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00:00:31Alberto's problem was that he always believed in people's word, but many betrayed him.
00:00:45Joaquin Muñoz wrote a biographical book.
00:00:48It gives account of all the moments that Juan Gabriel would have wanted to keep secret.
00:00:54Alberto was a very cautious person when it came to his private life. He was extremely guarded.
00:01:02This person from Juan Gabriel's inner circle used the book to completely expose his private life.
00:01:07That person snuck in and would accompany us everywhere we went, and I noticed he carried a little camera with
00:01:15him, always taking pictures.
00:01:17He had a plan. His intention was to profit, to make money at the expense of Juan Gabriel's reputation.
00:01:25It was truly vile, the betrayal.
00:01:33This book had a huge impact and it was milked for all its worth by the tabloids, the TV stations,
00:01:42the gossip shows.
00:01:45They all had a field day.
00:01:47Juan Gabriel felt harassed.
00:01:56Isn't it hard sometimes to bear the burden of fame as you do now, being so popular?
00:02:03Well, yes, one goes through many hardships, many humiliations, many slanders, many insults.
00:02:12Anything that can be said about me, well, it sells.
00:02:18I stir up a lot of controversy, but unfortunately, besides being a good record seller, I'm even better at selling
00:02:26newspapers.
00:02:32I think it bothered him, but he wouldn't show it.
00:02:38He found a way to manage his emotions and keep them under control.
00:02:44He never allowed himself to engage with the rumors.
00:02:50Do you feel you should explain yourself?
00:02:52No, they can keep saying horrible things.
00:02:56They can say whatever they want.
00:02:58It doesn't hurt me.
00:02:59I'm confident in myself.
00:03:02I know who I am.
00:03:03They'll forgive me for almost anything.
00:03:06Except?
00:03:07Being Juan Gabriel.
00:03:10They would saturate my phone lines.
00:03:12They'd say, Raul, why did you invite that effeminate, degenerate man?
00:03:17One day I got mad.
00:03:18I said, listen, on Siempre Domingo, I don't book artists based on their genders, but on their challenge.
00:03:31Mexico was very conservative, very chauvinistic at that time.
00:03:36There was a lot of censorship and a very rigid morality.
00:03:39Stop when you can.
00:03:42Where are you headed now?
00:03:44Right now, we're driving to Cancun.
00:03:46We're working and we're filming a documentary at the same time.
00:03:51Hi guys, how are you?
00:03:53Hello, officer.
00:03:55I've already said hi to you.
00:03:57We are working and filming a documentary.
00:04:00Okay then, have a good trip.
00:04:01Nice meeting you. How are you?
00:04:03Hey guys, it's a pleasure.
00:04:05Have a good one.
00:04:06Congratulations.
00:04:08You too, thank you. Have a nice day.
00:04:13Am I smart or what?
00:04:18I think that Juan Gabriel must be the most vilified celebrity.
00:04:25As Montsevay says,
00:04:27Juan Gabriel has endured jokes, mockery, moral lynching campaigns, and contempt from artistic circles.
00:04:35And in spite of all that, he has pioneered and created a space that only he, so far, has occupied.
00:04:44Alberto Aguilera wanted to protect Juan Gabriel.
00:04:50That's why he kept his private life separate, so that it wouldn't affect what Juan Gabriel represented.
00:04:55And when they harassed him, he led with ambiguity.
00:05:05Never before in the history of Mexican pop music had there been a character quite like Juan Gabriel.
00:05:13Someone with his identity and taste. It was unique. It was a triumph.
00:05:21I don't hold a grudge against anyone.
00:05:24And I'm going to keep being better.
00:05:27I will always keep being better.
00:05:30If that hurts them, I'm very sorry, Mr. Rocha.
00:05:33I will always be better.
00:05:36The fact that Juan Gabriel had this ability to overcome so much insult and to overcome so much harassment is
00:05:44another of Juan Gabriel's achievements besides the music.
00:05:51These are some calls from all over the country.
00:05:54I've been admiring a great, honest artist for many, many years.
00:05:58The songs are beautiful. These are actual people.
00:06:02A housewife from the state of Mexico.
00:06:03Yolanda Romero, a nine-year-old girl.
00:06:05She thinks people should respect you more as a human being.
00:06:09A nine-year-old girl from Guadalajara.
00:06:11Francisco Ortiz, a mechanic from Monterrey.
00:06:13He dislikes that people confuse an artist's private life with his public life.
00:06:18Mrs. Chela, who works at a nightclub.
