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00:00:06Romanoff's entourage has kidnapped a Spanish subject.
00:00:09I will do whatever it takes to get my son back and put an end to all of this.
00:00:14It looks like a map of this palace.
00:00:16There's something written there.
00:00:17A treasure?
00:00:20Are you already saying hello to our old friends?
00:00:22Once you're one of us, you're one of us forever.
00:00:27Saturn.
00:00:30I must inform the Vatican of what Cardinal Mendoza is capable of doing.
00:00:34The only way for correspondence to reach the Holy Father is with my seal.
00:00:39We're going to rob some rich kids.
00:00:41You will dress in this servant's uniform and deliver the invitations to the nobles.
00:00:45I never want to see you again.
00:00:48Listen to me carefully, you bastard.
00:00:50The commitment to us was broken with death.
00:00:52Where did you get it from?
00:00:54So there's money hidden in my palace.
00:00:57Ma'am, I was going to tell you.
00:00:58Did you want to keep it?
00:01:00Gonzalo.
00:01:08The teacher has died in the street, sir.
00:01:11A sudden death.
00:01:17When did he die?
00:01:27No.
00:01:28No!
00:01:29Come on!
00:01:30No!
00:01:34I would say that the man puts you through tough tests, but...
00:01:36And what kind of god is that who lets a man like him die?
00:01:51Someone has paid us to kill those young men.
00:01:54They are the firstborn of five noble families.
00:01:56No, no, no, no, no, no, no, no, please.
00:02:00I've noticed that your husband isn't very keen on massaging you against Adalos.
00:02:03So I've brought you one.
00:02:05Miracle!
00:02:06Oh, how joyful, by God, that He has risen, my love!
00:02:09He has risen!
00:02:10If there's no groom, there's no wedding.
00:02:12He's gone too far, master.
00:02:14This time it went too far, but it was good.
00:02:26I mean, I mean, I mean, I mean, I mean...
00:02:50I'll make that man marry his daughter!
00:03:03You may be wondering why you were arrested.
00:03:07Why have you been brought here?
00:03:12Good.
00:03:15I'll tell you.
00:03:18You are the relatives of a fugitive from the crown.
00:03:22You are family and friends of Gonzalo de Montalvo.
00:03:28The question is simple.
00:03:30If you confess everything you know about his whereabouts, you may leave.
00:03:34Otherwise, face the consequences.
00:03:38It's just a matter of time before we find it.
00:03:41However, he doesn't surrender first.
00:03:43No.
00:03:45My father is no coward. He's not going to turn himself in.
00:03:49The Royal Guard will accompany you day and night to prevent you from falling into the temptation of helping him.
00:03:54In other words, if the fugitive contacts you and you don't inform them,
00:04:04Or if you have the slightest intention of collaborating with him, you will end up on the gallows.
00:04:14Get them out of here.
00:04:28Are you sure that the presence of the Royal Guard will prevent the child from being taken away?
00:04:36He'll come back for him.
00:04:43You seem unconvinced.
00:04:49It would seem that you are incapable of finding a mere mortal.
00:04:54No one should be forced to marry against their will, Your Eminence.
00:04:59Nor to satisfy a foreign nobleman.
00:05:02Having your own moral code is the last thing you need right now.
00:05:08Voices are beginning to be heard against your performance as commissioner.
00:05:14What do you mean?
00:05:18Perhaps a younger candidate would bring, as they say, fresh wisdom to the position.
00:05:28That candidate will still have to grow a beard.
00:05:32I will find the master.
00:05:34Do it.
00:05:36Otherwise, you may lose your job.
00:05:42Eminence.
00:06:31Keep looking.
00:06:32That man has to be out there somewhere.
00:06:40Get down!
00:07:00Take her to the convent.
00:07:01The others, to the villa with them.
00:07:06Everything's going to be alright, do you hear me?
00:07:07You'll see.
00:07:18They are being escorted away.
00:07:25Oh God, God, what are we going to do?
00:07:42Lord, I have raised.
