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00:01:00Oh, move, move, I'm going to fall down!
00:01:04Hey, Emilio, if you don't feel like it, just tell me, okay?
00:01:06Wait, woman, let's see if it passes.
00:01:09Let's see.
00:01:10Where is?
00:01:12Is it here?
00:01:12Stay still, damn it, it hurts!
00:01:14Son, you're exaggerating, this is nothing!
00:01:16Oh!
00:01:17Oh, I want to go to sleep!
00:01:19We have to wait for geography, but this is clearly acute appendicitis.
00:01:22Oh, I'm leaving, Mr. Juan, I'm leaving and I'm not coming back!
00:01:25Calm down, Emilio, calm down, okay?
00:01:26Well, if they catch this too late, it ends in peritonitis that will send you to the grave.
00:01:30Oh, thank you so much for the encouragement, Mrs. Marisa, darling!
00:01:33You'll see the scar they leave you this big.
00:01:35Oh, Mr. Cuesta, if something happens to me, donate my body to science, because I was never able to go to university!
00:01:40Nothing is going to happen to you, nothing.
00:01:42Oh, do you remember the money you gave me to change the boiler valve?
00:01:46Well, I kept it and bought some tennis shoes.
00:01:48Oh, you couldn't get this on my conscience!
00:01:52Oh, wait, wait, wait, I'm coming with you!
00:01:56No, no, no, stay still there, you're going off a bit slowly.
00:01:58You were an idiot!
00:02:00Ungrateful!
00:02:01Good luck, Emilio! We'll come see you at the hospital.
00:02:04What are you growing up to, to the hospital?
00:02:05Hey, does this gentleman work here?
00:02:06No, no, he's a friend of the building.
00:02:09Well, I'm not going, I'm locking myself in the supermarket.
00:02:12Who knows what she was doing with Emilio in goal.
00:02:15If she gets pregnant, then let's see who gets him out of there.
00:02:17And how long are we going to be without a goalkeeper?
00:02:19Well, if they operate on you, the minimum is a week of rest.
00:02:23Go away, Mr. Cuesta! Go away!
00:02:26But he doesn't even know what happened!
00:02:28I don't care. Go away!
00:02:30Go inside your house, crazy woman!
00:02:32Hey, Juan, this is a classy property and we can't do without a doorman.
00:02:37Well, we call a temporary employment agency and have someone replace him.
00:02:40You'll see what they send us.
00:02:43Here, here, here there is no one who lives.
00:02:46Not here, not here.
00:02:47Every day is like this.
00:02:50I couldn't imagine it when I came here.
00:02:52I was just looking for something bad.
00:02:55So much every day gave me a hurricane.
00:02:57Here, here, here there is no one who lives.
00:02:59Not here, not here.
00:03:02Here, here, here there is no one who lives.
00:03:04Not here, not here.
00:03:06The house above me is collapsing.
00:03:08I can't find the goalkeeper.
00:03:10The neighbors watch me and listen to me.
00:03:13I can't stand it.
00:03:14In this place.
00:03:16I put it in a cocktail shaker.
00:03:19A thunder, an earthquake and a botan.
00:03:23Daddy, daddy ...
00:03:53Well, put on another one, if you're 40.
00:03:55No, but that one's more expensive. I'm going to the bank to sort out the credit.
00:03:59When the director is talking to me, I listen to him like this.
00:04:02The guy looks at the watch and it looks like I have money.
00:04:04You didn't put it in his things drawer, did you?
00:04:06No, no, no, look there, I have important papers.
00:04:11Well, yes. Yes. It does seem important.
00:04:15What strange covers are they putting on the Civil Code now, huh?
00:04:18Let me tell you, okay?
00:04:20Can you explain to me what this is?
00:04:21Well, it's an erotic magazine, yes.
00:04:24That you, by simple logical deduction, can assume is mine.
00:04:28But no, no. It's Armando's.
00:04:30Armando's.
00:04:30Yes, the neighbor upstairs, but I haven't even opened the door.
00:04:32He's asking me to keep them for him.
00:04:35Yeah.
00:04:35Because you already know what her mother is like, right?
00:04:37And there's also her daughter, who can be traumatized.
00:04:39So, Armando, a 40-year-old man, asks you to keep his porn magazines for him.
00:04:42Yeah, well, porn, porn, no, it's erotic.
00:04:45That is, you don't see any intercourse, penises, or anything.
00:04:47No, it's just that if penises were visible I would feel much more at ease.
00:04:49But no, no.
00:04:51Basically what you see are tits.
00:04:55It's a boob fest.
00:04:58And this one has stretch marks.
00:04:59Yes, my November is the weakest.
00:05:01Didn't you say you hadn't opened it?
00:05:02Well, I've skimmed it like you, but you have to understand Armando.
00:05:06He's divorced, he's alone, and besides, this is very Spanish.
00:05:09Come on.
00:05:10No, you better go, when I find the watch I'll take a taxi.
00:05:14Hey, but don't worry, okay?
00:05:15If it bothers you so much, I'll talk to him and tell him to keep it somewhere else.
00:05:18No, no, no, no.
00:05:20If I don't worry.
00:05:26Fuck.
00:05:27Good morning.
00:05:31Come on, a little please, man, it's freshly washed.
00:05:33No, sorry, okay?
00:05:34That we are without a goalkeeper.
00:05:35Let's see if we can all collaborate a little.
00:05:36But if we talk about it, it's because I'm late for work.
00:05:38What's up?
00:05:38That I don't work.
00:05:40Hey?
00:05:40That?
00:05:42But, Juan, for God's sake, what are you doing washing up?
00:05:44What are you the president?
00:05:45Because if I don't do it, nobody will, dove.
00:05:46Give me that.
00:05:47Have you seen any president mowing the lawn at Moncloa?
00:05:50Man, Felipe really liked bonsais.
00:05:53Damn, what a stink this is.
00:05:54Of course, we had agreed that a neighbor would take out the bins every day.
00:05:57I have a bad back.
00:05:58We've been without Emilio for two days and this is a disaster.
00:06:01And it seemed like he was doing nothing, huh?
00:06:02Good morning.
00:06:04I am Amador Carrion.
00:06:05He sends me to the agency.
00:06:06Ah, nice to meet you.
00:06:07Juan Cuesta, president of the community.
00:06:09Paloma Cuesta, president.
00:06:11Please release that immediately.
00:06:13Ah, sorry, sorry.
00:06:14Here are my references.
00:06:16I hope that this week you will be fully satisfied with my work.
00:06:20Well, where do I start?
00:06:21By myself.
00:06:22Marisa, for God's sake.
00:06:24Damn, it's really good.
00:06:31Paco, what's up, man?
00:06:34Have you seen, kid?
00:06:35What, have you gotten yourself another job?
00:06:37What is that businessman going to be?
00:06:38I bought the business from the boss.
00:06:40But how much did it cost you?
00:06:41Oh, it's not worth a dime.
00:06:42The thing is, now I have to pay the rent, so you're already renting movies from me.
00:06:46Hey, why don't you help me put up some boxes, huh?
00:06:48I have to go, my sister has left home and I have to get all her things out of my room.
00:06:53Hey...
00:06:53Hey, well your parents must be happy.
00:06:56Yes, if they are happy.
00:06:58Come on.
00:06:59See you later.
00:07:00Ah, see you later.
00:07:01Fuck Natalia.
00:07:03Honey, it's normal for Natalia to be angry.
00:07:06We would be just as wrong to throw that degenerate out as a cradle-hopper.
00:07:09Maybe she was in love.
00:07:11In love with a 38-year-old man?
00:07:13No, Juan, this girl is challenging us.
00:07:16Man, Mr. President and the First Lady.
00:07:19We want to talk to our daughter.
00:07:21Natalia, your parents.
00:07:23He's been away from home for three days.
00:07:24And it can't be a call or anything.
00:07:26The whole staircase has already heard about it.
00:07:27And this doesn't suit you at all as president.
00:07:29Yes, Paloma, this is going to end.
00:07:31I'm going to have to get serious about her.
00:07:33I'm his father and from this moment on, no more nonsense, man.
00:07:36That's true.
00:07:37What do you want?
00:07:38Daughter, come home for whatever you want.
00:07:39Dad, I'm not coming back.
00:07:40But what do you think?
00:07:41The coolest because you left home or what?
00:07:43Natalia, I remind you that you are a minor and that you are under our guardianship.
00:07:47And I remember that I turn 18 the day after tomorrow.
00:07:49Oh yeah?
00:07:50But we haven't bought anything from him.
00:07:52I don't care what you're going to accomplish.
00:07:54Just so you know, we're not going to give you a penny, okay?
00:07:55Let's see, what are you doing?
00:07:57Because look, the prince is already welcomed.
00:07:59Sorry, but he's already very comfortable here and has the right to live wherever he wants.
00:08:03But are we talking to you?
00:08:04Look, I'm sorry, but we have a lot to do.
00:08:07And you? Weren't you going to get serious?
00:08:09Yes, you haven't given me time.
00:08:10This one's coming home, huh?
00:08:11By fair means or foul, but come back!
00:08:15What a mess.
00:08:19She's thinner, right?
00:08:20She's thinner, she's thinner.
00:08:21I cut my hair and you didn't even notice.
00:08:24They're so annoying, they're not going to leave me alone.
00:08:26Don't worry, we've got your back and we're here for whatever you need.
00:08:29And if you need money, you tell me and we'll ask Belén for it.
00:08:33Hey, can I go with you to a casting?
00:08:35Let's see what happens.
00:08:37I don't see it, huh?
00:08:38You are very cute, very cute.
00:08:40But short and curvy, and now it's more fashionable for slimmer women, more of the 21st century.
00:08:45More like me.
00:08:47Besides, you wouldn't like it, it's a very competitive world.
00:08:49No, no, I see, I see.
