- hace 1 día
Fiti no puede quitarse a Ana de la cabeza. Aunque intenta mantenerlo en secreto, todo le recuerda a ella. Ante esta situación considera imprescindible un cambio de aires. El destino escogido no es otro que un monasterio. Sus amigos, convencidos de que su marcha responde a su soledad, deciden buscarle una pareja. La candidata seleccionada es Anabel, la prima de José Luis. Pero, tras el primer encuentro, queda demostrado que no es la mujer que Fiti busca. Sin embargo, el encuentro sirve para que el mecánico se anime a dejar un mensaje en el contestador de Ana declarándole su amor. Los temores ante la inminente emancipación de Teté asolan a Diego y Carmen. La apasionante experiencia laboral emprendida por la joven, unida a la apertura de una cuenta bancaria, se convierten en signos inequívocos de las ansias de independencia de la joven. Para salir de dudas, el tabernero pide a su hijo Guille que espíe a su hermanastra. Con el fin de satisfacer la solicitud de su padre, el joven decide trabajar junto a la chica en la tienda que recientemente Sergio acaba de abrir, algo que no agrada en absoluto a Teté. Los problemas sentimentales continúan con Curro. El menor de los Serrano lamenta el escaso interés que Cristina, la chica que le gusta, muestra por él. Para seducirla compone una canción y, alentado por el apoyo familiar, se presenta al casting de “El júnior de oro”, un programa televisivo que selecciona a nuevos talentos musicales por toda Europa. Diego, consciente de las escasas dotes musicales de su hijo, intenta persuadirle para que no se presente y así evitar un ridículo irremediable.
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TVTranscripción
00:00:06The human body is the most perfect machine that exists and it regenerates itself even when we are doing something else.
00:00:43But in addition to the body, human beings have the soul, and they say that happiness lies in having a balance.
00:00:49between the two things.
00:00:51What's wrong with you? What's going to happen to me? No, I'm just a little lame from the painkillers.
00:00:57Okay, listen to the company. Great plan for today. Okay, I propose a nice dinner to celebrate getting the neck brace, a
00:01:05A little timidity, a little chat, and whatever else is needed. What?
00:01:07But when it comes to being happy, there's nothing like having found your soulmate.
00:01:11It's not going to work out, you know. The four of us are supposed to go to the movies. They're offering couples discounts today.
00:01:16But you can come if you want. We don't mind.
00:01:20Well, as long as you don't sit in the middle, because movies are a drag, let's get down to business.
00:01:24No, no, what happened was I was thinking a little more, you rascal. Diego, sign up.
00:01:30I can't either because I'm meeting Celia for dinner.
00:01:34Fiti, listen to me, if it has to be cancelled, it will be cancelled.
00:01:36No, no.
00:01:37Due to force majeure, I cancel.
00:01:38Diego, because nothing is being canceled here. Nothing is being canceled here. It must be due to a lack of resources and infrastructure.
00:01:43I'll call Raúl in a moment and that's it.
00:01:44Ah, okay.
00:01:46By the way, enjoy yourselves with the girls and if you want, I'll close up shop.
00:01:49If you're in a hurry.
00:01:50Yes, because I have to take the baby to the grandmother's.
00:01:53I appreciate it because we're getting a little bit caught up.
00:01:55Take whatever you want.
00:01:57A small beer, just like I was at home.
00:01:59Have a great time too.
00:02:01Come on.
00:02:02Santín, shine bright!
00:02:04Come on.
00:02:05Careful.
00:02:05Okay, fine.
00:02:06Raul.
00:02:07Hey, what are you planning to do tonight?
00:02:10Oh, you've made plans with Africa.
00:02:12No, no, nothing, nothing.
00:02:14No, calm down, calm down, man.
00:02:16No, I'm fine here.
00:02:17We've all had enough.
00:02:19There's a lot of drinking and partying here, you wouldn't believe it.
00:02:22And when we are left alone, that's when we realize that the wounds of the soul hurt more than the
00:02:27of the body.
00:02:29Okay.
00:02:30Nothing, don't wait for me.
00:02:32A station platform under the blazing sun.
00:02:36You were talking about a skyscraper in the sky of New York.
00:02:39Come soon to see the sea and send a postcard.
00:02:43I already knew that day was the end.
00:02:47Now I have much more.
00:02:50Red, black, strike and strike.
00:02:53Finally, luck brings an ace and a crystal to look through.
00:02:56And a wall to hang it on.
00:02:58Seven smiling faces in a passport photo.
00:03:02My stories were not about tales made by chance.
00:03:08Nobody told me that destiny was giving me this opportunity.
00:03:15One plus one equals seven.
00:03:18Who would have thought?
00:03:22That it was so easy to be happy.
00:03:43Dad, dad, I swear I can explain it to you.
00:03:45That boy climbed into the school dumpster by himself.
00:03:47In other words, it appeared...
00:03:47What does your child say on a container?
00:03:49But what are you telling me?
00:03:49Look, we'll talk later.
00:03:50We'll talk about the child and the container later.
00:03:52No, it's not a letter to the school.
00:03:53It's something else.
00:03:54Will the iubribor rise?
00:03:56No, Carmen, no.
00:03:57No, no, no.
00:03:57And I'm afraid it's worse.
00:03:59I think I've opened a bank account for you.
00:04:01As?
00:04:04But are you sure?
00:04:06Maybe it's propaganda too, isn't it?
00:04:08No, Dad, there's only one way to find out.
00:04:10That's a violation of privacy.
00:04:12No, these kinds of things are done with respect and affection.
00:04:15It is not a violation of privacy.
00:04:16Open the guide.
00:04:17Open the guide.
00:04:17Open the guide, I won't lose it.
00:04:22Fuck.
00:04:28Yes, an account has been opened.
00:04:30This is the last gasp, Carmen.
00:04:32It's slipping away.
00:04:33My little girl is leaving me.
00:04:33Damn, now it's really going away.
00:04:35We're all going to lose you, Diego.
00:04:37Water, water.
00:04:40Hello.
00:04:41Hello.
00:04:41Hello.
00:04:42What are you doing?
00:04:42What's happening?
00:04:43Nothing.
00:04:44There are no batons.
00:04:45There isn't one, is there, Carmen?
00:04:46I'm tired of all this churros.
00:04:47No, no, no.
00:04:47There are no batons.
00:04:48Already.
00:04:49He takes it, Diego, he pays for it.
00:04:51I don't need it anymore, and I know you're a bit short on cash, so...
00:04:55Grandma, I'm going to work.
00:04:56Will you come with me?
00:04:57Yeah.
00:04:58Yes of course.
00:04:59Okay.
00:04:59Go.
00:05:00See you later, Diego.
00:05:01See you later.
00:05:01See you.
00:05:02See you later.
00:05:03Bye bye.
00:05:03Goodbye, Carmen.
00:05:06Come on.
00:05:08Hey man, listen carefully, this is very important.
00:05:12As you can see, we have a problem with Tete, don't we?
00:05:14And what does your father do when he has a problem?
00:05:16A slap on the back of the head?
00:05:16No, no slap.
00:05:18No, no slap.
00:05:18In other words, what your father does is bring the family together, unite them, group them together.
00:05:21In other words, we all need to be very united here.
00:05:23Come on, we have to stick together like a bunch.
00:05:25And we can't afford to be missing any cogs.
00:05:27Do you understand or not?
00:05:28As?
00:05:28That?
00:05:30What I mean is that we have to keep a close eye on Tete.
00:05:33In other words, take a look at it.
00:05:34And that's where you come in, Guille.
00:05:36I?
00:05:36Yeah.
00:05:37Are you asking me now to spy on you, Tete?
00:05:38No, no, don't spy on her.
00:05:39We parents don't spy.
00:05:41As parents, we observe and take an interest in things.
00:05:44And then, with what you see, you come and tell me.
00:05:47Okay?
00:05:48Silence!
00:05:50Guys, quiet!
00:05:51Silence!
00:05:52Okay, as you all know, tomorrow there's a casting call for the show El Junior de Oro,
00:05:57in which students are selected from schools all over Europe.
00:06:00And what about the contest that's for speculators and big shots and all that, right?
00:06:03No, musical ability.
00:06:05Ah, skill.
00:06:06Well then, grandma, you show up with the African drum that's the best.
00:06:09How funny, guys, guys!
00:06:11I have another one that makes me want to chat, they call me for the Orfeón de los Tierra.
00:06:14Hey, that's enough!
00:06:15Okay, well, you've all been warned.
00:06:16The casting is tomorrow afternoon, yes, at the network's studios, okay?
00:06:22Hey, what if we show up with Santa Justa Clan?
00:06:25Ah, dude, it's not like I'm going to give it away this polar August.
00:06:27In that case, I'll run as an independent.
00:06:29Shall we have our sandwiches during recess?
00:06:30Wait, wait.
00:06:31TVD?
00:06:32Tell me.
00:06:33Alna, sing us something.
00:06:35Okay, what do you want me to sing, then?
00:06:37Well, the one from "Bésame," for example.
00:06:39Kiss me?
00:06:42You know very well that I'm more than a friend?
00:06:48And whatever happens, I'll be there to talk to you.
00:06:55What else?
00:06:56And to listen to you forever.
00:07:01Hey, are you being really serious, man? What's wrong with you? Isn't that you?
00:07:05Nothing, nothing. The problem is at home now, that's all.
00:07:08There's already a problem at home.
00:07:11What about you?
00:07:13Even with the whole running away thing, my dad told me I have to do something about you.
00:07:15But listen to me, don't fool yourself anymore. Your father told you that, but you don't want him to leave. Don't you?
00:07:20Of course I don't want him to go from good to bad.
00:07:22Yeah.
00:07:23But I don't know what the hell to do to stop them from doing it.
00:07:32My God.
00:07:34Why not bring in the backhoe here?
00:07:36This is going to last longer than the construction of El Escorial.
00:07:38Ah, you see.
00:07:39Are we going to see what it's like to cross this with a pole vault?
00:07:41Yes, because my wife has to take a huge detour to get to the market.
00:07:45And his wife too?
00:07:46Clear.
00:07:48My wife? No, no. I'm separated.
00:07:51Come on, I feel for you.
00:07:53No, man, no. It's not like it's...
00:07:57That's been done to death. Besides, he's perfectly fine on his own.
00:08:00Look, I just celebrated my golden wedding anniversary with my wife.
00:08:02And if I had been alone, I don't know what would have become of me.
00:08:05Okay, not just, not just, not that either. Let's see, careful, careful.
00:08:10I have a son who is a gem.
00:08:12And she has given me a grandson, you see, who is a blessing.
00:08:16What? Look, look.
00:08:17How beautiful, how lovely.
00:08:18But in the end, it's the relative who stays with you.
00:08:22Already.
00:08:25And this girl is his girlfriend.
00:08:27No, no, this is my sister-in-law.
00:08:30My God, for God's sake, man.
00:08:31Well, I'll leave you now, my wife has lunch ready.
00:08:35Okay.
00:08:35And then the little assistant, you know what I mean?