00:07:46Grab him!
00:07:47Grab him!
00:08:13Sator, what happened?
00:08:14And Alonso?
00:08:16The little boy is fine, master.
00:08:17But it's gotten complicated.
00:08:19Things have gotten really messy.
00:08:20What are you talking about?
00:08:22His Majesty, the King.
00:08:24That he appeared at his wake.
00:08:26I don't know what the hell I was doing there.
00:08:28And his coffin has been found empty.
00:08:30No, no, no, no, no.
00:08:30No, no, no.
00:08:35They know I'm alive.
00:08:36But that's not all.
00:08:38The king, our king.
00:08:39He has ordered that they find him.
00:08:41You want to marry her off to the Russian woman.
00:08:44That?
00:08:45Every man in uniform is looking for him.
00:08:47And they have taken Loncillo, Margarita, and Catalina away.
00:08:50to the Cardinal's Palace.
00:08:52Well, even Cipriano.
00:08:53So that?
00:08:54What are they going to do to them?
00:08:54No, no, no, no.
00:08:55If they were later released.
00:08:56But a couple of guards go with them everywhere.
00:09:00They are being watched.
00:09:01Through sun and shade.
00:09:02Let's just say that even I haven't been able to get close to his son.
00:09:05But neither I nor anyone else.
00:09:07I don't plan to leave without him.
00:09:09Come on, you're not being chased by a baker.
00:09:11Which is the crown itself.
00:09:12That right now you are the most wanted man in the entire kingdom.
00:09:15I'm not going to leave Alonso behind, Satur.
00:09:18I'll find a way to get closer to him.
00:09:20Are you deaf or what?
00:09:22That there be a guard on every road.
00:09:24They're keeping a close eye on their son, but it's fine.
00:09:27If you set foot out there,
00:09:30They marry him off.
00:09:31If I cannot approach him, above the ground,
00:09:35I'll do it from underneath.
00:09:36As?
00:09:39What do you mean, if he can't do it from above, he'll do it from below?
00:09:41What does it say?
00:09:50What is all this still doing here?
00:09:52Why isn't he heading to Africa?
00:09:54You see, ma'am, it's just that...
00:09:57Well...
00:09:58I have given orders that they are not to be moved.
00:10:00Well, they will inevitably have to do it.
00:10:03I have sold the palace.
00:10:04In fact, the buyer is visiting it right now.
00:10:08Catalina?
00:10:12Who are they?
00:10:16Are...
00:10:17My escort, ma'am.
00:10:20And who do you think you are to have a bodyguard?
00:10:22The Duchess of Orleans?
00:10:25They are monitoring all of Gonzalo's friends and family.
00:10:28the teacher.
00:10:29They think you can try to get in touch with them.
00:10:31Gonzalo?
00:10:34What do you mean, Gonzalo?
00:10:36He faked his death.
00:10:45Well, that's it.
00:10:52Madam, your buyer.
00:10:53I mean, the new owner of the...
00:10:55That is, the Duke of Bercero.
00:10:59Good walls.
00:11:01Good layout.
00:11:03I will remove hedges, flowers, fountains, trees.
00:11:07I'm going to lift the whole thing.
00:11:11The garden?
00:11:16Are you going to lift it?
00:11:17It will be a good place to build my stables.
00:11:20And now, if you'll excuse me,
00:11:24I want to give orders to the operators.
00:11:26They will begin excavating today.
00:12:06Come on, you know where we're going.
00:12:09I think I was starting to run out of breath.
00:12:15The city of Madrid is full of underground tunnels
00:12:18that were built years ago.
00:12:20We're in one of them.
00:12:23What would anyone want it for?
00:12:26Build a molehill, yes?
00:12:28Hey?
00:12:29Well, to connect places, Sator.
00:12:31Or to escape the city
00:12:33in case of war, for example.
00:12:37Are you sure where you're going?
00:12:40Yes, Sator.
00:12:41Stay calm.
00:12:43But how can you expect me to be calm?