00:08:51But if you want quick money, it's best to go to the burger with Belén.
00:08:55I see you there.
00:08:57Paloma, your little girl has left home.
00:09:00Your children can't even stand you anymore.
00:09:02It's better for them to leave at 17 than to stay at home at 40.
00:09:06If your daughter lives in my apartment, you have to pay me rent.
00:09:10Yes, wait there for a moment and I'll bring it to you right away.
00:09:14Concha, let's see if for once we can have a coexistence.
00:09:16Go away, Mr. Cuesta! Go away!
00:09:26Mom, leave me the keys to the storage room, I have to bring some things down.
00:09:29Where are you going with that, if it's Natalia's?
00:09:30Man, since he doesn't live here, I'll have to organize my room.
00:09:33What? What does that sound good like? My room.
00:09:36Go on, put all that back in its place right now, your sister is coming back.
00:09:39Mom, you're at a certain age. There's a time when daughters leave home, then fathers leave, and sons take over. It's a fact of life.
00:09:46I'll give you the law of life. Come on, go back to your room and study or whatever it is you do in there.
00:09:51Okay, but take it easy, okay?
00:09:54Paloma, maybe the boy is right. Whether we like it or not, the girl is already of age.
00:09:59He still has two days left. Besides, I don't care about that. What's he going to do without money? Without anyone to cook for him, wash his clothes, or iron his clothes?
00:10:07Well, go home, that's where you belong. Mothers aren't valued, right? And that really hurts me.
00:10:13And I don't cry over makeup.
00:10:15Well, then what do we do?
00:10:17Well, a proper lockdown. And in two days, your daughter comes back with her tail between her legs.
00:10:22That's what the Americans thought of Fidel Castro, and look at him. I'm not a fan of the girl not having any money...
00:10:27Juan, you're very smart, that's why you're the president. But who's always right here?
00:10:32You.
00:10:33Well, that's it.
00:10:37I'm going, I'm going, I'm going, I'm going.
00:10:40Damn, how are you feeling this way? How bad do you feel, so lonely?
00:10:47Yeah.
00:10:48Hi, Gordi. It's me. How are you?
00:10:50No, no. How are you? When are you coming back?
00:10:53The day after tomorrow. We've rented a van to explore the twelfth layer.
00:10:57Ah, very well. Can you clarify that for me?
00:11:00No, I met a group of Spaniards here at the hotel. Hey, Türkiye is beautiful, huh?
00:11:05But it seems normal to you. You're driving me crazy, Lucía.
00:11:09Honey, it was something I really wanted to do. You have to understand.
00:11:11No, no, I understand. But then I think about it and I don't understand it anymore.
00:11:15Don't be so brazen. I'll be there in two days.
00:11:17Oh, I love you so much!
00:11:18Yes. I love you too. I hope you don't forget that.
00:11:24How's Willy Fogg doing? When's he coming back?
00:11:26I'm supposed to be through tomorrow.
00:11:28Well, start packing this up now because you won't have time.
00:11:31Damn, no one understands this. First, we live together, then we get married.
00:11:35And now that I get the idea, she's going on a trip alone.
00:11:37There you go, man. She was chatting with a Turkish guy and went to meet him.
00:11:41What are you saying?
00:11:42Yes, man, yes. I have a girlfriend in Gelsin named Manolis Iván de Rillero.
00:11:46I sent her a photo of Fran Rivera and she's freaking out.
00:11:51Man, if Lucia had a problem with me, I imagine she would have told me.
00:11:55Oh no, man. She left on her own. And just like that. That means something bad's going on.
00:12:06Good afternoon, Mauricio. I've got your email and Fernando's.
00:12:09And who are you?
00:12:10I'm Amador, the new doorman. From now on, I'll be delivering your mail personally.
00:12:15Ah, well thank you very much.
00:12:16You're welcome, it's my job. Oh, if you need anything, don't hesitate to let me know.
00:12:21Thank you very much, Amador. Thank you.
00:12:22Good afternoon.
00:12:28She's so squeaky. Look at that little butt she has.
00:12:31It's nothing out of this world either.
00:12:32You really don't like it?
00:12:33I just don't notice men anymore. Since my husband died, I've been dead from the waist down.
00:12:40Very pretty. Silly, but very pretty.
00:12:44Good afternoon.
00:12:45I'm going to take out the trash.
00:12:48Do you think you have a chance?
00:12:50I don't know what you're talking about.
00:12:52He likes me. He's even looked at my legs before.
00:12:56Excuse me, Vicenta, but what are you doing?
00:12:59Take out the trash?
00:13:00Oh, no, no, please. From now on, you leave the bags by your door, and I'll go floor by floor and collect them.
00:13:07Thank you so much.
00:13:08You're welcome. It's my job.
00:13:12Bye bye.
00:13:13Bye bye.
00:13:14Oh! How silly! How silly!
00:13:20What? Kill Harry? You've got him in the bag already?
00:13:23Arisa! You're so childish sometimes!
00:13:25I mean, all I have to do is come down to your house and say, hey, I'm here to get my magazine.
00:13:36Exactly. It seems silly, right? Well, it's important. I'll give it to you, and then you go.
00:13:41Hey, what's the magazine about? Cars?
00:13:44What does this one want?
00:13:45Good evening, Mrs. Concha.
00:13:46It's not time yet. And you come inside, you haven't finished your dinner.
00:13:51Well, then...
00:13:52What next?
00:13:53Then nothing, Mom. Come on.
00:14:06Come on, thank you.
00:14:08Arranged.
00:14:09Tomorrow you start working at the burger joint. Welcome to the wonderful world of cholesterol.
00:14:13Hey, how do they pay?
00:14:14Bad, but we never run out of ketchup at home.
00:14:17Well, don't wait up for me today. Nacho is taking me out to dinner.
00:14:20What's up? Are you celebrating something?
00:14:22Yes, we've been together for a week.
00:14:23Quite an achievement for her. Alicia is like a milk carton. It comes with an easy-open lid.
00:14:28I notice a certain envy in the air.
00:14:30Yes, but it is healthy.
00:14:33Hello.
00:14:34Hello.
00:14:36Come in. I'll get my bag, and we'll leave right away.
00:14:38Come on, Natalia.
00:14:40If you are here.
00:14:41Hi how are things?
00:14:42Yes, I'm here too.
00:14:44Hey?
00:14:45Ah, yes.
00:14:47Nativity scene.
00:14:48That's it, Belén.
00:14:50So, how are you? Aren't you going out tonight?
00:14:52No, and I'm staying home with Belén. Don't worry.
00:14:54Already.
00:14:55I'm here now, okay? We'll leave whenever you want.
00:14:57No, I brought a movie. I thought we could all watch it here at home, in a quiet place.
00:15:02But weren't we going out to dinner?
00:15:04Yes, but I called the restaurant late and there was no table.
00:15:07Ah, you couldn't have said that before.
00:15:09Well, no problem. We'll watch the movie. We can all have a great time together, right?
00:15:13I agree.
00:15:14Belén, can you come to the kitchen for a moment?
00:15:19Would you like something to drink?
00:15:20Well, a rum and lemon.
00:15:23Alicia, two rum and lemon.
00:15:26We drink the same thing, huh?
00:15:27Belén, this girl has to get out of here now. I don't want her as a roommate.
00:15:36But why?
00:15:37Because she's messy, uncooperative, minds her own business, and has no money.
00:15:41I mean, like you.
00:15:42Yes, but it's not the same. But you've seen how she flirts with Nacho.
00:15:45But he hasn't opened his mouth.
00:15:46That's what worries me, that he didn't need it.
00:15:49You finally realize what I've felt all these years with you.
00:15:53How humiliating is that?
00:15:54Look at what you want, but tomorrow he can find another place.
00:15:57But how are we going to kick her out with everything that's happening with her parents?
00:16:00Natalia is like my little sister. She reminds me of myself when I left home.
00:16:04In what?
00:16:05I don't know, but it reminds me of myself. And it's not going away.
00:16:08Those two drinks are taking a while.
00:16:11Look, Nacho, I don't feel like watching the movie. I'm going out.
00:16:15Okay.
00:16:19Don't worry, I'll make the drinks, okay?
00:16:21Thank you.
00:16:27Do you remember this shirt, Paloma?
00:16:29I forbade him to wear it.
00:16:31And yet he put it on.
00:16:32Because this girl has always done whatever she wanted.
00:16:34And you have allowed her everything.
00:16:36It's also bad luck that she's so pretty.
00:16:38I don't know who he came after.
00:16:39Hey, Juan.
00:16:40Apart from you.
00:16:41Excuse me, Mr. Cuesta.
00:16:45If you don't need anything else, I'll go.
00:16:47Are you still here?
00:16:48On the first day there are always many things to do.
00:16:51Tomorrow I'll come a little earlier.
00:16:52I've noticed the bars of the stairs and they're a little rusty.
00:16:56I would like to give them a coat of red lead and paint them.
00:16:58No need, don't bother.
00:17:00Well, yes, it is necessary.
00:17:02Give him what he said.
00:17:03Good night.
00:17:04Good night.
00:17:05Good night.
00:17:07Oh, John.
00:17:08This man is a marvel.
00:17:09We can't let him get away.
00:17:10Man, Amador looks very competent.
00:17:12But as soon as Emilio recovers...
00:17:14Emilio has been here for seven years and has never said anything about adding red lead to the staircase.
00:17:18And I'm sure it will look much prettier that way.
00:17:20All I'm saying is that it changed him.
00:17:22Woman change him like that suddenly?
00:17:23Man, you're not going to compare this guy's suit with that other guy's looks.
00:17:26He looks like a junkie, one of those stoners.
00:17:29But, Paloma, haven't you grown fond of Emilio?
00:17:31Of course I've grown fond of him and he can come to my house whenever he wants.
00:17:34But your duty as president is to look out for the good of the community.
