00:00Sous-titrage Société Radio-Canada
00:30...but the police arrested him as he arrived at the airport.
00:33He was arrested due to unpaid taxes.
00:36The public prosecutor's office put him at the disposal of the correctional facility.
00:42He will be staying at this penitentiary center until his legal situation is resolved.
00:46We have to support him because we think this arrest is really unfair.
00:50What are they doing to him?
00:51Why are they arresting him for nothing? I mean, he should be given a chance, right?
00:55The protests, the intervention of the municipal authorities, and 4 million pesos got Juan Gabriel out of jail.
01:02There's nothing that can't be solved.
01:05If it's a matter of money, what is paid with money is cheap in the end.
01:09I think it's all a matter of reaching an agreement, of talking.
01:15This isn't the way to arrest a person who has brightened so many people's hearts.
01:22Look at how they repay us as artists.
01:27People waited until 3.30 in the morning for him to arrive and perform.
01:32And obviously he just said that not even jail was going to stop him from doing the only thing he
01:36knew how to do, which was sin.
01:38Now let's dance! Everyone!
01:39For Juan Gabriel, it had been a long time since he had paid taxes regularly.
01:45Acienda Revenue Agency came to collect, accusing him of tax fraud.
01:53Do you remember what song launched my career?
02:02And now I'm broke again.
02:05These taxes are killing me.
02:10They have been ungrateful to artists who have helped them.
02:14And then, as if that wasn't enough, they come and take our hard-earned money.
02:22Since there is a partnership between an artist and the tax authorities, what's the least they should do?
02:28Help him solve his problems?
02:30If I didn't do things right, it's very clear now.
02:34You can get over it and take what I'm going through as an example of what I've experienced.
02:41Not only did he owe millions of dollars in taxes,
02:44He also had million-dollar lawsuits for breach of contracts with different promoters throughout the United States.
02:52I fell in Houston on the day of November 13, 2005.
03:01And I hurt my head on both sides.
03:22When I met him again, I noticed he was defeated.
03:28I felt a little sorry for him, really.
03:30It wasn't the same, Juan Gabriel.
03:37It was a problem that had been dragging on for many years.
03:40And I went back and forth trying to solve it.
03:43We had to pay a lot of money.
03:45Enough.
03:46The party's over.
03:49In the negotiations, he unfortunately lost many houses, which he intended on getting back.
03:56But in the end, he couldn't.
04:05He was banned from giving concerts in Mexico and the U.S.
04:12He felt that he was being deprived of the best thing he knows I don't do, which is to sing.
04:20Alberto was so worried about the lawsuits and so many things that he wanted to leave and not see anyone.
04:27So I took a trip with him.
04:31He wanted to be alone, but with someone who would really listen to him when he needed to talk.
04:36So it wasn't my turn to talk, but to wait for him, to vent about what was weighing on him.
04:42And, well, it was a pretty lonely week.
04:44We were in lockdown.
04:47Pablina!
04:52Pablina, for the love of God.
04:54Come, my love.
04:55Come, darling.
04:57Come, my Pablina, my queen.
05:00For the day, my love.
05:02He wanted peace and quiet so he could think.
05:05He would look for answers within himself because he said that all the answers were inside you.
05:12Are you hot, Pablina?
05:14Es mejor decir adiós que volver a comenzar.
05:22Yo ya no puedo volver otra vez contigo más.
05:37Alberto didn't care about anything.
05:39Alberto was Alberto, period.
05:41He accepted and loved himself as he was, and what others thought was their problem, not his.
05:47But Juan Gabriel was the one who got into trouble, and Alberto had to solve it.
05:54And that's why Alberto decided to reach out to journalist Fernando Del Brincón.
06:01He felt he owed his audience an explanation.
06:05And he wanted to clarify all those problems and scandals that the media was publicizing.
06:14Do you remember when you were in jail at some point?
06:19Well, yes, you don't forget those things.
06:22What's the most difficult memory from your time there?
06:24What do I remember about jail?
06:26Actually, I don't live in the past.
06:28I live in the present.
06:29And in the future, I'll be dead.
06:31Actually, I take the best from the past.
06:34It was an experience.
06:35When they put you in jail, they give you the key to wisdom, and you learn a lot of things.
06:40Recently, some photographs of you with a young blonde man walking down the street got published.
06:45What was your reaction when you saw the photographs published with this young man?
06:50That the entire situation is being misinterpreted.
06:54Well, what am I going to do?
06:56I'm an artist, right?
06:57And Juan is exposed to that and many other things.
06:59Why are you talking about sleeping with someone?
07:01If you are handsome and young and beautiful, they always say that, right?
07:05That you are gay.
07:08Yes.
07:10Juan Gabriel, Juan Gabriel.
07:13They say you're gay.
07:14Is that true?
07:17Why are you so interested?
07:19I'm just asking.
07:24They say don't question what you can see in front of you.
07:29It's said that four of your children, well, they are your four children, that one of them
07:34was conceived by artificial insemination.
07:37They can say whatever they want, but he's my son.
07:41But is this a myth?
07:42Is it a lie?
07:43Is it real?
07:44I don't know, actually.
07:46If I have to be so open about it, it's not true.
