Aquí no hay quien viva - 3x04 - Erase una inauguración - HD 1080 - Vídeo Dailymotion

Aquellas_Maravillosas_Series

Lucía decide montar un coqueto restaurante en el barrio y, muy a su pesar, todos los vecinos estarán en plantilla. Además Mauri se queda prendado de Diego, el hermano mayor de Lucía, a quien, entre plato y plato, no parará de tirar los tejos. Emilio ha empezado las clases en la Universidad, para ''integrarse'' hace pellas, juega al mus, se va de copas y organiza una súper fiesta en casa, sin el consentimiento de Belén.

Transcript

00:00:00¶¶

00:00:25¶¶

00:00:27Dad, I'm starting college tomorrow.

00:00:28If it's just a few hours a day while I'm in class.

00:00:31But how am I going to be a goalkeeper?

00:00:32Has the bleach gone to your head?

00:00:34What's wrong? You don't want your child to be someone in life?

00:00:36Man, it depends, at what price?

00:00:37But this is very simple, look, I'm going to give you some basic rules, okay?

00:00:40It's a shame they closed this place, it was so cute and the pizzas they made were so delicious.

00:00:44It was two brothers' property, but they had an argument.

00:00:47I went this morning to see how much they would rent it for.

00:00:49What's up? Do you want to open a restaurant?

00:00:50I don't know, I'm thinking about it.

00:00:52But come on, I don't have any money.

00:00:54Well, if you want, I'll leave you some photos of mine so you can decorate it Planet Hollywood style.

00:00:57Oh, thank you very much. I'm not sure I'll fill it.

00:01:01First rule, don't look at your neighbors' asses.

00:01:04Well, we're off to a bad start.

00:01:05I know who Isabel is with, Juanito. He's the boy who brings her groceries.

00:01:10I don't know, no way, son. Those guys change routes every week.

00:01:13What are you telling me? That she sleeps with everyone?

00:01:16No, no. How can I say that?

00:01:18What's going on? Are you giving the herbs to your husband?

00:01:20Second rule, never pay attention to building gossip.

00:01:23Emilio, you have to go up and look at me in the shower, it's leaking.

00:01:29This house is worse than us, as I told you.

00:01:31Doña Marisa, a little bit of ash, please.

00:01:33So you scrub from time to time, which is what you have to do.

00:01:37Third, always serve your neighbors with a smile.

00:01:40Even if you feel like hiding the medication from him.

00:01:43Look, son, I think it's great that you're going to college.

00:01:45But I don't buy that shit.

00:01:47Well, I'm sorry, but I'm going to be someone important and I'm not going to stay here working my whole life.

00:01:52Dad, one day all this will be yours and you'll have to clean it up.

00:01:56Come on, start practicing.

00:01:58But this is how it goes.

00:01:59Where does it light up?

00:02:00Here, here, here, there is no one living.

00:02:05Not here, not here.

00:02:07Every day is like this.

00:02:09I couldn't imagine it when I came here.

00:02:12I was just looking for some peace.

00:02:14I wake up every day in the middle of a hurricane.

00:02:16Here, here, here, there is no one living.

00:02:19Not here, not here.

00:02:20No, no, no.

00:02:21Here, here, here, there is no one living.

00:02:23Not here, not here.

00:02:25No no.

00:02:25The house survives collapse.

00:02:27I can't find the goalkeeper.

00:02:29The neighbors watch me and listen to me.

00:02:32I can't stand this place.

00:02:34I have been fine and so are my neighbors.

00:02:36If not, come to my apartment.

00:02:37Come to the neighborhood, cousin, I love you and I'll teach you.

00:02:39Where clowns cry, thieves, they steal from us.

00:02:41And the stones are defeated in something to tell.

00:02:44Put in a cocktail shaker.

00:02:48You in an earthquake and a mudhole.

00:02:52Yeah.

00:02:53And you will have this ladder.

00:02:56Here, here, here, there is no one living.

00:03:00Not here, not here.

00:03:02Here, here, here, there is no one living.

00:03:04Days are like that.

00:03:06I couldn't imagine it when I came here.

00:03:08I was just looking for some peace.

00:03:11And I wake up his cheek in the chop.

00:03:13Here, here, here, there is no one living.

00:03:16Here, here, here, there is no one living.

00:03:18Here, here, here, there is no one living.

00:03:20No, no, no, no, no.

00:03:24I'm going for a walk.

00:03:25Have you made the bed?

00:03:27No, Dad told me he'll do it himself.

00:03:29Here yes.

00:03:29Yeah.

00:03:30And so I also work my lower back a little.

00:03:32Yeah, and I need money.

00:03:34How much?

00:03:35Well, I can manage with 100 euros.

00:03:37And why do you need so much money?

00:03:40I am a teenager under a lot of advertising pressure.

00:03:42Oh, I'm not coming back for lunch later.

00:03:44Well, I'll go to the movies and get something to drink.

00:03:45I don't know what time I'll be back, see you later.

00:03:47What do you mean you didn't know what time he'd be back?

00:03:48Juan, please.

00:03:49José Miguel, come here for a moment.

00:03:55Dude, don't be too loud, he's singing like crazy.

00:03:57Does it seem normal to you to blackmail your father?

00:04:00You kissed the herbs, it's great.

00:04:02Get out, get out, get out of here.

00:04:06Juan, if you speak so quietly, I won't be able to fit in with this family.

00:04:10That's it, I've already told you that this is over.

00:04:12What did you believe?

00:04:13Your children are getting out of hand.

00:04:15I tell you this as a sister.

00:04:17You let Natalia go on a trip with God knows who.

00:04:20And the child does whatever he wants.

00:04:21How do you spoil him so much?

00:04:23It is a new North American teaching technique.

00:04:25The latest in child psychopedagogy.

00:04:27Give your children everything they ask for.

00:04:29It's focused on not ending your days in a nursing home, basically.

00:04:32Well, it doesn't work.

00:04:33Haven't you noticed that José Miguel doesn't have any friends his age?

00:04:37Well no.

00:04:38It's true.

00:04:39He's always in the video store, talking to those people who contaminate us.

00:04:43For God's sake, Juan, when you were 12 you sang in the parish choir and played marbles.

00:04:48Well, but that fact remains between us.

00:04:50If you're very busy, I'll take care of spending more time with the child.

00:04:54I'll organize your leisure time.

00:04:56You'll see that I'll straighten it out for you soon.

00:04:58Good.

00:04:58How are you, my girl?

00:05:09Dad?

00:05:10My daughter, congratulations.

00:05:12Because?

00:05:12I've heard everything.

00:05:14Hello.

00:05:15Well, you've finally started to rebuild your life.

00:05:17You've left Roberto and are now returning to the company.

00:05:20Dad, no, please don't start.

00:05:21I'm not going back, really.

00:05:23But how come not?

00:05:23Look, I've been talking to Miguel from the bank, and you're on your last legs, honey.

00:05:27Don't we have any money left in the account?

00:05:28Okay, but why are they telling you my balance?

00:05:30Well, look, I'll give you whatever you ask for.

00:05:31Do you want 5,000 euros?

00:05:33I am Alicia Sam, model and actress.

00:05:35If you want, I can be the image of your company.

00:05:37Alicia is a builder.

00:05:38That's why a sexy girl with a garotilla.

00:05:41Dad, dad, dad, come, come, come here, come.

00:05:44Don't get angry, really, but you just didn't understand anything.

00:05:47I don't want to be the boss's little girl all my life.

00:05:49But what's wrong with that can go very far.

00:05:51Look, bus.

00:05:52I need a job that makes me happy, that motivates me.

00:05:54Don't you understand?

00:05:55I'm thinking of opening a restaurant.

00:05:57A restaurant?

00:05:58Yeah.

00:06:00Look, daughter, don't be offended, but I don't know, I don't see you capable.

00:06:03Well, I remind you that I have a master's degree in business management.

00:06:05Yes, yes, I know, I paid for it.

00:06:06Yeah.

00:06:07Look, daughter, having a company is not just about having a master's degree.

00:06:10You have to have character, discipline, and connections.

00:06:12And above all, you have to have money.

00:06:14Well, I have the money, I have the contacts, and I have the premises.

00:06:16Oh, and you're invited to the opening, it's this Friday.

00:06:18Well, nothing, I'll be there.

00:06:21Honey, despite everything, you know that you are my daughter and that I love you very much.

00:06:23When you recover from the crash, you know where your office is.

00:06:26Don't worry, Dad, I won't need it.

00:06:28Hey?

00:06:28Well, give me a little kiss, okay?

00:06:29Yes, yes, of course.

00:06:31And give Mom a kiss from me.

00:06:32Let's see if he lets me.

00:06:33Lucia, Friday is the day after tomorrow.

00:06:39A lot of bluffing, huh?

00:06:40And a small detail, where are you going to get the money from?

00:06:43Excuse me, may I come in?

00:06:49Alicia introduces you to my new partner.

00:06:52As?

00:06:57Belén, I'm going to university.

00:06:59Wait, wait, wait, I'll throw you a sandwich so you don't spend it there.

00:07:03Do you have all the books?

00:07:03Of course, don't look at me if I look like the Hunchback of Notre Dame.

00:07:05I'm going to buy you one of those with wheels so you don't hurt your back.

00:07:08Oops!

00:07:09Wait.

00:07:09That?

00:07:10A little juice, a little juice, a little juice.

00:07:12Let's see if I can't make it, bring it.

00:07:13Here, here.

00:07:13Bring it, bring it.

00:07:14Let's see, let's see, let's see, let's see, look at me.

00:07:16That?

00:07:17Emilio, what hair.

00:07:19Not like that, not in class, like that.

00:07:20Hey, you're a little heavy, huh?

00:07:22Hey, turn off your cell phone and make some friends, okay?

00:07:26Belén, what are you kidding me about?

00:07:28Yeah.

00:07:28Well, don't hesitate, start looking for a job.

00:07:30What do you have to do?

00:07:32Pussy.

00:07:33You see?

00:07:34You have made me bitter.

00:07:36Asshole!

00:07:37Isabel, please, can you come here for a moment?

00:07:44I want to express my concern about the deterioration of the rear area of the portal.

00:07:48Yes, yes, of course.

00:07:52Not to be alarmed, but things at my house are getting very ugly.

00:07:56This morning I saw you through the window.

00:07:59You looked so sexy having breakfast in those pajamas.

00:08:02Isabel, this has to stop.

00:08:04My son is blackmailing me and I'm going to get into trouble with Nieves.

00:08:08Also, I feel very guilty.

00:08:09I am a married man.

00:08:10And I am also a married woman.

00:08:12What do you think?

00:08:13Has Andrés gotten over his annoyance?

00:08:15Okay, let's stay calm.

00:08:17Let's not beat ourselves up.

00:08:18It's not our fault these things happen.

00:08:20I've been without... for a long time.

00:08:22Come on, Paloma's absence is noticeable.

00:08:24Well, the truth is that I hadn't been with Paloma for a long time either...

00:08:26Yes, but yes, it's normal.

00:08:28And you, well, have felt strongly attracted to me.

00:08:30Which is understandable, and I have no doubt about it.

00:08:32In my case, you see, it was a shame.

00:08:34Well, that's what I say.

00:08:35What a shame.

00:08:36Yes, it happens to me all the time.

00:08:38When I feel sorry for a man, I feel attracted to him.

00:08:40Like Mother Teresa, I like the underdog.

00:08:42And I suddenly saw you so alone, with those children so unruly.

00:08:46A neurotic sister.

00:08:48And at an age it's already a bit difficult to rebuild your love life.

00:08:51With that face you have.

00:08:53Well, the thing is, it attracts you.

00:08:54A lot.

00:08:54Well, that's it.

00:08:56Because there is no love.

00:08:58Well, I don't know.

00:08:59Look, I propose that we do things right.

00:09:02A night of passion in a secluded little hotel.