00:06:20She says Juan Gabriel is the person who feeds a lot of people.
00:06:24He's a musical phenomenon we should be proud of.
00:06:27He's an artist like no other.
00:06:29And I could go on.
00:06:32How does it feel?
00:06:36Hmm?
00:07:00It feels better to say okay.
00:07:03You get to start again
00:07:07You I can't go back
00:07:10Again with you
00:07:12...
00:07:21...
00:07:21Juan Gabriel's tour and career companion
00:07:23is Maria de la Paz Arcaraz.
00:07:25I'd like to know, how many trips
00:07:27does Juan Gabriel make in a year, Maria de la Paz?
00:07:30Listen, Pati,
00:07:31on average, he works
00:07:3322 days out of any given month.
00:07:36We went to Venezuela,
00:07:37this year we plan to go to Argentina,
00:07:39Colombia, et Chile.
00:07:43Sometimes we do two cities in one day,
00:07:45very far apart from each other.
00:07:48After one show, he gets off the stage
00:07:50and we take a plane to do another one.
00:07:53He's the undisputed idol of Mexico.
00:07:57Juan Gabriel, welcome to Venezuela
00:08:00for the million viewers of Sábado Sensacional.
00:08:22Alberto was performing at Sábado Sensacional,
00:08:26a show that aired on Benevisión on Saturdays.
00:08:31He really goes all the way with his songs,
00:08:34the message, his performance, his music
00:08:36that comes from the heart, viscerally.
00:08:55He sang and performed with his heart.
00:08:58You can't escape those feelings.
00:09:00It made you feel your deepest emotions.
00:09:03And I love that.
00:09:05Regresa a casa cuando quieras regresar.
00:09:16Goodbye, my love. Goodbye, my love. Goodbye.
00:09:23Goodbye. Goodbye, my love. Goodbye.
00:09:27So, obviously, I had to meet him.
00:09:41And yes, we hit it off.
00:09:43I loved his simplicity, his beautiful way of being.
00:09:46Reframe the shot so we both appear on screen.
00:09:48Don't just do close-ups.
00:09:50I can't see you.
00:09:53I can't see you.
00:09:54I'm mid to your left.
00:09:54I see you now.
00:09:56There, I told you.
00:09:57We got along.
00:09:58Things just flowed.
00:10:00Everything was easy.
00:10:01We clicked right away.
00:10:03Reframe the shot.
00:10:04Come on.
00:10:05Are you gonna record me now?
00:10:08Push the button.
00:10:09If you keep filming us, we're gonna be very late.
00:10:16We could talk about anything.
00:10:18Sincerely.
00:10:18No playing games.
00:10:20We got each other.
00:10:22It was a true friendship.
00:10:24They're already filming.
00:10:25No way.
00:10:26I swear on my life.
00:10:30Friends are everything.
00:10:32It's the family you choose.
00:10:34It's more than your family because you chose them.
00:10:40He invited me to Mexico.
00:10:44Years went by and our friendship grew closer.
00:10:4920 years later.
00:10:51Careful what you say.
00:11:03We'd go on a trip and he'd sing the whole way.
00:11:06In your eyes, you always express joy.
00:11:10In your life, you only exist.
00:11:12And let's go.
00:11:14Oh, my hope.
00:11:16You have to forgive it.
00:11:20Don't lose it.
00:11:21Don't lose it.
00:11:23There will be a final.
00:11:28Alberto.
00:11:29Alberto enjoyed every day, every sunrise.
00:11:32He wouldn't sleep, but he enjoyed everything.
00:11:36Alberto was grateful for life.
00:11:41Spending time with Alberto was wonderful.
00:11:48Look.
00:11:49These bits sag.
00:11:51As the years go by.
00:11:53See?
00:11:54This.
00:11:56This part is starting to sag.
00:11:59Let me open the eye up.
00:12:01There.
00:12:02That's how it should be.
00:12:04And then this bit, it goes here.
00:12:06Look.
00:12:10That's how it was.
00:12:12There.
00:12:13That's what my eyes used to look like.
00:12:15When I was 16 years old.
00:12:25Once Juan Gabriel conquered a unique space for himself and his fame no longer depended on
00:12:32and being sponsored by a record company, then he got to do what he wanted.
00:12:42I realized that the songs weren't entirely mine.
00:12:45That even though they bore my name, I didn't fully have the rights over them.
00:12:49Yeah, I could sing them and let others sing them too.
00:12:51But I had no control.
00:12:53No control over monetary interest.
00:12:55Because they collected everything.
