him, man?

00:41:52Wondering

00:41:52What have they done wrong?

00:41:54But I already know that.

00:41:55It hurts me just like it hurts you

00:41:56Or more

00:41:58But I can't tell him

00:41:59That's the reason why I want to leave here

00:42:00It's because I'm still in love with Tete

00:42:01Up to the gills

00:42:02But why not?

00:42:03Because I would send it to Marcelo

00:42:06No, Marcos

00:42:07No

00:42:07I know that if I tell Dad

00:42:08I just can't live

00:42:09With Tete in the same house

00:42:10Well, I know she's going to choose me.

00:42:11Well, that's normal.

00:42:12You are his son

00:42:13Yes, but Tete has already been through quite a lot this year.

00:42:17Yes, but if you keep saying

00:42:18You need to expand

00:42:20And that's it, for God's sake.

00:42:22Well

00:42:23So you're the one who's into family, right?

00:42:24Come on, make something up.

00:42:25No, no, you're in trouble, huh?

00:42:28And let me tell you one thing, man.

00:42:30If you come live with me

00:42:33Order

00:42:33I am organized, that's what I do best

00:42:35Yes, very organized

00:42:39Hello, Afri

00:42:39Hello

00:42:42Oh, who left it for you?

00:42:46Do you have a mobile phone charger?

00:42:48Uh, no, what's up with that?

00:42:50My phone has died

00:42:51Hey, what if I buy you a drink and get you drunk?

00:42:53Let's see if you touch my salary

00:42:55Hey?

00:42:55Can't

00:42:56I have plans

00:42:57Oh, you have plans?

00:42:59With who?

00:43:00With Diego

00:43:02Wow, you're amazing!

00:43:03Oh no!

00:43:04That has nothing to do with that

00:43:06No

00:43:06The poor man is unwell.

00:43:08And it needs to be aired out.

00:43:09Ah, well, well

00:43:10If it needs to get some fresh air, then fine, girl.

00:43:12Air it out

00:43:14How silly!

00:43:15Yeah

00:43:16Yes, from whom?

00:43:18One moment

00:43:19Hey, Eduardo Salinas from Inmojusta

00:43:22Hello

00:43:23Yes, it's me.

00:43:28Hey?

00:43:29Excuse me, could you repeat that?

00:43:33Already

00:43:34I understand

00:43:36AND...

00:43:37I have to decide now

00:43:39I don't even have two days to think about it.

00:43:43Tomorrow at noon?

00:43:46OK

00:43:47Yes, I'll answer you tomorrow.

00:43:52Is something wrong?

00:43:54Uh, no

00:43:56No, not at all, I see.

00:43:57All you're missing are the chestnut sellers

00:44:00And?

00:44:01I've just received another offer for the school

00:44:04Well, I can't believe it.

00:44:05The game that's being played in the playground

00:44:07No, no

00:44:08No, it's not just the patio.

00:44:09They want the whole school

00:44:12They want the plot of land

00:44:14AND...

00:44:15I have to answer tomorrow

00:44:24Let's see, Marcos

00:44:25That?

00:44:26Have you finished the tavern yet?

00:44:27Yeah

00:44:27Damn, what a time, man

00:44:28I'm so jealous!

00:44:30You really liked this one, huh?

00:44:32Yeah

00:44:32Know?

00:44:33It seems unbelievable that once

00:44:34You were little, weren't you?

00:44:35And you don't mention problems.

00:44:36No, listen to me for one thing

00:44:37That...

00:44:38That a minute ago

00:44:40I walked past the fourth

00:44:41When you were talking

00:44:42Guille and you

00:44:43AND...

00:44:44You've been spying on us

00:44:45No, let's see, two things

00:44:46One, I didn't do it on purpose

00:44:47And two...

00:44:48Yes, yes

00:44:49They spied on you

00:44:50Well...

00:44:50Yeah

00:44:50No, don't give me that look.

00:44:52Please

00:44:53What was I missing, Marcos?

00:44:54No, Dad...

00:44:55Okay, then you know.

00:44:56I don't know why Guille is leaving

00:44:58Yeah

00:44:58Yes, I know.

00:45:00Look, I warned you, didn't I?

00:45:01No, but it was me who had the dirty look

00:45:04Do you know why I didn't like that Eva and you

00:45:06And what about Guille and Teté being together?

00:45:09Well, when things are going well

00:45:10It's great!

00:45:11All day together

00:45:12Here at home

00:45:13And hee hee, ha ha, ha

00:45:14But when things go wrong

00:45:15We have to see each other every day

00:45:16So what happens?

00:45:16Marcos, what's wrong?

00:45:18It's fucking awful, yeah

00:45:20Exactly

00:45:20That's fucking awful.

00:45:21And that the family nucleus erodes

00:45:23Because the core is already there...

00:45:25The core is in a terrible state, damn it

00:45:27It's enough to make your core resonate.

00:45:29But have you seen what my situation is?

00:45:31Have you seen it?

00:45:32I mean, I work, Teté, I...

00:45:34Spartacus

00:45:35In other words, the joy of the garden

00:45:38Let's see, Marcos

00:45:41Is there anything I can do to make Guille stay?

00:45:44I don't think so, Dad.

00:45:45Fuck

00:45:52Hey, hey

00:45:53Oh, shit

00:45:55Fuck

00:45:55Ramos

00:45:56It has been supported

00:45:57Missing, missing

00:45:58It has been supported

00:45:59Here it is, put it on

00:46:00Oh

00:46:01Pull, pull, pull

00:46:04Tita

00:46:05Although it has already cooled down somewhat

00:46:08Yes, then I'll exchange it.

00:46:08No way, of course not.

00:46:10No, no, daughter, no

00:46:11Don't rush.

00:46:12Go on

00:46:13If I change it at any time

00:46:14Tempt yourself here by my side

00:46:15And don't call me "ma'am".

00:46:17That sounds very cold.

00:46:19Call me mother

00:46:20Clear

00:46:22Mother

00:46:24Oh, how lucky you've been!

00:46:26Finding a woman like this

00:46:28Of the kind that are no longer left, eh

00:46:29You can say that again, mother.

00:46:30And let him say so.

00:46:32We were lucky with his son.

00:46:34It's worth absolutely nothing.

00:46:37It's worth absolutely nothing.

00:47:02Honest, hardworking

00:47:03And I'm taking the opportunity to renovate the kitchen and bathrooms.

00:47:32And I'm taking the opportunity to renovate the kitchen and bathrooms.

00:47:33Everything looks decent

00:47:35We don't mind if it changes, right?

00:47:37No, no, no, no, no

00:47:38In short, if all matches are equal

00:47:41Say yes

00:47:42I'm fed up with football

00:48:04No, forget that, forget about the storks.

00:48:21So, is this you letting me go?

00:48:24This is a banknote

00:48:25And nothing more

00:48:34But Diego, are you crazy or what?

00:48:36Are you going to let him leave?

00:48:37Yes, Tete, yes, yes

00:48:38You've already seen it, haven't you?

00:48:40It's the course of life

00:48:40The stork thing and all that

00:48:41But what storks, Diego?

