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  • hace 2 días
El director del colegio se va de puente y le deja el canario a Juan para que se lo cuide. Los cánticos del canario no dejan dormir a los vecinos, que se reunen para decidir cómo ''deshacerse'' del pájaro. Por otro lado, Arantxa se pelea con sus padres y Emilio le ofrece quedarse con ellos. Además le pide a Lucía que le de trabajo de camarera en el restaurante. Tanto Belén como Alicia, que ve peligrar su trabajo, no están nada conformes con este nuevo fichaje. Diego le propone a Mauri pasar los dos días juntos pero encerrados en en su casa para que nadie los vea. Los dos se preparan para un fin de semana romántico y solos para conocerse mejor.

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00:00:30Emilio, what's that music that's been playing since 4 in the morning?
00:00:33My father is the one who got into plants and plays music for them to grow.
00:00:36Mariano, I'm going out for a moment. This is the last straw.
00:00:39Good morning. How was your morning?
00:00:41Well, bad. Bad because you're causing noise pollution in our community. So please.
00:00:45It's only going to be a few days. The plants are really getting on my nerves.
00:00:48And why do you have to play music at night?
00:00:50Ignorant of life. Plants grow at night. During the day, they're very busy with photosynthesis.
00:00:55I don't care about your botanical theories. Why did I post this circular here with the new EU noise regulations?
00:01:00But nothing. As always, what does something say there?
00:01:01Well, make copies for all the neighbors and deliver them by hand. Okay, now!
00:01:05Now I remember my wife.
00:01:06I put a green area in the yard and that's how he repays me.
00:01:09Dad, if you want green spaces, you'll go to a nursing home. But you won't give me any more trouble here.
00:01:12Emilio, I'm trying to make sense of my life.
00:01:15Don't waste your time, Dad. Your life is pointless. Go on, put on some TV.
00:01:19Huh? Come on.
00:01:20If it is a bust.
00:01:22Because?
00:01:23Here, here, here, no one lives. Not here, not here.
00:01:28Every day is like this. I couldn't have imagined it when I came here.
00:01:32I was just looking for some peace.
00:01:35I wake up every day in the middle of a hurricane.
00:01:37Here, here, here, no one lives. Not here, not here.
00:01:41No, no, no.
00:01:42Here, here, here, no one lives. Not here, not here.
00:01:45No, no, the house is jammed with partying. I can't find the doorman.
00:01:51The neighbors visit me and listen. I can't stand being here.
00:01:55He's my neighbor, all my neighbors have him. If not, come to my apartment.
00:01:58Come to the neighborhood, cousin, I love you and I'll teach you.
00:02:00Where clowns cry, thieves, they steal from us and stones break down into something to tell.
00:02:04Who's going to pay you?
00:02:05Put in a cocktail shaker.
00:02:09You in an earthquake and a volcano.
00:02:12Yeah.
00:02:13And you will have this ladder.
00:02:18Here, here, here there is no one who lives.
00:02:21Not here, not here.
00:02:23Here, here, here there is no one who lives.
00:02:25The beach is like this every day.
00:02:27I couldn't have imagined it when I came here.
00:02:29I was just looking for some peace.
00:02:32And I wake up your little memory in the chop.
00:02:34Here, here, here there is no one who lives.
00:02:37Here, here, here there is no one who lives.
00:02:39Here, here, here there is no one who lives.
00:02:41We are very nervous.
00:02:46Today is the big day.
00:02:48It will be a boy, it will be a girl.
00:02:50Today the battle of the names begins.
00:02:51Mauri, for God's sake, it's just an ultrasound.
00:02:53Put down the camera, go on.
00:02:54But if we only record the birth, it's like starting a movie at the end.
00:02:57The child must be taught the entire process.
00:02:59Maternity fashion, those first kicks...
00:03:01What do you leave that?
00:03:02Bad temper.
00:03:04This is then beautiful to see.
00:03:06Hello.
00:03:07Oh?
00:03:07Did you forget to call me?
00:03:09Hey?
00:03:09Thank goodness, I say, you reminded me that you had the ultrasound today.
00:03:12Ah, what was it today?
00:03:13Well, I almost forgot.
00:03:14Mauri, run, grab the camera here and we're leaving.
00:03:16Wait, my wife will be with you, she's very excited.
00:03:18I am the father, I have to go to these things.
00:03:20No man, no, I'll go with her.
00:03:21Furthermore, they only allow two people into the office.
00:03:23And you're going to have to wait outside?
00:03:25Sure, we stay here watching the bikes, a game or something.
00:03:28Well, nothing, I'll tell you later.
00:03:29Oh, let's see if I have time to show you a store that has some really cute things for the little girl.
00:03:34If we don't know the sex.
00:03:36Is it going to be a girl?
00:03:37When I mentioned stores, you got a kick in the butt, right?
00:03:40Right?
00:03:47Look, you want, I told you that our relationship is over.
00:03:49I am not anyone's lover.
00:03:50This is a cheap soap opera.
00:03:52Wait a moment, I forgot my coat.
00:03:54No, but it's not cold either, let's go.
00:03:58Listen to me, Alba is going to be late for a dentists' conference.
00:04:00He's going to be out for two days.
00:04:01We can be together.
00:04:02No, Diego, I don't think so.
00:04:04Two whole days?
00:04:05Of course, in a romantic way.
00:04:06What do we do?
00:04:06Are we going on a trip somewhere, to a rural house?
00:04:09No, I see it as a bit risky.
00:04:10Ah, it's true that we are outlaws, no one can see us.
00:04:12No, I had thought about staying here, watching some movies, ordering something to eat, in short, getting to know each other better.
00:04:18Adventure tourism.
00:04:19Can we go down to the video store or is that also too risky?
00:04:21No, I'd better bring the movies myself, so we don't leave our names behind.
00:04:23Oh, how nice, I feel like James Bond, I'm not at all gay.
00:04:26Do you like it?
00:04:27I have the pack.
00:04:29If you want, we can turn it on.
00:04:31Emilio, I really appreciate what you're doing for me, but I'm a little embarrassed, man, he's going to get pissed off.
00:04:35No, no, no, but Belén is very nice, you'll see.
00:04:39Nativity scene?
00:04:41Oh, where were you?
00:04:42How long did it take you?
00:04:43I don't know what happened to me today, I'm feeling a bit shaky.
00:04:45Belén, I'm coming with someone.
00:04:46Power, let me know first.
00:04:49If you haven't left me.
00:04:51How are you?
00:04:52Well, let's study a little, right?
00:04:54No, no, it's just that Arantxa has had a problem with her parents and since we have Alicia's room empty,
00:04:59Well, I told him he could come until the girl found something.
00:05:02Ah, but if you don't like the idea, I understand and I'll leave and nothing happens.
00:05:05No, no, no, no, calm down.
00:05:07Come, I'll show you the room and you'll see how beautiful it is.
00:05:10And it's only a few days.
00:05:12Come in, come in, here it is.
00:05:14Come on, go to that suitcase action.
00:05:16Okay, thanks.
00:05:17You're welcome, woman, it's a sin to have this room empty.
00:05:22Amergio!
00:05:22How could you bring it into my house?
00:05:24But what was I going to do?
00:05:25I found her crying, the poor thing doesn't understand her parents.
00:05:27It's not clear that he gets along much better with you.
00:05:29What's wrong with you? Are you jealous?
00:05:30Me, please, how could I be jealous of that kid?
00:05:32Well, that's it then.
00:05:33Don't make a scene with me now just because I have a little bit of human charity.
00:05:36Mirio, you have to warn us about these things.
00:05:39Excuse me, sheets for the bed?
00:05:41Yes, yes, yes, I'm coming.
00:05:45A few days, huh?
00:05:46Yes, but don't get your hopes up because we're not going to have a threesome, okay?
00:05:49Hey, weren't you a big fan of Villa?
00:05:52Man, now.
00:05:56Can?
00:05:57Of course, damn it, I called you.
00:06:01Juan?
00:06:01I want you to personally take care of something very important.
00:06:06Whatever you say, Gustavo, I think I'm perfectly qualified to take on the role of head of studies.
00:06:11No, I need you to watch Joselito for me this weekend.
00:06:15I'm going with my wife on a bridge.
00:06:17I bet there's a long weekend this weekend.
00:06:18For me yes, I am the director.
00:06:20Will you be able to take care of it for me?
00:06:22It is an endemic Caribbean species.
00:06:23It has great value to my wife.
00:06:25Of course.
00:06:26Hey, what I was saying about the head of studies, I said without any...
00:06:29Juanito, calm down.
00:06:32You're in my blue notebook.
00:06:36Mr. Director, hello, Juan.
00:06:38Hello.
00:06:39A boy who has cut his head open on a mini-basketball hoop.
00:06:42Of course, they are getting taller.
00:06:44Moments coordinated with a bit of a video game.
00:06:46Take him to the emergency room.
00:06:49Hey, but the basket is fine, right?
00:06:50Uh, yeah, yeah, yeah, yeah.
00:06:56Well, what do we do with Maribel?
00:06:59Do you have it in hand?
00:07:00I'll see, let's see, it's just that I don't like having relationships at work.
00:07:03Are you stupid?
00:07:05Haven't you seen her ass?
00:07:06Yes, yes, yes.
00:07:07Next week I'm sending you on a field trip to the zoo.
00:07:09Where the dolphins are.
00:07:11There is a perfect dark tunnel.
00:07:12While you're having fun, you can keep an eye on the kids through the aquarium.
00:07:16Well, I'll take care of Joselito and we'll see about the other one.
00:07:19Come on, I'll pick it up on Sunday.
00:07:23Juan, we are the best.
00:07:27Yeah.
00:07:34Well, if that's not enough, we'll call and have a drink, right?
00:07:37Yes, come on, see you later.
00:07:42It was good, huh?
00:07:44Come on, it wasn't bad.
00:07:47She was so ugly.
00:07:48Man, you'll have your audience, but come on.
00:07:51Roberto, are you okay?
00:07:53Well no, no, I'm not okay.
00:07:55I'm very tense.
00:07:56I've been separated from Lucía for almost two months. I'm not used to being there for so long without...
00:07:59But that's made up, man.
00:08:00Sure, damn, a straw and you're good as new.
00:08:02No, that's for losers.
00:08:03Masturbate, be a loser.
00:08:05Well, that's how we've overcome a lot of crises.
00:08:06According to surveys, nine out of ten men masturbate.
00:08:09And the one who says no, too.
00:08:11Sexologists say it is very healthy.
00:08:12Of course, man, that already belongs to Dr. Folklore.
00:08:14It's very Spanish.
00:08:15What's happening?
00:08:15Well, Emilio, although you will do little of that, right?
00:08:19They've already told us that you have Arancha at home, that you're living with two women.
