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00:01:00Juan Gabriel was the best, and he gave us so much.
00:01:03We wanted to say goodbye to him like we would to our family.
00:01:07Goodbye!
00:01:11His death shocked presidents, politicians, and artists.
00:01:15The White House stated that his music transcended borders and generations.
00:01:22Rest in peace, the diva from Juarez.
00:01:53The White House
00:01:54When you leave, what remains is what you gave to others.
00:02:27Thank you all for being here.
00:02:28For all these moments and for this beautiful opportunity.
00:02:35A video is being made for when I'm no longer on this planet.
00:02:41To leave it as a testimony.
00:02:44It's a very beautiful time in my life.
00:02:50And I wanted to share it with you.
00:03:10I wish I were young again, so I could experience many things.
00:03:17Time passed.
00:03:20Things changed.
00:03:24But to remember
00:03:25is to live again.
00:03:36It's better to say goodbye.
00:03:40Sous-titrage Société Radio-Canada
00:04:20Sous-titrage Société Radio-Canada
00:04:39Sous-titrage Société Radio-Canada
00:04:40He welcomed us into the privacy of his home in Ciudad Juarez and talked about his childhood and other topics
00:04:45of interest.
00:04:52Alberto, thank you so much for this interview.
00:04:55Thank you, Pate.
00:04:56You moved from Paraguaro to Ciudad Juarez.
00:04:59Yes.
00:05:00How old were you at that time?
00:05:01Six months.
00:05:02And why did you move here?
00:05:05Because my dad died.
00:05:07And then my mom had problems with my aunts.
00:05:10You know how sister-in-laws are.
00:05:14So they had a lot of problems and my mom...
00:05:17Oh, it's a long story.
00:05:18Should I tell you from the beginning?
00:05:20It's up to you.
00:05:21Do I have time?
00:05:22All the time.
00:05:23Well, let me drink some coffee.
00:05:25I'm going to get inspired.
00:05:45I was 13 years old and I wanted to experience life.
00:05:47So I started singing.
00:05:54I sang in the streets, on the street corners.
00:05:59Outside restaurants.
00:06:05On buses, on streetcars.
00:06:10On the streets of Ciudad Juarez, singing all the songs I knew.
00:06:27Alberto Aguilada and I met in 1966, here in Juarez.
00:06:37At that time, I regarded Juarez as Las Vegas.
00:06:41It was something special.
00:06:44Sometimes, Alberto didn't have any money for food.
00:06:48He didn't have the support of his family, either.
00:06:51He was very lonely.
00:06:54And I started singing in Ciudad Juarez, in nightclubs.
00:06:58But since I was underage, they didn't let me in to many of them.
00:07:00So I tried to make a living any way I could, and helped my mom somehow.
00:07:06Noah Noah was impressive because of the music they had.
00:07:11Live music.
00:07:12And I worked at Noah Noah.
00:07:16Once I went out and I saw him, and he said,
00:07:20I'd like to see if they could let me sing here.
00:07:25I asked him, how old are you?
00:07:27He said, 16, God.
00:07:28But I said, let's go in right now.
00:07:31I convinced them in the end.
00:07:33I was born in the end.home
00:07:58music.
00:08:11Il s'envole la chanson, et tout le monde s'envole et tout le monde s'envole.
00:08:15Wow, un beau voix.
00:08:17J'ai demandé, quel est votre nom?
00:08:19Il a dit, Adon Luna.
00:08:24Il y avait un personnage comique qui s'appelle Adon Luna.
00:08:29Il a un rocette et il a voyagé à la moon.
00:08:34J'ai demandé à Adon si il avait adopté le nom de la comique.
00:08:38Il a dit oui.
00:08:39Et c'était son premier stage.
00:08:48Ils me payent 10 dollars a day.
00:08:51Et puis j'ai eu l'apprécié à 20.
00:09:00Le moment Adon a eu l'apprécié, tout le monde s'entendait.
00:09:07Vous pouvez entendre un pin drop là-bas.
00:09:11Il s'envole.
00:09:14Il s'envole.
00:09:14Il s'envole.
00:09:18Et il s'envole.
00:09:20Il s'envole.
00:09:32Il s'envole.
00:09:50C'est un rêve, et la belle chose de ça, c'est qu'il shared avec moi.
00:09:55Un jour, je serai tellement fameux que tu ne verrai pas encore une fois.
00:10:14Ils me dit que je vais à Mexico, parce que j'ai chanté très beau, et je savais ça aussi.
00:10:20C'est vrai, mais je n'ai pas voulu donner ma vie, mes amis, ma mère, mes frères, ma famille,
00:10:25mes habitants.
00:10:27C'est vrai ?
00:10:27Comment je les ai voulu donner pour aller dans une grande ville que je ne savais pas ?
00:10:32Eh bien, je l'ai fait.
00:10:38Je suis allé à la capitale, seul et sans penny.