00:48:42So, it's already done.

00:48:43That he's just going to leave, just like that.

00:48:45Without telling us why he's leaving

00:48:47Without telling us why

00:48:47Why is he leaving?

00:48:50Well, he already said it.

00:48:51He's leaving because

00:48:55Because this is too small for him

00:48:56It needs to expand, and that's it.

00:48:57Expand, right?

00:48:58Yeah

00:48:58Look, Diego, a year ago

00:48:59This wouldn't have happened

00:49:12López, you owe me a thousand favors

00:49:14What am I telling you?

00:49:14What is a kitchen?

00:49:15And a bathroom

00:49:16Hey?

00:49:17That they are not the works

00:49:18From the M30, damn it

00:49:19Well, you bring

00:49:20No, you bring a sheet of paper.

00:49:21And this was done in ten days.

00:49:23What do you mean it can't be?

00:49:24What do you mean it can't be?

00:49:25God!

00:49:26Don't get me riled up, okay?

00:49:27I'm sure I know what I said

00:49:28He is confused

00:49:29Yes, but we have to tell him.

00:49:30We'll tell you about contact

00:49:31Exact

00:49:32No, listen

00:49:33I am here

00:49:36Three sacks of peanuts, yes

00:49:39The departure of your mother's attention

00:49:42Okay, family

00:49:45A little bit of attention

00:49:46We wanted to tell you something.

00:49:48From Sollayo

00:49:49From Sollayo

00:49:51Hey...

00:49:52That?

00:49:53Go ahead, tell him.

00:49:54Come on

00:49:55Come on, what?

00:49:57No, well

00:49:58Well, that...

00:49:58In other words, we have thought

00:50:00And we have said

00:50:00That?

00:50:02Come on, give it a try

00:50:02That we became independent

00:50:04Yes, but...

00:50:05Hey...

00:50:06Choni...

00:50:07Choni...

00:50:08I knew this

00:50:08Listen to me for one thing

00:50:09That's how we became independent

00:50:11But we're not going to the end of the world

00:50:12So, we're staying here.

00:50:13Come on

00:50:13Shall we go to Diego's?

00:50:14It just can't be

00:50:15No, it can't be.

00:50:16You can't go

00:50:17But come on, no

00:50:18That family is the most important thing

00:50:20You said it yourself the other day here

00:50:21The family is sacred

00:50:22And I wasn't wrong.

00:50:24Of course not

00:50:24But there's no room here.

00:50:25To understand it a little bit

00:50:26You can't do it here

00:50:27There is no room

00:50:28Your mother is already of an age.

00:50:29The lady

00:50:30It's no longer possible

00:50:31No, damn it!

00:50:32No

00:50:33No way.

00:50:33That you cannot go

00:50:34And that's it.

00:50:35You stay here

00:50:36With me

00:50:37Damn, little guy

00:50:38I didn't know it was so important.

00:50:39Family for you

00:50:39Well yes

00:50:40Well yes

00:50:41Yes, it's happened to me now

00:50:41And yes, it's important.

00:50:42Why don't you pack your suitcase?

00:50:43The family

00:50:43Yeah

00:50:44What suitcase?

00:50:45Stay here, boys

00:50:46No, okay, that's it.

00:50:46That's leaving

00:50:48Understand it

00:50:48But what am I saying?

00:50:49No

00:50:49You break my heart, huh

00:50:50You break my heart

00:50:50Just so you know

00:50:51But I understand.

00:50:52Well, and what I say

00:50:53Where?

00:50:55Well, with this

00:50:56Everything is ready.

00:50:58In this house

00:50:59Nobody leaves without eating, eh

00:51:00Pizza

00:51:01You've stretched, Dad.

00:51:03Marcos, not bourgeois

00:51:05Do me a favor

00:51:05You've already thrown me away

00:51:06Enough even for your light

00:51:06I like it, Dad

00:51:08Me too

00:51:11I'll pass.

00:51:13I've lost my temper

00:51:15Tete

00:51:21I don't happen

00:51:21How are you?

00:51:22You're going on about the triples

00:51:23And that's it, huh?

00:51:24The three-pointers, good

00:51:25The thing is

00:51:25I haven't killed yet

00:51:30Well

00:51:32Can you pass me the potatoes?

00:51:42I'll be right there.

00:51:43Hello

00:51:44Morning glory

00:51:45Is Guillermo there?

00:51:46Yes, it happens.

00:51:47Guille, your friends

00:51:54Come on, let's go for a ride

00:51:55Come on, one last roll, dude

00:51:57No, not the last one.

00:51:57The last one

00:51:58The last one

00:51:59The last one

00:52:00Guille, for you

00:52:01Well

00:52:02Dude, this is my last night here

00:52:03Can't

00:52:04Come on, Guille

00:52:04Which is also our last

00:52:06Yeah, dude

00:52:07No, thanks

00:52:07But no, I can't.

00:52:08Guille

00:52:09Come on, throw

00:52:10You've still got your foot on the bed, huh?

00:52:12Come on

00:52:13Sure?

00:52:14Come on, man, go away

00:52:15Go ahead, go ahead

00:52:16Your t-shirt doesn't like to repeat itself

00:52:18Give it to him

00:52:18Okay, fine.

00:52:19Come on, guys

00:52:19Okay, I'll change and go downstairs, alright?

00:52:20Go on, go on, go on

00:52:21Come on, write it down

00:52:24Until now

00:52:26See you later

00:52:29Come on

00:52:32One second

00:52:33One second

00:52:35What's happening?

00:52:38Well, I've never told you this, but

00:52:41We love you very much

00:52:44Yes, yes, don't laugh

00:52:45That is true

00:52:45We love you very much

00:52:46And let's go

00:52:47Chony as always

00:52:48And I get more and more each day.

00:52:49We love you

00:52:50And what's more,

00:52:51We need you

00:52:53Come on, you can't leave

00:52:55If you leave

00:52:55My mother is staying put here for good reason.

00:52:57And we couldn't get rid of it even with turpentine.

00:52:58Okay, very good.

00:52:59Very good

00:52:59Well, nothing.

00:53:01Since we have

00:53:02Mask removed

00:53:03Yeah

00:53:03I'm telling you straight.

00:53:04Yeah

00:53:05Your mother and the two of us

00:53:07It's because biologically

00:53:08We are incompatible

00:53:09You understand me?

00:53:10So, we here

00:53:11With your mother for two months

00:53:11We can't take it anymore

00:53:12Wow, two months

00:53:13He says, two months

00:53:14So nothing

00:53:16You're in your little hands

00:53:17Tiny

00:53:18So, you're going

00:53:19And you tell him/her.

00:53:19And that's it.

00:53:20Clear

00:53:20But no

00:53:20No, I'm his son.

00:53:22That I can't tell him

00:53:23That has me there in

00:53:25On a pedestal

00:53:26Can't

00:53:26If you don't want to leave

00:53:27I can't throw the fit

00:53:28And I can't

00:53:29Already

00:53:30Morally I cannot

00:53:31Okay, just a moment

00:53:32Already

00:53:34AND...

00:53:35AND...

00:53:35And what if she's the one who wants to leave?