00:08:23Invite us to Toré, won't you?
00:08:24Look, some respect, Arancha is a classmate who I'm doing a favor for, period.
00:08:27Come on, Emilio, don't tell me that if she gets in your way you won't...
00:08:30Of course not, you're sick people.
00:08:32If she is a baby, she is 20 years old.
00:08:33There, there, without cellulite, with things in their place.
00:08:36It's morbid, huh?
00:08:36It's morbid.
00:08:38Watch out, Arancha doesn't even touch it, eh?
00:08:39You've all been warned.
00:08:43The four of them.
00:08:44Well, man, well.
00:08:45As if he were his father.
00:08:47Fuck.
00:08:47We're doing something wrong, huh?
00:08:48Emilio is surrounded by women and we are plunged into misery.
00:08:51Damn, I really want to go to college.
00:08:53It can be whenever you want.
00:08:54If you want to sneak into a class, they don't control that.
00:08:56Hey, we could go for a walk tomorrow and see if we can get our act together.
00:09:00I'm in.
00:09:00But you are not a legion son.
00:09:02I run a justification.
00:09:03Damn, I'm going to skip school.
00:09:05What a strange thing.
00:09:07Guys, the faculty doesn't wait.
00:09:10Of course, a child.
00:09:11If it was sung.
00:09:12My geniuses are very powerful.
00:09:13Today is the happiest day of my life.
00:09:15Yes of course.
00:09:15To celebrate, you kick me out of the house.
00:09:16Woman, it's only two days.
00:09:17What do you care?
00:09:21Plus, with Belén you're going to be a queen.
00:09:23But didn't you say you weren't going to see him again?
00:09:24But the kid is hooked.
00:09:25You have to go little by little.
00:09:26Oh, right.
00:09:26The best way to get him off the hook is to spend two days with him.
00:09:30Hello, Belén.
00:09:30Look, a relative came to my house and we thought that Bea could stay here with you,
00:09:33in Alice's room.
00:09:34I'm sorry.
00:09:36The Belén hostel is full.
00:09:38Emilio has brought a little friend from class with him, and I've discussed it with the parents.
00:09:40Look, you're a goalkeeper.
00:09:41How do you like to drag everything out?
00:09:42And you're an asshole.
00:09:46We'd better go here in front.
00:09:48No, no, no, no, Lucia.
00:09:49No, I'm too embarrassed.
00:09:50But why?
00:09:51If you don't have a boyfriend.
00:09:52He is also living with Alicia, two girls together.
00:09:54It's the Lesbia Hotel in Paradise.
00:09:56Lucia, do you have room for a less fortunate cousin?
00:09:58A relative is coming to my house.
00:09:59Yes, a relative of yours.
00:10:00Mauri is going to spend two days with your brother.
00:10:02Yes, Alba is going to a dentists' conference.
00:10:05No, no, I don't want to know anything, okay?
00:10:06Don't involve me in this story.
00:10:07You are playing with someone else's feelings.
00:10:09That's what I said.
00:10:10Also my brother may be very lost, but he's not gay.
00:10:12Hey, hey, hey, wait a minute, wait a minute.
00:10:13Your brother is a lost gay.
00:10:14Oh well.
00:10:15Okay.
00:10:15Come on, come in, have a coffee and then you can get me to hang out for a while.
00:10:18Bye bye.
00:10:20But I have to talk to my brother, okay?
00:10:22And how are the three of us going to organize ourselves?
00:10:25Good question.
00:10:28Man, Isabel.
00:10:30How are you, Juan?
00:10:31Well, bad.
00:10:33But how do you think of fixing it with Andrés?
00:10:35If that's not going anywhere anymore.
00:10:36What's wrong with us?
00:10:37But it was you who wanted to leave him.
00:10:39Well, I am a politician.
00:10:40One day I say one thing, another day I say another.
00:10:41I want us to go back.
00:10:42Hey, look, don't drive me crazy, okay?
00:10:44I'm now rebuilding my life with Andrés.
00:10:47And I redo it and that's it.
00:10:48Well, I warn you that I can also rebuild my life.
00:10:50Next week I'm going on a field trip to the zoo.
00:10:53Man, I don't know if you're into that kind of thing.
00:10:55With a teacher from school.
00:10:58How handsome you are when you get jealous.
00:11:01Hey, I'll show you.
00:11:03There is a man at the door taking photographs.
00:11:04I'll bring it to you.
00:11:09Natalia, help me hang up the clothes.
00:11:13I won't repeat it to you.
00:11:15Let's see if it's true.
00:11:16Since you don't study or do anything, at least help out at home.
00:11:18This is not a five-star hotel.
00:11:20Yes, we had already noticed.
00:11:22May this help you.
00:11:23Your brother is studying.
00:11:24But there is a magazine inside the notebook.
00:11:26Ah, what dirty tricks?
00:11:28Well, Natalia in Fuenjirola got involved with the hammock hippie.
00:11:32Family, I have good news.
00:11:34This is neither a family nor anything.
00:11:36Aren't you going to try to bring a bird into the house?
00:11:38Dad, you need a girlfriend, now.
00:11:40Wait, I'm going to explain it to you.
00:11:41No, these bugs carry diseases and mites.
00:11:43And they are also slobs.
00:11:44Look at the cage.
00:11:45The director left it with me to take care of.
00:11:47It is a Caribbean species.
00:11:48It's the Rolex of birds.
00:11:50It's clear he wants to test me.
00:11:52Of course, it's a new American technique for selecting top executives.
00:11:56Okay, I'm in your blue notebook.
00:11:58I am the future head of studies.
00:12:00Juan, calm down.
00:12:01This bird is going to be the king of the house.
00:12:03I'm going to take it out to the patio so it doesn't get dirty.
00:12:05His name is Joselito.
00:12:07You have to give this to the piste and change the water twice a day.
00:12:09Ah, well it's not very difficult.
00:12:10Natalia can do it.
00:12:18That guy is dead.
00:12:19He does very strange things.
00:12:20Look how they drag their feet.
00:12:21It can't be a zombie.
00:12:22It's not a horror movie, it's a thriller.
00:12:24But if they do that to mislead, don't be a fool.
00:12:26I, the end of the sixth sense, I lead the second scene.
00:12:29Everyone saw, oh, oh, and I was saying, bah.
00:12:31Will you shut up already?
00:12:32The films are heavy to be understood.
00:12:34No commentator needed.
00:12:35The colloquium at the end, like Garci.
00:12:37I find it funnier to comment.
00:12:39How awful.
00:12:39No, and don't hold the controller with that hand.
00:12:42Fuck.
00:12:43It saves you.
00:12:46Yeah?
00:12:47Hello, honey.
00:12:48How was the hotel?
00:12:50No, I'm fine.
00:12:51Here, of faggot.
00:12:52Well, a salad and a yogurt.
00:12:56And you?
00:12:57Or was it delicious?
00:12:58What a nice conversation between a couple.
00:13:01I came to talk to my brother.
00:13:03Well, here I am, at home, watching her...
00:13:05No, I haven't answered your landline because I'm at Lucía's right now.
00:13:09Yeah.
00:13:10Look, I'll pass it to you, I want to say hello.
00:13:12Please don't involve me in this, and don't involve me in this.
00:13:15Alba, how are you?
00:13:17Yes, here we are.
00:13:18Yes, since he was alone, I invited him to dinner.
00:13:21A salad and a yogurt.
00:13:22A salad and a yogurt, yes.
00:13:24Don't worry, okay?
00:13:26I'll take care of him.
00:13:27Kisses.
00:13:28Last time, huh?
00:13:29The last time.
00:13:30And if you're so sure you're gay, tell your wife.
00:13:32Listen to your sister.
00:13:33But I don't think you're gay.
00:13:34Don't pay any attention to him.
00:13:35It won't be like when you bought the guitar, huh?
00:13:37That you got tired after a month.
00:13:38What are you comparing me to?
00:13:38With a guitar?
00:13:39Sorry, Mauri, but this is a private conversation.
00:13:41Yes, but you're having it in my house.
00:13:43Okay, Lucia, calm down, okay?
00:13:44The one who doesn't have to find out anything is Alba, because I know what I'm doing.
00:13:47When they clarify this for me, which I will clarify, then I'll come out of the closet.
00:13:50Through the main door, the one with the coats.
00:13:51Well, look, you two do whatever you want.
00:13:53All I can tell you is...
00:13:54Let's not get you involved in this.
00:13:55That.
00:13:55What a romantic plan, huh?
00:13:59A call from your wife, an anger from your sister...
00:14:02Come on, put on the movie.
00:14:03Why don't we go out and get something to drink?
00:14:04This is looking like house arrest.
00:14:07You won't have any tequila.
00:14:09Because I make some awesome margaritas.
00:14:11Hey, let's make it three.
00:14:13Hello, ma'am, how are you?
00:14:15Here.
00:14:16That?
00:14:16Have you met up to watch football?
00:14:18Yes, yes, we're here watching the big game.
00:14:20How strange, because there isn't any today.
00:14:21Marisa, you shouldn't smoke so much.
00:14:23Haven't you read what it says on the package?
00:14:24Yes, but this only causes problems during pregnancy.
00:14:27I can smoke in peace.
00:14:32Hey, I can't see that way.
00:14:35This lady looked at us strangely.
00:14:37I think he suspects something.
00:14:38No, man, if they don't get into anything anymore, they're too old.
00:14:40Dum dum! Open the wall!
00:14:46No, you have your feed, I'm not going to give you anything.
00:14:48The vet says that fever raises cholesterol.
00:14:50Wow! You've already ruined my dinner!
00:14:52Girls, something is brewing on the other side of the ropes.
00:14:56Lucía's brother is at Mauri's house.
00:14:58AND?
00:14:58Man, they are alone.
00:15:00AND?
00:15:00Damn, association of ideas.
00:15:02Two men together, one of them with a gay background.
00:15:05Mauri has changed sides again.
00:15:06That boy is always crossing the street.
00:15:08In the end they're going to run him over.
00:15:10And the other one is pregnant.
00:15:12If it's true...
00:15:13Radiopatio in action.
00:15:15We have to find out what's going on in there.
00:15:17But how are we going to find out?
00:15:19Mauri doesn't trust us anymore.
00:15:20We lack technology.
00:15:22The other day I saw a spy shop.
00:15:24How is your liquidity?
00:15:25I'm going to get my bag.
00:15:27But wait, let me finish dinner.
00:15:31Vibe?
00:15:31No, I'm done.
00:15:33Come on, come on!
00:15:34Dad, why do you have to stay here?
00:15:45Are there no residences for canaries?
00:15:46With patience, son.
00:15:47It's already falling out of nothing.
