Los Serrano - 6x20 - Un año de soledad - HD 1080 - Vídeo Dailymotion

Aquellas_Maravillosas_Series

Diego siente cada vez más la necesidad de estar rodeado de los suyos. Con motivo del enfrentamiento futbolístico Madrid-Barcelona, organiza una gran cena en su casa, pero nadie puede acudir a la cita. Por lo que decide llamar a "Tele-Amigo" y acudir a un bar de encuentros. Por su parte, Choni tiene que llevar Santiaguín a la guardería pero, para pasar más tiempo con su sobrino, decide pasar primero por un centro comercial. Allí se encuentra con un director de casting que está buscando a un niño para protagonizar un anuncio. Choni ve en el spot la oportunidad que ella nunca tuvo y José Luis no deja de pensar en los 3.000 euros que conseguirían si aceptasen la proposición. La pareja convence a Santiago para que firme la autorización sin tener en cuenta que Lourditas está totalmente en contra de que los menores se dediquen al mundo del espectáculo. Además, Manu continúa paseándose por la casa sin demasiada ropa ante la embelesada mirada de Teté. Además de comentárselo a Diego, los celos de Guille le llevan a planificar una peculiar venganza, conseguir que todos piensen que su primo ha roto una foto en la que Lourditas y Fernando aparecen junto con los Reyes.

Transcript

00:00:11Santi! Santi! Santi!

00:00:17Tell me, tell me, little dove.

00:00:18He's snoring. You're blocking our view of the television.

00:00:21Of course, given the time of day...

00:00:23It's not that late to leave either.

00:00:25Besides, it doesn't matter. You know what I can do?

00:00:27I turn up the volume so they can hear Santi's snoring.

00:00:30Because still... I don't think it's too soon yet, is it?

00:00:32For some time now, my father has never been able to wait to go to bed.

00:00:35Santi, let's go, the child needs to go to bed.

00:00:37I'm sorry, Diego. It's just a little late.

00:00:39But what, now... Now the best programs begin.

00:00:42He always comes, even on time...

00:00:43I'm leaving, brother.

00:00:46Okay.

00:00:47As the father used to say, if you don't have bread at twelve o'clock, you'll have to deal with it.

00:00:52Santi!

00:00:53What does that mean, man?

00:00:55Huh? I understand myself, I work.

00:00:57He used to not care what they showed on TV.

00:01:00Unless it was football.

00:01:01But now, just to avoid going to bed, she'll watch anything I throw at her.

00:01:04We're going home now.

00:01:04No, no, no, but wait, Carmen.

00:01:06No, man, you stay.

00:01:07Because, well, we'll put on whatever program you want.

00:01:08Now come those matters of the heart that you like so much.

00:01:10No, no, no, thank you, Diego.

00:01:11No, thank you, thank you.

00:01:12I'm going to sleep, to bed.

00:01:16Fiti, what are you doing?

00:01:17Not you, not you, you hadn't, you hadn't, huh?

00:01:19Yes, yes, yes, yes, man.

00:01:21Every time you convince me to stay here on the sofa, I get up later with my kidneys hurting.

00:01:24Sherry.

00:01:25But that's not a problem at all, for God's sake, man.

00:01:27We'll go upstairs and you can get into bed with me, if you're comfortable.

00:01:31Hey?

00:01:31What are you saying?

00:01:33Otherwise, because I've known you all my life, it would seem like you were going to put a wand on me.

00:01:37But, man, for God's sake, you're free, really.

00:01:39No, no, no, no, no, no.

00:01:40I'll go with you, come on, I'll go with you.

00:01:41Go on, throw it.

00:01:41When we're going through a tough time, my father always tries to lend a hand.

00:01:45And I would like to be able to help him too.

00:01:48If you want, I'll stay with you, Dad.

00:01:51No, look, thank you, son, no, I appreciate it very much, because you should go to sleep, because tomorrow you have to go to the

00:01:57school and you have to get up early.

00:01:58Come on, hello, hello, kiss.

00:02:00See you tomorrow.

00:02:05But sometimes it's not possible, because there are things you have to solve on your own, and be

00:02:10It just must be very difficult.

00:02:15On a station platform, under the blazing sun, you were talking about a skyscraper in the New York sky.

00:02:23Come soon to see the sea, and you send a postcard, I already knew that day was the end.

00:02:30Now I have much more, red, black, stop and even, finally luck brings an ace and a crystal for

00:02:39look, and a wall to hang it on.

00:02:41Seven smiling faces in a passport photo, my stories weren't about tales made by chance.

00:02:50Nobody told me that destiny was giving me this opportunity.

00:02:58One plus one equals seven, who would have thought?

00:03:04That it was so easy to be happy.

00:03:34What's happening?

00:03:36Hey, it's for you.

00:03:37Who is it?

00:03:38No, I don't know.

00:03:39Hello.

00:03:40Hello gorgeous.

00:03:41Nothing, I was in the shower.

00:03:42Tell me.

00:03:43Tete.

00:03:45What's this about "thank you, Manu"? Why "thank you, Manu"? Let's see.

00:03:48Thanks, Manu, for letting me come in to get the hairdryer, Diego.

00:03:50Okay, that's fine. The hairdryer is good, because if your hair gets wet, you have to dry it, of course.

00:03:55Okay, and it takes a while to dry. Okay, very good.

00:04:00Dad.

00:04:01You're watching, aren't you?

00:04:02What I'm seeing is that I don't believe it, frankly.

00:04:04I see it and I can't believe it.

00:04:06Because this is the one who jumps, the guy.

00:04:07So, yesterday Marta, or yesterday Cristina...

00:04:09Tomorrow, bro.

00:04:10Tomorrow, bro.

00:04:12Well, well, good morning.

00:04:14Remember this, everyone.

00:04:15Everyone ready for tonight.

00:04:16We all know what we have to do.

00:04:18Because?

00:04:18Because we have the game of the century.

00:04:20The derby at Paperview.

00:04:22Again.

00:04:23But they show it every day, for God's sake.

00:04:25But Carmen, please, what are you saying?

00:04:27We're talking about Madrid-Barça.

00:04:28It's like if I were to tell you, I was going to explain it to you.

00:04:30Like if I tell you they show the finale of Betty la Fea every day.

00:04:32Ah, show some respect, eh?

00:04:34I'm not that hooked on soap operas.

00:04:36I'm not convinced by the Paperview thing.

00:04:39It comes out through a kidney.

00:04:40Santiago, that is, I'll pay for the game today.

00:04:42In other words, I pay for the Paperview.

00:04:44And I also make a pisco pencil so that...

00:04:45Ah, it started there, damn.

00:04:47Oh, well, and to give him a little something extra and some Iberian ham, right?

00:04:49Well, not Iberian at all.

00:04:51Between the Paperview and the other thing, it's going to cost us a fortune.

00:04:53In short, to see 20 lazy people running after a ball.

00:04:56Ah, well, but what do you say, okay.

00:04:57I mean, Santiago, do me a favor.

00:04:58No, no, no, don't be a rat.

00:04:59Okay, so Lurditas and the kid can come now, right?

00:05:00The child, not the child.

00:05:02I didn't say Lurditas about football.

00:05:04It brings out the worst in human beings.

00:05:05Imagine the poor child at such a tender age, listening to those swear words.

00:05:09Take charge, brother, it's a piglet.

00:05:11Well, yes, Lurditas piglet, we're doing a restraint exercise.

00:05:14In other words, we hold back; we don't swear, insult the referee, or say anything outrageous.

00:05:18In other words, no.

00:05:18Speak for yourself, man, it's very powerful.

00:05:20Good morning.

00:05:21Good morning, brother, good morning.

00:05:24Curro, son, do me a favor, show Fiti and Uncle Santiago the goalkeeper's suit we bought.

00:05:29Please show yourself, man.

00:05:31Yes, let's see how it looks on you.

00:05:33Carmen, if you don't mind, please join us sometime to see Casillas's suit.

00:05:38No, let's see which boxes, you know? No, no. Let's see what I like for Mancio, yes.

00:05:41Because he was a man like God intended.

00:05:43Yeah, sure, wow, wow, wow, wow, wow, wow.

00:05:46Hey Manu, how's it going? How's your friend? What's her name? Marta, Marta.

00:05:52No, Cristina.

00:05:52Cristina, that's it.

00:05:53Yes, Cristina.

00:05:54Cristina, which of the two, Marta or Cristina, is your girlfriend?

00:05:57Ah, they're rolls.

00:06:00Clear.

00:06:00Ah, they're more of a quick, quick, quick thing.

00:06:03More or less. What's up, serious flings?

00:06:05Okay, okay, that sounds good to me. I admire you, I admire you for that, Manu, I admire you because you're young and all.

00:06:09The thing is, we have a problem, right? In this house and in this family, we have to set an example.

00:06:15Why? Because we're a modest family and a private home. I don't know if you follow me.

00:06:19I don't think he follows you, Dad.

00:06:22He's not following me. Let me explain it a little more clearly, shall I?

00:06:24In other words, the point is that since there are impressionable people, people who are into the whole thing...

00:06:28hormones, teenagers, and all that,

00:06:29Let's do one thing.

00:06:30In other words, the flings are over, the "bang, bang, bang," the "here I catch you, here I kill you," the girlfriends, etc., etc.

00:06:36Is that clear?

00:06:38Already.

00:06:39And one more thing.

00:06:40The showers.

00:06:42I get the impression that you shower too often. I mean, you're constantly going in and out.

00:06:46from the shower.

00:06:46Well, the showers are over. Why? You might ask. Because there's a drought.

00:06:49Is that clear?

00:06:50Very good.

00:06:52Well, that's it.

00:06:54What has been the idea?

00:06:55Great, I'm very happy.

00:06:56Yes, yes, if it's another day, if you and I talk, if we talk about our little things and all these things.

00:07:07Hello.

00:07:08Hello, today my nephew.

00:07:10Today.

00:07:11But hey, what are you?

00:07:13And my Santi, here, come. Come here with your aunt.

00:07:15Santi, Santi.

00:07:16Santi, you have to take the child to the nursery, I'm late to reception.

00:07:19But don't leave me like this, little dove, because I can't keep up. I don't have enough arms.

00:07:22My brother has gone out to the Madrid Market and left me here alone.

00:07:24Sorry, we're three breakfasts short.

00:07:26Wait! Wait!

00:07:28If your brother would stop bothering her.

00:07:31But Santiago, in this business it's not all about serving coffee, you know?

00:07:33We need to keep an eye on the state of the market.

00:07:35Besides, I won't be going in for another ten minutes.

00:07:37I'm so pissed!

00:07:38Well, you don't bring breakfast, do you?

00:07:39Yes, I'm coming.

00:07:40Please, I'm telling you.

00:07:43Because?

00:07:44I arrived late to the reception with the king and queen.

00:07:46I really can't leave.

00:07:48But if I'm going to stand in a corner, it's to say hello to Leti, because I'm a fan.

00:07:51But look, don't be a pain, Tony.

00:07:52But we've already explained it to you.

00:07:54Well, only school principals and teachers can go.

00:07:56Well, I think it's total discrimination against the world of the B team in Argentina.

00:07:59Look what I'm telling you.

00:08:00That has to be unconstitutional.

00:08:02Can you take the child to daycare, yes or no?

00:08:04Yes.

00:08:04Well, no, no, no, no.

00:08:05What if he's hungry?

00:08:06What if he poops?

00:08:07If he shits on me.

00:08:08What if you change the diapers you have there?

00:08:09And so?

00:08:09So you're practicing a little, huh?

00:08:11Of course.

00:08:12Rehearsing?

00:08:13Rehearsing for what?

00:08:14For the Grand Prix.

00:08:15You're kidding me.

00:08:15Why are you passing?

00:08:16Let's see, Santiago.

00:08:17Look at me.

00:08:18We're going to get along, okay?

00:08:19If you feel like...

00:08:21Listen to me.

00:08:22You hold it until you get to daycare.

00:08:24And you have so few tricks, son.

00:08:27Come on.