00:09:04We let out the instinct thing.

00:09:06And here peace and then glory.

00:09:08Votes in favor.

00:09:10And what excuse do I give Andrés?

00:09:12What do I know?

00:09:13I don't even know what I'm going to say to Nieves.

00:09:15I'll organize the hotel for tomorrow.

00:09:17In the meantime, let's try to pretend normality.

00:09:20Mr. John.

00:09:21Do you see it?

00:09:21So the silicone on these windows is in a sorry state.

00:09:25OK.

00:09:25I'm going to take us from above for the next meeting.

00:09:29Mr. Juan, I'm going to university.

00:09:30I'll tell you how my first day went.

00:09:32Wait a minute, Edirio.

00:09:33You are going to be absent from your job.

00:09:37I suppose you have planned a replacement.

00:09:39Oh, of course.

00:09:40There you have it.

00:09:41I don't see this.

00:09:43This is a stain on my resume.

00:09:45Are you sure your father is fit for this position?

00:09:48Man, he's a good kid.

00:09:49Give it a chance.

00:09:50Well, see you later, okay?

00:09:52Emilio, wait a moment.

00:09:53Hey, do you remember that hotel you took Rocío to?

00:09:56You see, my cousin from Ponferrada is coming.

00:09:58and wants a secluded, quiet little hotel.

00:10:00I'll tell you if you want, but this is in an industrial park.

00:10:02Better, if Ponferrada is also quite industrial.

00:10:05A lot of steelmaking.

00:10:07Dad, look for his address in my address book.

00:10:09And I'm leaving, I'm leaving because I'm not arriving.

00:10:10The first day has already arrived and I'm not there yet.

00:10:11Okay, okay.

00:10:12Well, when I can.

00:10:13So a cousin from Ponferrada, huh?

00:10:15Yes, any problem?

00:10:16No, no, none.

00:10:18Oh, are you going to scrub the second floor landing because it's dirty?

00:10:21And I'm going to shit on a cramp bull.

00:10:26That partition is outside.

00:10:27We raised the floor, fixed the plumbing,

00:10:30We plaster, paint and it's as good as new...

00:10:32Antonio, Antonio, stop, stop, stop,

00:10:33that only two damp patches need to be fixed and the floor polished.

00:10:36Well, it's a shame, because I have a new crew.

00:10:38who is crazy about breaking down walls.

00:10:40I'll see if I can get my hands on the kitchen.

00:10:42Okay, okay, go, go, go, what a mess he's going to make.

00:10:46Carlos, thank you for investing in my restaurant,

00:10:48I promise you won't regret it.

00:10:50Of course not.

00:10:50Hey, hey, hey, partners, hey, partners.

00:10:52Partners do not kiss.

00:10:53Ah, of course, it's just that with the nerves at the beginning...

00:10:56Yeah.

00:10:57Hey...

00:10:57Well, what, Mauri?

00:10:58What do you think?

00:10:59Can you think of any tweaks?

00:10:59I would leave it as is.

00:11:01Do you like it like this?

00:11:02No, I would leave it as it is and do something else.

00:11:04Do you know what a pain it is to bring to a restaurant?

00:11:05Mauri, I brought you here to cheer me up, lie to me.

00:11:08It's beautiful, to open tomorrow.

00:11:09Oh, how nice.

00:11:09Hey, I have some ideas that we could...

00:11:11Dirty!

00:11:12Yeah.

00:11:12But, Diego, what a surprise.

00:11:17How are you?

00:11:18You finally stood up to it, Dad.

00:11:20Congratulations.

00:11:21Don't you know how angry he is?

00:11:23Look, I've introduced you to two friends, Mauri and Carlos.

00:11:25Are you there Diego, my brother?

00:11:26Man, finally.

00:11:28Well, you can count on me for whatever you want, okay?

00:11:30You know this has always been my dream.

00:11:31Open a restaurant?

00:11:33No, no, bitch about dad.

00:11:34Besides, this looks pretty good, doesn't it?

00:11:36Yes, I think so, but Mauri doesn't like it very much.

00:11:38No, look, you didn't understand me.

00:11:40I mean, the place is very nice.

00:11:41You just need to give it a few little touches.

00:11:44Well, I don't know, something like oriental.

00:11:46Yes, it's the chill out vibe, which is very popular.

00:11:48Yeah.

00:11:48That's why I have a series of...

00:11:49But you need a good chef, right?

00:11:50Yes, the chef is essential, he is the one who fills the place.

00:11:52I am a very good friend of Román Ferragut, one of the best.

00:11:55Gay, of course, is an artist.

00:11:57He's burned out where he works because they don't let him develop his creativity.

00:12:00He'll charge you a fortune, but I'll call him if you want.

00:12:03Call him, Lucia, call him.

00:12:04Okay, yeah, do you know her?

00:12:06No.

00:12:06But hey, with the enthusiasm you put into it, I'm sure he's a cracker, right?

00:12:10We'll have to sign him.

00:12:11Come, I'll show you the kitchen. You'll see all the possibilities it has.

00:12:14Hey, we need to talk seriously about napkins because that's the first thing that...

00:12:17What do you want to see in the kitchen now?

00:12:19Well, follow me.

00:12:24Hey, sorry.

00:12:28Hello.

00:12:30Uh, first year of teaching.

00:12:31Uh yeah, what group are you in?

00:12:32Hey, what do I know?

00:12:34Well, there are seven, man.

00:12:35Look at the list.

00:12:36Fuck.

00:12:38But this is second.

00:12:40Fispote, and where am I here?

00:12:43Don't worry, you're not missing anything.

00:12:45On the first day of class, teachers only dedicate themselves to marking the package.

00:12:48Delgado Emilio, here.

00:12:50Group D.

00:12:50Where is Group D?

00:12:51Right here.

00:12:53Where does it say group D?

00:12:54Ah, thank you.

00:12:55You are welcome.

00:12:56So what I expect from you is dedication, effort, interest, and a little bit of punctuality, if possible.

00:13:09Hi how are things?

00:13:15Well, see you tomorrow then.

00:13:16Ah, the white shirt is awesome, dude.

00:13:32I think it should be in the ranking.

00:13:33Yeah, but the top one for me, without a doubt, was curly hair, man.

00:13:36Those tits make a difference there, huh?

00:13:39Well, well, well, well.

00:13:40And have you seen the ass of the blonde in the front row?

00:13:42Yes, she is my girlfriend.

00:13:44Ah, well it's not that good either, to be honest.

00:13:46How, how, how?

00:13:47No, she's pretty and all, but I don't like her.

00:13:49On the other hand, you make a very good couple.

00:13:51I'm going to the bathroom, okay?

00:14:00Have you seen the guy who hasn't touched himself in class?

00:14:02Where did it come from?

00:14:03It's like Forrest Gump.

00:14:05I don't know, man, you meet some very strange people here.

00:14:07I think it was the baby, I swear.

00:14:14You as a waitress?

00:14:15Alicia, don't talk so much on your phone, the radiation is affecting you.

00:14:18Hey, all the greats in cinema started out as waiters.

00:14:21Paul Newman, Brad Pitt, Michelle Pfeiffer.

00:14:23It is almost a subject of dramatic art.

00:14:25Maybe I skipped it and that's why I'm not working.

00:14:26It would be a disaster.

00:14:27You'd drop plates, you'd rape customers while on the toilet.

00:14:30I really don't understand you, Lucia.

00:14:32You're always threatening to kick me out of the house.

00:14:33If I don't work, I think I want to work, don't you want to hire me?

00:14:35Okay, okay, okay, okay.

00:14:37Let me think of something.

00:14:38So you're going to give her a job and not me?

00:14:41See what the Muppet wants.

00:14:42Lucia, I think it's very strong that you're going to start a business.

00:14:45and that you don't count on your best friend.

00:14:47Belén, I'm looking for professional people.

00:14:50Oh, and is Alicia a professional?

00:14:51No, but the image is also important.

00:14:53Come on, you're calling me useless and ugly.

00:14:55No, no, that's not it.

00:14:57Well, let me think of something for you.

00:14:59But we're not going to talk about this in secret.

00:15:03What's up? Is the girl going to open a restaurant?

00:15:06Go ahead, job interviews are here.

00:15:09You'll count on us, right?

00:15:10Yes, you security at the door.

00:15:12And I in the kitchen.

00:15:13I have some croquettes that will fill the place.

00:15:15I'm sorry, but I already have all the staff hired.

00:15:18Yes, you told me before that you didn't have anyone.

00:15:19Oh yeah?

00:15:20To them yes and not to us?

00:15:22Is this discrimination?

00:15:23Say it clearly.

00:15:25You don't hire us because we're old.

00:15:27No, I don't hire you because I've done a very hard job.

00:15:28and I don't see you prepared.

00:15:29Hey, my sister has 60 years of demonstrable experience in the kitchen.

00:15:33I stand in solidarity with them.

00:15:35Slow down, shut up, I know I was going to hire you.

00:15:37Oh, come on, let's clear this out, please, let's go.

00:15:41You should know that I will write to the ombudsman.

00:15:44Ah, but do we have a defender?

00:15:46That's what he says.

00:15:47Okay, but why would I have to hire the whole neighborhood?

00:15:50Well, because we are like a big family.

00:15:51We get along terribly.

00:15:53Well, that's it, like a family.

00:15:55This girl always looks so cute.

00:15:58Do you see what you've achieved?

00:15:59Now everyone knows.

00:16:01Be careful with those who sit you down.

00:16:02And what am I going to work on?

00:16:04You?

00:16:05As a goalkeeper.

00:16:07As a goalkeeper?

00:16:11Bea, I met a spectacular guy.

00:16:14Mauri, who was asleep.

00:16:16Damn, you spend all day sleeping, go to the doctor, the kid's not going to be a deputy.

00:16:19No, it's normal, pregnant women get very sleepy.

00:16:22Listen, his name is Diego, he's Lucía's brother and he's intelligent, sensitive, cultured, funny and very hot.

00:16:30I've left this for last so you can see that I don't give it much importance, but it's tremendous.

00:16:33We've been talking for a while, it's been amazing.

00:16:36Have you connected?

00:16:37Connected, sparks have flown, the fuses have blown.

00:16:40Didn't you notice a sudden stop a while ago?

00:16:41It was the earth that stood still.

00:16:43Well, what would you notice? You'd be asleep.

00:16:45Hey, that's great, isn't it?

00:16:47Didn't you know Lucia had a gay brother?

00:16:49Uh, yeah.

00:16:50Yes, it does.

00:16:51Oh, you're not sure.

00:16:53It's that the green light for being gay had blown, but it's noticeable.

00:16:57Don't trust me, Mauri, there are a lot of metrosexuals on the loose lately.

00:17:00You see, if a guy stares at another guy for more than five seconds at a time.

00:17:03He's gay.

00:17:04Or nearsighted.

00:17:06You're right, maybe he's short-sighted.

00:17:08Well, I'll check it out.

00:17:10Tomorrow we will see each other again.

00:17:11We're helping Lucía set up her restaurant.

00:17:13Hey, why don't you ask her and find out?

00:17:16Clear.

00:17:16I tell you, Lucia, I would put the menu in the Arugula salad, which is very fashionable.

00:17:20By the way, your brother is gay.

00:17:21Look, please.

00:17:22I'm just going to test the waters, that's all.

00:17:25Remember we have the ultrasound tomorrow.

00:17:27Yes, yes.

00:17:27Of course, the child comes first.

00:17:30Hey, what if you don't change for another day?

00:17:32Okay.

00:17:34No.

00:17:35A bit.

00:17:35Okay, first and only point of the day.

00:18:03Deep displeasure and general unrest among the tenants of the first floor A due to Lucía's refusal to include them in her new restaurant, which is about to open.

00:18:12But well, this is the last straw.

00:18:14Come on, open a restaurant and we have to hold a meeting.

