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00:01:33Yo no nací para amar

00:01:41Nadie nació para mí

00:01:45Tan solo fui un loco soñador

00:01:55Yo no nací para amar

00:02:03Nadie nació para mí

00:02:06Mis sueños nunca se volvieron realidad

00:02:24We were a very small choir

00:02:28I had to sing some very high notes

00:02:30Which I'd never done before

00:02:34But having all those tenors, basses, contraltos and sopranos together

00:02:39Really elevated the whole show

00:02:47Yo no nací para mí

00:02:58No nací para mí

00:03:01No nací para mí

00:03:14No nací para mí

00:03:32Many thanks to Mrs. Alineza Kotnari for coming to see us

00:03:35A kiss with all my love

00:03:38The president of the Jaques

00:03:40He was from my dear

00:03:42Look at this

00:03:43Look at me

00:03:43I think he dedicated the concert to Cecilia Ojeda

00:03:46Mexico, Mexico, Mexico

00:03:51Mexico

00:04:16Music is music, right?

00:04:18I sincerely wish with all my heart

00:04:20that all my colleagues have the marvelous opportunity I got.

00:04:24If you remember, Mozart, Beethoven, Bach and Tchaikovsky

00:04:27were faced with many problems in their time

00:04:29because they also wrote popular songs

00:04:31that are now considered classics.

00:04:32It's not that I'm comparing myself to them,

00:04:34but they were once like me.

00:04:36Like me.

00:05:14Hey! On your feet, everyone!

00:05:17I want to see everybody dancing, singing, living!

00:05:22And then, from the moment the song

00:05:25Debo Hacerlo came in full force,

00:05:28everyone in the audience just went completely crazy.

00:05:53Let me hear you!

00:05:58Hey!

00:06:00Louder!

00:06:02So we can reach the president.

00:06:06That's it! He heard me! He heard me!

00:06:15In the end, the orchestra was in love with him,

00:06:18dancing with him, singing, doing the backup singing.

00:06:22Our excitement only grew as the show went on.

00:06:27Are you feeling tired?

00:06:29No!

00:06:30Are you tired already?

00:06:32You!

00:06:33No!

00:06:34Me neither!

00:06:40Me neither!

00:06:43One!

00:06:44Two!

00:06:46In the Theatre Palacio de Bellas Artes,

00:06:50the seats are not made for dancing.

00:06:52And certainly not that wildly.

00:06:57My biggest concern was that someone would fall,

00:07:00that an accident would occur.

00:07:02One, two, three!

00:07:08Hey, let me hear the audience.

00:07:09I want to hear the audience.

00:07:11Give me that chance,

00:07:15the audience!

00:07:17Yeah!

00:07:18One, two, three, four!

00:07:23Two, three, four, four, five!

00:07:27Two, three, four, five!

00:07:28Two, three, four, five!

00:07:31Two, three, four, five!

00:07:32Juan Gabriel finally won the entire audience over and freed himself from both sexist prejudices and from being considered a

00:07:40lesser artist

00:07:41Art is the power to transform a society

00:07:50A big round of applause for the best conductor in Mexico, Maestro Enrique Patron de Rueda

00:08:00But thanks to that concert, we went down in history together

00:08:06Get home safely

00:08:08Always remember that someone out there is waiting for you with love

00:08:18Mission accomplished

00:08:19God bless

00:08:35God bless

00:08:38God bless

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00:14:26Il avait une voix incroyable et la capacité de détecter des erreurs potentiels.

00:14:32Il pouvait voir quand le chanson, le trompet ou le violon était hors de tune.

00:14:37Il a gardé un attention sur tout.

00:14:38Et c'est pourquoi il s'agissait.

00:14:41Il avait une tendance forte, mais parce qu'il connaissait déjà ce qu'il voulait.

00:14:57Et non seulement avec les musiciens, mais aussi avec les techniciens, l'audi, l'éclairage, vous n'avez pas.

00:15:04Il dançait avec les cameramen, l'obtenant et le tournerait.

00:15:07Le courant, il s'est passé, il s'est passé.