00:08:37Yes, yes, well, anyway, enjoy your meal.
00:08:40Thank you.
00:08:41See you later.
00:08:43Damn, with the grandpa.
00:08:48My sister-in-law.
00:08:52There it goes, there it goes, look.
00:08:54Hey, hey.
00:08:55Watch out, man, watch out.
00:08:57The photo of the girl.
00:09:15It's not normal that Tetella doesn't need the pay.
00:09:18And go open a bank account, Diego.
00:09:21No, we have to do something.
00:09:22Yes, I know, don't worry.
00:09:26Yes, it's done, brother.
00:09:27Good.
00:09:27Three passes have been reserved for you for Real Madrid's training session this afternoon.
00:09:30That's the way I like it, Santiago, fostering relationships between employees.
00:09:33Of course.
00:09:34Hey man, come on, my brother, Currito and I.
00:09:37It's your turn to close.
00:09:38Me.
00:09:38Yeah.
00:09:39No, no, sometimes it turns out well.
00:09:41Well, Currito, son, guess what we're doing this afternoon?
00:09:43No.
00:09:43We're going to Real Madrid's training session, what do you think?
00:09:46Why don't I feel like it?
00:09:47What do you mean you don't feel like it, son?
00:09:48But you've been wanting this all week, for God's sake.
00:09:49Don't tell me that now, but we're going to see Raúl.
00:09:51Okay, fine, I'm telling you I don't feel like it.
00:09:53Do you have something, Cata?
00:09:55No, Currito, I won't prepare it for you.
00:09:56Okay, well then, I'll just buy it there at school.
00:09:58See you later.
00:09:59Comfortable.
00:10:00But what did I say?
00:10:01So, what have I done, huh?
00:10:01No.
00:10:02Damn, no.
00:10:03This can't be happening, I mean, I'm not giving a straight answer, really.
00:10:07This is going to give me meat.
00:10:08No, Diego, this is the law of life.
00:10:10Yes or no.
00:10:11The chicks grow up and leave the nest.
00:10:13I'm going to training this afternoon, that's all.
00:10:15What's this about a chick?
00:10:16Yes, Currito, he's a tadpole.
00:10:17It's just kid stuff.
00:10:19So, what's the point of this snub?
00:10:21Because what the child said to me is an insult.
00:10:23And I remember Teté, don't I?
00:10:24Teté leads to the same path.
00:10:27I don't want to talk about what happened with Marcos.
00:10:29Look where Marcos is now, in France.
00:10:30And with Eve.
00:10:31But they were already small shoots and the circumstances were different.
00:10:34The thing about the child is that you have to be on top of him.
00:10:37That's just how it is.
00:10:39Hi guys.
00:10:40Hello.
00:10:40What's wrong, Manuel?
00:10:42I wanted to tell you something.
00:10:44I'm going to leave Santa Justa.
00:10:46Which club?
00:10:48Yeah.
00:10:48Where are you going?
00:10:50To a monastery.
00:10:52Time to reflect.
00:10:54Hey?
00:11:01Goodbye, thank you.
00:11:04Hello good.
00:11:05What are you doing here?
00:11:07Well, I just came to look at clothes, but hey, if I'm bothering you I'll leave, okay?
00:11:11That...
00:11:12How do I talk to you at work?
00:11:14And I'm very busy, really, that I don't have time to chat.
00:11:16Okay, but I suppose you can talk a little while they're working, right?
00:11:22Well...
00:11:22That's great.
00:11:23Very happy.
00:11:25Anything else?
00:11:26Tete, help me find an M of this model in the warehouse.
00:11:29Okay.
00:11:29Okay?
00:11:30Ah, you close the box in a little while and I'll balance it later, okay?
00:11:33Okay.
00:11:34I'm coming now, I'm coming now.
00:11:37Here.
00:11:37Hey Guille, I'm sorry, I'm really attached to people, okay?
00:11:40See you later.
00:11:41Did you tell me the letter M?
00:11:42No, no, the M.
00:11:43The M.
00:11:44Okay.
00:11:45AND...
00:11:53What do you mean, do you want to take some time off?
00:11:54How long?
00:11:55Well, I don't know, Choni, until I think about it.
00:11:57Or until the tomatoes and potatoes grow in the monastery garden, I don't know.
00:12:02What is a monastery?
00:12:04Come on, you son of a bitch, blood of my blood and I don't even know a drop.
00:12:07Don't worry, you'll see how when he finds himself alone in a cell without any benefits, he'll go back to Capitano.
00:12:13Look, Santi, the ways of the Lord are inscrutable.
00:12:16And if what you're looking for is to reflect, then that's perfect.
00:12:19Very good, Lourdes, very good.
00:12:21Indeed, it's all sunshine and rainbows, but reflecting, what about that?
00:12:23Please, I mean, reflect on what?
00:12:25That he can't reflect with us, which is what we've done all our lives.
00:12:27We've been a tight-knit group, as God intended.
00:12:28Well, you two haven't exactly been inseparable lately either.
00:12:31Excuse me for saying so.
00:12:32Well, you're right.
00:12:33Okay, very good, Choni, I'll admit it.
00:12:35You're right, yes, yes, yes.
00:12:36I know it's my fault, that I've half smoothed it out, they leave him unemployed.
00:12:40Well, yes, I admit it, he's not up to par, and I've let him down as a friend.
00:12:43Let's be clear about things and make them thick.
00:12:45None of us have been up to the task.
00:12:47And we've been derailed by lack of attention.
00:12:49Well, yes, damn it, knowing how my Fiat is, son, he'll abandon it.
00:12:53I know you've had him, he's very affectionate.
00:12:55Hello.
00:12:56Hello.
00:12:57Hello.
00:12:58But seriously, what's wrong with you guys?
00:13:00Nothing, Fiti, he wants to go to a monastery.
00:13:04No, we wouldn't even know what to eat it with, daughter.
00:13:06What? He wants to become a monk?
00:13:07No, no, no, no.
00:13:08He wants to go to the monastery, to reflect, to really reflect.
00:13:11Ana, what have we done wrong as friends?
00:13:14No, mistake, mistake.
00:13:16We're approaching this issue very wrong, aren't we?
00:13:18What's happening to Fiti is crystal clear.
00:13:20Fiti, therefore, lacks feminine warmth.
00:13:25There.
00:13:25Hey?
00:13:26Yeah.
00:13:26Damn, unemployed, convalescent, without a partner.
00:13:30They've got me in a bottle, that's not something anyone can put up with, damn it.
00:13:35Well, apart from family, yes, it's very hard, isn't it?
00:13:39Clear.
00:13:39Having someone who loves you, supports you, and gives you a little cuddle when you bring them home.
00:13:48Well, I don't know, I imagine it must be hard.
00:13:50Well, yes, that's clear, Ana.
00:13:52Of course that's it, and I'm not very much in favor of the measure, just so you know, but if we have to
00:13:57If you pay for a professional, we'll pay for it.
00:13:59José Luis, for God's sake!
00:14:01Don't talk nonsense, don't say it in the newspaper or in the organization, don't talk nonsense.
00:14:03José Luis, damn it.
00:14:05Ana is talking about what it's like to be in a relationship.
00:14:07Because more or less, we're all here, like, well, we're in what is marriage.
00:14:10But Fiti no, Fiti is alone, Fiti is lonelier than ever, you see.
00:14:14Look, you stay calm, Choni, because Fiti isn't going anywhere.
00:14:25Excuse me, could you spare me a moment, please?
00:14:27If it's for a survey, I'm already on board with the "more and more" option, because they'll catch me at home, miss.
00:14:31No, it's because of the car, it won't start and I'm late for work.
00:14:34Do you know anything about mechanics?
00:14:37Well, I know something.
00:14:38There was a time when these nails looked like mussels, they were so black, but...
00:14:42Well, I'm a mechanic who's appearing in court.
00:14:46Let's get going, shall we?
00:14:47Yeah?
00:14:47Yes, yes.
00:14:54Okay, okay, okay, okay, okay, okay, okay, okay, okay, okay.
00:15:00Okay.
00:15:13Start now.
00:15:19Okay, that's it.
00:15:21The battery is not making good contact.
00:15:23And if I were you, I'd be prepared because at any moment, out there on the road, it could break down, you know?
00:15:27Thank you so much, really.
00:15:30I don't know, can you give me your phone number in case I have any problems?
00:15:33Of course, yes.
00:15:35A pen?
00:15:36Wait, I'll help.
00:15:37Thank you.
00:15:40This one up here is 24-hour technical support, right?
00:15:44On the road.
00:15:46And the one below is cranes and police, for what is essentially the urban area, you know.
00:15:52Keep the newspaper, sir, one of the free ones.
00:15:55Well, have a nice day, miss.
00:16:11What, what, what?
00:16:12What's up, cousin?
00:16:14What did he tell you?
00:16:14Have you connected or not?
00:16:16Connected?
00:16:18He hasn't even looked me in the face.
00:16:19Mother, who gave birth to him.
00:16:20For bad reasons.
00:16:22Look, I'm going to find out, José Luis.
00:16:25But...
00:16:25Anabel.
00:16:26Bye bye.
00:16:27Okay, see you later.
00:16:28See you later.
00:16:28Anabel, I'll call you later.
00:16:29This one is worse than we thought.
00:16:32Poor cousin, she's such a great woman, damn it, how can he let her go like that?
00:16:35Because things make us this way, José Luis, damn it, with all that drama and all that nonsense, huh?
00:16:39No, no, no.
00:16:39It was to add a little bit of magic, Diego.
00:16:41The fate that brings them together, look at that woman, the glances they exchange, in short.
00:16:45Yes, no, no, no, no.
00:16:46It's not a bad idea, but let's do things the right way.
00:16:48And how, how God commands, you call her, you arrange to meet her at my house.
00:16:51And we organized a little dinner and that's how we met.
00:16:53What does it look like?
00:16:54Good, right?
00:16:56Okay, see you later.
00:16:57Go away, we'll take care of the tavern.
00:17:00Well, not us, you, because I have something that I'll tell you about later.
00:17:05Hey?
00:17:05Are you finding out, Santiago?
00:17:07But, well, isn't that possible?
00:17:10How do you have to hold me?
00:17:12Hey?
00:17:12Can you run me to your little corner?
00:17:14Hello.
00:17:16How's it going? How's it going? What do you see here? Don't you have a password?
00:17:17No, it's that we're in the midst of change.
00:17:20How are you, son?
00:17:22How can you?
00:17:24Good.
00:17:25And how were the classes?
00:17:28Good.
00:17:30And what about my colleagues, my buddies? What do I say?
00:17:32Good.
00:17:34Hey, Curro, one thing, son.
00:17:36I'm really interested in your answer to this.
00:17:39There is something I have done wrong.
00:17:41I mean, you and I have always had a fluid dialogue, a sincere dialogue.
00:17:45Envy is fair enough, isn't it, our dialogue, isn't it?
00:17:48But suddenly I don't know what's happening, I'm working, I don't know what's happening, but I notice you're very nervous, I feel the same way.
