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00:08It's no secret.
00:11It's no secret.
00:12You killed the record.
00:15This way, man.
00:23It's the end of the bar.
00:30Hello, Porchy.
00:34Found the place all right now?
00:35Taxi driver, do you?
00:36Yes.
00:38Of course.
00:39Wonderful.
00:54Is it just me or is this place faintly ridiculous?
00:58Two of my great hates in life.
01:00Fine dining in central London.
01:03I just thought it's the kind of special occasion place one came if one had a special question to ask.
01:19At this moment, I wish I were a poet, not a horse breeder.
01:30Will you marry me?
01:36Oh, Porchy.
01:38That sounds like a no.
01:40No, it's not a no.
01:41No.
01:42No, no, no, no, no, no, no, no, no, no, no.
01:4712 no's.
01:48I would love to.
01:50On one condition.
01:53That you don't still hold a torch for her.
01:56Who?
01:58Who?
02:00Her.
02:09I know how close you were and how close your families still are.
02:13It's true.
02:14She and I, we are close.
02:15I was close to her father.
02:17I am close to her sister.
02:18Our families are close.
02:20In many ways, and I speak as a breeder myself, it would have been a good match.
02:23Perfect match.
02:24I won't deny it.
02:27Except for the fact it was never on the cards.
02:34For her, there was only ever Philip.
02:44For her, there was only ever Philip.
02:51And for you?
03:00It was only you.
03:03It was only you.
03:35It was only yours, Philip.
03:39Just look around, Philip.
03:44You have just recognized her.
03:48She said, what?
04:11Right you are, Jock.
04:13Yes, I'll let him know.
04:15I'm sure he'll be delighted.
04:18Bye.
04:26Are you winning?
04:28No.
04:30There was one brief tantalizing moment.
04:35I thought I had it.
04:36I moved in for the kill.
04:39But then one wrong brush stroke and it got away once again.
04:45I've just been talking to Jock about your 80th birthday.
04:49No, don't mention it.
04:50Because it happens on the same day as the opening of Parliament, they decided to combine events and hold a
04:57reception in your honor at the Great Hall.
04:59Oh, that's very nice.
05:00Oh, and it's going to be Graham Sutherland.
05:03Who?
05:04The painter.
05:05To paint your portrait.
05:07What portrait?
05:08It's the official portrait commissioned by both houses.
05:11It's your present.
05:13Sutherland?
05:14Hmm.
05:15Never heard of him.
05:16He's got quite the reputation.
05:18He's a modernist.
05:20I'm sure I can trust a modernist with an English name.
05:23Give me a German modernist.
05:26Or an Italian.
05:28They're the ones who have to start all over again.
05:30Whatever would an Englishman want to change?
05:52It's grand to be home again after so long an absence.
05:56The surgeon who operated on me told me yesterday that all was well.
06:01I'll need to have a further period of convalescence.
06:05Put on some weight.
06:07There's nothing else to worry about.
06:09As I said, it's grand to be home again.
06:13I look forward to being back at work just as soon as possible.
06:35Hello.
06:37Portie.
06:38I hope I'm not disturbing.
06:40Goodness.
06:41Am I disturbing?
06:44No.
06:45Good.
06:46It's all real.
06:47I think we're making a mistake.
06:49I think we should lead from the start.
06:52And I think you're wrong.
06:53But we both know he doesn't hold up naturally.
06:56We tried holding him up against Darius before.
06:58And Darius won.
06:59That was the Guineas, which is a mile.
07:02This is the King George.
07:04A mile and a half.
07:06What will we do if he plays up before the race?
07:09He always plays up.
07:10That's who he is.
07:12You don't seem the slightest bit worried.
07:15Anything else?
07:17Well, can I just say one more time, for the record, I think we should start fast and run at
07:25a good clip.
07:27Noted.
07:28I am right sometimes, you know.
07:30Even you said yourself that I have good instincts.
07:33You do.
07:34I might well live to regret it.
07:38That and a good many other things.
07:40Oh, dear.
07:40Such as?
07:42Good night.
07:56Good night.
07:59Good night.
08:19Mr. Sutherland, Prime Minister.
08:20Good morning.
08:22How do you do?
08:22Good morning.