00:08:27Let's get started with the warm-up, shall we?

00:08:29This is the most important part of the training.

00:08:31Then come the injuries and the whining and, well, the complaints too.

00:08:36Hey, mister, can't we just run straight like this now, without all this nonsense?

00:08:40Let's see, what did I just tell you?

00:08:42Come on, pay attention to the basic warm-up, okay?

00:08:44We'll start with the arms, okay?

00:08:45Left.

00:08:48Sometimes he just drools, that's a trick.

00:08:50To her, to her and to all.

00:08:52Venguille, I thought you had accepted it.

00:08:54This idiot doesn't bother me anymore.

00:08:57The little muscle is going to be inserted, it's this one.

00:08:59And we continue with the legs.

00:09:06With the right hand, go.

00:09:10So, what's going on?

00:09:11What's up with the jokers, huh?

00:09:13Let's see.

00:09:13Hey, hey, it's okay, Manu, man.

00:09:15It is a natural thing of the body.

00:09:17What could happen to him someday?

00:09:18Have you eaten beans or something?

00:09:19No, no, no, no, no.

00:09:21No, no, no.

00:09:25Come on, come on, come on, go, go.

00:09:27Okay, listen to me.

00:09:29I hope you've lost your desire to be funny.

00:09:32Hey?

00:09:33Okay, just take a minute and go into the classroom.

00:09:42Well, guys, we're not expecting to be in shape, are we?

00:09:45No.

00:09:46This is what he uses as a webcam when he does sports.

00:09:49We are four sweaty shits.

00:09:52Come on, guys, I hope you've lost the desire to be funny.

00:09:56What an idiot.

00:09:57Forget it, Guille.

00:09:59But during class he is the teacher.

00:10:00You can do whatever you want.

00:10:02You said it.

00:10:03During the class.

00:10:07But hey, this is what Arguiñano's show looks like.

00:10:11Have you seen, Carmen, what a fideuà it turned out to be?

00:10:13Well, come on, this is finger-licking good.

00:10:15Let's see.

00:10:16But, Curro, remember he told us he wasn't coming.

00:10:19That he was staying at school today.

00:10:21That's right, I had completely forgotten about it, yes.

00:10:23One second.

00:10:28Yes, Guille, tell me.

00:10:29That?

00:10:30Aren't you coming to eat?

00:10:32And Teté either?

00:10:34Okay.

00:10:36Guille?

00:10:37Come on, they're not coming to eat either.

00:10:40Okay, so this one and I will eat, right?

00:10:43And I'll see what I do with the leftovers later.

00:10:45We're going to take away some plates.

00:10:46Okay, fine.

00:10:50What silence, isn't it, Carmen?

00:10:52Without the kids, this place looks like a Carthusian monastery.

00:10:56I'm used to it.

00:10:58Since I don't even notice it, let's go.

00:11:00What does he mean by that, because of the deafness and all that?

00:11:02He doesn't hear...

00:11:03No, man, no.

00:11:05No, no, I'm saying that...

00:11:06I'm very used to being alone, you know.

00:11:12So many years, a widow.

00:11:13Well, half a lifetime.

00:11:15I don't know if I'm getting the picture.

00:11:17But I wear what I wear and...

00:11:19And I am the way I am, so...

00:11:22I can imagine.

00:11:24It's so hard being alone, isn't it?

00:11:28Yeah.

00:11:30Yes, it is hard, Carmen.

00:11:33Well, the children leave home, even worse.

00:11:38Well.

00:11:38No, what I wanted to tell you is that...

00:11:40If you feel alone, you can count on me.

00:11:45I don't appreciate it, Carmen.

00:11:47But don't worry.

00:11:49I still have many children to raise.

00:11:51And until they become independent, I suspect there will be many meals to prepare.

00:11:55But you know how fast they grow and...

00:11:58Look, Marcos, at your light and...

00:12:02And Guille and Tete.

00:12:04When you finally realize it, well...

00:12:06Yes, let's just say I've lost the teenage factor.

00:12:10But Currito is still there.

00:12:12Currito is like my last hope.

00:12:15As long as I still have Currito, everything's fine.

00:12:19Anyway, Diego, yes.

00:12:22If you need anything, I'm here.

00:12:26Thank you so much.

00:12:27This looks like a kidnapping, Choni.

00:12:29One last little lap and we're off, because Santiago is going to castrate me.

00:12:32Besides, you didn't have to be at work.

00:12:34A little something, just a little something, that's what we need to be a family, a real family.

00:12:40Go on, just focus on the kid for now, on your nephew-in-law, and stop...

00:12:44But one thing's for sure, it can't be missing much, because I can feel it inside the church.

00:12:47Come here, I'm going to give him a run for his money.

00:12:48The baby will not have to drink.

00:12:50And Santiago...

00:12:50No, none of them are any good, we can't make it.

00:12:52Don't let our DNA mix, I don't want to tell you anything.

00:12:55He's coming here, darling, Juan told you.

00:12:56The child is not thirsty.

00:12:58What do you mean, no?

00:12:58Look, he's coming here, honey.

00:13:00Look at the time.

00:13:01My darling, you look so handsome, my God.

00:13:05Clear.

00:13:06Do you want to flee?

00:13:07Do you want a huica that has tutit?

00:13:08What a handsome boy, isn't he?

00:13:10Yeah.

00:13:11Look how expressive it is, isn't it?

00:13:12Well, in that respect, he's just like me.

00:13:14It seems calm to me, huh?

00:13:16He's behaving himself, isn't he?

00:13:17If you behave, you won't hear this one peep about, day or night.

00:13:20It's you, the creature is a cherub.

00:13:21Wouldn't you be thrilled if the child appeared in an advertisement?

00:13:26Well, that's very kind of you, because we're in a bit of a hurry.

00:13:28We're doing an ad for that store, and this kid is exactly what we're using.

00:13:33Listen, and by any chance, you won't need a mother because I'm also in show business, you know?

00:13:38Look, Toni, we're late, we have to take the kid to daycare, and damn it, we can't

00:13:42We are their parents.

00:13:42Come on, let's go, please.

00:13:43Josico, for God's sake, the opportunity that I haven't had in my entire life is now being presented to him

00:13:47my nephew.

00:13:47Damn, I'm so excited.

00:13:48I could pay them, you know?

00:13:513,000 euros.

00:13:54Sorry?

00:13:553,000 euros.

00:13:57Josico, darling, these are just a few photos and this doesn't happen every day.

00:14:00Do you know how excited Lúrdica and Santiago will be?

00:14:03Come on, man, honey.

00:14:06Well, yes, maybe you're right.

00:14:08If the child was born to be a model, well, damn it, let's take advantage of it.

00:14:11Of course, of course.

00:14:13Huh? Is this quick or what?

00:14:15PISP has not seen.

00:14:15Yeah?

00:14:16Here.

00:14:17Come on.

00:14:18Which way?

00:14:18This way, that way.

00:14:19That way, that way.

00:14:20I'll talk to the parents and we'll see, okay?

00:14:22They're going to be delighted.

00:14:23No, no, no.

00:14:23No, no, no, no, no.

00:14:26Remember, tonight's the big event, at my house at 10, the game of the century, Madrid-Barça.

00:14:31Hey, Diego.

00:14:32That?

00:14:32Look, I'm glad you brought it up.

00:14:36That I won't be able to go.

00:14:38You're not going to...

00:14:39But, man, but, Fiti, don't choose me, man, you can't let me down, for God's sake, but...

00:14:42But, well, but...

00:14:43Let's see, I've got the ham ready, I've got the beer chilling in your honor, in your honor,

00:14:48Fiti.

00:14:48Oh, what do you want me to do? They're coming to install a new machine in the workshop.

00:14:51My boss told me that if I could stay with a Korean guy, I'd come and set things up.

00:14:54I don't know what the hell.

00:14:55But what do you mean, a Korean? I mean, but, but, what are you saying?

00:14:57I mean, with a Korean player in a Real Madrid-Barcelona match, there's no comparison. I mean, a Korean player in a Real Madrid-Barcelona match, well...

00:15:00There's no comparison, damn it.

00:15:01You're going to tell me. And what do you want me to do, damn it? That's my job.

00:15:05No, yes, I know it's your job.

00:15:07No.

00:15:13What do you mean, no? Wasn't she supposed to be in daycare?

00:15:18Hey, Fernín, I was going to tell you something. Um... No, maybe you'd like to... I know you don't like it.

00:15:23Football and all that, but hey, maybe you'd like to come over for a beer and watch...

00:15:26I'm sorry, because I've arranged to have dinner with some friends and then have a few drinks afterwards, okay?

00:15:30You might like to come too, huh? Want to come for a drink?

00:15:33No, why don't we...? No, no, no, because they're not coming... I mean, you're coming with your friends.

00:15:36And that's it, I mean...

00:15:39Oh, so they're not into football and stuff either, right?

00:15:43I'm going to take care of something here.

00:15:49Curro, son. Hey, it's me. What?

00:15:52No, it was to confirm that you were coming to watch the football with me tonight.

00:15:57Very good, son, that's what I like to hear, yes sir. Very good. I'll be waiting for you tonight. Thank you very much. A kiss, okay?

00:16:00Wait, wait, little dove. Wait. Wait.

00:16:05And Santiago?

00:16:07Little dove! Don't call the SWAT team! Santiago's here!

00:16:13Who are you? Who are you to put my child in an advertisement? Who are you? Without my permission.

00:16:17But he's really gotten himself into it, Santiago. The camera loves him.

00:16:21Well, I'm telling you, this kid's going to be a star. I'm telling you.

00:16:24Risto Mejide won't sink this one. Well, not even two Risto Mejides.

00:16:28We'll have to consult me. Yes, yes, you're right, we had to consult you.

00:16:32But if you don't sign this, there's nothing to be done, damn it. You decide you're the father.

00:16:35I'll tell you one thing too. The team was there.

00:16:37How was the team? They were drooling over...

00:16:39I had two of them republished, Santi. You can't even imagine.

00:16:42It's just how natural the kid has been, how special everyone is.

00:16:45That I'm so special, and it's true, huh?

00:16:46And my little piglet was born lucky.

00:16:48Well, Bonico, that's it. He had them all going crazy.

00:16:50The train to show business is coming, that happens once in a lifetime.

00:16:52Santiago, it's done. If the father doesn't upload it, who the hell is going to upload it?

00:16:55Telico, of course. Your hand is there to turn him into a star.

00:16:58Or not? Or not?

00:17:00Like the little nightingale.

00:17:01The Little Nightingale and Marisol. Those kids must have filled theaters to capacity.

00:17:04That's a future for life, Santiago.

00:17:06Sign here, this is the start of the kid's career.

00:17:10Well, I'm imagining neuality.

00:17:21We talked about envy. If we could, I'd do the same, I don't know.

00:17:25Well, but come on, the guy has his limits too.

00:17:28I mean, I don't know, but for example, you can't hook up with the student from school.

00:17:32Shouldn't he? Because he can, yes he can.

00:17:34Well, like I said, man.

00:17:39This is this morning's reception with the monarchs.

00:17:46They've even signed for us.

00:17:48During these special holidays...

00:17:51This youth certainly does not respect Gana.

00:17:53To sign off on little jokes, little jokes.

00:17:59Excuse me, brudita.

00:18:00I've closed tonight, okay? I have work this afternoon.

00:18:02I'll leave you the key.

00:18:06So, how did that monarchical ceremony go?

00:18:09How were the kings?

00:18:10Yes, very good. Hey, hey, I don't really agree, but oh well.

00:18:14But very good people, very good people.

00:18:15It's good, they've skipped protocol and everything to shake our hands.

00:18:18They are wonderful people.

00:18:19Well, the king, you had to see it.

00:18:21In other words, very simple, very normal people, like you.

00:18:24A little taller, perhaps.

00:18:26Ah, of course.

00:18:27And where are you supposed to put that?

00:18:28See you later, little brute.

00:18:30See you later, Manu.

00:18:31It was definitely a mistake not to take me, Lurdita.