00:17:38And the best thing for the community is for this man to stay.
00:17:42Well, before making such a drastic decision, we'll have to consult with the other neighbors.
00:17:46Well, tomorrow meeting.
00:17:47Paloma, we've already got enough trouble.
00:17:49Board, Juan.
00:17:50Board.
00:17:51You're going to win over all the neighbors.
00:17:53Hello.
00:18:03Hello.
00:18:04Uh, I'm here for my magazine.
00:18:06Yes, yes, here it is.
00:18:07Well kept.
00:18:11Take.
00:18:13What, you little naughty boy?
00:18:14You like big breasts, huh?
00:18:16Ah, yes, yes, yes.
00:18:19Of course, it is better to have too much than not enough, or to have too little, yes.
00:18:22Nothing, well thank you very much.
00:18:23I'm going with my magazine, okay?
00:18:25Have a good time.
00:18:25Bye.
00:18:26Bye.
00:18:27The truth is that you never believe what I tell you.
00:18:30Not here.
00:18:31Not here.
00:18:32There is no one living here.
00:18:39What are you doing?
00:18:40Nothing.
00:18:41I'm going shopping.
00:18:42And why do you paint yourself like a door?
00:18:44And you, what?
00:18:47I go as always, with a clean face.
00:18:49Marisa, do you like Amador and want to take him away from me?
00:18:51I'm not going to take Amador away from you, because he's not yours.
00:18:54You have already met the love of your life.
00:18:56Manolo, the love of my life.
00:18:57Come on, do it, man, but he'll be an asshole.
00:19:00Having chosen well.
00:19:01Now it's my turn to live a romance.
00:19:04Well, I'm sorry, doll, but you have nothing to do.
00:19:08We'll see.
00:19:09How come you didn't tell me it was a porn magazine?
00:19:18Erotica.
00:19:18It's erotic.
00:19:19Dude, that's quite a pain.
00:19:21I'm sorry, but Mauri caught me and since he wasn't going to understand what I was doing with it, well...
00:19:24No, no, neither him nor anyone else.
00:19:26Let's see, what's a cat doing in a magazine of naked women?
00:19:28Well, it's to take to work.
00:19:30Yeah.
00:19:31Because there are some colleagues who are annoyed.
00:19:33Because there are two girls who are hitting on me and since I don't pay attention to them, well...
00:19:36Already.
00:19:36Hey, if they're good, pass me the phone numbers, okay?
00:19:37For a friend or anything?
00:19:39Yeah.
00:19:39What I do is carry the magazine.
00:19:40So, I hide it in a drawer.
00:19:43And sooner or later they open it, then they stop suspecting and I keep going.
00:19:47Already.
00:19:48So you'd rather people think you're horny than gay.
00:19:51Yeah.
00:19:52It looks much better, doesn't it?
00:19:53Hey, could you do me a favor?
00:19:55Already.
00:19:56You want to keep it, huh?
00:19:56Man, no, no, no.
00:19:57Look, I'm meeting up with a friend today.
00:19:59Well, she's not a friend.
00:20:00I just want to take her to bed.
00:20:02And since my mother is at home, my daughter is at home, it occurred to me that if...
00:20:05If you're going to the movies or out to dinner, you could leave me the keys and...
00:20:09Hey?
00:20:09Already.
00:20:10Are you asking for my house to take an aunt?
00:20:12Man, yes.
00:20:13But haven't you thought that's what hotels are for?
00:20:15Well, hey, I've gotten myself into a real mess because of you.
00:20:17Already.
00:20:18Well, let's see what I say to Mauri now.
00:20:20Come on, yeah, man, yeah.
00:20:21Come on, perfect, perfect.
00:20:22Perfect, yes.
00:20:23Come on.
00:20:24Hey, Sandra, yes.
00:20:25Yes, tell your husband that your mother has relapsed.
00:20:27Yeah.
00:20:28Come on, see you later.
00:20:29Come on.
00:20:31Oops, oops, careful, careful, careful, slow down.
00:20:32Will you stop complaining and get out of the car?
00:20:34We've already missed a trick, it seems to me.
00:20:36I really don't know why I'm going to see you.
00:20:38Belén, they put seven staples in me.
00:20:41You'll see when they do a C-section on you.
00:20:43Look, I'm going because I'm late for work.
00:20:46That, leave me with the disease.
00:20:47Man, Emilio, you look good, champ.
00:20:50Mr. Juan, look, what a staple.
00:20:53Look.
00:20:53Fuck.
00:20:54Hello.
00:20:55Good morning.
00:20:57And who is this?
00:20:57I'm your replacement for this week.
00:21:00I hope you recover soon and can return to work as soon as possible.
00:21:05But how about my substitutes?
00:21:06Have they taken my goal?
00:21:07No, no, no, no, incorrect.
00:21:08You have your goal to rest and recover.
00:21:10Now, let's go inside.
00:21:12Ah, I was already scared, Mr. Juan.
00:21:13Emilio, don't worry because...
00:21:15Don't worry.
00:21:16How clean everything is, they have already bought the papureta.
00:21:18Well, no, no, not yet.
00:21:20But it's all about walking.
00:21:22Fuck the operations, Mr. Juan.
00:21:24Now I know why celebrities get so stiff after a certain age.
00:21:27Lover?
00:21:28No, no, it's Emilio.
00:21:30Emilio, who has returned safe and sound.
00:21:32Don't worry, I'm already here.
00:21:33As soon as they remove the staple, I'll return to work.
00:21:36Okay, but take your time, okay?
00:21:37You recover well.
00:21:39Don't let your stitches come loose later and...
00:21:41That these things poorly cured you never know.
00:21:44And if not, look at her.
00:21:45That when she was little she fell off a swing.
00:21:48And look how it turned out.
00:21:49When have I ever fallen off a swing?
00:21:51Full shock.
00:21:52You don't remember.
00:21:53Come on, let's go find this one.
00:21:55Come on.
00:21:57Mr. Juan, I saw that they are going to hold a meeting.
00:21:59Do you want me to go up?
00:22:00No, no, no, Emilio.
00:22:01No, it is not necessary.
00:22:02You are on sick leave.
00:22:03You, lie down.
00:22:04Rest, you can't make any effort, okay?
00:22:07And what's going on?
00:22:09Hey?
00:22:09No, the board, what's it for?
00:22:11No, no, not at all.
00:22:12No, it's just that we're going to decide if...
00:22:14If we throw you the inner courtyard.
00:22:16And this way we avoid the clothes on the line getting wet.
00:22:18Ah, well that's very good.
00:22:19I'm going to have to do less scrubbing.
00:22:20Yes, yes, quite a bit less.
00:22:22Yes, yes.
00:22:23Well, I'm leaving.
00:22:24Take care, okay?
00:22:25Thank you very much, Mr. Juan, for everything.
00:22:26What a mess.
00:22:30Damn, I'm bored lying here.
00:22:32Paloma, I'm going down to the video store for a moment to return the movie, okay?
00:22:45No, I haven't seen it yet.
00:22:48Ah, well, let's take out the trash.
00:22:51If it is not full.
00:22:52Well, let's get some fresh air.
00:22:54Okay.
00:22:56Fuck.
00:22:58How easy it was.
00:23:02You're heavy, huh?
00:23:12No, no, don't let him come and tell you anything.
00:23:14Look, your mom made some lentils yesterday and I thought...
00:23:17In the end.
00:23:18Thank you.
00:23:19You eat well, don't you?
00:23:20You look thinner, Natalia.
00:23:22Yes, dad, how good.
00:23:23I also ironed some t-shirts and these pants for you.
00:23:26It's one of those tight ones that you like, so you can see that I don't care.
00:23:30Thank you.
00:23:31And look.
00:23:32Look in your pocket.
00:23:35Hey?
00:23:36That always comes in handy, doesn't it?
00:23:38Dad, be careful, don't let Mom find out.
00:23:40Don't worry, he won't notice.
00:23:46Juan, I'm missing the 1.5 liter Tupperware.
00:23:48As?
00:23:48The lentils, the Tupperware with the lentils.
00:23:50Where is?
00:23:51Ah, I got it.
00:23:53What for you?
00:23:54Well, because I wanted to have breakfast and there was no more jam.
00:23:56And I said to myself, well, some lentils, which my wife makes wonderful.
00:24:00Juan, tell me the truth.
00:24:02I've uploaded them, Natalia.
00:24:03But why do you do that?
00:24:04What had we agreed on?
00:24:05Well, it's just that...
00:24:06And you didn't give him any money?
00:24:07No, no, no.
00:24:09How much have you given him?
00:24:1050 euros.
00:24:11Not like that, Juan.
00:24:12He's not going to come back like that.
00:24:13If you live better than before.
00:24:15Now all that's left is for you to iron his clothes.
00:24:16Have you ironed his clothes too?
00:24:19Some t-shirts, but pretty bad, huh?
00:24:21So that he can make a fool of himself.
00:24:22Juan, we are not united or this girl will eat us.
00:24:24Are you going to be strong or are you not going to be strong?
00:24:26Yes, yes, yes, I'm going to be strong, yes.
00:24:28Well, let him eat the lentils, but he should send back the Tupperware.
00:24:31And clean, huh?
00:24:32And don't put it in the dishwasher, it will scratch.
00:24:34You really get on my nerves.
00:24:35You're grounded!
00:24:38Dad, you don't know how to lie.
00:24:39I'm going to have to teach you.
00:24:41Aids.
00:24:41But where has this man gone?
00:24:47Look at him, there he is.
00:24:49Well yes, since I lost my husband, the truth is that I feel very alone.
00:24:54Well, but I've noticed that you're like a big family here.
00:24:58Hello, Amador.
00:25:00Concha, can we talk for a moment?
00:25:01Yes, I'm going to keep cleaning the stairwell light fixtures.
00:25:06Hey, babe, but you weren't dead from the waist down.