00:10:46Je suis allé pour voir le monde.
00:10:52Rai, dame un rai.
00:10:56Rai, dame un rai.
00:10:58Quiero llegar a Juarez, yo voy a Juarez.
00:11:03Ya quiero llegar.
00:11:04Je suis un pobre tritiloco, solo vagabundo.
00:11:07Y nadie me da un rai.
00:11:09Je suis un pobre tritiloco, solo vagabundo.
00:11:11Y nadie me da un rai.
00:11:13Je suis un pobre tritiloco, solo vagabundo.
00:11:15Y nadie me da un rai.
00:11:17Je suis allé à la capitale.
00:11:21Je suis allé à la capitale.
00:11:47Et je lui ai demandé, quoi s'il vous a dit, Jesús ?
00:11:50Je lui ai dit, ¿d'onél ?
00:11:51Et je lui ai dit, je suis d'Otrileon.
00:11:54Je lui ai dit, je suis d'Otrileon.
00:11:55Et je lui ai dit, je suis d'Otrileon.
00:11:56C'est la parole magique à ce jour où j'ai acheté.
00:11:59C'était un performant qui a travaillé, il faisait des shows avec des chansons qui étaient plus populaires, comme «
00:12:06Downtown » par Petula Clark ou « Capri C'est fini ».
00:12:09« Capri C'est fini et dire que c'était la deal de mon premier amour. Capri C'est fini,
00:12:20je ne crois pas que j'y retourne un jour. »
00:12:26« J'ai visité plusieurs labels de record, et ils avaient tous des artistes signés. Ils n'ont pas donné
00:12:34de nouveaux talents. Ils me regardaient aussi comme un très simple musicien.
00:12:40Fortunately, j'arrivais à RCA avec Mr. Okamura. »
00:12:45« RCA était la cathédrale des records de Mexico.
00:12:51Le premier qui avait des hits internationales et tout ça, c'était RCA Victor.
00:13:03Le directeur m'a appelé et m'a dit « Hey, il y a un gars ici qui voudrait auditionner.
00:13:10Tu veux chanter ? Tu veux chanter ? Tu veux chanter des vocals ?
00:13:13Oui, je peux chanter des vocals, bien sûr.
00:13:15Tu sais ce ? Angelica Maria va s'étoner enregistrement.
00:13:24Il ne pouvait pas croire ça et lui disait,
00:13:27« Oh, j'ai rencontré Angelica Maria et j'aimerais lui montrer mes chants un jour.
00:13:36Il était un enfant. Il était comme 20 ans.
00:13:40Mais vous pouvez sentir qu'il avait une énergie qui m'a conduit à progresser.
00:13:46Et il n'a pas eu de l'argent. Je lui ai dit, « Tu dois me donner un investissement
00:13:51pour me payer.
00:13:51Ok, je vais voir si je peux obtenir une.
00:13:54Alors, ça, je vais voir si je peux obtenir une. Ça a duré presque un mois.
00:14:20Donc, tu étais en prison ?
00:14:22Oui, c'est vrai.
00:14:24C'est terrible.
00:14:25Bien sûr, c'est vrai.
00:14:26C'est terrible.
00:14:56Et elle était le lover de un policier.
00:14:59Donc, le garçon, en peur de lui, lui, lui, lui, lui, lui, lui, lui, lui, lui, lui, lui, lui, lui,
00:15:04lui.
00:15:04Il était été déroulé.
00:15:14Il était déroulé.
00:15:15Il était déjà habitué à cause du coup d'armée.
00:15:19Il était l'un, pour lui, lui, lui, lui, lui, lui, lui, lui, lui, lui, lui, lui, lui, lui, lui,
00:15:29lui, lui, lui.
00:15:37On a pris des questions de l'histoire.
00:15:50Il a témoigné un peu de vie et de malheur.
00:15:55Il n'a jamais eu de l'aide de l'histoire,
00:15:57il n'a pas eu de la maison à l'intérieur.
00:16:05À l'âge de 13, il a travaillé en la maison de un priest qui a sexually abusé.
00:16:17À l'âge de 20, il a été prisoné pour la 4e fois,
00:16:20ce qui en Lecumberri, le plus difficile et la prison en Mexico.
00:16:28Ils ont toujours demandé ce que j'ai fait pour une vie, et je leur ai dit que j'ai
00:16:31chanté.
00:16:33Alberto, laisse-moi vous présenter à Quetta Jiménez, La Prieta Linda.
00:16:38Comment allez-vous ? Bienvenue à vous.
00:16:40Le plaisir est tout de suite, ma'am.
00:16:42Donc, vous êtes un grand composateur.
00:16:44Le général m'a dit très bien des choses sur vous.
00:16:49La Prieta Linda va venir.
00:16:52Le directeur, Lecumberri.
00:16:54Donc, elle a l'écouté.