08:23Hello.
08:23How do you do?
08:24Good morning.
08:24How do you do, sir?
08:25It's an honor.
08:26No, the honor is mine.
08:34So where do you want me?
08:40So, will we be engaged in flattery or reality?
08:45Are you going to paint me as a cherub or a bulldog?
08:48I imagine there are a great number of Mr. Churchills.
08:51Yes, indeed there are.
08:54Well, as you search for him, perhaps I can implore you not to feel the need to be too
08:59accurate.
09:00Why?
09:01Accuracy is truth.
09:02Well, for accuracy we have the camera.
09:06Painting is the higher art.
09:09I paint a bit myself, you know.
09:13Yes, sir, I know.
09:15And I never let accuracy get in the way of truth if I don't want it to.
09:19If I see some landscape I like, and I wish there wasn't a factory in the background,
09:25I leave the factory out.
09:29So, Mr. Sutherland, tell me, I'm fascinated.
09:32What is your process?
09:38First, I shall take some photographs.
09:40They'll be useful as reference when I get back to the studio.
09:43Then I shall do some charcoal sketches, studies of the head, hands.
09:46And then I'll work the sketches out.
09:52The actual painting will be done in my studio at home.
10:03So, what pose are you thinking of?
10:08Seated.
10:11A good right standing.
10:14It might be more commanding.
10:16Dynamic.
10:18It might make me look younger.
10:22I thought the painting was supposed to celebrate reaching a certain age.
10:25Four score years, Winston.
10:28No.
10:29I think seated is more senatorial.
10:31Oh, senatorial.
10:34What nonsense.
10:39Yes, I agree.
10:47Cigar or no cigar?
10:50No cigar.
10:52Gartaroes or no Gartaroes?
10:54No final.
10:56No grandiosity.
10:59Dressed merely as a parliamentarian.
11:03A prosaic.
11:08I liked him.
11:09Yes, I could tell.
11:11He was smith, blushing like a little girl.
11:14Well, he is rather a wow.
11:17A wow?
11:19Torn, handsome.
11:21Saturne.
11:22Bit of a Heathcliff.
11:23He wants total control.
11:25Well, any artist worth anything would insist on that.
11:28You don't really want a flatterer.
11:30Yes, I do.
11:31No, you don't.
11:32Besides, it's manifestly clear he's a fan.
11:34Oh, don't be silly.
11:36You can smell the socialism on him.
11:38Even the socialists acknowledge you saved the country.
11:40Well, through gritted teeth.
11:43I have the protective instincts of a loving wife.
11:46And I can tell you this one is not an assassin.
11:49This one is not an assassin.
11:50What is the last one?
11:51And I'll go with you.
11:52I'll go with you.
11:52Brothers of the one and Cathy Orole.
11:54What's up, you have to go through both.
11:56Lord, Anne-Marie and Mel.
11:57And I'll support Orole.
11:59We've got Orolet.
12:02And Orolet has win for Orolet.
12:04Orolet of the Queensfloss.
12:05Hello.
12:06By Mavos and Darius Milberhardt.
12:08Hello.
12:08Good morning, ma'am.
12:24It's a fair one, I know, I know.
12:38What a chap, Jim.
12:40What a chap, Jim.
12:42Oh, hello.
12:54I remember getting the phone call from your father
12:56when he was born by Hyperion out of Angelola.
13:01Yes, we gave him his first milk, if you remember.
13:05When you grow up, everyone thought his elder brother would be the star.
13:08Your clever papa always had an instinct for this one.
13:10The underdog.
13:12And he backed him.
13:14And an underdog became a star.
13:16Yes, and his favourite horse.
13:20So, what's next, Rajan?
13:22Well, we've received an invitation
13:24for Laurel International.
13:28America?
13:28Yes, next month.
13:30Well, he's what?
13:31Four?
13:32Already at the older end of the spectrum.
13:34Hmm.
13:35If you were asking my opinion.
13:37Well, that is why I asked you here today.
13:40My honest advice?
13:42I'd consider retiring him now.
13:44At the top of his game.
13:46The best middle-distance horse in Europe
13:48with a sky-high market value.
13:50Let him earn you some proper money as a stud.