00:25:09Well, you see, I have risen again.
00:25:11You two have already had husbands.
00:25:13Here the only one who has the right to experience something beautiful with Amador is me.
00:25:16Oh me, who am very lonely.
00:25:17We are all alone here.
00:25:19Well, we're going to lose the friendship of years and years for a man.
00:25:23Yeah.
00:25:25Oh yeah?
00:25:26Well, this is war.
00:25:27Well, come on.
00:25:28Well, okay.
00:25:33What's up, son?
00:25:34Man, dad.
00:25:35But damn, he's so handsome, even with his haircut and that long hair he had.
00:25:38The poet already said it.
00:25:39Renew or die.
00:25:40Well, how are you?
00:25:42Look at the staple.
00:25:42Bah, don't kick that, damn it.
00:25:44Look who's the nasty one.
00:25:45You should have gone to see me at the hospital.
00:25:47Damn, there was a Champions League game on.
00:25:49It's just that you choose a shore to get sick.
00:25:51Yes, mom, what?
00:25:52Mom, you know they give hospitals a bad feeling.
00:25:54Since I had you, I haven't set foot in any of them.
00:25:57How little mom loves me.
00:25:58Of course, since I came from a penalty.
00:25:59No, fuck, you didn't come for the penalty.
00:26:01The thing is, mom was depressed.
00:26:03And between the two of us we said, well, we're going to have a boy.
00:26:06Well, how are you?
00:26:07He became more depressed.
00:26:09Of course, that's how I am.
00:26:10With an emotional deficiency of those.
00:26:12No, damn it, he grew fond of you over time.
00:26:14And you?
00:26:14I regulate.
00:26:16Well, I'm going to sell books.
00:26:17And get up from there and don't throw him away.
00:26:19Hey, Dad, Dad, make me some broth or something, okay?
00:26:22Yeah, man, that's what I was thinking.
00:26:24See you later.
00:26:25Bye bye.
00:26:26At least I have my Belén, because if not...
00:26:29My goodness, how detachable this one is.
00:26:34Are you nervous?
00:26:35No.
00:26:36Look, since it's your first day, you stick with me and learn.
00:26:40Well, it won't be that complicated to work in a burger, will it?
00:26:43Well, people look down on this job.
00:26:45And it's true, it's crap, but it takes great talent.
00:26:48You have to be a public relations person, a juggler...
00:26:50How do you juggle?
00:26:51Of course, if you drop a burger on the floor, you have to pick it up without the customer noticing.
00:26:57Disgusting!
00:26:58I have eaten there several times.
00:26:59Well, very badly done.
00:27:01First rule of the burger.
00:27:02Nothing is thrown away here.
00:27:05Bye bye.
00:27:07But...
00:27:08But what are you dressed as?
00:27:10Aren't you working at the burger?
00:27:12What do you want, to end up like this?
00:27:13Hey, ma'am, what's up?
00:27:15It's what you've been doing all your life, but at least I get paid.
00:27:18Ouch, that hurt!
00:27:19Here comes the other one.
00:27:21Natalia, will you stop fooling around and go home?
00:27:23Your father is exhausted and his hair is falling out.
00:27:25I'm not coming home until you apologize.
00:27:27Excuse me? Why?
00:27:28I don't know, you'll know.
00:27:30Go on, pull.
00:27:31Hey, no blackmailing me, okay?
00:27:33Blackmail me!
00:27:34No!
00:27:36And you shut up, crazy!
00:27:39But don't call her, man, leave him alone.
00:27:41No, no, I have to talk to her.
00:27:43I have to ask you something.
00:27:44That, you overwhelm her.
00:27:45Lucia?
00:27:47Gebra to work less, hehe!
00:27:51What's happening?
00:27:52That a guy answered me.
00:27:54And what did he tell you?
00:27:55What do I know?
00:27:57Will it be possible?
00:27:58What, he allied himself with a Turk?
00:28:00Man, don't think the worst is coming.
00:28:02Maybe he's been kidnapped.
00:28:03Yeah?
00:28:06Hi, Gordi, it's me.
00:28:08I'm at the consulate.
00:28:09They stole my purse with my passport, money, and cell phone.
00:28:12Oh, what a mess.
00:28:13Hey, his cell phone has been stolen.
00:28:15Yes of course.
00:28:16Hey, but then you're coming back tomorrow, right?
00:28:18I'll try, honey.
00:28:20Hey, Lucia, if something strange happened you would tell me, right?
00:28:23Yes, yes, I'm telling you.
00:28:26Hey, I'm hanging up, they're going to help me, okay?
00:28:27A kiss, my love, I love you very much.
00:28:29Fuck!
00:28:29That he loves me very much and that he is at the consulate.
00:28:34I made it all up.
00:28:35The thing is that you've caught him in trouble with the Turk.
00:28:37and I called you to tell you this story.
00:28:40Hey, man, why are you so suspicious?
00:28:42The experience.
00:28:44Well, welcome everyone.
00:28:46Let's start the meeting.
00:28:47Please turn off your cell phones and don't smoke.
00:28:50To speak they raise their hand
00:28:51and to insult me they also raise it.
00:28:53Thank you, son.
00:28:54It was just that I was excited.
00:28:55My boy, how clever he is.
00:28:57Hey, where's your girlfriend?
00:28:58On vacation, in Istanbul.
00:29:00And she went alone?
00:29:01Without you?
00:29:02Ma'am, I don't think we're here to talk about my life.
00:29:05Okay, but since we're here, could you tell us something?
00:29:07Sorry to interrupt.
00:29:08Could you explain to someone why we are here?
00:29:10Yes, because some of us have stayed.
00:29:12First and only point of the day.
00:29:15Traumatic and definitive replacement of Emilio,
00:29:17faithful doorman of this house for the last seven years,
00:29:20by Amador, a substitute in functions of whom we know relatively little.
00:29:24Well, I think this requires an in-depth debate,
00:29:26analyzing everything in detail...
00:29:28Juan, darling, you're getting involved.
00:29:30Okay, votes in favor.
00:29:32Juan.
00:29:34Against?
00:29:36What we're going to do to Emilio is a pain in the ass.
00:29:39It seems terrible to me, it makes me feel terribly sorry.
00:29:41Mauri, the pen.
00:29:42Here we are.
00:29:43It doesn't matter, we are the majority.
00:29:45So Amador is the new goalkeeper.
00:29:47Well, now we just need to tell Emilio,
00:29:52any volunteers to come down and tell him that...
00:29:55Okay, okay, I'll tell him, okay?
00:30:07Mauri, do you feel like going to the movies tonight?
00:30:10Going to a public place with the flu epidemic going on?
00:30:12What's up, what's up?
00:30:12We can come home with seven different viruses.
00:30:15Well, it won't be that bad, eh?
00:30:16Also, you're trying to watch the movie and the guy behind you...
00:30:19Right here on the back of my neck, right?
00:30:21Plus, we have a ton of movies to watch here.
00:30:23Hey, let's have dinner.
00:30:24Could we book somewhere romantic?
00:30:28No, not today.
00:30:29Mauri, you're getting old, huh?
00:30:31You don't feel like going anywhere anymore.
00:30:32Yes, with this cold I don't feel like going out, Fernando.
00:30:34To the gym!
00:30:35Why don't we go to the gym?
00:30:37But what are you saying?
00:30:38Mauri, I didn't want to tell you anything, okay?
00:30:39But lately you seem a little chubby.
00:30:42Am I fat?
00:30:43Yeah, well, normal, huh?
00:30:44You spend the day here lying on the couch,
00:30:46So your body is becoming that of an old man.
00:30:48That is, the ass in and the belly out.
00:30:50Hey, don't tell me that.
00:30:51Yes, yes.
00:30:52Also, the more you let yourself go,
00:30:53the harder it will be for you to regain your physical tone.
00:30:55My physical tone?
00:30:57Well, I'll start tomorrow.
00:30:58And fuck the bread, the bread is gone.
00:31:00No, no, no tomorrow, okay?
00:31:01Then you do nothing.
00:31:02Come on, get changed, I'll go get the car.
00:31:04Don't be a pain, Fernando.
00:31:06I don't want to go anywhere.
00:31:07Well, I was just saying it to do something, right?
00:31:09I don't feel bad in the ass.
00:31:10You have given me the night.
00:31:12They've made her the manager, Alicia.
00:31:13And he's been working for a day.
00:31:16I've been here for three months
00:31:17and I don't go beyond frying the onion rings.
00:31:19I've already told you that.
00:31:20This kid is sinking us.
00:31:21But let's see,
00:31:22What does she have that I don't?
00:31:23It could be very cruel.
00:31:24I don't think I need to tell you.
00:31:26Look, this girl can't keep living here.
00:31:28It unsettles me.
00:31:29But wasn't she like your little sister?
00:31:31Well, my little sister
00:31:32one is already looking for a life.
00:31:33As soon as you arrive,
00:31:34you tell him to go away.
00:31:35Ah, no, no, no.
00:31:36You tell him that,
00:31:37that I am more sensitive.
00:31:38More sensitive?
00:31:39Will it be when they shave your armpits?
00:31:42Hello.
00:31:43I'm going to take a shower
00:31:44that I'm exhausted.
00:31:46Natalia.
00:31:47Natalia, wait.
00:31:48Hey, look at one thing, look.
00:31:51Listen to what Belén has to say.
00:31:53Ah, look,
00:31:54We are very happy with you.
00:31:57But really, from the heart.
00:31:59To me you are like my little sister.
00:32:01Yes, for me too.
00:32:03The three of us are like a big family.
00:32:04What's happening?
00:32:05You want me to leave home, right?
00:32:06No, no, not us.
00:32:09It's a shell.
00:32:11Oh yes, concha.
00:32:12It's that shell it is.
00:32:13Yes, he says you have to go.
00:32:16Otherwise, he won't be kicked out of the apartment.