00:12:58And I only got what was left over.
00:13:00So I wanted to put things in order.
00:13:04I imagine that when Alberto started recording, he had to sign the publishing rights to his songs to the record
00:13:11label.
00:13:11That was normal.
00:13:14Especially when you're a new artist, when you're just starting out and when the record company is going to promote
00:13:19your work.
00:13:21He was a novice and signed away rights he would later come to regret, mainly about royalty splits.
00:13:29He didn't think it was fair.
00:13:30It really wasn't.
00:13:33Half of the money he earned was kept by the publisher.
00:13:37That's what he was fighting for.
00:13:41He said, if you don't give me back the songs I've given up to you over all these years, I
00:13:48won't record for you.
00:13:49That was the pressure he put on the company and demanded that they return his catalog.
00:13:56Oh, Juan Gabriel!
00:14:00He didn't do it foolishly.
00:14:02He did it rationally.
00:14:04He was looking at the numbers.
00:14:06He was absolutely confident, totally.
00:14:11And he knew that he was on the right path to try to make it happen.
00:14:21And so I had even more courage knowing that I was right.
00:14:25Having that knowledge, that logic, that strength, that grit to fight for my ownership.
00:14:49We kept doing shows every day with much love, making a lot of money without the need for a record.
00:14:58In the name of love.
00:15:00He was able to do it because like he used to say, I don't sell records, I sell tickets.
00:15:05Up, up, up! I want to see the people up there too.
00:15:09But I don't know the truth.
00:15:14But I don't know.
00:15:15But I don't know the truth.
00:15:20But I don't know the truth.
00:15:41Il m'a apprécié le sourire, le chugging, la affection que les gens ont apprécié.
00:16:13Le palenque était beaucoup différent, parce que les gens étaient tous autour de lui.
00:16:18Il n'y avait pas de couches, pas de douleurs.
00:16:20Je veux dire, il devait rester au centre.
00:16:23Le palenque est un endroit où les combats sont occupés.
00:16:27Juan Gabriel s'appelait à la nuit après les combats.
00:16:31Et il n'y a pas d'autre endroit dans le monde avec le stage au niveau de la scène.
00:16:36Et là, près d'à toucher, étaient les salles.
00:16:40Il y a la bouteillerie.
00:16:43Une photo, mon ami !
00:16:46S'il vous plaît !
00:16:50Quand j'ai performé dans les palenques,
00:16:52il y a toujours des gens qui, inférieusement,
00:16:55ont apprécié beaucoup de choses rues et regrettables à moi.
00:16:58Il n'y a pas de douleurs.
00:16:59Il n'y a pas d'ouERE se dit.
00:17:06Il n'y a pas d'ouere.
00:24:50Il a créé sa propre langue pour exprimer sa propre langue, sa propre langue sur scène.
00:24:56On scène, je suis quelqu'un d'autre parce que les gens dépendent de moi.
00:24:59Ils attendent pour moi et me donne beaucoup d'énergie.
00:25:03Certains gens viennent avec curiosité,
00:25:05d'autres pensent déjà que je ne me souviens pas.
00:25:09Et ils sont toujours très convaincés.
00:25:11Pourquoi ?
00:25:12Parce que je mets beaucoup de travail sur scène.
00:25:15Et je vais tout en dehors.
00:25:20Et Juan Gabriel, c'était un énorme phénomène culturel.
00:25:26What do you like the most about Juan Gabriel?
00:25:28His simple way of being,
00:25:29simplicity above all,
00:25:31and the love he puts into singing.
00:25:32Your favorite song?
00:25:33Querida.
00:25:35Are you part of Juan Gabriel's fan club?
00:25:36Yes, of course I am.
00:25:40There were fan clubs in the United States,
00:25:42Argentina, Colombia, Venezuela, Peru.
00:25:46He was very loved in Peru.
00:25:48At that time, it was very important to have a close relationship with fans.
00:25:54After all, they were the ones who attended the shows,
00:25:57who bought the records.
00:25:59There were fan clubs that were founded from the very beginning of his career.
00:26:03And then others were created later.
00:26:09The Esta Rosa Roja Club.
00:26:11From Mexicali Lágrimas Tristes Club.
00:26:15From Reynosa Nobleza Ranchera Club.
00:26:18Those were still around.
00:26:21There was something like a confederation of fan clubs.
00:26:27They joined together and would worship him.
00:26:30Men and women.
00:26:31They were loyal.
00:26:33Though they were mostly women.
00:26:39Alejandra was the president of all the fan clubs in Mexico.