00:12:44in this labyrinth of darkness and death?
00:12:48Are you sure he doesn't know where he's going?
00:12:49Hey?
00:12:50Sator.
00:12:51One of these passageways
00:12:53He goes out to the square of justice.
00:12:55From there it's just a few streets to home.
00:12:58Hey?
00:12:59I will make my way, one way or another, Sator.
00:13:05Perhaps only if I can.
00:13:07But how is she going to get back with the kid?
00:13:11He doesn't answer me because he knows I'm right.
00:13:13Right?
00:13:15That his son would make him more vulnerable.
00:13:17Sator, what do you want me to do?
00:13:18That I should surrender, that I should give up.
00:13:20Well, think, love, think.
00:13:24You, leave me alone!
00:13:33You, leave me alone!
00:13:45You, leave me alone!
00:14:00Can you tell me what you're doing?
00:14:03Scrub?
00:14:09How brave you are with a woman!
00:14:11Visible?
00:14:14I wouldn't do that if I were you.
00:14:15Let me go if you don't want to.
00:14:17If I don't want to, so what?
00:14:21Stop, stop, please
00:14:23I'm sorry, I'm sorry, forgive me
00:14:27Sorry, it was my fault
00:14:28It was my fault, sorry I won't run again
00:14:41Are you OK?
00:14:44Yeah
00:14:49How much longer will he stay hidden?
00:14:52They're going to catch him
00:14:53So far, he's doing well.
00:14:55What if they've assigned you bodyguards?
00:14:57Why don't they even know where to begin?
00:14:59It doesn't matter where I am
00:15:01If Alonso can't leave home
00:15:02They will not be able to escape together.
00:15:07To avoid succumbing to helplessness
00:15:09The Lord teaches us to turn the other cheek.
00:15:14So should I accept everything that happens?
00:15:17Well, I can't.
00:15:22It also teaches us to defend what is right above all else.
00:15:26And it offers us ways to do it
00:15:28What does that mean?
00:15:30I'm not going to be the one to suggest disobeying an order from the king.
00:15:34But what if I wanted to take your nephew out of the house?
00:15:51What does that mean?
00:16:08Good heavens, I love that this is the Marchioness's palace!
00:16:11But have you gone mad?
00:16:12The commissioner lives here.
00:16:13Yes, they can hear us.
00:16:15But of course they can hear us
00:16:19Can't you see this place is full of guards?
00:16:22What the hell are we doing here?
00:16:45I must have dropped one in the hallway
00:16:52That?
00:16:53Do you want the Marchioness to go without her stockings?
00:16:55Well, she looks pretty
00:17:04Careful!
00:17:13Fuck!
00:17:32Where are they?
00:17:48Don't shout, don't shout, it's me, Cata, it's me.
00:17:51What are you doing here? How did you get in? Are you okay?
00:17:54I'm fine, listen, there's no time. I need you to bring my son here, to this bedroom.
00:18:04But I have two guards behind me the whole time.
00:18:07Yes, if I help you, they'll hang me.
00:18:14I don't want you to risk your life for me, Catalina.
00:18:19Yeah?
00:18:20Open up, I'm the commissioner.
00:18:24Yes, one moment.
00:18:29Sorry, gentlemen. Is the door open?
00:18:33What do you want?
00:18:35Where are the guards?
00:18:38They couldn't leave you alone.
00:18:40I don't know, maybe the men went out to urinate or something.
00:18:47If they don't have an excuse, they'd better spend a long time doing it with blood.
00:19:00I've been close.
00:19:03I know, I'm sorry.
00:19:05I'm leaving now. Forget what I said.
00:19:08Gonzalo, wait.
00:19:12Yes, yes...
00:19:14I'll bring the little boy to you.
00:19:16Are you sure?
00:19:18You would do anything to help me.
00:19:20I'll be waiting for you.
00:19:22But promise me one thing.
00:19:24Without a doubt,
00:19:26Leave it.
00:19:30Thank you.
00:19:31God be with you.