00:18:33How good that man would have looked next to me.

00:18:44Tell me, Santi.

00:18:46Yeah.

00:18:49What do you mean, the suppliers?

00:18:51No, I know they are...

00:18:52What were they going to do now?

00:18:54Already.

00:18:57Okay, fine.

00:18:58No, no, no, no.

00:18:59Okay, okay.

00:19:01Sorry, I'm getting a call on my landline.

00:19:02We already talked.

00:19:08Yeah?

00:19:10Currito, son, what's up?

00:19:11It's coming...

00:19:16But, come on, we were supposed to stay and watch the game together, weren't we?

00:19:21Yeah.

00:19:22Yes, yes, yes, yes.

00:19:23Okay, okay.

00:19:24No, no, no, no, no, no, don't worry, no, because I hadn't been able to buy the match nor had I prepared

00:19:29nothing.

00:19:31Okay, see you later, son.

00:19:33The players are now coming onto the field.

00:19:38Get ready, have everything set up with your friends, all glued to the television,

00:19:44Because the match of the century between Madrid and Barça is about to begin.

00:20:21Fermín, it's me, hello.

00:20:24Hey Manu, I'm going home, can you close up?

00:20:26Yes, first I take a shower, which, I mean, I've imposed on myself at home.

00:20:29I'm closing now.

00:20:30Okay, bye.

00:20:50Hey, let's see, Manu, it takes at least 20 minutes in the shower, okay?

00:20:53Yes, you have some little skates...

00:20:55Come on, you're going to have...

00:20:56What are you saying, man, what are you saying?

00:20:57I wouldn't see playing skateboarding.

00:20:59Let's see what we are, kids or professionals.

00:21:02Boriche, you to the locker room door.

00:21:04Let us know as soon as the shower turns off.

00:21:05What, what, what? Why me?

00:21:06Why me?

00:21:06Even though the suca is new.

00:21:08Hey, kid...

00:21:08Let's see, Boriche, we trust you and besides, you're the one with the most experience.

00:21:13Come on, I'll sell at the door too.

00:21:14I forgive you.

00:21:17What are you thinking, Oyo?

00:21:19I know this face.

00:21:21Hey, let's see...

00:21:22Let's see, Su.

00:21:24In war, you must always attack the enemy's most valuable asset.

00:21:36No.

00:21:38No, you're awesome, man.

00:21:40You're his, idiot.

00:21:46Well, yesterday I saw Lynch's latest film, which I had missed in the cinemas, you know?

00:21:50Masterpiece.

00:21:51That?

00:21:52No?

00:21:53Hey?

00:21:53I think that complacency is waning a bit.

00:21:56Yeah.

00:21:57Are you pro or anti-Lynch?

00:21:59Lynch, you say.

00:22:00Lynch.

00:22:01Lynch.

00:22:02Lynch, that Lynch.

00:22:04Lynch, it seems to me that it depends on the moment, right? I mean, you're either anti-Lynch or pro-Lynch.

00:22:11Well, look, I think Diego likes a different kind of movie.

00:22:13Right, Diego?

00:22:13I like, well, movies... For me, honestly, the epitome of cinema is John Wayne.

00:22:19on horseback.

00:22:20John what?

00:22:21John Wayne.

00:22:22And cowboy.

00:22:23Ah, John Wayne.

00:22:24TRUE?

00:22:24John Wayne.

00:22:25Yes, you don't know that, Fermín, do you?

00:22:27Yeah.

00:22:28Who is Fermín?

00:22:29Oh, sorry, Fernando.

00:22:30He, he, Fernando, that I...

00:22:32No, it's like... I mean, you get home, right? And you're tired. I mean, we all have problems.

00:22:38You arrive tired and what you want is something light and to make you laugh and all that, right?

00:22:42And to avoid overthinking it, let's go. Man, I'm telling you this with confidence, if there's football, then all the better.

00:22:49Well, listen, yes, on another note, let's say, right?

00:22:54Saura, what about the house? Have you finished the renovations yet?

00:22:57Yes, all I need is a sofa. Well, I went to a showroom, but wow, what a disappointment, everything was so conventional.

00:23:03Everything's already been invented. Look at the latest. Calatrava designing toilets.

00:23:08Calatrava.

00:23:09Calatrava.

00:23:10But I can believe it.

00:23:13As comedians, I... I mean, it has its appeal, right? But I can't imagine them designing toilets, no way.

00:23:18Frankly, isn't it?

00:23:30Sing what you're singing, okay?

00:23:31For Fernandito.

00:23:35That?

00:23:38No, no, no, no, doctor. And I'm not about to just sit there watching the game, you know.

00:23:42It had to hurt on the other side, but unloading the fridges and cleaning up the tavern was a must.

00:23:45Okay, go on, go on, talk to her.

00:23:48Talk to her.

00:23:50Come on.

00:23:59Isn't this lovely, this whole thing with the children's choir performing?

00:24:04Do you remember our times, Palomita?

00:24:06Where we used to see Marisol and Joselito.

00:24:09No, and the truth is that the little ones are doing a fantastic job, aren't they?

00:24:11That the copla is a genre of look.

00:24:13Well, since Piquer died, you're keeping them, so imagine.

00:24:15Oh, my love.

00:24:16It's not edible.

00:24:17Look, look how difficult it is.

00:24:19Well, what I'm saying is...

00:24:21You'll have to talk about your things.

00:24:23Ah, yes, because we're going there.

00:24:25Come on.

00:24:26Let's go.

00:24:26Everything has been cleaned up.

00:24:28That you talk about...

00:24:29That you talk about...

00:24:30About your things, huh?

00:24:32Santiago, from your things.

00:24:36And now?

00:24:38Well...

00:24:41I liked that Fernandito guy with the mohawk.

00:24:46The blond guy?

00:24:48We called him to vote for him, huh?

00:24:51His name was Fernandito, wasn't it?

00:24:52Poor children, Santi, poor children.

00:24:54And the look on their faces when they lose.

00:24:56What do you say?

00:24:57Besides, at this hour they had to be in bed.

00:24:59But no way, woman?

00:25:00If that was recorded in the morning.

00:25:01They're putting it on now, but the children are already asleep.

00:25:03But what do I care?

00:25:05Look at that girl in those clothes, swaying like, like...

00:25:08Look, don't make me talk, don't make me talk.

00:25:10Well, I'm not saying that girl isn't being judged, but...

00:25:13But that must be a big deal for a father, huh?

00:25:16How wonderful that your son is an artist.

00:25:18And that all of Spain admires him.

00:25:20No, Santi, no.

00:25:22A young child belongs in school.

00:25:24Man, the worst, the worst thing is the parents.

00:25:28What kind of mother is that, huh?

00:25:29He would like one of his children to pursue a career in the arts.

00:25:31Come on, leave it alone, leave it alone.

00:25:33I feel sick.

00:25:35Isn't it amazing, Steve, that Finger Magic, besides being practical, also helps to exercise the muscles?

00:25:46Tired of being alone?

00:25:47Another night sitting on your couch at home?

00:25:50With no one to talk to.

00:25:52Nothing to watch on TV.

00:25:53Without a bad puzzle to do.

00:25:56Don't worry.

00:25:58Teleamigo is finally here.

00:26:00Call and you'll find a lot of people.

00:26:03New girl who is eager to meet you.

00:26:06Don't wait any longer.

00:26:07Overcome your shyness and call.

00:26:10Remember, there are many people who want to talk to you.

00:26:15906-23-56-786.

00:26:26Yeah.

00:26:28Hello, my name is...

00:26:31Fermín.

00:26:32My name is Fermín.

00:26:33Just a moment, please.

00:26:41Sorry, I was just...

00:26:43Yeah.

00:26:45I am alone.

00:26:46Yeah.

00:26:49No, it's curious because...

00:26:50There have always been people in my house, haven't there?

00:26:53But...

00:26:54Come on, tell him it looked like the Mars brothers' cabin.

00:26:58Yeah.

00:27:02Yeah.

00:27:03Yes, it's true, yes.

00:27:05It sucks to be alone when you want to be.

00:27:12What happens to me is that...

00:27:14that I have done much less to my wife.

00:27:19Look, before...

00:27:20Even if I weren't there, right?

00:27:22I knew he was there.

00:27:25But now that he's gone...

00:27:31Well...

00:27:33It's like...

00:27:34As if loneliness had crept inside me.

00:27:41Oh, what's wrong, Manola?

00:27:45Have you already enjoyed your one and only shower?

00:27:47But you're such a jerk, dude.

00:27:50By the way, Carmen, have you seen my father?

00:27:52He has to give me my pay and...

00:27:53No, I haven't seen him.

00:27:55It will be upstairs.

00:27:57No, it's not up there.

00:27:58Ah, so he has indeed gone to the tavern.

00:28:01Gillette, huh?

00:28:02Can you come?

00:28:05Is that all you're going to have for breakfast?

00:28:07A little bit of milk, like every morning, Carmen.

00:28:12She's back at the sales.

00:28:14I'm starting to get stuck in the middle of the sofa again.

00:28:17Well, maybe he fell asleep.

00:28:19That's all?

00:28:20I don't know, the little worker.

00:28:22Things are very bad.

00:28:23He, so to speak, was back with the broom in his hand and...

00:28:25And now look at him.

00:28:27Well, I prefer the brush.

00:28:29I thought I'd never say this, but...

00:28:31I also prefer the brush.

00:28:33Okay, so what do we do?

00:28:34I don't know.

00:28:35I thought I was doing better.

00:28:37Okay, okay, come on.

00:28:38Come on, guys.

00:28:39Awaken your father.

00:28:41Diego.

00:28:43Diego, Diego.

00:28:44Hey?

00:28:45That?

00:28:46What's happening?

00:28:48What's happening?

00:28:50What happened last night?

00:28:52What happened last night?

00:28:53Ah, you fell asleep last night.

00:28:56It's because of watching so much television until late, because then you get sleepy.

00:29:00That's it, that's it, I stayed to watch the infomercial.

00:29:02You know I really like José Manuel Soto's programs because of the ham and all that.

00:29:06And that was it, I fell asleep.

00:29:08Do you have a phone mark on your face?

00:29:10Reading, the telephone...

00:29:11Ah, yes, yes.

00:29:12I mean, when I started feeling drowsy, I was talking to...

00:29:16And who do I talk to now, assassins?

00:29:18With a friend.

00:29:19I mean, I started talking to a friend and then I started talking to more friends.

00:29:21Okay, come on, guys, let's have breakfast, otherwise you'll be late for school.

00:29:25Come on, let's go!

00:29:27Hurry!

00:29:30Don't worry, I'll give them breakfast.

00:29:32Meanwhile, you should take a shower.

00:29:34Thank you, Carmen.

00:29:35Thank you.

00:29:40Hey, yesterday when you left, did you close up shop or not?

00:29:43Yeah.

00:29:43By?

00:29:44Because they want to talk to us.

00:29:47Bring, take away, take away.

00:29:48Give me that solvent, let's see if that works.

00:29:50No, don't hit her with that, because I hit her before and almost knocked off the queen's ear.

00:29:53Don't do that to him.

00:29:54Here, Fernando, let's see if you can do it.

00:29:55It doesn't jump, huh?

00:29:56It doesn't jump, huh?

00:29:57And so?

00:29:58These are hooligans.

00:30:00And on top of that, they painted it with indelible ink.

00:30:02Well, I don't know if it's indelible, but that can't be erased.

00:30:05Bring it here, this is a trick my Elfiti taught me, bring it here.

00:30:08My Fiti is very tricky.

00:30:10My Fiti, there in the workshop, you wouldn't believe how many little things she knows, she's very clever.

00:30:13What the men in the house say, they're all Adams, that won't be my Fiti.

00:30:16Oh, that's great, isn't it?

00:30:17Very handy.

00:30:20That?

00:30:21Does it make you unhappy or what?

00:30:22Uh, no.

00:30:23Come on, Fernando, we all know it's badly done, right?

00:30:26No, there's a blondie in that.

00:30:28But don't tell me that's not well done.