00:26:44They invited me to be a part of the Amigos Club.
00:26:47The first club that was formed.
00:26:50I said, of course.
00:26:51Yes, let's go.
00:26:51What can we do?
00:26:52What do we have to do?
00:26:55It was in 1977 that I became president of the Amigos de Juan Gabriel Club.
00:27:07Do you think the girls will respect Juan Gabriel?
00:27:10No!
00:27:12No, right?
00:27:13Yeah!
00:27:14Well, whatever happens, happens.
00:27:16I give you Juan Gabriel!
00:27:29The record would come out and the fans dedicated ourselves to supporting him on television
00:27:34and radio to request a new song and to call into the radio repeatedly.
00:27:40The record company also supported the representative.
00:27:43In this case, Mrs. Maria de la Paz.
00:27:48She would inform us about his upcoming events and future concert dates.
00:27:53And we would come running, right?
00:27:58People were invited to join the club on radio stations and all that.
00:28:04We would invite people to join the club.
00:28:07The club credentials were signed by Juan Gabriel.
00:28:12The activities they did were to support shelters, orphanages, in the name of Juan Gabriel.
00:28:20He said, I thought the fans were just following me all around, but I see that they are not.
00:28:26They help others.
00:28:29Everyone shared their photographs.
00:28:35The fans were definitely in love with him.
00:28:38We were, right?
00:28:39In secret.
00:28:42They'd always find out his personal addresses and send him letters.
00:28:46A lot of letters.
00:28:48A lot of letters.
00:28:48Lots of them!
00:28:52A lot of letters.
00:28:57Lots of them!
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00:50:04Mais il y a beaucoup de résistance pour qu'il performe là de l'élite culturelle de Mexique.
00:50:09Il y a beaucoup de critiques qu'il y a beaucoup de critiques.
00:50:37Juan Gabriel, because of his style, his fame, he was going to violate the cathedral of high culture.
00:50:51I was the director of promotion and public relations at Bellas Artes at that time.
00:50:58The director of Bellas Artes, my boss, told me, no, no, no, you're crazy, forget it.
00:51:04Popular culture had its place, and high culture its own place.
00:51:09This was the place for high culture.
00:51:14The director of Bellas Artes received letters opposing Juan Gabriel's performance there.
00:51:26But in the end, Maria de la Paz pulled the right strings.
00:51:32She told me Cecilia Uccelli, Carlos Salinas' wife, is a fan of Juan Gabriel.
00:51:38She was the one who asked that he be allowed to perform there.
00:51:43And thanks to that, they finally gave the green light for the concerts.
00:52:08Alberto, how are you doing?
00:52:10I'm doing very well. Things at home are great, too. The kids are beautiful. They're doing great.
00:52:16I was telling Maria de la Paz that I hope to come to your show at Bellas Artes.
00:52:20I hope so.
00:52:21I think it's amazing.
00:52:22I almost don't believe it, because it's the first time that someone who works in a nightclub has been given
00:52:27the opportunity.
00:52:28Well, there are nightclubs, and there are nightclubs.
00:52:31The influence of President Carlos Salinas has a lot to do with it, because I helped him quite a bit
00:52:36in the Chihuahua campaign, when the situation was very difficult, when Chihuahua supported the Pan Party, and he was very
00:52:41grateful to me.
00:52:42But listen, you'll do great. I'm not just saying that. You'll do great because you're amazing.
00:52:48Thank you.
00:52:48It's just so wonderful to see your success. I'll call you from Paris.
00:52:53Goodbye, beautiful Maria.
00:52:54My Alberto.
00:52:55My goddess.
00:52:56Farewell.
00:52:57Goodbye.
00:52:59Even though we got Los Pinos' approval, it wasn't just the criticism from outside, but inside, they were against it.
00:53:07The members of the orchestra and choir, what were they supposed to do? It was a shock.
00:53:14And the director of the National Symphonic Orchestra, Maestro Luis Herrera de la Fuente, very conservative, was dismayed when he
00:53:22realized he had to conduct the concert.
00:53:25He said, excuse me, excuse me, but I can't do this.
00:53:30In this instance, the stars were on our side, and Enrique Patron accepted the idea with great pleasure.
00:53:45When I agreed to conduct this concert, the arrangements were not ready.
00:53:49This is the fourth time I'm saying it.
00:53:51I was already nervous.
00:53:53I was already nervous.
00:53:53I was in unknown territory.
00:53:54Wind section.
00:53:55You didn't notice the final repetition?