00:17:50I notice you're very hymn-like.
00:17:51Tempted?
00:17:52No, no, no, if you have it there, work, I'll bring them and you'll fail, because I'll, well, no, no, no
00:17:56You'll have started forging notes again.
00:17:59Cristina, you are divine, the nicotine that contaminates me, Cristina.
00:18:04Okay, give it to me.
00:18:04No, this is a tongue twister.
00:18:06No, it's a song I'm writing, and give it to me now.
00:18:08No, no, no, it's okay, fine, no, no, I, listen, I respect privacy, it's a song for a
00:18:11Girl, well, it seems fine to me, but, well, since when have you been hanging around your house?
00:18:15Never, okay?
00:18:16I can't do it right, I don't know how Marcos did it.
00:18:19Hey, Marcos, well, Marcos and the people from the mountains in general, I mean, music flows through our blood, I mean,
00:18:24Yes, we could have been the jazz on fire, white, yes, but the jazz on fire.
00:18:28I have to be adopted.
00:18:30But what are you going to be, my adopted son? You're a true mountain man, man.
00:18:33You'll see what the gift of the chest is like, we're going to make a song that will blow your mind...
00:18:36Okay, Cristina, Cristina rhymes with nicotine, good, you're divine, it also rhymes, well, no, it's very good,
00:18:43It's very... it's polluting, but oh well, but you have a knack for harmony, which isn't normal.
00:18:48This isn't normal, I'm serious, come on, not even Marcos, what am I saying, not even Marcos, not even Sabina? Just look at that.
00:18:52You think?
00:18:53Yes, man, yes, by the way, Sabina rhymes with nicotine, eh, no, with nicotine, no, with contaminates? That rhymes too.
00:18:59with contaminates.
00:19:02The rings are very pretty.
00:19:03Yeah.
00:19:04She says he stood her up at the church door after 12 years of flirting.
00:19:09That's just how I am, I cut it off, but like that, as a puppy, it's going to be so good.
00:19:11But come on, Choni, have a little bit of Christian compassion.
00:19:14Well, Christian compassion is what a boyfriend could have had for her, don't you think?
00:19:16Yes, that's true.
00:19:19Poor thing, they say she hooked up with her best friend.
00:19:22Yes, well, she wouldn't be much of a friend.
00:19:23No, and since then the poor thing...
00:19:24Yes, yes, he's nice, but honestly, Pepe Luis, I don't know why I came.
00:19:29Alfonso's situation is still very recent.
00:19:31What happened with Alfonso was two years ago, Anabel, but you've seen yourself...
00:19:33The dead to hell and the living to hell.
00:19:35You've seen yourself, you can't be...
00:19:37Come on, you need to get some fresh air, right?
00:19:38You can't be going from home to the supermarket, and from the supermarket back home.
00:19:40You're not dressed, you're not swollen.
00:19:42This woman is amazing, oh my God, oh my God.
00:19:44Make the most of the time.
00:19:48Did you catch this from the Chinese?
00:19:49It helps me.
00:19:51What could it be?
00:19:52Could you have dressed up a little more, please?
00:19:54Yes, of course, yes, to see the Almería that is affected during the tuxedo and the pinstriped suit.
00:19:59No, no, no, no, you see, there's been a small change, a cousin of José Luis's has come to visit.
00:20:04Very cute, with a girl, with a girl, no, but it's so you know me, there it is.
00:20:08Piti, my cousin from the village, Anabel, you know that name...
00:20:12Look, no offense, José Luis, but I don't really frequent your town, I mean...
00:20:16No, I'm the one from this morning, with the broken-down car, the one you gave the number for Grua Sipolito towing.
00:20:22Yes, yes, I know you now, forgive me, I have a bad head...
00:20:26Okay guys, dinner's ready, shall we go in?
00:20:28Sure, let's go in, come on, everyone come in.
00:20:30Enjoy your friends, that's what we're here for.
00:20:33You'll see how much fun you'll have with us.
00:20:35Come on, Anabel, this way.
00:20:37Let's see.
00:20:38Anabel, Anabel.
00:20:39No, no, no, Anabel, you'll see, you'll see, with my Fiti you'll be laughing your head off, but not from peeing yourself.
00:20:46to drop.
00:20:47Chony, please, we're at the table.
00:20:49Okay, come on, let's get to it, let's have some fun, enjoy ourselves and get to know each other.
00:20:53Remember that the night is very young.
00:20:55I'll take it.
00:20:57Oven and long!
00:20:58Go away!
00:20:59A movement of the piquillo!
00:21:00That's great. Who did it, Lourdes? Did you?
00:21:02No, not that one.
00:21:09How cool.
00:21:10Will you let me?
00:21:11I'll put the flag up for you, dude.
00:21:13Damn, okay.
00:21:20Okay, fine, forgive me.
00:21:21I have so much on my mind. Come on, sit down and play with me.
00:21:31Can I ask you a question?
00:21:33Yes of course.
00:21:36How do you know if you have a chance with a girl you like?
00:21:42Don't get your hopes up too much, because siblings always end up losing.
00:21:47Already.
00:21:48Well, I don't think so.
00:21:50I believe that if you like a girl, you have to do whatever it takes to be with her.
00:22:13Oh, sorry.
00:22:15Don't think I'm following you, okay? Not inside.
00:22:19But come on, if I bother you...
00:22:20No, no, no, no, no, no. Sit down, sit down.
00:22:24Sit down, woman.
00:22:27It's nice here, isn't it?
00:22:29That everyone is there for us.
00:22:33They are talking.
00:22:34And so?
00:22:34That's a good sign, huh?
00:22:36The scene was in moderation, but I swear...
00:22:38I swear, he loosens his tongue.
00:22:41And, well, that's it, I hope you'll forgive me, because, well, I've mostly been a pain in the ass as a companion.
00:22:48No, what?
00:22:50The thing is...
00:22:51I'm going through a really rough patch.
00:22:54If it comforts you, it can't be worse than mine.
00:22:56No?
00:22:56No.
00:22:57Look, I'm on sick leave because last week I had an accident and almost killed myself.
00:23:01Well, at least you're on sick leave.
00:23:02I can't even feel this arm after ten hours in the IP box.
00:23:05Yes, but my workshop is closed, okay?
00:23:07And I can't work, and if I don't work, well, I don't eat.
00:23:10Ah, yes, but you have your own business.
00:23:12I have a terrible contract and an even worse salary.
00:23:19Well, we're tied in misfortunes.
00:23:23My boyfriend left me with the wedding invitations sent out and the wedding dress purchased.
00:23:28Can he overcome that?
00:23:30Well, I...
00:23:31My wife left with one of the groños who lives in the Canary Islands.
00:23:36Winner.
00:23:36If he wins the long-distance race against my Fiti, damn, he's a heartthrob.
00:23:39She's throwing the can away, I told you.
00:23:40Well, I don't think it's right for us to be here spying on them, is it?
00:23:43That's true.
00:23:44We're not spying, either.
00:23:46It's not spying either.
00:23:47Well, I don't know, let's go.
00:23:48You know, Fiti?
00:23:49Yes, I'm fed up with having wasted two years of my life.
00:23:53And what I've learned is that...
00:23:56That we shouldn't wait for things to happen.
00:23:58We have to go after them.
00:24:01And I certainly don't want to regret the things I haven't done.
00:24:06And... and today, because what a long-winded story I'm telling you.
00:24:10Water, water, water, water!
00:24:15We're tinkering around.
00:24:32The mobile phone you are calling is switched off or out of coverage at the moment.
00:24:37Please leave your message after the beep.
00:24:40Ana, uh...
00:24:43Hey...
00:24:44I'm calling you because...
00:24:47I know it can't be.
00:24:49But it is.
00:24:52AND...
00:24:52And I have to tell you.
00:24:56I love you.
00:25:06The date went really well, didn't it?
00:25:07Don't you think so?
00:25:09Diego, it was the worst blind date in the entire history of blind dates.
00:25:12Yes? Do you think so?
00:25:13Of course.
00:25:14Excuse me, come in, come in.
00:25:15There it is, look.
00:25:16Oh!
00:25:16I say they'll catch us!
00:25:18Well, well, well, well!
00:25:19Wow, wow, wow!
00:25:20Javier has a great grip!
00:25:21The English teacher and the bartender in the lounge, having sex.
00:25:24What do you have to declare about these things?
00:25:26Hey?
00:25:27Tell me.
00:25:28Ah!
00:25:28Ah!
00:25:30Guille, you're not any dumber because you don't train, my son.
00:25:32Because we weren't getting ahead of ourselves or anything.
00:25:34Don't be silly.
00:25:34We were here picking that up.
00:25:37Okay, okay, fine.
00:25:38Whatever you say.
00:25:38Bye bye.
00:25:39Cousin!
00:25:40This child is stupid.
00:25:41Honestly, what a sad family.
00:25:43How are you, son?
00:25:45I know what you have there.
00:25:46How's the song going?
00:25:47Ah, very good.
00:25:47In the end I added a little bit of rap.
00:25:49Ah.
00:25:50What are you?
00:25:50Making a song?
00:25:52My father has helped me a little.
00:25:53No, you're helping him.
00:25:55Yes, yes, yes, no.
00:25:55Believe it or not.
00:25:56I have a good grasp of this, that is, verse, especially Spanish verse.
00:26:00That is, López and Calderón.
00:26:04Well, in general, general knowledge.
00:26:06It's a little bit, it's a little bit of everything.
00:26:08Okay, will you sing it for me?
00:26:09Come on.
00:26:09Come on, sing it.
00:26:10Come on, come on, come on.
00:26:12Come on, go ahead, go ahead, go ahead.
00:26:14Cristina, you are divine.
00:26:15Like the nicotine that contaminates me.
00:26:18Cristina, I know you're poison, but I'd like to smoke you.
00:26:22Good, good, good, good, good, good, right?
00:26:26Yes, yes, well, he'll have to make some adjustments, won't he?
00:26:29No, woman, no, no, no, no retouching.
00:26:30No, no, this already includes what you read the choreography and maybe a new chord, perhaps a chord or two.
00:26:35But with a little tweaking, come on, you've got the girl in the bag.
00:26:39So you like it?
00:26:42Well yes.
00:26:43But hey, Curro, you have to realize that what matters to us girls is the little things.
00:26:47There, yes sir, the detail, the detail.
00:26:48What matters is the detail, the inspiration, the dedication, the effort.
00:26:51That's how things turn out, my son.
00:26:52And I'll tell you something.
00:26:54I think the song is wonderful, wonderful.
00:26:57Great, because I'm going to enter the Junior de Oro competition.
00:26:59See you tomorrow.
00:27:01No, no, no, no, no!
00:27:30That?
00:27:31Damn, are the painkillers clouding your judgment or what, kid?
00:27:34Well, my cousin Anabel, damn it, you've just walked out and stood her up.
00:27:38Come on, and with the history that the young woman has of plantations.
00:27:42You have to have a little tact, damn it, a spark of delicacy.