00:15:48If I don't finish eight hours, I won't perform in class.
00:15:50Tomorrow I'm staying home.
00:15:56There's no one who studies here, huh?
00:15:58Really...
00:16:00During the Middle Ages, pedagogy was assimilated into a catechism under the influence of scholasticism.
00:16:07And the methods of education were based on the transmission of faith and the bird with the eggs that do not shut up.
00:16:14But where the hell did it come from?
00:16:16I think it's snow.
00:16:17Of course, since she's a spinster, she feels lonely.
00:16:20Well, let him buy a turtle.
00:16:21I'll find her a boyfriend, for God's sake, who won't torture us.
00:16:24But whose bird is that?
00:16:26About snow, it just doesn't keep quiet.
00:16:28Man, please, there are people who work here.
00:16:29You don't mean that for yourself.
00:16:31Does anyone have a gun license?
00:16:32Madam, please don't talk nonsense.
00:16:34Hey, you're a vet, now you give them a pill so they don't suffer.
00:16:37All right, members of the senate, go to bed, because Mondays are yours.
00:16:42Whose the hell is that bird?
00:16:44Of snows.
00:16:46Let's see.
00:16:47I don't know what kind of pathology that animal has.
00:16:49I imagine he'll eventually fall silent.
00:16:51But what kind of bird is that that sings at night?
00:16:54It will be a tuno bird, maybe it will pass us the tambourine later.
00:16:56It's a Caribbean species, it's still jet-lagged.
00:16:59It's seven in the evening there.
00:17:00That is, he puts a circular in our mailbox so that we don't make any noise.
00:17:02And now he puts that bug in the yard and he's messing with us or something.
00:17:05In the mailbox.
00:17:06Emilio, I told you by hand.
00:17:07This girl always looks so cute.
00:17:09Go away, Mr. Cuesta.
00:17:11Go away.
00:17:12Juan, who was sleeping.
00:17:14What do these people want?
00:17:15That's exactly what you're sleeping for.
00:17:16It's that at night birds are covered with a cloth so they can sleep.
00:17:20That's cruel, like Guantanamo.
00:17:22What's up? I like it when he sings. I fall asleep right away if it's very relaxing.
00:17:26Yes, pure chilao.
00:17:27I ask you to have a little patience.
00:17:29José Lito is going through a period of acclimatization to his new environment.
00:17:32Juan, don't give explanations, they are also annoying.
00:17:35And we, although we keep quiet, José Lito is like family.
00:17:38And if you don't like it, you can buy earplugs at the pharmacy, they have two for one.
00:17:41That bird has to go to heaven and not by its own means.
00:17:47Well, let's not get ahead of ourselves. Maybe they have a habit of singing a little before going to sleep.
00:17:52Yes, you are praying the little bird of my life.
00:17:54Does anyone know where there is an on-call pharmacy?
00:18:03Rambo, where are you going? To jump the Charles camp?
00:18:06No, I'm going to have breakfast.
00:18:07Where is the juicer?
00:18:08In the cupboard above.
00:18:11Well, I drink milk, which is also good for me.
00:18:13But you can tell what you're doing.
00:18:15What are you doing? Don't talk to me here?
00:18:16The neighbors are going to see you and think we spent the night together.
00:18:18No one's watching. Will you stop acting like an idiot?
00:18:20Well, close the blinds.
00:18:22What are we? Vampires?
00:18:23Diego, you're not prepared to lead a double life, much less with me.
00:18:26Look at you there, crouching with the milk. You look cool.
00:18:29There is no eye contact here anymore.
00:18:32Look, there's no way to enjoy a relationship like this.
00:18:34Why don't you go home? Okay?
00:18:36We'll meet somewhere else.
00:18:38I borrow Bush's nuclear shelter.
00:18:40Since Clinton left, they don't use it at all.
00:18:42Okay, I'm a little tense.
00:18:44But I'm not used to this.
00:18:45Yes, I do. I break up marriages every day. It's what gives meaning to my life.
00:18:49But why don't you explain to your wife what's happening to you? Otherwise, it's your fault.
00:18:52Okay, I tell him. Look, I'm with Mauri.
00:18:54I have discovered that I like men.
00:18:56We've had four wonderful months of marriage together, but now we're just friends.
00:19:00Perfect. Here.
00:19:02No, Mauri, I don't know if I want to leave my wife, they're...
00:19:05Different loves.
00:19:06Different loves?
00:19:07Ah, very good.
00:19:11Look, I'd better do a cross-breed, okay?
00:19:13Let's relax.
00:19:15We have a very long day ahead of us, both of us here at home, happy and content.
00:19:19Well, I promise I'm going to relax, okay?
00:19:21I'm going to take a shower.
00:19:23Come on.
00:19:28Well, at least you're doing gymnastics.
00:19:30Oh my God, I can't be any sleepier.
00:19:35How do you let poor beauty sleep on the couch?
00:19:37Aunt, who is pregnant.
00:19:38Well, it's already her, she's cut off.
00:19:40He hit on me and I turned him down.
00:19:42Oh, that's true.
00:19:44But she's pretending, she's not a lesbian.
00:19:46If I were a lesbian, I would have come for you.
00:19:47But hey, what do you care?
00:19:49But if you don't like women.
00:19:51Well, what that has to do with is a question of self-love.
00:19:53I'll check it out.
00:19:54Alicia, Alicia, Alicia, leave her alone.
00:19:58Good morning.
00:19:59Do you want some hostadas?
00:20:00Well, if you prepare them for me.
00:20:02Hey, Marisa, really, I haven't slept either and I'm going to work.
00:20:06Daughter, I'm already very old.
00:20:08Yes, and you're older when it matters to you.
00:20:10Hey, Bea has given me the green light.
00:20:12Bea has given you the all-clear?
00:20:15No way, Bea is a veterinarian, but she's not a doctor.
00:20:18Well, but there are common subjects.
00:20:20Come on, come on.
00:20:21Come on, you have more stories, stay home.
00:20:24A kiss.
00:20:25You're a mental slut.
00:20:27I haven't slept at all either and I have a casting.
00:20:30How do you see me?
00:20:31I?
00:20:32You look gorgeous, Alicia.
00:20:33Beautiful, as always.
00:20:34Come on, let's go, we're late.
00:20:36Bye.
00:20:37Come on.
00:20:41And do you know why I look so pretty?
00:20:43Because I took your hydro-energizing gel and it took me ten seconds.
00:20:46Alicia, you shouldn't buy such expensive creams.
00:20:48Yes, it's yours.
00:20:49Was it? Why do you have to tell me about your salary?
00:20:51Careful, man, don't step on me there, you're freshly scrubbed.
00:20:55Oh, oh, oh, Emilio, I'm sorry.
00:20:56No, no, no, no, you can step on it, I want to ask you a favor.
00:20:59Of course, what am I here for, huh? What am I here for?
00:21:02Well, to make everyone happy.
00:21:03That's nice.
00:21:04Look, Arantxa, my classmate, has been kicked out of her parents' house and needs a job to earn a few bucks.
00:21:09Because if not, you won't be able to leave here.
00:21:10Is she living with you? And how is Belén?
00:21:13Pretty damn, thanks.
00:21:14So if you could hook her up as a waitress or something, I'd be...
00:21:16Of course, it suits me very well, because Marisa has deserted.
00:21:19Tell him it starts at two today, okay? Don't forget, at two.
00:21:22Thank you so much.
00:21:23Yes, I've always said that deep down, apart from being pretty, you were a very good person.
00:21:26Emilio, you don't have to suck up to me.
00:21:28Sorry, it's the custom.
00:21:33Emilio, I've had an idea to get rid of the bird.
00:21:37Come, come.
00:21:37But where did you get that from, from the teleshopping?
00:21:39What a shame.
00:21:46We fell asleep in the butcher shop.
00:21:49Last night, since I couldn't sleep, I watched the movie To Kill a Mockingbird.
00:21:53But no birds came out.
00:21:55But why do they give it that title?
00:21:57Would they kill him in the trailer?
00:21:58Calm down.
00:21:59That bird is going to have a shorter musical career than those from the last edition of Operación Triunfo.
00:22:05Look, lethal injection, motherfucker, snips crystals, leaves no trace.
00:22:11Do you want to kill him?
00:22:12No.
00:22:12If we throw this to Joselito in the water, he falls asleep.
00:22:16Then we released it into the wild.
00:22:18Oh ok.
00:22:19Yes indeed.
00:22:20But we'll have to go into the chuca's house.
00:22:22And when has that ever been a problem?
00:22:25Now that was life, kid.
00:22:26The courses are very short, they should last 10 years.
00:22:29Well, now is not much to write home about.
00:22:31What are you saying, man?
00:22:32If this is better than the video store.
00:22:33The girls here are real, you don't have to look at the covers.
00:22:36And why do you bring your backpack?
00:22:37Hello.
00:22:38Wow, to hide it, we have to look like students, right?
00:22:41But you're not going to go into class, it's a song.
00:22:43No, no way, I'd better stay out and then you can tell me.
00:22:45It's okay, we'll sit in the back.
00:22:48Hey, how are you?
00:22:49Are you going there?
00:22:52You'll see the swing I'm going to buy you.
00:22:55Two-seater, in case you ever get a girlfriend.
00:22:59Look how handsome he is.
00:23:04Today I didn't even have to turn on the radio of the company that keeps me company.
00:23:08We have damp on the bathroom ceiling.
00:23:10Ma'am, I didn't make up the fact that I just put silicone everywhere.
00:23:13You're calling us liars!
00:23:15Come on, let's see it.
00:23:16Let's go and see it, we've already seen it.
00:23:18We are looking for the origin.
00:23:20You must have left a tap running with menopause, your memory fails.
00:23:23I am not menopausal.
00:23:24I didn't want to admit it until last year.
00:23:26Telling it helps a lot.
00:23:27What is it?
00:23:29Here drip.
00:23:30Lady, don't touch me...
00:23:31But what are you doing, herbs?
00:23:33Give it air.
00:23:34Let's see if he catches a cold and doesn't sing.
00:23:36Man, he looks so fast, but this is better.
00:23:40Oops!
00:23:41But you're going to kill him.
00:23:42No, the baby does want to.
00:23:44That's suicide.
00:23:44Fuck, what are you doing?
00:23:48But what's going on here?
00:23:49Further to the right, further to the right.
00:23:50No, you've gone too far, tidy up a bit.
00:23:52Stay still, you're making me nervous.
00:23:54But if you don't know, have you never fished ducks at the fair?
00:23:57But what do you do?
00:23:58Doña Marisa, open the cage for the bird so it can leave, Belén is very clumsy.
00:24:02Yeah, yeah, yeah, I got it.
00:24:04Clever, you're clever.
00:24:05Leave it to me, leave it to me.