00:18:16He's going to hire the two sluts above, but not us.

00:18:20That's cronyism.

00:18:21It has also caught Mauri.

00:18:23Excuse me, but I am helping you selflessly.

00:18:24I'm not hired.

00:18:25So you pay the black guy.

00:18:27But let's see, is that restaurant in the building?

00:18:30No, it's at the end of the street.

00:18:32So that's not an issue for this community.

00:18:34If you look out, you can see it from home.

00:18:36That is a common element.

00:18:38Also, if things don't go well, he won't be able to pay the community fees.

00:18:42What do you mean no?

00:18:42If I'm the only one who keeps up with payments.

00:18:44Come on, please, you don't play with quotas.

00:18:47Lucía is going to start her own business and can hire whoever she wants.

00:18:50My daughter could also really use a job, but I haven't asked her for it.

00:18:53I'll leave it up in the air, but I haven't asked him to.

00:18:55Do you need parking?

00:18:57Because my children are also free in the afternoons.

00:18:59Just a moment.

00:19:00I'll take over as far as parking.

00:19:02That the family parked tanks one-way without looking in the rearview mirror.

00:19:06Don't be cheeky, I beg you, please.

00:19:08Lucía is only required to invite us on opening day.

00:19:11But well, that will be if he wants.

00:19:12Look, whatever, leave it.

00:19:14Do you want to work in the restaurant?

00:19:16So you go to work.

00:19:16Of course, there is a trial period.

00:19:18And if you don't get over it, I'll have to do without you.

00:19:21Tomorrow at nine thirty I want all the volunteers there.

00:19:24So, for once we are all in agreement?

00:19:26Yes, yes, we're going to get a donkey.

00:19:28Let's see how he pays now.

00:19:30Sorry.

00:19:32This shows that through goodwill between the parties

00:19:34a space for dialogue and an appropriate framework can be created

00:19:38to always be able to reach a neighborhood consensus,

00:19:41which is the basis of peaceful coexistence.

00:19:43What a mess of syntax.

00:19:45You are a galactic of the word.

00:19:47Thank you, Mariano.

00:19:48That's enough, isn't it?

00:19:50The fact that?

00:19:50No, it's just that he told me,

00:19:51my son, to read the ball in the meeting he likes.

00:19:54Well yes, this is enough, yes.

00:19:57Well, now let's get up.

00:19:59Lucia, but you're crazy.

00:20:01How are you going to hire those people?

00:20:02But the inauguration is going to look like a Marx Brothers movie.

00:20:05No, but I did it so they would leave me alone.

00:20:07Of course, the ones that are fun and entertaining, making the Indian

00:20:09and on opening day I tell them they are worthless

00:20:11and we replaced them with real waiters.

00:20:13Thank goodness, you scared me.

00:20:15Mauri, keep your friends close, but your enemies closer.

00:20:18Whatever you say, Mrs. Corleone.

00:20:20In any case, I'll be there first thing tomorrow morning for whatever you need.

00:20:22No, it's not necessary, you've already helped me a lot,

00:20:24I also have Carlos, my brother, who doesn't...

00:20:26No, the more of us there are, the better.

00:20:27Also, the super chef is coming tomorrow,

00:20:28to see that there is someone who understands the culinary subject.

00:20:31Come on, okay.

00:20:32Okay.

00:20:32Thank you.

00:20:32See you tomorrow.

00:20:33See you tomorrow.

00:20:39Has this one gotten anything?

00:20:40What do I know?

00:20:42Goodbye, Nieves.

00:20:43Goodbye, Vicenta.

00:20:48Isabel, just a moment, please.

00:20:49Look, this is the address of the hotel.

00:20:52The reservation is made in the name of Felipe García,

00:20:54so as not to raise suspicions.

00:20:55We meet there at seven thirty.

00:20:56What is this?

00:20:58It is an exhibition of an expressionist painter

00:21:00great.

00:21:01His name is Felipe García.

00:21:02I'm recommending it to her.

00:21:04Well, thanks a lot, huh?

00:21:06Don't miss it.

00:21:08It's beautiful,

00:21:10taking refuge in culture

00:21:12to overcome the death of his wife.

00:21:14She's not dead, she's in a coma.

00:21:16Tell no to Menábar.

00:21:17A movie does the same.

00:21:27Emilio.

00:21:27Good news.

00:21:28Lucia is going to open a restaurant

00:21:30and he's going to hire me as a waitress.

00:21:31And I'm the car grim reaper.

00:21:33What's happening?

00:21:33Is my father already here, corroding?

00:21:35It doesn't matter.

00:21:36If I have put the fish

00:21:36that had expired on us

00:21:37to see if for the next one

00:21:38we can eat it.

00:21:40How was class?

00:21:41Good, very good.

00:21:42I'm going to bed,

00:21:43that I'm very tired.

00:21:44Hey,

00:21:44but give me congratulations or something,

00:21:46No?

00:21:46That I got a job.

00:21:47Yes, Bethlehem,

00:21:48Congratulations,

00:21:48Yes, huh?

00:21:49Yes.

00:21:51Oh,

00:21:52And what's wrong with this one?

00:21:53The berluza is great, huh?

00:21:55How did you get it so fresh?

00:21:59Vicenta,

00:22:00we have to talk.

00:22:02What's happening?

00:22:03Let's get things straight.

00:22:06I know we are

00:22:07the two lovers

00:22:08from the same man.

00:22:09Ah,

00:22:10Andrés told you.

00:22:12I'm sorry, Isabel,

00:22:13we have tried to resist,

00:22:14but...

00:22:14No no,

00:22:15that nothing happens.

00:22:17I am ready

00:22:18to share it with you.

00:22:19Well,

00:22:19It depends on the days,

00:22:20clear,

00:22:20you have to get a little organized.

00:22:22Tomorrow, for example,

00:22:23it suits me

00:22:24in the afternoon.

00:22:24If you like,

00:22:25you can have it for yourself

00:22:26until the hour

00:22:26whatever you want.

00:22:28How well you accept

00:22:29this situation, right?

00:22:31Jealousy is

00:22:32a negative energy.

00:22:33I want everyone

00:22:34be happy.

00:22:36Well yes,

00:22:36if you have to share,

00:22:37is shared.

00:22:40Remember.

00:22:41Tomorrow afternoon,

00:22:42at half past seven.

00:22:43Don't fail.

00:22:44So we walk together

00:22:45to Valentine.

00:22:46Don't tell him about this

00:22:47nothing, Andrés.

00:22:48I'm having a very bad time.

00:22:50Logical.

00:22:52Hey,

00:22:53the grass

00:22:54It's really bad, huh?

00:22:55What a shame.

00:22:57Since when

00:22:58do you share a husband?

00:23:01So that they can say later

00:23:02that horoscopes lie.

00:23:04I have a job

00:23:04and I have love.

00:23:06What more could I ask for?

00:23:07Mental health.

00:23:09Juan,

00:23:10I'm going to bed.

00:23:10Turn down that noise.

00:23:12Nives,

00:23:12one thing.

00:23:14Hey,

00:23:14tomorrow I don't know

00:23:15if I will arrive for dinner

00:23:16because I have a meeting

00:23:16of parents

00:23:17and that is known

00:23:18when it starts

00:23:18but never

00:23:19when it ends

00:23:19because as they have

00:23:20to prove

00:23:21who care

00:23:21much for their children

00:23:22at least

00:23:22once a month

00:23:23they get very heavy.

00:23:25Well, look,

00:23:26so I take advantage

00:23:26and I take José Miguel

00:23:27to the Army Museum

00:23:28so that he learns

00:23:29the important thing

00:23:30that has been

00:23:30discipline

00:23:31in history.

00:23:33A nice excursion.

00:23:35There is no doubt.

00:23:36No,

00:23:39that she's crazy.

00:23:40How does it take me to that place?

00:23:41I'll take it on myself

00:23:42with the sword of the Cid.

00:23:43José Miguel,

00:23:44don't be dramatic, okay?

00:23:45But how come not?

00:23:46If you are late

00:23:46to look for me at the exit

00:23:47del Cid

00:23:48and has taken me

00:23:48to the botanical garden

00:23:49to see plants.

00:23:50You know

00:23:50why do you have

00:23:50with snow on top?

00:23:51Because you were living

00:23:52very well at my expense.

00:23:54Life is giving you

00:23:55a lesson, my son.

00:23:56You reap what you sow.

00:23:58Translated to the family environment.

00:23:59If you blackmail your father

00:24:00your aunt will screw you.

00:24:02This is how it works.

00:24:03I'll take some of yours

00:24:04with the herbs.

00:24:05Take away,

00:24:05but you're not going to leave

00:24:06your aunt from above.

00:24:07And there are many museums.

00:24:09Hey, man,

00:24:09that's blackmail.

00:24:10Ah,

00:24:11We also learn from our children.

00:24:18Alicia, hurry up

00:24:19that we are going to arrive

00:24:20afternoon on our first day

00:24:21of work.

00:24:22If it doesn't stay there

00:24:23none of your clothes,

00:24:24if you've taken it all.

00:24:25It's that I had one

00:24:25in my denim skirt

00:24:26perfect for waitressing.

00:24:27You didn't take it.

00:24:28I?

00:24:29So that?

00:24:29To put it on me

00:24:30on one leg?

00:24:33Weren't you in class?

00:24:35No, yes,

00:24:35I'm not going today.

00:24:36Because?

00:24:37What happened to you?

00:24:37No, nothing,

00:24:38that I have many things

00:24:39what to do here.

00:24:39My father doesn't give a damn about water

00:24:40and of course,

00:24:41I'm piling up with work.

00:24:42Emilio,

00:24:43don't lie, okay?

00:24:44What happened to you yesterday?

00:24:45at university?

00:24:46Probably

00:24:46has hit him

00:24:47some partner

00:24:47at recess.

00:24:48Alicia, please.

00:24:50That's not my place, Belén.

00:24:51That's what happens to me.

00:24:52I don't understand anything

00:24:53and I'm also uncomfortable.

00:24:55People look at me strangely.

00:24:56Well, but that's it

00:24:56you should be used to it by now,

00:24:57No?

00:24:58Do you mind if they give me

00:24:59your drawers?

00:24:59That I burned it.

00:25:00I burned the skirt.

00:25:01Stay still now.

00:25:03Emilio,

00:25:03You're all grown up now, aren't you?

00:25:05You're not going to leave

00:25:06to go to university

00:25:06because the first day

00:25:07you haven't made any friends.

00:25:08I don't want to go, Belén,

00:25:09that I had a very bad time.

00:25:10Well, join in, okay?

00:25:11Integrate,

00:25:11integrate,

00:25:12as if it were so easy.

00:25:13I don't want to find out

00:25:14that you're only missing an hour, huh?

00:25:15If I don't take you

00:25:16and I bring you every day.

00:25:17Yes, let's go,

00:25:17what makes me is my lack

00:25:18now to finish

00:25:18to make a fool of yourself.

00:25:19Come on.

00:25:21Alicia, let's go.

00:25:23What you burned

00:25:24the miniskirt

00:25:24It was a joke, wasn't it?

00:25:25Yes of course.

00:25:26How am I going to burn it?

00:25:27Have you made rags?

00:25:33Then at half past seven,

00:25:34Okay?

00:25:34It's that I go out

00:25:35a little late from work.

00:25:37Okay, okay.

00:25:37Do you want me to put on

00:25:38something special?

00:25:40What's up, Bisbal?

00:25:41It's that your fans eat you up.

00:25:43This woman

00:25:44she's taken it out on me again.

00:25:45This afternoon

00:25:46wants to take a walk.

00:25:47Clear,

00:25:47you will provoke her.

00:25:49I?

00:25:49Well, you'll have to meet her.

00:25:50If he gets angry,

00:25:51withdraw the bail

00:25:52and you go back to jail.