00:19:37Let the duke come immediately. I want to speak with him.
00:19:41What are they doing in the fury? This is an insult.
00:19:43We haven't even left yet and that man is already camping out freely.
00:19:47I'm going to tell him to stop immediately.
00:19:48No!
00:19:51I'll take care of this.
00:19:53I know your way of solving things.
00:19:56I'm sorry I hesitated.
00:20:03Hey, ma'am.
00:20:04I told you to come with the duke. Where is he?
00:20:07They've found something in the garden.
00:20:19What surprises await you in your garden, Marchioness!
00:20:24Don't you want to see what we've found?
00:20:31A magnificent Visigothic amphora.
00:20:36Doesn't it say anything?
00:20:38Don't you think it's unique?
00:20:42Of course.
00:20:45Look, I'm sorry to tell you that I've changed my mind.
00:20:49I want to get my palace back.
00:20:52This is not a game, Marchioness.
00:20:54You have signed a contract, I have started the work.
00:20:57I'm sorry, but no.
00:21:01Think about it for a moment.
00:21:02If you are truly interested in its location, there are other palaces for sale near the Royal Palace.
00:21:07I've done my research.
00:21:09And the Count of Sanabria is selling his castle, and the Marquis of Medinaceli has also put his up for sale...
00:21:13I don't change my mind as easily as you do, Marchioness.
00:21:17Now, will you excuse me?
00:21:37That's it.
00:21:40That's it.
00:21:40We already have a visual, love.
00:21:45And if it goes wrong, they could condemn him to hang because of me.
00:21:49Let's go, prepare for the worst.
00:21:52I'm the one who's telling the tale here, so don't take my paper away.
00:21:56Would you mind if I left you alone for a moment?
00:22:00And I'd like to go near the bandits' hideout?
00:22:04Those sons of bitches have left a ton of money there.
00:22:06No.
00:22:07As soon as Catalina brings Alonso to us, we will leave the village.
00:22:11And are we just going to leave it at that?
00:22:13Otherwise, it wouldn't be perfect for starting over.
00:22:16Could we start like gentlemen?
00:22:19Sator, to get to that snowfield, you must leave here and cross the forest.
00:22:22They could catch you.
00:22:25Put the game on and that's it.
00:22:29Come on, the fugitive is really screwed.
00:22:32Those coins would help us.
00:22:34Sator, Sator.
00:22:39Sator.
00:22:54I heard you're not going to Africa.
00:22:56Hernán, I don't want to talk to anyone today.
00:22:59Get out of here and leave me alone.
00:23:02I've come to see you as the town's commissioner.
00:23:05I want to ask you some questions.
00:23:08Me?
00:23:10Because?
00:23:12You grew up with Gonzalo, the teacher.
00:23:15You know him well, don't you?
00:23:17You could say so.
00:23:20Can you think of any place where he might have hidden?
00:23:23Any cabins?
00:23:24Any caves?
00:23:26Any places you played as children?
00:23:29What exactly should we play?
00:23:31Jump rope?
00:23:31To the doctors?
00:23:32Be careful, Lucrecia.
00:23:33It's an order from the king.
00:23:35Anyone who helps him escape, whether noble or commoner, will be condemned for high treason.
00:23:42Are you planning to assign me a bodyguard too?
00:23:47I'm warning you, Lucrecia.
00:23:50Be careful.
00:23:54Wait.
00:24:03I remember a cabin in the mountains.
00:24:06We would take shelter there when the storm caught us by surprise.
00:24:10In the mountains?
00:24:11Where?
00:24:13In the valley of the ravine.
00:24:22It won't be easy.
00:24:25I told him.
00:24:28Give a pine tree a leg and...
00:24:31And four guards fall.
00:24:34Let's see how we make the escape now.
00:24:43Satur.
00:24:44One of these passageways leads to an abandoned hermitage in the forest.
00:24:47Far from the gates of the village.
00:24:49We'll escape that way.
00:24:53One thing.