00:32:17I think that because he gets along so badly with your mother,
00:32:19because he can't even see you.
00:32:22I don't know, well, I'll talk to her.
00:32:23No no.
00:32:26It is better not to provoke her, because it is better.
00:32:30Well, but I can sleep here today, right?
00:32:32Oh, man.
00:32:34You're putting us in a difficult position.
00:32:36Also, I think your parents
00:32:37they were going to be so happy
00:32:39if you come home.
00:32:40Well, nothing.
00:32:41I'm going to pick up my things.
00:32:43Ah, Bethlehem,
00:32:44and tomorrow you have to go an hour earlier
00:32:46that you haven't changed the oil in the fryer.
00:32:49Don't you feel low and miserable?
00:32:55I don't.
00:32:56Me neither.
00:32:59Well, anyway,
00:33:00We are here for whatever you need.
00:33:02Hey, where are you going to spend the night?
00:33:04No, don't worry.
00:33:05If I already have a place in mind.
00:33:06No.
00:33:19Hi, Lucia isn't here, is she?
00:33:23Uh, no, it's not there.
00:33:25He is on a trip.
00:33:26Perfect, you've got company now.
00:33:28Hey?
00:33:29Hey, look, it's not going to be possible today.
00:33:31I haven't been able to convince Mauri.
00:33:32There was no way.
00:33:33Dude, I had already met up with Sandra.
00:33:35Yeah, but what do you want me to do?
00:33:36Should I drug him and hide him in the trunk of the car?
00:33:38Look, you and I don't fit.
00:33:39Same in mine.
00:33:40Well, look,
00:33:42meet her tomorrow.
00:33:43Give me 24 more hours.
00:33:44Yes, I'll get Mauri out of the house no matter what, let's go.
00:33:48Okay, and do you want to tell me what I'm doing tonight?
00:33:50Well, if you want, I'll lend you my magazine.
00:33:54It's not funny, is it?
00:33:56Yes, he's going to stay at my house.
00:33:58Since she is angry with her parents,
00:34:00poor thing, I wasn't going to say no.
00:34:02Of course, how good you are.
00:34:04And how do you sacrifice while your girlfriend is away?
00:34:06So, he's going to sleep at your house.
00:34:08And in your bed?
00:34:10And what are you going to do?
00:34:12No, no, no, no, no.
00:34:12I'm going to sleep on the couch.
00:34:14Nothing is going to happen.
00:34:18Are you gay?
00:34:18But what the fuck am I going to be gay?
00:34:20The thing is, I have a girlfriend.
00:34:22That is, he looked great in Istanbul doing
00:34:24God knows what, hello knows what,
00:34:25And you're here wasting the opportunity of a lifetime.
00:34:27Dude, if you don't do anything, you're going to regret it.
00:34:29It's just that if I do something, I'm going to regret it too.
00:34:31But you've already done it.
00:34:32If it is better to regret having done it
00:34:34to regret having regretted
00:34:35of something that I thought you would regret doing.
00:34:38But of course, you don't regret it because you didn't do it.
00:34:40And then you regret it because if you regret it,
00:34:43I don't know, and you say something because I don't know what I'm saying,
00:34:46if I'm sick.
00:34:46I mean, and you at no time?
00:34:48Has it crossed your mind to get involved with Natalia?
00:34:50Man, at some point, just like that, unintentionally.
00:34:55Duster.
00:34:55But no, no, nothing is going to happen.
00:34:57That I'm in love with Lucía
00:34:58and I'm going to marry her.
00:34:59And if you think something so beautiful is going to be ruined
00:35:01for such a silly thing,
00:35:02you are very wrong.
00:35:03Besides, I'm not going to tell anything again.
00:35:08What do you think?
00:35:09Man, you're definitely going to get it tonight.
00:35:11Let's see...
00:35:11Oh, hey, have I shown you my gravel yet?
00:35:15Oh, yes, damn it, yes.
00:35:20Mr. John,
00:35:21Look, here I am taking a little walk.
00:35:23Emilio, we need to talk for a moment.
00:35:25Yes, yes,
00:35:26that I'll be back here in two days,
00:35:27go on, I'll hit you with the mop.
00:35:28No, no, you see,
00:35:29It's that all the neighbors have gathered
00:35:32and we have come to the conclusion
00:35:34that you here, then,
00:35:35you have already completed a cycle.
00:35:37A cycle.
00:35:38And we have decided that Amador
00:35:40replace you in goal.
00:35:43As?
00:35:45But they're kicking me out, Mr. Juan.
00:35:47No, no, well, it's a cycle.
00:35:49It's not a goodbye,
00:35:51it's a see you later,
00:35:52with a little goodbye,
00:35:54what is a cycle.
00:35:56But if you told me not to worry,
00:35:58yeah, yeah, but
00:35:59things are like this
00:36:02and I don't...
00:36:04Give me a hug, Emilio.
00:36:08But don't cry for me, damn it, Mr. Juan,
00:36:10I'm looking for a way to make a living.
00:36:11Plus, it packs quite a bit with what it has.
00:36:14No, no, no, if I don't cry.
00:36:17It's that there are many things and
00:36:18You come here whenever you want, okay?
00:36:21Hey?
00:36:21Hey?
00:36:30Well,
00:36:32everything comes to an end in life.
00:36:33But how come they kicked you out?
00:36:44What happened?
00:36:45That the other one is going to stay,
00:36:46who say they are better than me.
00:36:48Well, that's not difficult,
00:36:49but it doesn't seem like a sufficient reason to me
00:36:51as if to kick you out.
00:36:52Won't you come to Córdoba with me?
00:36:54Nobody here goes to Córdoba.
00:36:56I'll get the ticket tomorrow.
00:36:57My brother is waiting for me
00:36:58with the fishmonger.
00:36:59And here we go with the fish market.
00:37:01Emilio, do you want to tell me?
00:37:02What do you and I do now?
00:37:04Man, well if you want
00:37:05we can throw the last one.
00:37:06Yes, you are in a great mood.
00:37:08Yes, I lie down like this.
00:37:09with a little care.
00:37:11Emilio, I'm serious.
00:37:13What do we do?
00:37:14And I don't know what we're doing, Belén.
00:37:16I don't know what we do.
00:37:21My goodness.
00:37:25Hey, where the hell were you?
00:37:26You had me worried.
00:37:27No, no, no, it's just that I've gone down
00:37:29wait a moment because I had to talk.
00:37:32What a joke, man, relax.
00:37:36Hey, Natalia, tonight
00:37:38you can stay,
00:37:39But tomorrow Lucia comes and...
00:37:41Yes, I don't think it will do it.
00:37:42Very excited to see you here, aren't you?
00:37:44Man, travel changes people,
00:37:46but I don't think so much.
00:37:48Hey, how are we going to sleep?
00:37:49Because there's only one bed, right?
00:37:52Well, yes, but it's okay.
00:37:55You go to the bedroom
00:37:55that I'm staying here, on the couch.
00:37:58Well, if you want,
00:37:59stay on the couch,
00:38:00But come on, there's no problem for me.
00:38:02There's plenty of room in there.
00:38:03You know that, right?
00:38:05Yeah, yeah, yeah, but I'm fine here.
00:38:08Green relaxes.
00:38:09Whatever you want.
00:38:11Good evening, Roberto.
00:38:12Come on.
00:38:19Well, look, Natalia,
00:38:20enough of this bullshit.
00:38:29You're such a bad kisser, aren't you?
00:38:30But madam,
00:38:31What are you doing with my wife?
00:38:33No, no, no, no, no, you see.
00:38:34Yours is pure vice, huh?
00:38:36And when is it my turn?
00:38:37Roberto.
00:38:38No, no, no, Lucia,
00:38:39I can explain everything to you.
00:38:40No, I've fallen in love.
00:38:41from Hakama in Türkiye
00:38:41and we are going to get married.
00:38:42No, no, no, no, no,
00:38:43wait, we have to talk about that.
00:38:44Get out of there right now.
00:38:45Get out of that bed immediately,
00:38:46I tell you.
00:38:47Let's get married.
00:38:48Don't you see he's a pervert?
00:38:49He's a pervert.
00:38:50Come on, program, no, no, no.
00:38:52Let's go home!
00:38:53Get out of that bed!
00:38:55Let's go home!
00:38:55Let's go home!
00:38:55Let's go home!
00:38:56Fuck her, fuck her.
00:39:24Fuck her, fuck her.
00:39:40Are you going to leave like this?
00:39:41without saying goodbye to people?
00:39:43No, no, no, no,
00:39:44that I have my dignity
00:39:45and my pride
00:39:45and I leave with my head held high.
00:39:48Hey, Paco,
00:39:48Can I have some money for a taxi?
00:39:50Yeah.
00:39:50Well, we talked, didn't we?
00:39:56Yes, but you call me.
00:39:57because I have a stiff card.
00:40:00Well, Paco,
00:40:00a very careful hug, right?
00:40:05Dude, we're going to miss you, huh?
00:40:08To the loser,
00:40:09that they give you blood sausage.
00:40:10What a bad feeling, right?
00:40:26Hello good morning.
00:40:29You shut up, you fucking climber.
00:40:30But hey, mom,
00:40:36Does it seem normal to you?
00:40:37that has a magazine
00:40:38with naked women?
00:40:40Of course dad has them too,
00:40:41but dad is not gay.
00:40:43Of course that means something.
00:40:46Let's see.
00:40:47Why do you buy?
00:40:48decoration magazines?
00:40:50What do you mean you don't know why?
00:40:51Well, because you like decoration.
00:40:53I'm really freaking out about you.
00:40:54No, it's just that sometimes I freak out.
00:40:56Hey, I'm hanging up, you went to the bathroom.
00:40:57I'll call you back later.
00:40:57Yes, I'll call you later.
00:40:59Well, what?
00:41:00Today we do something, right?