00:16:58Il a l'écouté à 3 p.m. et à 6 p.m. et à 7 p.m. et à
00:17:048 p.m.
00:17:05Et j'ai écouté sa musique parce que c'était génial d'écouter ça.
00:17:12Donc, j'ai parlé à le général et j'ai dit,
00:17:15« comment tu peux garder un enfant comme celui-ci ? »
00:17:19« Et ça a l'écouté pour la protection de la liberté. »
00:17:28« Et ça a l'écouté à la prison. »
00:17:29« Elle était la première qui a la prison. »
00:17:37« Elle était la première qui a la prison. »
00:17:49« Elle était la première qui a la prison. »
00:18:05« C'est la première qui a la prison. »
00:18:09« C'est la première qui a la prison. »
00:18:19« C'est la première qui a la prison. »
00:18:29« C'est la première qui a la prison. »
00:18:49« Et enfin, il a dit, « je pense que tu peux record un album. »
00:18:54« Je me suis dit, « quoi va être votre nom ? »
00:18:56« Tu ne peux pas être Adán Luna. »
00:18:58« Mais c'est mon nom. »
00:19:00« Non, non, non, non. »
00:19:02« Il a dit, « quoi de Juan Gabriel ? »
00:19:06« Oui, ça marche. »
00:19:10« Juan Gabriel ! »
00:19:13« Juan Gabriel ! »
00:19:16« To get used to it, I wrote it thousands of times. »
00:19:21« There was a little machine that printed letters on a tape. »
00:19:23« It was circular. »
00:19:24« And I'd spend my time practicing my name there. »
00:19:26« Juan Space Gabriel. »
00:19:28« I would stick them around. »
00:19:29« The first place I stuck one of them was the RCA building. »
00:19:32« And I stuck the others all around the city. »
00:19:39« When the phone rang, I heard someone shout at Alberto at you. »
00:19:45« Is this a joke? »
00:19:45« What does Alberto have to do with you? »
00:19:47« No, no, my name is Alberto. »
00:19:49« Oh, really? »
00:19:51« Alberto Aguilera Valadez. »
00:19:53« My dad's name was Gabriel. »
00:19:55« My dad died when I was about two months old. »
00:19:59« And in his honor, I named myself Gabriel. »
00:20:02« And Juan, well, »
00:20:03« I just like the combination of Juan Gabriel. »
00:20:08« Juan Gabriel, author and performer of »
00:20:11« No Tengo dinero. »
00:20:12« Who is currently popular among young people »
00:20:15« throughout the continent. »
00:20:16« Voy por la calle de la mano »
00:20:21« Platicando con mi amor »
00:20:25« Y voy recordando »
00:20:29« Cosas serias que me pueden suceder »
00:20:35« No tengo dinero ni nada que dar »
00:20:40« Lo único que tengo es amor para amar »
00:20:44« Si así tú me quieres te puedo querer »
00:20:51« Pero si no puede »
00:20:52« Pero si no puede »
00:20:53« No tengo dinero ni nada que dar »
00:20:56« Lo único que tengo es amor para amar »
00:21:00« Si así tú me quieres »
00:21:03« Te puedo querer »
00:21:05« Pero si no puede »
00:21:07« No tengo dinero Danny »
00:21:16« Which has been translated into several language »
00:21:18« English, French, Italian, German »
00:21:20Il est arrivé à Mexico City, en Tlatelolco.
00:21:43Ma mère, Ana Lili Arellano,
00:21:45opened the door and said,
00:21:46come in.
00:21:47A young man came out with long hair,
00:21:50very handsome.
00:21:51He was Juan Gabriel.
00:21:54Want to come see me record?
00:21:56I said, yes.
00:22:00He always loved to take pictures.
00:22:04And he bought cameras,
00:22:05an 8mm camera with film,
00:22:08and he bought rolls and everything.
00:22:11He was fascinated with this camera,
00:22:13like a child.
00:22:17He would get close and adjust the lens.
00:22:21He loved technology.
00:22:27He went to TV shows.
00:22:32Television was an important showcase for artists.
00:22:36And back then,
00:22:37there was only one television station.
00:22:41There was only Televisa,
00:22:44nothing else.
00:22:46But the most important show was Siempre en Domingo.
00:22:52A program where singers,
00:22:55songwriters,
00:22:57had a platform to make themselves known.
00:23:04The power that Raul Velasco had in the 70s
00:23:09was to turn into a superstar
00:23:11all those who performed
00:23:13on Siempre en Domingo.
00:23:24When Juan Gabriel showed up,
00:23:27he was this young,
00:23:29handsome, seductive man
00:23:30with a tremendous popular following.
00:23:33Thanks to the huge promotion
00:23:35on the radio.
00:23:36Juan Gabriel?
00:23:38Juan Gabriel got an extraordinary boost.
00:23:45Juan Gabriel launched his career on television.
00:23:49Oh, but believe it or not,
00:23:51he didn't like to be on these shows.