00:24:07No, leave the beer to me, ma'am.
00:24:08What are you going to throw away?
00:24:09That the water is going to fall.
00:24:10No, leave it to me, damn it.
00:24:12But what are you doing?
00:24:15Nothing, this countertop is granite, right?
00:24:19It's conmelo, damn.
00:24:21I have to do some renovations.
00:24:23Little bear!
00:24:26Oh, what a cake!
00:24:27Hey, my blouse!
00:24:29Shit!
00:24:29It's bitten!
00:24:31Look, the rechechos are thrown into the river, like the factories do.
00:24:35And don't eat the plants, damn it.
00:24:36This is Zilman's two-factor model of emotion.
00:24:43The beauty of studying teaching is that you can then help future generations.
00:24:47to find a better world, you know?
00:24:49Why did you choose this career?
00:24:51Why didn't you give me the note to do something else?
00:24:53Me neither.
00:24:54The motor response.
00:24:56Let's see, please, those in the background.
00:24:57What is this important thing you are dealing with?
00:24:59Maybe the rest of us can contribute something.
00:25:01It's that now, you're right.
00:25:02Nothing, we were here with our colleagues, evaluating a concept from your intervention.
00:25:07Which?
00:25:08One.
00:25:09But let's go, in general terms we totally agree with you.
00:25:12I don't remember seeing you much in class.
00:25:14We've been a bit addicted to mus at the cafeteria, but we're giving up now.
00:25:19And what are you doing here?
00:25:20I am a child prodigy.
00:25:24Here the people live! No! Here the people live!
00:25:27Has he escaped?
00:25:29Hierbas, it was you. First you dumped my sister-in-law, and now Joselito.
00:25:32No, it's not like that.
00:25:34Emilia tried to fish him with her rod and they tried to poison him.
00:25:39We wanted to put him to sleep so we could take him to the mountain.
00:25:41That cage was badly placed there. Tragedy was imminent.
00:25:44Nieves, that bird is better off free.
00:25:47Well, the tone of his singing was very much like a protest song.
00:25:50No, it is not better in the wild because it is a domestic species.
00:25:54If you let it go, it doesn't last two days.
00:25:56I mean, maybe a cat eats it or it gets hit by a car.
00:25:58Well, Silvestre Apiolín made his life miserable and he always survived.
00:26:01Look, birds have their resources too.
00:26:03Murderers! I'll save this one for you.
00:26:05I'm going to report you all.
00:26:08Whatever you want, but tonight we sleep peacefully.
00:26:12Well, I've seen this gonsai, who's paying me for it?
00:26:14Maybe he slips and drowns in a fountain.
00:26:17Or it could crash into a glass.
00:26:19Some are very clean.
00:26:22It has happened to me.
00:26:23I believe it.
00:26:27They've kicked us out, man.
00:26:28Now it turns out they have security.
00:26:30But how do you even think of sneaking into a class?
00:26:32You didn't say you were my friends, did you?
00:26:33Damn, man, that's a bad thing about university, huh?
00:26:35It's the same as school.
00:26:37Five hours sitting there taking notes like crazy.
00:26:39Of course, what did you think?
00:26:40So when I turn 18 I'm going to have to spend another five years like this.
00:26:44Come on, man, I'm not studying anymore, no way.
00:26:45This is a time.
00:26:46Do you see it?
00:26:47You've already depressed my child.
00:26:49So, that is...
00:26:50Well, we tried.
00:26:52The important thing is not to lose hope.
00:26:54The truth is that Emilio has good taste.
00:26:56Arancha is the prettiest girl in the entire faculty.
00:26:58Well, that's how we have it at hand.
00:26:59You just have to wait for a moment when Papa Emilio isn't paying attention.
00:27:02Emilio!
00:27:03Emilio!
00:27:04Uncle, Lucia called me, she starts this afternoon.
00:27:07Thanks a lot, man.
00:27:08You're awesome.
00:27:10You're welcome, I'll copy the exams for you.
00:27:11Okay, I'll tell you how it went later.
00:27:13Yeah.
00:27:13Hello.
00:27:14Hello.
00:27:14Hello.
00:27:14Have you heard?
00:27:16Are you going to work at Lucía's restaurant?
00:27:19Well, I've been told that the food is good.
00:27:21Hey!
00:27:21Pablo.
00:27:22But you, what are you doing here?
00:27:23You weren't in Poland looking for your father.
00:27:25What's up?
00:27:25I lost it in Poland.
00:27:26I've been in Paris for a week.
00:27:27This is Monique.
00:27:28Hello.
00:27:29Hello.
00:27:30But where did you get the money?
00:27:31Mom, who feels guilty and is putting money into my account.
00:27:33Advantages of being an illegitimate child.
00:27:35Bring me some summer clothes, we're going to Fuerteventura.
00:27:37You don't know the Canary Islands, do you, Monchegui?
00:27:39What the fuck?
00:27:40We'll be waiting for you there, having a drink.
00:27:41What the fuck?
00:27:42What the fuck?
00:27:43What the fuck?
00:27:45Of course, it is possible to get it abroad.
00:27:47I'm telling you.
00:27:48Neither Magellan, nor Columbus, nor anyone.
00:27:50The only pioneer this country has ever had was Alfredo Landa.
00:27:52How did he sweep the Swedes?
00:27:53And with the Germans!
00:27:55Ladies, welcome to the home of the spy.
00:28:02Below I will explain what our benefits are.
00:28:05We have all kinds of devices designed by and for your safety.
00:28:08Transmitters, microphones, multi-band, multi-camera, miniature cameras,
00:28:10frequency jammers, code breakers, spy glasses,
00:28:12scanner, walkies, GPS, we hide cameras in all kinds of objects,
00:28:15mobile phones, buttons, pens, peepholes, cigarette packs,
00:28:17pet collars.
00:28:18We are constantly observed by the government, companies,
00:28:20supermarkets, public transport, by secret services around the world.
00:28:22CECI, CIA, FBI, KGB, MI6, Mossad,
00:28:25How do they observe us?
00:28:26Any questions?
00:28:28Glad to hear it.
00:28:32Do you see this?
00:28:34It's a camera.
00:28:37And this?
00:28:39A microphone.
00:28:40And this is another camera?
00:28:42That's my food, ma'am.
00:28:44But it could be.
00:28:46We are looking for something simpler.
00:28:49To gossip a little about the neighbor without breaking the constitution.
00:28:52And do you have lost bird detectors?
00:28:54No, I need three basic characteristics of the subject to be investigated.
00:28:57He is a journalist, gay and expecting a child.
00:29:00Look at that.
00:29:01Perfect.
00:29:02Teddy bear, one, high-resolution color camera, two, omnidirectional microphone,
00:29:06three, radio frequency transmission, four, flattery battery and five,
00:29:08hypo energetic and seventy violent rings.
00:29:09Price, 540 euros.
00:29:11What do we do?
00:29:12We took it.
00:29:14You won't regret it.
00:29:15I'm going to put it in a bag.
00:29:17I've never been so excited to give a gift.
00:29:20We can't give it to him.
00:29:21If we have to go to work at the restaurant.
00:29:23I don't.
00:29:24I have taken sick leave.
00:29:25I am self-employed.
00:29:26I go when I want.
00:29:27I am the cook.
00:29:28I can't miss it.
00:29:29I'm going to miss it.
00:29:30Ah, it feels like it.
00:29:33But how come you don't want to continue studying?
00:29:35So that?
00:29:35If you don't come to college.
00:29:36Other.
00:29:37You see, I was right.
00:29:38José Miguel, the Cuestas don't leave their academic record half-finished.
00:29:41You go back to school on Monday.
00:29:43And let this be the last time you ever think of falsifying a receipt.
00:29:45I'm not going to continue studying, dad.
00:29:47I'm going to ask Lucía to work at the restaurant.
00:29:49Don't talk nonsense.
00:29:50How are you going to start working at 12 years old?
00:29:51But you know how to do something.
00:29:53Ready, go to college before you.
00:29:55And you see?
00:29:55Are you hearing him?
00:29:56A poor canary who hadn't harmed anyone.
00:29:59I haven't seen so much evil since Falcon Cres.
00:30:02Leave the bird thing alone.
00:30:03This is more important.
00:30:04Suddenly my son lets go of me...
00:30:05Damn, the director's bird.
00:30:07I had already forgotten.
00:30:09He's going to fire me.
00:30:09Juan, calm down.
00:30:10If these birds barely fly, they won't be far away.
00:30:13Have the child draw a composite portrait and we'll post it around the neighborhood.
00:30:16At 48 years old and on the street.
00:30:18I am a student of the Computer Academy and of a distance English course.
00:30:22Dad, if I find Joselito, will you let me go out this weekend without a schedule?
00:30:25Whatever you want.
00:30:26Well, turn around then.
00:30:30Oh, my boy!
00:30:31He's back home!
00:30:32How clever he is!
00:30:33Run, Juan!
00:30:34Close the window!
00:30:34Close!
00:30:36Well, one less problem.
00:30:39Let's see what I do now with José Miguel.
00:30:40You leave him.
00:30:41If the posh girl gives him work, let him work.
00:30:43This is how you'll realize how hard life is.
00:30:45That he is very spoiled.
00:30:47You'll see that he'll soon want to go back to school.
00:30:49Dad, I'll take you at your word.
00:30:50This night is without time.
00:30:51Natalia, don't manipulate, okay?
00:30:54Why will we have children?
00:30:56Are you asking me?
00:30:57Go on.
00:30:58Take the bird and put it in the cage.
00:31:00Catch the bird.
00:31:02Look for it now.
00:31:02Let's see, can the air conditioning blades everywhere kill you?
00:31:09Focus, Vicenta.
00:31:10If you fry the onion first, it will be tastier later.
00:31:13Come on, cut the zucchini into smaller pieces for me.
00:31:16But we can't hire José Miguel, this is child exploitation.
00:31:19That's the advantage, you don't have to hire him.
00:31:22Besides, Vicenta needs a kitchen assistant, right?
00:31:23And who's going to go into a kitchen and look?
00:31:257 wants the check.
00:31:27The 12, a Catalan cream and a turrol ice cream.
00:31:29Are you ready?
00:31:29Should I give it a little bit of this one from the 3?
00:31:30Yes, this is it.
00:31:31Thanks, I'll take it.
00:31:32Carlos, the account of 7.
00:31:33I'm going, I'm going.
00:31:34This girl is a machine.
00:31:36Yeah, but leave her alone, okay?
00:31:37That has to last us.
00:31:38You focus on what you need to focus on.
00:31:40Oh!
00:31:40But not this, right, Carlos?
00:31:42Hey, don't provoke me.
00:31:44Hey, Lucia, could you give me an advance?
