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00:00One double room without Bath, the 16th, 17th and 18th.
00:26Yes, and if you be so good as to confirm by letter.
00:28Thank you so much.
00:29Goodbye.
00:30Have you made up the bill for room 12, Basil?
00:32No, I haven't yet, no.
00:33Well, they're in a hurry.
00:34Polly says they didn't get their alarm call.
00:36And, Basil, please get that picture up.
00:38It's been there for a week.
00:39It's been there since Monday, Sybil.
00:41Tuesday, Wednesday, Thursday.
00:43Good morning.
00:44Friday, set...
00:50Manuel, there is too much butter on those trays.
00:56There is too much butter on those trays.
00:59No, no, no, senor.
01:00What?
01:01Not, not on those trays.
01:03No, sir.
01:04Uno, dos, tres.
01:06Uno, dos, tres.
01:07Uno, dos, tres.
01:08No, no, no.
01:09Hay mucho burro ali.
01:11Okay?
01:12Hay mucho burro ali.
01:14Ah, mantequilla.
01:15What?
01:16Okay?
01:17Mantequilla.
01:18Burro is...
01:19Is...
01:20Uh...
01:21Uh...
01:22Uh...
01:23Burro.
01:24Burro.
01:25Manuel, Manuel.
01:26Por favor.
01:27Momentum.
01:28Si, si, si.
01:29I...
01:30Nothing, dear.
01:31I'm just dealing with it.
01:32He speaks good, how you say.
01:33English.
01:34Mantequilla.
01:35Solamente dos.
01:36Dos.
01:37Well, don't look at me.
01:39You're the one who's supposed to be able to speak here.
01:42Two pieces!
01:43Two each!
01:44Arriba!
01:45Arriba!
01:46I don't know why you wanted to hire him, Basil.
01:50Because he's cheap and keen to learn, dear.
01:52And in this day and age...
01:53But why did you say you could speak the language?
01:55I learned classical Spanish, not the strange dialect he seems to have picked up.
01:59Be quicker.
02:00Be quicker to train a monkey.
02:02Morning, Miss Gatsby.
02:03Morning, Miss Tibbs.
02:04Good morning.
02:05Good morning.
02:09Basil.
02:10Yes, dear?
02:11Are you going to hang the picture?
02:12Yes, I am, dear.
02:13Yes, yes.
02:14Well, when I've...
02:15Hmm?
02:16Well, why don't you do it now?
02:17Well, I'm doing this, dear.
02:18I'm doing the menu.
02:19Well, you've got all morning to do the menu.
02:20Why don't you hang the picture now?
02:21Well?
02:22Yes, all right.
02:23I won't do the menu.
02:24I don't think you've realized how long it takes to do the menu.
02:26But no, it doesn't matter.
02:27I'll hang the picture now.
02:28If the menus are late for lunch, it doesn't matter.
02:29The guests can all come and look at the picture until they are ready, right?
02:32Lower.
02:34Lower.
02:36Up a bit.
02:38There.
02:39Thank you, dear.
02:40Thank you so much.
02:41I don't know where I'd be without you.
02:42The land of the living, probably.
02:45Yes?
02:46Er, could we have our bill, please?
02:51Well, can you wait a minute?
02:53Well, I'm afraid we're a bit late for our train.
02:55We didn't get our alarm call.
02:57Right!
02:58That was like a tribe, you know.
03:01We do have staff problems.
03:02I'm so sorry it's not all done by magic.
03:04Basil, are you doing the menu?
03:06No, I'm not doing the menu, dear.
03:07I'm doing the bill for these charming people who are in a hurry.
03:10I'm sorry to cause all this trouble, but the reason we're late is we didn't get our alarm call.
03:14Oh, dear.
03:15I am sorry.
03:16Basil, why didn't they get their alarm call?
03:17Because I forgot.
03:18I am so sorry I'm not perfect.
03:21There you are.
03:22There's the bill.
03:23Perhaps you'll pay my wife.
03:24I have to put the picture up.
03:25There aren't any dustbins to be cleaned out.
03:27There's my board!
03:29No, thank you.
03:36Goodbye.
03:37See you again.
03:41Don't forget the picture, Basil.
03:43I won't, dear.
03:44Leave it to me.
03:45I'm going out now.
03:46I expect it to be out when I come back.
03:48Drive carefully, dear.
03:51Morning, Major.
03:52Morning, Volta.