00:53:37She

00:53:38Now that he gets along well with Chony

00:53:40Come on

00:53:40Yeah, yeah

00:53:41But just imagine it

00:53:42I mean

00:53:43It is to assume

00:53:43She's the one who wants to leave

00:53:45So

00:53:46Well, if she's the one who wants to leave

00:53:48I will not object.

00:53:49Clear

00:53:49But not

00:53:49Sure, sure, sure

00:53:52The habitat

00:53:53We're ruining the habitat

00:53:56No

00:53:56More than just habitat

00:53:58The reception

00:54:01Damn, Dad, what a nuance

00:54:02But what a habitat, what a treat, what a nuance

00:54:04What are you saying, damn it?

00:54:04Let's see

00:54:05Let's see

00:54:06She wasn't saying she didn't want to be here doing nothing, idly by.

00:54:09I didn't say that.

00:54:10Well, if he wants to help, let him help until he can't anymore.

00:54:13There

00:54:15There I saw you, Little One

00:54:16This is the office

00:54:19Mother, mother

00:54:20What am I thinking?

00:54:22Why don't we call Lurdita, if it's Santiago, and have them bring the child?

00:54:25Hey?

00:54:25And it has been you to your grandson

00:54:27To his grandson Santiago

00:54:28Hey?

00:54:29And look, we called him

00:54:30And she prepares some cococharderas for you that also turn out well.

00:54:33Al pil pil

00:54:34That's a lot of work.

00:54:36No way, woman, it's my favorite dish!

00:54:37My kokotxas look amazing on you.

00:54:40And I'm drooling.

00:54:41Come on, come on

00:54:41You prepare them in a jiffy

00:54:45Come on, mother

00:54:46Well, you'll see.

00:54:47You'll see.

00:54:48What joy that will bring him

00:54:49TO...

00:54:50I don't know, it probably won't have a heart.

00:54:52But what a damn artist he is!

00:54:57Lord, what a photo

00:54:59Oh, check and tracksuit

00:55:01Diego, son

00:55:02You should have told me

00:55:03And I knew what I brought, I don't know

00:55:05A little lamb or something like that

00:55:06Ma'am, please do me a favor

00:55:07Don't criticize

00:55:08Sit down

00:55:09And try it

00:55:09Prove that it is

00:55:11Guille

00:55:12No, Guille, go and see

00:55:15Who could it be at this hour?

00:55:16Because it's not a time to be coming home

00:55:18Of...

00:55:19Hey, daddy

00:55:20Celia

00:55:20Hello

00:55:21Hello

00:55:22Good night

00:55:23How are you, Celia?

00:55:23I take advantage

00:55:24File

00:55:24Check it out, go on

00:55:25That?

00:55:26But what...

00:55:27What are you doing here?

00:55:28And dressed like that

00:55:30But what are you doing dressed like that?

00:55:32The card says ten o'clock, right?

00:55:34What does the card say?

00:55:35Yeah

00:55:36At ten o'clock at my house

00:55:37And then I'll take you out to dinner.

00:55:39Basically, the new guy in the neighborhood

00:55:41Which is to say...

00:55:42Hey, I loved the flowers!

00:55:44Thank you so much

00:55:44That you liked the flowers

00:55:46You'll see, Celia.

00:55:47I wanted to tell you

00:55:49This...

00:55:49So, that...

00:55:50Dad, dad

00:55:51See how much she's going to like the flowers?

00:55:52Two hours to choose them

00:55:53Two hours

00:55:54He is more indecisive

00:55:56Hey, Celia

00:55:57No, sorry, it's just a second.

00:55:57Yes, yes, of course.

00:55:58What am I going to...

00:55:59I've come with...

00:56:00Excuse me, now...

00:56:01Careful

00:56:02Daughter, don't be surprised

00:56:03In this house this is normal

00:56:06Come on, sit down

00:56:07Thank you

00:56:08Have something

00:56:09I'll kill him

00:56:09When I catch Fiti, I'll kill him.

00:56:11I'll kill him

00:56:11But what game are you playing?

00:56:13So, why do you want me to come...?

00:56:14Well, if you go out like that, you'll have fun.

00:56:16But come on, Marco

00:56:17I just don't want to go out

00:56:17I want to stay here with you.

00:56:18And wait for Guille to arrive

00:56:19Because Guille is coming

00:56:20And that's it.

00:56:20Dad, Guille is going to be late

00:56:21I'll climb onto the bed like a donkey

00:56:22Also, early tomorrow

00:56:23It doesn't matter, there's no problem.

00:56:24Hey?

00:56:26And I'm sure you don't want any more.

00:56:28Taking us out like that, father-son style

00:56:29Until they install the TV station and all that

00:56:31Go up

00:56:32And get yourself ready

00:56:34It's just that...

00:56:35He has already had dinner

00:56:44Hey, so how did they get along at first?

00:56:47Well, at first, like all stepbrothers, right?

00:56:50Of course, he wanted to gouge his eyes out.

00:56:52And what did we do?

00:56:53Well, we made an effort to get them to get along.

00:56:56And Celia, go and you'll get along.

00:56:58Let me explain.

00:56:59I mean, my family

00:57:00Wanting to gouge out his eyes

00:57:02Take off your clothes

00:57:02One step, just one step

00:57:04So, Guille likes Tete

00:57:07And that's why you come from home

00:57:09Yes, to sum it up in one sentence

00:57:10That is

00:57:11Hey, I had no idea, huh?

00:57:13Already

00:57:13Hello

00:57:17Hey, don't you know you still feel sick to your stomach?

00:57:19No...

00:57:20I just can't get over it

00:57:23Sorry, Celia, I'll be right back

00:57:25Sorry

00:57:30Sorry

00:57:31I don't know

00:57:32I haven't smoked

00:57:32Ana, what?

00:57:33Oh, sorry for the delay.

00:57:35I'm so sorry

00:57:35But you have no idea what a day I've been having

00:57:37I'll tell you now.

00:57:37No, no, but you haven't heard a warning

00:57:39They left you an answering machine message.

00:57:40But what am I going to hear?

00:57:41I've had no battery all day.

00:57:42Ah, yes

00:57:42Well, you're going to find this funny.

00:57:44But what I'm about to tell you

00:57:45You'll find it funny

00:57:45That?

00:57:46I think I'm going to sell the school

00:57:48That?

00:57:48Yes, look, they've made me a really great offer

00:57:50Today I was given an ultimatum

00:57:52And I have to decide tonight.

00:57:54Tonight?

00:57:55So, tonight?

00:57:55Today

00:57:57Already

00:57:58Okay, let's see.

00:57:59One moment

00:58:03Young man, would you do me a favor?

00:58:04Yes, tell me

00:58:06A table, a smoking table

00:58:08For...

00:58:09Ah, for three, right?

00:58:11Two, two

00:58:11Two, one, and two

00:58:13For smoking

00:58:14Ah, okay, okay

00:58:14So, up

00:58:15Please follow me

00:58:16Yes, let's go

00:58:19That?

00:58:20That?

00:58:20How long have you been smoking?