00:27:46Well, I don't know, it wasn't my intention, something came up and that's it, damn it.
00:27:50You have no blood, my brother, you have no blood.
00:27:52When have you ever seen a woman like my cousin with all her bits and pieces all nicely in place?
00:27:57When did you see her?
00:27:58Besides, who are you calling every midnight, you idiot? Who are you calling?
00:28:01Ann.
00:28:03I love you.
00:28:05So you're not there when you need to be. Your brother isn't there.
00:28:08He's not here.
00:28:08I'm leaving, I'm leaving because I have something to do.
00:28:10Where are you going?
00:28:12But where are you going?
00:28:13Holy shit, that's a lot of fouls.
00:28:16Where is your brother going?
00:28:17Leave it, he'll fix himself.
00:28:19Which might be understood as meaning that he has always been very corrective.
00:28:22Go on, get into bed.
00:28:25If we're headed to bed...
00:28:26Are we going to bed or not?
00:28:27My body feels sore, I don't feel like doing anything.
00:28:29Strip.
00:28:30What's wrong with you Martinezes today?
00:28:32What's wrong with you Martinezes?
00:28:46What's wrong with you Martinezes?
00:28:59What's wrong with you Martinezes?
00:29:01What's wrong with you people from the fridge?
00:29:02That you don't have to get close to the door.
00:29:04I'm in bed, are you fighting?
00:29:33Music
00:29:37What are you doing?
00:29:38Damn, you scared me, Maritere!
00:29:40No, I'm leaving now, I'm leaving now
00:29:41Wait, wait, give me the towel, please
00:29:43Hey Maritere, I want you to know that I'd do anything for a coworker.
00:29:47Who's inside? I'm going to pee myself!
00:29:49Wait a minute, dwarf!
00:29:49As?
00:29:50Well, I've been thinking about it and I'm going to apply for the position at your store.
00:29:54Huh? What do you think?
00:29:55You?
00:29:57Come on, don't freak out, go on
00:29:58But wait, what's the matter? Can't I?
00:30:00Well, no, what's going on? Are there no other shops in Santa Justa or what?
00:30:02Give me the towel, I'm freezing.
00:30:03Look, Maritere, it turns out I need the money too.
00:30:06So, I think you're being a little selfish.
00:30:08Isn't that selfish, man? Give me the towel, damn it.
00:30:10So why is that?
00:30:10Because I want to be left alone, dude, leave me in peace
00:30:14I'm going to pee myself!
00:30:16Very good
00:30:18So, just so you know, you're here to introduce me to the job.
00:30:21Well, just so you know, if it's up to me, they're not going to take you.
00:30:25I'm going to pee myself!
00:30:27Oh, look who's here, you two!
00:30:29Yes, and you wait until it comes out
00:30:31But what...
00:30:32What are you waiting for?
00:30:34Call Norficus, okay?
00:30:35Call Norficus
00:30:37What is stupid?
00:30:44I'm a loudmouth, Carmen.
00:30:46Diego, don't exaggerate, man
00:30:47Yes, Carmen, yes
00:30:48But if this part of the lyrics is my own doing
00:30:50What do I do now?
00:30:51So, the kid is going to suffer because of me.
00:30:53He's going to be the laughingstock of Europe
00:30:54Well, tell him not to show up.
00:30:56That with tact, everything can be said
00:30:58Yes, yes, with tact everything can be said
00:30:59But I don't know how to do those things
00:31:00How do I do it?
00:31:01Let's see, because the kid is very excited
00:31:03And I'm going to destroy it.
00:31:05You know what I'm saying?
00:31:06This is going to be like killing a nightingale.
00:31:08Cristina, you're like nicotine
00:31:10That contaminates me
00:31:11Oh, Cristina!
00:31:13If it were a nightingale, we wouldn't have this problem, Diego.
00:31:16That's just how it is.
00:31:17Yeah
00:31:18Cristina, you're like nicotine
00:31:20That contaminates me
00:31:21Oh, Cristina!
00:31:22Oh, Cristina!
00:31:23Okay, the singing is good
00:31:24Sit down, sit down
00:31:25Hey, work, work I've had...
00:31:28I've had an idea
00:31:29For the lyrics?
00:31:30No, no, not for the letter no
00:31:31For today
00:31:33Do you know what you and I are going to do?
00:31:35You and I
00:31:36The plan, father, son?
00:31:37A plan
00:31:37What am I saying, a plan?
00:31:38A planned collection
00:31:40We're going to the amusement park
00:31:42Hey, and let me tell you something
00:31:43If we have to skip class
00:31:45One skips it
00:31:45In other words, this is called legal trickery.
00:31:47Yeah
00:31:48Damn, it sounds amazing!
00:31:49But I have the audition today.
00:31:51Yes, but I haven't told you everything yet.
00:31:52We are going to apply what is called
00:31:53The philosophy of the storyteller
00:31:55What is contodismo?
00:31:55Dillo knows it
00:31:56Accounting for everything is good
00:31:57It's good
00:31:58Contodism is like going to the amusement park
00:31:59Yet
00:32:00He pays for everything
00:32:01In other words, with hamburgers
00:32:02With photos
00:32:03With all the attractions
00:32:03With shows
00:32:05Yet
00:32:05Which is with everything
00:32:06Don't tell me that
00:32:07It's not a plan
00:32:08Great
00:32:09Come on, that's much better than going to the casting call.
00:32:10No, no, no, tete
00:32:12Say
00:32:12Man, I don't know
00:32:13It depends on what the casting call is about, right?
00:32:17No way, man
00:32:17No
00:32:18No
00:32:18Where will it all end up?
00:32:19Let's see, little worker
00:32:20There are tons of castings like this every day.
00:32:22But Dad should have his wallet loose.
00:32:24Come on, that only happens when Orion was dating Mercury
00:32:26No, yes, really
00:32:28It sounds really good.
00:32:30But the casting is only today.
00:32:31Also, I'd like Cristina to accompany me.
00:32:33See you later
00:32:34See you later
00:32:35See you later
00:32:35Hey, I'm leaving too.
00:32:37And don't wait for me for dinner, okay?
00:32:38What is it that, as an intro, Targa the work
00:32:40Ah, that you
00:32:43Have dinner
00:32:44We have dinner at home.
00:32:48Please do me a favor
00:32:53One little thing, Guille
00:32:54About that little matter we talked about yesterday
00:32:57So, how's it going?
00:32:59Calm down, Dad
00:32:59I have everything
00:33:00Everything under control
00:33:01Good
00:33:04Uh, so from yesterday
00:33:05Not with your cousin
00:33:07Rennet
00:33:09Look, look how good my cousin is, huh?
00:33:11Well, nothing.
00:33:11Let me tell you something
00:33:12If Fiti isn't doing what he's supposed to be doing
00:33:14She doesn't deserve it either.
00:33:15I don't
00:33:15Damn, don't say that
00:33:17Angelico, for whom this could be the final straw
00:33:19Don't you see it?
00:33:19Haven't you tasted any bocán all morning?
00:33:21He will be fasting.
00:33:22For the monastery
00:33:23You can't lie to me about that, not even as a joke.
00:33:26Where is the cutest thing in my house?
00:33:29Oh dear!
00:33:31Oh!
00:33:32What? What's up?
00:33:34That?
00:33:35Last night
00:33:36The girl is so beautiful
00:33:38And the little eyes he made for you
00:33:39And you
00:33:41Nothing
00:33:41Yes
00:33:42Yes, yes, Choni
00:33:43I'm not saying she isn't cute
00:33:45Very pretty and
00:33:46But if you look closely
00:33:48It doesn't have little eyes
00:33:49Like a little bit together
00:33:50I don't know, it's just that
00:33:50You've got your brain cells working together.
00:33:54You've got them stuck in your head.
00:33:57Hello
00:33:58Hello
00:33:59Anabel, my love
00:34:00How are you?
00:34:01Come and see if you can take this to my mother
00:34:02You're going to the village tomorrow, right?
00:34:03Of course, woman
00:34:04Thank you
00:34:05Thank you
00:34:05I'll leave you now and be right back.
00:34:06And I'll take care of you as you deserve.
00:34:08How are you, queen?
00:34:09Very good
00:34:09Good
00:34:11Hello
00:34:11Hello
00:34:12How's it going? Let's see
00:34:13You left very early yesterday.
00:34:15And without saying goodbye
00:34:16Yeah
00:34:17Yes, forgive me
00:34:18I'm so sorry, really.
00:34:19I don't know what happened to me.
00:34:19I had to make a call
00:34:21And in the end, I completely lost it.
00:34:23AND...
00:34:24What have you been up to, the video store?
00:34:26Did you catch yourself?
00:34:27Titanic
00:34:28I felt like crying.
00:34:30To cry?
00:34:32No crying, okay?
00:34:33Hey?
00:34:33We were talking on the porch
00:34:34Already
00:34:35Hey
00:34:35Hey
00:34:36Let's see if you're interested.
00:34:37Shall we have a drink tonight?
00:34:39And what time do you leave the south?
00:34:41At eight
00:34:42Well...
00:34:43That's great!
00:34:43I really want to
00:34:44Come on
00:34:45Okay
00:34:45Well, see you later, I'm running late
00:34:48Come on
00:34:48See you later
00:34:53Hello
00:34:54Hey
00:34:56Do you have noises in your house?
00:34:58Man, noises
00:34:59Unless it's my son Sico snoring
00:35:01And what about my Fiti and the other one
00:35:02Let three go
00:35:03They look like three bears
00:35:04Otherwise, it's a balsamic oil, why?
00:35:06No, well, nothing, I don't know.
00:35:07Well, it must be the pipes.
00:35:09Fiti
00:35:10I think it sounds like a different phone.
00:35:12No, no, no
00:35:13It's the...
00:35:13It's a...
00:35:15An alarm
00:35:16An alarm I have for...
00:35:18To remember the pill
00:35:19Hey?
00:35:20That's why
00:35:22God, I need another painkiller
00:35:24This one's getting hooked, huh?
00:35:25Jale, let him die
00:35:26Look
00:35:27I have two tickets to go to the theater tonight.
00:35:29If you feel like coming
00:35:31Then we can go to a Chinese restaurant for dinner
00:35:32Okay
00:35:33Brilliant
00:35:33No
00:35:35No
00:35:35Can't
00:35:36That...
00:35:37I've already made plans
00:35:38Oh, well, another day then.
00:35:40Yes, but let's go
00:35:41Don't worry
00:35:43Come on, have a good time
00:35:48See you later
00:35:48See you later
00:35:49See you later
00:35:55Let's see
00:35:56Let's see
00:35:56I'm going to tell him.
00:35:58I'll contact you, but I'm going to tell you.
00:35:59But of course
00:36:00Let's see, let's see
00:36:01If we have to take shortcuts to achieve a greater good
00:36:03It's stopped
00:36:04Oh my God, Carmen
00:36:04It's stopped
00:36:05Well yes
00:36:06This is the number they gave me
00:36:07At the Junior de Oro Secretariat
00:36:10Wow
00:36:10It's amazing that you're going to run.