00:30:29That's just how it is.

00:30:31Choni, please.

00:30:32How obvious it is that you haven't been given two sandwiches, you rude and inconsiderate people!

00:30:36Choni, how obvious is it?

00:30:36Look, they didn't give me two sandwiches, damn it, because I'm not in the photo.

00:30:39Isn't that it, Choni?

00:30:40They walked right in, just like they owned the place, and they painted this picture just like they did.

00:30:43They could have taken anything or caused a huge mess.

00:30:45But is this the first time that's happened here?

00:30:47Yes, this had never happened before.

00:30:48Theirs at school, never.

00:30:50They entered last night.

00:30:52And you were the last to leave, weren't you?

00:30:55Yes, Fernando, but I already told you that we didn't see anything.

00:30:58Well, I don't know, maybe you closed it wrong.

00:30:59Or if they slipped it in without you noticing.

00:31:01Well, the same.

00:31:02I think it's my fault.

00:31:04I stayed until last.

00:31:06But what are you saying? We left at the same time!

00:31:08No, no.

00:31:09She left first and I stayed behind taking a shower.

00:31:12I didn't close.

00:31:14I'm sorry, really.

00:31:16He's screwed up.

00:31:16It was my fault.

00:31:18Now, don't worry.

00:31:19But let's not let it happen again, okay?

00:31:21It's just that when I'm not here...

00:31:23Good day, gentlemen.

00:31:24Santiago.

00:31:26Look.

00:31:27Your creature.

00:31:29But he's my Santiagoín.

00:31:30And on a full page.

00:31:32Yes, I told you, no, I didn't tell you.

00:31:33And this is just the beginning.

00:31:34Careful, okay?

00:31:35There's a casting call this afternoon for a TV commercial.

00:31:36That's where the money and stardom are.

00:31:39Stardom!

00:31:40Sandy, you're going to fulfill every Spaniard's dream.

00:31:42Live off your parents until you can live off your children.

00:31:43No, Fiti, no.

00:31:44It's not about the money, man.

00:31:45That is a father's pride.

00:31:47That's something money can't buy, Santiago.

00:31:48Neither money, nor pride, nor anything.

00:31:51We had an abortion.

00:31:52As?

00:31:54Lurditas.

00:31:55Lurditas, what the hell did you say to my sister?

00:31:56What did you say to him?

00:31:57So last night, while watching one of those children's choir programs,

00:32:01Well, we saw her turn around because of the children's artist.

00:32:03No way, man, no way.

00:32:04When Lurditas sees the boy's picture here in the magazine,

00:32:06He'll be drooling, you'll see.

00:32:08Let's go to the balcony.

00:32:08He's so handsome, you know?

00:32:10Put on your jacket.

00:32:11Fiti, stay here a little while, we'll be right back.

00:32:13Come on, let's talk to her.

00:32:14Well, as soon as I see Santi's picture here...

00:32:18Santi, do you want me to have some soup left over?

00:32:19Okay, look, you've already ruined the tavern, brother.

00:32:21Ah, very good.

00:32:22Okay, that's all for now.

00:32:26What's up?

00:32:27Hey, what a great game yesterday, wasn't it?

00:32:31Well, what a great match.

00:32:32Wow, the best 15 euros I've ever spent!

00:32:35Take note of what I'm telling you.

00:32:36And how's your Korean going?

00:32:38In the end, it was a forum for Madrid, man, huh?

00:32:40Yes, yes, we were watching it there for a little while in a bar.

00:32:43Come on, he's a star.

00:32:44So, you watched the game in a bar with the Korean guy...

00:32:47Yes, we were there, yes.

00:32:49Delicious little doughnuts.

00:32:50Little doughnuts and buns.

00:32:51Thank goodness someone brightened our day.

00:32:52Because we've had a truly awful day...

00:32:54And what wouldn't we do for our saints?

00:32:56Hey, Santiago?

00:32:56You'll get used to it, Celia.

00:32:58You wouldn't believe how affectionate the men of Santa Puta are.

00:33:00Yes, yes, yes.

00:33:01Soni, can you make me a coffee?

00:33:03Sure, honey, do you want it with the dome?

00:33:04Let's see the magazine?

00:33:05Which magazine?

00:33:06Ah, as children.

00:33:07My baby, yes.

00:33:08They're so cute, but what a shame, really, huh?

00:33:11Because?

00:33:12Because they are too young to work.

00:33:14By the way, did you see that show with the singing kids yesterday?

00:33:17Poor things.

00:33:17A horror.

00:33:18It's awful, they're so young.

00:33:20And I'm telling you this from personal experience, okay?

00:33:22I told you.

00:33:22I told you or I didn't tell you.

00:33:23But come on, let's see.

00:33:24Just imagine, and this is an example I'm going to give.

00:33:27Just imagine Santiagoín becoming a star.

00:33:31Santiagoín, star.

00:33:32That.

00:33:32Santiagoín, a star.

00:33:34Because I will be when I grow up.

00:33:35No, woman.

00:33:36No, Lurdita.

00:33:36Let's see.

00:33:37Have you asked the boy if he wanted to be baptized?

00:33:39I bet you don't!

00:33:39No, no, he doesn't compare me.

00:33:40No, you did it when you had to do it.

00:33:42Well, this is the same thing.

00:33:43After waiting before, before waiting, look at me.

00:33:45I saw her.

00:33:46Clear.

00:33:46Well, I don't know what to tell you, huh?

00:33:48I know many child prodigies and they have ended up very badly.

00:33:51Not in Spain.

00:33:52Not in Spain.

00:33:52Look at Marisol and Joselito.

00:33:54Joselito.

00:33:54Two living examples.

00:33:55Well, I have to go to class, I'm late.

00:33:57I arrive at class.

00:33:58If the little Nightingale ended up as a mercenary in Angola.

00:34:01In Angola?

00:34:02Yes, I saw it at a local movie theater.

00:34:04Okay, let me see.

00:34:05No.

00:34:05Let me.

00:34:06Let me see some swimsuits for Santiagoín, for this summer.

00:34:09Yes, yes.

00:34:09But, look, look.

00:34:11Okay, let's see.

00:34:12Show Santiago de Estangola, please.

00:34:14The man just stood there with the murmur.

00:34:15Where is?

00:34:16Where is?

00:34:16Where is Gola?

00:34:17But that's from Spain.

00:34:18Well, what you have to do is leave.

00:34:20Come on.

00:34:20And I know why I have to dust and this whole place is full of people waiting to appear

00:34:23Rocío, damn it.

00:34:25Lots to do.

00:34:26Wait a minute, just a minute, just a minute.

00:34:29Can you tell me what's wrong?

00:34:30Well, it's all mixed up there with Joselito's.

00:34:33She's gotten sick.

00:34:34Hello.

00:34:34Come on, let's go.

00:34:34And I don't remember where Angola is.

00:34:36Lourdes, Lourdes, we have to go talk to the students, okay?

00:34:39Yeah.

00:34:39Do you remember?

00:34:40Do you remember?

00:34:40I'm the good cop, you're the bad cop.

00:34:41I'm a bad cop.

00:34:42Come on.

00:34:43Well, as some of you may already know, the school suffered an act of vandalism last night.

00:34:47But of a high artistic level.

00:34:49Please, please.

00:34:51Silence.

00:34:53Thank you.

00:34:55If you confess now, the punishment will be less.

00:34:59Who was it?

00:35:11Quille, if it was you, you'd better say so now, okay?

00:35:14Man, Fernando, I don't think there's any proof.

00:35:16No longer, Spanish.

00:35:17Peaceful.

00:35:19Look, as for me...

00:35:20The prince's little joke.

00:35:22I don't care.

00:35:23I feel the same way.

00:35:24Please don't laugh, this is very serious.

00:35:26It's vandalism at night.

00:35:28And a crime against the crown.

00:35:32Look, I'm warning you that Lurditas wants to do a graphological study

00:35:37and that there will be punishments, but serious ones.

00:35:40Guille?

00:35:41But wait, Fernando, why me?

00:35:44Based on your resume.

00:35:46It's almost as if the world is going to hell.

00:35:47It's just that with so many prejudices out there...

00:35:52Let's go!

00:35:53Very good, very good.

00:35:54Eh, eh, eh, eh.

00:35:56This isn't going to end like this, okay?

00:35:58Goodbye, Fernando.

00:36:00They're going to do a graphological study on us.

00:36:03Well, they might bring us the lie detector too, right?

00:36:05Since we're on the subject.

00:36:06And your digital ones too.

00:36:07Let's see, Sue.

00:36:08A good professional has never left any loose ends.

00:36:11It's true.

00:36:12Well, I'm amazed.

00:36:13And on top of that, people laugh at his jokes.

00:36:14What friends do you have, I ask?

00:36:16Friends.

00:36:19Scarce.

00:36:20Few friends, yes.

00:36:23You need new friends, that's clear.

00:36:25You need to expand, look for new avenues, you know?

00:36:28Good.

00:36:29Because Fiti and Santi aren't going to be with you all the time.

00:36:32No, of course not.

00:36:33Well, I made you yesterday.

00:36:35I did the dinner thing, I'm inviting everyone.

00:36:37Neither my own son nor a worker came.

00:36:40That's why I called you.

00:36:41Well, you have to move from the virtual to the real, Diego.

00:36:44To meet people, but face to face, for real.

00:36:46Good, good, right?

00:36:47No, to move on from...

00:36:48Yes, yes, I understand.

00:36:48From friendship to reality.

00:36:49But how?

00:36:50How do I do it?

00:36:51Because I'm reminding you of something.

00:36:52I find it difficult to expand my horizons.

00:36:53I mean, if in 20 years I've only expanded my network to two friends, let's see how I do it.

00:36:55now.

00:36:56Because it's not easy.

00:36:57Look, at that Paz place we were at, huh?

00:37:00They organize those 7-minute meet-and-greets to get to know people, you know?

00:37:03But how can there be 7-minute ones?

00:37:04But what is one that catches you and kills you?

00:37:06Wait a minute, wait a minute, I see you coming.

00:37:08No, no, no.

00:37:08It's not what you think, is it?

00:37:10It's about people who want to meet people.

00:37:12Don't think you're the only one who feels alone in this world, Diego.

00:37:15But come on, I'm sure it's not a flirting thing.

00:37:17I'm telling you, no, because that's not what I want.

00:37:19In other words, I'm not ready, and I don't feel like it, I don't want to.

00:37:21No, Diego, no.

00:37:22I assure you that it's not.

00:37:22Okay, well, in the hypothetical case.

00:37:24Hypothetical.

00:37:24Working hypothesis.

00:37:26So, I'm supposed to do what you tell me every 7 minutes to meet people and all that.

00:37:29Of course, Santi and Fiti can't find out.

00:37:31No, they're not open-minded like you and me.

00:37:34They can't find out.

00:37:34Okay, Diego, of course.

00:37:36Nothing comes out of here.

00:37:36Good.

00:37:38Okay, so you don't want me to stay with you for a little while?

00:37:42The problem is that the nopagollos aren't there.

00:37:44Let's go home and then we'll see each other up in the clouds, okay?

00:37:51Hey, Manu.

00:37:53That...

00:37:55What can I say?

00:37:55That girl is from school, right?

00:37:57AND?

00:37:58No, he said it because...

00:37:59I know that it might not be very well received that you were with the students.

00:38:04But hey, no hard feelings, just friendship.

00:38:07I think you don't remember that my father told you that you couldn't bring

00:38:09girls go home.

00:38:12Yes, but he hasn't even come inside the house.

00:38:13He stayed on the porch.

00:38:14You haven't seen it, have you?

00:38:16Look, Manuel.

00:38:17Push it.

00:38:18My dog's vein swells up.

00:38:20So don't be subtle.

00:38:23Look at me today because I have things to do.

00:38:25Or maybe that's good for your dad, huh?

00:38:27Yeah.

00:38:28Yeah?

00:38:28Yes, okay.

00:38:29Good.

00:38:30Good.

00:38:36What are you doing?