03:53I do apologise for the tardiness at the arrival of your newspaper this morning, Major.
03:56I will speak to them again, see if something can be done.
03:59Ah, more strikes.
04:00Dustman?
04:01Post office?
04:02Oh, makes you want to cry, doesn't it?
04:03What's happened to the old idea of doing something for your fellow man?
04:06Of service!
04:07I mean, today, people just...
04:08Mr. Holden!
04:09Yes, I'm coming!
04:10I'm coming!
04:11Wait a moment!
04:12They treat you like dirt, you know.
04:13Of course, it's pure ignorance.
04:15We're the class of ghosts.
04:16Ah!
04:17Dolly Vera made a hundred.
04:18Did he?
04:19Did he really?
04:20Good for him.
04:21Good old Dolly.
04:22Well, well, well.
04:23Ah, thank you, boy.
04:24Ah, we'll only stay until Sunday.
04:27Right.
04:29Oh, I thought you were going out, dear.
04:30What's this?
04:31I decided to advertise...
04:32How much did it come out?
04:33I thought you were going out, dear.
04:34What's this?
04:35I decided to advertise...
04:36How much did it cost?
04:37Oh, I have 15.
04:3840.
04:3940.
04:4040.
04:4140?
04:42I have told you where we advertise.
04:43I have told you where we advertise.
04:44Well, I know the hotel business.
04:45No, you don't, Basil.
04:46No, you don't, Basil.
04:47So what we've got to try and attract a better class of person.
04:48Why?
04:49Well, but losing tone.
04:50I'm not sure.
04:51I know the hotel business.
04:52What's this?
04:53I decided to advertise.
04:54I decided to advertise.
04:55How much did it cost?
04:56Oh, I have 15.
04:5740.
04:5840.
04:5940.
05:00I have told you where we advertise.
05:01Well, I know the hotel business.
05:02No, you don't, Basil.
05:03So what we've got to try and attract a better class of person.
05:04Why?
05:05Well, but losing tone.
05:06You're making money.
05:07Yes.
05:08Yes.
05:09Just.
05:10Yes, but now we can try and build up a higher class of clientele.
05:12Turn away some of that riff-raff.
05:13So long as they pay their bills, Basil.
05:14It's not all that matters to you, Sybil.
05:15Money.
05:16This advertisement is a waste of 40 pounds.
05:17One day, I'm not sure.
05:18I'm not sure.
05:19I'm not sure.
05:20I'm not sure.
05:21I'm sure.
05:22I'm not sure.
05:23I'm sure.
05:24I'm sure.
05:25I'm sure.
05:26I'm sure.
05:27I'm sure.
05:28I'm sure.
05:29I'm sure.
05:30I'm sure.
05:31This is a waste of 40 pounds.
05:33One moment.
05:34One moment, please.
05:36Well?
05:37Well?
05:38My dear woman.
05:39Sir Richard and Lady Morris arriving this evening for two nights.
05:42You see, they saw our advertisement in Country Life.
05:44I wish they were staying a week.
05:45Well, so do I.
05:46Might pay for the ad, then.
05:48Sybil, look.
05:49If we can attract this class of customer, I mean, the sky's the limit.
05:53Basil, 22 rooms is the limit.
05:55Have you seen the people in Room 6?
05:58They've never even sat on chairs before.
06:00They're common.
06:01They're vulgarists, mister.
06:02Hello.
06:17Got a room?
06:19I beg your pardon?
06:21Got a room for tonight, mate?
06:24Now shall I have to see, sir?
06:26Single?
06:27Yeah.
06:28No, make it a double.
06:29I feel lucky today.
06:33Hello.
06:34Good morning.
06:39Only joking.
06:40No, we haven't.
06:41What?
06:42We haven't any rooms.
06:43Good day.
06:44Number 7 is free, Basil.
06:45No, Mr. Tone is in number 7, dear.
06:46No, he left while you were putting the picture up, Basil.
06:49You have like each, sir?
06:50Just one case.
06:53In the car.
06:54The white sports.
06:56Fill this in, would you, sir?
06:58If you can.
07:02I hope you enjoy your stay, Mr. Brown.
07:05Manuel, would you fetch this gentleman's case from the car outside to take to Room 7?
07:11He's not easy for me.
07:13What?
07:14He's not easy for me, entender.
07:16Ah, it's not easy for you to understand.
07:18Manuel, we're training him.
07:20He's from Barcelona.