00:36:13And your father lets you?
00:36:14My father?
00:36:15But yes, he is the one who has helped me the most.
00:36:16She has been supporting me in everything
00:36:17It helped me with the rhyme, with the lyrics
00:36:19If it weren't for him
00:36:20Ugh, I'm not doing anything.
00:36:21Really
00:36:22How lucky you are to have a father like that.
00:36:23You see?
00:36:24Okay, so what?
00:36:25I want to call you, okay?
00:36:26You know
00:36:27The number is the one that appears below.
00:36:29Okay, thanks
00:36:30You're welcome, aunt
00:36:31See you later
00:36:35Yeah
00:36:36Can you tell me what you're doing here?
00:36:38Well, work, Maritere, you see.
00:36:40They finally caught me, huh?
00:36:41I leave you
00:36:45Sergio
00:36:46Yeah
00:36:46Can I talk to you for a moment?
00:36:48Clear
00:36:51Can you explain what you're doing here?
00:36:53Well, the same as you
00:36:54I know you're siblings.
00:36:56Nothing, just wine and an interview
00:36:58And we've seen that he's good at this
00:37:00He's good at it
00:37:03Come on, don't freak out
00:37:04What did you say?
00:37:06Well, that's it
00:37:06That?
00:37:07Let's see how you solve this.
00:37:09Let's see, Tete
00:37:09In working life
00:37:11You're going to find
00:37:11A lot of people
00:37:12Above you
00:37:13And these people
00:37:14They are in charge
00:37:15To make decisions
00:37:16Okay?
00:37:16And you have to respect this.
00:37:18And that accept
00:37:21Okay, yes
00:37:22I was just trying to help.
00:37:23Nothing else
00:37:23Well, if you want to help
00:37:24You go inside
00:37:25There are still a lot of things left.
00:37:26Unpacking
00:37:28Okay, I'm sorry.
00:37:35Hey
00:37:40Father
00:37:41He has to support his children
00:37:42For the best
00:37:42Yes, yes
00:37:43And for the worse.
00:37:44Say it in full.
00:37:45But don't be a fool
00:37:45Which is what we are right now.
00:37:47In the very television studios
00:37:48In other words, faced with the scorn of Europe
00:37:51Nor should we exaggerate.
00:37:52No, no, no
00:37:53It's not an exaggeration
00:37:53It's my conscience, Carmen
00:37:54I'll never forgive myself for it.
00:37:56Really
00:37:56That I am a coward
00:37:57No way, man
00:37:59No
00:37:59Yes
00:37:59That I am a coward
00:38:00That I am a coward
00:38:02Girls, let's see
00:38:06Guille
00:38:10Hey!
00:38:10And those glasses?
00:38:12I bought them
00:38:12With my first preview, kid
00:38:14How are these first glimpses?
00:38:16Did they ask for their pay?
00:38:17Pay?
00:38:17Paying?
00:38:18You're talking to a new Guille
00:38:20You're talking to a reliable Guille
00:38:21With a Guille with status
00:38:23A Guille who goes
00:38:23Onward to your first paycheck, kid
00:38:26They caught me
00:38:26To work at the TT store
00:38:27No
00:38:28Yeah!
00:38:29Oh really?
00:38:30Yeah!
00:38:30But, you idiot!
00:38:32Are you working!
00:38:33And to top it all off, I've really outdone myself with sales, mate.
00:38:35I have the boss eating out of my hand
00:38:36But how?
00:38:37In a store
00:38:38What did your dad say to you?
00:38:40Oh, no, no
00:38:40My dad doesn't know anything yet.
00:38:42Doesn't he know anything?
00:38:43No
00:38:43You're messing with me
00:38:45But today I'm going to give you the slap of the century
00:38:47When he is buried
00:38:47What do you mean he doesn't know anything?
00:38:48What are you saying?
00:38:49Dude, you don't follow yourself
00:38:50I'll see what I do, buddy.
00:38:53And TT?
00:38:55Good, good, good
00:38:56How good?
00:38:57What's wrong, Guille?
00:38:58Nothing's wrong with me, Valdeno
00:39:00But, I don't know
00:39:01I am close to her
00:39:02I'm working alongside him
00:39:03I'm controlling it
00:39:03What my father wanted
00:39:04No, no, no
00:39:05Listen to me, no
00:39:06You're fooling yourself
00:39:07Make up your mind already
00:39:08Look, I'm your friend.
00:39:09I'm not going to pressure you
00:39:10But time passes
00:39:11Do you want to lose TT?
00:39:16No
00:39:16Well
00:39:18When one sounds like a tortilla
00:39:20He has to break some eggs
00:39:21Are you following me?
00:39:24Well
00:39:25Already
00:39:25Okay
00:39:30Hey, Guille
00:39:30Are you going to see TT?
00:39:32Yes, I'll watch it.
00:39:33Now yes
00:39:33Okay, important.
00:39:34You have to tell him
00:39:34Open the store
00:39:35At five thirty
00:39:35Okay?
00:39:36I won't be there.
00:39:36Okay, okay
00:39:38Hey, your glasses are cool.
00:39:39Thank you
00:39:39See you later
00:39:50I've just had an idea
00:39:51But I need you to lend me a hand.
00:39:53Yeah?
00:39:55Don't beat yourself up, Diego
00:39:57It's not a pleasant dish either.
00:39:58To tear the child away
00:39:59Such a big dream
00:40:00No, that's not it.
00:40:00They didn't catch me
00:40:05Maybe we should have made an effort
00:40:07Well, yes, maybe
00:40:10Nothing
00:40:10As soon as they tell her no, Carmen
00:40:12What I'm going to do is prepare a wonderful afternoon snack
00:40:14And let's see what happens
00:40:15For the child regarding the snack
00:40:16Well, maybe so he'll leave
00:40:17Here it comes, oh my god
00:40:19Dad
00:40:20Son
00:40:21Calm down, son
00:40:22Don't worry
00:40:22These people really don't deserve you.
00:40:24I'm serious
00:40:25No, Dad.
00:40:26They caught me
00:40:26What happened in the final?
00:40:27What's happening?
00:40:29Excellent?
00:40:30Excellent?
00:40:31That's great, son?
00:40:33How come you're not the one with money?
00:40:34Okay, so what's your boss?
00:40:37Okay, okay
00:40:37Joli, relax
00:40:38If I'm alone it's good
00:40:39Of course it's good
00:40:40I already told you so.
00:40:41But I...
00:40:41Clear!
00:40:43Ah!
00:40:45I broke my radio!
00:40:47Come on, get up
00:40:48You're running after all the guys
00:40:50Careful
00:40:51Okay, okay, okay
00:40:53Lean on
00:40:53Let's see
00:40:53What else hurts?
00:40:54He's going to break the radio!
00:41:13Goes!
00:41:19Carmen, that's possible
00:41:20That he didn't know how to see it
00:41:21And the child is worth
00:41:22For this artistic thing
00:41:23After all
00:41:24They're the professionals, aren't they?
00:41:25Clear
00:41:26The thing is
00:41:27Times and fashions change
00:41:28It's good to know.
00:41:30We're getting old, Diego.
00:41:31If that's what happens
00:41:32I'm sorry, with all due respect and affection.
00:41:34No, I don't want to upset him.
00:41:35But we're not from the same generation
00:41:36Not at all
00:41:36No, no, no
00:41:37I don't mean that.
00:41:38Well, but you're right.
00:41:38Yes
00:41:39We're not ready.
00:41:40We're not into what the music producer is doing.
00:41:41Rap, cod
00:41:42All this kind of stuff
00:41:43They are godless.
00:41:44A godless one
00:41:44And he's got guts too.
00:41:46What if a stranger has come along?
00:41:47To tell me that my son
00:41:48Okay, I didn't find out.
00:41:49That's for me, frankly.
00:41:50That's what bothers me.
00:41:51Because...
00:41:51What? What? What? What? What? What? What? What? What? What happened? What? What? What? What? What? What? What?
00:41:54What? What? What? What? Well, my old man? Well, well, well, well, well, my son, well, let's celebrate right now
00:41:57You are, you are an artist
00:41:58And you're going to get us out of poverty.
00:41:59What? What would you say?
00:42:00windows ear
00:42:01An artist
00:42:01Okay, for a backpack
00:42:02I'll go
00:42:02That I am your father
00:42:03The artist's father
00:42:03This one is strong, but the one who takes the cake is this kid from Cristina's song with
00:42:09Nicotine, dude.
00:42:09Besides, seriously, we already have the drought of the year, it's not bad or anything, the damned thing.
00:42:13But it's bad, it's bad, I mean, it's the girl who gets better now.
00:42:17Dad!
00:42:18That?
00:42:19Because I've been told that we're going to be on live TV tomorrow, for all of Europe.
00:42:23Live!
00:42:24But hey, live.
00:42:26In Europe, you can find everything.
00:42:28What a guy!
00:42:31We'll have a party!
00:42:34What are you doing?
00:42:35Ale of the peaks!
00:42:38And where did you say you were taking my cousin?
00:42:41Well, I didn't say that.
00:42:42You didn't say it.
00:42:43There's a typical cologne saying that the idea that animal scent attracts women is something you all made up.
00:42:48you for not washing.
00:42:49Seriously, Johnny, let's see, would it be too much to ask for a little privacy?
00:42:52Cristina, I'll just tell you one thing, you'd better behave yourself, because if you don't...
00:42:56Castrate yourself!
00:42:57Hey!
00:42:58Okay, I was missing something, look, come in, come in, there's still room on top of the scale.
00:43:02Hey, that's so cool, huh?
00:43:04You know that, don't you?
00:43:05Take it easy, okay?
00:43:06And be very careful.
00:43:08A lot, a lot.
00:43:09What are you doing, Raúl?
00:43:10Come on, uh...
00:43:11But let's see if you understand, I'm just going out for a few beers.
00:43:14Beers, some beers!
00:43:16Are you going to have a few beers?
00:43:18Fiti makes me incredibly happy.
00:43:20What a lovely couple they make!
00:43:22Mom!
00:43:23Like something out of a fairy tale.
00:43:25He owns a mechanic's workshop.
00:43:26She works as a cashier at a supermarket.
00:43:28A dream, damn it, Fiti, a dream.
00:43:30If you won't stay still, damn it.
00:43:32Damn, what am I getting you into with this?
00:43:33Because then it makes your sweater bulky.
00:43:34Sure, go ahead!
00:43:35Hey, did you find a mobile phone in the building or something?
00:43:39No.
00:43:40And apparently, the girls have lost it.
00:43:42Look at that one too, what a head.
00:43:44He's going to put on the fruity belt.
00:43:49Hey, what's really weird is that the charger isn't there either, huh?
00:43:55Damn, I just don't understand it.
00:43:56I left my phone charging there.
00:43:57I'm almost certain.
00:43:58Yes, almost certain.
00:44:00Oh well, it doesn't matter.
00:44:01I've already bought a charger.
00:44:03Ah, thank you very much for your attention.