00:38:40Oh dear, oh dear, I don't know why, but I have a feeling you're having one of those days today that...

00:38:43women once a month.

00:38:44That's fine, I respect that, but I'd prefer you let me know beforehand.

00:38:47Do you know what Manu is in because of you?

00:38:49Well, I don't know what you're talking about, Maritere?

00:38:51Yes, of course.

00:38:53Look, Guille, we know each other, you were the one in the photo.

00:38:56Oh, really?

00:38:57But one little thing.

00:38:58Do you have proof?

00:39:00No, right?

00:39:01Then you shut up.

00:39:02But dude, you knew it was going to get messed up and you didn't care.

00:39:05No, Maritere, no.

00:39:06I didn't care.

00:39:08But look, you know what I'm saying?

00:39:10If it bothers you so much, go tell the police and the psychologist.

00:39:13Well, you know what I say?

00:39:13Maybe I will.

00:39:14Yes, or no, look, better.

00:39:15Why don't you go and tell the muscleman, and that way you'll show him how much you care?

00:39:22Look, Guille, you're pathetic.

00:39:24Because you're dying of envy.

00:39:25Because you know that in your life you're never going to be a guy like Manu.

00:39:34Oh girls, I'm so grateful that you came with me.

00:39:36Because every time I come with Santi it's like a rally.

00:39:39Why doesn't this happen to you?

00:39:40I guess so.

00:39:41Hey, the children's clothing is this way.

00:39:43No, no, no, no, no, no, no, look, here to the food, to the healthy food, to the healthy food.

00:39:47The healthy food that my little snout loves.

00:39:48So, does Jocico like macrobiotic food?

00:39:51Yes, that's news to me.

00:39:53He loves macrobiotics, he loves it, he loves it, he loves it, iron, sulfur, well, barley, he

00:40:00It drives you crazy.

00:40:00Well, if I saw it and drank beer, let's go.

00:40:04Yes indeed.

00:40:04Yes, yes, yes, yes, yes, yes, he loves all this.

00:40:08Yes, yes.

00:40:10Hey, that's not...

00:40:12Lourdes, grab me by that fruit.

00:40:14What is it?

00:40:15That's about fruit.

00:40:16What do you mean you don't know?

00:40:17He doesn't know anything.

00:40:18This one is fruity.

00:40:19Yes, this one, I love this one, yes.

00:40:21This one's for kids, Chorny.

00:40:22Yes, but this one is really good for my little snout to go to the bathroom.

00:40:24This is great.

00:40:25Who's who?

00:40:26Yeah.

00:40:27No, I'm thirsty.

00:40:29We're not going to have ice cream, because what are we doing here like three bad guys?

00:40:31Not the ice cream, no, no, the ice cream over there.

00:40:35Lourdes, Lourdes.

00:40:37But that's not my Santiago.

00:40:38What's it going to be, woman?

00:40:39Yes.

00:40:40Hey, you mothers are something else, you see a kid and you think it's your own.

00:40:43But I'll know if he's my child or not.

00:40:44No, no, no, no.

00:40:46It's a young girl, it's a young girl, it's a young girl.

00:40:49I bathed Regen Santo.

00:40:51You won't get my permission here, will you?

00:40:53Hey?

00:40:53I don't know why the citos, my ship, there.

00:40:56With your french fries.

00:40:57Oh, oh, oh.

00:40:57But I'm leaving, okay?

00:40:59I'll be back in a little while.

00:41:00Very good, man, very good.

00:41:00Are you leaving?

00:41:01What do you mean you're leaving?

00:41:02Well, yes, I'm going to...

00:41:05I'm going for Gender, Santi.

00:41:07For Gender?

00:41:08But you went to Mercamadrid yesterday.

00:41:10No, I'm missing some panchitos.

00:41:14Those little Mexicans, you see?

00:41:15They're stale.

00:41:15I'm going for some fresh chips, damn it, everything needs explaining.

00:41:20Something strange is going on here, really strange.

00:41:21I'm going to leave him alone, man.

00:41:23Relax.

00:41:23I'm going after him, to see what he does.

00:41:25Leave him alone, leave him alone.

00:41:26Let him go wherever he wants, Fiti, wherever he wants.

00:41:28Eh, eh, eh.

00:41:29Does he know something?

00:41:30Bark.

00:41:31Casca by being nice.

00:41:32By being nice.

00:41:33Nothing's wrong.

00:41:35Diego has gone to a bar.

00:41:37To a bar?

00:41:38To a bar.

00:41:39To a bar.

00:41:39Like what...?

00:41:40No, it's not there, it's not there.

00:41:42What do you mean, to a bar?

00:41:42Having the tavern, he's going to move to a bar.

00:41:44They are lying.

00:41:45You know something.

00:41:46You know something.

00:41:47Will you confess?

00:41:48I don't give a damn.

00:41:49Does he confess?

00:41:51She went to a meeting to meet people.

00:41:53Are you more at ease now?

00:41:55Hey?

00:41:55But I haven't said a word.

00:41:57No way, she went to pick up girls.

00:41:58No, not to flirt.

00:41:59To meet people.

00:42:00New friends.

00:42:01No to flirting.

00:42:03New friends.

00:42:03What's happening?

00:42:04That we are no longer of any use to him.

00:42:05Of course you're good enough for him.

00:42:07The thing is, you guys have already made your lives.

00:42:09You to me.

00:42:09And he, I don't know, has more free time and needs to expand.

00:42:14Expanding is good.

00:42:15Expanding is good.

00:42:16Because the Chinese keep expanding.

00:42:17And is it going great for him?

00:42:18What do you mean, expand?

00:42:19What do you mean, expanding to my brother would be like tar?

00:42:21Okay, okay, Santi.

00:42:23Do not reject us.

00:42:24No.

00:42:25The problem is that it needs to open new avenues.

00:42:27That's what's wrong with him.

00:42:28Via, via.

00:42:29So, Santi and I would mostly be like...

00:42:31With the central highway right there, it's awesome, isn't it?

00:42:34But now, Diego needs some alternatives.

00:42:37Some secondary roads, a dirt road.

00:42:39That's very well done, isn't it?

00:42:41Like when you're on the first one, huh?

00:42:42And you take the Jarama detour because it's jammed.

00:42:45You understand?

00:42:46Do you understand, Santi?

00:42:47Let's see.

00:42:49But normally, my brother always takes the highway, which is the good one.

00:42:53Man, sure, of course.

00:42:54Of course.

00:42:55Okay, fine.

00:42:56Well, that's it.

00:42:58Expansion, but controlled.

00:43:01Let's go for a little walk, to his place.

00:43:03Where to?

00:43:03Come on, eh, eh, eh.

00:43:05But come on.

00:43:13The success we're having is amazing, isn't it?

00:43:15With the public.

00:43:16Like I said, dude, my Asnaki has sent its rubric.

00:43:18And it wasn't fake, I haven't checked, okay?

00:43:20Well, Boli, it's in position, we have to celebrate, at least.

00:43:23Let's see, guys.

00:43:24The important thing here is not to arrive, but to stay.

00:43:26We have to decide.

00:43:28Kuala or Jordi Dan?

00:43:30Are there no other options?

00:43:32No, let's see.

00:43:33Kuala was a success, that's for sure, okay?

00:43:35One.

00:43:36But what about Jordi Dan?

00:43:37We thought that every summer Jordi Dan released a new song would be his last.

00:43:40but not.

00:43:41That's what we have to do.

00:43:42Now we have to surpass ourselves.

00:43:43To do something elegant, like that, with cachet.

00:43:46Yes, no, no, no, Jordi Dan.

00:43:47Come on, let's go.

00:43:48I have the perfect plan.

00:43:49Okay, Regi.

00:43:51Manu has arranged to meet a little girl here at school today.

00:43:53We've got a topic to discuss.

00:43:55But let's face it, Manu doesn't mess around.

00:43:56Manu doesn't mess around.

00:43:58Manu.

00:43:58Yes, he is a student at the school.

00:44:02We go in, record them, and then share the quote and post it online.

00:44:06No way, no way.

00:44:09There's a difference between making a mess and this.

00:44:12Oh, look who's acting tough, now she's the first to give up.

00:44:14Hey, but it's not a joke, they could expel him from school.

00:44:18Look, whoever doesn't want to come in, doesn't have to.

00:44:20Well, I'm not going in.

00:44:24What do you say?

00:44:28Yeah!

00:44:30No, dude, it's awesome.

00:44:31The plan is twisted and evil, I love it.

00:44:34I mean, even though it's twisted, I like it.

00:44:36No, no, no, no, no.

00:44:38It's precisely because it's twisted that I like it, and that's what makes it evil.

00:44:40It's delicious, isn't it?

00:44:41Did you think of that?

00:44:43Hey, Valdano, shut up already!

00:44:45I know this place because a friend of mine, Fermín, who is a psychologist, showed it to me.

00:44:52He's my psychologist.

00:44:53So...

00:44:54Then Fermín tells me that I need to expand, Maricler.

00:44:58So, to me, the expansion seems a bit like...

00:45:01How do you make it fall?

00:45:01Like a black hole you fall into...

00:45:09Well, delighted, huh?

00:45:12Remember, in fact, Diego, ham.

00:45:14Yes, yes.

00:45:15See you later.

00:45:16See you later.

00:45:17I don't think this is a good idea.

00:45:19No, no, Fermín.

00:45:20Listen, just a moment.

00:45:20You know him very well in terms of theory.

00:45:22But in practice, I've got him figured out.

00:45:24Damn, and she's very sensitive and she falls apart in two bites of corn.

00:45:27We're going to keep a closer eye on him.

00:45:33So, my eldest son, right?

00:45:34That he fell in love with my eldest daughter.

00:45:36And well, at first, of course, a great concern, imagine.

00:45:39Since they were practically brothers, well...

00:45:40But no, then things fell apart and well, that's fine.

00:45:43Now they have a little girl together and I'm happy.

00:45:47Ham, Diego, ham, mine.

00:45:51And when I became a widower, I started bribing.

00:45:55Not always, sometimes.

00:45:57To bribe?

00:45:57Yeah.

00:45:58Yes, I think these things have to be told like this, without sugarcoating things, right?

00:46:02Sodomize.

00:46:02But at home, with family, friends, sometimes in front of the children too.

00:46:07I'm honestly not ashamed to tell this story.

00:46:09I don't think we should be ashamed, do we?

00:46:11Come on, raise your hand if you've never sodomized anyone.

00:46:14Where are you going? The bell hasn't rung yet!

00:46:16Hey, Garota.

00:46:17Remember, Diego, ham.

00:46:23Fermín.

00:46:24Hey.

00:46:25It has been blocked.

00:46:26It has been blocked.

00:46:27Damn, can't you see he's had that neck problem he always gets?

00:46:31Why would I look at you?

00:46:32Why would I look at you?

00:46:34I like strikes too.

00:46:40My name is Fermín, I am a psychologist.

00:46:42No, but I'm not married or unmarried, I don't have children, or anything.

00:46:45In other words, absolutely nothing.

00:46:46I don't have children or anything.

00:46:47I told you my name is Fermín and that I am a psychologist.

00:46:50No, no, I'm telling you because...

00:46:51I wasn't a psychologist before.

00:46:52Now yes.

00:46:53I used to be so secretive, that's why I liked ham so much, but now I'm a psychologist.

00:47:02Hey, that's why I like it.

00:47:04Hey, hello, I'm going to take an acid, thanks.

00:47:07I know, huh?

00:47:08Yeah, huh?

00:47:11What does it tell you?

00:47:22Por01.

00:47:43Subscribe to the channel!

00:47:52You haven't lied to yourself, Santi!

00:47:54And what hurts me the most is that you wanted to make money off our own son.

00:47:57Oh, no?

00:47:58Well, not there, huh?

00:47:59I just wanted to support the artistic career of our Santiago.

00:48:02That?

00:48:02And your brother tricked me, telling me that you would be proud.

00:48:06Ah, so now it's not true that it's my brother's fault.

00:48:07And Choni, Choni.