00:25:53And wouldn't that be better?

00:25:54Well, I'm starting to doubt.

00:25:56Go with her.

00:25:57So I take advantage

00:25:57and I go to the movies

00:25:58I haven't been there for a long time

00:25:59and I feel like it.

00:26:00And what movie are you going to see?

00:26:02I don't know.

00:26:03The one they put

00:26:04it's an excuse

00:26:04to eat popcorn.

00:26:07Hey,

00:26:07since when

00:26:08Does mom go to the movies alone?

00:26:09Good question.

00:26:10I don't know what he did to you.

00:26:12enter here.

00:26:13I neither know nor care.

00:26:14But that you are here

00:26:15by plug

00:26:16does not mean

00:26:16that you are going to be given

00:26:17special treatment.

00:26:19You are not friends here

00:26:20nor ex-girlfriends

00:26:21nor neighbors

00:26:23not even retired.

00:26:25Here you are just waitresses,

00:26:26is it clear?

00:26:28And let you know

00:26:29that I'm going to take care of

00:26:30personally

00:26:30to convert your life

00:26:32in hell.

00:26:32But yes,

00:26:34you will get out of here

00:26:35being the best

00:26:36waitresses

00:26:37from this fucking city.

00:26:39Good,

00:26:39let's see

00:26:40what you know how to do.

00:26:41I'll be the client.

00:26:43Nativity scene.

00:26:44Yeah.

00:26:46Let's get started

00:26:46with wine.

00:26:47In its perfect manipulation

00:26:49is where a waiter

00:26:49lives up to expectations

00:26:50because the wine

00:26:51it is the broth

00:26:51of the gods.

00:26:52Have you heard about

00:26:53of Bacchus?

00:26:53Yeah,

00:26:54the one from the video store.

00:26:56Good.

00:26:58Please serve me,

00:26:59please.

00:27:00Yes sir.

00:27:00Forward.

00:27:30Subscribe to the channel!

00:28:00Yeah. There's no wine list at the burger joint.

00:28:25I think we're going to have to work hard.

00:28:30Here we eat well, here we eat well.

00:28:35Here we eat well, here we eat well.

00:28:37Eat and be quiet.

00:28:42Here we eat well, here we eat well.

00:28:46We recommend in our menu that you leave licates in.

00:28:50Try the lumina in lemon sauce, bal fruits and with two samón.

00:28:55Here we eat well, here we eat well.

00:28:59Tomorrow is the opening at 10, don't let me down.

00:29:24Okay, two more.

00:29:26Lucia, I need to talk to you.

00:29:27Here, give me a 900 euro checkup for the plant guy.

00:29:30Look, with the staff we have, the only business we can set up is a circus.

00:29:33But don't worry.

00:29:34Tomorrow I'll call the real waiters, this is to entertain them a little.

00:29:37Doña Lucía, well tell me, sometimes I feel like I'm only here for my money.

00:29:41Carlos, how can you think that?

00:29:45How was the waiters' triumph operation?

00:29:47Any nominees?

00:29:47Good.

00:29:48Diego is already with the chef in the kitchen.

00:29:49I'm going to see the chef.

00:29:53But Mariano, what are you doing here if you won't be needed until tomorrow?

00:29:56Well, if you let me go look at some cars, I can practice.

00:29:58It's actually a very simple dish.

00:30:02Its creative value lies in the concept of the presentation.

00:30:05The dressings evoke a forest in spring and with a touch of jam

00:30:09I harmonize the contrast that the fish itself represents.

00:30:15How are you, Mauri?

00:30:16Thank you, thank you for recommending me.

00:30:18This place, this place inspires me.

00:30:20I will make it a place of pilgrimage.

00:30:22I'm showing Diego my latest creations.

00:30:25And I was telling Roman that I would love to know how to cook,

00:30:27but I have never known, that I have not passed the fried egg.

00:30:30I'll teach you.

00:30:32Man, if you want to be my little brat...

00:30:33I think it's better if you're out with us serving customers.

00:30:37How are you, dad?

00:30:39Well, if the boy wants to learn, let him.

00:30:41No, it's just that your type of cooking isn't practical.

00:30:42I'm sure he prefers more normal things.

00:30:45No, no, I'm going to be helping Lucía.

00:30:47Yes, I've been angry with her.

00:30:48Man, of course, look at them doing that to you, right?

00:30:51What the hell are you doing?

00:30:53Well, I'm preparing a panache.

00:30:53Don't play dumb, you like Diego, right?

00:30:55Well, for now it's just a source of inspiration.

00:30:57But things are looking promising.

00:30:58Look, I'll explain it to you.

00:30:59I just got out of a somewhat difficult four-year relationship.

00:31:02and I have a feeling that this clever boy can help me rebuild my life.

00:31:04I understand you perfectly.

00:31:06It's happened to me too.

00:31:07That all cleared it up, right?

00:31:08No.

00:31:10Look, I saw it first, so don't even come near me.

00:31:12Mauri, I'm sorry.

00:31:12In love and in the kitchen, anything goes.

00:31:14I'm going to tell Lucia.

00:31:15I already have the tasting ready.

00:31:19Ah, anything goes.

00:31:22Ah.

00:31:22Well, come on.

00:31:26Creative seasoning.

00:31:32Emilio, it's clear what's going on.

00:31:34Right now you are the outcast in the class.

00:31:35Are you going to fix this as soon as possible or are you lost for the whole year?

00:31:38But what do I do?

00:31:38Because the only thing I know for sure is that I'm going to end up with scoliosis.

00:31:41How much this weighs.

00:31:42Let's see, first of all, fundamental.

00:31:46Never stand in the front row.

00:31:48The front row is for the losers.

00:31:50But it looks better.

00:31:51It doesn't matter.

00:31:51It's better not to find out and have colleagues cheat on the exam.

00:31:54Never voluntarily talk to teachers.

00:31:56That gives a very bad image.

00:31:57Only if they ask you.

00:31:58Make friends with some girls.

00:31:59They always give you notes and their handwriting is much easier to understand.

00:32:02Skip at least an hour a day to go to the cafeteria.

00:32:05You only go to the library if you want to flirt with someone.

00:32:08In summary, two things are done at university.

00:32:10Study?

00:32:10No.

00:32:12Drink beer and play mus.

00:32:14And in spring, sunbathe on the grass.

00:32:16Drink beer and play mus.

00:32:18I'm better at handling that.

00:32:22How beautiful.

00:32:23This looks like the last supper.

00:32:25I don't see why they have to try the menu if they are the employees.

00:32:27If I don't try what I serve, how do I guide the customer afterwards?

00:32:30Hey, what did you put on me?

00:32:32They are little packets of eggplant with boletus and mozzarella on a bed of lamb's lettuce.

00:32:37You can try the dishes, if you are so kind.

00:32:40How are you?

00:32:55The truth is that it has a very peculiar flavor.

00:32:58The duck-filled bril caramel with clementines is a triumph.

00:33:06Today in the warm room of mussels and beans, wild sobrado, very rich.

00:33:11What was mine?

00:33:12Sea bass with confit onions en papillote.

00:33:15Brilliant.

00:33:15Take your time.

00:33:17Enjoy this symphony of flavors.

00:33:20I'll bring the desserts.

00:33:21You better bring more because this is fucking shit.

00:33:23My croquettes are much better.

00:33:25And Valentine's cookies.

00:33:27What's happening?

00:33:29I mixed up the packaging once.

00:33:31Please don't criticize a culinary artist because your taste buds aren't ready to capture the nuances of these delicacies.

00:33:38Carlos, but it's horrible.

00:33:39Well, I know, but maybe these dishes aren't trying to convey something.

00:33:42This guy is worthless, he's in complete decline.

00:33:44Well, but if you recommended it to me, Mauri, it wasn't that famous.

00:33:47He had a wrist injury and he doesn't measure up.

00:33:49He's lost his touch.

00:33:50Here I bring my proposal for desserts.

00:33:53We started with an apricot saballon in cava and continued with the jasmine tea mirror with orange.

00:33:58No, thank you very much.

00:34:00Bring me a shot of chinchón to wash this down.

00:34:03I'll have a cortado with saccharin, please.

00:34:06But how come they're not going to try it?

00:34:08Didn't you like the menu?

00:34:10Uh, yes, yes, yes, yes, a lot.

00:34:12But come on, we had an idea of something more normal.

00:34:15Yes, and more edible, especially because it's so awful.

00:34:17I'll eat another packet of these and go into a coma.

00:34:21And it's hard to make a salad wrong.

00:34:23But hey, how dare you criticize my creations?

00:34:25I've been on the cover of the New York Times.

00:34:27Where? In the Serial Killers special?

00:34:30Well, this is intolerable.

00:34:32I've never been treated like this anywhere before.

00:34:36Paretos!

00:34:37Damn, the little star, how it stings!

00:34:39Oh my! We're opening tomorrow, and we don't have a chef.

00:34:41What do you mean, no? You have it right in front of you?

00:34:43Mauri, he has put in all the advertising and on the invitations that this man was the chef.

00:34:46People are going to come here for him.

00:34:47Well, let them come, they don't have to find out that he's not here.

00:34:49There's no need to say hello here, this isn't La Traviata.

00:34:51All I need is a volunteer to help me in the kitchen.

00:34:53Me! Me, me, me!

00:34:55Okay.

00:34:55Anyone else?

00:34:57If only I knew how to do it...

00:34:58Okay, let's see what things we need.

00:35:00I'm in with you, Mauri!

00:35:02So you can benefit from my experience!

00:35:05What I said, thank goodness he's gay.

00:35:08What a mess!

00:35:09Maybe my father is right and I'm not qualified to run this business.

00:35:12Well, maybe yes.

00:35:14Or maybe not, and this is a success.

00:35:17Come on, cheer up, you'll see how we succeed.

00:35:19I trust you and we will respond to the death!

00:35:22Of course!

00:35:23All for one and one for all!

00:35:26What a silly phrase, now that I think about it!

00:35:28The musketeers were gay, that's why they said those dirty things.

00:35:31Come on, distract us, there's a lot of work.

00:35:33At least they put in the effort.

00:35:35When are you going to fire them?

00:35:36I don't know, Carlos, it's all problems.

00:35:39Well, don't worry, no...

00:35:41Oh, Carlos, fuck!

00:35:43It's so you can see that you must not give up, that you must be stubborn, there, ironclad.

00:35:51Hello, hello.

00:35:53I think I have a Felipe.

00:35:54A reservation on behalf of Felipe García.

00:35:56Ah, yes.

00:35:57One moment, please.

00:35:58Let's see, yes.

00:36:02May I have a credit card?

00:36:03No, Felipe will give it to him when he comes.

00:36:21That?

00:36:21Let's see, her cousin, the one from Ponferrada.

00:36:24I'm going to school, I have a parent-teacher meeting.

00:36:26Well, what a look.

00:36:27Please scrub the inside of the buckets well, otherwise the whole staircase will smell.

00:36:30I've got him, Juanito, I've got him.

00:36:32Whom?

00:36:32The guy who catches Isabel.

00:36:34His name is Felipe García.

00:36:36I found this card in her purse.

00:36:38Andrés, it's not right to go rummaging through your wife's purse.

00:36:41It's not there, no.

00:36:41It has an address written down.

00:36:43I called and it's a hotel.

00:36:45Will you take me?

00:36:46They've seized my car.

00:36:48They're sure to be there.

00:36:49No, it's just not very convenient for me, because I have a parents' meeting now.

00:36:52But aren't you curious to see that jerk's face?

00:36:55Don't punish yourself, Andrés.

00:36:56It's not good for you.

00:36:58Andrés, where are you going?

00:36:59Our walk.

00:37:00Sorry, something unexpected came up.

00:37:03I have to go.

00:37:04Go for it, damn it.

00:37:05I'll call you, okay?

00:37:06But what do I do now?