00:31:46It's just that I have a lot of expenses.
00:31:48Of course, man.
00:31:49What am I here for, huh?
00:31:50What am I here for?
00:31:51Yes, yes.
00:31:52To make everyone happy?
00:31:53How much do you want?
00:31:54But it's not dedicated to me, it's dedicated to me, it's dedicated to me, it's dedicated to me, it's dedicated to me, it's dedicated to me everything.
00:31:58But look at her, she's going like a rocket.
00:32:02Ginseng or something.
00:32:03I don't know, it's very clear what the girl wants.
00:32:05You get rid of your boyfriend and me get rid of my job.
00:32:07Well, both things apply to you, but I'm not calm.
00:32:10Damn, what prices.
00:32:11Do you guys order pasta?
00:32:13If I told you it was awful, I'd be throwing glue at you.
00:32:15Hello good.
00:32:16Do you already know what you're going to have?
00:32:17Well yes.
00:32:19You're going to bring us a bottle of still mineral water and bread and butter for everyone.
00:32:24Okay.
00:32:24For now, if we're still hungry, we'll order more things from you.
00:32:27Man, Roberto, you finally deigned to visit us, huh?
00:32:31What is the reason for so much honor?
00:32:32Well, I had a space in my schedule and I said, let's see what Lucía feeds us at her restaurant.
00:32:37This is very nice, isn't it?
00:32:38Thank you so much.
00:32:39Well, you're welcome to whatever you ordered.
00:32:42Come on, don't fuck with me.
00:32:44Water and bread with butter, which I took advantage of.
00:32:47Thank you.
00:32:48Did you come here to eat or to flirt with the waitress?
00:32:51A little bit of everything.
00:32:53Girls, the 4th has finished by the second.
00:32:55We have to get this over with, right now.
00:32:57What if we tell Carlos to attack him?
00:32:59That she's crazy about him.
00:33:00But that's very cruel, isn't it?
00:33:02Yeah.
00:33:03But it is an emergency.
00:33:04It's about getting him out of here fast.
00:33:05What can you know?
00:33:06What are you doing here chatting?
00:33:07Come on.
00:33:07Hey, Carlos, the new girl asked us about you.
00:33:10Oh yeah?
00:33:11Yes, you had a girlfriend and all that.
00:33:13Are you dating someone?
00:33:15No, not right now.
00:33:16The truth is that I had already noticed something.
00:33:18But I didn't want to intimidate her.
00:33:19After all, I'm his boss.
00:33:21Well, and yours.
00:33:22Intimidate, intimidate, nothing will happen.
00:33:24Okay.
00:33:24Arantxa, have they asked you for any other accounts?
00:33:28Damn, I'm starting to feel sorry for the poor thing.
00:33:30H7.
00:33:33Water.
00:33:34It can't be, it's impossible.
00:33:36Where the hell is your aircraft carrier?
00:33:37Let me see.
00:33:37Look, he's not a cheater.
00:33:40Are you waiting for someone?
00:33:40Who am I going to wait for?
00:33:45They are the ones in front.
00:33:46I'm going to the bedroom.
00:33:48Mauri!
00:33:48Yeah!
00:33:52Hello, how are you? How's life going?
00:33:53So far so good.
00:33:54And how are you?
00:33:55We have brought you this little gift for the child.
00:33:57But there are still three months left until he is born.
00:33:59We got a bingo yesterday and said, 'We'll get it over with.'
00:34:03The nice thing is to put it in the living room, on a high shelf, without things in front of it.
00:34:08Thank you very much, I didn't expect this kind of detail from you.
00:34:10What? Are you alone?
00:34:12Yes, why?
00:34:12Like Lucía's brother and you, you've become such good friends by greeting him.
00:34:18Bye bye.
00:34:21What do you mean by saying we've become such good friends?
00:34:24Those ladies know everything, they're out there lurking.
00:34:26I don't know, but when you're given away something bad.
00:34:28Well, I'm leaving before they see me.
00:34:30Come on, as soon as it gets dark, I'm jumping off the balcony.
00:34:32But how are you going to leave now that we were starting to have a good time?
00:34:34Mauri, I'm risking my marriage.
00:34:36And what about our relationship?
00:34:37Why can't I hear it?
00:34:39Concha, you plugged it in wrong.
00:34:40Turn up the volume.
00:34:41Yes, it's packed.
00:34:43But what kind of neighbors do you have?
00:34:45These people are scary, they are from the maruja jihad.
00:34:47I told you we were going on a trip somewhere.
00:34:48Did I tell you or not?
00:34:50Damn, how dizzy.
00:34:52And it feels like a trip on the Inserso bus.
00:34:54But leave the stuffed animal somewhere.
00:34:57What does it matter what those ladies imagine?
00:34:59They have no proof, they don't even know your wife.
00:35:01Yes, they know her.
00:35:02They saw her at the restaurant opening.
00:35:04Well, look, if you want to leave, leave.
00:35:05But really, Diego, I don't understand you.
00:35:15Have you caught anything?
00:35:16Because I haven't found out anything.
00:35:18We spent 600 euros to see a rabbit's ass.
00:35:22Oh, what the fuck, yeah.
00:35:24Well, thanks for bringing me, but it wasn't necessary.
00:35:35Especially because the restaurant is 50 meters away.
00:35:37Well, but I imagined you'd be tired after so much work.
00:35:40Well, see you tomorrow.
00:35:42By the way, I don't have a girlfriend.
00:35:44Ah, well I'm sorry.
00:35:46No, as Alicia and Belén had told me, you had asked for me.
00:35:49Oh yeah?
00:35:49Well, I shouldn't reveal my sources, but...
00:35:52But come on, Arantxa, if you have feelings for me...
00:35:54I don't want you to suffer.
00:35:56I know I can sometimes seem a little unapproachable, but I'm at your complete disposal.
00:36:00Well, if you like, we'll meet tomorrow.
00:36:02Clear.
00:36:03Come on, see you tomorrow.
00:36:05See if you can close it softly.
00:36:09Is...
00:36:09His plumage is already getting shiny.
00:36:15I think it's the TV he likes.
00:36:17Where will José Miguel be?
00:36:19Let's see if something happened to him.
00:36:20Yes, he went out for drinks with his colleagues.
00:36:23He'll be exhausted.
00:36:24He must have fallen asleep at a table.
00:36:25Tomorrow he's going to beg us on his knees to go back to school.
00:36:29Hey!
00:36:29My first paycheck!
00:36:30And in black, not like you, who have to pay taxes.
00:36:33Have some drinks, in case you haven't had dinner.
00:36:35You give this money to your father to manage.
00:36:37Sure, sure.
00:36:38Hey, Dad, if you become unemployed, I can support the family.
00:36:42José Miguel, you are not of working age.
00:36:44You are not part of the working population of this country.
00:36:46I strictly forbid you from ever working at that restaurant again.
00:36:49Dad, don't talk to me about work after hours, really, let me disconnect.
00:36:53With this I have enough for two games.
00:36:54You see?
00:36:55I won't have to cry to the Three Wise Men anymore.
00:36:57Very unhappy, you can't see him.
00:36:58That kid can't keep working, man.
00:37:00It's an aberration.
00:37:01Don't worry, Juan, I'll fix this with one phone call.
00:37:04And in the process, we're closing down the posh girl's business, which is making many neighbors happy.
00:37:08He hasn't formally invited us to dinner yet.
00:37:10Well, that's it.
00:37:11Let's see what this one cooks.
00:37:14I can't stop thinking about poor Joselito.
00:37:16Maybe he'll suffocate in a traffic jam.
00:37:18These are very bad dates.
00:37:20Vicenta, please.
00:37:21It's like you dropped me in the middle of the Amazon.
00:37:23Well, the crocodiles would commit suicide.
00:37:25Will you shut up now?
00:37:27I'm going to have nightmares about the bird.
00:37:31You see?
00:37:32I'm hearing it and I'm not asleep.
00:37:36Joselito!
00:37:37But where is it?
00:37:39I don't see it.
00:37:40Maybe he's dead and his spirit is coming for us.
00:37:42He has it there next to the sink.
00:37:44But those who had seven lives were not the cats.
00:37:46Maybe it's a mutation, like ultragenic birdseed already exists.
00:37:50They gave me a brochure about that.
00:37:52But I didn't understand anything.
00:37:53Isabel, throw a clamp at him and see if you can hit him.
00:37:56Oh, I can't kill animals.
00:37:57What do you mean no?
00:37:58And dove what?
00:37:59And here we go.
00:37:59That's like Kennedy.
00:38:01We will never know the truth.
00:38:02Well, but we'll have to do something, right?
00:38:04Emergency meeting at Mauri's house.
00:38:06No, not in my house.
00:38:07If they want to hold a meeting, they win theirs.
00:38:09It's just that we don't have anyone hidden.
00:38:10Neither do I.
00:38:12Yeah, yeah!
00:38:19Look, I've always wanted to be at a pajama party.
00:38:22Isabel, that's not funny.
00:38:24I know, I'm just really sleepy.
00:38:26And why did you call me?
00:38:27If I was already sleeping.
00:38:29Here we are supportive.
00:38:30Either we all sleep or no one sleeps.
00:38:33We all have the right to a decent dream.
00:38:35The Constitution says so somewhere.
00:38:37It's been two sleepless nights now.
00:38:39But look at those dark circles.
00:38:40Maybe Mauri's are for something else.
00:38:42Sir, will you leave me alone?
00:38:44Let's see, a little please.
00:38:45Let's let the president speak.
00:38:48Oh no, it's not there.
00:38:50We have to kill that bird without making them suspect us.
00:38:53That's complicated.
00:38:55That little animal also has the right to live.
00:38:57If you don't like it, you put up with it.
00:38:58What are you going to do?
00:38:59Kidnap him?
00:39:02It's true, a kidnapping.
00:39:03It's perfect.
00:39:04No, no, no, no.
00:39:05It's a mistake.
00:39:05I said it without thinking.
00:39:06That's why you got it right.
00:39:07Of course, Emilio will give us the keys.
00:39:09We went in and took Joselito with us.
00:39:11Be careful, Mr. Juan's keys are sacred, eh?
00:39:13And besides, if we steal them from their house,
00:39:15Doña Nieves is going to suspect us.
00:39:16On the street it would be too much of a coincidence if she were mugged.
00:39:21Sure, a cage pull.
00:39:23It's a good idea.
00:39:24Of course, my sister is a genius.
00:39:26No, that plan is not valid.
00:39:27You want to kill him.
00:39:29Joselito is suffering.
00:39:30Don't you see you're behind bars?
00:39:31If he could, he would hang himself with the swing rope.
00:39:33The plan is this.
00:39:34When Nieves goes out on the street with the bird,
00:39:36that one of us covers his face and steals it.