00:58:22Well, my child is leaving home

00:58:24So, you start selling schools

00:58:25And how are they going to smoke, come on

00:58:29They better be good, they'll be good.

00:58:31I've been stirring the pot for two hours.

00:58:34My arms are stiff.

00:58:36Of course, mother

00:58:37Sit down, it's about time

00:58:38Man, you're not up for this kind of effort.

00:58:40Daughter, but...

00:58:40He probably poured some water on the dishes, right?

00:58:43Then it forms a crust and nobody can remove it

00:58:45Then we'll do the dishes, José Luis.

00:58:47Does it take your mother a lot of effort all night?

00:58:49Amazing, huh?

00:58:51I'm about to have a heart attack, I'm going to have a heart attack

00:58:52José Luis hadn't eaten kokotxa in a long time.

00:58:54Give me your plate, Choni

00:58:55Well, yes, yes, yes, she says it more than she does.

00:58:57A cook, a good cook

00:58:59Leave the kitchen as you found it.

00:59:00Yes or no, Lurditas?

00:59:01Yes, he says so, yes

00:59:02But the woman will have to have dinner, I say.

00:59:04Sit down now, for God's sake, Doña Adela

00:59:06I will serve, come

00:59:07José Lito is right.

00:59:08I'm going to do the dishes right now.

00:59:10Otherwise, I won't have time later.

00:59:11To hem the pants

00:59:13But seriously, why the rush?

00:59:14The hems of your pants are running.

00:59:15Of course I can upload them for you

00:59:16Chacuna, don't be offended

00:59:17But it's not the same thing.

00:59:18Hey?

00:59:18And she darns my socks too.

00:59:20It has a little window

00:59:21I'll darn your socks, John

00:59:23You don't do it the same way.

00:59:24She also does it with this wooden egg

00:59:27That suits her better

00:59:27For God's sake, Doña Adela

00:59:28Come on

00:59:28Sit down, what will I do next?

00:59:30No, no

00:59:30That you stay here

00:59:31Next to your husband

00:59:33Come on

00:59:33Good heavens

00:59:34But it seems we have it right here.

00:59:35Forced labor

00:59:36But woman, no, it doesn't matter

00:59:38Nothing makes me happier.

00:59:40To be able to pamper my child

00:59:41Oh, what I wouldn't do for you.

00:59:43Come on, your coconut got cold, chap

00:59:45Let's see if I have time to...

00:59:46Yes, you're going to do the dishes.

00:59:58But how are you going to sell Garcilaso?

00:59:59Garcilaso is an institution in the neighborhood

01:00:01Which is very important for Santa Justa

01:00:03For example, we all grew up there

01:00:05Me, my children, my friends

01:00:07My friends' children

01:00:08You can't sell it, man.

01:00:09No, no, you can't sell it.

01:00:10Yeah, but they're offering me a ton of money.

01:00:12A little bit of money, but it won't be that much.

01:00:13Why not, people talk a big game

01:00:15About the pasta

01:00:15They're offering me a lot of money.

01:00:16And to fuck, the mother

01:00:17That's awful!

01:00:20Now you understand, right?

01:00:21Yes, yes

01:00:22No, no, yes, yes, but no

01:00:23Yes, but no

01:00:23Yes, that's fine.

01:00:25That's a very large amount of money.

01:00:27But there are more important things in this life.

01:00:30I want to say that money doesn't buy happiness.

01:00:31Yeah, well, but it helps so you don't see

01:00:33It helps, yes, I also tell you that...

01:00:36One thing, Ana, let's see

01:00:39If you're so sure about it, why don't you do it?

01:00:40Because I see a doubt

01:00:41There's a doubt there.

01:00:42Well, yes

01:00:44My grandfather founded the school

01:00:45My family has always been very involved

01:00:47AND...

01:00:48I think so

01:00:49Yeah

01:00:49And I get this feeling of betrayal.

01:00:52Of tra...

01:00:53I gave it to her there.

01:00:54You said it.

01:00:55Betrayal

01:00:55And I reiterate it

01:00:56There is betrayal

01:00:57There is betrayal of the grandfather

01:00:58Yeah

01:00:58There is betrayal, yes

01:01:00Excuse me

01:01:01Have the gentlemen decided yet?

01:01:02Hey...

01:01:02One minute

01:01:03One minute

01:01:04What do you feel like?

01:01:06I...

01:01:07Nothing, very little because I'm full

01:01:08But not

01:01:09It means I have a closed stomach.

01:01:11As...

01:01:12Ah, I see.

01:01:13Because of Guille

01:01:14Exact

01:01:15In other words, it's about mentioning Guille's topic.

01:01:17My stomach is in knots.

01:01:18And I need to go to the bathroom for a moment

01:01:21Ask me...

01:01:21Let's see

01:01:21Ask me for something light

01:01:23Something light

01:01:24And he keeps dwelling on the betrayal of his grandfather.

01:01:26And you go to grandpa's.

01:01:28Where were you?

01:01:29In the bathroom

01:01:30All this time?

01:01:31Yeah

01:01:32I mean, are you okay?

01:01:33Do you want us to leave?

01:01:34I was going to come and get you

01:01:34No, no, no

01:01:35Don't worry

01:01:35I'm not very Catholic.

01:01:37Well, that

01:01:38And apart from all that

01:01:39Well, the queue at the bathroom

01:01:40I had to go to the bar across the street

01:01:41Of course, so as not to seem too cheeky

01:01:43Well, I ordered some chamomile tea.

01:01:43And while they were doing that and all that

01:01:45Well, I was there

01:01:45Well, waiting

01:01:46Until I was finally able to go into the bathroom

01:01:47And of course

01:01:47And you told me, Diego?

01:01:48Do you want me to walk you home?

01:01:50No, no, no

01:01:50No, really

01:01:51That it was with the...

01:01:52Thank you, thank you

01:01:53With chamomile tea at the ready.

01:01:54Everything has stabilized for me now, that's why

01:01:56Well

01:01:58Let's see

01:02:01Hey, Diego

01:02:01I was very excited.

01:02:02Are you dressing me for dinner?

01:02:04In fact

01:02:04I was quite surprised.

01:02:06And me

01:02:06Me too

01:02:08The first one surprised

01:02:09It was myself

01:02:10Yes, don't think that I

01:02:11I don't know

01:02:11Maybe I didn't understand.

01:02:12After we talked

01:02:13I thought that

01:02:14That we were going to leave this for a while

01:02:17So, that was

01:02:19Yes, I told you

01:02:19But now I...

01:02:20So you understand

01:02:21I'm like a species

01:02:22Like a Ferris Wheel

01:02:22So,

01:02:23So sometimes I'm

01:02:24Like the Ferris wheels, right?

01:02:25So I'm on top

01:02:26Sometimes and again

01:02:26To turn the Ferris wheel around

01:02:27Well, I'm downstairs

01:02:28How am I now?

01:02:28Above

01:02:29But tomorrow

01:02:29I'm downstairs too

01:02:30Do you understand?

01:02:31So,

01:02:32I don't know

01:02:32I don't know, I imagine

01:02:34It's normal

01:02:34You're going too far

01:02:36With a situation

01:02:36Very difficult

01:02:37But

01:02:38I wanted to tell you that

01:02:39You don't have to worry about me.