00:37:08Damn, Vicente, right?

00:37:09I'd have to dress up to get the dog to come down.

00:37:12The Army Museum is amazing here.

00:37:14Which uniform did you like the most?

00:37:16Well, I don't know.

00:37:16I'm between the Flanders regiments and the caretaker's.

00:37:19Oh, this country has been an empire, José Miguel.

00:37:22We had colonies everywhere.

00:37:24Yes, there had been something.

00:37:25Now we are in a sadder stage.

00:37:28We only have Perejil Islet left and they want to take it away from us.

00:37:30But they won't get it.

00:37:32And another day we talked about Gibraltar.

00:37:34Yes, but another day, okay?

00:37:36How are you, Mrs. Nieves?

00:37:37How is your cousin from Ponferrada?

00:37:38Who?

00:37:39Your cousin?

00:37:40The Presimo said he was coming today.

00:37:42He got him a little hotel.

00:37:43If we don't have family in Ponferrada.

00:37:45Ah, then we'd better leave this conversation and I'll get back to cleaning.

00:37:50Come here.

00:37:52Tell me right now where the hotel you got for my brother is.

00:38:01Five at thirty-one with dirty pairs.

00:38:05All.

00:38:05But man, what is hand?

00:38:07I see you with my three kings whistles.

00:38:08So they can say that university food is bad.

00:38:11You just ate a single million, for you.

00:38:13You're a genius, Emilio, playing mustil.

00:38:15Well, I practice a little in my spare time.

00:38:17Another round is on me.

00:38:18Well, what do you do?

00:38:20I, a businessman, have a small video store right below my house.

00:38:23Okay, so you're a good catch and you have a girlfriend.

00:38:25Take it away, take it away, take it away.

00:38:26I'm not going to be a girlfriend.

00:38:27You're doing well, man.

00:38:28So that?

00:38:28It has been proven that chemically sexual attraction only lasts three years.

00:38:32There, there, there.

00:38:33How nice it is to live alone with the whole house to yourself.

00:38:35Well, could we have a little party at your house?

00:38:37Clear.

00:38:38Yes, yes, yes, yes.

00:38:39At my place?

00:38:40Clear.

00:38:40Sure, whenever you want.

00:38:43Well, what do we do?

00:38:45Do we enter teaching or do we pass?

00:38:47Okay, man, with the time it's here, we're going to get something to drink, right?

00:38:49Of course, regardless.

00:38:50Okay.

00:38:50Come on, a pint for that sirloin you just ate.

00:38:53Come on!

00:38:54Good afternoon.

00:38:56We are friends of Felipe García.

00:38:57I think you have a reservation for today.

00:38:59Yes, but it hasn't arrived yet.

00:39:01Well, there's a woman waiting for you in the room.

00:39:03What did I tell you?

00:39:04Well, we don't know if it's Isabel.

00:39:06Come on, there are no women.

00:39:07It's best if we go and you ask him.

00:39:09You don't happen to have Felipe's phone number somewhere?

00:39:11We're old friends and we'd be very excited to talk to him.

00:39:16But Andrés, this man can't give us that information.

00:39:19It will be strictly confidential.

00:39:21No, yes I can give it.

00:39:22The problem is that I don't know where the number is written,

00:39:25because my partner took it yesterday and who knows where he put it.

00:39:28Thank goodness.

00:39:29Good for you because you were going to get into a real mess.

00:39:31Come on, I'll buy you a glass of Navarrese Americano, Andrés.

00:39:33Cheer up.

00:39:33Do you mind if we sit here and wait for you?

00:39:36No, no, no, yes.

00:39:41Maybe we're just being silly, Andrés.

00:39:43The same thing doesn't even appear.

00:39:44Yes, it appears, yes.

00:39:47Yeah?

00:39:48Juan, I've been waiting for you for half an hour.

00:39:50I'm eating all the chocolates in the minibar.

00:39:51that they must gain a lot of weight.

00:39:53Where are you?

00:39:54Well, here with Andrés.

00:39:55Okay, relax, in a hotel.

00:39:57Trying to solve a problem he has with his wife.

00:39:59It's Nieves.

00:40:00Give him a kiss.

00:40:01With Andrés?

00:40:02But are you crazy?

00:40:03Why did you bring him?

00:40:04No, no, incorrect.

00:40:06I'm just helping a friend

00:40:07that he has found a suspicious card

00:40:09in Isabel's bag.

00:40:13He rummages through my bag.

00:40:14There you have it.

00:40:15Oh, how silly!

00:40:17No, well, nothing.

00:40:17You stay there calmly, I'll come when it's time.

00:40:20Has he gotten angry?

00:40:21Pass it to me so I can explain it to him.

00:40:22Well, man, let's go give explanations.

00:40:24We are all grown up now.

00:40:25Well, a real bore, huh?

00:40:27Well, nothing.

00:40:29Let's wait.

00:40:30Yeah.

00:40:31Let's wait.

00:40:33Hello.

00:40:33Good afternoon.

00:40:34I'm coming to Felipe García's painting exhibition.

00:40:37But it can't be.

00:40:38This aunt is stalking me.

00:40:40Hide!

00:40:41And with surrealist?

00:40:43Given that?

00:40:45Expressionist.

00:40:45Given that?

00:40:46No, no, no.

00:40:47It's not on the list.

00:40:48It's not on the list.

00:40:49We have another time now.

00:40:51A Roma.

00:40:52That guy is a painter.

00:40:53Impressionist.

00:40:54What impression?

00:40:54Look, I have it in the can.

00:40:59This is done.

00:41:00Oh, Mauri, you were dreaming, man.

00:41:02Don't worry, I'm sure mine is much more interesting.

00:41:04Listen!

00:41:05Tomorrow I'm spending the whole day in the kitchen with Diego.

00:41:08I am the new chef at the restaurant.

00:41:09You might say, there was a chef, and there was, but I had to fire him because he was also after Diego.

00:41:13And fuck, for a guy I like, damn, he's famous, he has it easier.

00:41:16In short, tomorrow is a taco.

00:41:17How do you see it?

00:41:18You came to me for the ultrasound.

00:41:19Yeah.

00:41:20No.

00:41:21Yes, I went.

00:41:23The thing is, I had 50 euros and the taxi driver didn't have any change.

00:41:26He had me going around in circles until it cost me that much in the race.

00:41:28And when I finally entered the hospital, I found a woman in the hallway walking with a walker and an IV drip.

00:41:33And since it was an operating room area, there was a continuous line and I couldn't get past it.

00:41:37And look, I wasn't going to put the lady's life in danger for an ultrasound.

00:41:40Mauri, you forgot.

00:41:41Okay, I forgot, sorry.

00:41:43My son, I'm sorry!

00:41:44It's just that Dad has fallen in love and I'm a little distracted.

00:41:47Do you want to see the photo they gave me?

00:41:49Of the child?

00:41:49Yeah.

00:41:49Of course, bring it.

00:41:51Let's see, let's see.

00:41:54How cute, please.

00:41:56What thing.

00:41:59Where is this?

00:41:59What is it?

00:42:00It's that stain over there.

00:42:01Oh yeah, look at it!

00:42:02The head, the little arms, the legs.

00:42:07No, they couldn't tell me the sex because I was facing backwards.

00:42:10Hey, if it's a boy, the name Diego is very nice, right?

00:42:12There we go, but you're sure he's gay.

00:42:15Man, let's wait for the next ultrasound, right?

00:42:18Lucia's brother!

00:42:19Ah!

00:42:20You get excited and then you get the disappointment of the century.

00:42:22Of course, you see.

00:42:23If all that's missing is a sign that says "Mauri Kiss Me," tomorrow we're going to inaugurate something else.

00:42:27than a restaurant.

00:42:28Well, if you see it so clearly.

00:42:29Hey, we'll have to find a framework for this, right?

00:42:31Of course, Joaquín, where am I going to be?

00:42:36Waiting for Felipe García.

00:42:39But at least you have a TV and a minibar.

00:42:41No, no, Nieves, don't get so worked up because you're not right.

00:42:43I'll have whatever I want for dinner when I get back.

00:42:44What are microwaves for?

00:42:45Man.

00:42:46Andrés, let's go, nobody's coming here.

00:42:48You're falling asleep and I'm getting up early tomorrow.

00:42:50And the kids can immediately tell on the board whether you're cool or not.

00:42:53Well, I'm going to call home.

00:42:54If Isabel is here, we're leaving.

00:42:55But don't call.

00:42:56Give him a vote of confidence if he's coming back from the movies.

00:42:59Hey, Pablo, it's dad.

00:43:01Have you been arrested yet?

00:43:02Is mom home?

00:43:05Yes, yes, but he has already gone to bed.

00:43:07I was very tired.

00:43:09Okay, okay.

00:43:11Well, I'm going there.

00:43:13Does it seem normal to you to be saving mom's ass?

00:43:15Alex, we have no proof.

00:43:17Trust a little in the mother who gave birth to you.

00:43:18Well, there it is.

00:43:19This.

00:43:20You see? Your wife is home.

00:43:22Let's go.

00:43:23That Felipe guy knows me.

00:43:25He went to enter the hotel.

00:43:27He saw me and left.

00:43:28Then he called Isabel, who fled through the back door.

00:43:31That is.

00:43:33Come on, Andrés, I'll buy you a drink.

00:43:34What do we both lack?

00:43:41Thank you very much, Juanito.

00:43:42You're really helping me a lot with this.

00:43:45Emilio, it's Belén again.

00:44:03Where are you?

00:44:04Did something happen to you?

00:44:05Call me.

00:44:06Well, if something has happened to you, what are you going to call me?

00:44:08Well, uh...

00:44:10Well, I don't know.

00:44:12Come on, goodbye.

00:44:15I'm going to call the police.

00:44:16It's two o'clock and he doesn't answer me.

00:44:19Aren't you worried?

00:44:21Mariano?

00:44:22Of course, damn it.

00:44:23How could I not be worried?

00:44:24That he wouldn't open the door.

00:44:33Where were you from?

00:44:34If I come from integrating.

00:44:35Hey, it's pretty cool going to college, huh?

00:44:38Emilio, have you been drinking?

00:44:40Phew, I've been drinking, I've been smoking, I'm so drunk I can't stop myself.

00:44:44Ah, very nice, huh?

00:44:45Beautiful.

00:44:46Your father and I are worried sick here, and you're getting drunk with a bunch of kids.

00:44:51But you didn't tell me to make friends.

00:44:53Yes, but not that you went out for drinks with them.

00:44:55But if not, they won't let you take notes.

00:44:57Emilio, you have to take the notes.

00:45:00They don't have to give them to you.

00:45:01Belén, a little bit, please, I'm not in the mood for sermons right now.

00:45:06Come on.

00:45:07Let's go to bed.

00:45:09You didn't know how to believe that I now have the desire to...

00:45:11Go to sleep.

00:45:12Let's go to sleep.

00:45:13Ah, well, this is it.

00:45:14Come on.

00:45:16You and I will talk tomorrow.

00:45:17About what?

00:45:18Whatever I tell you.

00:45:19It's like the last one, parents have a sixth sense for that.

00:45:28What a depressing night, my God.

00:45:31Binge eating in a seedy hotel, watching TV shopping.

00:45:35On top of that, I had to pay for the hotel myself.

00:45:38And what about me?

00:45:39I was waiting for myself for six hours.

00:45:41It's the most absurd thing I've ever done in my life.

00:45:42Man, at least you had the peace of mind that you weren't going to show up.

00:45:45That helped a lot, yes.

00:45:47So what do we do?

00:45:49Should we rebook for today?

00:45:51No, it is not necessary.

00:45:52Tonight the building will be empty for the opening of Lucía's restaurant.

00:45:57Hey, do you have free rein in your house?

00:46:00Yes, my family told me they're going to a party at the university with Emilio.

00:46:04And I told Vicenta to take Andrés to the restaurant to have it.