00:39:39Be careful, robbing a bad girl can be dangerous, eh?
00:39:41Let's see who's going to do it.
00:39:41You?
00:39:42The bird doesn't bother you that much either.
00:39:44It gives the patio a Caribbean touch.
00:39:45Well, now that we have found albaquilla,
00:39:47I'm going to sleep.
00:39:48Well, what are you doing?
00:39:49Hey, a minor detail.
00:39:51Come on, Joselito is not a poodle.
00:39:52There's no need to walk him.
00:39:53How are you going to get Nieves to get him out of the house?
00:39:55Look, aren't you a veterinarian?
00:39:56Yeah.
00:39:57I see that bird has a bad face.
00:40:04But hey, Marisa, aren't you coming to work again?
00:40:06Yes, I haven't slept at all.
00:40:08I am very weak.
00:40:09I don't even feel like smoking.
00:40:10I'm warning you, I already have a new waitress, okay?
00:40:12Well, when I get back you just throw it away and that's it.
00:40:15Okay, bye.
00:40:17But hey, Mariano, what are you doing here?
00:40:19Well, here we are, having breakfast and enjoying the Cibeles catwalk.
00:40:22Hey, this girl has some cute stuff, huh?
00:40:24Look, this shirt looks good with my skirt.
00:40:26Man, it's not good clothes because it's drunk.
00:40:28But the hippie kingoh has his point, right?
00:40:30This one is too big for me.
00:40:31Look, that one goes with the cap.
00:40:33Hey, are you trying on Arancha's clothes?
00:40:35You are pathetic.
00:40:36It's okay, he's in class.
00:40:37Look.
00:40:38This jacket suits you a lot.
00:40:40Well, look, look.
00:40:41Well, how is it, huh?
00:40:44How are you?
00:40:45Is there anything you like?
00:40:46Because he quickly set up a flea market.
00:40:47No, I was going to put on a washing machine.
00:40:49and I was checking to see if he had any dirty clothes.
00:40:52Didn't you have to be in college?
00:40:53Yes, but I'm meeting Carlos to go for a walk.
00:40:56He's an amazing guy.
00:40:58Intelligent, handsome, sensitive, with a sense of humor.
00:41:00And on top of that, he has money.
00:41:02Do you like it?
00:41:02I do like it.
00:41:04I believe...
00:41:05I think I've found the man of my life.
00:41:07I'm warning you, he's a jerk, huh?
00:41:08Alicia and I also hit on each other.
00:41:10Well, maybe that's why he liked it so much.
00:41:12Well, take care of it.
00:41:13See you later.
00:41:14See you later.
00:41:15Hey, well, in the end it's going to be true.
00:41:17that there is always a broken one for every sewn one.
00:41:19Joludo!
00:41:19Now he's even happy.
00:41:20We can't get rid of this one in our lives.
00:41:22But how am I going to imagine?
00:41:23that someone can hang themselves for Carlos?
00:41:25If I don't know, I don't tell him anything.
00:41:26But hey, what's going on?
00:41:27Did you organize it?
00:41:29Well, you deserve it for being bad people.
00:41:31Well, she's not getting away with it, is she?
00:41:32I lift her boyfriend.
00:41:33Well, you don't like Carlos.
00:41:35Well, but I sacrifice myself for you
00:41:37so that you can call me selfish later.
00:41:38Damn, what you learn by listening to women.
00:41:41You tell him that the bird is very bad,
00:41:43on the verge of death.
00:41:44But if it's absurd, he won't believe it.
00:41:46Yes, you'll see.
00:41:46And people still trust doctors.
00:41:48I am a veterinarian.
00:41:49It's the same, you wear a white coat.
00:41:51And if you don't rest well,
00:41:53the child will turn out to be smaller.
00:41:56Come on, Vega.
00:41:58What are you going to do with the bird next?
00:41:59It should be returned to its natural habitat,
00:42:02to the Caribbean.
00:42:03Then I'll take it.
00:42:05What do you want?
00:42:06Sorry to bother you.
00:42:08I heard your bird.
00:42:09And go on with the complaints, report me.
00:42:10It's all the same to me.
00:42:11No, it's that I'm a veterinarian.
00:42:13and I noticed his singing was a little choppy.
00:42:15Also, the flapping is hesitant.
00:42:17As if the uppertail coverts
00:42:19were stiff.
00:42:21It could be the beginning of arthritis.
00:42:23I bought him a swing and he doesn't enjoy it.
00:42:25He quickly gets tired and falls.
00:42:26That's because all the fringillid passerines
00:42:28They are very sensitive to thermal changes.
00:42:30And since it's gotten cooler these days...
00:42:32And what if I give him Clamoxil?
00:42:33No, it's better if you bring it to me at the clinic.
00:42:35and so I give him a complete check-up.
00:42:37But give me a neighbor's price, right?
00:42:38Yes of course.
00:42:39Free.
00:42:39Bring it to me at two, I have a gap.
00:42:42Oh, my Joselito.
00:42:43It's good that he's sick and doesn't complain!
00:42:46It's just that it's very good.
00:42:55No matter how much I look at it, I can't find any flaws.
00:42:57I think we should start thinking about talking to her.
00:42:58Yes, Leagues without talking is only within reach of a few.
00:43:01A scholarship or any other loose change.
00:43:02One try each.
00:43:03Whoever screws up gets a turn.
00:43:04I'll start.
00:43:04Because?
00:43:05That is drawn.
00:43:06What's up, guys?
00:43:06The usual menu?
00:43:07Still water and bread and butter?
00:43:09No, you're not going to bring any more olives today either.
00:43:12Oh, that's not going to be much.
00:43:13Arantxa, I was thinking that maybe when you finish...
00:43:16Honey, keep doing your work and I'll be with you.
00:43:20I regret to inform our customers that Arantxa is not on the menu.
00:43:23If you require anything else, we will be happy to assist you.
00:43:25Are you dating her?
00:43:27That's how it is.
00:43:28A shot of aniseed to celebrate.
00:43:30Invite to the house.
00:43:30So according to sexologists, masturbating is good.
00:43:37Yes, yes, it is proven.
00:43:39My God, of my life and of my heart.
00:43:41Ah, Lucia, I'm so happy.
00:43:44You've done more for my self-esteem than seven years of therapy.
00:43:47This restaurant is the best investment of my entire life.
00:43:49But we are losing money.
00:43:51And what does it matter?
00:43:52Money doesn't bring happiness, even if it puts it in your egg.
00:43:54I see you are very stressed.
00:43:56Go on, go home.
00:43:56Take the day off.
00:43:57Come on.
00:43:58Sure?
00:43:58Yes, let the charcoal call?
00:43:59Yeah.
00:44:01You go home, relax, take a bath with salts.
00:44:05What happens that day in my parents' jacuzzi?
00:44:07Yeah.
00:44:07We put the mirror in front of you and...
00:44:10With your skin, with the foam and oils that began to...
00:44:16Gentle.
00:44:17Please go away.
00:44:18Yes, I'd better go.
00:44:19Go away.
00:44:24Don't complicate things, just take out this knife.
00:44:27May he give you everything he carries.
00:44:28You grab the bird and run away.
00:44:30But you don't need a knife either, right?
00:44:31If I already impose.
00:44:32Shh!
00:44:33Is that where it comes from?
00:44:33Run to the corner.
00:44:34Well, what do I say to him?
00:44:35Nieves, raise your hand, give me that bird.
00:44:36No, Nieves, no.
00:44:38You're not supposed to know her.
00:44:40And you, change your voice.
00:44:41Yes, you are attacked because I am Mari Carmen and her doll.
00:44:43Since we're going to take Joselito away, I could keep him.
00:44:46If we dry it first, there is no problem.
00:44:49And you didn't have to go to work?
00:44:50No, I have also become self-employed.
00:44:53Let's see, what do I say?
00:44:55Give it all to me.
00:44:56No, no, no, that sounds very pornographic.
00:44:58Don't shout.
00:44:58Do what I tell you and no one will leave the nest.
00:45:01Not at all, it's very long.
00:45:02Let's see, you.
00:45:03Give me the money.
00:45:04Wow, that's a good one.
00:45:05Give me the money, damn it.
00:45:06But what am I going to give you now?
00:45:07If I'm one of you, it's on my street.
00:45:09Ah, that's right, you see.
00:45:10For good and whatever you want.
00:45:12Emilio, what are you doing here?
00:45:14This guy won't be stealing your money.
00:45:16Come on, ma'am.
00:45:16Let's see, you too.
00:45:17The bag was ripped.
00:45:18That one is no less good.
00:45:19I'm not going to give you shit.
00:45:20Moved, moved.
00:45:24Hold the street for me.
00:45:25Fuck, I can't see, I can't see.
00:45:26I don't see, I say, it's making you lukewarm.
00:45:28Ah, what's happened to me...
00:45:29Come here, come here.
00:45:30You can't walk down the street in peace anymore.
00:45:33Go on, go on there, go on there.
00:45:34This way, this way, go there.
00:45:36Keep it there.
00:45:36Go there, go there.
00:45:38You calm down, come on.
00:45:39Take it, asshole.
00:45:43José Miguel, where is Vicenta?
00:45:44Leave her, I'm better off alone.
00:45:45She hasn't let me investigate.
00:45:47Neither do I.
00:45:48Stick to the letter.
00:45:48Hey, man, people want new flavors.
00:45:51Goats, can we talk for a moment?
00:45:52No, no, Alice, there are no raises.
00:45:54The business is just starting and now it can't be...
00:45:55But everything can be talked about.
00:46:00I am like a shoemaker, I am open to dialogue.
00:46:03Oh, I've been wanting to do this for months.
00:46:05And now that you're my son, it makes me feel really horny.
00:46:07That's very good.
00:46:08Morbidity is never too much.
00:46:10Hey, please, we're working.
00:46:11You do your thing.
00:46:12The problem is that now Arantxa has fallen in love with me.
00:46:17Ah, well I don't think I'll share you with anyone.
00:46:19Either her or me.
00:46:20Ugh, I have to think about it very carefully.
00:46:23Look, the thing is, I'm looking for a long-term relationship, and she's 20, you're 30, and there's no difference.
00:46:28Yes, 10 years of experience in bed.
00:46:31I'm going to break up with her.
00:46:32Arantxa, I need to talk to you for a moment.
00:46:38Yeah.
00:46:39You see, I don't know how to tell you what I have to tell you.
00:46:43Well, try it, darling, this is heavy.
00:46:46Alicia has fallen in love with me too.
00:46:48She's a mature woman who fits my future vision, and although it's very painful for me, it wouldn't be ethical to date both of them at the same time.
00:46:54No.
00:46:54But you are very young and you are going to have many opportunities in life.