00:23:53And he'd say,
00:23:54no, I'll do TV shows once or twice a year
00:23:57because he thought that a singer
00:23:59should not be seen.
00:24:01He should be heard.
00:24:06This strategy helped Juan Gabriel
00:24:10maintain the image
00:24:11of an unattainable man,
00:24:14a devil.
00:24:17Thank you.
00:24:19Juan Gabriel was a person
00:24:21who had no limits
00:24:23regarding what he wanted to do
00:24:25with his life.
00:24:28And obviously, at that time,
00:24:30people were used to seeing
00:24:32the charros,
00:24:33the typical Mexican.
00:24:36And he knew perfectly well
00:24:38that he had to cover
00:24:39all kinds of music.
00:24:42And so he starts
00:24:44with ranchero music.
00:24:48Probablemente ya
00:24:54de mí
00:24:56te has olvidado
00:25:00y mientras tanto yo
00:25:03te seguiré esperando.
00:25:10No me he querido ir
00:25:14para ver si algún día
00:25:18que quieras tú volver
00:25:20me encuentres todavía.
00:25:27por eso aún estoy
00:25:30en el lugar de siempre
00:25:33en la misma ciudad
00:25:36y con la misma gente
00:25:38yo creo que Juan Gabriel
00:25:41I think Juan Gabriel
00:25:42breaks
00:25:43the stereotype
00:25:44of the ranchero singer
00:25:46de este hombre
00:25:48of this womanizer
00:25:49who has many
00:25:50sexual conquests
00:25:51the quintessential
00:25:53mexican macho
00:25:54and he does it
00:25:57his way.
00:26:06and the most surprising
00:26:10thing is that people
00:26:11liked these provocations
00:26:13and people started
00:26:14to celebrate them.
00:26:38not long ago
00:26:39I was still a little boy.
00:26:44Well, with regard
00:26:45to my childhood
00:26:46it's very common
00:26:47for children in Mexico
00:26:50that we overcome obstacles
00:26:51go to school
00:26:52and move forward
00:26:53and we go through
00:26:55many things
00:26:55which is what makes
00:26:56us mature eventually.
00:27:06In Juarez
00:27:06my mom worked
00:27:08as a maid in a house.
00:27:10she couldn't take me
00:27:11to work
00:27:11because if she left
00:27:12me unattended
00:27:13I had run away.
00:27:20My mom couldn't
00:27:21handle me
00:27:22because I was
00:27:23very naughty.
00:27:24She couldn't
00:27:24stand me at all.
00:27:28Until one day
00:27:29she tricked me.
00:27:30She told me
00:27:31she was sending me
00:27:31to some nuns
00:27:32to study.
00:27:34But she actually
00:27:35put me in a school
00:27:36for social improvement
00:27:37for minors
00:27:37when I was only
00:27:38five years old.
00:27:41Everyone there
00:27:42was visited
00:27:43by their parents
00:27:44or at least
00:27:44one parent
00:27:45but my mom
00:27:46never visited me.
00:27:53I felt
00:27:54very lonely
00:27:55all the time
00:27:57and so
00:27:58I made loneliness
00:28:00my friend.
00:28:11I would grab
00:28:12a notebook
00:28:13and a pencil
00:28:13and I would
00:28:14start writing.
00:28:16The songs
00:28:17wanted to be born.
00:28:23I spent seven years
00:28:25there without
00:28:25going out
00:28:26not even one day
00:28:28until I made
00:28:29my escape.
00:28:35How did you escape?
00:28:37Well I had earned
00:28:38the trust of everyone
00:28:39there
00:28:40so they sent me
00:28:42to take out
00:28:42the trash
00:28:42and I never came back.
00:28:44Really?
00:28:46and where
00:28:47did you leave
00:28:47the trash?
00:28:48Well I did
00:28:48throw it away
00:28:49but I left
00:28:49the bin there.
00:28:50What did you do then?
00:28:51After that
00:28:52I looked for my mom
00:28:59and when I saw
00:29:00that my mom
00:29:00was still working
00:29:01as a maid
00:29:02I thought
00:29:02I have to learn
00:29:03to work
00:29:04and I have to
00:29:05become someone
00:29:05so I can give my mom
00:29:07what she needs
00:29:08in life.
00:29:11I needed to
00:29:12overcome poverty
00:29:14and I needed
00:29:14to work
00:29:15to get ahead.
00:29:19With his first
00:29:21paycheck
00:29:21the first thing
00:29:22he did
00:29:22was by his
00:29:23mama house
00:29:24in Juarez.
00:29:28Alberto
00:29:29was very sad
00:29:29because Mrs. Victoria
00:29:31told him
00:29:31don't buy me things
00:29:32I don't want
00:29:33to know anything
00:29:33about it.
00:29:37It had been
00:29:37a gift from Alberto
00:29:38but she never liked
00:29:40it and never
00:29:40wanted to live there.