00:46:07Perfect.

00:46:08Well, no hotels.

00:46:09Here in Casita so richly.

00:46:11This time I even have an excuse for snow.

00:46:14A kiss.

00:46:14Then.

00:46:17Let's do things right.

00:46:27Come on, woman, start talking to me now, but stop looking at me like that, or your milk will curdle.

00:46:31No, not in conversation.

00:46:32I just wanted to know if you're coming to the restaurant opening tonight.

00:46:36or you've met up with your buddies to get drunk again.

00:46:39Oh, get out, get out, get out, get out.

00:46:40If that was quarterly.

00:46:41With this I'm already shooting until February.

00:46:43Today I'm going to see you at the restaurant, which I know you're excited about.

00:46:47Lucia, remember to leave me an invitation for this one, go on.

00:46:50Yes, yes, yes, yes.

00:46:50See you later, okay?

00:46:51Bye bye.

00:46:53Emilio, university can be of great use to you or of nothing.

00:46:56Are you going to focus on your studies?

00:46:58Yes, darling, I'll focus.

00:46:59I take a pirina and focus.

00:47:04Good morning.

00:47:06How did you sleep?

00:47:07Sit down, we need to talk.

00:47:09What's happening?

00:47:10I know you told me there is no other woman, but there is another man.

00:47:15As?

00:47:15Juan, you're gay.

00:47:17What am I going to be gay?

00:47:18Yesterday I saw you leaving a hotel with Andrés Guerra.

00:47:20And we don't have any cousins in Pozcerrada.

00:47:23Oh my God!

00:47:24I just accompanied him.

00:47:25Andrés was looking for his wife, he thinks she's cheating on him.

00:47:27If you are, say so, Juan.

00:47:29Yes, I am very modern.

00:47:31Invitations for tonight are at 10.

00:47:33Bye bye!

00:47:35Call a friend of yours, if you want, because I won't be able to go.

00:47:37How could you not go if you're the president?

00:47:39You're the one who's carrying the entire burden of José Miguel's education.

00:47:42And today I'm taking it to the Antiquarian Book Fair.

00:47:44They have some 14th century codices that I think you're going to love.

00:47:47Oh, I had thought about taking it to the Museum of Natural History, but that is also very nice.

00:47:52Do you want me to go with you?

00:47:53I don't mind missing the inauguration.

00:47:55No, no, please. We can't leave the community unrepresented at an event of this magnitude.

00:48:01You go and enjoy yourself, I'll take care of the kid.

00:48:03Look, I'm taking on a lot of responsibility. I'm going to be the center of attention.

00:48:07Aníbes, prepare a short speech. In case Lucía asks you for a toast.

00:48:10Yeah.

00:48:14Hey, Dad, that thing about that fair is a joke, isn't it?

00:48:16What do you think?

00:48:18Today you can do whatever you want.

00:48:20Here, 50 euros.

00:48:22Thanks, Dad.

00:48:23Hey, it's been a long time since you kissed me.

00:48:26Don't worry, nobody has seen us.

00:48:32Bea, Bea, Bea, Bea.

00:48:34Wait.

00:48:35Here, the invitation for tonight. It's at 10, don't let me down, okay?

00:48:38No, no, no.

00:48:39Okay.

00:48:40Hey, if you could introduce me to your brother, I've heard he's very handsome.

00:48:42Yes, the truth is that it has always been very successful.

00:48:44Hey, so his girlfriend's been doing some work, right? All day long she's at the restaurant.

00:48:47No, but he doesn't have a girlfriend.

00:48:49Ah, what's gay?

00:48:50If he's a mathematician, the handsome guys are either gay or have sex.

00:48:53No, he's not gay. He got married this summer.

00:48:55Hey, but you're not a lesbian.

00:48:56Yeah.

00:48:57Yes, what happens is that with this pregnancy thing, my hormones are a little bit...

00:49:00Riots, right?

00:49:01Well, see you later. See you tonight.

00:49:03Yeah.

00:49:05Oh, God, Mauri.

00:49:06So the trick is to put it in the finely chopped donut and then add the oil little by little.

00:49:14Of course, because this way the salmon is marinated to perfection.

00:49:16Ah, so this has to be really good, right?

00:49:19480 calories per serving.

00:49:22Well, we rounded it up to 500, right?

00:49:24Are you there, Mauri? I've already turned all the bottles in the cellar 90 degrees.

00:49:28What do I do now? Can I start making my béchamel?

00:49:30No, no, look, we're having an emergency. We're out of fennel.

00:49:34No. Is it here?

00:49:35No, not fennel, the... Oh, cilantro!

00:49:39Cilantro? Isn't this it? This is cilantro.

00:49:40Ginger roots.

00:49:42Oh, it's true that I fail. What's that for?

00:49:44For a lot of things. Hurry, Vicenta, go buy some because we can't open without ginger roots.

00:49:48I'm coming, I'm coming. And where do I buy that?

00:49:51I get the feeling you want to get rid of her.

00:49:53No, man, no. It's to keep her entertained.

00:49:56Where were we going?

00:49:58For the marinated salmon with mustard sauce.

00:50:00Oh, sorry.

00:50:02What does he want from now on? It doesn't matter.

00:50:04Now we move on to oysters with quail eggs and lobster cream.

00:50:07Well, that sounds aphrodisiac, huh?

00:50:10Yes, yes. The French made the oyster into an erotic myth. They accompanied them with champagne.

00:50:16But, well, we already know the French, who get turned on by anything.

00:50:19They invented the bidet. Imagine that.

00:50:21How wonderful mobile phones are, huh? Connecting people.

00:50:25I'll see how the souffle is going.

00:50:26Okay.

00:50:28Look, what do you want? I'm really busy.

00:50:30It's very important, Mauri. It turns out that Diego...

00:50:31Don't be nosy. I'll tell you later. Go to sleep, otherwise the fetus won't develop.

00:50:35That's it. How's the souffle coming?

00:50:37Diego, Diego, Diego. Help us. The flower order has arrived, and Carlos is allergic.

00:50:41My goodness, what stress, right?

00:50:43Hey, I need someone here, huh?

00:50:45Here I am. Here I am. I haven't found the ginger roots.

00:50:49But a guy in the park sold me something that he says is better and works for everything.

00:50:53His name is Costo. He must be pretty good because he charged me a pretty penny, huh?

00:50:56Thank you very much, Vicenta. Leave it here for me. I might need it.

00:50:59How are you? Bad hangover from yesterday or something?

00:51:05Me? What are you doing? And this is the pace I'm already at every day?

00:51:08Damn, I don't know how you handle it, man.

00:51:11Come on, what is this?

00:51:13César posted it so no one misses your party.

00:51:16Ah, my party. Well, it's just that tonight might be a bit rushed because they're slashing my park.

00:51:20No, man, you didn't say it, man.

00:51:22When will I?

00:51:23Well, yesterday, when we were on the march.

00:51:25Just before you got up on the loudspeaker to dance like a gogo and we got kicked out, remember?

00:51:28No, man, but come on, if it's really bad for you or we're going to the end of...

00:51:31But everyone's dying to meet you, man. You're already an institution here.

00:51:36The thing is, tonight I opened a restaurant for a friend of mine and I have to...

00:51:41What's up, man? Perfect today. Today, today, come on, at 10 o'clock, a party at my house.

00:51:45It's cool.

00:51:46Ask it.

00:51:46Hey, where are you going? Aren't you going to class?

00:51:48Uh, no, no, no. I'll get everything ready. First things first.

00:51:53This guy is really cool.

00:51:54How are you?

00:51:55How are you?

00:51:56How are you?

00:51:57How are you?

00:51:58How are you?

00:51:58Belén, that's me. Hey, I won't be able to go to the inauguration light tonight.

00:52:06Yes, they've set up a surprise checkpoint for us. Yes, Camila, yes. Well, you're going to be there this afternoon, aren't you?

00:52:12Yeah, well, that's it. I'll see you when you get home. It's a shame I'm missing this event and...

00:52:17Come on, goodbye, darling. Goodbye.

00:52:18Here are the girls from Coyote Bar. All cleavage and legs.

00:52:26Okay, she's put on makeup. It must be for the tips. Yeah, for some people, just going without underwear is enough.

00:52:31How are you? How are you? It's so obvious. Hey, we'll have to try on the uniforms. Yes, but first a shot of chinchón, we've got a very late night.

00:52:38So, what are we doing? Let's dress the tables, wash...

00:52:41Yes, wait a second, Belén. I'll be with you now.

00:52:44Hey, Lucia.

00:52:45What are these people doing here? Why haven't you fired them? I've already hired new waiters.

00:52:51I haven't fired them, no. I haven't found the time.

00:52:54Haven't you found the time?

00:52:55Okay, Carlos. It's just that I feel so sorry for them. They're being really nice to me.

00:52:59But... What do you want? For the inauguration to be a disaster?

00:53:02An entrepreneur has no feelings. He's a money-making machine.

00:53:04Otherwise, how do you think your father made his fortune? By being a jerk.

00:53:07Hey, don't go too far.

00:53:08Being a jerk. It's okay. Do you want me to throw them out?

00:53:10Okay, you throw them.

00:53:11Okay, then I'll throw them.

00:53:12Or not, or better yet, you. And so you start letting go. What? You'll see, it's very easy, it's very easy.

00:53:20Girls, can I talk to you for a moment?

00:53:25Well, I just want to thank you for all the enthusiasm and desire you've put into making this a success.

00:53:31Don't worry. We'll talk about the payments tomorrow.

00:53:34No, no, no, it's not that. It's just...

00:53:36Well, the trial period is over and both my partner Carlos and I,

00:53:41Well, especially my partner Carlos,

00:53:43We have decided that you are no longer ready and that we are going to hire professionals in the sector.

00:53:47Come on, you're fired.

00:53:49Girls!

00:53:49I'm making a great dough for croquettes.

00:53:52Well, put it in a Tupperware that the posh girl left us on the street.

00:53:55Why? What have we done? That's what we'd like to know.

00:53:58I hope you understand. Honestly, we're doing what's best for our business.

00:54:02No, no, calm down, we understand. This.

00:54:06I'll leave it here for you.

00:54:08You did very well to fire us, because we are clumsy.

00:54:12By the way, I think I'm leaving your house. I don't need your charity. I'll figure out my own way.

00:54:16I'm going back to Belén.

00:54:17No, it is clear that misfortunes never come alone.

00:54:20Damn, for once we behaved ourselves...

00:54:23See? You've already fired someone. You're now a real businesswoman.

00:54:27Carlos, I feel terrible.

00:54:29Well, laying off workers is a bit like losing your virginity.

00:54:33It's a bit hard and painful at first, but then you get used to it.

00:54:49Vicenta told me that she would be very excited if I came to the opening of the restaurant.

00:54:54Are you coming?

00:54:55No, no. Too many neighbors together.

00:54:57Also, I just cleaned up at the construction site.

00:54:59And that would be a shame. It's like when you've just finished washing the car and it starts to rain.

00:55:01Well, it makes you angry.

00:55:02So what are you going to do? Another movie session?

00:55:06No, I'll stay here at home, my ball.

00:55:08Well, I'm going to take a nap, I have a very rough night ahead of me.

00:55:12At least I'll have a free dinner.

00:55:16Mom, it's enough. We had to lie yesterday so there wouldn't be any trouble.

00:55:20Don't you want to explain what's going on here?

00:55:21I've fallen in love with Juan Cuesta. Pass me the salad.

00:55:25Alex?

00:55:25Mom, I understand that he's chasing after you, but how do you get attached to him?

00:55:29As a son it is totally humiliating.

00:55:30I don't have to explain myself to you. You, five hours into labor. You, a scar here, just like that, necessary.

00:55:37But that's the appendix.

00:55:40And how would you know where it came from?

00:55:42Alex, will you pass me the salad?