00:44:04Damn, I lose my phone and all you care about is charging yours.
00:44:08Of course, I've had no battery since yesterday.
00:44:13See?
00:44:14I have twelve messages.
00:44:18Ana, uh...
00:44:19Hey...
00:44:20Why? I'm calling you because...
00:44:22Well, if that's the case...
00:44:24Look at my brother, what a great physique he has.
00:44:26He looks good even in slippers, damn it, Fiti.
00:44:28You who look upon me with kind eyes.
00:44:30Yeah.
00:44:30Hey kid, do you know where Ana lost her phone?
00:44:33Ana, Africa lost the mobile phone.
00:44:35Africa too?
00:44:37No, not that either.
00:44:38Africa lost it, Dad.
00:44:40And then...
00:44:41So, Ana has her mobile phone.
00:44:43I guess.
00:44:49We'll have to help her, won't we?
00:44:51The girl to find the mobile phone.
00:44:52I say that with the way things are these days, the girls are going to be without cell phones.
00:44:56So, I'm going to...
00:44:57I'll be right back.
00:44:58Hey, hey, hey, Fiti.
00:45:00Fiti, wait.
00:45:01That you have to be a good neighbor.
00:45:02And thanks to your brother, we have to help the girls.
00:45:06The girls or Jico?
00:45:08I'm not telling you anything else, or jico, or jico, or jico.
00:45:11Do you know where I'm going?
00:45:13I'm coming for your brother.
00:45:14Let's see if he gets dizzy with the neck brace.
00:45:17Your brother, your brother.
00:45:19So, is it a snack row or not?
00:45:21Should I put a broom up my ass and sweep the hallway?
00:45:24Well...
00:45:25What do I do?
00:45:30Hey, I'm calling you because...
00:45:34I know it can't be.
00:45:36But it is...
00:45:37Man.
00:45:38Hello.
00:45:39How are you?
00:45:40How are you?
00:45:41I love you.
00:45:42Hello.
00:45:43Hello.
00:45:43Well, I thought I came here for something else, but oh well, since...
00:45:47Since you're on the topic of phones, Ana, I'm telling you this message isn't for you.
00:45:54Oh, no.
00:45:54No, no, no, no.
00:45:56No way?
00:45:57So, who was it for?
00:46:00Not like you left it on my phone and you said my name, well...
00:46:05No, I don't know your name...
00:46:07I didn't say your name.
00:46:08Yes Fiti, yes you say so.
00:46:09No.
00:46:10It's not for nothing.
00:46:11But I heard it clearly.
00:46:12I don't say his name.
00:46:13No, no, no, no.
00:46:14No.
00:46:14Play it again and we'll listen to it again to clear up any doubts.
00:46:18Put it on, put it on.
00:46:18Set it for...
00:46:19Put it on.
00:46:22Put it on.
00:46:26Ana, uh...
00:46:28Hey...
00:46:28Ana-bel.
00:46:30Ana-bel.
00:46:31Ana-bel.
00:46:32What can't be?
00:46:32It is, it is, it is...
00:46:33It sounds strange, it sounds like some kind of...
00:46:35Like a strange cacophony there, but I say Ana-bel, I say Ana-bel because that's what I
00:46:39I mean.
00:46:39Ana-bel.
00:46:40Don't tell me that Ana-bel, Ana...
00:46:42I mean, Ana-bel, my cousin.
00:46:45What a bastard.
00:46:46Hello darling.
00:46:47Come on over there and...
00:46:48Ana, give me a hug, give me a hug.
00:46:50But what's going on here?
00:46:52Well, Fiti has fallen in love with us.
00:46:54There, from Ana-bel.
00:46:56That?
00:46:56What do you say?
00:46:57Oh really?
00:46:58But anyway, and Sabela, what a...
00:47:00I mean, what does he know, what does he know, especially since he had a lapse and sent it
00:47:03a message to Ana.
00:47:04Well, as soon as we tell him, as soon as he finds out...
00:47:07Well, when we tell her she'll go crazy.
00:47:08No, let's not tell him, I'll tell him myself since he's the one who has to...
00:47:11Well...
00:47:11But what are you going to do, Ana-bel?
00:47:12Well, my cousin, my cousin.
00:47:13My cousin is my son.
00:47:15My God, what will become of his family? I'm not going to see him.
00:47:17But hey, this guy's coming.
00:47:19Oh my goodness!
00:47:20Okay, okay, okay, okay.
00:47:21This needs to be wet.
00:47:25Okay, okay, thank you.
00:47:26Thanks for coming so briefly, Santi.
00:47:28In moments like this, family should be by my side.
00:47:30Grab a pineapple.
00:47:32And face the bull, because I'm coming in behind with the banderillas.
00:47:35Santiago, who is not a heifer, who is a child.
00:47:38We'll have to tell them carefully.
00:47:39Carefully, yes.
00:47:40But without backing down.
00:47:42We already know each other.
00:47:43When it comes to little gurritos, your hands turn to butter.
00:47:46Yes, yes, you're right, but I'm not going to back down.
00:47:47Because things have gone from bad to worse, I know I won't back down.
00:47:50I'll tell you one more thing.
00:47:52I'm going to shatter his illusion.
00:47:53But if it requires moving, it's a disaster.
00:47:54I'm going, that's it.
00:47:55Go.
00:47:56Careful.
00:48:01And I dedicate this award to my father, Diego Serrano.
00:48:04She is the person who has always helped me achieve my dream.
00:48:07And that he's always there supporting me.
00:48:09Thank you so much.
00:48:13What's happening?
00:48:14Have you heard it?
00:48:15I can't.
00:48:16I can't.
00:48:17You have to be able to, Diego.
00:48:18Can't.
00:48:18Can't.
00:48:19Can't.
00:48:19Can't.
00:48:19Can't.
00:48:19Let the incitiritero stay for life.
00:48:21No.
00:48:22No, not that.
00:48:22Okay, okay.
00:48:23Come on.
00:48:26How are you, son?
00:48:27What do we do?
00:48:28Ah, yes.
00:48:29That was coming...
00:48:30I wanted to tell you something, you see.
00:48:33Tell me, tell me.
00:48:34What do I want to find?
00:48:35So what I want to tell you and talk about at the same time is that...
00:48:39So, that...
00:48:40Well, that's it, we've been thinking about it and it's better that you don't go to the contest.
00:48:49As?
00:48:49Because?
00:48:51No, that's not it.
00:48:51I mean, because...
00:48:52But what Carmen was saying, that we've all been thinking about it and...
00:48:55And it's better if you don't go to the contest.
00:48:56Because?
00:48:56Ah, yes, because...
00:48:58Because I don't like you getting involved in show business, you know?
00:49:02In other words, to be one...
00:49:02Because he's very much a show-off.
00:49:04Yes, but I want to go.
00:49:05Well, that's not going to be possible, son.
00:49:07I'm sorry.
00:49:09As?
00:49:10But why?
00:49:11Okay, give me an explanation of why you don't want me to go.
00:49:13No, the only explanation I'm going to give you is because I'm your father and I don't want you to go.
00:49:16And that's it.
00:49:17As?
00:49:18Well, you're the worst.
00:49:19Let's see, let's see, jobs.
00:49:20Let me...
00:49:20No, no, don't touch me.
00:49:22Let go.
00:49:22It bothers me.
00:49:23There you've been, brother.
00:49:24You've been there.
00:49:25It has been painful, but necessary.
00:49:27As if one of mine were working.
00:49:29See?
00:49:30Very good.
00:49:31He'll never forgive me for this, you know.
00:49:32I'm serious.
00:49:33In life.
00:49:34That you arrive.
00:49:34Now then, man.
00:49:35Now then, man.
00:49:36Yes, yes, yes.
00:49:36Now this thing is about marking.
00:49:37No, no, no.
00:49:38He'll understand.
00:49:39When it's done.
00:49:42The damage your husband has done to me is unbelievable.
00:49:45No, not the damage.
00:49:46You needed to be resting and not running around all day long.
00:49:48Child.
00:49:49Does it hurt a lot?
00:49:50Just a little, don't worry.
00:49:53So what?
00:49:54No, no, no.
00:49:55You're not going to meet up with my cousin.
00:49:57But how am I going to get along with your cousin?
00:49:58What do you want?
00:49:59What, go with a hunchback at Notre Dame?
00:50:01Well, that's it, man.
00:50:02We called her, told her it couldn't happen today, but...
00:50:05But things are looking good.
00:50:06Hey, hey, hey, hey, hey.
00:50:07Wait.
00:50:08Look, I'll call her.
00:50:10These things are also done in the first person.
00:50:12Clear?
00:50:12Sure, José Luis, damn it?
00:50:13How unromantic.
00:50:14Whatever he calls her.
00:50:16Come on, let's go.
00:50:16Let's go make dinner, he can call us calmly.
00:50:23My cousin does a little...
00:50:26Look.
00:50:27No, fuck it.
00:50:29You're standing there like a marquis.
00:50:30Final pillas.
00:50:31You don't say anything about me and...
00:50:32Hey?
00:50:33And your brother, look, there lying Bartola.
00:50:34Your brother is sick.
00:50:35That is not the case.
00:50:39Hello, Anabel.
00:50:40I am Ofiti.
00:50:42Look, no...
00:50:43That I won't be able to...
00:50:45I won't be able to meet up with you.
00:50:47No.
00:50:47And one more thing.
00:50:50I wanted to tell you something...
00:50:51One more thing before...
00:50:53You'll find out from another source, you know?
00:50:57That...
00:50:58Look, look, I'd better do it for you.
00:51:00I'll tell you tomorrow, okay?
00:51:02Yes, tomorrow, if you don't mind.
00:51:04I can't right now because I...
00:51:05Because I have to apply the ointment.
00:51:07Okay, see you tomorrow.
00:51:11That?
00:51:13How is my cousin feeling?
00:51:14Ah, you've finished talking.
00:51:17Knowing her, you've kept her up all night.
00:51:19Pirate.
00:51:19You're a pirate.
00:51:20No.
00:51:22I don't know.
00:51:23Well, I'm going to...
00:51:24I'm going to bed to lie down, I feel better.
00:51:26Aren't you coming for dinner?
00:51:28Yes, yes, I'm not hungry.
00:51:29Johnny.
00:51:31This will be fixed quickly, chatunga.
00:51:33Tomorrow you and I are going to the village, we're taking the couple along so that Fiti can get to know her
00:51:39the family.
00:51:40Look, when you start thinking, you're nobody either.
00:51:42Homer.
00:51:43Yeah!
00:51:43Where are you going?
00:51:44That?
00:51:44Go ahead and take this to the storage room.
00:51:46Now?
00:51:47No, no, you leave it there for tomorrow.
00:51:48Yes, let's see how it goes.
00:51:49Okay, go ahead.
00:51:52Pull, man.
00:51:55Okay, what's wrong?
00:51:57What a coward he is, dude.
00:51:58What have I done?
00:51:59What have you done?
00:52:00You know perfectly well that I just got fired because of you.
00:52:02What do you mean you came here?