00:29:48Alberto's brothers
00:29:48didn't like him
00:29:49either.
00:29:52The relationship
00:29:54between them
00:29:54was based
00:29:55purely on convenience.
00:30:01Lupe hated Alberto
00:30:04just for
00:30:05who he was.
00:30:10Since Juan Gabriel
00:30:11was only 23 or 24
00:30:13he was still afraid of him.
00:30:23in Virginia
00:30:24she was Alberto's
00:30:26adoration.
00:30:29She was very kind
00:30:31and cheerful.
00:30:33My sister
00:30:34was always loving
00:30:35towards me.
00:30:37I even thought of her
00:30:38as my mom
00:30:38most of the time.
00:30:43my mom
00:30:44maybe because of
00:30:45everything that happened
00:30:46wasn't very loving.
00:30:51I really wanted
00:30:52to take advantage
00:30:53of Juan Gabriel
00:30:54to make her my friend
00:30:57and to ask her
00:30:58everything
00:30:58I didn't ask her.
00:31:01so I took her
00:31:02with me to travel.
00:31:04I took her
00:31:04to Chiapas
00:31:05to visit
00:31:06the Sumidero Canyon.
00:31:09I made her
00:31:10my friend.
00:31:11It was as if
00:31:12we had never
00:31:12been apart.
00:31:17I took her
00:31:17to Acapulco
00:31:18before I lived there.
00:31:23and I treated her
00:31:24as she should
00:31:24have treated me
00:31:26super affectionate.
00:31:27I spoiled her
00:31:28as if she was
00:31:29a little girl.
00:31:32She would get nervous.
00:31:33It hurt her
00:31:34that I was so
00:31:36loving.
00:31:41I always found
00:31:43any excuse
00:31:45to be with her.
00:31:53His mother's death
00:31:54hurt him a lot.
00:31:56A lot to the point
00:31:57that he couldn't
00:31:57attend his mother's
00:31:58funeral because
00:31:59he couldn't stand
00:32:00to see her
00:32:00in a coffin
00:32:01much less
00:32:02see her buried.
00:32:11When she died
00:32:13he always talked
00:32:14about her
00:32:14and spoke
00:32:15with a lot
00:32:15of nostalgia
00:32:16because she
00:32:17was no longer
00:32:17there.
00:32:19You
00:32:21are
00:32:22always
00:32:23in my mind
00:32:24how you
00:32:27did
00:32:28you
00:32:28to
00:32:30forget
00:32:30me
00:32:32help me
00:32:34forget
00:32:35in my mind
00:32:37you
00:32:38always
00:32:38are
00:32:38always
00:32:39you
00:32:40always
00:32:41in my mind
00:32:51you
00:32:51are
00:32:53always
00:32:54in my mind
00:32:56you
00:32:57are
00:32:57are
00:32:57always
00:32:58in my mind
00:32:59Mon amour gana instant
00:33:04Cómo quieres tú que te olvides si estás tú
00:33:09Siempre tú, tú, tú, siempre mi mente
00:33:16So I felt terrible, I retired, I quit absolutely everything
00:33:20I lost myself, I lost control
00:33:21She would have said that it wasn't worth giving birth to me
00:33:27I decided to show her that it was worth giving me life
00:33:30So I would never miss any opportunity that came my way
00:33:41Juan Gabriel in action!
00:33:45He was very sad, but shortly after he appeared on Siempre en Domingo
00:33:49He attended despite his sadness
00:33:51Greetings to all mothers today on May 10th
00:33:54I may not be able to see you
00:33:57But greetings from here
00:34:02It was like a defense mechanism to not remember the sad things
00:34:07To run away from pain
00:34:11Adiós
00:34:31With his songs, with his silent sadness
00:34:38One day he told me
00:34:39You know what, Jesús?
00:34:40I wish you happiness
00:34:41Instead of the anger I feel for everything that happened to me
00:34:51He always looked for a mom
00:34:54And surely, in every lady he met along the way
00:34:57He saw a mother figure
00:35:06I was talking about the song named Maria de la Paz
00:35:10This is a beautiful song that's already playing on different radio stations throughout all of Colombia
00:35:17And so you know, Maria de la Paz is a beautiful Mexican woman who accompanies Juan Gabriel on all of
00:35:25his tours
00:35:25Yes, she's my manager
00:35:27Did you dedicate the song to her?
00:35:28I wrote this song for her because she's been so good to me
00:35:32Well, let's introduce the song, Juan Gabriel
00:35:34Of course, and if you want, also Maria de la Paz
00:35:37Let's introduce Maria de la Paz, too, with pleasure
00:35:39Please, Maria, why don't you come here for a moment
00:35:42So the Colombian audience can meet you
00:35:44Bravo!
00:35:45Come!
00:35:45How are you, Maria?
