- hace 2 días
Los vecinos sufren una inspección técnica del edificio que les lleva a tener que plantearse hacer obras por valor de 24 millones de pesetas si no quieren que les desalojen. La única solución que encuentran es vender los pisos a un constructor y marcharse de allí, pero ni Lucía ni Vicenta están dispuestas a ceder. Alicia decide hacer un último intento de acercamiento a Fernando y para ello utiliza a Mauri y así conseguir darle celos. Mauri se enfada con Fernando porque éste cree que ninguna chica se puede fijar en él y sale con Alicia. Todo va bien y Fernando sufre un ataque de celos. Por último, Emilio, temiendo que vendan el edificio, le pide a Belén que se vayan a vivir juntos.
Categoría
📺
TVTranscripción
00:00Oh!
00:05Dude, it's so cold in the mornings.
00:07If it had pieces and this came to me, it would be terrible.
00:09Hello.
00:10Hello, Rebequita. Where are you going alone?
00:12To school.
00:13But your father didn't take you.
00:14I told him I prefer to go alone so I can start feeling independent.
00:17But you can't go alone. What if a bad guy attacks you or something?
00:20I defend myself.
00:21But how are you going to defend yourself if you're only seven years old?
00:24So.
00:25Oh! Oh, what has he done to me! Grenly, this one!
00:27Oh my God! Oh!
00:30Ouch! Ouch!
00:32Emilio, what are you doing?
00:33Oh! Armando's girl who made me go to an anti-violation beach like that.
00:36But what have you done to him?
00:37I'm not doing anything. Oh, I can't see! Oh, it's going to take me a while!
00:40But you don't know what to invent to avoid working, huh?
00:42This one, I tell you, he's smoking weird stuff, Juan.
00:46What are you saying?
00:46Man, whatever I tell you. I notice everything.
00:48You'd have to keep a closer eye on him, huh?
00:50Oh! What question am I?
00:51What is this?
00:52Oh! Oh, the details!
00:54Oh!
00:56Let's see, a little please, Mr. President wants to say something.
01:00Doña Paloma, your husband, a recipe, please, madam.
01:02Thank you, Emilio.
01:03Well, as you know, the IT technician is about to arrive.
01:06Who is the IT?
01:07An aunt who has this one in the town, damn.
01:09Do you want to get drunk?
01:10IT is the acronym for Technical Building Inspection.
01:14And it's about making ours look like it's in good condition.
01:17It's just that it's not in good condition.
01:18Damn, Armando, that's why you use the verb parece.
01:20Of opinion.
01:21Leave it to me, Juan. Leave it to me, I'll speak to them in their language.
01:24Do you want to pay a levy?
01:25No, right?
01:26Well, come on, everyone to your stations and cover up the cracks.
01:29Man, come on!
01:29Come on!
01:30Come on!
01:30Man!
01:33That's it, Vicente.
01:34Just a little bit further, Mr. Juan, this gentleman is here.
01:36Wow, that's great!
01:36Come on, hurry up.
01:39Hello good morning.
01:40Hello good.
01:41I am the city council architect and I came to do the Technical Inspection of the Building.
01:44How could it not?
01:45Go ahead, you're home.
01:46Thank you so much.
01:46And you too.
01:48Hello.
01:48Hello good morning.
01:49Hello good morning.
01:50Hello good morning.
01:51Hello.
01:59Hello, Miss Belén, Mrs. Concha sent me because the dishwasher isn't working.
02:04But we don't have a dishwasher.
02:07Pretend it, damn it.
02:09Belén, I feel very alone.
02:10I need a little love.
02:12Let's go to your room.
02:14Are you stupid or what?
02:15Come, let there be a woman, the man of the gal is going to come to the counters.
02:17But what do you think?
02:18Is this a brothel?
02:19That you can come here and have fun whenever you want?
02:21Hey, Belén, we're already wasting precious time.
02:23No, Emilio.
02:24That's as far as we've come.
02:25It's over.
02:26Get it into your head.
02:27It's over.
02:34It's all right, huh?
02:36Come on, go.
02:37Go, Alice is coming.
02:39I know what's happening to you, Belén.
02:40You get horny when we argue.
02:43But what are you saying?
02:43Yes, yes, he's going to give you that weird sado thing.
02:47Look, Emilio.
02:48This has been a farewell.
02:49Latest.
02:51Latest.
02:51Did you understand?
02:52Yes, yes, the last one.
02:53Like the previous one, let's go.
02:55Hey, a little cigarette, huh?
02:57Attention, we're about to start the neighborhood meeting.
03:06They turn off my cell phones and if someone is going to insult, let them be a little original, because we always hear the same thing.
03:10Thank you so much.
03:11Well, before we start, I'm going to give the floor to Concha so she can tell me to leave.
03:14Go away, Mr. Cuesta.
03:17Go away.
03:18Good.
03:19And now I have two pieces of news.
03:20Tell us the good news first.
03:21It's that both are bad.
03:23The city council technician told me over the phone that he's going to issue an unfavorable report on the building.
03:28Well, unfavorable.
03:29He told me he's about to fall.
03:30But it can be fixed.
03:32Correct, it can be fixed.
03:33The works will cost us about 24 million of the old pesetas.
03:37How much?
03:38And how much is that?
03:39Because I already think in euros.
03:41I call anything thinking.
03:43But that's four million per floor.
03:44It's a savagery.
03:45And what happens if we don't do the work?
03:47Well, we didn't pass the inspection and they evicted us.
03:49Can I say one thing?
03:50Yes of course.
03:51This girl always looks so cute.
03:52Hey, why don't we bribe the inspector?
03:55Yes, we have already considered that possibility, yes, but we have ruled it out.
03:58Of course, because it's illegal.
03:59Well, because of that and because we don't have money.
04:01If you want, I'll sleep with him.
04:03Emilio, this last point will not be recorded in the minutes.
04:06No, not that or anything because I left my notebook at home.
04:08Well, Juan, so what do we do?
04:09Because four million no, eh?
04:11Don't worry, there is an alternative.
04:13I'm going to introduce you to a gentleman who has contacted me.
04:15and that he has a proposal to make to us all.
04:22Augusto, how are you?
04:24Good morning.
04:25Good morning.
04:27My name is Augusto Carvajal and I am a real estate developer.
04:30We love you, Augusto.
04:32Please.
04:33I was excited to say it like in the movies.
04:35I'll be brief.
04:37I'm offering 30 million pesetas for each of the homes in this building.
04:43On one condition.
04:44I sell.
04:45Me too.
04:46Just a moment, let's let him finish.
04:48My intention is to demolish this building to build an office complex.
04:53So either they all sell or there's no deal.
04:56Hey, how much are they going to pay me for the goal?
04:59Nothing, because that's a common area, Emilio.
05:01But I'm happy with 20 million.
05:03But the goal is not yours, Emilio.
05:05Well, 10 and it's my last offer.
05:07Very good.
05:07I look forward to hearing from you tomorrow.