00:41:01No, it won't be possible today either.
00:41:02Mauri, you can't be here.
00:41:03locked up all day.
00:41:04You look like a ficus.
00:41:05Will you let me talk?
00:41:06Well, well, sorry, okay?
00:41:07It's that I've been left
00:41:07to have dinner with my friends.
00:41:08Ah, that's good.
00:41:10That's very good.
00:41:11Zenita, with her friends.
00:41:12What are you up to?
00:41:13You're coming, aren't you?
00:41:13Yes, I...
00:41:14No, it's that with your friends...
00:41:16You know that when the environment
00:41:17it's in the air
00:41:18I just don't feel very comfortable.
00:41:20Normal, in your case.
00:41:21Yeah.
00:41:21No, look, you know what I'm going to do?
00:41:22I'm going to the movies
00:41:23to see an Iranian movie
00:41:24by Kiarostami.
00:41:25Kiarostami?
00:41:26Yes, he is the Iranian Spielberg.
00:41:28Very good.
00:41:29See you here at home later, right?
00:41:31Yes, yes.
00:41:32See how good it is?
00:41:33We already have a plan for tonight.
00:41:41Hello, is Natalia here?
00:41:43I'm bringing some chicken croquettes.
00:41:44Natalia no longer lives here.
00:41:45Oh, no?
00:41:46And where is it?
00:41:49But thank you very much
00:41:50It's for the croquettes.
00:41:52Fuck.
00:41:54And how do I tell Paloma this?
00:41:57But why does he have me?
00:41:58that everything happens to me?
00:41:59Beware of beans
00:42:00that has given me.
00:42:01I told you tight ones
00:42:02and look what he has given me.
00:42:03Full of thread and everything.
00:42:06Pigeon,
00:42:06I bring good news
00:42:07and a bad one.
00:42:09The good thing is that Natalia
00:42:10he is no longer at home
00:42:11of Alice and Belén.
00:42:12Oh no?
00:42:12And where is it?
00:42:13That's the bad one.
00:42:14He's with the one above.
00:42:15How about the one above?
00:42:16The night has passed
00:42:17with Roberto.
00:42:18Oh well.
00:42:20That's what I was missing
00:42:20for hearing.
00:42:21What have we done wrong, Paloma?
00:42:22What do I know, Juan?
00:42:23I don't remember.
00:42:24I am the president of the community
00:42:25and my daughter copulating
00:42:26through the building.
00:42:27And I didn't want to tell you,
00:42:28but it has been put on us
00:42:29to work at a burger.
00:42:31Oh, God.
00:42:32And all the money
00:42:33that we have been saving
00:42:33to pay for college?
00:42:35Well, look,
00:42:35I want to put the bathtub
00:42:36whirlpool
00:42:37with the mussels.
00:42:37Paloma, please.
00:42:39And you'll see what a mess it is.
00:42:40when Lucia returns from her trip
00:42:41and Natalia is in there.
00:42:43Well, look,
00:42:44every cloud has a silver lining.
00:42:45That's how we sunk the posh girl.
00:42:47But I don't want to
00:42:47sink anyone.
00:42:49I just want us to go back
00:42:50to be a family.
00:42:52Where do I put this?
00:42:53José Miguel,
00:42:54Do you want to stop taking out
00:42:55Natalia's things?
00:42:57And you won't want to believe it.
00:42:58Yesterday I met her
00:42:59and blackmailed me.
00:43:00What do you mean he blackmailed you?
00:43:01Yes, he told me he was coming home.
00:43:02if I asked for forgiveness.
00:43:03Pussy?
00:43:04Then ask for forgiveness.
00:43:05Should I apologize to my daughter?
00:43:07But where has that been seen?
00:43:08Pigeon,
00:43:09or you apologize to Natalia
00:43:10or I resign
00:43:11to the presidency
00:43:12of the community.
00:43:14You won't be able to.
00:43:16José Miguel,
00:43:16please.
00:43:17If I,
00:43:18I don't do that
00:43:18to save work.
00:43:21But you have seen
00:43:21to this child.
00:43:22It's beyond me.
00:43:23So we are here
00:43:24that you are separated,
00:43:25TRUE?
00:43:25Well yes.
00:43:27Fortunately
00:43:27it was a separation
00:43:29friendly.
00:43:30To Marisa,
00:43:31instead,
00:43:32Manolo left her
00:43:32without saying anything to him.
00:43:34And to Mador,
00:43:34what will it matter to him
00:43:35what Manolo did?
00:43:36It's for you to see
00:43:37that you have a very bad temper.
00:43:39Instead,
00:43:39my sister
00:43:40single all her life.
00:43:42I think she's a lesbian.
00:43:43I am not that.
00:43:45That you lack experience,
00:43:46Vicenta,
00:43:47Pussy,
00:43:47that you lack experience.
00:43:48Well,
00:43:48If you'll excuse me,
00:43:49I have a lot of work.
00:43:52Hello, beautiful.
00:43:55Bye bye.
00:44:00That is not fair,
00:44:01Alice,
00:44:01that Emilio
00:44:02you can't do that to him.
00:44:03And what do you care?
00:44:04if you don't like it?
00:44:05No,
00:44:05I don't like,
00:44:06but...
00:44:07but you grow fond of it.
00:44:10Come on,
00:44:11that really pisses me off.
00:44:12Well,
00:44:12peaceful.
00:44:14So that he comes back,
00:44:15we will have to think
00:44:15how to kick this guy out.
00:44:17But how are they going to throw him out?
00:44:18if he is the perfect goalkeeper?
00:44:19No,
00:44:20It's about him leaving on his own.
00:44:22These three crazy women
00:44:23were not behind him.
00:44:24If there is nothing else to see
00:44:25the clothes they wear,
00:44:26and?
00:44:27Well, I don't know,
00:44:29three little notes from this gentleman
00:44:30declaring his secret love for her
00:44:31and I think that I am alone now
00:44:33this does the job.
00:44:35You're so good at being twisted.
00:44:38Let's see what remedy
00:44:39I want to be an actress.
00:44:43Hello.
00:44:45What do you want?
00:44:46Is Natalia there?
00:44:47He doesn't live here anymore.
00:44:49Well,
00:44:50I wanted to talk to you.
00:44:51This...
00:44:52Can you give me your phone number?
00:44:54But you're a bastard.
00:44:55Already,
00:44:56but you give me a number.
00:45:02I've already lost track of him.
00:45:03how good it was.
00:45:04You see?
00:45:05This happens to me
00:45:06for being good to people.
00:45:07Let's see what you think.
00:45:09Dear Concha,
00:45:11in these two days
00:45:12I have developed
00:45:13a deep
00:45:14and sincere...
00:45:14And sincere affection
00:45:15towards his person.
00:45:18Maybe it seems to you
00:45:19a daring move
00:45:19for my part,
00:45:21but I would love to...
00:45:23spend a night
00:45:24alone
00:45:24with you.
00:45:26One night
00:45:27of passion
00:45:28in my newly
00:45:29new goal.
00:45:31Oh,
00:45:32if you like...
00:45:32If you like,
00:45:33we meet at nine
00:45:34on the portal.
00:45:36I beg you
00:45:36the utmost discretion.
00:45:38Don't comment on it
00:45:39with no one.
00:45:41Put on something sexy.
00:45:44Lover.
00:45:44Let it be known
00:45:48that this
00:45:48I'm going to do it
00:45:49for you
00:45:49and because I love you,
00:45:50Juan.
00:45:51Correct.
00:45:52Is my daughter there?
00:45:54Natalia?
00:45:55Yeah.
00:45:55No no,
00:45:56is not here.
00:45:57Come on,
00:45:57tell him to come out, go on.
00:45:58One moment.
00:46:00I'm nervous
00:46:00and if we grab her by the hair
00:46:01and we grabbed it...
00:46:02What's happening?
00:46:03Natalia,
00:46:04listen to your mother
00:46:05who wants to tell you something.
00:46:07Sorry,
00:46:07we're going home.
00:46:08As?
00:46:09I didn't understand you well.
00:46:10Can you repeat that for me?
00:46:10slower?
00:46:12I have told him,
00:46:13Have you heard it, Juan?
00:46:13Please.
00:46:15Forgive me, daughter,
00:46:16sorry.
00:46:17Sorry why.
00:46:18That's what I say,
00:46:19because?
00:46:20Tell him why.
00:46:21Cheer up,
00:46:21that you have already poked your head out.
00:46:22Push, push.
00:46:25Sorry for butting in.
00:46:26in your life
00:46:27and have spoiled you
00:46:28a relationship
00:46:28that on the other hand
00:46:29I wasn't going anywhere either.
00:46:30Okay, enough.
00:46:32Are you happy now?
00:46:34A lot.
00:46:35Come on,
00:46:35I'm going to get my things.
00:46:37I am very proud
00:46:38of you, Paloma.
00:46:39Ah, baby,
00:46:40the one and a half liter Tupperware
00:46:41don't forget it.
00:46:43I don't feel like it
00:46:44let the posh girl keep it.
00:46:50Leave.
00:46:54Well, nothing,
00:46:56I'm very happy to hear it
00:46:56that in the end
00:46:57you have fixed it
00:46:57with your family.
00:46:58Educate your parents
00:46:59It always takes time.
00:47:02Hey,
00:47:04I would ask you for a little bit
00:47:05of discretion
00:47:06with the topic
00:47:06from last night.
00:47:07Because?
00:47:09If you haven't done anything
00:47:09of what you have
00:47:10that you regret.
00:47:11Oh yes.
00:47:25Hello, beautiful.
00:47:27Good night.
00:47:28I liked it a lot
00:47:29your idea of the goal,
00:47:31but if you want
00:47:32we can stay here.
00:47:34Yes, how?
00:47:35My son will pass
00:47:36out all night
00:47:37and my granddaughter is sleeping.