01:02:41And

01:02:42I'm in no hurry, Diego

01:02:45Stomach again?

01:02:46But Diego

01:02:48Do you want to go to the bathroom again?

01:02:49Do you want me to walk you home?

01:02:51No, no, no

01:02:51Peaceful

01:02:52I'm going to the bathroom now.

01:02:53Let's go to the bathroom

01:02:58Let's go to the bathroom

01:02:58What's happening?

01:03:01Fuck

01:03:02Think of it as our last night together

01:03:04Okay, but

01:03:04Log, but

01:03:05So I'm going to France

01:03:06No to war

01:03:07Excellent

01:03:08That I will come from time to time

01:03:09See you around

01:03:09Okay, Guille, okay

01:03:10But the thing is

01:03:11It won't be the same

01:03:14Oh well

01:03:15But hey, DVD

01:03:15What do you mean, no?

01:03:16Of course

01:03:17It won't be the same

01:03:19At first, yes.

01:03:20Are you going to come and visit us?

01:03:21But

01:03:21Then you'll go and make your life there

01:03:23It's normal

01:03:23If you're going to make new friends

01:03:26You're going to forget about us.

01:03:28Come on, man

01:03:29No

01:03:31They will look at our photos

01:03:32And you will say

01:03:33Go on, look

01:03:33My first friends

01:03:35What was the name of that chubby guy?

01:03:38Oh well

01:03:38What are you saying, guys?

01:03:40But please

01:03:40If you are listening

01:03:41How could I forget about you?

01:03:42Yes, just like you forgot

01:03:43From your first toy

01:03:45Just like you forgot

01:03:46From your first girlfriend

01:03:46What do I know?

01:03:47What was the name of your first girlfriend?

01:03:48Who do you not even remember?

01:03:51Tete

01:03:52And I'm leaving.

01:03:53Because I can't forget her

01:03:57Hey, guys

01:03:58Fancy a game?

01:04:01What do I grab?

01:04:02Come on!

01:04:03Come on!

01:04:04Come on!

01:04:05Come on!

01:04:07Come on!

01:04:11Custard?

01:04:12You've also had to make her custard, Mother.

01:04:14Yes, daughter, yes

01:04:16Who knows what the weather's like?

01:04:18My Joselito doesn't eat custard

01:04:19A lot

01:04:20A lot, Mom

01:04:22Thank you so much

01:04:22Here you go

01:04:27I can see that you're missing cookies

01:04:30You used to give her cookies

01:04:31Because it's kind of bland like this, isn't it?

01:04:33Yeah

01:04:33It's been a while.

01:04:34Clear

01:04:35José Luis, that's enough.

01:04:37If you want cookies, you get up.

01:04:39And you're going for them

01:04:39Damn, you're practically putting a bonnet on your mother.

01:04:41Really

01:04:43I don't care.

01:04:44I don't care, but I do care

01:04:46But I haven't said anything.

01:04:47I haven't said anything.

01:04:48I was just remembering

01:04:50When I was little

01:04:50Well, he used to serve custard to the woman.

01:04:52In other words, custard cookies

01:04:53Yes of course

01:04:54The custard cookies

01:04:56The bottoms of the pants

01:04:57The darns in the socks

01:04:58Damn, your mother has it here

01:05:00She looks like your slave.

01:05:01Look

01:05:01Chony, don't get involved

01:05:02That's just their business.

01:05:03Of the salty ones

01:05:04No, she gets involved because she's a good person.

01:05:06He gets in

01:05:06No, I don't want that

01:05:09You argue because of me

01:05:10Look, calm down, Mom.

01:05:11They're not going to argue anymore.

01:05:13Like poor Chony

01:05:14He can't handle your son's pain

01:05:15Are you coming with us?

01:05:18The Lurditas

01:05:19I told him he's coming, and he's coming.

01:05:21Come on, man

01:05:21A woman her age

01:05:23And with this bad life

01:05:23But where has that ever been seen?

01:05:26But Lourdes

01:05:27Women

01:05:27That the mothers are

01:05:29Good with their children

01:05:30She is comfortable

01:05:30Look at you with Santi here

01:05:32Santi

01:05:35Look

01:05:35Pay attention to what it means to be a good daughter

01:05:38Besides, yes

01:05:41Is this what you call a boligerito?

01:05:43Man

01:05:44We are in an Arabic

01:05:45Already

01:05:47Are you OK?

01:05:47How did it take you so long?

01:05:48No, no, no

01:05:49Wonderfully

01:05:50I've been delayed because I've been doing

01:05:51I mean

01:05:52I've had a look at the place

01:05:53And that's to see

01:05:54So that ideas would come to me.

01:05:55To copy

01:05:55Come on

01:05:56It is vocational training

01:05:57That

01:05:57Well

01:05:58So let's go

01:05:59Let's get back to our topic.

01:06:00About the school

01:06:01And so

01:06:01That

01:06:01Look

01:06:03I've been thinking about it

01:06:04And I think you're right.

01:06:06Yes, it can't be taken

01:06:07A decision like that

01:06:08Without being entirely convinced

01:06:10Good

01:06:10Ann

01:06:11Very good

01:06:11Yeah

01:06:12Very good

01:06:12And I'll tell you more

01:06:13Very good

01:06:14And I'll tell you more

01:06:14So,

01:06:15Look

01:06:16You've saved your grandfather from a lot of trouble.

01:06:17He's certainly not in the mood for unpleasantness.

01:06:19But a disappointment

01:06:19We're going

01:06:20Well

01:06:21It's simply not there.

01:06:22That it is not where

01:06:23Died

01:06:24That your grandfather died

01:06:26He says that a feeling accompanied you.

01:06:27I really didn't know anything.

01:06:29Anyway

01:06:30Think about it

01:06:31But wherever I am

01:06:32He must be proud of his granddaughter

01:06:33Because

01:06:33Because he has made the right decision

01:06:35You've taken it

01:06:36Ann

01:06:36You've taken it

01:06:39Well

01:06:39Well, I think that's it.

01:06:40We asked for the bill.

01:06:42And we're leaving.

01:06:42No?

01:06:44But

01:06:45If you haven't tried it

01:06:46Already

01:06:48I've come more

01:06:49This

01:06:49This type of food

01:06:51If it cools down

01:06:51Of course

01:06:52It doesn't need to be reheated

01:06:53And it's not the same

01:06:54That's one thing

01:06:54Don't worry

01:06:55I'll treat you

01:06:57The check, please.

01:06:59Yeah

01:06:59Well

01:07:00Well

01:07:01Okay

01:07:02But we still have the cup to win.

01:07:03Yeah man

01:07:04To celebrate that it's not selling

01:07:05That is

01:07:06And I'll invite you to that one.

01:07:08No

01:07:08The cup at home

01:07:09The cup

01:07:10At home

01:07:15Excuse me, sir

01:07:15Have you used the knight

01:07:17What came with me?

01:07:18No

01:07:19I'm sorry, miss.