13:53Well, I'm surprised to hear you turning down the opportunity
13:56of going to America.
13:58America?
13:59Why?
14:00Well, that's where your girlfriend's from.
14:02Isn't it?
14:04Fiancée.
14:06Fiancée?
14:07Goodness.
14:10Who is she?
14:12Money, I hope, so you can keep up the staples.
14:15Actually, she's a Portsman.
14:16Oh dear, so no money.
14:17Some money.
14:18But horse mad.
14:20Well, she'd have to be.
14:24You'd approve, I think.
14:26Well, can I meet her?
14:28If you promise you won't scare her.
14:29Why would I scare her?
14:30You're the queen.
14:32Only some of the time.
14:33All the time.
14:34And that makes you terrifying.
14:36And she's heard a lot about you.
14:38From whom?
14:40From me.
14:41Some of it nice, too.
15:19The one you let get away.
15:22What?
15:23It was carried a torch for you.
15:25Of course she.
15:26What's that nonsense.
15:28He told me himself.
15:30One night while in his cups.
15:33That doesn't count.
15:36When a man's had a drink, that's when the truth comes out.
15:39No.
15:39That's when the nonsense comes out.
15:41Besides, you have interests in common.
15:44Ruses aren't an interest for you, they're a passion.
15:46A passion your husband doesn't share.
15:48He has other passions.
15:51So I hear.
16:15He has other passions.
16:18Sir.
16:19Good morning.
16:23The foreign secretary is here, sir.
16:25Shall I show him in?
16:27No.
16:29Not here.
16:42It's horrid to keep you waking.
16:45As apposite as ever.
16:47I didn't mean it like that.
16:53There's ugliness in the air, Anthony.
16:56I have nothing of beauty to say.
16:58Then say what you must.
17:00Deposit your ugliness and go.
17:03I have more important things to do.
17:08Very well.
17:14At some point, every leader must ask himself whether by staying in office he is giving to the country or
17:24taking from it.
17:25Helping or harming.
17:29And I would suggest that for some time now you have been taking and harming.
17:36And therefore I come to you in the name of the party and of the country for the very last
17:42time, Winston, to bid you to stand down.
17:46I will in good time.
17:48At the right time.
17:50The right time was nine years ago when you lost us the election.
17:53And I have since avenged that defeat by winning us the last election.
17:57I won us that, Winston!
17:58I won us!
18:04People voted conservative in the clear expectation that you would give way to me.
18:09That is such rubbish.
18:11They voted conservative because they couldn't stomach socialism.
18:15Inflation is out of control.
18:17And with every misjudgment, with every miscalculation, with every utterance you make, that appetite to return to the left is
18:26growing.
18:27Be careful, Anthony.
18:28Too much excitement is not good for one so soon after an operation.
18:32Spoken by a man who, only two months ago, was effectively dead.
18:36Which makes two of us.
18:37I have recovered.
18:38That's not what I hear.
18:40I hear you're a shadow of your former self.
18:44That when you walk, the pills rattle around inside of you.
18:47I have something that you'll never see again.
18:52A clean bill of health.
18:54A historian said the same.
18:56He died wrothling on the floor!
19:00Mr Sutherland is here.
19:02Hello, Anthony.
19:03Anthony was just leaving.
19:06Hello, Jimmy.
19:09Yes, I was, uh...
19:12Just leaving.
19:15Here we are.
19:16Morning.
19:18Morning.
19:19Sir.
19:19This is my wife, Kathleen.
19:21She'll assist me sometime.
19:23Hope you don't mind.
19:23Good.
19:28Hello, my friend.
19:36Hello.
20:00What's that you're using?
20:02Pencil.
20:03But which kind?
20:074B or 6B or something.
20:09I'm not sure.
20:11It's a 6B.
20:13And on what paper?
20:15Drawing paper.
20:16I've made a heavyweight cotton, cold-pressed, decal-edged, sized with gelatine.
20:28How many paintings has your husband complete in a year, Mrs Sutherland?
20:32Three or four.
20:34Would you care to guess how many I average?
20:3810?
20:4015?
20:4160!
20:43Of course, I'm just a hobbyist, an enthusiast of a major artist like your husband.
20:52Taking his time.
20:56Go ahead.