05:10I think it's a more than reasonable offer considering the condition of the building, right?
05:15So...
05:17Think about it.
05:18Good morning.
05:19Bye bye.
05:19I'll get at least 5 million out of this one, you'll see.
05:26Well, the day of reflection begins.
05:32Mauri, so what do you think?
05:34Do we sell or not sell?
05:35Man, 30 million for this apartment is pretty good, huh?
05:37Then we sell.
05:38The thing is, it's a shame, isn't it?
05:40Do we have it so pretty?
05:41Well, we say no.
05:43Of course it's 4 million in spending, right?
05:45Well, we sell.
05:46And where are we going?
05:47Because finding a flat isn't that easy.
05:48Mauri, what do you want to do?
05:49I don't know, why do I have to decide?
05:51Because if I decide, then you throw it in my face.
05:52Man, of course, if you don't count on me...
05:54Come on, please get some olives.
05:56Mom, why don't you ever count on me?
05:59Son, we're selling both apartments!
06:02Oh, 60 million!
06:04Do you know anyone who has a lot of money?
06:06Yes, I do, mom's boyfriend.
06:08And I'm going to give half of it to you.
06:11Ah, well, then we sell.
06:14But what will happen to Alicia and Belén?
06:15The two sluts.
06:17Let it be sought in life.
06:19Alicia, they're throwing us out on the street.
06:23What are they going to throw away all this to make offices?
06:26Do you know what that means?
06:27Yes, we are really screwed.
06:29No, I'm not going to see Fernando again.
06:31I have to do something.
06:32Yes, think about where we are going.
06:36Alice?
06:36That I could have a heart attack.
06:38No, I'm going to have a heart attack.
06:39Take this smoke out, I'm...
06:41What is this?
06:43What is this?
06:43You take it and I won't say anything to you.
06:45Fuck me.
06:45Well, anywhere, Lucia.
06:46If we've been here less than three months.
06:48Yes, but God, I've grown fond of this house.
06:50Imagine how fond you'll become of a place with normal people.
06:54Well, if you're looking for your apartment...
06:57I'm looking for an apartment.
06:59And you organize the move.
07:00We stayed.
07:03We stayed.
07:04Also, this house is very nice.
07:06We're leaving, Juan.
07:07We're leaving.
07:09And we bought the townhouse at your sister's.
07:11But we are fine here.
07:12The children have their friends and can walk to school.
07:15Or children who get up earlier and take the route.
07:17And if you don't buy me a motorcycle.
07:19And me the car, eh?
07:20Yes, what else?
07:21Besides, I like being president.
07:23But if you're going to remain president,
07:25but from a development of chalets.
07:28Can you imagine?
07:29Deciding on the pool, the green areas,
07:31the color of the trash cans.
07:33There is no doubt that this is a challenge.
07:36Sure, darling.
07:37It's a leap in your career.
07:39We cannot stagnate.
07:40We are young, Juan.
07:41We are young.
07:42We're young, damn it.
07:43Let's go to Benidorm.
07:44That with 30 kilos in your pocket
07:46There is no German that can resist us.
07:48But this is our family home.
07:50We grew up here.
07:52Well, we grow here.
07:53and we shrink in Benidorm.
07:55So we changed a little.
07:57The house is mine.
07:58And I say it's not for sale.
08:00Damn, you're so boring, Vicenta!
08:02But it's not a joke, Paquito.
08:04They're going to demolish the building.
08:05That we are going to have to live off unemployment.
08:06That you don't.
08:07If you don't have a contract.
08:08And what do I do now?
08:09How about what?
08:10Where do I live?
08:11Ah, calm down, man.
08:12You look for another job.
08:13What can you do?
08:14I am a goalkeeper.
08:16Yeah, well.
08:17And apart from that...
08:18Well, nothing.
08:21Ah, no.
08:21Nothing.
08:23But don't let it...
08:24Nothing.
08:28Nothing.
08:30Oh, look.
08:31Low interior.
08:3225 square meters.
08:33Very bright.
08:34700 euros.
08:36We're going to call them to take it away from us.
08:38Melén.
08:39I already know what I'm going to do to win Fernando over.
08:41A sex change?
08:42No.
08:43I'm going to use the foolproof technique.
08:45When a guy you like doesn't pay attention to you,
08:47go after his friend.
08:49So now you're going to hook up with Mauri.
08:51I never see it as infallible, which is regrettable.
08:54Men are jealous by nature.
08:56They are primitive.
08:58They mark their territory.
08:59Already.
09:00My toilet bowl has come out.
09:02I don't see the connection, huh?
09:03The mistake I made was showing him that I liked him.
09:07I'm sure if he sees that he's losing me, he'll jump.
09:10Look, with Fernando I already saw it as difficult.
09:12But if you manage to hook up with Mauri,
09:14I swear I'll pay you a year's rent.
09:16Made.
09:18Well, better than three months.
09:20You never know.
09:28You don't touch.
09:30Tell me.
09:31August.
09:32I am Juan Cuesta, president of the community.
09:34How are you?
09:35Are they going to sell me the building?
09:36Yes, yes, yes.
09:37Everything is already underway.
09:39Great.
09:40They sell everything.
09:41Well, technically it's a three-way tie.
09:44But things are looking promising, huh?
09:45I'm very sorry, but then there's no deal.
09:48No, no, no, no.
09:49Wait, wait.
09:50I think we can still reach an agreement.
09:52I'm offering you five million more per apartment.
09:54What a son of a bitch.
09:55As?
09:56No, no, no.
09:57That is very generous of you.
09:59Look, I can't be wasting my time.
10:01This is my last offer.
10:02They have twenty-four hours to decide.
10:06Well, I think that...
10:08Thirty-five million, huh?
10:09Thirty-five million one after the other.
10:11How can we not sell?
10:12We sell, right?
10:13Ah, yes.
10:13Fernando, we had already talked about it.
10:15Ah.
10:16Well, I don't sell.
10:17Neither do I.
10:17But hey, why not?
10:19Why not?
10:21Calm down, mom.
10:22You breathe, okay?
10:23Well, because I'm happy, I just completed the renovation and I don't want to go anywhere else.
10:26But what's going on?
10:27Don't you love your homes?
10:29Well, for thirty-five million I'll sell the apartment with this one inside.
10:31Well, not me.
10:33The apartment is mine and there's nothing more to talk about.
10:35Bye bye.
10:36Bye bye.
10:37See you later.
10:38That.
10:39And what do they give the rest of us?
10:40Well, if they don't want to sell, that's their right, right?
10:43Mr. Juan, it's a shame, but I think you should call this man and tell him no.
10:47No, no, no, no, no.
10:48No way.
10:48To call nothing.
10:49We still have twenty-four hours.
10:51And those two sell.
10:53I believe they sell.
10:59Emilio.
11:00Damn, dad.
11:01Now I see you.
11:02I'll see if some of these losers will buy me a book.
11:04Dad, they're firing me, I'm out on the street.
11:06But what have you done, you wretch?
11:08I have nothing.