01:07:20This

01:07:21He went to the restroom

01:07:22It was a long time ago

01:07:23And since she wasn't feeling very well

01:07:25Would you mind?

01:07:25Would you please take a look?

01:07:26Please

01:07:28Of course

01:07:29Thank you

01:07:32That's it

01:07:33Okay

01:07:35Are you going to leave this as a tip?

01:07:37Yeah

01:07:38Because the service

01:07:39I thought it was impeccable.

01:07:40To the

01:07:44Diego

01:07:45The thing is

01:07:45I didn't imagine you like this

01:07:48So?

01:07:48So

01:07:49Come on

01:07:50That surprised me

01:07:52Well

01:07:53Let me tell you something

01:07:54So

01:07:54With confidence

01:07:57Today I am surprised

01:07:58To everyone

01:07:58Come on

01:07:58I'm surprised

01:07:59Even myself

01:08:00I'm surprised

01:08:00Okay, fine.

01:08:01But the thing is

01:08:02I am very surprised

01:08:03Because

01:08:04The cup thing

01:08:05I hadn't even considered it

01:08:07Ann

01:08:07Come on

01:08:08For home

01:08:08Come on

01:08:09Diego

01:08:09Look

01:08:11Call me romantic

01:08:12Soda

01:08:13Corny

01:08:13Whatever you want

01:08:13But the thing is

01:08:14I need more time

01:08:15I need to go slowly

01:08:16I don't know

01:08:17Can't

01:08:18No, no, no

01:08:20Wait

01:08:21What are you thinking?

01:08:22I was telling you about the cup

01:08:23At home for later

01:08:24No, no, no

01:08:25That you told me

01:08:26You were inviting me to open a glass.

01:08:27And I thought

01:08:27That the celebration

01:08:28We'll do it another day

01:08:28No, when I said house

01:08:29It was time for us to leave

01:08:30Each one of our houses

01:08:31So, you've thought

01:08:32Clear

01:08:32But that's what I was saying.

01:08:34Ah, you're thinking that too.

01:08:35No, for a moment I thought

01:08:37Please

01:08:37No, you'll see.

01:08:39That for a moment I thought

01:08:40I'll think about it.

01:08:41Sorry

01:08:42No, no, no

01:08:45That's what I was saying

01:08:47Clear

01:08:48No

01:08:48You know, I thought

01:08:50That when I told him

01:08:51No, no, no

01:08:54Thank you so much

01:08:55No no

01:08:56No no

01:08:59No no

01:09:03Oh, what a coincidence!

01:09:05Who did you come with?

01:09:07You're going to laugh

01:09:09With Diego

01:09:12As?

01:09:14I'm sure of this.

01:09:15If I explain it to you

01:09:16There's an explanation.

01:09:16Against the store

01:09:17Yeah, look Diego

01:09:18Next time

01:09:19If you want to go to the colleague

01:09:19And not with me.

01:09:20It's not necessary

01:09:20Tell me stories

01:09:21Okay?

01:09:23Celia

01:09:23I won't tell you

01:09:24Celia

01:09:27I think that if he wanted to

01:09:29A little glass of something

01:09:30Nothing, for God's sake.

01:09:31No

01:09:33The other day

01:09:34I watched a documentary

01:09:35Of Lions and Leopano

01:09:36That it was screwed

01:09:37To the habitat

01:09:38And they had to emigrate

01:09:39Did you see it?

01:09:40I saw it, I saw it

01:09:41So

01:09:42Did you see the ending?

01:09:43And I fell asleep

01:09:44Wow, man

01:09:45Well, you missed out.

01:09:46That when it broke down

01:09:47To the habitat

01:09:48That they had emigrated

01:09:48They had to go back to the first one

01:09:50Could be

01:09:51Could be

01:09:51Of course it can be

01:09:52Of course it can be

01:09:53Poor animals

01:09:55What a disappointment

01:09:56Really

01:09:56I'm left with an emptiness

01:09:57Let it walk

01:09:57Mother pass

01:09:58But let me stay

01:09:59To pick up

01:10:00No

01:10:00Yes, man

01:10:01That's all that was missing

01:10:01Because you all have to get up early tomorrow.

01:10:03No, not at all.

01:10:03By no means

01:10:04You can go in peace.

01:10:05That we didn't already know

01:10:06Come on

01:10:07And I'm left with a predicament.

01:10:09That you leave

01:10:09In this way

01:10:10But daughter

01:10:11That I go like this

01:10:12It's a pleasure being with you.

01:10:14Go on

01:10:14It doesn't surprise me, Mother

01:10:16She has been the only one

01:10:17That he has treated

01:10:17With a little bit of love

01:10:18And I say, Doña Adela

01:10:20Now that

01:10:21We got to know each other better this way

01:10:22You could come

01:10:23One afternoon a week

01:10:24We were having our coffee

01:10:26And we had dinner here afterwards

01:10:28So comfortable together

01:10:28Hey, well, say Choni

01:10:30I trust you

01:10:31Santi takes his mother's suitcase

01:10:33Come on

01:10:33This one, this one, this one

01:10:34This one, this one

01:10:35This one, take this one

01:10:37Well, look, it's going to be on Wednesdays

01:10:39Wednesdays that I don't have

01:10:40School supplies

01:10:41And I have the afternoon free.

01:10:42We had our coffee

01:10:44Dine with us here

01:10:45So divinely

01:10:46I'd be delighted.

01:10:48Come on

01:10:48Well

01:10:49Bye

01:10:50Bye

01:10:51And let's see if

01:10:52You bless the table for me

01:10:53From now on

01:10:54Man

01:10:55That's done.

01:10:55It's perfect for a snack.

01:10:56We bless her

01:10:57Come on

01:10:57Let's see it

01:10:58Goes

01:10:59If we accompany her

01:11:00We accompanied her

01:11:01Come on

01:11:04Come on

01:11:05Come on

01:11:06A couple of wanks

01:11:07That you are

01:11:07It's not shameful

01:11:08That a poor woman

01:11:09I shit myself

01:11:10That's cynical

01:11:11And what is a dog?

01:11:12There will be the same

01:11:13Already

01:11:15Child

01:11:16He's got more face than backbone.

01:11:18Come here

01:11:19Hey

01:11:20Thursday dinner

01:11:22From the Chinese we make

01:11:22Every Thursday

01:11:23From the Chinese we make

01:11:24Yeah?

01:11:24Maybe now

01:11:25With your job at the tavern

01:11:26It's bad for you.

01:11:27When do you get paid?

01:11:28No, I don't on Mondays.

01:11:29Book

01:11:29Mondays

01:11:30When will it open more?

01:11:32The Chinese

01:11:33Wednesdays

01:11:35Ah, of course.

01:11:36No

01:11:37No

01:12:06Come on, come on!

01:12:48Guille, Guille, for God's sake, what are you doing?

01:12:55Come on, let's go!

01:12:56Hit him with your leg, damn it, don't be weird!

01:12:58Come on!

01:13:03Guille, wake up, they're leaving!

01:13:05Come on!

01:13:08Come on, Guille, come on, back, back, let's go, moving, let's go, gentlemen!

01:13:13Good job!