00:52:03After what I've done, I understand.
00:52:05But don't tell me you didn't open the store in the end, do you understand why?
00:52:07Dude, what are you on about?
00:52:08If I'm coming from the movies, you were supposed to let me know, and I just ended up being called Sergio.
00:52:11which he had to open.
00:52:12Look, man, I was looking for you the whole time, I swear, but I just couldn't find you.
00:52:15What's happening?
00:52:15Didn't you see my note in the folder?
00:52:17What grade?
00:52:17What are you saying?
00:52:18Well, since I couldn't find you, I looked at your things and left you a note in the folder, on the first page.
00:52:27What's happening?
00:52:28Couldn't you call me on my mobile or what?
00:52:30I was in the infirmary with Maldano, dude.
00:52:31Further out of range, dude.
00:52:35I'm so sorry, really.
00:52:49Hello, little worker, son.
00:52:51How are you?
00:52:52Yes, sorry, yes, yes, you've told me many times not to love you, little worker.
00:52:55Work, work, work, but...
00:52:56Hey, hi, and I was just going to tell you that you're coming tonight, huh?
00:53:02That it won't be possible this year either.
00:53:04Oh man.
00:53:05Remove, fruitful.
00:53:06Take it away, take it away.
00:53:07Yeah.
00:53:08Well, no, neither are your brothers, because they're a bit busy.
00:53:11Yeah.
00:53:12They have their commitments, and you know that, just like you do.
00:53:16I already sent myself a very nice gift, but oh well.
00:53:18Hey, work.
00:53:20Curro.
00:53:21Okay, okay, yes, we already talked about that.
00:53:23Happy, happy new year, son.
00:53:25Happy New Year, goodbye.
00:53:29What's not coming?
00:53:33I can't even remember how long it's been since I last had dinner with her.
00:53:39Look, look, look, look, look, look, look.
00:53:41Hey?
00:53:41I did it for your own good, little worker.
00:53:44I did it for your own good.
00:53:47Oh, oh, my God.
00:53:54Oh my God.
00:54:05Hey, that dad.
00:54:06Look what breakfast I've prepared for you, huh?
00:54:08Cool, huh?
00:54:09Come on, it's like a luxury hotel buffet.
00:54:11Stay still, stay still, stay still.
00:54:11And why is this?
00:54:12So, what are you going to ask me for, Raúl?
00:54:14No way, man, no way.
00:54:16Damn, to celebrate Anabel's news.
00:54:20Ah, that.
00:54:21Clear.
00:54:22No, no, look, Raúl, you see, I wanted to tell you something.
00:54:26Yes, Dad, yes, you needed it, you were feeling terrible, you had me worried,
00:54:30man.
00:54:31Yes, well, yes.
00:54:32The truth is that, well, since the accident, I've been thinking about it a lot.
00:54:37I'm not saying no.
00:54:37And you deserve, Dad, another chance to be happy, do you understand?
00:54:41It's a rebirth, a "here I am," you know?
00:54:44Yes, yes, let's go.
00:54:45Mostly what a sequel is, right?
00:54:47That.
00:54:48That's it.
00:54:49Wait a minute, damn it, I loved you...
00:54:51Wait, I'm here, man, I'm working on breakfast.
00:54:55I'm going to...
00:54:56I'm going to do it in the end, I've decided.
00:54:58So, in the end, I mean, I'm leaving.
00:55:00Yes, I know.
00:55:02And let me tell you something, I think it's fantastic.
00:55:05Well thought out.
00:55:06Don't you care?
00:55:08I don't mind.
00:55:10If he deleted me, well, what do I know?
00:55:13Well, very good titan.
00:55:15Hey, Choni left you a bag there with... well, with everything already.
00:55:19But I've already had it done.
00:55:20Yeah.
00:55:21And take it down carefully, because you have some Tupperware containers with paparajotes, meatballs, and I don't know what else.
00:55:25that.
00:55:25And bundle up, because the Anaver polo shirt is freezing cold.
00:55:28Like at the pole, dude?
00:55:28What are you saying?
00:55:30A little bit of style, we're going to take the caravan and my cousin is waiting downstairs.
00:55:34Well, but the man will have to have breakfast.
00:55:37Perfiti.
00:55:38My cousin is there.
00:55:39Come on, throw it, throw it.
00:55:41Man!
00:55:42Come on!
00:55:43Have you taken the pastries?
00:55:44That?
00:55:45Don't leave them behind.
00:55:48Come on, have a good time, man.
00:55:52Good morning.
00:55:54Hello.
00:55:54Come on, jacurro.
00:55:56What do you mean you woke up on the wrong side of the bed?
00:55:58Go on, go find her, it's not a favor.
00:56:00No, no, I'll go.
00:56:01Teté hasn't come down yet.
00:56:03Looks like we're having a good day today.
00:56:05We're all a bit lazy.
00:56:08Hey, one thing.
00:56:10Speaking of Teté.
00:56:11How's the store doing?
00:56:13Well, that's it, Dad.
00:56:14Don't worry, everything's sorted.
00:56:15Oh, really? Problem solved?
00:56:16Yeah.
00:56:16He's been fired.
00:56:18What? They fired him?
00:56:19Yeah.
00:56:22Ah, that's why you're sad, isn't it?
00:56:25I understand, son, I understand.
00:56:26These things are hard, but you think we're doing it for her own good, because we love her, right?
00:56:34That's true, well, now that you mention it, isn't it?
00:56:39Yeah.
00:56:40Because of this, well, a little collateral damage has occurred.
00:56:46A small amount of collateral damage from this?
00:56:48Yeah, nothing, it's just a silly little surprise, huh?
00:56:50In other words, nothing.
00:56:52What are you worried about?
00:56:53Well, it turns out that now, the one who's working is me.
00:56:59Yeah.
00:57:00You.
00:57:01You.
00:57:02You, you, you.
00:57:04You're an idiot.
00:57:05So, you...
00:57:05No, no, no, idiot.
00:57:07No, you're an idiot, Rado Mala.
00:57:08You're the one picking up the trash, idiot.
00:57:10You are a...
00:57:10I'm not going to get angry.
00:57:11No, no, no, calm down.
00:57:12I'm not going to get angry.
00:57:12I'm not going to get angry, I'm not going to get angry.
00:57:13But you're already saying goodbye.
00:57:14You are saying goodbye now.
00:57:14I'm going now...
00:57:15Yeah.
00:57:15Oh, what?
00:57:16That?
00:57:17Curro has left.
00:57:19Fuck.
00:57:19And he left that note.
00:57:21I'm sorry, but I'm going to sing.
00:57:23Curro.
00:57:26That's the last straw.
00:57:27Already.
00:57:27We have to be on top of you, damn it.
00:57:29Come on.
00:57:30Oh, Fiti.
00:57:32You're going to kill me.
00:57:33Yes, yes, Johnny, yes.
00:57:34I couldn't help it.
00:57:35I had to tell the girl about the message.
00:57:37That?
00:57:38So, that's what you wanted to tell me last night.
00:57:41Well, yes, but...
00:57:44Look, there are a couple of nuances I wanted to clarify.
00:57:47You don't need to say anything more.
00:57:50It's very nice, Fiti.
00:57:53There is heaven...
00:57:54The sky is strange.
00:57:55Me, me...
00:57:56Guys, I think we should leave it for another day.
00:57:58You're stupid.
00:57:59There isn't a single cloud that's blue.
00:58:01A wonderful day.
00:58:01Come on, we're going to get stuck in traffic and I have to give Diego his car back.
00:58:04Come on, let's go.
00:58:05Oh, look who's here.
00:58:06Hello.
00:58:07Where are you going on such an early Saturday morning?
00:58:09So my children and I were going to the village with them.
00:58:11And Fiti, who is determined to come with Anabel.
00:58:13Oh, are you Anabel?
00:58:14Yeah.
00:58:15The one with the message?
00:58:16Yeah.
00:58:16How are you?
00:58:17Ann.
00:58:18Nice to meet you.
00:58:18Ann.
00:58:19Clear.
00:58:19Which one did Fiti send the message to by mistake?
00:58:21Mostly, yes.
00:58:22We'll take this opportunity to let Fiti meet his parents.
00:58:25To their parents?
00:58:27But it's not the best time.
00:58:29That I am terminally ill.
00:58:30I'm not in the best place to give presentations or anything like that.
00:58:33Fuck.
00:58:33Don't be silly.
00:58:34My parents are very down-to-earth people.
00:58:36Uh, yeah?
00:58:38Have we arrived?
00:58:39Have we arrived?
00:58:40Come on, that's a lot of kilometers.
00:58:41Have a good time.
00:58:43See you later.
00:58:44Come on.
00:58:46Come on, Fiti.
00:58:47Fiti, we didn't make it.
00:58:49We have to stop.
00:58:50No, because I like to go for longer.
00:59:15Here.
00:59:22Come on, Carmen.
00:59:23I won't arrive.
00:59:24I can't take it anymore.
00:59:25Yes, let's go, Carmen, please.
00:59:28Where is it, Dad?
00:59:30There, there.
00:59:31To the left, to the left.
00:59:37Tranquillity.
00:59:38Tranquillity.
00:59:38Don't panic.
00:59:39Because there are many children and work.
00:59:41It doesn't have to be the first one.
00:59:42No, no, it doesn't have to be the first one.
00:59:43No, no, it doesn't have to be the first one.
00:59:44No, no, no.
00:59:44Of course not.
00:59:44Space, now.
00:59:47And millions of viewers, you mountain donkey.
01:00:01Hey, Santiago, do you know where your brother is?
01:00:03The thing is, he won't answer my phone.
01:00:05Brother, ever since you've dazzled him, he walks around like he's lost his mind.
01:00:10I was supposed to be here an hour ago.
01:00:13But, but what a slippery one.
01:00:16What a drain.
01:00:16Turn up the volume, Santi.
01:00:26Alcina, who entered the competition.
01:00:28Yes, yes, yes.
01:00:29You've selected him for the casting round.
01:00:31There it is, there it is.
01:00:32There it is.
01:00:37Cristina, you are divine, like nicotine, which contaminates me, which contaminates me, Cristina.
01:00:44I know you're poison, but I'd like to smoke you to the end.
01:00:48No, Mom, they're laughing at the job.
01:00:51Oh, advertising.
01:00:52And I can't detox from you.
01:01:01Cristina, I can't detox from you.
01:01:16There are no panches for you, Cristina.
01:01:19Not even lollipops like Crip's, Cristina.
01:01:22You're like nicotine, now.
01:01:24Cristina, Cristina, yes.
01:01:27But I can't, what's Diego doing there?
01:01:30Of course, that's why he's not answering my calls.
01:01:33Cristina, I can't detox from you.
01:01:35Cristina, I can't detox from you.
01:01:41Carmen too.
01:01:43How does she move her body, grandma?
01:01:45What a great brother I have, who sacrificed himself with his son.
01:01:48That's a father, that's a father.
01:01:50A father, a brother, and a grandmother.
01:01:53Tamina?
01:01:54A family.