00:35:46Welcome to Colombia
00:35:47Yes, you're very kind
00:35:49Thank you very much
00:35:49Come here, Juan Gabriel, please
00:35:50I have to give you a kiss
00:35:52For this beautiful song that you gave me
00:35:55And that makes me so proud
00:35:57Because not everyone gets a song written for them
00:36:00Especially by Juan Gabriel, right?
00:36:03So, let's premiere your song tonight on our show
00:36:06Thank you very much
00:36:07Maria de la Paz
00:36:10Maria de la Paz
00:36:15Te quiero a ti
00:36:18Yo quiero estar
00:36:21Con tigo
00:36:26Maria de la Paz
00:36:30Te quiero a ti
00:36:33Y a nadie más
00:36:36Conmigo
00:36:37Maria de la Paz Arcaraz
00:36:39Maria de la Paz Arcaraz had a talent agency
00:36:42She also booked some palenques
00:36:48I'm the manager
00:36:50Of the best artists today
00:36:53The best artists of this century
00:36:57And the greatest this world has ever seen
00:37:00No, excuse me
00:37:03I have never worked for anyone
00:37:06They work for me
00:37:15I think Maria de la Paz had a great intuition
00:37:18And a good eye to see talent
00:37:20And I think she saw that in him
00:37:23From the beginning
00:37:33Maria de la Paz
00:37:34Maria de la Paz was very strict with him
00:37:37In terms of being well dressed
00:37:40Well groomed
00:37:42Not getting fat
00:37:43Keeping his hair short
00:37:45She took great care of him in that sense
00:37:58Maria de la Paz
00:38:00Maria de la Paz took care of all the details
00:38:01And he started wearing suits
00:38:02Which worked well for him
00:38:03Because he looked very handsome
00:38:05She had his suits custom made
00:38:08His boots were from Spain
00:38:10She always had his clothes made for him
00:38:16Juan Gabriel grew with her help
00:38:27Many people approached him to hire him
00:38:30And she knew what was best for him
00:38:33And what wasn't best for him
00:38:36I think that my mom had the vision
00:38:38To make him more and more desirable
00:38:42You know?
00:39:04They always had a great time together
00:39:06Let me get the focus right
00:39:10Conjugate the verb to love
00:39:13I love
00:39:15You love
00:39:17He loves
00:39:19But we all hate each other
00:39:28We were crazy about the camera
00:39:30We took that thing everywhere
00:39:34We had a lot of fun
00:39:35We were like two kids playing
00:39:39We recorded stories
00:39:41They were funny
00:39:42Good morning Juan Gabriel
00:39:44Good morning
00:39:44How are you?
00:39:46I'm alive
00:39:47That's a win
00:39:47Some people aren't here anymore
00:39:50Sir
00:39:50How have you been enjoying your time here
00:39:52In the city of Chicago
00:39:53During these four beautiful days?
00:39:56Its surroundings can be very distracting
00:39:59And every day
00:40:00It becomes hard or even impossible
00:40:02To get any work done
00:40:05And I make more than $100,000
00:40:08Every time I come
00:40:10I'm not content
00:40:11I want $200
00:40:12You're someone who doesn't even have the slightest bit of shame
00:40:15You're someone who only deserves to die
00:40:19Look how he walks
00:40:20Just like a woman
00:40:21Look, look
00:40:22Walk backwards
00:40:22Walk backwards
00:40:24Come on
00:40:25Walk backwards
00:40:26Look
00:40:27Look, look
00:40:28Does this guy deserve to die?
00:40:32So be it
00:40:50They looked at each other with so much love
00:40:56I think
00:40:58They admired each other a lot
00:41:06He liked to take pictures of her
00:41:10And my mom
00:41:11Well
00:41:12She was very proud
00:41:21She fulfilled the motherly love he needed
00:41:26We all called him the baby
00:41:31There was a time when he was like a brother
00:41:36Hi mom, I'm on TV
00:41:37Hi, hi
00:41:39As you can understand
00:41:41It's been a very bad year
00:41:43It ended pretty badly
00:41:45And if you're listening to me
00:41:46It's because you damn well wanted to
00:41:48Because I don't even have
00:41:50Most of the time
00:41:51He would come to our family gatherings
00:41:55I'm sorry, my dear audience
00:41:56She's driving me crazy
00:41:58She's making me lose my mind
00:42:01What did you say?
00:42:03Nothing
00:42:03It's nothing
00:42:03What is it, my love?