00:48:09And he told me that if he had had Pantoja's mother, he would have gone further.

00:48:13Choni too?

00:48:13Also.

00:48:14This is a conspiracy.

00:48:15No, no, no.

00:48:16But I, I had an abortion halfway through, I had an abortion.

00:48:19Because I don't do anything without your consent.

00:48:21Nothing, nothing, nothing.

00:48:22Already.

00:48:23Ah, look, this afternoon Santiagoín was supposed to go to a very important announcement, a very important one.

00:48:28And José Luis wanted to take it.

00:48:30Well, I refused, you know.

00:48:31And what did José Luis say?

00:48:32Nothing, what is he going to say, what is he going to say, nothing, let him say something he wants.

00:48:35I am the Father.

00:48:36Do I accept you without further ado?

00:48:37Okay, I'll tell you.

00:48:38Thank you.

00:48:40Wait a moment, wait a moment because...

00:48:42Ah, yes.

00:48:43Look.

00:48:43Which one am I?

00:48:45Yeah.

00:48:46Yes, I am the mother, I am Santiagoín's mother.

00:48:50His uncle has taken him out for a snack.

00:48:52As?

00:48:52No, no, no, no, nothing's wrong.

00:48:54Did you take him out for a snack?

00:48:55Go see!

00:48:57Check it out!

00:48:58Check it out!

00:48:59Check it out!

00:48:59Look at the child!

00:49:00I'll get it done!

00:49:01This time, they'll cut it for me!

00:49:02No, no, no!

00:49:02Oh my God, did you see that!

00:49:03Vast head load!

00:49:04We've been victims of a rat!

00:49:05No way, should we call the police?

00:49:06No, no, it's a family matter.

00:49:08I'll call you later.

00:49:09Nothing, nothing, calm down, nothing's wrong, gentlemen.

00:49:13The truth is, I feel a bit like a traitor, you know?

00:49:15Well, it's up to you what you think, don't feel obligated either, because...

00:49:18No, yes, forced, yes.

00:49:19The story has already begun, now it ends, right?

00:49:21Come on, talk.

00:49:24Well, Guille is going to play a dirty trick on Manu.

00:49:26Ah, that's it.

00:49:28Another one?

00:49:29No.

00:49:30Yesterday's was a joke.

00:49:31No, what they're going to do tonight is a shitty thing to do.

00:49:33And the fat ones.

00:49:37Manu has arranged to meet the moon at school tonight and they're going to record him.

00:49:41That?

00:50:11Hello, Diego.

00:50:13Hi Celia, how are you?

00:50:16Oh, sorry.

00:50:18That's why, yes.

00:50:18What is this?

00:50:20Well, well, nothing, I don't know, I was a bit bored and I came to get some fresh air, to take a walk.

00:50:26Just like me.

00:50:27Yeah.

00:50:28Oh, well, I'm exhausted now.

00:50:30And you, do you come here often to jog and stuff?

00:50:32Well, the truth is that sometimes what happens is, well, if you want we can meet up one day and run

00:50:37together.

00:50:37No, I really appreciate that I can run, right? Because, I mean, that I can run and breathe at the same time,

00:50:41Well, I don't know, I don't do it very well, I get choked up, come on.

00:50:45Yes, yes, yes.

00:50:48Well, I'm glad to see you.

00:50:50Hey, do you want to go for a walk?

00:50:53Ah, yes, yes, yes, of course, of course.

00:50:57Nice place, isn't it?

00:50:58Yeah.

00:50:59Well, to be honest, I'm not particularly passionate about this yoga thing either, but it's a plan and the

00:51:03The truth is that since I don't have many here yet, I don't know, and besides, I exercise too, of course.

00:51:07Yes, of course, of course. So, you, you don't have many plans.

00:51:11Well, I just arrived and I don't know many people yet, I don't have many friends, and well...

00:51:14Yes, no, no, it doesn't happen to you like it does to me, because I'm from Santa Justa all my life, but

00:51:19Sure, I don't have many friends, I mean, Fiti, Santi, but Santi isn't really family.

00:51:24You know what I've noticed? It seems like the older you get, the harder it is to meet new people, the groups

00:51:29They're more closed off, aren't they? Don't you think?

00:51:30That's it, that's it.

00:51:31It's strange.

00:51:33Wait, wait, sit down for a moment, I wanted to tell you something.

00:51:37Tell me.

00:51:39Celia, would you keep a secret for me?

00:51:41Yes of course.

00:51:42Well, you see, Fermín, the psychologist.

00:51:44Fernando.

00:51:46This is Fernando. Well, I've just come from a place he sent me to, right? It's a place he knows.

00:51:50People, you know?

00:51:51And suddenly, at a certain moment, I mean, seven minutes go by, boom! And they poke you in the eye, I mean,

00:51:55They give you an eye.

00:51:55I can't believe it.

00:51:56That?

00:51:57You went there, I was there last week too.

00:52:00What? Were you in the seven-minute thing?

00:52:01Yes, Fernando told me.

00:52:04Yeah.

00:52:04And I think that in the end he's going to get a commission, because he tells everyone.

00:52:07He tells it to the commission, no, well.

00:52:08Yeah.

00:52:08Okay, tell me, how are you? What's up...?

00:52:10Well, that was really bad. I didn't like it at all. It's like the men there, I don't know, they just walk right in and no,

00:52:15I don't know, they have no tact for those things.

00:52:17I see it, I'm seeing it. I mean, it's Berta there, and I see the guys coming in, like, me

00:52:20I have a perfectly good idea, don't I?

00:52:21Yeah.

00:52:23Hey, but... but nobody knows, you're not going to tell anyone, are you? Please.

00:52:27No, no, no, no, no, no, no, this is a thing between you.

00:52:28Between you.

00:52:29A secret, yes.

00:52:32I was thinking, Celia, why don't we have a little dinner party tonight?

00:52:36I call everyone, you know, that way you get to know the neighborhood a little better and all that.

00:52:39No?

00:52:39What do you think, right? I mean, since I only have two friends, well, I can perfectly share them.

00:52:44Ah, well, great, perfect.

00:52:46What is it? What is it?

00:52:47Okay, that's fine.

00:52:49Oh, yes.

00:52:50Ah, okay, so, what...?

00:52:51What could we put on the topic?

00:52:53Well, and the kid, seeing it, it's okay, right?

00:52:55Okay, patient, now.

00:52:56Hey, the most natural one!

00:52:58Hey, hey, hey, hey, hey!

00:52:59Let go of me, look at yourself!

00:53:01Santiago, calm down, damn it, we're in the final.

00:53:03How can I tease you, but we're in the song?

00:53:04Little potato!

00:53:05Give it to me, child, give it to me, child!

00:53:06But how could you do this, José Luis? How could you?

00:53:09Hey?

00:53:10Okay, so you're a scoundrel, but you want to do business with your own nephew?

00:53:13What are you saying, for God's sake? But this won't hurt the child.

00:53:16No, if you look at the creature, you can see it, it's sparkling, it's...

00:53:19Well, she puts herself in front of the camera and she's, well, she's totally into it.

00:53:21Sparks! They're going to come out of your head like that.

00:53:23Nothing, let's go. Let's go, you haven't slept yet and you haven't even eaten.

00:53:25Come on, no, I'd give a live.

00:53:27Don't even talk to me.

00:53:29Perdiccas, for God's sake, but if the worst thing that could happen to me would be

00:53:32to have a child who was the envy of the whole world.

00:53:35Yes to you, but not to me.

00:53:37Now let's go, Santiago.

00:53:38Excuse me.

00:53:40So those aren't the child's parents?

00:53:42Well, those are his uncles. I'm his mother.

00:53:45That's the father.

00:53:48Without trust, it's good to take the child away, as many parents become obsessed.

00:53:51Isn't it better to accept it and withdraw in time?

00:53:53But what are they implying? That my child is worthless?

00:53:56Well, let them know that I'm leaving because I feel like it.

00:53:58Because, come on, otherwise my kid would easily beat them.

00:54:01Let's go, Santi! Let's get out of here, what a win!

00:54:03Let's get out of here!

00:54:37Where?

00:54:40This tea.

00:54:43He was in on it at first, but he's backed out.

00:54:47I'll get rid of him, I'll get rid of him.

00:54:48No, I...

00:54:52Look, what do we do?

00:54:54No, let's go!

00:54:58What should be done?

00:54:59What are you doing?

00:55:00What are you doing?

00:55:01What are you doing?

00:55:02What are you doing?

00:55:05What the hell is here?

00:55:06Hey?

00:55:07What does it matter, huh?

00:55:08Hey, hey, hey, hey, hey!

00:55:11You're crazy!

00:55:13If they catch me, they'll kick me out.

00:55:14Let me go, let me go!

00:55:15Don't worry, because I'm sure you had your little cousin there to defend you.

00:55:21God!

00:55:29You're better looking than...

00:55:30Come on.

00:55:32Don't listen to us, you wicked and ugly witches.

00:55:34Those women don't speak with good intentions.

00:55:36I'm telling you this because I know the human spirit well.

00:55:39Sure, if there's a lot of piea.

00:55:40And when it comes to children, it's just that women...

00:55:43They're going in blind.

00:55:44I'm sure he's seen that your son has many more possibilities, and of course.

00:55:47Of course.

00:55:48Of course, that's the way the show business world is.

00:55:50There's a hell of a competition.

00:55:51Of course, Choni, having suffered through it herself, wanted to give the kid a push.

00:55:55It's not me.

00:55:56What pisses me off the most is that he messed with our bastard.

00:55:59But Santiago, we both know that Santiago is more handsome than all the children who were there.

00:56:03Go ahead, and if he wants, he can win this ad and all the ones that come his way.

00:56:06I am so proud of my Santiago.

00:56:10He was excited that he was the new Nightingale.

00:56:13But without being a mercenary in Andorra.

00:56:15In Andorra?

00:56:16Honey, I was just thinking that...

00:56:18And why don't we show him the ad?

00:56:20But, Palomita, you were just saying that that environment wasn't good for our little one.

00:56:24No, and I still think so, but it makes you so happy.

00:56:27Oh, really?

00:56:27Yeah.

00:56:28That's my little moon.

00:56:30But only this once, okay?

00:56:34I don't know.

00:56:36Diego.

00:56:38Hello brother.

00:56:40Okay, when are you coming?

00:56:41We had arranged to meet at nine o'clock.

00:56:44No, I'm telling you, because I already have the food prepared.

00:56:47Is Fiti coming?

00:56:48Well, I don't know, Fiti.

00:56:50I ask him.

00:56:51Will you be able to go...

00:56:53No, I'm not going, neither are you.

00:56:55No, and why is that?

00:56:56Because?

00:56:56Damn, don't you remember that it has to expand?

00:56:59Wait, wait a moment, brother.

00:57:01I hope, I hope, I hope.

00:57:02No, it has already expanded.

00:57:04It has already spread along secondary roads.

00:57:05Now he has to get back on the highway.

00:57:07You are with us.

00:57:08No, Fermín said to leave him alone, that if we wanted to help him, we should leave him in peace.

00:57:12And alone.

00:57:12No, no, no, he didn't say that.

00:57:14Yes, he said that, it's just that since he's a psychologist he made it sound more complicated, but that's what he meant.

00:57:19To help him, we had to move him aside a bit, damn it.

00:57:21And even more so if you're going to have dinner with Celia, damn it, what better way to expand your horizons than with a monument like Celia.

00:57:26But if it has a name, we'll just make the prepared food, right?

00:57:29I don't know, man.

00:57:31Eat something.

00:57:33Brother, Louritas and I won't be able to go.

00:57:37But why?

00:57:39We have a mean mother-in-law.

00:57:41Santi?

00:57:43Finti neither, right?

00:57:46Well, because...

00:57:47Because he drew the short straw.

00:57:49No.

00:57:50I'm talking about China, about Korea.

00:57:52He's gone back to speaking Korean and doesn't trust him.

00:57:53He has to go back to the workshop.

00:57:56Well, you see, brother.