00:24:56So you took refuge with the marchioness...
00:24:59...there, in the ravine?
00:25:01No, Satur.
00:25:02And why has the marchioness summoned the commissioner?
00:25:04There, if that's what it says, he lost the sandal.
00:25:08Don't know.
00:25:09Should I leave because it's too noisy?
00:25:12Lady.
00:25:14The Duke of Barcelona wants to see her.
00:25:16Did he say what for?
00:25:20He's probably changed his mind.
00:25:23Tell him I'll meet with him right away.
00:25:25Wait.
00:25:26Help me.
00:25:31Thank you.
00:25:38Blessed God, blessed God, holy God.
00:25:52Now that's a stripping down worthy of mention.
00:25:56What skin!
00:25:58What poise!
00:25:59What a great pair of buttocks!
00:26:01Sato, we are waiting for Katarina.
00:26:03Stay alert.
00:26:04If you had seen what I've seen, well, you wouldn't understand.
00:26:07I think I'm about to make another hole in the wall, and not with the awl, precisely.
00:26:21They've killed each other!
00:26:23The fun is over, they've already killed each other.
00:26:40Sato!
00:26:41Hey?
00:26:42When Alonso arrives, there will be three of us for two horses.
00:26:46If we want to escape faster, we need another mount.
00:26:49I'm sorry to contradict Amo, but I'm going to go and get the money from those bandits.
00:26:53Do you want to or not?
00:26:54No.
00:26:55We've already talked about that.
00:26:56It's dangerous.
00:27:00I love.
00:27:02You will take care of your son.
00:27:05But I watch over all of us.
00:27:07So I'm going to look for the chest.
00:27:09You and the little boy, wait for me in the middle of the forest.
00:27:13You trust me.
00:27:22You trust me.
00:27:51He's been dragging him all the way from the valley, sir.
00:27:53Commissioner, perhaps you know nothing.
00:27:56Still nothing to say to me?
00:27:58No man passed by there yesterday.
00:28:14Continue the search.
00:28:16Yes, sir.
00:28:17I don't care how many times you have to go through the same places.
00:28:20Gonzalo de Montalvo is hiding around here.
00:28:23And I have to find it myself.
00:28:25I'll notify the night shift, sir.
00:28:27Shifts?
00:28:29Are you talking to me about resting?
00:28:32Go to all available men.
00:28:34And if anyone decides to stop,
00:28:37He will never rise again.
00:28:40Yes sir.
00:28:41I don't want my hands before dawn.
00:29:22Damn, I know that something so basic makes you feel so good.
00:29:27That's it.
00:29:29And the last three drops go inside.
00:29:31What's the rush?
00:29:45And the last three drops go inside.
00:30:09No.
00:30:39I'm glad you changed your mind.
00:30:43What's the point of all this?
00:30:45What is that trunk?
00:30:47Something else I found in his garden.
00:31:11That's why she was so interested in getting her palace back.
00:31:16So that she wouldn't discover her husband's body.
00:31:21I don't know what you're talking about.
00:31:24My husband went on a trip and disappeared.
00:31:29Look at your seatbelt.
00:31:31The coat of arms on his clothes.
00:31:33The entire court suspected you at the time.
00:31:36He has no proof against me.
00:31:38That.
00:31:40Explain it to the justice system.
00:31:44Take it away.
00:31:52Marquise?
00:31:55Wait.
00:32:03If he sues me, I'll go to the gallows.
00:32:08I'll do whatever it takes.
00:32:11Anything.
00:32:13Whatever.
00:32:18Alright.
00:32:20I propose a deal.
00:32:23I remain silent.
00:32:24And you cede to me all the possessions of the Marquisate of Santillana.
00:32:29Absolutely all of them.
00:32:31Absolutely all of them.
00:32:34I'm not going to do it.
00:32:37I cannot leave my son destitute.
00:32:40What will be left for him?
00:32:41A living mother.
00:32:45I will send you the transfer agreement tomorrow for you to sign.
00:33:12Mother.