00:42:06A Mexican product
00:42:07A product
00:42:08A product
00:42:08A Mexican product
00:42:11It's not my fault
00:42:12Because frankly
00:42:13I get paid the same
00:42:14Whether I'm here or not
00:42:20Alberto had a strong paternal instinct
00:42:25He treated my daughter
00:42:26As if she were his own
00:42:31And at that time
00:42:33He took in a 13-year-old boy
00:42:35And raised him as if he were a son
00:42:37He had the same name as him
00:42:40Alberto Aguilera
00:42:44It was a very private thing
00:42:46Alberto kept it to himself
00:42:48I know that when he arrived
00:42:50Alberto treated him like his son
00:42:51And he called him dad
00:42:53Since he was very little
00:43:09Alberto Aguilera
00:43:11Always had a fascination
00:43:14With divas
00:43:25Maria Félix
00:43:27Maria Félix was the biggest star
00:43:33In Mexican cinema
00:43:40She had a personality
00:43:43And an extravagance
00:43:45That was the symbol
00:43:46Of the time
00:43:47She was the muse
00:43:49Of painters
00:43:50Writers
00:43:51And even fashion designers
00:43:55Long live Mexico
00:43:58Long live Maria
00:44:02He admired La Doña
00:44:04So much
00:44:05That Juan Gabriel
00:44:06Bought the famous painting
00:44:08That Diego Rivera
00:44:09Made of her
00:44:13That painting
00:44:14Is part of the history
00:44:16Of Mexico
00:44:20Many of the most important divas
00:44:23In Mexico
00:44:23Were his great friends
00:44:28I don't know
00:44:30If he saw himself
00:44:31Reflected in some way
00:44:33Through the divas
00:44:35But he never surrounded himself
00:44:38With male idols
00:44:39They were always women
00:44:47That drew him to
00:44:49Rocio Durcal
00:45:02All we knew about Spain
00:45:05Was his conquest
00:45:06We got to know Spain
00:45:08Through Rocio Durcal
00:45:12I admired her a lot
00:45:14As a kid
00:45:14She was very young
00:45:16Beautiful
00:45:17With a unique voice
00:45:20And she arrived in Mexico
00:45:21With all that beauty
00:45:23With her almond-shaped eyes
00:45:24Divine
00:45:25And with that simple way
00:45:27Of approaching everyone
00:45:34As soon as I arrived in Mexico
00:45:36I started out on the right foot
00:45:38Doing my show with Antonio
00:45:42On the spot
00:45:43Juan Gabriel said
00:45:45He would like me to record
00:45:46One of his songs
00:45:46A Mexican one
00:45:51The fact that he offered me
00:45:53A Mexican song to sing
00:45:54Scared me to death
00:45:55Because I had no idea
00:45:57How to do that
00:45:57But my husband
00:45:59Like I said
00:45:59Has always trusted in me
00:46:01And he pushed me to do it
00:46:02And said
00:46:03You can do it
00:46:04You can do it
00:46:04You go sing it
00:46:05And take a leap of faith
00:46:16In less than a month
00:46:17They sold almost a million copies
00:46:22From there
00:46:23A phenomenon was created
00:46:25Rocio and Juan Gabriel together
00:46:34When his mom died
00:46:36He wrote the song
00:46:37Amor Eterno
00:46:39And it spent years
00:46:40In a drawer
00:46:41Because he was unable
00:46:42To sing it without crying
00:46:45And it gave it to Rocio
00:46:47Because of the special love
00:46:48Of an admiration
00:46:49He had for her
00:46:50Como quisiera
00:46:56Que tú vivieras
00:47:02Que tus ojitos
00:47:04Jamás se hubieran
00:47:07Cerrado nunca
00:47:10Y estar mirándolo
00:47:14Amor Eterno
00:47:19E inolvidable
00:47:26Tarde o temprano
00:47:29Estaré contigo
00:47:31Para seguir
00:47:37Amantelo
00:47:42Rocio
00:47:42Rocio was like a soulmate
00:47:44A friend like her
00:47:45Is forever
00:47:46And is the closest thing
00:47:48To eternal love
00:47:52She definitely became
00:47:54The greatest interpreter
00:47:55Of Alberto's songs
00:47:56Not only because
00:47:58Of the number of songs
00:47:59She recorded
00:48:00But also because
00:48:01Of the number of hits
00:48:02She achieved
00:48:08Of the great performers
00:48:10Out there
00:48:10It's hard to find one
00:48:11Who hasn't sung
00:48:12In Juan Gabriel's song
00:48:16Lucha Día
00:48:18Angelica Maria
00:48:20Lucía Méndez
00:48:21Lupita de Alesio
00:48:23He wrote a wonderful song
00:48:25For José José
00:48:34Ana Gabriela
00:48:36Isabel Pantoja
00:48:39And Luis Miguel
00:48:42Daniela Roma
00:48:44Has extraordinary hits
00:48:45Extraordinarios
00:48:59That's another important
00:49:00Aspect of his career
00:49:02That he not only
00:49:03Composed for himself
00:49:04But also for other artists
00:49:07They called him
00:49:08The King Midas
00:49:09Of songs
00:49:09Because they knew
00:49:10If a singer
00:49:11Recorded one of his songs
00:49:13Particularly
00:49:13If it was an unreleased one
00:49:15It was going to be
00:49:16A great success
00:49:17It was going to achieve
00:49:18Great sales
00:49:23Radio 13
00:49:24A station
00:49:25For beautiful people
00:49:29We're back
00:49:29On our Sunday show
00:49:30Artists
00:49:31You
00:49:31And something else
00:49:32We'd like to thank
00:49:33Juan Gabriel
00:49:34Very much
00:49:34For this interview
00:49:37How do you feel?