00:15:19C'était magnifique comment il a involverait tous les terres de son crew pour atteindre la vision qu'il equerque.

00:15:25C'est ce qu'il voulait.

00:15:55C'est ce qu'il voulait.

00:16:31C'est ce qu'il voulait.

00:16:32C'est ce qu'il voulait.

00:16:34C'est ce qu'il voulait.

00:16:38C'est ce qu'il voulait.

00:17:01C'est ce qu'il voulait.

00:17:02C'est ce qu'il voulait.

00:17:03C'est ce qu'il voulait.

00:17:04C'est ce qu'il voulait.

00:17:05C'est ce qu'il voulait.

00:17:06C'est ce qu'il voulait.

00:17:10C'est ce qu'il voulait.

00:17:13C'est ce qu'il voulait.

00:17:26C'est ce qu'il voulait.

00:17:40C'est ce qu'il voulait.

00:17:44C'est ce qu'il voulait.

00:17:45C'est ce qu'il voulait.

00:18:01C'est ce qu'il voulait.

00:18:15C'est ce qu'il voulait.

00:18:41C'est ce qu'il voulait.

00:18:45C'est ce qu'il voulait.

00:18:45C'est un peu drenche d'outre !

00:18:55Oh, regarde, je suis soignée !

00:19:25Today, Acapulco is beauty and grace.

00:19:29It's an international lifestyle.

00:19:33Acapulco's made lots of progress.

00:19:36The port of Acapulco is the most important tourist center in the country.

00:19:40The landscape, the waves, and the texture of the beach

00:19:43nourish its international soul.

00:19:50Acapulco was Acapulco.

00:19:53Prosperous, flourishing, fun, and as touristy as it gets.

00:20:01Nightlife was unbelievably exciting.

00:20:08We'd spend time in Acapulco, and we'd go out every night to have fun.

00:20:13We'd go to discos, and we had a really great time.

00:20:20After his huge success at Bellas Artes, Juan Gabriel said,

00:20:25I'm gonna throw the best party of my life, because I'm turning 41.

00:20:30So he decided to rent and close down the Baby O.

00:20:35It was the most popular and elegant disco in Acapulco at that time.

00:20:42It was the best club in the world.

00:20:44Hollywood stars were among its regulars.

00:20:46At that time, it was the number one spot.

00:20:49To Juan Gabriel's birthday celebration, Ana Gabriel.

00:20:52Hi, how are you?

00:20:53Good.

00:20:53If you went to Acapulco and didn't go to Baby O, you didn't go to Acapulco.

00:20:57Hit us up!

00:20:58What's going on?

00:20:59Why is that woman waiting there?

00:21:00Thank you, sir.

00:21:01Everyone step aside.

00:21:02How are you, Alberto?

00:21:03Congratulations, my love.

00:21:05Let her through.

00:21:05She's coming through.

00:21:06Congratulations, sir.

00:21:09As his regular staff, we were going to enter through the back.

00:21:14Mrs. Paz told us, you are my people.

00:21:17You entered through the main door of the Baby O.

00:21:20All the staff, all the musicians, and all the mariachi members.

00:21:24You're one of Juan Gabriel's people, and this is Juan Gabriel's party.

00:21:30Is that our band or the competition?

00:21:33He's one of ours.

00:21:49My mom organized a big party for him and spent the whole night taking care of the details.

00:22:02And he was all over the club all night long.

00:22:05He went to all the tables.

00:22:06I mean, he toasted with everyone.

00:22:08He even went to the kitchen.

00:22:10He was a great host.

00:22:14And look at the guest list.

00:22:17Everyone was there.

00:22:19Olga Briskin, Rocio Turcal, Elsa Aguirre, Anna Gabriel, Lola Beltran.

00:22:30And Alberto was happy.

00:22:33Happy to be surrounded by people, by love, by those he cared about.

00:22:47He loved his birthday parties.

00:22:49The cake.

00:22:51The cake.

00:22:51All that birthday stuff.

00:22:52He enjoyed it.

00:22:53He was like a child.