00:33:13Mother.
00:33:15Where would you prefer we settle down when we leave all this behind?
00:33:18At the Summer Palace or on the estates of Ávila.
00:33:21I'm arranging everything.
00:33:36Mother.
00:34:12We're going to have to separate.
00:34:16To live separately.
00:34:21Don't say it like it's a surprise.
00:34:34This moment had to come.
00:34:38Sooner or later.
00:34:39Sooner or later.
00:35:11She hasn't even tried it
00:35:15I was crying, but I tried not to notice.
00:35:19What's going on?
00:35:21Don't look at me like that, Catalina, it's not my fault.
00:35:23Of course not, but you haven't wanted to help Gonzalo either.
00:35:26And he came to find you, remember?
00:35:27I know, and I owe him my life.
00:35:30But I would give my life for her, not yours.
00:35:33And if you do what it asks you to do
00:35:34You can end up dead.
00:35:40With you, our son
00:35:50Leave
00:35:52What are you going to do?
00:35:54The guards don't leave the door or Alonso.
00:35:55Please, Catalina
00:35:57But Gonzalo is still waiting.
00:35:59If I'm not going to help him, I should at least let him know.
00:36:02I have to do it
00:36:08We have nothing to give, huh?
00:36:10A novice from the monastery of Saint John the Baptist
00:36:12He gave me this for Cipriano Benítez
00:36:14It's me
00:36:22I could have some broth
00:36:24I'm cold.
00:36:27Clear
00:36:27Clear
00:36:28Happens
00:36:37What monastery are you talking about?
00:36:39Isn't that Margarita's?
00:36:40Yeah
00:36:44A bun?
00:36:46And don't you have any bread?
00:37:09What does it say?
00:37:14He wants us to dress Alonso in the altar boy's clothes
00:37:17That way they won't recognize him and he'll be able to leave the house
00:37:19No, Catalina, no, it could be dangerous
00:37:21We can't take any risks.
00:37:22Cyprian
00:37:23Think like a parent
00:37:25If you were far from your son
00:37:26Wouldn't you like them to help you get it back?
00:37:30I have to take Alonso to Gonzalo's.
00:37:31I have to do it
00:38:06Gonzalo
00:38:06Open up, it's me
00:38:20Alonso
00:38:29We have to go, we don't have time
00:38:30And Satur?
00:38:31Alright
00:38:31Don't worry
00:38:38Catalina, what you have done
00:38:40The hug I saw you give each other was well deserved.
00:38:44Well, I'm going to go, don't miss me.
00:38:51Catalina
00:38:53Notify Cardinal Mendoza
00:38:54That Rabe was his niece after what had happened
00:38:57Has something happened to Mrs. Irene?
00:38:59You tell the cardinal
00:39:07Go
00:39:08And do what I've told you.
00:39:19I will kill you
00:39:20You know it
00:39:24It was the only way to avoid getting married
00:39:28I even left you a lock of my hair
00:39:41I'm sorry I made you suffer.
00:39:42I'm truly sorry
00:39:44And do you feel it?
00:39:46And do you feel it?
00:39:46Nobody makes me cry for nothing.
00:39:49And even less so a man
00:39:52How are you?
00:39:58What are you doing here?
00:40:07What are you doing here?
00:40:13They will force me to go to Russia
00:40:17I've spent years
00:40:20I'm already trying to do it with you.
00:40:24And now that I've got it
00:40:25Either you get married
00:40:26Or you're an outlaw
00:40:36My life is in your hands
00:40:43My life is in your hands
00:40:44Although I'm not at my best right now.
00:40:47Don't forget
00:40:50You'll never find a woman like me
00:40:53Oh
00:40:54Wherever you go
00:40:59You can leave
00:41:09Thank you, Lucrecia
00:41:14Gonzalo
00:41:34We'll meet again
00:41:39Goodbye, Lucrecia
00:41:43Thank you
00:42:00Satur
00:42:01We've been waiting for you for a while
00:42:04Alguanzo is already at the hermitage, Satur
00:42:08What's happening?