21:25I did a little reading about you.
21:27Mr Sutherland, after our last session.
21:30Did you?
21:31Quite interesting.
21:33From what I read, this is all very new to you, this portraiture.
21:36What?
21:37I don't think anyone starts out wanting to be a portraitess.
21:40Yeah.
21:41But in your search for your metier, you've tried a bit of everything.
21:45That's true.
21:47I came to painting.
21:48I came to painting quite late.
21:49But now that you've found it, you'll never leave it, yes?
21:51Yeah.
21:53I quite understand.
22:10How is it, Mrs Sutherland?
22:15It has truth.
22:18Am I to be allowed a peek?
22:19No.
22:21Why not?
22:22I could give you advice.
22:25After all, I know this face better than you do.
22:28If you've made the neck too thick or the arms too long, I can tell you.
22:31I find, in general, people have very little understanding of who they are.
22:36One has to turn a blind eye to so much of oneself in order to get through life.
22:39Then you see it as your responsibility to bring all that out into the open.
22:42Certainly.
22:43The good as well as the bad.
22:44Just concentrate on the good and all will be well.
22:47You're not just painting me, you know.
22:50You're painting the Prime Minister of the United Kingdom of Great Britain and Northern Ireland
22:54and everything that great office represents.
22:57Democracy.
22:57Freedom.
22:58The highest ideals of government and leadership.
23:01Just remember that.
23:13Yes?
23:14Lord Forchester, Your Majesty.
23:18Plug in.
23:20Porti.
23:21What a palaver!
23:22What is it?
23:23I'm getting through to you.
23:24I picked up the phone to you just after nine this morning.
23:27It's now gone midday.
23:28Oh, don't exaggerate.
23:30But yes, I know.
23:31It is infuriating.
23:32Far away.
23:33You asked me to come to some figures for you with regard to Oriole.
23:35Although I'm numerically dyslexic, runs in the family I'm afraid.
23:39like the high forehead.
23:40Oh.
23:41I have done the sums.
23:42See if this helps you with your decision.
23:44In the course of his lifetime as a racehorse, Oriole has made you just over £40,000.
23:49Goodness.
23:50But, if you were to put him out to stud, he could make you far more.
23:53He's a recognised champion with a top-notch pedigree.
23:56You could stand him at Walfleton's stud for top dollar.
24:02Well, that's the decision then.
24:04Good.
24:06And in the meantime, I'll ask if I can get you a direct line.
24:09To you?
24:11Yes, to me.
24:12Why?
24:12Or is there anyone else you wanted to speak to here?
24:15No.
24:17Good.
24:20What is it?
24:21Top dollar.
24:23I need numbers.
24:25400.
24:25A pot.
24:26A shot.
24:28Sorry, I'm trying to find a less onomatopoeic expression for what is ultimately...
24:31I know what it is.
24:32A shag.
24:33A cover.
24:34A cover.
24:35Yes, that's the correct term.
24:38For a horse hump.
24:40Yes.
24:43So what might you earn then, over the course of the year?
24:45Well, in one year alone, Oriole might cover 40 mares, making about £16,000.
24:53Good for him.
24:54In the course of his lifetime at the stud, he might sire 500, 600 foals, making me over £200,000.
25:01Creating an entire generation of offspring.
25:04Yes.
25:05Father to all the fells in our stables than any other stable that could afford him.
25:09Yes.
25:10Yes.
25:11Oh, I see.
25:11So in time, every horse out there could somehow be related to Oriole.
25:18Yes, I suppose so.
25:21Like old man Carnarvon.
25:24Who?
25:26Your friend Porchy's father.
25:28Porchy?
25:29No.
25:30Like I said, his father.
25:32Yes, they're both called Porchy.
25:34Wasn't that the rumour?
25:35What rumour?
25:36Well, that he'd had so many affairs.
25:39An entire generation of British aristocrats was related to him.
25:43An illegitimate Porchy.
25:45In every great house in the land.
25:49High foreheads everywhere.
25:52Any miracle dyslexia?
25:54What?
25:56Nothing.
25:57What?
25:58Nothing.
26:02Michael.
26:04Dear boy.
26:09Good night.
26:11Good night.
26:13Let me have a look here.