07:23In Spain.
07:24Obtenea la valisa.
07:26Okay?
07:27La valisa en el auto blanco sportif y a la sala siete, por favor.
07:39Pronto?
07:40He's impossible.
07:41What?
07:42He's impossible.
07:43It's perfectly simple.
07:44Manuel, si vas y busca mi equipaje que este en el automovil blanco y lo trae a la sala número siete.
07:52Señor habla español.
07:53No, solo un poco, lo siento.
07:55Pero que he olvidado mucho.
07:57No, señor.
07:58Hablo muy bien.
07:59Muy, muy bien.
08:00Formidable.
08:01Gracias, gracias.
08:02No voy a coger ahora.
08:07Well, if there's anything else, I'm sure Manuel will be able to tell you.
08:10As you seem to get on so well together.
08:13Ah, key.
08:23Hello, dear.
08:24Just doing the picture.
08:25Don't forget the menu.
08:27I beg your pardon?
08:28Don't forget the menu.
08:29I beg your pardon?
08:30Don't forget the menu.
08:31I thought you said you want right to halloo the menu.
08:32You could have had them both come by now if you hadn't spent the whole morning skulking in there listening to that racket.
08:33The racket?
08:34That racket?
08:35That racket?
08:36That's Brahms!
08:37Brahms!
08:38Brahms!
08:39Third racket!
08:40Brahms!
08:41don't forget the menu I beg your pardon don't forget the menu I thought you
08:48said you want right I'll do the venue
08:51you could have had them both come by now if you hadn't spent the whole morning
08:55skulking in there listening to that racket racket that's Brahms Brahms third
09:03racket whole morning two bars ready to order yeah what's a grail frit grapefruit
09:17and crane pot pot rouge portuguese tomato soup I'll have the grail for it bomb
09:26carousel lamb casserole oh sounds good does it come with a smile comes with sprouts
09:32or carrots no smiles extra is it you'll get one if you eat up all your sprouts
09:37wait I
09:46I beg your pardon oh hello can I have some wine please the waiter is busy sir but I
09:53will bring you the cut divan when I finished attending to this gentleman oh
09:57fine no hurry oh good how nice I trust the beer is to your satisfaction sir yeah
10:04fine oh good may I wish you bon appetit thank you Manuel would you fetch the wine list
10:14please see the wine list see the what vino say no no no no no no the list there there the list
10:26have you got half a bottle of the Beaujolais yes oh fine
10:34have you got half a bottle of the Beaujolais have you got half a bottle of the Beaujolais yes oh fine
10:47all right give him a bottle of the Beaujolais another great two for David's 12 please Manuel I do a
10:53vaguer of a bottle in a bottle guys I'm sure it's all right thank you
10:56throw it away okay throw it away throw it away throw it away throw it away
11:09sorry sorry about that no I like a bit of cabaret you left your sketch oh sorry nice very good you sell any
11:33enough to keep me in waitressing one half bottle of Beaujolais
11:38Sybil someone at reception dear
11:43yes yes well yes well I was wondering if you could offer me accommodation for a few nights
11:53well have you booked I'm sorry have you booked have you booked I know oh dear why are you full
11:58no no we're not full not full of course we're not full I'd like one moment one moment please
12:06yes single your name please could I have your name a mail one second please hello
12:13ah yes Mr O'Reilly well it's perfectly simple when I asked you to build me a wall I was rather hoping
12:19that instead of just dumping the bricks in a pile you might have found time to cement them together
12:24you know one top of the other in the traditional fashion could you fill it in please
12:29oh splendid ah yes yes yes but when Mr O'Reilly there there there yes yes yes but when
12:39yes yes yes yes ah the flu yes both names please yes I should have guessed Mr O'Reilly
12:48that of the potato famine I suppose yeah I beg your pardon would you put both your names please
12:53well would you give me a date no I only use one you don't have a first name you know I'm Lord
12:58Melbury so I simply sign Melbury go away I do apologize please do accept my forgiveness now is there
13:12something uh something anything that I can do for you anything yes well I have filled this in oh
13:17please don't bother with that now a room a special room a single a double a suite well we don't have any
13:22sweets but we have some beautiful double no no no just a single just a single absolutely have any
13:27wise if I may say to your honor yeah with a bath oh naturally naturally naturally naturally I shall I
13:36be staying for one or two nights oh please please Manuel well it's it's rather grey today isn't it oh yes it is rather yes of course usually down here it's quite beautiful but today is a real old rotter