11:08If they sell the building and tear it down to make an office.
11:11No problem.
11:11From my distance I ask to sell books.
11:13But what do I know about books?
11:14Let's see, ignorant of life.
11:16Do you know who the classics are?
11:18Virgil, Horace, Becker, Balzac, Lope de Vega, Calderón, Sieppi, Monier, José Hernández, Dante, Petrarca, Dican, Dostoyevsky and Obero.
11:27And the contemporaries.
11:29Carmen de Icaza, Pemán, Pérez Galdós, Mata, Miura, Agusti, Duca de Tena, Erembur, Guillermo Díaz, Plaja and the Álvarez Quintero brothers.
11:37How much do you know, dad?
11:38You really could have gone high.
11:40Hello.
11:40Hey, look, look, Belén.
11:42Look, meet my father.
11:44Nice to meet you.
11:45Belén is my girlfriend.
11:46Wow, damn, what a joy!
11:48Well, not really either...
11:49Your son is not a good or bad one.
11:50I thought you were gay, that I was gay.
11:53Well, nothing, be very happy.
11:56And, by the way, I have a couples brainstorming book here that's very well priced for what it helps.
12:00Come on, come on, dad, you do your thing.
12:01Well, well, look, look.
12:03Ah, my wife will introduce you.
12:05And smile, damn it, dad, you have a very pretty smile.
12:07Look, if my son has a girlfriend, I can easily sell an encyclopedia.
12:14You're stupid, what's wrong with you?
12:15How could you possibly tell him we're dating?
12:17But we are.
12:18Hey, Belén, now that they're going to kick us out, we could move in together.
12:21Should we move in together, you and I?
12:23Of course, to get to know each other better.
12:24Yes, but I don't want to get to know you better.
12:26Look, Belén, I can't go on like this.
12:27I have to know what we are.
12:29That we are nothing, Emilio, nothing.
12:31That we have gone to bed a couple of times.
12:33Fourteen.
12:34Fourteen already?
12:35Yeah.
12:36Well, fourteen.
12:37It doesn't mean anything either.
12:39I'm not your girlfriend, I'm not going to live with you, I don't want to meet any more of your family, or anything at all.
12:44Is that clear?
12:45Well, that's it.
12:55Marisa, come.
12:56Damn, I was watching TV.
12:58Well, look, now we know how to get Vicenta to sell the apartment.
13:01Hey, but make it look like an accident, okay?
13:04Don't worry, don't worry.
13:05You listen.
13:06Let's see how you push me.
13:06Marisa, let's say your sister is a person who is easily manipulated.
13:12Yes, she is silly.
13:13Correct.
13:14Marisa, look, this is a paper in which Vicenta grants you power of attorney over the apartment so you can sell it.
13:19And you just have to get him to sign it and that's it.
13:23Damn, how do I get my sister to sign this?
13:27Vicenta, Vicenta, see that they have come collecting signatures to save the Amazon.
13:32Sign these papers for me, come on.
13:34Save what?
13:34The Amazon, which is a beautiful, very large, very large forest that exists over there, in Brazil.
13:40Ah, no, no, I'm not signing.
13:42First, save the forests here and then those outside.
13:44But, but, they are also going to save the Doñana reserve.
13:49Signature.
13:49Let them clarify.
13:51That doesn't know what they want.
13:52And so are the forests.
13:54I don't sign anything.
13:56The mother who gave birth to him.
13:59God.
14:02Hello, Mauri.
14:04Man, how long?
14:05How are you?
14:06Well, here I am collecting the letters that my friends write to me.
14:08The bank, the electricity, the telephone, some people who fix televisions.
14:13It's very pretty.
14:14Then when I open them, I start to cry.
14:16Oh, you smell so good.
14:18What cologne are you wearing?
14:19A unisex one, one of those that have come out now.
14:23Don't you think it's a little strong?
14:25No no.
14:26Well, the smell of a cologne depends a lot on the pheromones of the person wearing it.
14:30The mix suits you very well.
14:32Ah, well, I'm going home, you've given me an idea for an article.
14:35Hey, those pants are new.
14:37Why? Do I wear the label?
14:38No, it just looks great on you.
14:40It makes you a very nice ass.
14:41A very nice ass.
14:44Ah.
14:49Honestly, what doesn't happen to me...
14:59Hey, what did you do to the computer?
15:00What is that I can't get on the internet.
15:02That Alicia is pulling my eyebrows.
15:04What Alice what?
15:04That he likes me, that he's attracted to me, that he wants to have an affair with me.
15:06That?
15:08Nothing, I just found it funny.
15:10What's wrong, can't a woman be interested in me?
15:11Yes, and Bush can become a member of Greenpeace.
15:14Don't fuck with me.
15:15Hey, when I was 16 I went out with a girl, huh?
15:17Oh yeah?
15:18Yeah.
15:18And you slept with her?
15:20No.
15:21Because he had an older brother who was...
15:23Look, I think this thing about Alicia is another one of your paranoias, huh?
15:26Yes, yes, because you, come on, it's very obvious that you're gay.
15:29Oh yeah?
15:30So we don't have to hide it.
15:32Well, there are people who notice it and there are people who don't.
15:34So, it's not that noticeable on me.
15:35Yes, yes, yes, it shows.
15:36What happens is that then they see me and they kind of hesitate.
15:39Ah, they see John Wayne and say this one next door is his cousin, the one from Tomelloso.
15:42Do you know what's wrong with you?
15:43You're jealous because Alicia likes me now.
15:45And that's what always happens to us.
15:46At first you like me, and as soon as we get to know each other, I like you.
15:49That is, you enter through the eyes and I conquer through my way of being.
15:53Hello.
15:55Hello, is Mauri here?
15:56Yes, I'm here.
15:59Hey, I thought if you don't have anything to do tonight, maybe you'd like to come with me to the movies.
16:04All right, what do you want to watch?
16:06I don't know, you choose.
16:07No, you choose.
16:08No, you.
16:08You, you.
16:09Look, you see, we look like a couple.
16:11They have released one by Cameron Dia.
16:14Well, that one, which is very good.
16:16That.
16:16Well, you can come too if you want.
16:18No, if Fernando doesn't like the movies, it's better if we both go.
16:21Look, I'll come up to get you at eight, okay?
16:23Come on, see you later.
16:24See you later.
16:27There it is, I have it in the can, mate.
16:30No, no, no.
16:31I know it's crystal clear what he's doing, yes.
16:33He actually likes me, he's just using you to make me jealous.
16:37Or he used you to make me jealous.
16:39Go on, possible.
16:40You're jealous, you're jealous.
16:42No, I'm not jealous because I'm not jealous.
16:44And I can't get jealous because you don't like women.
16:47So you don't mind me dating her.
16:49Me?
16:50No.
16:52What I don't understand is what you're doing going to the movies with her, but...
16:55I love it, I love it.
16:57You're finally going to start appreciating what you have at home.
16:59I'll see what to wear.
17:09Juan!
17:10The guy upstairs is taking a shower, I can hear him.