01:13:15Cobra, back off, damn it, don't look weird!

01:13:19Cobra, back, fuck, fuck, fuck, fuck, fuck, fuck, fuck, fuck, fuck, fuck, fuck, fuck, fuck, fuck.

01:13:44No, Guille, no, Guille, no, because you, who have never made much of an effort.

01:13:48No, but I always believed you were going to be a football star, you know.

01:13:52But please, Dad, you're always nagging me about how I was a dud.

01:13:56But look, Guille, I was giving you a hard time because I had to give you a hard time, understand, I didn't carry the package.

01:13:59never done.

01:13:59I've always seen you more like Ronaldo, when he was fat, yes, yes, yes, when Ronaldo was fat...

01:14:03How are things with you?

01:14:04Someone, watch out.

01:14:05No, you were very Brazilian.

01:14:08I always thought you were a good person, Guille.

01:14:09To the.

01:14:10Thank you, Dad.

01:14:11Let's prepare something to eat, which will be perfect with all the effort you've put in.

01:14:15A little bit, yes.

01:14:15Let's see what I can make for you.

01:14:16There.

01:14:18Let's see.

01:14:19What's up, Guille?

01:14:20I already thought you were coming early, dude.

01:14:22You've packed your suitcase, haven't you?

01:14:23Oh no.

01:14:24Don't mess with me, we left early, man.

01:14:27Come on, let him eat something, because it's his last night.

01:14:29Come on, eat something.

01:14:30Okay, ham, come on.

01:14:32You won't even sing it in France.

01:14:33No, no, no, they don't like it in France, they don't...

01:14:37Juan, that's great.

01:14:38It's so good.

01:14:39Well, if you want to eat ham you have to come here, that is, to my house.

01:14:42Because I'm warning you, I'm not going to send you a single gram to Toulouse, not a single gram.

01:14:44Come on, man, dad.

01:14:46Not a single gram, not a single gram to Toulouse, nothing.

01:14:47It's over.

01:14:48Okay, I'm going upstairs, I have to pack my bags, alright?

01:14:51Okay.

01:14:51See you later.

01:14:52See you later.

01:14:55Dad.

01:14:56Tell me.

01:14:59Well, that...

01:15:03Nothing, good night.

01:15:07I earned it, son.

01:15:11Hurry up, we're leaving early, okay?

01:15:24So, Dad, how was dinner with Celia?

01:15:26Okay, tell me what you're talking about, come on, something like...

01:15:29And what are you doing here?

01:15:30Isn't it very late?

01:15:32Sleep, right?

01:15:32No, I'm not sleepy.

01:15:35And you? Don't you sleep?

01:15:37No.

01:15:38Not because I stayed up late today.

01:15:40And to avoid sleeping, I prefer to watch infomercials, you know?

01:15:43Already.

01:15:45Me too, you know?

01:15:47Equal.

01:15:49That's where I can't find sleep.

01:15:54An ice cream.

01:15:55Okay, yes, an ice cream.

01:15:56How about some ice cream?

01:15:57Ice cream?

01:15:57Yes, yes, yes.

01:15:58Chocolate?

01:15:58Well, I'm making chocolate ones, yes.

01:16:00Huh? Just like the old days.

01:16:02Like the old days, yes.

01:16:06Ice cream.

01:16:10Go ahead and see how it goes.

01:16:12To have the proballo.

01:16:13No?

01:16:14No, not that either.

01:16:15Can?

01:16:17Alright.

01:16:17That's lovely?

01:16:19It has little hooks like a...

01:16:20Marco, how...

01:16:23How I miss this!

01:16:27The ice cream.

01:16:29No.

01:16:30No, no, well, yes.

01:16:31Yes, ice cream too.

01:16:33No, no, from being here...

01:16:35Talking and eating ice cream.

01:16:39When Lucía was there, well...

01:16:42No, no, no, no.

01:16:43The sad thing is that I had recently started chatting with Guille and...

01:16:47And now it's leaving me.

01:16:52Well, I'll have to wait until Curro grows up.

01:16:55Yeah.

01:16:57Yeah.

01:17:11Curro.

01:17:14Come on, wake up.

01:17:16Just a little while longer.

01:17:17Just a little while longer.

01:17:17Come on, let's go, let's go.

01:17:19Above.

01:17:25Come on, let's get up, we're leaving soon.

01:17:26Runs.

01:17:26How much.

01:17:28Hey, but you'll be back soon, right?

01:17:32Otherwise, who's going to talk to me about football?

01:17:36I'm working hard, so you can watch it with Dad, right?

01:17:39Yes, but it's not my thing.

01:17:45Hey Marcos, what's the football team from Toulouse?

01:17:48Toulouse.

01:17:50AND?

01:17:50Hey, are you going to change teams, Guille?

01:17:52I?

01:17:53What are we going to do?

01:17:54Are you crazy?

01:17:55Look, I'm not going to set foot on that pitch unless Real Madrid has played there.

01:17:57So yes, Madrid yes.

01:17:58So I'll be able to go too?

01:18:00Sure, you're coming, sure.

01:18:02But just visiting.

01:18:03Just visiting.

01:18:08Well, I won't have anyone to talk to at night.

01:18:14Well, you can talk to Manu.

01:18:16Manu?

01:18:20And now I'm going to take all the wealth.

01:18:25Try not to, okay, Nano?

01:18:29Take good care of Dad, Curro.

01:18:32That you are now the staff of his old age.

01:18:37And I really can't go with you, because I also need to expand.

01:18:42Go away, close the sheet, I'm going to expand it for you.

01:18:48Okay, let's have breakfast, come on.

01:18:50Otherwise, Guille won't finish packing his suitcase, we're just kidding, okay?

01:19:06Good morning.

01:19:07Hello.

01:19:08Good morning, daughter.

01:19:09Look, there's Raúl.

01:19:11Marcos, Guille, let's go.

01:19:15Hello.

01:19:16Marcos, son, I've prepared some sandwiches for you.

01:19:18On the plane, guys, lately they don't even give the time, come on.

01:19:21Thank you so much.

01:19:21And where is your brother?

01:19:22My brother with the suitcases.

01:19:23Besides, we're already a little...

01:19:24Guille!

01:19:25Come on, we're waiting for you, let's go.

01:19:28So, you have everything then?

01:19:29Yes, I think so.

01:19:30No, I think that's enough.

01:19:30Come!

01:19:31That?

01:19:31Good morning.

01:19:32Hello.

01:19:32What's happening?

01:19:33How are you, son?

01:19:33In the suitcase.

01:19:35No, that...

01:19:36We're late, dude.

01:19:39The thing is, in the end I'm staying, I'm not leaving.

01:19:41That?

01:19:42Oh, thank God, son.

01:19:44Less is more.

01:19:48The letter by hand, son.

01:19:49Come on.

01:19:49Come on, Dad.

01:19:51Oh, daddy, are you squeezing me?

01:19:53Dad, I'm staying.

01:19:54I'm telling you that.

01:19:55No, it has made it so that it doesn't get there.

01:19:57Yes, yes, yes.

01:19:57What stays here?

01:19:58What remains?

01:19:59Hey!