13:52and well still it's good for the wheat oh yes I suppose so oh yes I hear it's coming on wonderfully at the moment huh thank God oh I love the wheat oh there's no sight like a field of wheat waving in the waving in
14:09well well how are you I mean if it's not a personal question well it is a person not bad let me get your case oh yes thank you very much so just outside
14:19thank you very much thank you very much thank you very much thank you very much thank you Basil we've sorted it out now splendid splendid and I wonder could I deposit this case with you it's just a few valuables valuables of course please let me take it now and have it put in the safe straight away
14:37uh Sybil uh Sybil uh would you put this in the safe please I'm just off to the kitchens Basil yes well if you're too busy nice to have met you Lord Melbury hope you enjoy your stay thank you so much I'll do it then then I'll do the picture I'll put this away in one moment your lord and Manuel
14:58uh would you take these cases to room twenty one okay take to room twenty one no entende
15:09prende las casas in oh it doesn't matter I'll do it right thank you thank you Manuel
15:14oh I'll take them no no no no wait wait wait wait in there go and wait in there go and wait in there go and be a waiter in there
15:28I do apologize your lordship I'm afraid he's only just joined us her quicker to train a monkey
15:35oh do uh do please follow me I mean if you're if you're ready there's no hurry oh yes yes no fine
15:52uh excuse me I'm sorry to bother you uh would you mind moving to that table
16:02uh could I ask you please to move to that table over there I'm so sorry to trouble you
16:06oh we're halfway through thank you so much this is uh Lord Melbury's table you see what uh Lord Melbury uh
16:11when he stays with us he always sits at this table why did they put us here uh an oversight on my wife's
16:16part I'm so sorry he's only just arrived you see would you mind poorly uh would you help these people
16:20move to great fruit down your ears thank you thank you so much come on come on thank you
16:26ah Lord Melbury do please uh come this way your lordship I have your table over here by the window
16:40as usual as usual thank you thank you thank you thank you very much
16:49oh my god
16:51uh
17:05uh Lord Melbury I really must apologize oh no no please please think nothing of it oh but it was
17:10no no no smallest of accidents could have occurred anywhere yes but I mean no no I've forgotten all
17:15about it well that's most I mean you're really uh your lordship would you allow me to offer you
17:21dinner here tonight as our guest oh that's extremely kind of you unfortunately I have an engagement
17:26tonight oh oh actually yes and there is one thing oh good um I was wondering can you cash me a small
17:33check I'm playing golf this afternoon yeah I'd rather not go into the tower absolutely I mean uh how much
17:41if it's not a rude question no well uh could you manage um 50 oh 100 oh absolutely oh yes I mean uh
17:53will 100 be enough I mean 150 200 160 oh yeah well now let's see it's dinner tonight few tips oh and
18:00it's weekend isn't it would 200 be all right oh please oh tremendous oh I'm so happy oh I'll send
18:12someone down straight away and have it for you here and when you get back yes well that'll be
18:16splendid oh thank you thank you a lot thank you so much no not at all I mean my my privilege
18:20really I mean sure oh hello dear what you're doing I'm kissing you dear well don't
18:32oh I thought it might be nice I thought it's some small sign I heard about lunch what oh that all
18:38think nothing of it what it was the smallest of accidents could have happened anywhere anywhere
18:42first you move that nice family in the middle of their meal and then you attack lord melbury with a chair
18:46of course i've had a word with lord melbury about it he was quite charming oh it's delightful to have
18:53people i bet staying here sheer class golf baths engagements couple of hundred horses
19:01well i've never seen such tatty cases of course you haven't it's only a true upper class that would
19:06have tapped like that it's the whole point oh you don't know what i'm talking about no i don't but
19:11don't ever move guests in the middle of a meal again and get that picture off
19:17sorry um would you do me a favor uh when you're down in the town this afternoon
19:26uh would you just pop just between ourselves don't mention my wife pop into the bank and just
19:41uh
19:47so
19:55so
20:01Come on, come on.
20:31Come on, come on.
21:02Hello, Fawlty Towers.
21:04Hello, Brenda.
21:06Basil, it's six o'clock.
21:08Ah, Polly.
21:09Did you cash it?
21:10Yes.
21:11Mr Fawlty.
21:11Good, good.
21:12Could I have a word with you?
21:13What?