26:16Marvellous.
26:17Shall we?
26:17Come on.
26:18You look beautiful.
26:30Help must.
26:31To be withender for.
26:46Star guest.
26:47Trade a messenger is attached to me.
26:48No, no, no, no, no.
26:52Not at ì•Šê³ dónde.
26:55He never went.
26:56No, no, no.
26:57What was your treatry?
26:57Oh my God...
26:58No, no, no, no...
28:01Good morning.
28:02Good morning.
28:15Your wife this time.
28:17You know, I asked her not to come.
28:25Since this is to be our final session, you wanted us to be all alone.
28:34In silence, preferably.
28:36Yes, yes.
28:37I'll be a good boy.
28:45I quite understand the need for concentration.
28:49Painting the picture is like fighting a battle, a bloody battle.
28:54In the gladiatorial fight to the death, the artist either wins or loses.
29:02Are you winning?
29:03I hope so.
29:06You think I'll like it?
29:08I think that's possibly too much to ask for.
29:11But I do take comfort from the fact that your own work is so honest and revealing.
29:17Oh, thank you for the compliment.
29:25Are there any works that you're referring to in particular?
29:30I was thinking especially of the goldfish pond here at Chartma.
29:35The pond?
29:36Why the pond?
29:37It's just a pond.
29:38It's very much more than that, as borne out by the fact that you've returned to it again and again,
29:43more than 20 times.
29:44Well, yes, because it's such a technical challenge.
29:47It eludes me.
29:49Well, perhaps you elude yourself, sir.
29:51That's why it's more revealing than a self-portrait.
29:54Oh, that's nonsense.
29:56It's the water, the play of light, the trickery, the fish down below.
30:05I think all our work is unintentionally revealing, and I found it especially so with your pond.
30:09Beneath the tranquility and the elegance and the light playing on the surface,
30:13I saw honesty and pain, terrible pain.
30:17The framing itself indicated to me that you wanted us to see something beneath all the muted colors deep down
30:26in the water.
30:28Terrible despair, hiding like a leviathan, like a sea monster.
30:34You saw all that?
30:37Yes, I did.
30:39Perhaps that says more about you than me.
30:42Mm-hmm.
30:44Perhaps.
30:48May I ask you a question, Mr. Sutherland?
30:51Hmm.
30:52It's about one of your paintings.
30:54The one you call pastoral.
30:57With all that gnarled and twisted wood, those great ugly dabs of black.
31:05I found something malevolent in it.
31:10Where did that come from?
31:13Well, it's very perceptive.
31:15That was a very dark time.
31:17And my, uh, my son, John, passed away at age of two months.
31:29Oh, my.
31:31I am sorry.
31:37Yes, thank you.
31:55You have five, yes?
31:57Four.
31:59Four.
32:00Marigold was the fifth.
32:03She left us at age...
32:05Two years, nine months.
32:07Septicemia.
32:08I'm so sorry.
32:10I had no idea.
32:13Oh, we settled on the name Marigold on account of her wonderful golden curls.
32:21Yes, the most extraordinary color.
32:26Regretfully, though perhaps mercifully, I was not present when she died.
32:33When I came home, Lemmy roared like a wounded animal.
32:47We bought chart, well, a year after Marigold died, that was when I put in the pond.
33:10I was like, oh, no, no, no, no, no, no, no, no, no, no.
33:26Here.
33:42Well, thank you.
33:46It's a pleasure.
33:53I look forward to seeing it.
34:03Oh, oh, oh, oh, oh, oh, oh, oh, oh, oh.
34:11Just let me, let me, let me, let me freeze again.
34:25Oh, death.
34:34Hello.
34:35Hello.
34:37Shall we?
34:39Yes.
34:43Given this is Aureole's debut, we want to leave nothing to chance.
34:46I've called up three different mayors.
34:49Very rarely does a forced tryst make a fruit fortress.
34:52One wants the perfect foe, one needs to be prepared to wait for the perfect peril.
34:56Shall we?
34:58Meet Neocracy.
34:59Oh, the Aga Khan.
35:00Indeed.
35:01Yes.
35:02Recently retired, with a good record as a winner.
35:03Lovely temperament.