00:55:46With Juan Cuesta.

00:55:47Emilio, and what is it for you?

00:55:54Well, I went to the supermarket to buy some yogurts and when I went to pay at the checkout, an alarm suddenly went off and look, the super purchase, the super gift.

00:56:02It turns out it was the 50th anniversary and look at all the gifts they gave us.

00:56:05Crust, sandwich bread, popcorn...

00:56:09But, but here's beer for a year.

00:56:11Of course, darling, the super purchase is the super gift.

00:56:13Hey, weren't you working?

00:56:15I was. Lucía said goodbye to us all.

00:56:17Don't fuck with me, what have you done?

00:56:18Well, now it turns out we're not ready.

00:56:21And he puts us on the street before the inauguration.

00:56:23Okay, my love, but you go talk to her, you can't miss that if the whole community is going.

00:56:28Tell him that you are going to sin and look and that way he will learn.

00:56:30Do you want me to go beg him after the humiliation?

00:56:32No way.

00:56:33I'm going to lie down for a while.

00:56:35Today all I ask for is a little peace and quiet.

00:56:39Well, you've chosen a bad day.

00:56:45Yeah.

00:56:48Carlos, what's up with the waiters? Should they be here by now?

00:56:51Okay, okay, okay. No, no, no problem.

00:56:53It's okay. Thank you very much.

00:56:55Come on, see you later.

00:56:56They are not coming.

00:56:57As?

00:56:58I thought that waiters could sing opera and so on while the customer was having dinner.

00:57:01I have heard several of Rigoletto, from La Boheme.

00:57:04The problem is that they've got a mess and they won't be able to come.

00:57:07I'm sorry, Lucia, forgive me, we won't be able to open for you.

00:57:10Okay, okay, okay, calm down, calm down, let's think of something.

00:57:12Come on, think.

00:57:12No, I can't, I'm blocked.

00:57:14Damn, Carlos, then go home, I'll sort it out.

00:57:16No, no, I'm not moving from here, I'm sinking with our ship.

00:57:19Well, while you're sinking, I don't know, organize the tables, check that the pens are painting,

00:57:22I don't know, do something useful, damn it, with the aggressive businessman.

00:57:25Don't scold me.

00:57:27Well, I've been thinking about what happened this afternoon and I really feel bad.

00:57:31I think I may have been a bit hasty.

00:57:33You've helped me set up the restaurant, and I'm willing to give you another chance.

00:57:37But it's very generous, it's an offer you can't refuse.

00:57:39Emilio, don't mess with the bosses.

00:57:41What's happening to you is that the other waiters have left you in the lurch?

00:57:44Well, yes, a little, but come on, the important thing is that I want us all to be united, okay?

00:57:47And that we are a big family.

00:57:49Now yes, right?

00:57:50Do you think you can hire us and fire us whenever you want?

00:57:53We have dignity.

00:57:54Well, I'm raising my salary by 20%.

00:57:55I accept.

00:57:56Stay still, writer.

00:57:57We want a long-term contract.

00:57:59At least a week.

00:58:00And a Christmas basket with Chinchón del Bueno.

00:58:02And a physiotherapist to give us massages.

00:58:05And once a week open a soup kitchen for the poor and underdeveloped.

00:58:08Okay, okay, okay, deal, but let's go, eh, we don't have time.

00:58:11Okay, quick, everyone out of here, you have a lot to do, okay?

00:58:14Wait, wait, Lucia.

00:58:15And a month of paid vacation.

00:58:17Yes, yes, yes, whatever you want.

00:58:19Well, I'll take them now.

00:58:20What's a joke?

00:58:22Damn, what a face he made.

00:58:29Good night.

00:58:31Damn, how the Porsche 911 goes.

00:58:34I'm having a good time.

00:58:35Mariano, it's just a matter of parking them.

00:58:37Come on, if I scare them, I'll give them a little bit of silence, they've turned yellow.

00:58:41Come on, come on.

00:58:43Ma'am, put down the cigarette.

00:58:44If I throw it, I lose my balance.

00:58:50What a shame.

00:58:51They seated us at the back.

00:58:53This is a chicken coop table.

00:58:54Well, since your brother and my wife have left us alone, we could start getting to know each other.

00:59:00Hey, you, you, why did you stay single?

00:59:02The letter is very well done, isn't it?

00:59:10Hello.

00:59:11Man, dad.

00:59:12How are you, girl?

00:59:13Welcome to my restaurant.

00:59:15Eat and be quiet.

00:59:15Hey, I like the name, it's original.

00:59:17Yes, I've put it in tone, it's what you told us when we were little.

00:59:19Oh, thank you very much.

00:59:20May I take the car, sir?

00:59:21Yes, yes, like.

00:59:22Man, V8.

00:59:24Mariano, please.

00:59:25Come in, come in.

00:59:26It's this table here.

00:59:28Hey, hasn't mom come?

00:59:28No, no, she loves you very much, I preferred to come with someone more impartial.

00:59:32Look, this is Ángel Sandoval, food critic for the Bournemouth Guide.

00:59:35Clear.

00:59:37The neighborhood is a bit vulgar for setting up a place like this, isn't it?

00:59:40How did you convince Román Ferragut to be your chef?

00:59:45I look forward to greeting you.

00:59:48It's that, it's that, it's that right now he is, he is creating, he can't be disturbed, he needs peace and quiet.

00:59:53He is focused, like the national team before a match.

00:59:57Well, let's hope the result isn't the same.

01:00:01Come on.

01:00:05Well, it seems we're finally alone, right?

01:00:07What peace.

01:00:08Yeah.

01:00:10Well, what do we do now?

01:00:12Well, I don't know.

01:00:14At your house or mine?

01:00:16What do you prefer, local or visitor?

01:00:17I don't know if you know that orgasms on the other side of the field are worth double.

01:00:24Sorry.

01:00:26Juan, this is very romantic.

01:00:29Don't mess it up.

01:00:32Let's go to my house.

01:00:33Okay.

01:00:38Two bowls of yellow soup for twelve!

01:00:41Marching!

01:00:42Not yellow soup, it's clam fume with sherry-infused shrimp.

01:00:44And no, shout, this is not a tavern.

01:00:46Right now you have to put on the cap because the law says so.

01:00:48No, it's horrible, I look like Papa Smurf.

01:00:50What if your hair falls into your food?

01:00:52Are you implying that I'm going bald?

01:00:53No, you look great, it looks great on you.

01:00:55And I've always been a big fan of the hat.

01:00:56Ma'am, please don't put little cloquettes on my plates.

01:00:58People have to try them, they are delicious.

01:01:00Hey, where does he go for that?

01:01:02Bring here, bring here.

01:01:03He said that I don't feel like it.

01:01:05That table is day.

01:01:06Hey, for a good guy out there, let him serve someone with potential.

01:01:09I was like, really, will you keep your voices down?

01:01:11It can be heard from outside.

01:01:12Everyone out of my kitchen.

01:01:13Only Diego and I can be here.

01:01:14Yes, please.

01:01:16I don't want to talk, but Concha is charging people for the cloakroom.

01:01:20I can believe it.

01:01:22Hey, the removals are already here, come each one to take care of your area.

01:01:24She has already gone.

01:01:25Come on, she's already gone.

01:01:26If I send it, I sprinkle it in the center or around the edges.

01:01:29Better in circles.

01:01:30You have to unleash your creativity.

01:01:32You and I make a good team.

01:01:33If the restaurant isn't doing well, we don't set up something on our own.

01:01:36Where's the candy?

01:01:37The candy or the caramel?

01:01:39There, there it is.

01:01:41Ah, yes.

01:01:42Hey, I'm happy to be here with you, but my father is away and I have to make an appearance.

01:01:45I'll escape as soon as I can and we'll get on with it, okay?

01:01:50With the... with the mus I meant the mus.

01:01:53No, and I...

01:01:53Me too...

01:01:54I... I mus.

01:01:56Oh, right.

01:01:58Dear.

01:01:59Dear.

01:02:00Are you here?

01:02:02Hello.

01:02:02It's... it's Alba, my wife.

01:02:04You must be Roman.

01:02:05Well, I've heard a lot about you.

01:02:07I really want to try one of your dishes.

01:02:10Excuse me, I'm going to check the oven to see if there's room to stick my head in.

01:02:14For head?

01:02:15Mauri, he's married!

01:02:16He's married!

01:02:20Luis Eduardo, the soap opera, who ended up marrying Jena Patricia, who, after all, wasn't his mother and...

01:02:24Well, what a last chapter, I've got it recorded.

01:02:26Hey, let's go to the table, they're waiting for us.

01:02:28Yes, let's go.

01:02:30Slang!

01:02:30But why didn't you warn me?

01:02:33I called you, but you ignored me.

01:02:34And why haven't you come before?

01:02:35It's that I fell asleep.

01:02:38How rich in horrors.

01:02:40What if we have a drink first...?

01:02:50I don't drink.

01:02:52No, me neither.

01:02:53Don't think I need alcohol to loosen up.

01:02:57Shall we go to the bedroom?

01:02:59Correct.

01:02:59Let's proceed.

01:03:00Well, here we are.

01:03:13There are no more rooms.

01:03:14Beautiful, very cozy.

01:03:17And a good mattress, latex.

01:03:18This way you forget about mites.

01:03:20Speaking of latex, I haven't bought any...

01:03:22No, don't worry.

01:03:23Use a diaphragm.

01:03:24Look, how practical.

01:03:26And does that hurt when they put it on you?

01:03:27Well, no, practically.

01:03:30You don't notice it.

01:03:31It's silly, but I'm very, very, very, very, very nervous.

01:03:34I think maybe if we kiss and break the ice.

01:03:39I can't, I don't feel comfortable.

01:03:41I just can't, I can't do it here.

01:03:42You're right, it is also dangerous.

01:03:44Let's see if I miss a hair, see it, Andrés analyzes it and we have it.

01:03:48That this time is very bad for hair loss.

01:03:50Yes, what if we do it at your house?

01:03:51Of course, no problem.

01:04:00We were not alone.

01:04:03You thought so.

01:04:14Emilio, Emilio.

01:04:16Mr. Juan, what are you doing that you are not in the tobante?

01:04:18Can you tell what all this is?

01:04:20José Miguel, what are you doing here?

01:04:21What's happening?

01:04:21Didn't you tell me I could do it?

01:04:23Will it be?

01:04:24Coming?

01:04:25Did the goalkeeper give that pain in the ass?

01:04:27How about the goalkeeper?

01:04:28I am Juan Cuesta, president of the community.

01:04:30Emilio, come with me.

01:04:32If we had agreed to study, Mr. Juan,

01:04:34it's gotten a little out of hand.

01:04:37Hello.

01:04:38Well Emilio, you've thrown a clandestine party.

01:04:39taking advantage of the absence of the members of this community.

01:04:42He has filled the building with rabble.

01:04:43No, be careful, Mr. Juan, this is the university intellectual elite.

01:04:46This is the future of the country.

01:04:48Well, not this one, this one has some left.

01:04:50Well, right now we close the portal and no one else can enter here.

01:04:52And then you vacate.

01:04:53Juan, I'm really assimilating, people are getting fond of me.

01:04:58Damn, invite them to Cirque du Soleil, but don't bring it here.

01:05:01Juan, I'm thinking that if there is a party,

01:05:03we can leave it for another time.

01:05:05Host.

01:05:07Emilio, don't guess, because it's certainly not what you're thinking.

01:05:10I'll explain it to you.

01:05:10So its cousin, the one from Ponferrada, is the grass.

01:05:13Oh, oh, oh, oh, but this could be a scandal, Mr. Juan.

01:05:16It cost Clinton her job and she was an intern.

01:05:18Imagine yourself with the vice president.

01:05:19Emilio, for God's sake, don't say anything about this.

01:05:21No, no, no, no, how could I possibly think of that, as if I thought you were going to say something about my party.