17:15Mr. Cuesta, you're going to cut off the water to the poor kids.
17:17Emilio, as painful as it may be, when a neighbor is wrong,
17:20the duty of a good president is to make them see it.
17:23By the way, what are the leads of the third A?
17:25No, no, no, no, no, no, no, no.
17:26Yes, yes, yes, yes, yes, yes.
17:29Damn, what the fuck is going on with the water?
17:34Okay.
17:36Awesome.
17:37And now where the hell are the leads?
17:39How am I putting the park?
17:41I shit on the bitch.
17:48Yeah.
17:50No, no, no, no, no, I was just taking a shower.
17:53Hey, do we have any candles?
17:55Yeah.
17:56Lucia?
17:58Hey?
17:59But what the fuck is going on?
18:04There, there, your clothes are going to smell good.
18:08My little sardines, what a beautiful flavor.
18:13Pussy.
18:14Man, neighbor, how are you?
18:19Good.
18:20Hey, what's up with the water?
18:22And with the light.
18:23And with the heating, well, and with everything.
18:24Yeah, we're having a lot of problems, you know?
18:26There are so many things to fix, kid.
18:28Well, I'm trembling waiting for budgets, huh?
18:31The pipes are old.
18:32The electrical installation is a disaster.
18:34But you have light.
18:35Yeah?
18:35Yes, yes, well, yes and no, huh?
18:37Because it comes and goes, don't believe it.
18:39It's a very... thing
18:40You see?
18:41It has already become there.
18:42The electrician is going crazy, huh?
18:44Yeah, but there's no phone either.
18:46And that has nothing to do with the house.
18:48Is someone coming to fix it or not?
18:49Yeah, man, of course, how could it not?
18:50How are we going to be incommunicado, Roberto?
18:53Juan, the phone!
18:55It's the cell phone, huh?
18:56It's just that I like to put classical sounds on things.
18:59But do you think I'm an idiot or...?
19:00But what is that dark one doing?
19:01Give the light!
19:02This is very strong.
19:03Come on, man, don't fuck with me.
19:08Hey, hey, Belén.
19:10What's wrong with you now?
19:11No, look, just a little thing.
19:13That if in the end they sell this and throw it away,
19:15I'm going back to Córdoba.
19:19To Córdoba?
19:20That?
19:21My brother owns a fish shop and says he'll give me a contract.
19:24What do you know about fish?
19:25Man, well, what I need to know is,
19:27On one side there is white fish and then there is blue fish,
19:29that's when it gets bad.
19:30Very good.
19:31But if you go to Córdoba,
19:32we're done.
19:34But how come we're done?
19:35So, we're dating.
19:36No, I mean, I mean we're not going to see each other anymore.
19:40No, no, no.
19:40You said we're done.
19:42No.
19:42And that's because we were dating.
19:43But I explained myself badly.
19:44No, no, no, you've explained yourself very well.
19:46Leave me.
19:46Hey, hey, Belén.
19:48Belén, if you tell me we're boyfriend and girlfriend,
19:50I'm not going to Córdoba.
19:50Hey, Belén.
19:57This is one last blow, huh?
20:01It's breaking my heart.
20:04I'm going to lie down for a while.
20:05Well, what?
20:06Has your sister signed or not?
20:08No, but if something else has happened to me with the signature, I'm sure.
20:11You'll see how he reads it.
20:13No, I've already hidden his reading glasses.
20:15Yes, you'll see.
20:21Vicenta, Vicenta.
20:23They have been collecting signatures from the Association of Single and Full Retirees
20:27to take an all-expenses-paid trip to Cuba.
20:31Oh yeah?
20:32Yeah.
20:32So sign up because a Cuban is waiting to show you the island.
20:36Ah, no, no.
20:37I don't think sex tourism is a good idea.
20:39I'm not interested.
20:40Okay, girl, you have three mojitos and lie down on the beach.
20:43But sign.
20:43This is a trick.
20:44They'll probably try to sell you a set of saucepans later.
20:47But how are they going to take you to Cuba to sell you pots and pans?
20:49You're stupid.
20:52Marisa, I'm not signing.
20:53I do not sign.
20:56Well, there's no way.
21:08Are you waiting for what does it do?
21:09Don't you see her?
21:10Just taking a walk, damn.
21:12Hey, if you're going to be wandering around the portal,
21:14I'll give you the mop and you wipe it for a while.
21:17But where are you going?
21:19Hello.
21:20Good evening, Emilio.
21:22What a whore.
21:28Hey, what's going on here?
21:29To Bethlehem and they touch her, huh?
21:37Am I staying here?
21:39I have two stops left.
21:41Well.
21:42Well, see you tomorrow.
21:44See you tomorrow.
21:44Oh man, Alice!
21:52Hey, hello!
21:53How are you, Alicia?
21:54With Mauri?
21:54Long story short, eh?
21:56No, it's just that we went out for a drink afterwards.
21:58Hey, he's a mental jerk, huh?
22:00Yes, yes, it's just that when it comes to it it's quite funny...
22:02Hey, look, I have the day off tomorrow.
22:03I had thought maybe we could go to the opera.
22:06I happen to have two tickets here to go see the website.
22:09Oh yes, that would be great.
22:11But tomorrow I can't,
22:12because I have arranged to meet Mauri to go see an expressionist painting exhibition.
22:16But if you want we can go another day.
22:18You don't care, do you?
22:18It's just that they're only here for three days, but oh well, it doesn't matter, nothing's happening.
22:21My sister wanted to come.
22:23Okay, but thank you very much.
22:25See you later.
22:26See you later.
22:35Hello, where were you?
22:37Cleaning the car.
22:38Hey, I ran into Alicia.
22:40and he told me that tomorrow you're going to take her to an exhibition.
22:43Yeah.
22:44And you were thinking of inviting her to the opera?
22:46Well, you were another day.
22:49If you want, of course.
22:51Let's see.
22:52But he has no idea about expressionist painting.
22:55The same as you about operas.
22:56And until recently you thought that La Traviata was an Italian heritage.
22:59Excuse me, huh?
23:00I'm learning to appreciate her.
23:01The same as her, expressionist painting.
23:03Well, today's worth it, huh?
23:04But tomorrow I'm going out with her.
23:06No, tomorrow she'll go out with whoever she wants.
23:07I remind you that I met Alicia.
23:09Oh yeah?
23:10Yeah.
23:10Well, thank you for introducing me to her.
23:12But what's going on?
23:12Are you acting like a macho man in life now?
23:13Because?
23:14Looking at you so much, maybe I've picked up something.
23:17But wait a minute.
23:18Let's see, why are we arguing over a girl?
23:21Yes we are gay.
23:22If it's your fault, we don't even know what we are anymore.
23:24In the end, you and I are going to end up heterosexual and she is a lesbian.
23:27Sure, sure.
23:27If the case is always reminding me, the shit of coming out of the closet.
23:31Fernando, you're either on one sidewalk or the other.
23:33If you stay in the middle, you'll get run over.