07:49But it would be wonderful to have a child even that way.
07:52But are they really related to you, Juan Gabriel?
07:54I mean, they're my children.
07:56Always.
07:57They're my children.
07:57They are.
08:00Yeah.
08:11My dad built a ranch for kids.
08:15But of course, we were no longer kids and we moved to Florida.
08:22The ranch was closed and abandoned.
08:27That was the end of an era.
08:31Just look at that.
08:34Totally abandoned.
08:37Nice.
08:43The kids are going to be sad.
08:45This is from when they were little.
08:50Ooh.
08:51Ride one.
08:54Go slowly so you can catch them.
08:59Hold on tight, Juan.
09:01Because if you fall, it will hurt.
09:06It will hurt.
09:08It will hurt.
09:10It will hurt.
09:18Look.
09:20This was their little school.
09:22The teacher would come and give them lessons in there.
09:25You.
09:26You.
09:27Okay.
09:28What letter is this?
09:30You.
09:31No.
09:34No.
09:35No.
09:40Joanne, what letter is this?
09:43O.
09:43O.
09:44The letter I.
09:53Catch it, Juan.
10:04We had goats.
10:06Different animals.
10:08We had some really cool chickens there that were so happy.
10:14Oh, yes.
10:16Many.
10:18Many.
10:30Just memories.
10:33Just memories.
10:34Only memories.
10:37Ghostbusters.
10:40How about that?
10:41Here it says Ghostbusters.
10:45Why does it say Ghostbusters?
10:57Face the mirror.
10:59Face the mirror.
11:04Face the mirror.
11:09Ok.
11:44Les enfants et moi, nous avons commencé à avoir accès aux réseaux sociaux et aux choses qui sont sur la
11:53télévision et dans les médias.
11:55Des choses comme quand les gens se demandaient si nous sommes vraiment les enfants ou qui était notre mère.
12:03Il me rappelle de mon fils.
12:07Normalement, nous n'avons pas pensé qu'ils avaient parlé de nous.
12:10Mais, au temps, j'ai compris que c'était mon frère et moi qu'ils avaient parlé de nous.
12:18Non, je ne sais pas.
12:21En tout cas, j'ai toujours pensé que Laura était mon père.
12:25Et un jour, j'ai découvert grâce à mon père, qu'elle n'était pas mon mère.
12:32La première chose que j'ai pensé, c'est que beaucoup de choses m'ont sensé.
12:37C'est bon, c'est bon, je suis fier de vous.
12:39C'est bon.
12:40Je n'ai pas envie d'être angry ou sad.
12:42C'est plutôt que j'ai très grâce à mon père pour me dire la vérité.
12:47C'est bon.
12:49Déjà que mes enfants étaient petit, c'est bon.
12:53J'ai démarré la de l'alberté pour le nombrer, c'est bon.
12:59C'est bon.
13:05Quand Alberto a mort, plusieurs jeunes ont dit qu'ils sont des enfants.
13:15Deux de eux, les enfants de la nannies qui travaillent avec lui.
13:21Ils ont fait un débat pour être reconnaissés.
13:26Comme des témoins, ils présentent un test de paternité
13:30performant avec le DNA de l'un d'Alberto'un de l'enfant d'Alberto.
13:38La Courte n'a pas reconcilié contre leur claim,
13:41grâce à d'insuffisance d'évidence.
13:43Donc, le lawsuit a été remis.
13:48Quand il était arrivé, Alberto n'a plus publié les quatre enfants
13:53qu'il n'a écrivait avec Laura Salas.
13:57No, no, I can't.
13:59You need to talk to my manager.
14:01Ma-ma-ger?
14:02Si.
14:02Yes.
14:06Only Alberto knew the whole truth.
14:09It's not my place to talk about it.
14:15What I can say is that we all lived at home together as a family.
14:19It was ours and we were very happy.
14:25The most valuable thing one has is the right to privacy of their family
14:31and to protect the children.
14:36That's it.
14:37How does your dad dance?
14:39How does your dad dance?
14:45I'm going to film one and then the other.
14:47Because both don't fit in the shot.
14:51Okay, son.
15:05Bye.
15:16Since my dad didn't grow up with the family, it was very important for him
15:20that we all spent time together.
15:32When we could, the whole family would go along with him on his tours and
15:37and he would even bring his dog along with us for the ride.
15:53He was afraid of planes, so he would always go on road trips to get from one place to another.
16:01He really made the most of his time going on those long road trips.
16:06I think he liked being with himself and his thoughts.
16:17He was always reflecting on his future plans and what he should be doing.
16:23In order to be successful, he focused on moving forward.
16:28He taught us to accept our years with dignity.
16:32That's what he thought.
16:38Abrazame que el tiempo es malo y muy cruel amigo.
16:44Abrazame que el tiempo es oro si tú estás conmigo.
16:50Abrazame fuerte, muy fuerte y más fuerte que nunca.
17:00Siempre abrazame una conmigo.
17:03Siempre abrazame.
17:04Abrazame que Dios perdona.
17:06Pero el tiempo es el duro.
17:10Abrazame que no importa a saber quién eres UNO.
17:18Abrazame, doe, no importa.
17:26Saber quién eres UNO.
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