01:20:00Excellent.

01:20:00Come on, it's not coming.

01:20:01I'm coming, I'm coming.

01:20:01Come on, Dad.

01:20:03What a great father he's going to be, son.

01:20:04What a great father!

01:20:05Let's see.

01:20:07Okay, see you later, see you later.

01:20:09Goodbye, family.

01:20:10See you later.

01:20:10Give her and Eva a kiss, okay?

01:20:13Okay, goodbye.

01:20:14Okay, fine.

01:20:14Goodbye, daughter, I'm off on a trip.

01:20:16Have a good trip, Ale.

01:20:16Thank you, Carmen.

01:20:17Goodbye, see you later.

01:20:18See you later, okay?

01:20:19See you later, son.

01:20:20Goodbye, have a good trip.

01:20:23Come on, come on.

01:20:24We're going to desegurate you.

01:20:26Come on.

01:20:28Hey man, have you got me on read?

01:20:31By?

01:20:32They don't give a damn about me.

01:20:34Okay, dude.

01:20:34Well, there's the Ville situation, you know?

01:20:36That's it, that's like, it's like what Lourdes told us when we were little.

01:20:39Without religion.

01:20:40And?

01:20:41The thing about the runaway son or the parable.

01:20:43The parable.

01:20:45Go ahead, Marcos!

01:20:45Marcos, wait.

01:20:46That?

01:20:48What thanks?

01:20:52Do you like it?

01:20:54Why are you watching it?

01:21:00Hey, hey.

01:21:01Look, I'm glad you're staying, but just a handful, okay?

01:21:03But...

01:21:04Oh, really.

01:21:05What are the basics?

01:21:07I think it's a mask, you know?

01:21:08They act tough, but deep down they love each other.

01:21:11Yes, well, next time he threatens with the baby, I want the same pampering.

01:21:14I mean, because...

01:21:15Hey, look at that fuzz you've got there, huh?

01:21:16Good morning, guys.

01:21:18Good morning.

01:21:19Your book is now on page 62, please.

01:21:25Strip.

01:21:26No, no, no, no, you're going to tell him right now.

01:21:28Yes, she's going to take it now.

01:21:29Wait, wait, poño.

01:21:32Hello.

01:21:33Hi Guille, how are you?

01:21:35How are you, son?

01:21:36Celia, could we talk for a moment, please?

01:21:38Diego, I'm teaching a class.

01:21:39Yes, I know, but just a moment, be quiet, he's not talking to you.

01:21:42Just one second, it's very important, please.

01:21:44One second.

01:21:47I'll be right back.

01:21:51What? What do you want?

01:21:55Come on, Fiti, speak.

01:21:56Okay, okay, don't give it to me.

01:21:58Fiti, now.

01:21:58Yes, no, I think that...

01:22:00What was I?

01:22:01What else?

01:22:03It was me...

01:22:04That I was the one who sent you the flowers.

01:22:06The one who sent you the flowers?

01:22:07Yes, well, that too.

01:22:08What else?

01:22:08Yes, and what else?

01:22:08Yeah.

01:22:09That.

01:22:10Oh, and the note.

01:22:12The grade?

01:22:12I also sent the note.

01:22:13I sent it too.

01:22:14He sent the flowers, the dinner note, and he sent the flowers.

01:22:16Okay, okay, because, damn it, I knew I wanted both of them and I said, well, to give it a push,

01:22:21because you wanted to or you didn't.

01:22:22No, no, no, wait a moment, no, Fiti, let's clear things up, let's see.

01:22:24In other words, you're here to confess, not to give your opinion.

01:22:26Okay.

01:22:26In other words, to confess, not to give an opinion, that's it.

01:22:28So, you're all set, which is what we wanted to tell you.

01:22:30Well, I wanted to tell you about the Fiti and I accompanied him.

01:22:32If you want, then you can keep teaching and all that, and you and I can meet whenever and wherever you want.

01:22:36you want.

01:22:36And I no longer write, nor go, nor send anything.

01:22:38No, you don't do anything, you just stay quiet and that's it, and you don't do anything at all.

01:22:41Is that clear?

01:22:42That's it, that's it.

01:22:43That.

01:22:44Okay.

01:22:45But you're only staying with me.

01:22:47Alone, only with you.

01:22:48Just with you, and I'll handle it myself.

01:22:50No, he doesn't do anything.

01:22:51The one who's a klutz doesn't do anything, I'll do it myself, all by myself.

01:22:53And I'm left alone with you.

01:22:54And you stay silent.

01:22:57Okay.

01:22:58Thank you, thank you.

01:22:59And please excuse the interruption.

01:23:00Thank you.

01:23:01See you later.

01:23:05Fiti, Fiti, come here.

01:23:10Why don't they come to Mexico?

01:23:12With you, that is, my family and the children.

01:23:15What do you want?

01:23:15The Ferrari.

01:23:17Again.

01:23:18Judo.

01:23:18Look, damn it, I tell him to be careful with the car and he comes back with a huge scratch.

01:23:21I've made a mistake!

01:23:22That?

01:23:22It's all the same!

01:23:23Well, niece!

01:23:24How exciting!

01:23:25We are all part of the same estate.

01:23:26I'll tell Ana to help you.

01:23:27Why not?

01:23:27Because filing your tax return is a private matter.

01:23:29Well, that's why I'm here to lend you a hand.

01:23:31Oh my God, the ring has swallowed it!

01:23:33Poor children of yours, you diafroteño.

01:23:35I'm going to have to charge you something.

01:23:37Let's go.

01:23:37Shit!

01:23:38Hey man, I've got a reputation in the neighborhood, you know?

01:23:40My father, uncle, who has banned me from having a car.

01:23:41I'm telling you, brother, that my father doesn't give.

01:23:43You've hooked up with ten.

01:23:45I thought you were more open.

01:23:46Hey, you have to look at this at the same time as...

01:23:50Didn't you have something to say to me today?

01:23:51Pregnant with a pregnancy?

01:23:53The police station.

01:23:53And so?

01:23:54What happened?

01:23:55Apparently, the vehicle is involved in an attempted robbery of a jewelry store.

01:23:58So you're going to have to come with me.

01:23:59What is your lawyer?

01:24:00No, he's a mechanic.

01:24:01No child deserves to have a mother as irresponsible as me.

01:24:04Are you going to Mexico?

01:24:05I told Diego and the children and they're coming with me.

01:24:07What worries you is that he wants to have a relationship with you.

01:24:09who wants to go too fast.

01:24:10You and I have to finish this off today, right?

01:24:16Celia.

01:24:16But what are you doing here?

01:24:18I'm going to confess something to you, you know?

01:24:19I can't take it anymore.

01:24:20Get out of my house right now.

01:24:21We didn't talk about it because I already have an appointment tomorrow with the specialist.

01:24:25The fact is that she's a very impulsive woman; she's up one minute and down the next.

01:24:28But I'm sure he'll reconsider.

01:24:29So you haven't done it in the end, have you?

01:24:31Yes, I have done it.

01:24:37He will fall asleep next to you.

Los Serrano - 6x25 - La parábola del hijo prófugo - HD 1080

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