00:42:12Do not rebuke your servant
00:42:15It's not his fault
00:42:16Don't move
00:42:21If it were up to your life
00:42:22I know you would take the risk
00:42:24But not because of hers
00:42:26It is a serious flaw
00:42:27Caring for others
00:42:30I'm sorry, I love
00:42:32Very sorry
00:42:33You were right.
00:42:34He shouldn't have come.
00:42:37It's nothing personal
00:42:39But I have to take you before the king
00:42:41Come on
00:42:48I'm not going to move
00:42:50Don't waste any more of my time
00:42:52I will deliver you no matter what.
00:42:54No
00:42:55You're not going to kill me
00:42:57The king wants me alive
00:42:59And a corpse isn't the ideal groom for a wedding.
00:43:06It seems you care about less than I thought.
00:43:13I still have your dagger
00:43:17It just can't be
00:43:19It just can't be
00:43:20Stay still
00:43:23Drop the weapon, let's go
00:43:26I said to let her go
00:43:34That's not possible, you were dead
00:43:37Don't be mistaken
00:43:39You are the dead one
00:43:41You will pay for your betrayal
00:43:43And these two with you
00:43:58There are already enough, don't you think?
00:44:00I couldn't sleep
00:44:02I started with one and now I need a table.
00:44:05Have
00:44:15Margarita, if it had gone wrong
00:44:16If they had been discovered
00:44:18We would know by now.
00:44:18So you can stop now.
00:44:21Unless you want to wipe out the wheat reserves of the entire kingdom.
00:44:27Where is he going?
00:44:28Is it going to be released?
00:44:30Yeah
00:44:30Now that I have my stamp
00:44:32I'm going to send the letter to the Vatican.
00:44:34Ah, I've already written it.
00:44:36Well, I'm coming with you.
00:44:38Dressed in white in the middle of the night
00:44:39No, better not.
00:44:41Well, I can change too.
00:44:43And what do we do with your two shadows?
00:44:46The royal guards do not move from the convent door.
00:44:49Yes, that can be a problem
00:44:52So be careful
00:44:53I'll be waiting for him until he comes back
00:45:09The years haven't changed you.
00:45:11He's still the same useless person.
00:45:13Faster!
00:45:29Love
00:45:31I know him well
00:45:33And I know that as soon as he has the money he's going to kill us
00:45:35Me first
00:45:47Well, don't serve it to him on a silver platter.
00:45:48Let it go!
00:45:51If we don't hand it over, he'll kill us before we even get down to pick it up.
00:45:54If we give it to him, we still have a chance.
00:45:57It only has two shots
00:45:59While the third one loads, I have time to retrieve my pistol.
00:46:02Release
00:46:02Drop the sack
00:46:06You're pretty sure he won't kill you first.
00:46:09He hates him
00:46:11And then it's a matter of luck
00:46:12You or me
00:46:14Two men and one bullet
00:46:26Many depressions!
00:46:28Many depressions!
00:46:29Fuck!
00:46:38Many depressions!
00:46:46Come on!
00:47:01Think of me as you slowly die.
00:47:11Homo!
00:47:13Homo!
00:47:15They've shut us down, Homo.
00:47:31By this document I, Lucrecia de Guzmán, being of sound mind,
00:47:38I hereby state that it is my will to cede to the Duke of Vercero all the possessions and lands of the Marquisate of Santillana.
00:47:53Either you sign this contract and give me all your property, or you will go to the gallows for the murder of your husband.
00:48:06This is not my son!
00:48:08This is not my son!
00:48:16He's just a bastard!
00:48:18Let it go!
00:48:19Let it go!
00:48:20Let him go, please!
00:48:22Let him go, let him go!
00:48:46Let him go, let him go!
00:48:47Let him go, let him go!
00:48:49Let him go, let him go!
00:48:53Let him go, let him go!
00:48:57Let him go, let him go!
00:49:07Let him go, let him go!