00:49:38Doesn't all that popularity
00:49:39Bother you?
00:49:41When fortune came upon me
00:49:42And I was not prepared
00:49:43I learned to separate
00:49:45Great things
00:49:45After all
00:49:46I'm an artist
00:49:47And I made Juan Gabriel
00:49:48I can do whatever
00:49:49I want with Juan Gabriel
00:49:51I made him
00:49:52I have all the power
00:49:54To destroy him
00:49:54No one else does
00:49:56On stage
00:49:57Juan Gabriel
00:49:58Is a great singer
00:49:59Whom I respect
00:50:00And admire
00:50:02But when I'm off stage
00:50:03I'm Alberto Aguilera
00:50:07We often have the image
00:50:08Of the artist
00:50:09But I think it's rare
00:50:11That an artist
00:50:12Can reveal themselves
00:50:13As Juan Gabriel
00:50:13Has done on this occasion
00:50:14And we just want
00:50:16To thank you
00:50:17For telling us
00:50:18About Alberto Aguilera
00:50:19On this show
00:50:20Thank you very much
00:50:21Juan Gabriel
00:50:22Serpentine Music
00:50:25On AI Radio
00:50:27The Modern Tropical
00:50:29Escucha esta canción
00:50:32Que escribí para ti
00:50:35Mi amor
00:50:37Con esta mi canción
00:50:41Me he venido a pedirte perdón
00:50:48Que nunca llores
00:50:51Que nunca sumas así
00:50:57Sé que nunca tu queda conmigo
00:51:02Yo quiero por último decirte amor
00:51:06Que yo te seguiré aguanto adiós
00:51:10Mi amor
00:51:13Juan Gabriel
00:51:14Has become the most desired artist
00:51:17Of that time
00:51:22He was handsome
00:51:24Very handsome
00:51:34He was the leading man
00:51:36In many movies
00:51:37Five in total
00:51:41We worked on El Noa Noa
00:51:43And Es Mi Vida
00:51:44Together
00:51:48Both films are faithful
00:51:50To the stories he told us
00:51:52About his personal experiences
00:52:05No, no, don't go
00:52:10I'm scared
00:52:35I'm scared
00:52:36My love
00:52:39You make me so happy
00:52:46Juan Gabriel
00:52:47Was a man of few words socially
00:52:51But he would watch everyone attentively
00:52:55Everything people made him feel
00:52:57He put it into his songs
00:53:03I think that people who have inspiration
00:53:05Are born with it
00:53:09Not only the gift of writing
00:53:12But also the gift of feeling
00:53:14I have written everything based on my experiences
00:53:17And my imagination
00:53:34He liked to compose in the bathroom
00:53:36It was like his studio at home
00:53:42When he showered
00:53:44You could hear him doing his vocal scales
00:53:49He would find a melody
00:53:50And sing it all day long
00:53:52He had a little tape recorder
00:53:59And he would record everything that came to mind
00:54:23Today
00:54:24Those cassettes are a great treasure
00:54:49Music was Juan Gabriel's life
00:54:54He could write it at any time
00:54:57Because he had a melody in his head
00:55:02Suddenly he would get an idea
00:55:04He'd sit down and write it
00:55:06No matter where he was
00:55:08He could grab a cocktail napkin
00:55:10And start writing
00:55:13Even though he already had the whole idea
00:55:16He would just write down what he knew
00:55:18And it would remind him of the whole song
00:55:20And he would find fragments of things
00:55:23He wrote all over his houses
00:55:26Silence is also music
00:55:33When I write
00:55:33I keep it very simple
00:55:35Maybe it's one of the keys to my success
00:55:38I don't use fancy words
00:55:40Because I don't know them
00:55:45Sometimes on a plane
00:55:46On long trips
00:55:47He would write a song
00:55:51And many times
00:55:52He would compose next to the musician
00:55:56That is, the musician would write
00:55:57And play what he told him
00:55:59Ejecutando lo que él le decía
00:56:10I looked for the images
00:56:13The ink, the words
00:56:15So that I could be born through them
00:56:21And about the songs
00:56:22I don't know if they made me famous
00:56:26Or vice versa
00:56:28Or as a son
00:56:28You're talking about
00:56:28That like
00:56:28Yeah
00:56:32I need to know
00:56:33Aside from
00:56:34His handsographing
00:57:03Sous-titrage MFP.
00:57:26Sous-titrage MFP.
00:57:59Sous-titrage MFP.
00:58:02Sous-titrage MFP.
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