21:13Could I speak to you in the office for just a minute?
21:15Polly.
21:15It's very important.
21:16Later, later.
21:17Yes, I'm just going, dear.
21:19Thank you so much, Polly.
21:19Why don't you move to Lefkowitz?
21:26Hi, good evening, Major.
21:27Evening, Fawlty.
21:29Are you sure?
21:30Uh, oh, why not indeed, yes.
21:34Why not?
21:35I've just been watching one of those nature films on television.
21:38Oh, yes?
21:39Did you know the female gibbon gestates for seven months?
21:44Seven months?
21:45Yeah.
21:45Well, I never.
21:47Here you are, Major.
21:48Seven.
21:48Oh, my word.
21:50Ah, good evening, Mr Waring.
21:52A gin and orange, a lemon squash, and a scotch and water leaf.
21:55Certainly.
21:57Oh.
21:58Is there any part of the room you would like us to keep in the room?
22:03We'll be over there, then.
22:07Seven.
22:07Well, well...
22:08Evening, Fawlty.
22:09Ah, good evening, Lord Melbury.
22:10Anywhere.
22:11Yes, anywhere, anywhere.
22:13Lord Melbury, may I offer you a little aperitif as our guest?
22:16Oh, that's very kind of you.
22:17A little dry sherry, if you please.
22:19What else?
22:20Ah.
22:21Ah.
22:22Such...
22:23Oh, I don't know what.
22:25Je ne sais quoi.
22:26Exactly.
22:27Exactly.
22:28Ah, there you are, Sybil.
22:30Good evening, Major.
22:31Good evening, Mrs Fawlty.
22:32There you are, Your Lordship.
22:33Oh, thank you very much.
22:35I see my little collection of coins tickles your interest.
22:38What?
22:38Oh, oh, yes, yes.
22:40Yes.
22:40Old British Empire, of course.
22:42Used to be quite a hobby of mine.
22:44A little investment too.
22:45Yeah, quite.
22:45Um, talking about, um, did you manage, uh...
22:48Oh, yes, yes, ma'am.
22:51There you are, Your Lordship.
22:52Oh, thank you.
22:52All right.
22:53Yes.
23:02Oh, yes, you know, these sorts of things, they...
23:04Their values soared this last couple of years.
23:07Have they?
23:08Oh, yes, now, you take my advice.
23:09You get them revalued and insure them for the full amount.
23:12Yes, yes, I will.
23:14You can't take any risks nowadays, I'm afraid.
23:16No, no.
23:17Well, I must be off.
23:18Well, thank you very much, Your Lordship.
23:19Oh, Basil.
23:20Yes, I'm just talking to Lord Malfrey, dear.
23:22Uh, gin and orange, lemon squash, and a scotch.
23:25Oh, I do apologize.
23:27I was just talking to Lord Malfrey.
23:27Yes, yes, sir.
23:28Um, I was, um, I was thinking, um, you see, I am having dinner tonight, uh, with the Duke
23:35of Buckley.
23:36Uh, do you know him?
23:37Uh, no, not, uh, not personally, no.
23:39Oh, well, he's a great expert, you know, Sotheby's and all that.
23:43You see, well, now, if you liked, I could take them with me, ask him to have a quick look
23:47at them, and find their current value.
23:49Would you?
23:50Yes, yes, certainly, yes.
23:52Now, I'll be off in a few moments, you know.
23:53Well, I mean, that's very soon.
23:54Basil!
23:55I'm talking to Lord Malfrey!
23:57A gin and orange, a lemon squash, and a scotch and water.
24:01All right, all right!
24:07Oh, Mr. Paul, did you...
24:08Oh, Lord Malfrey, has he gone?
24:09I rang, Mr. Paul, I must speak with you.
24:11What?
24:11Why don't you see I'm busy?
24:12Please, it's very important.
24:14Can we talk in there?
24:14I can't.
24:15It's very important.
24:16I'm just, uh, did him something important out here, civil.
24:20Yes, yes, all right, yes, yes, well, well, yes, yes, right, yes.
24:24It's about Lord Malfrey.
24:25Yes.
24:26He's not Lord Malfrey.
24:27He's a confidence trickster.
24:29I beg your pardon?
24:30Mr. Brown told me.
24:32Ah, ha, ha, ha.
24:32Mr. Brown's from the CID.
24:34They've been watching Malfrey because he's pulling some big con trick in the town.