00:23:09We hired Etta James to sing.

00:23:11Because he deeply admired her.

00:23:14I don't want to impose so much on Juan.

00:23:18But Juan sang so beautiful, I was just wondering if he could sing your track.

00:23:30I want to love you and give you the world.

00:23:33It's your birthday.

00:23:35And I miss you.

00:23:39I'll do what you choose.

00:23:40I want to do.

00:23:41I want you to.

00:23:42Tell Mama.

00:23:44All right.

00:23:45Tell Mama.

00:23:47Somebody do.

00:23:49Tell Mama.

00:23:51Yeah.

00:23:53Tell Mama.

00:23:54I know.

00:23:57Choose what you want.

00:23:59Tell Mama.

00:24:01What you need.

00:24:03Tell Mama.

00:24:05What you want right now.

00:24:06Tell Mama.

00:24:08What you want right now.

00:24:09Oh oh!

00:24:11Ho ho!

00:24:13C'est le birthday boy, c'est ça, c'est ça!

00:24:15Get down, c'est ça!

00:24:16Hey, come on!

00:24:21Juan, tu veux quelqu'un venir dans une danse?

00:24:26Allez!

00:24:29Oh ho!

00:24:31Et hey, go girl, go!

00:24:34Workout!

00:24:39Arriba, arriba!

00:24:40Allez, allez!

00:24:42Allez, allez!

00:24:45Arriba!

00:25:24Allez, y'all.

00:25:25C'est parti, là !

00:25:26Un tournoi !

00:25:27Sous-tu, c'est parti !

00:25:28C'est parti !

00:25:29Eh, mais vous, c'est parti !

00:25:33Bonne année !

00:25:34Bonne année !

00:25:34J'ai pas d'hale d'aube !

00:25:35Réveille-vous, ok ?

00:25:42Oh, c'est une belle photo.

00:25:45Up you go.

00:25:50Joan.

00:25:52Il est juste amoureux. Il est amoureux.

00:25:55Alberto, bien sûr, a beaucoup de gens.

00:25:58Son famille, ses camarades, ses camarades.

00:26:01Give me your hand.

00:26:03Mais avec Maria de la Paz, il est protégé.

00:26:11C'est un petit peu de temps.

00:26:16My mom was a little tired.

00:26:19She had lived his life for 18 years,

00:26:21and she wanted to rest and enjoy hers.

00:26:26I'm going to share all my grievances here

00:26:29in front of the camera

00:26:30so that he can share them with the world

00:26:32now that he's been here at Via Tarengo.

00:26:36I'm supposed to be the one representing him, right?

00:26:40He arranged a contract with the CUS,

00:26:42and he didn't even take my opinion into account.

00:26:48We've done many projects together,

00:26:52but my manager hasn't been representing me well.

00:27:06Around that time,

00:27:08he became much more aware of his importance.

00:27:15I think that as his fame grew,

00:27:20he changed accordingly.

00:27:25And well, my mom decided to stop working with him.

00:27:47They were both tremendously proud and resentful.

00:28:09It's already midnight.

00:28:11Happy New Year!

00:28:14Happy New Year!

00:28:16Happy New Year!

00:28:18Happy New Year!

00:28:19Happy New Year!

00:28:20After New Year's Eve of 1991,

00:28:22the relationship ended.

00:28:25When she just hints herself, we all did.

00:28:29Happy New Year!

00:28:30Happy New Year, John!

00:28:32Happy New Year!

00:28:33Alberto, without saying it,

00:28:36was definitely affected by it.

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00:40:43C'est une très importante situation.

00:40:45Oui.

00:40:48Les populations latinoises

00:40:49presque la plupart des populations

00:40:51de Los Angeles.

00:40:52Et la plupart des populations

00:40:54sont de Mexico.

00:40:56Qu'est-ce que vous pensez sur la apparente

00:40:58mexicanisation de Los Angeles?

00:41:00Les États-Unis étaient

00:41:01essentially built by immigrants,

00:41:03donc ils ont fait leurs cas en les États-Unis.