23:34And you, what?
23:35Forgive me, I am very clear that I am gay.
23:37Yeah.
23:38Well, I remind you that you're meeting up with a girl tomorrow, huh?
23:40Think about it.
23:42Forgive me, forgive me.
23:44Yes, I mean, that...
23:45I'm going to bed.
23:48That's it, go away.
23:49You make me happy.
23:52Bethlehem has worked.
23:53They are both behind me.
23:55Fuck with men.
23:56You can't even trust gays anymore.
23:59Well, when Fernando saw me with Mauri, he went crazy with jealousy.
24:03He stopped me on the stairs and invited me to the opera.
24:05Do you know how much the tickets cost?
24:07You have a problem.
24:09Let's see, what are you wearing?
24:10Because there the only one who can sing is the tenor.
24:12No, I can't go.
24:13I've met up with Mauri.
24:15Wait, wait, wait.
24:16But you didn't like the other one?
24:18Yes, but Mauri also has his charm.
24:21He is cultured and sensitive.
24:23Sure, that's new to you.
24:25Hey, sorry, I've been out with very sensitive men.
24:27Oh yeah.
24:28The only sensitive man she's ever dated is the one who was allergic to glutamate.
24:31and almost fear in Chinese.
24:33That.
24:34And I don't know what to do.
24:36I like each one for a different reason.
24:38Well, look, it's easy, choose.
24:39Either Fernando or Mauri.
24:43Aren't you going out with both of them?
24:45I don't know.
24:47Alicia, who live together.
24:49Yes, that is still a problem.
24:51Hello darling.
24:56Hello.
24:57Are you making me dark?
24:58Has the power gone out?
24:59It looks exactly like it.
25:01Oh, it's so cold.
25:02And why don't you turn on the heating?
25:03There is no heating, no electricity, no water, no telephone, there is nothing.
25:06But what are you saying?
25:08What a stench, what you smell.
25:09Well, I put on this clean t-shirt and it stinks of sardines.
25:13They're coming for us, Lucia.
25:14Let's get out of here now while we still have time.
25:16But what are you saying?
25:17Are the neighbors doing all this?
25:18Either that, or I have the most screwed up horoscope of the year.
25:21Does it seem normal to you that we're the only apartment that has breakdowns?
25:24Hey, I'm Emilio, open the door for me.
25:29Emilio, what's going on?
25:31What's going on?
25:31They're screwing each other, but it's okay.
25:33But well, this is the last straw, I'm going to talk to them right now, because if they want war
25:36they're going to have it.
25:36No, we're not going to care, if they all agree, they're going to make our lives miserable.
25:40Well, I tell you, they're not going to move us from here.
25:41Of course, damn, like Chanquete's boat.
25:44I mean, this grandmother is a sardine.
25:45It sucks, this is it.
25:46Let's go, Emilio.
25:47Paloma, don't you think we've gone a little too far with those above us?
25:57Don't give in now, okay, Juan?
25:58Don't give in now.
25:59Look at the chalet.
26:00Hey, yes, it's pretty, but...
26:02Turn the page, you'll see what a garage.
26:04Wow, there's room for two cars here.
26:07Not two, Juan, eh?
26:08One, one that I know you.
26:09No, woman, I'll say it for when the girl gets her license.
26:12The girl is adorable and she's going to find a boyfriend with a car.
26:15Oh, what happened?
26:17I don't know.
26:17Mom, there is no water.
26:19What do you mean there's no water?
26:20Hey, why are you cutting off my phone?
26:22They called me.
26:23This was the one above.
26:24What a failure.
26:25What obsession has this woman got us?
26:26What have we done to him?
26:28Natalia, get the candles.
26:30And where are the candles?
26:31What do I know?
26:31Oh, my hake sticks are going to defrost.
26:34The candles, well, look for them in a drawer.
26:39Now we have light.
26:42And they don't.
26:43Well, in the end this is going to be a lot of fun.
26:45But if you put silicone on the lock, the door won't be able to open.
26:48Very well, Emilio.
26:50Very good observation.
26:52If it's not difficult for us, you can say goodnight for me.
26:55And to think that aunts put this on their breasts.
27:03Disgusting.
27:07Honey, what a rush.
27:09What have you done?
27:09The power has been cut off for you.
27:11And the water, and the telephone.
27:13What's your mobile?
27:13That for those who just have to make ends meet, it will be very funny.
27:16But you don't realize it.
27:18You are becoming one of them.
27:19That's true, huh?
27:20You are like Doña Paloma.
27:22Well, with less chest.
27:23We'll have to defend ourselves, won't we?
27:25You'll see how they'll leave us alone.
27:26Are they going to leave us alone?
27:28These people, for 35 million, are capable of knocking down a building with their heads.
27:32Paloma, before we declare war on them, we should make sure...
27:34It was her.
27:35I tell you it was her.
27:37This chick has been after us from the start.
27:39Because he's jealous of us.
27:41And envy is very bad.
27:43Well, but I beg you to let me speak first.
27:44Because I notice you're a little nervous.
27:46Nervous?
27:47Look how I am.
27:48If I have anxiety, the hairdresser told me so.
27:52Open up!
27:53Holy shit!
27:54They are the ones below.
27:55Oh, Mr. Cuesta.
27:56And now what do I do?
27:56That he can't see me here.
27:59I don't open it, okay?
28:00Roberto, open up.
28:01Open, open, open.
28:02Let's see what he wants.
28:03So we agreed that I'd speak, right?
28:04Yes, you are the president.
28:08Hi how are things?
28:09Hello, Roberto.
28:10We came because...
28:11Tell your girlfriend to go out if she has what it takes.
28:13Ah, well it's not there.
28:14He had to leave.
28:15What's happening?
28:15What do you mean, what's going on?
28:16Who do you think you are to cut off our electricity?
28:19Me, me nobody, Paloma.
28:20It is the building that is in very poor condition...
28:23Correct.
28:24However,...
28:24You don't know who I'm with.
28:25Hey, hey, but where are you going?
28:27Paloma, where are you going?
28:28Paloma, get out of my house right now.
28:29Oops!
28:29Look, what is this guy doing here?
28:31A scab, Juan!
28:32No, no, Mr. John.
28:32I am a mole.
28:33I was here infiltrated.
28:34Paloma, I won't repeat it twice, okay?
28:36Get out of my house right now.
28:37You want war, don't you?
28:38Well, you're going to see it.
28:40But what are you doing, madam?
28:42He has an anxiety attack.
28:43Please don't hold it against him.
28:45And what's this about breaking things, huh?
28:47All right, so let's break things.
28:48Where are you going, Juan?
28:49You will have closed the door of your house.
28:50How did you say we were going to turn it up for a moment?
28:52But, Juan, don't let him come into the house.
28:54Don't let him in.
28:55Hey, let's see, a little please, we are human beings.
28:58Come on, don't fuck with me.
28:59No, no, don't get upset, damn it.
29:06Hey, don't be shy, okay?
29:07You as if you were at home.