01:01:56Come on, come on, now!
01:02:03Work!
01:02:04Work!
01:02:05Thank you to you.
01:02:07Thank you so much.
01:02:08Bye bye.
01:02:09Work, eh!
01:02:10Cuttable!
01:02:10Cuttable!
01:02:14Cuttable!
01:02:16From goose to goose.
01:02:19Hey, why don't you have a better plan for a Saturday, Auntie?
01:02:23I?
01:02:25Hey, no.
01:02:26And what about you?
01:02:28Hello!
01:02:30How was the excursion?
01:02:33Good and you?
01:02:35How are you?
01:02:36I?
01:02:38Well, here, nothing.
01:02:40Okay, okay, okay.
01:02:41And the look on your mother's face, her face lit up when she saw me
01:02:44type.
01:02:45So, how did Uncle Paco earn his money?
01:02:47Winning is thanks to Uncle Paco's favor, huh?
01:02:49Wedding bells are already ringing, Fiti.
01:02:51Well, little by little, right, Fiti?
01:02:53Yeah.
01:02:56Okay, I'm leaving.
01:02:58Anyway, I'm glad you had such a good time.
01:03:03And we'll continue another day.
01:03:04Raul.
01:03:05See you later!
01:03:06See you later!
01:03:06See you later!
01:03:10I hope my parents haven't overwhelmed you.
01:03:12They were so excited.
01:03:13Well, how could I not be?
01:03:14How could they not be?
01:03:16Look, my husband and I are matchmakers for the Perumiedad family.
01:03:19Okay.
01:03:19I'm telling you.
01:03:19Tony, ease up a little, please.
01:03:21That's what I was saying.
01:03:22And look, look at me.
01:03:23Touch and sink.
01:03:24Go on, you're a loser.
01:03:25Help me unload the suitcases.
01:03:27Come on.
01:03:28Can you help me?
01:03:28Yeah.
01:03:30Hey, Tito.
01:03:31What happened?
01:03:32Tell me, how are you?
01:03:32Well, that's it.
01:03:33Very good, exhausted, but good.
01:03:35You were acting a little strange.
01:03:37We need to talk, Anabel.
01:03:40Talk?
01:03:42Oh.
01:03:45And what about?
01:03:47Well, I didn't want to...
01:03:52So, that...
01:03:53Well, neither do you...
01:03:57Okay, so I...
01:03:58Damn, I can't...
01:03:59Leave it.
01:04:01I understand.
01:04:04That the message wasn't for you.
01:04:08But I didn't want to...
01:04:09In the end.
01:04:11What I didn't want...
01:04:12Already.
01:04:13That you didn't want to hurt me.
01:04:15That's why you came with me to the village, right?
01:04:21Well, that's to your credit.
01:04:24I wish there were more guys like you.
01:04:26Well, that's it.
01:04:28Choni has gone on a plan.
01:04:30The four of us are leaving tonight.
01:04:31To bingo.
01:04:32What do you think?
01:04:33Look, cousin.
01:04:34I really appreciate it, but...
01:04:36Honestly, this isn't going anywhere.
01:04:40See you later.
01:04:41See you later.
01:04:43Oh, and I'll pick up the suitcase another day, okay?
01:04:47Anabel.
01:04:48Anabel, cousin.
01:04:49Hey.
01:04:53Rafiti.
01:04:54Can you tell me what you said to him?
01:04:56Damn, you can't be left alone for a minute.
01:04:58Leave me alone, okay?
01:04:59It's not credit.
01:05:00I just can't believe it.
01:05:03Look at that girl too, what a race she's running...
01:05:06Yes, son of God.
01:05:06But we brought it from the village.
01:05:14Very good, Carmen.
01:05:15Truly wonderful.
01:05:16I thought it was a magnificent dance.
01:05:18Yeah?
01:05:18It has a kind of mix of twist and rap, doesn't it?
01:05:20Well, yes.
01:05:21Diego, who had, kept.
01:05:23There, there, there, there, there, there.
01:05:24Damn, and another message, Dad.
01:05:26There's no one who hasn't seen us on this show.
01:05:28Well, dude, I don't know, do I?
01:05:29Look, the only thing I'm happy about is that I took away the poor 10's title of geek.
01:05:32Because we're just a bunch of geeks.
01:05:34No, no, now it turns out that we mountain folk are just a bunch of tricksters.
01:05:36But what are you saying?
01:05:37I mean, I'm very proud of it.
01:05:38I am very proud that we mountain folk are such trikis.
01:05:40And I hug you like a trikis.
01:05:42I hug you like trikis, dad of trikis.
01:05:44Because we've done a really good job as trikis.
01:05:45Look, Dad, he's already embarrassed enough today.
01:05:48And another one.
01:05:49What's happening?
01:05:50Damn, Dad.
01:05:51That?
01:05:51Well, this one belongs to Obedela's cousin, who's hot.
01:05:54Ah, I know that...
01:05:55Yes, yes, yes, yes.
01:05:56Well, kid, what can you do?
01:05:57No, not that either...
01:05:58Thank goodness you came to sing with me.
01:06:01Now I know why you didn't want me to go.
01:06:07What does he know?
01:06:07Do you know?
01:06:08So, why...?
01:06:09Because I sing terribly, Dad.
01:06:12No.
01:06:12No!
01:06:13No no!
01:06:13No, no, no!
01:06:14No, no, no!
01:06:15No, no, not the other way around.
01:06:16What are you saying?
01:06:17Currito, son, you sing subliminally.
01:06:19You sing like Los Angelitos.
01:06:20Yeah.
01:06:21And you know what you have, work?
01:06:23Do you know what you have?
01:06:25That?
01:06:25You have personality.
01:06:26Yeah.
01:06:27You have personality.
01:06:28Yeah.
01:06:28Yes, you have it.
01:06:29Yes, yes, like the greats, like Sabina, for example, who has personality and that's why
01:06:32He sells so many records and has so many successes and all that.
01:06:34Personality.
01:06:35Clear.
01:06:36Please, two more.
01:06:37This means Carmen won't even be able to go and collect her pension.
01:06:40So, that...
01:06:40Twenty messages in the space of an hour, how embarrassing, please.
01:06:43I work hard, you've already ruined my life.
01:06:45For the rest of my life.
01:06:46I feel so good.
01:06:47Coconut!
01:06:58Coconut!
01:07:14How are you handling it?
01:07:19Throwing.
01:07:20What am I going to do?
01:07:26Well, dude, I wanted to confess something to you, but the truth is I don't know where to start.
01:07:43It's about what you told me last week.
01:07:47Clear.
01:07:47What did I tell you?
01:07:50About...
01:07:54That you would disappoint me a thousand times just so I wouldn't leave.
01:08:06Why don't you want me to leave?
01:08:15For my father.
01:08:23Already.
01:08:28Well...
01:08:28I'm very sorry, but I'll tell your father that I'm going to keep looking for a job so I can leave.
01:08:47And when did you say you have an appointment with the bronchologist?
01:08:51That?
01:08:52He passed it tomorrow.
01:08:53But here.
01:08:54I mean, I like the local clinic here in the neighborhood.
01:08:57Clear.
01:08:58So, you'll be here next week.
01:09:00Three?
01:09:01And the other one.
01:09:03Damn, it's not helping me at all.
01:09:05Sure?
01:09:05Of course, damn it.
01:09:06If you're here, damn it, you're my friends.
01:09:10What am I saying, friends?
01:09:11My brothers, damn it.
01:09:12What you have done for me is not something all monks do.
01:09:15Come on.
01:09:16Oh, watch out!
01:09:18Run it there!
01:09:18Sorry, sorry.
01:09:19Sorry, sorry.
01:09:19Has the other rib been damaged, damn it?
01:09:20Yes, yes, yes.
01:09:21There's one little thing I want to tell you.
01:09:22Yeah.
01:09:23Forever now.
01:09:24Don't try to drag me into another skirt-related mess like this again, okay?
01:09:26I'm perfectly capable of doing that myself.
01:09:28And besides, I don't want to, damn it.
01:09:29Good, good, good.
01:09:30Very good.
01:09:30Don't worry.
01:09:31Okay, fine, fine.
01:09:35He wants us to find him a romantic entanglement.
01:09:37Ah, okay, okay, okay.
01:09:37She's longing to fall in love.
01:09:39Yes, it's perfectly clear.
01:09:40Santi, get your planner out.
01:09:41Let's find a girl.
01:09:42Your brother?
01:09:42Yes, your brother.
01:09:43Did they pull out their agenda, damn it?
01:09:44Don't you know what they left you?
01:09:45Apart from the Urditas and the catechism classes, I don't know anyone in Blasquimérez.
01:09:49What's wrong with you?
01:09:49You pull it, you've always had these.
01:09:51Hey, you've had, had everything, everything, everything.
01:09:54Pandi, shall we go to the dance?
01:09:55Yes, yes.
01:09:56All from the retiree?
01:09:57All from the retiree?
01:09:57All from the retiree?
01:09:58All from the retiree?
01:10:00All from the retiree?
01:10:18Ana, I'm calling you because I know it can't be, but it is.
01:10:24And I have to tell you.
01:10:29I love you.
01:10:32To delete the message, press 1.
01:10:35To save the message, press 2.
01:10:42Message saved.
01:10:55There is no respect in our family, that's what I'm asking.
01:10:58No, no, no, it wasn't me, it wasn't me.
01:11:00Hey, Diego, Saurio!
01:11:01Did you know that tomorrow is Dad's birthday?
01:11:03Where do you put 50 candles?
01:11:04Okay, sorry.
01:11:05We're not going to celebrate anything.
01:11:06Tomorrow is Diego's birthday and I'd like to give him a special gift.
01:11:09I don't want celebrations, gifts, or anything.
01:11:11How could you even think of squeezing yourself into the trunk of a car like that, man?
01:11:14I don't want to bother anyone.
01:11:15Having documented shelter is illegal.
01:11:17I'm not in the mood to celebrate my birthday.
01:11:19Well, since it gives more pleasure to give than to receive, I'll indulge myself.
01:11:22Why more costumes?
01:11:23The idiots, because that's about all I've ever been good for...
01:11:25We could go out to dinner, just you and me.
01:11:27Not tonight.
01:11:28I wanted to reserve a table for two people.
01:11:31I'm going to give you some advice, little brother.
01:11:33Feelings need to be expressed.
01:11:36Exactly that in Spanish hospitality.
01:11:37Aptula there, wait!
01:11:39Running and running.
01:11:40And running and running and...
01:11:41And more running.
01:11:42And now, he steals from us and runs away.
01:11:43What has been stolen?
01:11:44Yes, I did make the reservation, but I didn't go with Celia.
01:11:47Can you tell me what you did with Diego for his birthday?
01:11:49Well, that's new too.
01:11:50Damn, with the desire of the eggs.
01:11:52Congratulations, body!
01:11:53Congratulations, body!
01:11:55Congratulations, handsome!
01:11:56One that we have paid you for.
01:12:13Congratulations, body!
01:12:16Thanks for watching the video.
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