00:41:06Le 31 de July, vous serez à la Rose Bowl,

00:41:09je vous souhaite totalement sold out.

00:41:11Je pense que ça va, parce qu'il y a 4 millions de mexicans ici,

00:41:15et seulement 100 000 seats là,

00:41:16donc...

00:41:17Je vous souhaite.

00:41:18On va, on va !

00:41:20On va, Juan Gabriel !

00:41:28Un concert superbe et spectaculaire

00:41:31jamais vu avant.

00:41:33Juan Gabriel, à la Rose Bowl !

00:41:35Il acceptait le challenge,

00:41:37mais il savait que c'était un endroit énorme

00:41:39et que c'était très difficile de faire.

00:41:42As Elvis Presley dit,

00:41:44merci beaucoup !

00:41:45Not seulement personne

00:41:47est dans la Rose Bowl,

00:41:48donc Juan Gabriel

00:41:49performant là et puis

00:41:50venant au centre de la scène

00:41:52dans un élevé.

00:41:53Tout le audience

00:41:54était latino de Los Angeles.

00:41:57Pourquoi ?

00:41:57Parce que à eux,

00:41:58il était un souvenir de la maison.

00:42:03qui s'est passé.

00:42:05Il est un concert

00:42:05qui s'est passé.

00:42:06qui s'est passé

00:42:06pour être broadcast

00:42:06par le Télemundo

00:42:07et il va s'appelant

00:42:09Juan Gabriel

00:42:09et ses femmes.

00:42:11Au début,

00:42:12certains des performants

00:42:13vont participer,

00:42:14comme Rocio Durcal,

00:42:16les Pandois Girls,

00:42:17Lola Voltron,

00:42:18Daniela Romo.

00:42:19qui s'est passé.

00:42:20Parce que mes autres

00:42:20contrats,

00:42:21j'ai dû demander

00:42:22permission,

00:42:23ce n'est pas.

00:42:24C'est comme ça,

00:42:25c'est ce que j'ai signé.

00:42:27Les artistes

00:42:28qu'il a invité

00:42:29ont signé

00:42:30un contracte

00:42:31à Televisa

00:42:32qui n'aura

00:42:33pas à attendre

00:42:34un show

00:42:34broadcasté

00:42:35sur le Télemundo

00:42:36network.

00:42:37Donc,

00:42:38ils n'ont attendre.

00:42:39le Télemundo

00:42:41qui s'est passé.

00:42:42et Lola Voltron

00:42:43s'est passé.

00:42:44C'était triste,

00:42:44mais en la fin,

00:42:46c'était une grande

00:42:46réussite.

00:42:47Les gens viennent

00:42:48pour voir lui,

00:42:49c'était le pouvoir

00:42:50de dire,

00:42:51je vais vendre

00:42:52les tickets

00:42:52avec ou sans vous.

00:43:00Il n'a pas vouloir

00:43:01à personne.

00:43:01Il n'a pas vouloir

00:43:01à personne.

00:43:02Il n'a pas vouloir

00:43:04à personne.

00:43:06Il n'a pas vouloir

00:43:07à personne.

00:43:08Il n'a pas vouloir

00:43:10à personne.

00:43:11Il n'a pas vouloir

00:43:12à sa independance.

00:43:14Et donc,

00:43:15ça a conduit

00:43:15aux conflits.

00:43:17Bonjour.

00:43:18Bonsoir,

00:43:18messez et gentlemen.

00:43:19Et ces conflits

00:43:21ont atteint

00:43:22le plus haut

00:43:22à Televisa.

00:43:24Televisa

00:43:27arrêtait

00:43:27à approcher

00:43:27à Mont-Gabriel

00:43:28et même

00:43:29le limitait

00:43:30à quel que possible.

00:43:32Merci.

00:43:32à Mont-Gabriel.

00:43:33Même si

00:43:34je n'avais pas

00:43:35de contrat

00:43:35de exclusivité,

00:43:37ils pensent

00:43:38que je leur

00:43:38belong.