29:08If you break that to my mother, she'll get a musket.
29:11Stay, stay, stay for your father.
29:13I bought that in Almería.
29:14Man, Roberto, how are you?
29:16Paloma, do you choose?
29:17Either you leave us alone or this is going to end very badly.
29:19For God's sake, before we go on the news, let's try to reach an agreement.
29:23Do you sell or not sell?
29:24No, I sell.
29:25Well, there is no agreement.
29:27But hey, I'm going to rent you.
29:28What a badly cut picture!
29:31Well, you are a bad cut.
29:33Let's go, please!
29:34Let's go!
29:35So with words, with words things are fixed.
29:37You and I will do it, okay?
29:39Let me go.
29:40Paloma, please, what are the children watching?
29:42She's going to pay me back handsomely for this.
29:44Never, you were born to be a UN ambassador, huh?
29:46And now what do I put here, eh, Juan? What do I put?
29:48I'm finishing a model.
29:50My little angels from Almería, how beautiful it was!
29:55Lucia, I can't live like this.
29:57I'm not a violent guy.
29:59I've never been able to finish watching Rocky.
30:01How did they inflate the poor man?
30:03Well, in the end he lost the fight.
30:04Don't bother.
30:05Yes, yes, the other guy started hitting him like this, like this, like this, and he hit his face.
30:08Well, okay, you're just an example.
30:10Well, then what do we do, Roberto?
30:11Are we leaving? Are we selling the apartment?
30:13Hey, don't bother me, I'm going out.
30:14No, it's still for the best.
30:15And so we saved the four million in overdrafts.
30:17Four million?
30:18Yeah.
30:19But what are they going to give us? A subway line just for us?
30:21No, that is, the city council technician has said that the building is about to fall down.
30:24Look, I'm an architect and I'm telling you there's nothing wrong with this building.
30:27So why didn't it pass inspection?
30:29Ah, because that technician was bribed by the 35 million.
30:32Of course, that's what I thought. This is high-level corruption.
30:35Well, then we'll have to report it, right?
30:40We need proof.
30:42Emilio, how far would you be willing to go to save your goal?
30:45Me? Wherever I need to go? What needs to be done?
30:48Vicenta, a petition to put Little House on the Prairie back on TV.
30:53How many people are collecting signatures, right?
30:55A lot. Come on, give me your autograph.
30:57No, the thing is, Little House on the Prairie is a bit new to me.
31:00What do you have recently?
31:01I would like to see Falcon Crest, Dynasty, or The Rich Also Cry again.
31:09Come on, shut up already.
31:10Or Curro Jiménez or Roots with Kunta Quinte.
31:15Poor thing, he had a bad time.
31:19Hey, look, there's no way. Vicenta wouldn't sign that even if you shot her.
31:23And I've already tried everything.
31:24This is sinking us.
31:26Why don't we drug her?
31:27If no one is going to write it down.
31:28Why don't we tell my son José Miguel to copy the signature?
31:31Yours turns out very well.
31:32The child forges my signature?
31:33Well, one day you weren't there and I needed the checkbook.
31:37Marisa.
31:38That?
31:38What is this paper you had on the nightstand?
31:40Here it says my name and I don't know what about a power of attorney.
31:43Look at this...
31:44I can explain it to you, okay?
31:45No.
31:47Here, I haven't signed yet.
31:49You forget to tell me things and then we miss deadlines.
31:52Where will your head be?
31:54Fuck!
31:57Signed!
31:58Hey!
31:59The only fool here is me.
32:01Take.
32:01Neighborhood council.
32:03Come on.
32:03We only need one more.
32:04Come on, come on.
32:05Let's go to my house and I'll treat you to a Weasley.
32:09Good morning.
32:10How did you sleep?
32:11I haven't slept.
32:13Hey, why is it that whenever we argue I end up sleeping on the couch?
32:15Because the one who sleeps on the couch is the one who makes mistakes, the one who feels guilty.
32:18Mauri, we can't go on like this, okay?
32:20This Alicia thing has gotten out of hand.
32:22Yes, but at least I've shown you that by marking the package we are in pate.
32:24Well, that's enough.
32:25Look, you know what?
32:26I'm going to go up to Alicia's house right now and tell her we're gay.
32:29You?
32:29I'm going with you, I'm not going to miss this.
32:31Well, come on.
32:31Hey, can I grab the video camera?
32:35Me, if it's a historic moment, I take it, it doesn't take long.
32:37Okay, sorry.
32:41Alice, I'm leaving!
32:44Alice, I'm staying!
32:45Salt!
32:46Come in, come in, come in.
32:47Hello.
32:47Hello, what's up?
32:48Happens.
32:49Hello.
32:51Do you have visitors?
32:52Yeah.
32:52Look, we've been talking about you.
32:54Well, we want to tell you something.
32:56No, no, no, I'm the one who feels terrible about all this.
32:59This must be a very uncomfortable situation for you.
33:01I know you both liked it.
33:02Well, actually what we have...
33:03She's very modest, huh?
33:04He doesn't have a grandmother.
33:05Well, I admit that at first the one I liked was Fernando.
33:08You see.
33:09And since he couldn't decide, I tried to use Mauri to make him jealous.
33:12I told you.
33:13If I told him so.
33:14But then I realized that Mauri is a wonderful man.
33:17Wait, it's not over yet.
33:19And that I was attracted to him for other things that Fernando doesn't have.
33:21Keep going, keep going, keep going, keep going.
33:22One moment.
33:23What things?
33:23It doesn't matter.
33:24The fact is that I've decided that I'm not going to date either of them.
33:27It's much better for everyone if we remain friends like we are.
33:29How beautiful.
33:31If it's your decision, we have to respect it.
33:33No, wait, wait, wait.
33:34Fernando wants to tell you something.
33:36No, well, that's basically what Alicia suggested.
33:38It's a shame to break this friendship, isn't it?
33:41So pretty because...
33:42For a silly reason.
33:44And what else?
33:44Well, I think that's it, in principle, nothing more.
33:50Ah, well, very well.
33:52Are we leaving?
33:52Okay.
33:54Bye bye.
33:55Bye bye.
33:55Emilio?
34:19Emilio?
34:19Yes, sir, it costs.
34:20No, idiot, it's me.
34:22Ah.
34:24That...
34:24That I am...
34:25Hey?
34:27Yes.
34:28Yes, what?
34:31That...
34:32Damn, this is so hard.
34:38That we are boyfriends.
34:41But this is something between you and me, okay?
34:43No one needs to know.
34:44Well, since we're dating.
34:46Yeah.
34:46Well, I'll leave you.
34:48What do you mean you're leaving me?
34:49How short, we left it, it's over.
34:51But why?
34:52Man, because I can't be with a person who is ashamed of me.
34:55But I'm not ashamed of you.
34:57Ah.
34:57I just don't want them to see us together.
34:59Yeah.
35:00Look, sorry, Belén, but I have a lot of things to do.
35:02No, no, no.
35:03But Emilio...