35:06My only concern would be, is she perhaps a little too...
35:09Bashful.
35:10I worry that if we left these two to it, nothing would ever happen.
35:14Which is why I've also called up Turkish blood.
35:17As you can see, an altogether different proposition.
35:20Strong, willful, with a terrific track record herself.
35:23I really would be breeding the best with the best.
35:25I'm sensing a bash.
35:26In memory, your Aureole is something of a sensitive soul.
35:31I hate him to be intimidated or come unstuck and faced with a fiery warrior like this.
35:35That's very considerate of your portrait.
35:37Which is why I have a good feeling about our third candidate.
35:39Feast your eyes on Temple Bar.
35:42A hot thoroughbred with the winning streak herself.
35:45A little on the young side, perhaps.
35:47Just three.
35:48We don't mind that, do we?
35:54Immediate engagement.
35:55Yes.
35:56I must say, I do like this one.
36:00What a pair of the feeling is mutual.
36:03Oh, well.
36:06Telegrams have been pouring into Dining Street today to wish Sir Winston Churchill a happy 80th birthday on this 30th
36:13November.
36:14They come from all parts of the globe.
36:17Oh, oh, oh, oh.
36:19Happy birthday, darling old pug.
36:29Happy birthday to you.
36:32Happy birthday to you.
36:36Happy birthday to you.
36:39Happy birthday to you.
36:39Happy birthday to you.
36:41Happy birthday to you.
36:45Happy birthday to you.
36:48Happy birthday to you.
36:48Happy birthday to you.
36:49Happy birthday to you.
36:50Happy birthday to you.
36:52Happy birthday to you.
36:52Happy birthday to you.
36:52Happy birthday to you.
36:52Happy birthday to you.
37:13Oh, is it time?
37:14It is time.
37:15Right.
37:23Right, do sit down, Michael.
37:25Westminster Hall, silent witness of nearly a thousand years of history, was the scene of the birthday presentations to Sir
37:31Winston.
38:22I am deeply honoured to be here today.
38:27No politician has ever received such an honour before, and I am deeply grateful.
38:35I am aware, however, that after having served my country for 54 of my 80 years, resignation is a word
38:51that hangs in the air.
38:55And indeed, it is the perfect occasion for it.
38:59The stage is set, and the audience is assembled all ready for a grand valediction.
39:35There is only one problem.
39:36Is it a gift, or is it a curse?
39:46Mr. Sutherland, the artist, and I spoke a great deal during my sittings.
39:54I reminded him of the stakes involved, that his portrait was not just of me, but of the office I
40:03represent, indeed, of our entire system of government.
40:07So, at long last, I look forward to unveiling this painting.
40:45The fine patriotic piece of modern art.
40:49This, which is a great deal for me for the shortfall of tatsächlich.
41:21why are you here i understand you've rejected the painting i have on what grounds that is not a
41:29painting it's a humiliation how shall i paint him today sitting on a chair producing a stool
41:39a broken sagging pitiful creature squeezing and squeezing that's not how it's being seen
41:46that is how it is and i will not accept it i don't think it's wise to reject it it
41:52was commissioned
41:53by the members of the joint houses of parliament as a sign of respect but then they should have
41:57commissioned an artist who is respectful instead of a judas wielding his murderous brush look at it
42:04it is a betrayal of friendship and an unpatriotic treacherous cowardly assault by the individualistic
42:12left as regards to friendship clearly there is none i accepted this commission because i admired
42:20you and i came through the experience admiring you even more you make monsters of everyone you admire
42:26it's not vindictive it's art it's not personal you are a lost soul a narcissist without direction or
42:37please sir don't overreact give it time i showed the sketches to your wife throughout the process
42:44she remarked on how accurate they were that is the whole point it is not a reasonably truthful image
42:49of me it is sir it is not it is cruel age is cruel
43:00if you see decay it's because there's decay if you see frailty it's because there's frailty
43:06i can't be blamed for what is and i refuse to hide and disguise what i see
43:16if you're engaged in a fight with something then it's not with me
43:25it's with your own blindness