00:46:57I don't want this to get you down and make you do something crazy, please.
00:47:01Oh, no, no, no, no. Don't worry about me. If I'm so happy for you, well, for both of us, I'm sure you'll be very happy together. You'll see.
00:47:11What a nice girl, she's worth a fortune. How does she internalize pain?
00:47:21Bea! Bea! Alma!
00:47:25What are you doing here? Didn't you have a dental conference?
00:47:28Yeah.
00:47:28Was it that boring?
00:47:29No, it's just that I came back early. I spoke to my assistant, who arrives home at eight in the morning, and she told me that Diego didn't spend the night there.
00:47:36He hasn't slept at home for two days and he told me yes.
00:47:40Why are you lying to me?
00:47:41Well, I don't know.
00:47:42Let's go to your house and talk.
00:47:43No!
00:47:44Yes, yes, but we're going to the third one because I'm living with your sister-in-law. I had an argument with Mauri.
00:47:50All men cause problems. It certainly doesn't surprise me that there are more and more lesbians.
00:47:54Me neither.
00:47:58But how come they robbed Joselito? Who did it?
00:48:00I'd forget about him, huh? Those are organized gangs. They'll probably have sold their organs by now.
00:48:04Of course, while I was getting mad at one of them, the other one came up behind me and this idiot didn't see him.
00:48:08Mr. Juan, but the important thing is that your sister saved my life and that's nice.
00:48:11Tell that to my boss, who's coming to pick up Joselito this afternoon.
00:48:14How to pick it up? But it's not yours.
00:48:15What's up? I was taking care of him.
00:48:17He's going to kick me out. Or worse, he's going to send me to watch the dining room.
00:48:21You don't know how good those kids are with meatballs.
00:48:23Juan, don't give up. We'll fight the hardships.
00:48:26And besides, a miracle could still happen, right? Well, I'm going to go home and pray.
00:48:32Let's see, please, it's an emergency.
00:48:39Where's the canary? It's not Mr. Juan's, it's your boss's. We're going to screw him.
00:48:42The ladies have it, they were going to take care of it.
00:48:44Oh, my goodness! Let's go down.
00:48:46What happens now?
00:48:50Lucia! We have a visitor!
00:48:52Diego hasn't been home for two days. Do you know anything?
00:48:55I?
00:48:55No, no, not me, no.
00:48:58Did you call the gym? Maybe he fell asleep in the sauna.
00:49:00Or it got lost in Ikea.
00:49:02Yeah.
00:49:02Or he's sleeping with someone else.
00:49:04No, no, no, no. My brother isn't one of those, no, no, no. He's a one-woman man.
00:49:10That's true, yes.
00:49:10But you told me he slept with all your friends from college.
00:49:14Well, yeah, but come on, that was another time. Now it's much more focused.
00:49:18Come on, it was marrying you and focusing.
00:49:20I admit it, I'm very jealous.
00:49:22But I say, he's so handsome that I constantly think he could be taken away from me.
00:49:27Oh, no, no, no, no, no, Alba, I think you're very nervous, huh?
00:49:31I'm going to make you a linden tea.
00:49:32Oh! I don't have any linden tea, I don't have any linden tea.
00:49:33So, I'm going to buy it and you guys can stay here and talk about girl stuff, about pregnant women.
00:49:38Ana, I'm back, goodbye.
00:49:45This morning I vomited.
00:49:47He's cheating on me with someone else.
00:49:48And my ankles are really swollen.
00:49:53Besides, I hardly have any maternity panties.
00:49:57Mauri doesn't know where we're going to put the cuckoo yet.
00:49:59And I can't stop eating, I'm carrying four kilos of dough, your friend told me off.
00:50:03Oh, I feel very bad.
00:50:10Damn, with my day off.
00:50:15Where's Joselito? Did they kill him?
00:50:17I didn't have time, Vicente has closed in on Concha's bedroom.
00:50:20And I have a transistor inside.
00:50:22I'm going to be left without a part.
00:50:23The part, this lady lives in Cuéntame.
00:50:26Mrs. Vicente, darling, open the door.
00:50:28I'm not going to let you kill Joselito.
00:50:30We're not going to hurt him, we're going to give him back to Juan.
00:50:33If the bug belongs to your boss, he'll come get it this afternoon.
00:50:36Lie!
00:50:37And now what do we do?
00:50:39It must be dismantled psychologically.
00:50:41Does anyone have a Bustamante record?
00:50:44He's going to sleep with her without knowing that his sister and mother are going to feel guilty.
00:50:47Because if he doesn't know, he'll kill himself before telling you.
00:50:49But didn't you say you didn't like to comment on the film?
00:50:51And I don't like it, but it's a point, right?
00:50:53They are already here to work.
00:50:55Mauri, I'm Lucia.
00:50:56Relax, she's your sister.
00:50:57No, no, look closely, let's see if they know how to fake their voices.
00:51:01I need to talk to my brother urgently.
00:51:03You're in, we're playing hide-and-seek.
00:51:05But hey, what are you doing there?
00:51:06He's obsessed with the idea that the ladies across the street are watching us.
00:51:09Oh, don't worry, don't worry about the neighbors.
00:51:11Right?
00:51:12Your wife is here.
00:51:13What are you saying?
00:51:14What are you saying?
00:51:14Well, that's it, she's upstairs with Bea and she found out that you haven't slept at home.
00:51:17Dude, if you're going to cheat on her, you'd better get it together.
00:51:19Should I call her?
00:51:20Of course, I've told him everything.
00:51:21You are stupid!
00:51:21Son of a bitch the assistant.
00:51:23If I wasn't supposed to listen to you, I should have left last night.
00:51:26You entertain her, she'll tell her that you've lost a filling or something like that.
00:51:28No, no, Maurita.
00:51:29I said you don't understand me on this.
00:51:30Well, that's it.
00:51:34What's happening?
00:51:36Mauri knows something, right?
00:51:37Hey?
00:51:37No, no, no, no, no, no, no, no, no.
00:51:39If I came to ask for the linden tea.
00:51:41And the little bag?
00:51:42Oh, silly, you left it inside.
00:51:44I'm going to look for her.
00:51:44No, no, no, leave it.
00:51:46Look, I think it's better if I go home, wait for him there, and when he gets back, he can explain it to me.
00:51:50Yes, yes, it's going to be the best.
00:51:52Yes, but you stay calm, okay?
00:51:54Alba, calm down.
00:51:55Well.
00:51:57Well.
00:51:57No, look, I'd better stay here with you because the house is going to fall on me all alone there.
00:52:02Sure, sure.
00:52:02Alba, come in, come in.
00:52:03Alba, come in, come in.
00:52:04Do you want something to drink?
00:52:05A small glass of water, please.
00:52:08Sparkling water, still water, hot water, room temperature water, cold water, water with ice, water with lemon.
00:52:13Normal, normal.
00:52:14It's normal that I have it.
00:52:16I'm going to step on them a little bit more, you bastard.
00:52:18Sorry, sir, I don't understand.
00:52:20But you don't know that it is a living being, that they feel and suffer.
00:52:23Now you stay there.
00:52:25No, no, listen.
00:52:26Listen.
00:52:28Please open up, it's an emergency.
00:52:30Open me.
00:52:31That's why I put them in the doctor's office, so that you can come later and step on them.
00:52:34Please, sir, open the door for me.
00:52:39Diego.
00:52:41Yeah.
00:52:42What are you doing there?
00:52:44I don't know.
00:52:47What am I doing here?
00:52:48Vicenta, we are telling you the truth.
00:52:51You just don't trust me.
00:52:52You told me you were going to leave your wife and you're still with her.
00:52:55How can I trust?
00:52:56This has no other port along the corridor.
00:52:58You told him what?
00:52:59This lady doesn't...
00:53:00Yes, I understand you.
00:53:01To make my sister shut up, you just say anything.
00:53:04Vicenta, one day you'll have to leave.
00:53:07You have nothing to eat.
00:53:09You are very wrong.
00:53:10I have here cookies, cold cuts, sliced bread and coffee, to stay awake.
00:53:14I called Greenpeace.
00:53:16They told me they might send a helicopter, because it's not right.
00:53:18Animals have no right to be treated like this.
00:53:21Anyway, that's the respect men have for each other.
00:53:24That's the reflection you have when you treat yourself badly.
00:53:26I got it now.
00:53:27And now what do we do?
00:53:28Should we leave it on the doormat and ring the doorbell like an abandoned child?
00:53:31Hey, can we ask for a ransom?
00:53:33Please try to be a good person for once.
00:53:35Which one is suffering?
00:53:36The chunga is loaded.
00:53:38Can we get a thousand euros out of you?
00:53:39Ah, then yes.
00:53:41Let's hide it in the goal, which is the closest thing to a hole.
00:53:44And doesn't all this seem a little miserable to you?
00:53:46No, no way.
00:53:47Ah, this is like the 0.7, redistribution of wealth.
00:53:51And we've been up for two sleepless nights?
00:53:53It's not a ransom, it's compensation for damages.
00:53:56Man, if it's for charity, okay.
00:53:58But I would ask for 1,500 in case there is haggling.
00:54:01And now you keep quiet, right?
00:54:03Then you are guilty.
00:54:05Well, what do you want me to say?
00:54:06Carlos told me to take care of you.
00:54:07Sorry, but Arancha is serving us.
00:54:09And you can't change waitresses in the middle of a meal because it would confuse the customer.
00:54:12Man, please, where have you seen that?
00:54:14What's happening?
00:54:14You like it, don't you?
00:54:16Well, I'll take off my clothes and serve you with just an apron.
00:54:18Ah, well, that's where things change.
00:54:19I want the complaint form.
00:54:21As?
00:54:21Bring me the complaint form right now?
00:54:23There goes the virgin.
00:54:25What are you going to complain about?
00:54:26What does the waitress not turn you on?
00:54:27Shut up, damn it, let's see if they invite us today too.
00:54:28Arancha.
00:54:29Arancha, aunt, I'm sorry, I already heard about Carlos and Alicia.
00:54:33You must be exhausted, aren't you?
00:54:34No, I would have to thank Alicia, she doesn't know what a favor she's done me.
00:54:37But didn't you say Carlos was wonderful?
00:54:39What's up?
00:54:40If you were super overwhelmed, it's incredibly uncomfortable to be harassed by your own boss.
00:54:43Besides, I like a different kind of man, more...
00:54:46simpler.
00:54:48How simpler?
00:54:49What do you mean?
00:54:52How poorly he hides.
00:54:54I have sunk her, she has suffered the humiliation of her life.
00:54:56No, no, it was a trap, Carlos didn't like it.
00:54:59What do you mean no?
00:55:00Alicia, I've already broken up with her.
00:55:02I'm all yours.