00:43:38Par exemple,

00:43:40ce qu'est-ce que

00:43:40le sonneau

00:43:41quand quelqu'un dit

00:43:42«Juan Gabriel »

00:43:43ou à ne jamais

00:43:44mention

00:43:45le nom

00:43:45Juan Gabriel

00:43:46comme si j'avais

00:43:47rabies.

00:43:47Parce que

00:43:48la télévision,

00:43:49comme je disais,

00:43:50c'est pour tous,

00:43:53tous les artistes,

00:43:55qui sont-ils

00:43:55pour dire

00:43:56pour définir

00:43:56et pour

00:43:57control

00:43:58notre valeur,

00:43:59pour dire,

00:43:59« tu, parce que tu

00:44:00sang là, tu ne peux pas

00:44:01singe ici.

00:44:02Parce que

00:44:03Mexico est reconnue

00:44:04pour sa musique,

00:44:05c'est ça ?

00:44:05C'est pas

00:44:06pour la histoire,

00:44:07la vie.

00:44:07C'est pas

00:44:08de telle

00:44:09qu'il y a

00:44:10qu'il y a

00:44:11qu'il y a

00:44:12qu'il y a

00:44:13qu'il y a

00:44:25ou même

00:44:25qu'il y a

00:44:26qu'il y a

00:44:27qu'il y a

00:44:29laellerie

00:44:54les

00:45:07Il a dit, « Je vais rester dans ma maison, ne me bother pas.

00:45:12Il a dit, « Je vais rester dans ma maison, ne me bother pas.

00:45:23Il a dit que quand il était seul avec sa conscience,

00:45:26c'est quand l'esprit, l'esprit, l'esprit et l'esprit se trouvait.

00:45:39Il n'a jamais dormi, ou très petit,

00:45:42comme un bébé qui dormait une demi-heure,

00:45:44et restait en 5 heures.

00:45:51Il a dit, « Je vais rester dans ma vie,

00:45:53il a dit, qu'il se trouve dans ma vie,

00:45:54c'est qu'un autre chose qui pouvait être utile,

00:45:55à dire les gens, « Hé, je fais ça aussi.

00:45:58Si tu te sens, je te sens, je te sens aussi.

00:46:02Je te sens, je suis aussi soudé.

00:46:06Si tu te sens, je suis triste, j'ai été aussi.

00:46:16C'est un peu d'actif.

00:46:18C'est un peu d'actif.

00:46:20Out of D.

00:46:20Lower.

00:46:23Non.

00:46:24Alberto ne savait pas trois guitarres,

00:46:26parce qu'il n'était pas un musicien,

00:46:28mais il avait toute sa musique dans sa tête.

00:46:36Non, non, ce n'est pas le chord.

00:46:38C'est mieux.

00:46:40C'est mieux.

00:46:46Non, non, non.

00:46:49Non, non.

00:46:50Non, non, non.

00:46:50Non, non.

00:46:54When we had the chords and the structure,

00:46:57the length of the song and all that,

00:46:59we would then send it to the arrangers.

00:47:03C'est mieux.

00:47:05C'est mieux.

00:47:06So I had to find the harmonies.

00:47:07And many times he would tell me,

00:47:09no, that's not the harmony.

00:47:10I want it to go here and there.

00:47:12so we worked on it.

00:47:19His creative process,

00:47:21and the fact that he knew exactly

00:47:23what he wanted a song to sound like

00:47:26was very impressive.

00:47:28I want the guitar to do this,

00:47:29and this part.

00:47:31Or the violins to do this.

00:47:36Or the trumpet to play this.

00:47:49Once the arrangements were done,

00:47:51he'd give us notes.

00:47:53He'd say, I don't like it.

00:47:54Or, you know what?

00:47:55I'd like you to start with the melody as an introduction.

00:47:57Or sometimes he'd cut the bridge

00:48:00when recording his vocal track.

00:48:12It's hard, but I like it.

00:48:15Again, please.

00:48:16Go ahead.

00:48:17Very good, very good.

00:48:19Is this okay?

00:48:19That's good.

00:48:21I think it's incredible.

00:48:22Yeah.

00:48:30Okay, what key?