43:37i think you should go
43:50i think you need to go
44:08i think you should go
44:19he's right what i am that man in the painting
44:28wretched and decaying i cannot go on i've said that before
44:38this time i mean it i'm tired
44:44you've had enough
44:47i have my love
44:53this time i really have
44:57good
45:14you
45:16you
45:17you
45:18you
45:18you
45:37of course i knew it was coming
45:41if i'm being frank there were
45:43one or two moments when i might have even hoped for it too
45:47prayed no doubt
45:56you really have been the most remarkable servant to your country
45:58thank you ma'am
45:59no winston
46:01on behalf of us all
46:04thank you
46:09and you wish for mr eden to take over
46:11i do
46:11well that will make him happy
46:14for a day or two
46:16he might even stop cursing me
46:18then he will be overwhelmed by a job in which no man can ever succeed
46:23and curse me again for leaving it to him
46:27it might be an idea not to tell him that before he starts
46:30no ma'am
46:34so
46:37this is our last audience
46:47yes
46:53however will i cope without you
46:56you will be fine ma'am
46:59i have nothing more to teach you
47:02which is why it's time of you to leave
47:14your majesty
47:15your majesty
47:15your majesty
47:15your majesty
47:15your majesty
47:15your majesty
47:16your majesty
47:17your majesty
47:19your majesty
47:20your majesty
47:26your majesty
47:28your majesty
47:30your majesty
47:32your majesty
47:33your majesty
47:33your majesty
47:35your majesty
47:35your majesty
47:47I don't know.
48:07Let's go.
48:47Let's go.
49:07Do you know Downing Street, oh my God, why not?
49:13Is she a look, anything?
49:16I mean, if I were a stallion, would I fancy her?
49:19The attraction isn't so much about looks.
49:22Smell.
49:23Oh, I see.
49:23Well, does she smell good?
49:25Well, we'll see, don't we?
49:27Come on, have a look.
49:34Rather like us, darling, when we were courting.
49:37Shh.
49:38Will you please be quiet?
49:41Yeah, look.
49:42Here we go.
49:43All right.
49:45You all right?
49:48Hold her steady.
49:50Ready?
49:53All right.
49:55I say.
50:01Back off.
50:06Good boy.
50:09Is that it?
50:13Two thousand guineas for that.
50:15As long as he's done what he needs to do, and it bears fruit, I don't mind.
50:19Well done, Porchy.
50:22Yes, indeed.
50:24Well done, Porchy.
50:26I hear he's been given a direct line.
50:28Who?
50:29Porchy, so he can call straight in.
50:31I know only because I'd tried to get one for Mike and was refused.
50:35Yes.
50:36On account of him not being a family member.
50:38Porchy is like family.
50:40Is he?
50:41Yes.
50:42Part of the furniture.
50:45Well, as long as you don't sit on him any time soon.
50:52That's it, that's it.
50:59Well, that all seemed to go well.
51:00Yes, it did, isn't it?
51:04You're right.
51:07Hmm.
51:31Can you leave us now, please?
51:33Yes, ma'am.
51:49I have nothing to hide from you.
51:51Nothing.
51:55Porchy is a friend.
51:59And yes, there are those who would have preferred me to marry him.
52:03Indeed, marriage with him might have been easier.
52:07Might have even worked better than ours.
52:12But to everyone's regret and frustration,
52:16the only person I have ever loved is you.
52:22And can you honestly look me in the eye and say the same?
52:34Can you?
52:36Can you?
52:48Pray silence, O Her Majesty the Queen.
53:00My Lords, ladies and gentlemen, dear Winston and Lady Churchill, my confidence in Sir
53:13Antony is complete, and I know he will lead the country on to great achievements.
53:19But it would be useless to pretend that either he or any of those successors who may one day
53:26follow him in office will ever, for me, be able to hold the place of my first Prime Minister,
53:34to whom my husband and I owe so much, and for whose wise guidance during the early years
53:41of my reign, I shall always be so profoundly grateful.
53:52I will remember you always, your magnanimity, your courage at all times, and for your unfailing
54:07humour, founded in your unrivalled mastery of the English language.
54:14I take comfort from the fact that in losing my constitutional advisor, I gain a wise counsellor,
54:27to whom I shall look for help and support in the days which lie ahead.
54:40May there be many of them.
54:42May there be many of them.
54:54Thank you very much.