00:55:04If he was the man of her life.
00:55:05Sure, I think it's going to be yours.
00:55:07Good afternoon, gentlemen.
00:55:08A small table for two?
00:55:09Uh, no, thank you very much.
00:55:10This is a labor inspection.
00:55:13We received a call warning us that you employ minors.
00:55:17Ah, very good.
00:55:20Well, if you'll excuse me for a second.
00:55:26Let me see if I understand.
00:55:28You went out partying, you got drunk because you missed me so much, you came to Lucía's house to sleep over because you didn't want to take the car, but you fell, hit your head on the railing, and this morning you woke up in the courtyard with amnesia.
00:55:41Yes, some random images are coming to me now.
00:55:43I don't believe anything, you bastard!
00:55:45Are you going to tell me right now what happened here?
00:55:51Yeah.
00:55:52Lucía, Lucía, come running, we have a labor inspection.
00:55:55I'm going, I'm going.
00:55:58There's a problem at the restaurant, I have to go.
00:56:00Look, the first time someone tells me something like that, I'm happy.
00:56:03Diego, I can forgive you, but I can't stand one more lie.
00:56:06Okay, listen to me, Alba.
00:56:08There is another person.
00:56:11Oh my God!
00:56:12Here, drink some water.
00:56:13I don't want to drink water.
00:56:14Listen, I don't know how I could have done this to you, really, I don't understand what's happening to me, I couldn't...
00:56:18Look, this happens a lot more than it seems.
00:56:20Who is she? Do I know her?
00:56:22Yeah.
00:56:24It's Bea.
00:56:26What do you mean, is it Bea?
00:56:26Are you sleeping with his girlfriend?
00:56:28I say, for God's sake, she's pregnant.
00:56:29And you don't say anything.
00:56:31It's just that I've been left on the side.
00:56:32But come on, I don't give a damn about anything, okay?
00:56:34I was here with her and Mauri appeared and I just had enough time to jump out the window into the courtyard so she wouldn't see me.
00:56:39Look, very bitchy, she takes me up to Lucía's house to throw me off.
00:56:41No, wait a minute, don't sell yourself to Bea, the only one to blame for everything here is your husband, who tells you he loves you and then sleeps with someone else.
00:56:46Take me home.
00:56:49Mauri, I'm really, really sorry.
00:56:51Help out a little, man.
00:56:52Get out of here, I'm going to kick your butt.
00:56:53But, man, what are you up to?
00:56:55Of evil, the least.
00:56:56I think I can fix this.
00:56:56Hey, wait a minute, I saw this, who's paying me?
00:57:02The bit on the internet, it can't be found here.
00:57:04Don't be so cheeky, it's just a normal geranium.
00:57:06Here, a little gift, so you feel less alone at night.
00:57:09Well, I got something out of it.
00:57:14Luckily, Alba was going home to wait for Diego.
00:57:16I've convinced her by a hair, huh?
00:57:19What's the matter?
00:57:20Come here, I have to explain to you how bad you are.
00:57:26Damn, how long did it take you?
00:57:29Why are you leaving?
00:57:29But you told me so.
00:57:30And why do you listen to me?
00:57:31Carlos, please don't get hysterical.
00:57:33Let's see, where is the inspector?
00:57:34There are two of them, I have them entertained there, but not for much longer.
00:57:36Oh my God, do we have to get the kid out of the kitchen?
00:57:39That?
00:57:40Put it in the refrigerator.
00:57:41But how am I going to put it in the refrigerator?
00:57:42It's just a moment.
00:57:43Okay, fine, you two come in, come on.
00:57:47As you can see, there are multiple ways to fold a napkin.
00:57:50It's an exciting world.
00:57:52Please, could you bring us the workers' contracts?
00:57:55We want to see the facilities.
00:57:57Of course.
00:57:58That suit looks good on you.
00:58:00Which designer is it?
00:58:01It's not a brand.
00:58:02Ah, of course, that's the charm.
00:58:05But, but, but, but, but, José Miguel, for God's sake, is this paid for?
00:58:08The framing has gotten out of hand.
00:58:10You may know what you're up to, girl, but the one who should be angry is me,
00:58:13that you have taken my boyfriend away from me.
00:58:14What do you want? Shut up, we have an inspection.
00:58:17I don't work with this one here.
00:58:18And without me either, pretty.
00:58:20Hello!
00:58:21Hello!
00:58:22Fuck it, chicken or plum.
00:58:23Go on, bring it.
00:58:24But, but, but, please don't pick it up from the floor.
00:58:28Ah!
00:58:28Careful!
00:58:29Mommy, Barbie is messing up my hair!
00:58:31What did you say?
00:58:32Alice, no!
00:58:33Alice!
00:58:34Hey!
00:58:34Hey!
00:58:35Hey!
00:58:35Hey!
00:58:36Hey!
00:58:37Lucia, Lucia, Lucia, the inspectors wanted to see the facilities.
00:58:43This is the kitchen.
00:58:45Welcome to Eat and Shut Up.
00:58:47They are rehearsing.
00:58:48It's because at night we have a café theater show.
00:58:51The child is for here.
00:58:52Yes, he swallows dessert spoons.
00:58:54It's impressive.
00:58:55The trick is in the throat.
00:58:58Active and live!
00:58:59No!
00:59:00Active and live!
00:59:01Come on, cut me an R!
00:59:03This lady has gone bald again.
00:59:04Have you seen?
00:59:05She already looks like his daughter.
00:59:06It's because she's his daughter.
00:59:08Well, it's a mess.
00:59:10Let's see if he has the operation.
00:59:11Ladies, don't get distracted, we're in a hurry.
00:59:14Why do you have to screw the bird in my house?
00:59:16If when you can sing, they will catch you.
00:59:18What are you doing, children of crimes like the Gresli.
00:59:19He only fucks you at night.
00:59:20And I think that's dead.
00:59:22What do you mean he's dead?
00:59:23It just can't be.
00:59:24You look very pale to me.
00:59:25It's cold.
00:59:25It must have been stress, too many emotions.
00:59:28Let's see.
00:59:29You're not breathing.
00:59:30Time of death 16.05.
00:59:33You'll be happy, won't you?
00:59:35Let's see what poor Juan is going to say to his boss now.
00:59:37What's happening?
00:59:38We're not asking for a ransom anymore?
00:59:39But how are we going to ask for a ransom if he's stuck?
00:59:41Calm.
00:59:42We have time to think.
00:59:44Juanito's boss wasn't coming until the afternoon.
00:59:47Sorry.
00:59:47Do you know what Juan Cuesta's apartment is?
00:59:49Yes, the second A, but I think it's out.
00:59:51Thank you.
00:59:56I tell him it's not there, he goes up.
00:59:57This oral comprehension, little.
00:59:58And what are we going to do now?
00:59:59Don't worry, we're moving on to plan B.
01:00:01And what is plan B?
01:00:02I don't know, but we have to think of something quickly.
01:00:05And the bird?
01:00:07Here.
01:00:08In short, the only legal thing about this business is that they have a license.
01:00:12They're employing minors, retirees, no one has a contract, and they don't have a food handler's license...
01:00:18We have it hanging at home.
01:00:20We SMEs are in a very bad situation, we need help.
01:00:23You see, this is actually a secret project of the European Union.
01:00:29That's why you don't know anything.
01:00:30Yes, it's a pilot experience, multigenerational integration through gastronomy.
01:00:34Well, for now we're going to start by closing this site and then we'll consult with Brussels.
01:00:39Well, it's not that bad, is it?
01:00:41Do you want a shot?
01:00:42Nothing, it's impossible.
01:00:48If you don't stay still, there's no way.
01:00:49But don't be picky and it's the same as the other one.
01:00:51You won't notice the difference.
01:00:53There will never be another like Joselito.
01:00:54Yes, she's going to notice, she had a craving in her tail.
01:00:57Gustavo pays close attention to details.
01:00:58He was an art teacher.
01:01:01Man, Gustavo, what an honor.
01:01:03And how soon.
01:01:04My wife misses Joselito.
01:01:06She should have married him.
01:01:08Did it really bother you?
01:01:09What's more, we didn't even know he was there, did we?
01:01:12But sit down, do you want a coffee?
01:01:14No, no, thank you very much, I'm leaving.
01:01:16Juan, see if you hold the cage tight so the birds can be taken out into the yard.
01:01:19He was very upset by the accident and we gave him a sedative.
01:01:23And he fell asleep, asleep.
01:01:26This bird is dead.
01:01:28No, he is in REM sleep, deep sleep.
01:01:31No, this isn't yours.
01:01:32That has to be Lucía's, my upstairs neighbor, who has one just like it.
01:01:35If we even talked about crossing them, but they were two males, the probability was low.
01:01:39Well, since you already have one here, it's going to go with us.
01:01:43Juan, what's going on here?
01:01:44Which of the two is Joselito?
01:01:46Well, that's for you to decide among yourselves. I know you mistreated him.
01:01:49In any case, we share your feelings.
01:01:52Don't run away, cowards.
01:01:53They stand up for your president.
01:01:56It was you who stole it from me.
01:01:58Juan, tell me the truth.
01:02:00Is this it?
01:02:01Yes, it was this one.
01:02:06Come on, sing now, sing, you bastard.
01:02:10You know the nights he has made me spend.
01:02:13We get an idea.
01:02:14You can't imagine the favor you've done me.
01:02:19Honey, I have some bad news for you.
01:02:23Joselito has died.
01:02:27The bitch daughter is crying when my mother died and a single tear.
01:02:30Tell him we're very sorry.
01:02:32No, I don't know, I don't know.
01:02:34Now Juan will explain it to you.
01:02:36It has died to him.
01:02:38Yes, I want to convey my heartfelt condolences to you.
01:02:42We are all devastated.
01:02:44I'm leaving.
01:02:45You can give me back my phone tomorrow.
01:02:48Well, he was so happy singing on his new swing and suddenly...
01:02:52If you want, I can offer you one that I have that is very similar and that...
01:02:55And he just died right now too.
01:02:58In solidarity with his colleague.
01:03:00This has to be a virus.
01:03:01Yes, canary flu.
01:03:05Come on, turn on the TV.
01:03:07Maybe Maguri has moved the teddy bear and we can see something.
01:03:10Well yes, he has changed its location.
01:03:17Girls, welcome to the heart of Spain.
01:03:20But what is the little bear doing in the goal?
01:03:22I don't know, but in the end we're going to get the most out of it.
01:03:25We have Mariano Channel 24 hours a day.
01:03:27What are you doing now?
01:03:29He's going to get into bed.
01:03:30She is undressing.
01:03:32Marisa, turn that off right now.
01:03:34Damn, this is addictive.
01:03:37It's better than Big Brother.
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