35:04No, no, really.
35:05What idiot?
35:08What a pain in the ass he gave me?
35:09Augusto Carvajal.
35:24Hey, Carvajal, what do you spell it with?
35:25With V.
35:26I don't say with G or with J.
35:27With J, Emilio, if not it would be Carvajal.
35:29Oh really, it sounds worse.
35:30But the city council didn't come to bring the report.
35:33I don't know, but it should be here by now.
35:34Hey, wait a minute, let's see if this is clear to me.
35:36That is, I ask him and I hit record.
35:41No, Emilio, it's not an interview.
35:43You put this in your pocket and try to get the information out of it, okay?
35:46Oh my God, it's not going to turn out well.
35:48Yes, yes, yes.
35:48But very tactfully.
35:49You talk to him about anything.
35:50And when you've earned it, then you attack with the scam theme.
35:53Let's see if he sings.
35:54Yes, yes, I understood it.
35:55Very tactfully and without being noticeable.
35:57It's coming, it's coming, it's coming.
35:58Hello, good afternoon.
36:02I'm here to bring the technical inspection report for the building.
36:04What you have is a face that you can't handle.
36:06As?
36:07Yes, yes, don't play dumb.
36:08That this guy who wants to buy the building has greased your pockets.
36:11Sorry, but I don't know what you're talking about.
36:13Oh, no?
36:13Well, I'm going to call the city council right now to have another inspection done.
36:16Let's see if it's true that this falls apart.
36:17Wait, wait, wait.
36:19What do you want?
36:20Wine cellar?
36:21No, not money.
36:23Although that was what was right.
36:26So, this Augusto Carvajal guy pays you to give crappy reports about buildings.
36:31And what do you want me to do, man, good shit, the civil servant salary I have?
36:34So yes.
36:35What yes, what?
36:36What did this guy Augusto Carvajal give you?
36:38But you are stupid.
36:39Of course.
36:40Damn, you speak so quietly.
36:41And what do you want me to do?
36:42What do I scream?
36:42Come on, get out of here.
36:43Get out of here now, man.
36:44How little human dignity and what...
36:46Hey, it's that I have four children.
36:48You're not going to say anything, are you?
36:49Now, then, more condoms and less corruption.
36:51Now, get out of here now.
36:53Degenerate.
36:55I smashed his face in.
36:57Well, what?
36:58Damn, Emilio.
36:59Oh well.
37:00Of course, if I'm a goalkeeper, my thing is to get information.
37:03Very good.
37:03This watch?
37:05This is what I found today at the door.
37:06When I was...
37:07Well, this is Augusto Carvajal.
37:13Yeah.
37:13Augusto, Juan Cuesta, president of the community.
37:16I have already sent you all the documents you requested.
37:18But here I'm missing a signature.
37:19You see, there's a neighbor who doesn't want to sell and we don't know what to do to convince him.
37:24Ask if the house can be demolished even if there are people inside.
37:28Marisa, for God's sake.
37:29Which floor do you not want to sell?
37:31Those of the third A.
37:32The usual ones.
37:33Don't worry.
37:34I'll take care of it.
37:35For these cases, there are other ways to get them to sell.
37:38Yes, it happens to us very often.
37:40Yeah, but...
37:41What are you going to do specifically?
37:42This very afternoon two of my employees will pay you a visit.
37:45In a few hours this matter will be closed.
37:50But this guy is a mobster who's going to send two thugs.
37:52That sounded like a beating to me, huh?
37:53I think they're going to be really upset, huh?
37:55Yes, but that's none of our business.
37:58Paloma, for God's sake.
37:59We are going to allow a neighbor to suffer blackmail, manipulation, and harassment.
38:03Well, that's what we've been doing.
38:05Yeah.
38:05But everything has a limit.
38:07That guy is a fucking scumbag.
38:09I'm not selling you the apartment.
38:10But it turns out we've already signed.
38:12It doesn't matter.
38:12Here we are all willing to give up the 35 million in exchange for health and well-being.
38:16safety of our neighbors.
38:18Yes, but I give up on 70.
38:20Well, what do we do?
38:21Should we call the police?
38:21No, no, no.
38:22I think it's better to confront them when they arrive.
38:24They said only two guys are coming.
38:25There are four of us.
38:27Four?
38:27Oh, me too.
38:28Ah, no, yes, of course, me too.
38:30If they want violence, they will get violence.
38:31When those two guys come, we'll be ready.
38:35For God's sake, don't let anyone back out, okay?
38:38You'll see these from the team, huh?
38:40Here some end up in the hospital.
38:43How exciting.
38:44We're going to get into trouble.
38:45Moved, moved.
38:46No, no, no.
38:46Mauri, no.
38:47I think it's better if I go down alone, okay?
38:48Because?
38:49Well, because you've never had a fight.
38:52And, well, maybe it shows a little...
38:54Well, maybe you don't come across as too masculine.
38:56What, I'm not masculine?
38:58But what do you suppose?
38:58When I fight, what I do is pull hair?
39:00What a strange homosexual you are, Fernando.
39:02You have all the stereotypes of a heterosexual.
39:05Also, what's going on?
39:06Are you leaving Van Damme for life?
39:07No, no, but well, you'll figure it out yourself.
39:10Come on, hit me.
39:11I don't want to, no, my body has to ask for that.
39:13It's okay, you call the shot.
39:15I usually know this way in the position...
39:17What the fuck are you doing?
39:19But you weren't going to dodge it.
39:20Yeah, but you didn't give me time, damn it.
39:23I'm sure it's going to swell up.
39:24I'm sure it's going to swell up.
39:25Let's see if you're the one who's going to have to stay home.
39:28Okay, with?
39:31Bring my ice.
39:33Okay, when the thugs come, we'll try to exhaust diplomatic channels, okay?
39:37So let me do the talking.
39:39Just don't go too far.
39:40That I have little human shield.
39:42But we shouldn't warn them to go up there.
39:44Yes, I think it will be best not to worry them.
39:46They're here, they're here.
39:48They are climbing the ascent.
39:49Are they big?
39:50He's not wearing a trench coat, so they're still armed.
39:53Well, calm down, okay?
39:54Above all, stay calm.
39:55And applaud.
39:56No, I'm thinking that you, since you're a lawyer, would be better off speaking.
39:59That I, that yes, that yes.
40:00Come on, let's go.
40:01One moment.
40:03Where are they going?
40:04To the third to pay a visit.
40:05What's happening?
40:06Is there a problem?
40:06What if there is any problem?
40:07No, man, what...
40:08Get out of here, you bastard!
40:09Get out of here, you bastard!
40:09Get out of here, you bastard!
40:11There can't be more than four at a time!
40:13They are prohibited!
40:15But what's going on here?
40:16How sad, Emilio.
40:17Are we winning or losing?
40:18Winning, I think.
40:18Oh, get me out!
40:20Inc!
40:20What's going on here?
40:21Inc!
40:22What's the point?
40:24Call him to the ground.
40:24Dad!
40:25Hey!