01:05:25Absolutely nothing.

01:05:26Well, that's it, if you want, when you're done, you can come over and have a drink.

01:05:29Done, see you later.

01:05:30Oh, and light a candle so Doña Paloma doesn't wake up.

01:05:33Emilio.

01:05:33Goodbye, goodbye.

01:05:34Adriano, what are you doing here?

01:05:40Your place is at the door, parking cars.

01:05:42Come on.

01:05:42Someone dropped this.

01:05:44You give it to the lady, go on, it makes me laugh.

01:05:46But how come it fell?

01:05:47What do you mean he dropped it?

01:05:48Did you break it?

01:05:49Yes, don't worry, he'll have it fully covered.

01:05:51Well, I'm going to the kitchen to make myself a sandwich.

01:05:53Come on, come on, come on.

01:05:55Ada!

01:05:56Damn, you have to look at the intersections.

01:05:57It's okay, I'm not happy about it.

01:05:59What are you doing?

01:06:00But what does it do?

01:06:01But don't give it back to the plate?

01:06:02It's clean, it was worth it.

01:06:04Well no.

01:06:04This is a disgrace.

01:06:06I want to see the manager.

01:06:07Now, I'm going right now, okay, ma'am?

01:06:09Excuse me, I ordered a lobster soup half an hour ago.

01:06:11Yes, yes, yes, just a moment.

01:06:13Let's see, clean that up.

01:06:16Tell me.

01:06:17This lady who wants to charge me six euros to leave my jacket.

01:06:20No, no, no, no, no, no.

01:06:21This is a mistake because this is a free service.

01:06:24Lots of branding, lots of branding, but then there isn't any...

01:06:26Oh well.

01:06:28Excuse her, it's just that she's self-medicating.

01:06:29Melén, let go of that plate.

01:06:31Leave it to me.

01:06:32Just a second, okay?

01:06:35I'll escort you to your table right away.

01:06:36Thank you.

01:06:38And Jaba, is everything okay?

01:06:39Perfectly, Dad.

01:06:41Oh, oh, oh, sorry, sorry.

01:06:44I'm going to get a rag.

01:06:45Excuse her.

01:06:46The poor thing is just starting out and is a bit clumsy.

01:06:48Hey, if you have any complaints or suggestions, how about inviting me over, huh?

01:06:55I'll call myself whenever I want.

01:06:57I am Alicia Sanz, the owner.

01:06:59Alicia, what are you doing?

01:07:01Nice that this is the last time you're late, huh?

01:07:03Come on, run and change.

01:07:06Lucia, they asked me for a chateau from 1984.

01:07:08300 euros per bottle.

01:07:11Oh, okay!

01:07:12Carlos, Carlos, Carlos, Carlos.

01:07:14Get up, please, are you okay?

01:07:15You clean it up!

01:07:17Are you going to join me at the table or not?

01:07:19Put on my cream.

01:07:21A little croquette?

01:07:23Vicenta, please, I'll give this to you from here.

01:07:25Daughter, daughter, can you come?

01:07:26Yeah, yeah, I know, Dad.

01:07:28This is all a mess.

01:07:29Ah, well, everything is very good.

01:07:31Angel is delighted, isn't he?

01:07:32Well, the service is a bit pathetic, to be honest.

01:07:34Román's reinvention of the croquette concept is simply sublime.

01:07:39Yes, yes.

01:07:39He used it as the guiding thread of his proposal and gave rhythm to the dinner.

01:07:44Absolutely innovative.

01:07:45Well, yes, yes, yes.

01:07:49Roman is Roman about words.

01:07:54Mauri, Mauri!

01:07:55We need more croquettes.

01:07:56How about croquettes?

01:07:57Croquettes, croquettes!

01:07:58The critic loved them, that's all people ask for.

01:08:01They are saving our night.

01:08:02So I've spent the whole day cooking unpronounceable dishes.

01:08:04so that in the end what triumphs are this lady's overcooked croquettes.

01:08:07They are not broken.

01:08:08The trick is to add a little bit of powdered broth.

01:08:11Don't tell me, I don't want to know.

01:08:12Do people want croquettes?

01:08:13Very good.

01:08:14Well, I resign.

01:08:15No, no, no, no, Mauri, please, you can't let me pull now.

01:08:17We are in full comeback.

01:08:19I'll coat it and I'll leave it to you to fry the goals.

01:08:21But...

01:08:21What is this?

01:08:23And you did it on purpose, you played a trick on me.

01:08:26Oh, don't make things up.

01:08:27You fell by yourself.

01:08:28So you are touch.

01:08:28But what happened?

01:08:29A fairy who has gotten her feet tangled and has remembered the wall dripping with lobster.

01:08:33Let's see, the stain remover and the complaints book.

01:08:36But you know how much this pretty blouse costs.

01:08:38And what does it tell me?

01:08:39Have you seen my ankle?

01:08:40That's what he wants, to get paid for his sick leave.

01:08:42And how am I going to say the beautiful toast I had prepared with how angry I am?

01:08:46Am I going to look fake?

01:08:47Let's see, croquettes for four, five, seven and twelve.

01:08:51And give it some effort, damn it, I'm alone.

01:08:54Alice, Alice, run.

01:08:55Help Marisa.

01:08:56Can you take him to see the emergency room?

01:08:58And my urgency, this dries out and becomes stiff.

01:09:01Come on, let's go.

01:09:03What are you doing?

01:09:04Oh, stain.

01:09:05If this is to clean the oven and it also stings.

01:09:07Quick, take off your toast.

01:09:09Get out of the way, stay still, man!

01:09:10I'm going home and we'll talk at the next meeting.

01:09:14Let's see, let's go.

01:09:16How did you come up with it?

01:09:17That there isn't.

01:09:19Hey, Lucia, what did they give me...

01:09:21Hey yeah, what do we do?

01:09:22He tells that to the owner, we act crazy...

01:09:25What was it like? Have you been threatened?

01:09:26No way, he leaves the key exposed.

01:09:28I mean, there's no room for my pussy here anymore.

01:09:30Give me a box.

01:09:31This is the end, this is the decline.

01:09:34Carlos, Carlos, Carlos, Carlos.

01:09:36Outside they ask for Román Ferragú.

01:09:38They want to congratulate you on the croquettes.

01:09:41No, the croquettes are mine.

01:09:43Now I'm going out and explaining it to everyone.

01:09:44No, no, no, no.

01:09:45Vicente, people can't know the chef isn't here.

01:09:47Yes, yes it is, it just arrived.

01:09:49And he has a goatherd.

01:09:50He's giving a rally to customers.

01:09:52This is a gastronomic fraud.

01:09:53They are using my name in vain.

01:09:55I don't know who cooked all this,

01:09:57but it certainly wasn't me.

01:09:59So, these wonderful croquettes are not yours.

01:10:02Uh, yes, yes, yes, yes, the croquettes, yes.

01:10:04They are using my recipe.

01:10:06Lie!

01:10:06Those croquettes are copyrighted.

01:10:09They are my sister's.

01:10:10Well, I'm going to report it.

01:10:11To everyone.

01:10:12Wait a minute, let's see, let's see, let's see.

01:10:14Roman is right, this food isn't his.

01:10:16And it is true that we have used his name

01:10:18so that the opening is a success.

01:10:20So I apologize to everyone for having misled you.

01:10:22Really the people who have made it possible

01:10:24that the inauguration was a success have been my neighbors,

01:10:27that although they are not professionals,

01:10:28because they have put all their enthusiasm into it.

01:10:30And the croquettes are mine.

01:10:31Yes, yes, yes, yes, they are yours.

01:10:33Do you know what all this means?

01:10:36We have here a gastronomic artist.

01:10:38Gastronomy!

01:10:45Thank you.

01:10:47The base consists of putting a little bit of...

01:10:50Entecaya, cheese, I don't know.

01:10:52Congratulations, Lucia.

01:10:53Test passed.

01:10:54Thank you.

01:10:56Daughter, I should congratulate you.

01:10:58Thanks, Dad.

01:10:59But I'm not going to do it

01:10:59because I don't want you to rest on your laurels.

01:11:01The important thing is not to arrive, it is to stay.

01:11:05Yes, yes, yes, dad.

01:11:06Whatever you say.

01:11:07What, I'm leaving?

01:11:14Hey, I'm really sorry about earlier.

01:11:15I misinterpreted your signals.

01:11:18Come on, I made them up.

01:11:19It's a problem I have.

01:11:26Mauri, we have triumphed!

01:11:27I'm telling you.

01:11:30I'm telling you.

01:11:33Hey, you come to the stores already eaten, right?

01:11:35Leave me on my round or you'll blow the light bulb, damn it.

01:11:37Emilio, there's a couple having a cabana party,

01:11:41that there is hot water.

01:11:42Of course.

01:11:43And the escaragoya for him is some ales, eh?

01:11:44It's just that parties don't happen in your own house.

01:11:46You tell me.

01:11:47Go on...

01:11:49Come on, pretty, if you dance just as well on the floor,

01:11:51Here we pay ourselves with a coconut.

01:11:52Get down from there now, damn it.

01:11:53Look at the sofa.

01:11:54Damn, what a mess you've made.

01:11:57But you should have warned me, man.

01:11:59What is it?

01:12:00Belén, surprise, we all passed the test.

01:12:03Good, good, bravo, bravo.

01:12:06What happened to you?

01:12:08This is going really bad, huh?

01:12:09Something has definitely gotten into it.

01:12:10But damn, my children are here.

01:12:12Dad!

01:12:13Come on, have a shot.

01:12:14Yes, let him drink, let him drink, let him drink.

01:12:15Emilio, would you like to explain to me what all these people are doing here?

01:12:18Wait a moment, please.

01:12:20My sister Carmelita from Cuenca has come and wants to rest.

01:12:22That tomorrow he has a job.

01:12:23Emilio, tell the truth.

01:12:24Well, she's not Carmelita yet, she's studying.

01:12:26I'm his girlfriend.

01:12:28Get out of here, everyone!

01:12:29Come on, that's it, fuck it!

01:12:31Well, this is my girlfriend, this is not my house.

01:12:33and I am the doorman of the building.

01:12:35And I organized this party so I wouldn't feel like I was stuck in class.

01:12:38And now whoever wants to leave me, let him laugh, but in the street.

01:12:40Come on.

01:12:41Hey, are you really the goalie?

01:12:43Come on, man, it's nothing.

01:12:45Awesome, damn!

01:12:47Emilio, who took out the steamer.

01:12:49Belén, leave it, they are university students.

01:12:51If they don't leave their parents' house, how are they going to leave a party?

01:12:53Dance, baby, dance, dance.

01:12:54Let them go.

01:12:55Hey, what happened to you? Dance, dance.

01:12:58For once I go out to a social event?

01:13:01But they paid for this blouse, it's only three years old.

01:13:04Thank goodness I keep all the tips.

01:13:06Juan, are you there?

01:13:12Yes, I'll be right out.

01:13:14What are you doing?

01:13:15Nothing.

01:13:16Just a moment.

01:13:17You won't be touching yourself.

01:13:19If our accounts don't add up, our accounts don't add up.

01:13:22We can't be here until the wee hours.

01:13:24Mr. President, you're being very tiresome.

01:13:26Juan, you fell with your whole team.

01:13:29Listen, Nieves, this could be called a mistake.

01:13:32Oh, how shocking.

01:13:33I'd drop dead right here.

01:13:34Well, I'm almost going to take advantage and leave.

01:13:37This is beyond me, Juan.

01:13:38I have to call dad.

01:13:39No, no, leave Dad alone.

01:13:41Tell him things on the phone and it would be fine.

01:13:43What a bummer, Juan.

01:13:44You are no longer a burden.

01:13:45No, no, to dad.

Aquí no hay quien viva - 3x04 - Erase una inauguración - HD 1080

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