24:37They're going to arrest him as soon as he leaves here so as not to cause you embarrassment.
24:40But he asked me to tell you so that he wouldn't...
24:42Oh, how nice of you.
24:43Oh, please, Mr. Paul.
24:44Oh, I don't know what other tales Mr. Brown of M.I.5 has been impressing your work.
24:47He's a con man.
24:48Oh, yes, of course.
24:49It stands out a mile, doesn't it?
24:50He's so common.
24:52Unlike that cockney git whose ulterior motives will soon, no doubt, become apparent to you,
24:57poor, innocent, misguided child that you are.
25:00That's it.
25:00What's going on?
25:01Nothing, my dear, nothing at all.
25:02Mrs. Forty.
25:03Now, look.
25:03Yes, Paulie.
25:04I don't know what she's...
25:05Mr. Brown is from the CID.
25:08He showed me identification.
25:10They're watching Mulberry.
25:11He's a confidence trickster.
25:12I see.
25:13What do you mean, you see?
25:15Let's have a look at these valuables.
25:16What are you doing, Sybil?
25:17Sybil, I forbid you to open that safe.
25:19Sybil, I forbid you to take that case home.
25:22Sybil, do not open that case.
25:23I forbid it.
25:24I have forbidden reason.
25:24I never thought I would live to see the day when I appear at the referendum, trusts to
25:30us, case of animals, in trust.
25:32I'll call the police.
25:59They're already here.
26:00Mr. Brown's outside.
26:01Someone at reception, Basil?
26:14Ah.
26:15Um.
26:17All right.
26:18Uh.
26:21Good evening.
26:21I believe you were expecting us.
26:23No, I was expecting somebody else.
26:24Sir Richard and Lady Morris.
26:26Yes, yes, them as well.
26:27I'm sorry?
26:28How did you know?
26:29What?
26:29Oh, you're Sir Richard and Lady Morris.
26:31Ah, I do beg your pardon.
26:32I was just thinking...
26:34Ah, would you mind filling this out, please?
26:41We've given you room to...
26:42Ah-ha.
26:43Ah, 40.
26:44Mr. 40 to you, Lord Mulberry.
26:47I beg your pardon?
26:48Oh, nothing, please.
26:49Forget all about it.
26:50Ah, well, here's the check for 200 pounds.
26:52Ah, thank you so much.
26:56Now, about my priceless collection of coins.
26:59Oh, yes, do you still...
26:59Do I still want you to take them to be valued by the Duke of Buckley, my lord?
27:02Oh, yes.
27:03No, I don't.
27:04Because we just heard that the Duke of Buckley is dead.
27:07Yes.
27:07Got his head knopped off by golf ball.
27:09Tragic.
27:10Tragic.
27:10Well, how are you, Lord Mulberry?
27:13How are you, then?
27:15All right, mate?
27:16How's me old bucker?
27:19Any valuables to deposit, Sir Richard?
27:21Any bricks or...?
27:22Oh, no, no, no, no.
27:23I do apologise.
27:25You bastard!
27:28I'm 11.12, but if you were able to look in the park, I'm sure you'll like it.
27:31We'll have your bags brought up to you.
27:33Oh, and may I introduce your wife?
27:34Hello, Lord Mulberry.
27:38Bastard!
27:39Please, um, think nothing of it, well.
27:47Oh, no, no, no, no, no.
27:49Do, uh, please excuse me one moment.
27:51Whoa, whoa, whoa, whoa, whoa.
27:58Morris is a link.
28:01Morris is a link.
28:06Good evening.
28:09How are you going?
28:10We're leaving.
28:11Oh, don't. Please stay.
28:12You'll like it, sir.
28:13I've never been in such a place in my life.
28:22You snobs!
28:24You stupid, stuck-up, toffee-nosed, half-bitted,
28:30upper-class piles of...
28:32parts!
28:39Oh, just one.
28:41Sorry, Mr. Fawlty.
28:42Just one.
28:53Sorry, Mr. Fawlty.
29:03Well, I'd better put the picture up.
29:05Ah, thank you, Polly, for the...
29:11Well done, Manuel.
29:15Okay?
29:16Oh, ole.
29:18Sorry about that, Mr. Fawlty.
29:20Can I buy you a drink?
29:21No, no, I'd better put this off as well.
29:23Basil?
29:26A gin and orange.
29:29Lemon squash.
29:30And the scotch and water fades right through the...
29:34Oh, God.
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