40:26Where are you doing hitting my parents?
40:28What a mess!
40:29But...
40:29It's just that it's a south...
40:31But, but, but, put on your coat properly, man.
40:33Juan Cuestra, president of the community.
40:35Welcome...
40:36Emilio is a delighted goalkeeper.
40:38You have a wonderful daughter.
40:39What kind of idiots do you have for neighbors?
40:40Don't know.
40:41We thought they were the two builder's thugs,
40:43who were forced to sell the apartment.
40:45But what bullies and what bullies?
40:46Is that my father and his driver?
40:47But what's going on?
40:48Don't you ask before hitting people?
40:50This is what your face says.
40:51They've been provoking, right?
40:52Or you are protected.
40:53You have more bodyguards than Victoria Beca.
40:55And what did you want, Emilio?
40:56Ah, yes.
40:57That Augusto the corrucho is down there.
40:59That he wants to talk to all the neighbors.
41:00Ah, well, let's go!
41:01How dangerous you are!
41:02I'm very sorry, Don Augusto,
41:05but we have decided unanimously
41:07not to sell the building.
41:08We are worthy people
41:09and we do not deal with individuals of such low caliber.
41:13And even less so by imposing mafia practices on us,
41:15intimidating the neighborhood with two thugs.
41:17But what two thugs?
41:18Yes, they are my lawyer and my accountant.
41:20They were going to offer 10 million more to the third party.
41:23So now we all sell, right?
41:28Of course, I think it can be reconsidered.
41:29because he said it was low-class
41:31in the good sense of the exception.
41:31Sorry, but it's late.
41:34I have already acquired another property in the center.
41:37I leave you to mourn
41:38of this opportunity that you have missed.
41:41Bunch of losers.
41:42You don't just tell me that on the street.
41:44Mauri, Mauri, we're already on the street.
41:46Just a moment, just a moment.
41:47The city council technician said
41:49that we have to spend 24 million
41:51in fixing the house.
41:51Yes, that's your problem.
41:54No, it's your problem.
41:56Because you're going to pay for them.
41:58Oh yeah?
41:59And why would I do that?
42:00Because we have a tape
42:01which proves that he has bribed
42:02to the city council technician.
42:04Here's the tape.
42:05Look, look.
42:11Wait a minute, what are you doing on the other side?
42:15Now yes.
42:17How is the daughter of the cuesta, Paquito?
42:19Look at her, look at what a hoax she has.
42:21I tell you.
42:22Well, because I have a girlfriend.
42:23If not, I would take it and...
42:24My goodness.
42:26But this is set to record
42:27whenever he feels like it, right?
42:28But Emilio, Emilio, man.
42:30Sorry, but I have a lot of things to do.
42:34Oh my God, I've recorded on top of it.
42:36But what do I know?
42:37if the only appliance you pick up is the mop
42:38and it doesn't have buttons, Lucia.
42:40For once we could
42:41have taken money from someone?
42:43But, Sanchez, look,
42:44I don't give it to you like that,
42:44because I've been here all day.
42:47Mr. John,
42:47But I swear to you that I wasn't this one,
42:49that this wasn't me, really.
42:50Yeah, we'll talk later, you and I.
42:52Already.
43:01Well, Roberto,
43:01My daughter has already told me
43:02that you are going to get married.
43:03Yeah.
43:04So you're not going to back down now.
43:06Dad.
43:07It was just a doubt for me.
43:09Well, I'm going to give you
43:10my first wedding gift.
43:13Roberto,
43:14I have a vacancy in the company.
43:15Well, a vacancy.
43:16I fired one
43:17to get you in.
43:18Starting next week
43:19you start working with us.
43:21Dad,
43:22Roberto doesn't like architecture.
43:23But then,
43:24What do I study for?
43:25You and I are going to do
43:25a lot of apartments
43:26everywhere.
43:28Well,
43:29Well, I appreciate it,
43:30but...
43:30Look,
43:30that thing about drawing dolls
43:32it's very nice
43:33for your free time.
43:34But you have to start
43:35to make money.
43:37Two thousand five hundred euros a month.
43:40What do you say?
43:41Man,
43:42it's done.
43:44Kid,
43:44welcome to the family.
43:47Hey,
43:47Monday at eight
43:48in the office.
43:48Take markers,
43:49squad,
43:50set square.
43:52I have no joke left,
43:53Pussy.
43:56Thank goodness,
43:56because I like getting up early
43:58No...
43:58No, no, no, no.
43:58The eight o'clock thing
43:59is serious.
44:01A little kiss, doll.
44:02Okay, daddy.
44:05Hey, look,
44:06This is a temporary contract,
44:07You know?
44:08If you are going to march
44:09back to the wedding.
44:10I've done it.
44:10Yes, dad.
44:14Bye bye.
44:14See you later.
44:19Well,
44:19so...
44:21Are you going to work?
44:22with my father?
44:24I just don't know
44:24yes I want.
44:25Roberto,
44:26so,
44:26Why haven't you told him?
44:26no?
44:27But he hasn't left me.
44:29Call him,
44:29call him,
44:30tell him you've thought about it
44:31better and not,
44:31that you don't feel like it.
44:32No, no, no, no,
44:33leave it,
44:33let's see if he gets angry.
44:35Fuck.
44:37Hey,
44:38won't we have to wear a suit?
44:40And a tie?
44:43Come on,
44:43don't fuck with me.
44:44Bit,
44:49Paquito,
44:49bombshell news.
44:50I've already found out
44:51that they do not sell in the building.
44:52No,
44:52no,
44:52that I have left Bethlehem.
44:54What happened?
44:54Nothing.
44:55And why do you leave her?
44:56Man,
44:57so you see that I'm a tough guy,
44:58I'm not to be trifled with.
44:59But do you like it?
45:00or you don't like it?
45:01Of course I like it.
45:02But then
45:02why do you leave her?
45:03Well,
45:03I don't know,
45:04I have cut,
45:04I can go back to her
45:05whenever.
45:06Yeah,
45:06you don't know
45:07the vengeful
45:07who are the uncles.
45:08That one right now
45:09She's already looking for another guy.
45:10Fuck,
45:11don't worry me,
45:11It's not that serious either.
45:12Emilio,
45:13you can lose it.
45:14Oh,
45:14Paquito,
45:15what have I done?
45:16Paquito,
45:16what have I done?
45:17Well, marry her as always.
45:18if you are stupid.
45:19Fuck,
45:20how is that?
45:21But I don't know,
45:22I don't see it as so serious either.
45:23Silly,
45:24No?
45:24What do you mean it's not serious?
45:25No,
45:26Don't call me any more stupid,
45:26that on top of what I am right now
45:27with the heart of your...
45:27But silly,
45:28silly,
45:29uncle,
45:29silly.
45:38Silly,
45:39silly.
45:40Silly.
45:56Silly.
46:01Silly,
46:02silly,
46:04silly.
46:06Silly.
Recomendada
1:00:29
|
Próximamente
Sé la primera persona en añadir un comentario