00:48:39It's high, right?

00:48:40It is too high.

00:48:43You asshole.

00:48:45That's what...

00:48:45That's what you are.

00:48:46I'm loving this.

00:48:47You're so mean.

00:48:47You were like...

00:48:48Yeah, very serious.

00:48:50You're fine,

00:48:50and I'm singing off pitch.

00:48:51Only one time.

00:48:56Lower.

00:48:57Let's see.

00:49:00Rocio Durcal and Juan Gabriel

00:49:02hadn't recorded an album together in years,

00:49:04but due to a contract with the record company,

00:49:07there was a pending album of a duet with Rocio.

00:49:14But they had some jealousy issues.

00:49:17They had been apart for several years.

00:49:28Did I mess it up?

00:49:30Almost.

00:49:30Hey!

00:49:32I know I did.

00:49:33I did.

00:49:35Together, again.

00:49:36A moment awaited by all of us.

00:49:40The reunion of Rocio Durcal and Juan Gabriel.

00:49:43What was the reunion like working on this new album

00:49:47after being separated for so long?

00:49:49I'm very grateful for the opportunity

00:49:51to once again collaborate with Mrs. Durcal.

00:49:53I feel the same way.

00:49:55I believe it was about time.

00:49:57It was necessary not only for the people,

00:49:59but also for us, at least for me.

00:50:02And what about the rumors about a rift between the two of you?

00:50:05Is that true or not?

00:50:07Or were you just waiting for the right time?

00:50:10Well, we live far apart.

00:50:12We don't have any reason to be angry with each other or distant.

00:50:15We have a special bond.

00:50:17I'm on this side of the world, or he's over here, or vice versa.

00:50:21I heard they call you on the phone, but what matters...

00:50:23I don't have your number.

00:50:24I don't have yours.

00:50:25No wonder people think we're estranged.

00:50:28No.

00:50:30Juan Gabriel and Rocio Durcal's comeback was bound to be amazing.

00:50:34Why?

00:50:35What could be better than a duet album, right?

00:50:37With the best arrangers and the best of everything.

00:50:50You should do it again.

00:50:52Again.

00:50:54Let's do the beginning again because it wasn't very...

00:50:58My throat was scratchy.

00:51:00It was bad, right?

00:51:01Huh?

00:51:02It was raspy.

00:51:03No, the raspiness is a good thing because it gives off a beautiful sex appeal.

00:51:09You're such a bad boy.

00:51:11How much for her?

00:51:12All right, Alberto, please.

00:51:21Rocio knew Alberto's capacity as a composer and every song was a surprise.

00:51:48How awful.

00:51:50I didn't hit a single note.

00:51:51It's true.

00:51:53Too bad.

00:51:53We had a good time recording, right?

00:51:56Yeah, I think so.

00:51:57I'm loving it.

00:51:58Yeah, I paid $36,000 and we've got nothing.

00:52:02What about this video?

00:52:04Yeah, that's true.

00:52:05Well, that's all we have.

00:52:05It's the only thing that saved us.

00:52:09Yeah.

00:52:10So maybe I like the cameraman so much.

00:52:12Oh, boy.

00:52:14Look, he has all these eyes on us.

00:52:19Good night.

00:52:20Good night, beautiful lady.

00:52:24Musically, their souls together were so in sync.

00:52:29They shared that common ground.

00:52:31But individually, the egos, this and that, you could feel the atmosphere was very heavy, related to business, to distribution,

00:52:43to credits.

00:52:48There was a disagreement on a tour they had initially planned, and Alberto didn't agree with the promoter and it

00:52:56had to be canceled and they parted ways.

00:53:06When Juan Gabriel came into the studio, he started singing a melody.

00:53:25And he says, Gustavo, this is the end. That's what he named it. It's the last song on the album

00:53:31together again. The end.

00:53:37And when he finished his singing, he turns to me, and he's in tears, covered in tears.

00:53:48When Rocio was sick, she always expected him to call her or go visit her.

00:53:55I think she died without hearing from her dear Alberto again.

00:54:03The End.

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