00:47:40Why don't you come in?
00:47:40and do you have something to drink?
00:47:41You see,
00:47:42is that I have to take out
00:47:43the garbage.
00:47:44If you like,
00:47:46I can wait for you here.
00:47:47Hey?
00:47:48Yeah,
00:47:48is better than you
00:47:49wait here.
00:47:50That's going to be the best.
00:47:51Don't be long, okay?
00:47:55Well,
00:47:56I'm finally going to meet
00:47:57your house.
00:47:57It took you a while, huh?
00:47:58Yeah,
00:47:59It's that until I feel
00:48:00that a woman
00:48:01it is really important
00:48:02for me,
00:48:02I prefer to save
00:48:03the distances
00:48:03so they don't hurt me.
00:48:05So you're telling me
00:48:07that I am the first woman
00:48:08that I went up to your house.
00:48:09Well,
00:48:09the first one no,
00:48:10but I assure you
00:48:11that house
00:48:11they have stepped on it
00:48:12very few women.
00:48:13Already.
00:48:15Clear.
00:48:21Happens,
00:48:27Sandra.
00:48:28I'm going to give the light
00:48:29what is this switch
00:48:31they put it on me
00:48:32in a place that...
00:48:35She is very pretty.
00:48:37You have good taste
00:48:38decorating.
00:48:39Well,
00:48:39I am a great lover
00:48:41of interior design.
00:48:44Hello.
00:48:45Good night.
00:48:48Here I am.
00:48:50Yeah.
00:48:51I have put myself
00:48:59what you asked me for.
00:49:01I don't know how to do it,
00:49:02You know?
00:49:04But you teach me,
00:49:05Okay?
00:49:05Wait, madam,
00:49:06I think here
00:49:07there is a mistake that...
00:49:08Amador,
00:49:09why are you taking so long?
00:49:10What are you doing here?
00:49:11What do you mean, what am I doing here?
00:49:12Has he stayed with me?
00:49:14No?
00:49:14What is left with me?
00:49:15No.
00:49:16Well, well,
00:49:16excuse me,
00:49:17but I am retiring to rest.
00:49:19Yeah.
00:49:19It's that I've had
00:49:20a terrible day.
00:49:21Hello.
00:49:27Moving past preambles,
00:49:28No?
00:49:29But, madam,
00:49:29What do you do?
00:49:30in bed?
00:49:31What do you think?
00:49:34Marisa,
00:49:34what are you doing?
00:49:36It has stayed with me,
00:49:37don't harass him.
00:49:38Thank goodness
00:49:38that I have not signed
00:49:39the contract.
00:49:40But,
00:49:40where are you going?
00:49:41Excuse me, ma'am,
00:49:42but this work
00:49:43is very poorly paid.
00:49:45Good night.
00:49:48Look what you've achieved!
00:49:50Yeah,
00:49:50another man
00:49:51that has left me hanging.
00:49:52Hello?
00:50:01Hello.
00:50:02Oh well,
00:50:03Who are you?
00:50:04And you?
00:50:04That you are a friend of...
00:50:05No, I'm not a friend,
00:50:06I'm her boyfriend.
00:50:07Well,
00:50:08now not even that.
00:50:09What do you mean he's your boyfriend?
00:50:10Yeah,
00:50:10and that's my bathrobe,
00:50:11and that's my bed,
00:50:12and this is my house.
00:50:14He is taking a shower.
00:50:16Well,
00:50:16now when I get out
00:50:17that makes everything clear to us.
00:50:17No,
00:50:18That doesn't clarify anything for me.
00:50:19Here I am...
00:50:20Yes, everything is very clear.
00:50:23Shit.
00:50:24Have a great time,
00:50:25Hey?
00:50:32Armando?
00:50:37What's happening?
00:50:38What do you mean, what's going on?
00:50:39That I just met
00:50:40to your boyfriend.
00:50:41My boyfriend?
00:50:42Yeah.
00:50:43Ah,
00:50:43host,
00:50:44my...
00:50:44my...
00:50:45And what did he say?
00:50:46And what does it matter what he said?
00:50:48Are you gay?
00:50:51The truth is yes,
00:50:52Yeah.
00:50:52Well,
00:50:53a bit,
00:50:54Yeah.
00:50:54And what are you doing with me?
00:50:56The thing is...
00:50:57It's just that sometimes
00:50:58I have doubts,
00:50:59but if,
00:51:00I'm gay.
00:51:00It's not your fault,
00:51:01understand me.
00:51:03Look,
00:51:03you are an asshole
00:51:04and I don't want to bring you back
00:51:05let's see in my life.
00:51:07My God,
00:51:07Why do they happen to me?
00:51:08these things to me?
00:51:11Okay.
00:51:12This excuse
00:51:17It's perfect.
00:51:18I have to write it down.
00:51:20I'm sorry,
00:51:21dear,
00:51:22I'm gay.
00:51:25But let's see,
00:51:26where are you?
00:51:26At customs?
00:51:27No,
00:51:27they have taken me
00:51:28to a police station.
00:51:29They say that without documentation
00:51:30I can't leave the country.
00:51:32Well, call the consulate.
00:51:33But I have called,
00:51:33dear,
00:51:34but they don't take it.
00:51:35What I do?
00:51:36Peaceful,
00:51:37peaceful,
00:51:37that right now
00:51:38take a plane
00:51:38and I'm going there.
00:51:39I'm afraid,
00:51:40fatso,
00:51:40a little kiss.
00:51:42Clear,
00:51:42Pussy,
00:51:43but why is he leaving?
00:51:44to Istanbul
00:51:44with the beautiful
00:51:45What is Fuenjirola?
00:51:48Hello,
00:51:49careful.
00:51:50Lucia,
00:51:51please,
00:51:51don't give me these scares.
00:51:52That?
00:51:53Were you suffering for me?
00:51:54And for the plane ride.
00:51:55Oh,
00:51:56how is my anguish,
00:51:57is preferred.
00:51:58Evil,
00:51:58how do you want it to be?
00:51:59I thought you were confused.
00:52:00with a Turk.
00:52:01With a Turk?
00:52:02But what are you saying?
00:52:04Don't laugh,
00:52:05I'm telling you seriously.
00:52:05You leave so suddenly,
00:52:07without saying anything.
00:52:07Already,
00:52:07dear,
00:52:08needed,
00:52:09I needed to do something different.
00:52:11Then get a piercing.
00:52:11like everyone else.
00:52:12Oh,
00:52:13I've already done it,
00:52:13look.
00:52:16What do you think?
00:52:17And also,
00:52:18How am I going to flirt with anyone?
00:52:19I've been the whole trip
00:52:20thinking of you.
00:52:21Haven't you thought about me much?
00:52:23Hey?
00:52:24Oh,
00:52:25No,
00:52:25in the little house.
00:52:26Yeah,
00:52:26Yeah,
00:52:26I've thought a lot.
00:52:27Yeah?
00:52:28The truth is yes.
00:52:29The truth is that,
00:52:30It's that I'm a piece of shit.
00:52:32I'm the most miserable guy
00:52:33of this planet.
00:52:35Lucia.
00:52:35That?
00:52:36I have to tell you
00:52:37a horrible thing.
00:52:37That?
00:52:38What happened?
00:52:40Well, Natalia
00:52:41had a problem with his parents
00:52:44and left home.
00:52:45And I don't know how,
00:52:46but it ended up like this.
00:52:48AND...
00:52:48And?
00:52:50Roberto,
00:52:51you're worrying me.
00:52:53No, no, no, no,
00:52:53if I slept on the couch.
00:52:55But I had a very strange nightmare
00:52:56and I woke up
00:52:58and I don't know why,
00:52:59but I went to the bedroom
00:53:00and...
00:53:01Have you slept with her?
00:53:03No, no, no, no,
00:53:03nothing happened.
00:53:04So?
00:53:05Well, nothing happened,
00:53:06but it was about to happen.
00:53:08Come on,
00:53:09that I really wanted.
00:53:10Well, but you didn't do it.
00:53:12Yes, but I had it the whole time
00:53:13in the head.
00:53:14Come on,
00:53:14I don't know how nothing happened.
00:53:16No, nothing happened
00:53:17because you love me.
00:53:18Yes, but I was close.
00:53:20Come on,
00:53:20that I was very close.
00:53:22Well, Roberto,
00:53:23don't insist,
00:53:24Hey?
00:53:24Because I come very relaxed,
00:53:25but everything has a limit.
00:53:28Already,
00:53:29but we are getting married.
00:53:31Yeah.
00:53:31We're supposed to be completely in love.
00:53:33and you go away for a week
00:53:34and I'm already attracted to others.
00:53:35But that's normal.
00:53:38Well, what a piece of shit love is.
00:53:39Already,
00:53:39but I can't pretend
00:53:40being the only woman
00:53:41that attracts you sexually.
00:53:43Well, I do intend to be
00:53:44the only one that attracts you.
00:53:46Well I'm sorry, honey,
00:53:47but it doesn't work that way.
00:53:48Being faithful is complicated,
00:53:49but it's supposed to make up for it.
00:53:51I hope so.
00:53:53I have a brilliant idea.
00:53:54Let's go to bed right now.
00:53:56Runs!
00:53:58I totally agree.
00:53:59Now, I'll tell you something, okay?
00:54:00If Natalia escapes you,
00:54:01I kill you.
00:54:05But let's see
00:54:06how Amador has left.
00:54:07These two are to blame.
00:54:09He said he has not signed the contract
00:54:10and that this is very poorly paid.
00:54:12Oh, John,
00:54:12we have already stayed again
00:54:13again without a concierge.
00:54:14Oh, how nice Emilio was.
00:54:16Oh yes.
00:54:16So let Emilio come back.
00:54:17Where is?
00:54:18He said he was going to take it
00:54:19a bus to Córdoba.
00:54:20Let's go to the station,
00:54:20that this idiot is leaving.