00:57:58I feel it more.

00:57:59Okay, bye.

00:58:01Bye bye.

00:58:02It really pisses me off to have to ostracize my brother, you know?

00:58:04It really pisses me off.

00:58:05Me too, Santi, damn it.

00:58:06But it's for a good cause.

00:58:08A good cause?

00:58:08Until I recover a little.

00:58:11They said they were coming, but they haven't come.

00:58:12In other words, I've been stood up.

00:58:13What did I tell you?

00:58:14Did he have two friends?

00:58:15Well, he was exaggerating.

00:58:16Well, I'm sure they gave you a good excuse.

00:58:18No, no, no.

00:58:19The thing is, they did the same thing to me yesterday.

00:58:20They were coming to watch the football and the same thing.

00:58:21They stood me up, didn't they?

00:58:22And let's see what we do about the food.

00:58:23So, what do we do with all this food?

00:58:24Let's see.

00:58:24Hey, just relax.

00:58:25Here I am.

00:58:26And how very well.

00:58:27And everything smells so good.

00:58:28Good.

00:58:29It won't go to waste.

00:58:29Well, that's fine.

00:58:31Sit down.

00:58:31Sit down, I'm going to stand you up.

00:58:33Here?

00:58:34Yes, here.

00:58:35Wait.

00:58:36This is here.

00:58:36Hey, thanks so much for the invitation, huh?

00:58:38How kind.

00:58:38As long as they feed me, there I am.

00:58:42Let's see, a little bit of...

00:58:43Hello, Carmen.

00:58:44Hey, Diego.

00:58:45That?

00:58:45I've brought you a bean.

00:58:47Super fresh, huh?

00:58:49Oh, sorry.

00:58:50No.

00:58:50Sorry, I might be interrupting, right?

00:58:51You had dinner planned.

00:58:52Yes, yes, we had dinner.

00:58:53Fiti and Santiago, disreputable people, were going to come.

00:58:55Well, in the end it's just you and me.

00:58:57You do.

00:58:58No.

00:58:58No, no, but I.

00:58:59I'm leaving.

00:59:00I leave you.

00:59:00Bean, please, please, please, please, Carmen, sit down and have dinner with us

00:59:05us.

00:59:05Right, Celia?

00:59:06Sure, sure.

00:59:07Please.

00:59:07Well.

00:59:08Today's poor are saints.

00:59:11Do you know what games we used to play in my village?

00:59:12Well, we had gangs and we were throwing rocks at each other.

00:59:15It's something like...

00:59:15Yes, yes, yes.

00:59:16I don't know what that was...

00:59:17That's how some of you have ended up, huh?

00:59:19I'll say it as a saint, and no, ma'am.

00:59:21No, it's just that I don't...

00:59:22Well, I don't know.

00:59:23If you're telling me that they've affected me, well, I did get hit by a few stones.

00:59:33Good morning.

00:59:34Where are you going, Guille?

00:59:35Come on, have some breakfast, man.

00:59:36You're not going to school without breakfast.

00:59:37Hello, everyone.

00:59:38How are you?

00:59:38Good morning.

00:59:39Have Santi and Citi arrived?

00:59:41Well, no, they haven't called either.

00:59:43How strange, isn't it?

00:59:44Yes, yes, of course, yes.

00:59:46Well, well, too bad for them.

00:59:48Their loss.

00:59:49We have such a great time having breakfast together here, so it's their loss.

00:59:55What's happening?

00:59:58Oh, you put us to bed a little late last night, of course.

01:00:01And today you're sleepy.

01:00:02Normal.

01:00:03That happened to me too when I was young.

01:00:04It also happened to me when I went out.

01:00:06Well, I liked staying up late with friends.

01:00:08Flirt a little, eh, Carmen?

01:00:10Yes of course.

01:00:10Clear.

01:00:12How are you?

01:00:13How are things with your little friends?

01:00:15Manu, huh?

01:00:17With the...

01:00:18Take them out...

01:00:23Okay, what did I say?

01:00:24I mean, no, what did I say?

01:00:25No, no, it's just that I was thinking about what I was saying while I was saying it, and I didn't say...

01:00:28But, Guille!

01:00:31The amount of time you spend with Fernando, you could learn a little bit of psychology, right?

01:00:35But what are you going on about?

01:00:36I just don't understand anything, Carmen.

01:00:38I really don't understand anything.

01:00:39What's the point of this?

01:00:40Why do they reject me, reject me?

01:00:42No.

01:00:43Thank goodness he's working.

01:00:44Thank goodness he's working.

01:00:44Because otherwise, frankly, I would have just thrown myself...

01:00:46I have to go because I'm meeting Miguelito and...

01:00:50With Miguelito, the Chinese guy.

01:00:52What did you agree to with the...?

01:00:53Are you coming to school?

01:00:54Yes, yes, no, if you've made plans, then you've made plans.

01:00:55Okay, okay, we'll see each other tonight.

01:00:58See you later.

01:01:02No, listen, Diego, that...

01:01:04It occurred to me that...

01:01:06Why don't you come to bingo with my friends this afternoon?

01:01:09You'll see how fun it is.

01:01:11No, look, Carmen, I'm very grateful and...

01:01:14But I, I, I'm not into bingo, I'm more into the football pools and that's not...

01:01:17Oh no, man, cheer up.

01:01:19That's how you meet my friends, who, even though they're over 70, well, you have no idea how energetic they are.

01:01:23No, no, yes, I can't imagine it, but...

01:01:26Well, if that's the case, I'll call her when I'm done at the tavern, and in any case, well

01:01:30already...

01:01:30Well.

01:01:31What have you put?

01:01:31Security camera.

01:01:32Yeah.

01:01:34This, guys, please excuse me, I really do say this out of affection and respect for you as bosses and

01:01:39me of those who are.

01:01:40Don't you think they're being a little paranoid about that?

01:01:44Well, I'm leaving.

01:01:47I have to go and we'll watch that recording at noon.

01:01:53We can't leave now.

01:01:55Yes, of course, of course.

01:01:58Well.

01:02:05It's not that big of a deal.

01:02:06Africa, come, come for a moment.

01:02:08That?

01:02:09I can tell you something.

01:02:10And he got scared and that's why he turned out like that, I mean, deep down he's a coward.

01:02:23That?

01:02:25Did you come to interrupt us or do you want me to let you watch?

01:02:30Yesterday Lurdita installed a security camera.

01:02:33He recorded everything.

01:02:35That?

01:02:35As?

01:02:36No.

01:02:36We're screwed.

01:02:37You, you, we're all screwed.

01:02:39No, son.

01:02:40What are you fucking doing?

01:02:41We're definitely getting kicked out of this one.

01:02:43Have you seen it yet?

01:02:44I don't think so.

01:02:46At noon.

01:02:48Okay, fine, let's see.

01:02:50We still have time to save ourselves.

01:02:51All.

01:02:53As?

01:02:58Did you see?

01:02:58Did you see how he perks up?

01:03:01Yes, yes, it's about the seasonings.

01:03:03And this one doesn't even know how to say good morning.

01:03:05Well, damn it, teach them to speak.

01:03:06This business, the "piqui piqui" (a slang term for a small, informal exchange of money), is worth a lot.

01:03:07He'll learn, he'll learn.

01:03:09Okay, son, listen.

01:03:10Listen carefully, look.

01:03:12Ham, ham, ham.

01:03:15Let's see, let's see, let's see.

01:03:17Ham.

01:03:17Okay, thank you.

01:03:18Thank you so much.

01:03:19We call you a hell of a 10.

01:03:21Okay, bye.

01:03:22Bye.

01:03:23Bye, kid.

01:03:28Bye, bye.

01:03:31What a hunk.

01:03:32These aren't Spanish, don't worry, they're from elsewhere.

01:03:35Thank you all for coming and participating in the casting.

01:03:37Thank you, but we've already decided on the boy for the ad.

01:03:41Scandinavians don't count, eh.

01:03:43Scandinavians, it's not fair.

01:03:45Hey?

01:03:47My hope that the child would be the new nightingale.

01:03:51By assignment, Santi.

01:03:52Maybe it wasn't meant to be that our Santi should become a star.

01:03:54No, the poor thing has come quite far with the genes he was given.

01:03:57He's come quite far.

01:04:00But he also has your blood, José Luis.

01:04:02Gentleman.

01:04:03Come on, please.

01:04:07What's happening?

01:04:08Congratulations.

01:04:09His son has also been selected.

01:04:11And what about Scandinavian, then?

01:04:13No, we decided to take both of them, just for the contrast.

01:04:16Very good.

01:04:17The blond one and the dark-haired one.

01:04:19No, no, no.

01:04:19The face and the ass.

01:04:21As?

01:04:21Yeah.

01:04:23We've decided to use the blond boy for the close-ups, haven't we?

01:04:26And to his son for the plans of the crying child's bottom because he doesn't use our wipes.

01:04:31The butt?

01:04:32But please, tell me.

01:04:33What are you saying, man, that you're going to take my child out with his bottom wet so everyone can see it?

01:04:38Spain on television?

01:04:39Yes, he said that, Santiago, he said that.

01:04:40Come on, man, no, my son isn't a cure for anyone.

01:04:43And least of all you.

01:04:43Come on, the child has to eat with us.

01:04:45We deserve it.

01:04:46Okay, please.

01:04:47Please.

01:05:02Please.

01:05:04Wait, how many do you have left, huh?

01:05:07That's it.

01:05:08Finishing up.

01:05:08Okay, okay, okay.

01:05:10Beak!

01:05:11Papina!

01:05:12Look!

01:05:13Go for it, man, go for it!

01:05:14Afil.

01:05:15Yeah?

01:05:16Can you put that on for me?

01:05:16The fact that?

01:05:17Yeah.

01:05:18Already.

01:05:18Right now.

01:05:25Tell me, Lurditas.

01:05:26Fernando, please, can you go downstairs and watch the recording?

01:05:28I'm going to do it now.

01:05:32Africa, please, I don't notice you today.

01:05:34No, not right now.

01:05:38Stump!

01:05:39No, I hope it went well, man.

01:05:42He doesn't have time to check anything.

01:05:45Africa.

01:05:46Fernando, Fernando, Fernando, what's wrong?

01:05:49How is it?

01:05:50Everything's great, actually.

01:05:51No?

01:05:51Are you coming to see the recording?

01:05:52Sure, let's see if we can catch those scoundrels because enough is enough.

01:05:55I'm fed up, you know?

01:05:56Fed up with this situation.

01:05:57Yeah.

01:05:57This has to stop.

01:05:58Okay, you go ahead and come in.

01:05:59Go.

01:06:24What do you say?

01:06:25Well, considering I had dinner with Celia yesterday, I think she's a little scatterbrained.

01:06:28He's not human, Fiki.

01:06:30I haven't fraternized with my brother for 24 hours.

01:06:32It's not human.

01:06:33We were supposed to come for dinner last night.

01:06:35No, no.

01:06:36Fuck.

01:06:37To ruin his plan with Celia.

01:06:38Now no, what your brother needs is to expand.

01:06:41That's true.

01:06:42It needs to expand.

01:06:44We are, as Fermín already said, we are the training wheels of the bike, right?

01:06:48And he'll have to learn to walk there on his own, even if he crashes and burns from time to time.

01:06:58But you could touch it a little.

01:07:01I don't know, it's not.

01:07:03That's how it would seem.

01:07:05Okay, but without embellishing it, okay?

01:07:07Pin, pan, pin, pan, so that the world takes you away.

01:07:09Okay, go ahead.

01:07:10Come on.

01:07:17But what, what, what, brother, what, what, what are you doing?

01:07:21No, I'm cleaning and organizing the cellar.

01:07:23How's it going?

01:07:24Good, very good, I'm fine.

01:07:25And besides, that's full of crap, well, we were just talking about it.

01:07:29Ah, yes, you were just talking about it.

01:07:30That's why I'm cleaning, Fiti, because it's filthy and because I have to organize the cellar, do you understand that?

01:07:34Yes, yes, yes.