00:53:58We're in B.
00:53:59We're in B.
00:54:01Give the pitch.
00:54:05Give the pitch.
00:54:06Good?
00:54:08No.
00:54:09Still no good.
00:54:09I was still very new to this, and I realized that Juan Gabriel improvised most of the show,
00:54:15but there was a great communication between him and his musicians.
00:54:19They all helped me with the rhythm, with the cues to come in.
00:54:27That's the first time he would be welcomed.
00:54:33When someone's in love, when someone's in love, in this case I forget, you forget your experience.
00:54:49et pardonne la insistence de l'avoir été amant
00:54:532, 3, avec 2, ready strings
00:54:58à un impossible amour
00:55:09I tried to learn the signals he made
00:55:12when he was going to improvise
00:55:13when he was going to stop improvising
00:55:16how he wanted to end
00:55:18Again?
00:55:19We're at E!
00:55:20Por eso es que te hice
00:55:25Y por eso es que te hice
00:55:30Mi vida rutinaria
00:55:36Tan llena de dolor
00:55:41Yo pensaba ser tu amigo
00:55:43Pero al dormir contigo
00:55:46Pasó algo más hermoso
00:55:48Y más grande y más sublime
00:55:50Y más bello y más furo
00:55:53Y más lindo y más humado
00:56:04Tough crowd
00:56:07At the general rehearsal
00:56:09there was a threat of a strike from the union
00:56:11They wanted to stop the general rehearsal
00:56:13Maybe even the show
00:56:16He found out and started to talk with his team
00:56:20And he told them
00:56:21Invite all the families of Bellas Artes personnel
00:56:24They filled Bellas Artes and there was no strike
00:56:27Si ahora quiero que me digas
00:56:29Si no le dio no la pena
00:56:32Jaiamente conocido porque no te quiero ver
00:56:35But ya se devOL blah
00:56:36Javier
00:56:36Gotta englob вопросы
00:56:41Mándor
00:56:42Tуры
00:56:42S npd
00:56:45Ya te quiero dejar
00:56:46No te quiero dejar
00:56:47No te quiero dejar
00:56:47Ja te quiero dejar
00:56:50No te quiero dejar
00:56:51Te quiero dejar
00:56:52Ch decir
00:56:52Oh jee
00:56:56The most challenging part was figuring out
00:56:58how to break the ice with the symphony
00:57:00C'était un grand orchestre, très sérieux.
00:57:03Relaxant, dançant.
00:57:05Je veux dire, c'était un processus.
00:57:07Je ne pense pas qu'ils s'éteintillent à lui de l'aider.
00:57:12C'était un très unique et spécial court chef.
00:57:34Et j'étais déjà absorbé dans la musique.
00:57:37J'étais déjà en l'amour.
00:57:53Over there.
00:57:56Tell them to go over there.
00:57:57OK, let's do it again.
00:58:00He invited the Semjass children to sing at Bayes Artis.
00:58:02Right behind you.
00:58:03He'll wait for the cue, and he'll give it to you.
00:58:05Can you hear me?
00:58:06Listen.
00:58:07One, two, three, and...
00:58:14I was pretty nervous because I knew the great responsibility of going in there and being filmed,
00:58:20and that it would be out there forever.
00:58:27Putting together a children's band, that was very complicated for me.
00:58:31But he immediately started conducting them, and it was incredible.
00:58:39We were sold out for all four days of the concerts in eight hours.
00:58:59I arrived at Bayes Artis.
00:59:02He came to greet me.
00:59:02He said, are you ready, Maestro?
00:59:04I said, no.
00:59:06I said, no.
00:59:06And you?
00:59:07He said, me neither.
00:59:09Let's put our heart and soul into it.
00:59:11Let's do something memorable.
00:59:18They haven't told me, but I guess so.
00:59:22Last night?
00:59:24He was never nervous.
00:59:26He was a man who planted his feet firmly and confidently on the ground.
00:59:31Tell him to lend it to you.
00:59:32It's only fair.
00:59:33But we were anxious about how the Bayes Artis audience would end up reacting to Juan Gabriel.
00:59:40The music man.
01:00:06He was never nervous.
01:00:11He was never nervous.
01:00:12He was never nervous.
01:00:16He was never nervous.
01:00:20He was never nervous.
01:00:23He was never nervous.
01:00:23He was never nervous.
01:00:23He was never nervous.
01:00:23He was never nervous.
01:00:23He was never nervous.
01:00:25He was never nervous.
01:00:29He was never nervous.
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