00:54:21He's going to take the car out.
00:54:22When I come back I won't have any room.
00:54:24Pigeon,
00:54:24which is in the Plaza de Minus Válidos.
00:54:26They give fines there, Juan,
00:54:27they issue fines.
00:54:30Man, Natalia!
00:54:39Hello, Lucia.
00:54:41How are you in Istanbul?
00:54:42Nice, huh?
00:54:43Beautiful, beautiful.
00:54:45You're coming down, aren't you?
00:54:46Yeah.
00:54:51Well, look, Natalia,
00:54:52Let's see how I can explain it to you, okay?
00:54:53I want you to know that I understand
00:54:56I'm perfectly happy that you like Roberto.
00:54:58Yes, it's cute.
00:54:59Yes, it's very cute, yes.
00:55:01And I'm in a stage
00:55:02as more relaxed,
00:55:05trying to enjoy life,
00:55:07downplaying it
00:55:08to the problems.
00:55:09Look, that's very good.
00:55:11Yes, it's very good.
00:55:12But if you come closer again
00:55:13to my boyfriend,
00:55:14I'll rip your head off, okay?
00:55:16Have you explained it clearly?
00:55:17No, I understand you too.
00:55:19You are getting married
00:55:20and that is very nice.
00:55:21Yeah.
00:55:22You calm down,
00:55:22that I'm not going to do anything
00:55:23that Roberto doesn't want to do.
00:55:25The question is...
00:55:27what does he want to do?
00:55:38Hello.
00:55:39It took you a long time, didn't it?
00:55:40How was dinner?
00:55:41That, on top of that, I'm joking.
00:55:43What's happening?
00:55:44How was the movie?
00:55:45Entertaining, isn't it?
00:55:46Lots of action.
00:55:47Well, well,
00:55:48the first one gave me now
00:55:48a little lazy,
00:55:49but then little by little...
00:55:50Fernando, don't tell me stories.
00:55:51I found myself an aunt
00:55:51leaving the bedroom
00:55:52with my bathrobe on.
00:55:53That?
00:55:54What's happening?
00:55:54Are you going to sleep with her in our bed?
00:55:55a shower and as good as new?
00:55:57No, no, Mauri, it wasn't me.
00:55:58No, the one who was here with her
00:55:59It was Armando.
00:56:00Armando, man, of course,
00:56:01as it has not occurred to me before,
00:56:02but if it is him
00:56:03the one who is always to blame for everything.
00:56:05The thing about prestige was Armando.
00:56:06The twin bulls
00:56:06Armando threw them.
00:56:07Look, I don't believe in anything anymore.
00:56:08Nothing!
00:56:12Hey, be careful.
00:56:13because it has appeared before
00:56:14Mauri this way
00:56:14and it caught us.
00:56:15I say this so you can prepare
00:56:16some things.
00:56:17Thank you so much,
00:56:17we are dealing with the matter
00:56:18with the attention they deserve.
00:56:19Oh, okay, well...
00:56:20Well, now I feel more at ease.
00:56:25You see?
00:56:25How was it not me?
00:56:26So you're such a good neighbor.
00:56:26that instead of giving it salt
00:56:27you lend him our bed.
00:56:29No,
00:56:29I lent him the house
00:56:30because he did me the favor
00:56:31to say that the magazine was his.
00:56:32So the magazine is yours.
00:56:33Yes, I lied to you,
00:56:34but I have an explanation.
00:56:35Well, I don't want to hear it.
00:56:36Well, I want to tell you.
00:56:37Sit down, sit down.
00:56:38Look,
00:56:39at work they begin to suspect.
00:56:40Yeah,
00:56:40there are a couple of companions
00:56:41that they hit on me
00:56:42and since I don't do anything...
00:56:43What companions?
00:56:43And what do you care?
00:56:44if you don't know them?
00:56:44No, but I would love to meet them.
00:56:47Look, Mauri,
00:56:48I take the magazine to work
00:56:49to make people shut up.
00:56:51That's a good image!
00:56:52for a prestigious lawyer.
00:56:53And what are you doing?
00:56:54You decorate the office
00:56:54with the central dessert.
00:56:55And what do you want me to do?
00:56:56That's enough, Fernando.
00:56:57We are very old
00:56:58to continue with this nonsense.
00:56:59Mauri.
00:57:01Mauri!
00:57:03What the hell are you doing?
00:57:04What do you think?
00:57:05Man,
00:57:06It seems a bit exaggerated to me
00:57:07that you leave home, huh?
00:57:08No, if this is for you,
00:57:09I'm not going anywhere.
00:57:10Fernando,
00:57:10or come out of the closet now
00:57:11or you stay inside
00:57:12but with another.
00:57:12I'm up to here.
00:57:13Well,
00:57:14We've already talked about that, right?
00:57:14I can't take it anymore, Fernando.
00:57:15I'm suffocating inside the closet.
00:57:16It smells like mothballs,
00:57:17kills moths,
00:57:18so I've been through it.
00:57:18So yourself.
00:57:19Mauri,
00:57:20it's not easy.
00:57:20No, it's not easy,
00:57:21but it's not that difficult either.
00:57:22No, but it is a personal decision.
00:57:23and it's my life,
00:57:24do you understand?
00:57:24My life
00:57:25and you can't force me.
00:57:27Well, it's over.
00:57:29We're done.
00:57:29Well, fucking great.
00:57:33God.
00:57:35And we have said,
00:57:36Emilio is our goalkeeper
00:57:38and above all things
00:57:39We want you to stay with us.
00:57:41Well,
00:57:41that
00:57:42and that the other
00:57:42he has run away.
00:57:44And as proof
00:57:44of our good faith,
00:57:45There you have the contract.
00:57:48Fuck,
00:57:49but if you put my name
00:57:50and all,
00:57:50They're finally going to meet me
00:57:51in social security.
00:57:52Signature.
00:57:53Hey,
00:57:55but now he earned less than before.
00:57:56Clear,
00:57:57is that now you have to pay taxes.
00:57:59Ah,
00:58:00Well, I'm thinking
00:58:01which doesn't make me either
00:58:02much excitement
00:58:03this thing about the contract,
00:58:04Hey?
00:58:04Signature.
00:58:05Okay, okay, okay.
00:58:11Good.
00:58:14Thank you, thank you.
00:58:17Let me see if I understand.
00:58:19Natalia has spent the night
00:58:20in your house
00:58:20and you have done nothing
00:58:21and you told him like this
00:58:22to Lucia.
00:58:23Yeah,
00:58:24but you have also told him
00:58:25that you would have liked
00:58:25to cheat on him.
00:58:27Exact.
00:58:27I mean,
00:58:27that you don't put them on
00:58:28but you tell him
00:58:28that you would have put them on.
00:58:30But you're an idiot.
00:58:31But don't realize it,
00:58:33it's called sincerity
00:58:34and this
00:58:35strengthens a couple.
00:58:38Look,
00:58:39Hey?
00:58:39How complex
00:58:40are human relationships.
00:58:42Careful.
00:58:44Nativity scene,
00:58:44What do I have to tell you?
00:58:45a very important thing.
00:58:49Tell me.
00:58:50No,
00:58:51that sometimes I feel like
00:58:52cheat on you,
00:58:52but come on,
00:58:53I'm telling you
00:58:53to strengthen our relationship.
00:58:57Hey,
00:58:57Well, this is for the people
00:58:58it works for him.
00:58:59I'm going home.
00:59:00How little you know
00:59:00of the couple,
00:59:01Nativity scene,
00:59:01how little you know.
00:59:02How it shows
00:59:03that you haven't had many.
00:59:05Hey,
00:59:05make me an omelet.
00:59:06the staple.
00:59:08The staple.
00:59:10I love tortilla,
00:59:11Nativity scene.
00:59:12I don't do anything to you.
00:59:13I'm going home.
00:59:15Hot flashes,
00:59:16sweating,
00:59:17insomnia,
00:59:17palpitations,
00:59:18nervousness,
00:59:19depression,
00:59:20loss of libido,
00:59:21vertigo and fatigue.
00:59:22Already,
00:59:22does not find it attractive
00:59:23to my wife.
00:59:24This is very normal.
00:59:25It happens to many women
00:59:26your age.
00:59:27The fact that?
00:59:27Listen,
00:59:28let's see if it will have
00:59:28that menopause.
00:59:29Menopause?
00:59:30That menopause
00:59:31It is not contagious,
00:59:32No?
00:59:33Pigeon,
00:59:33congratulations.
00:59:35I am pregnant.
00:59:36You are not pregnant,
00:59:37you what you are
00:59:38is a lost menopause.
00:59:39A child at this point.
00:59:42Who would have told us,
00:59:43Hey?
00:59:43We don't change diapers,
00:59:45we don't buy baby food,
00:59:46we don't take anyone out for a walk
00:59:48and most importantly,
00:59:49in our room
00:59:50there is no room for anyone else.
00:59:51Tomorrow we are going to do
00:59:52a house party.
00:59:53No parties here,
00:59:54Hey, Juan?
00:59:55No parties here.
00:59:56What time is the party?
00:59:57Tonight I triumph.
00:59:59If I have the look
00:59:59of the hunter.
01:00:00If the cock
01:00:01wants to have the party,
01:00:02So let him do it.
01:00:03that will be remembered
01:00:04the rest of his life.
01:00:05Well, if she doesn't throw the party,
01:00:07I give it to you.
01:00:08There's sure to be a fuss.
01:00:09and drugs
01:00:10and vice.
01:00:12Hello.
01:00:13Hello.
01:00:13Hello.
01:00:14I'm going to the party here, right?
01:00:15Go on, go up and complain,
01:00:16that they get a little overwhelmed.
01:00:17And now in a little while
01:00:18Did you call the police.
01:00:20You'll see what a party.
01:00:22We can't miss it, huh?
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