01:07:34No, don't help me, I don't need your help.

01:07:36What is it?

01:07:37Everything's fine, right?

01:07:38So, good.

01:07:39Yes, very good.

01:07:40Thank you.

01:07:44Let's see one thing, let's see.

01:07:46Since we're here chatting, I think we could treat ourselves and have a few beers, right?

01:07:51Like we used to do, we haven't taken a break in a long time.

01:07:54Diego, I...

01:07:55Come on, quick, go on, if only...

01:07:57Now I'll put them on, come on, I'll put them on, come on.

01:08:02For Fiti, with a little bit of foam, eh?

01:08:05No, no, no, no, no, not one, not one or half, we have a mess there, that's pending.

01:08:09Some issues that we need to resolve.

01:08:11Hello, see you later.

01:08:13Fiti, Santi, let's see.

01:08:14Thank you, see you later.

01:08:15Hello, Diego.

01:08:16Hello, hello, Fili, how are you?

01:08:17Hey, I was just passing by and wanted to thank you for dinner last night.

01:08:21Oh, nothing, don't worry, nothing, no...

01:08:23Hey...

01:08:23That?

01:08:24Is something wrong?

01:08:25Hey?

01:08:27Yes, cherries, hot mists, yes it happens, yes it happens.

01:08:29It happens, it happens that they avoid me, that they avoid me, that they are marginalizing me, I mean, like I'm telling you, I

01:08:34They are marginalizing.

01:08:35In other words, first my children, then my brother, then my best friend, they marginalize me.

01:08:39And that's very hard, very hard.

01:08:41Yes, it must be.

01:08:45Anyway, I don't know, I don't know what's going on, no...

01:08:48It just can't be!

01:08:51Oliga, who has let us down.

01:08:52Nothing, nothing, nothing, nothing, nothing, has failed us.

01:08:59Let's see, there has to be some mistake, there has to be some mistake there.

01:09:02Look, Fernando, the cameras record everything, and you can't see anything there.

01:09:05Okay, so where did you get the cameras?

01:09:08Well, they were recommended to me by some friends of my brother.

01:09:13We would finish, of course.

01:09:14Hey, sorry, they probably even gave him a good price.

01:09:16Of course, you can't do anyone a favor, right?

01:09:18So that they go like that.

01:09:21This isn't over yet, Guille, okay?

01:09:23Hey?

01:09:24Next time.

01:09:25Fermín!

01:09:26Fermín!

01:09:27We're going to call José Luis.

01:09:29Let's see if it's going to be one of those hot ones.

01:09:32I hope there won't be a next time.

01:09:34I swear, I swear.

01:09:37Were you a machine?

01:09:39I told you.

01:09:47It's not like it's not going to get any worse, huh?

01:09:49And what am I going to lose, Fermín?

01:09:50Okay, let's not panic, shall we?

01:09:52No, let's see, the seven-minute pacharas.

01:09:54So, first my children leave, then my brother and my friend leave.

01:09:57They're leaving me, Fermín.

01:09:59What are we going to do?

01:10:00To a certain loneliness?

01:10:02Okay, calm down, Diego.

01:10:04Let's see.

01:10:04That I am going to be my brother's Christian friend.

01:10:06But I understand you, Santi, I miss your brother too, damn it.

01:10:09But until we talk to Fermín, well, nothing, he's the one in control, damn it.

01:10:14That's paranoia.

01:10:15Well, paranoia, paranoia that you need to clear up.

01:10:18What paranoia?

01:10:19Go on, go!

01:10:21Well, precisely...

01:10:23I mean, paranoid thoughts that I have to clear up, I mean, it's going to turn out that apart from that, I'm just stupid.

01:10:27I saw you!

01:10:28But where are you going?

01:10:33R. Ruiz, R. Ruiz, get out of there.

01:10:35Let me tell you something, you leave immediately or I will never speak to you again in my life.

01:10:39One, two, three...

01:10:45Can you hear me?

01:10:46Yes, you hear me, yes, yes.

01:10:48Last night I invited you to dinner and you left me with the table set at my house.

01:10:51The night before last I invited you to the football game, I prepared the snacks, I bought the pay-per-view ticket and you still didn't come.

01:10:55But we do it for you, brother, so that you can get your job done.

01:10:58Not about football?

01:10:59But I do.

01:11:01But why should this happen to me?

01:11:03No.

01:11:05The thing is, you don't want to be with me.

01:11:07How could we not want to be with you, brother?

01:11:09The thing is, we're just training wheels.

01:11:11Okay, but what do you mean you're training wheels?

01:11:13What does it say that...

01:11:13Oh no, Fermín said it.

01:11:15I, I, I didn't say...

01:11:17I, training wheels, haven't said anything.

01:11:18Well, what, what the hell?

01:11:19It was a metaphor to help the idea sink in a little.

01:11:21It was about not invading your space and leaving you, leaving you alone.

01:11:24But you did say it, didn't you?

01:11:26Look, look, what I said was not to pester him.

01:11:28I needed to meet people, but not for you to run away as soon as you saw her.

01:11:32You've got me confused now.

01:11:33Look, I don't even know why you're looking for yourself.

01:11:34No, Fermín, damn it, you just stand there talking in circles and I don't get it.

01:11:37Let's see, let's see.

01:11:38Diego.

01:11:39Diego felt alone.

01:11:41Yeah.

01:11:42Yes, yes, it's true, yes.

01:11:43Sometimes I feel lonely.

01:11:44The house is falling down on me.

01:11:46You're going to feel alone, brother.

01:11:48That's what we're here for, dad, pa, pa, to help you.

01:11:50Yes, I know, I know, but you have your own things to do.

01:11:53You can't be with me all day, but...

01:11:55But I know I can count on you, damn it.

01:11:57Man, fuck.

01:12:00And one more thing, okay?

01:12:01One thing, okay?

01:12:03Just let us know when you want to be alone.

01:12:05And when you want to be with us, just let us know.

01:12:07Otherwise, we'll get confused, we won't know how to help you.

01:12:09Yes, yes, yes, I know.

01:12:11We've never had any secrets, so...

01:12:13Not anymore?

01:12:14Never.

01:12:14Come on, let's talk.

01:12:15By the way, there have never been any secrets.

01:12:19The topic...

01:12:19The issue has become celiac.

01:12:20Okay.

01:12:21How are you?

01:12:21Was there one or not?

01:12:23That there wasn't one.

01:12:24There wasn't one.

01:12:25Don't be annoying.

01:12:26There was nothing, there was nothing.

01:12:27You've received two warnings.

01:12:27Two warnings.

01:12:28On the third one, they send you back to the towers.

01:12:29Stop talking nonsense and come on, let's get to the table.

01:12:31Come on, no, you can't say any more.

01:12:32Don't talk nonsense, there's a lot of nonsense being done.

01:12:35Because he has to drink.

01:12:36What do you want?

01:12:37I need to know.

01:12:37What do you want to know?

01:12:39No, but if I tell you, if you ask me, I'll tell you.

01:12:42But what did they give me and what should they add?

01:12:45Yes, but we all know it was Guillermo Serrano, who has a mind specially gifted for evil.

01:12:50But what's happening?

01:12:51That there is no evidence.

01:12:52That's the problem.

01:12:53But hey, Fernando.

01:12:54But yes, it's done.

01:12:55It's over, let it go.

01:12:56Has it already happened?

01:12:57It happened, it happened.

01:12:58Forward.

01:12:59Sorry, I was looking for Candela.

01:13:01Candela Blanco.

01:13:04Oh, but Candela doesn't work here anymore.

01:13:06Oh, no?

01:13:06No, no, now he lives in the Canary Islands.

01:13:08Oh, I didn't know that.

01:13:10And who runs the school now?

01:13:12Servant.

01:13:13Excuse me.

01:13:14Lourdes Salgado.

01:13:15Nice to meet you.

01:13:16Likewise.

01:13:17And how long has it been since Candela left?

01:13:19Well, what a two-year hiatus for Curro Romero.

01:13:23Choni, please.

01:13:24No, are you Choni?

01:13:25How are you, Fiti?

01:13:27Well, in the Canary Islands, of course.

01:13:29No, no, no, no.

01:13:30No, it's just that my Fiti and Candela don't...

01:13:33Listen, it seems like it wants to get to know you.

01:13:36Damn it, Choni, it's me, Ana.

01:13:38Ana, Candela's sister.

01:13:40Damn, damn that girl.

01:13:42The little one.

01:13:44Nice to meet you.

01:13:44Likewise, delighted.

01:13:45Okay, okay.

01:13:46And what brings you here, from the Americas?

01:13:49No, I wanted to talk to Candela about the situation at the school.

01:13:53Come on, about the money.

01:13:54But of course, now you're in charge of the management, right?

01:13:56Yeah.

01:13:57Yes, well, I suppose so.

01:13:59Okay, I'll come by tomorrow and you can tell me a bit about how everything is.

01:14:02We see papers, numbers, all that.

01:14:04Okay?

01:14:04Very good.

01:14:05Choni, I see you and you fill me in.

01:14:09Bye bye.

01:14:09See you later.

01:14:12Oh dear, oh dear, oh dear.

01:14:15This...

01:14:15This is the most detached.

01:14:18Come on, not knowing where her little sister is shows a lack of interest.

01:14:23No, well, he has shown interest in the accounts, yes.

01:14:25She's very angry.

01:14:26Okay, okay, well, they'll just be taught and that's it, little ones.

01:14:28No, that's it, Fernando, that's it.

01:14:30No, it's just that it's right there...

01:14:32She is one of the owners of the school.

01:14:35Migue, I thought she was very nice.

01:14:39Yeah.

01:14:40Ana Blanco, Candela's sister.

01:14:43A letter from Francis.

01:14:44My son is going to visit.

01:14:46The son has been removed from the equation, and we didn't throw her out.

01:14:49Sex, football and Chinese food.

01:14:51How do you know that?

01:14:52My brother-in-law showed it to me.

01:14:53Is he more like Santi or like Diego?

01:14:55Diego Serrano.

01:14:56It's me.

01:14:57Diego Serrano.

01:14:58What does he know about me?

01:14:59Yeah.

01:14:59I am Diego Serrano, the son of Francisco.

01:15:01No warning is given, because if he had named him Balthazar.

01:15:04You're the closest thing I have to a friend in Santa Justa.

01:15:06I want to do what I've always dreamed of.

01:15:08Bullfighter.

01:15:09The school starts giving money.

01:15:11Measures will have to be taken.

01:15:12Excuse me, by "cutting" you mean firing.

01:15:14No, for God's sake, how could he say that?

01:15:16The problem is money.

01:15:19They're finished.

01:15:20Do you know that I liked you when I was little?

01:15:23Ole, ole, ole, I tolerate!

01:15:25You were with her yesterday, let's see how, when and where.

01:15:28Things are heating up, kid.

01:15:29Stay right there, damn it!

01:15:30I don't have papers.

01:15:32Hello, I love it so much!

01:15:33I haven't done anything, and you're already crucifying her.

01:15:35I haven't done anything, he came in the day before yesterday and was going to fire half the staff.

01:15:37He's fired, that's it.

01:15:38I'm not the end of the world.

01:15:39So, we'll help Diego out in a couple of days, they'll put him on a plane, and if you

01:15:42I've seen it, I don't remember.

01:15:42Either he commits a crime or he gets a house of convenience.

01:15:45Spot.

01:15:45What's happening?

01:15:46Why is there no one teaching me?

01:15:47Because we're on strike.

01:15:48What do you mean, on strike?

01:15:49On strike?

01:15:50Because?

01:15:50Will you marry me?

01:15:51Ah!

01:15:52No, no, no!

01:15:53No, no, no!

01:15:53Brains, football and Chinese food.

01:15:55What have we missed, Fito?

01:15:57You can't like it just because you like it.

01:15:59Hey?

01:16:00I know you've been great.

01:16:02Gloria Swanson.

01:16:12No, no, no, no, no, no.

Los Serrano - 6x20 - Un año de soledad - HD 1080

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