00:49:08Let him go, let him go!
00:49:09Let him go, let him go!
00:49:09Let him go, let him go!
00:49:09Let him go, let him go!
00:49:10Let him go, let him go!
00:49:11Let him go, let him go!
00:49:12Let him go, let him go!
00:49:13Let him go, let him go!
00:49:26Eminence?
00:49:27Marquise
00:49:31If you have come to see your niece
00:49:33She is being attended to by a doctor in her bedroom.
00:49:35If you'd like, I can accompany you.
00:49:38I'm not here for that.
00:49:39I have come in the name of the crown
00:49:42To arrest her
00:49:47Me? Why, if I haven't done anything?
00:49:49You paid an altar boy for his clothes
00:49:52And the teacher's son has disappeared.
00:49:55Take her away
00:49:56Have mercy, Your Eminence, for God's sake.
00:49:59Piety
00:49:59Lady
00:50:02Lady
00:50:02Lady
00:50:11He has betrayed her majesty
00:50:13There's not much we can do for her
00:50:16He will die on the gallows.
00:50:20Lucrecia
00:50:27We've been here all night, love
00:50:30The cold is going to kill us
00:50:32As long as we have fire
00:50:34We'll stay warm
00:50:44To heat the milk that you have distributed
00:50:47They've even been given to the mouth in heaven
00:50:51Alright?
00:50:53Perfectly
00:50:56The torches aren't going to last much longer.
00:50:59And nobody comes out to where we are, love
00:51:06Your men know you were coming here
00:51:10I don't need anyone's help
00:51:12To stop you
00:51:35If you intend for the walls to fall down on us
00:51:38Keep it up!
00:51:44Satur
00:51:45Pass me the rope
00:51:52What are you going to do, master?
00:51:55I think I can get up there
00:51:57Grabbing that ledge
00:51:58With the rope
00:52:02What will help you is to go up
00:52:06Do you think you'll be able to move that stone by yourself?
00:52:09I'd rather try than die without having done anything
00:52:12What you're trying to do is absurd.
00:52:15But use up the little strength you have left.
00:52:18If you like
00:52:25I do trust you, love, give it to him
00:52:47I do trust you, love, give it to him
00:53:10Subscribe to the channel!
00:53:39Is Mrs. Irene alright?
00:54:00I need to talk to you, son.
00:54:01I can't right now, I'm busy
00:54:06I have to tell you something, it's important
00:54:07Yes, for you your crazy ideas are always more important.
00:54:09As for the rest of things
00:54:11But they almost killed Irene
00:54:13And I need to know who it was.
00:54:20Irene was standing there
00:54:24Then the music started playing
00:54:27It's important, son, it really is.
00:54:31Yeah, really
00:54:42What's that?
00:54:58Are you OK?
00:55:04The box.
00:55:06It was the box.
00:55:09The first buyer died.
00:55:11And so it is, everything is about to die.
00:55:24Did your father want to kill you?
00:55:29Your father?
00:55:34Your father was a lover of weapons.
00:55:38Nothing could amuse him more than a curiosity like this.
00:55:43I don't release the fun or put your life in danger.
00:55:46Of course not.
00:55:49But he had something else prepared that he was never able to explain to us.
00:55:55It's better that I send you than that you give yourself away.
00:55:56No, son.
00:55:58I'll take care of it.
00:56:00Don't shoot again.
00:56:02Tóra, tóra.
00:56:29Two.
00:56:34Three.
00:56:47Three.
00:56:48Master, for God's sake. For God's sake, Master, wake up.
00:56:53Wake up, Master. Master, wake up.
00:57:02Master, Master, wake up.
00:57:10I love, I love, I love.
00:57:18I love, I love.
00:57:22I love.
00:57:27I love, I love.
00:57:30We're going to die here.
00:57:32We're going to die here.
00:57:41Take.
00:57:43Put this on.
00:57:44No.
00:57:45No, no, cover yourself, for God's sake.
00:57:47It's because I seem like the lady in the couple.
00:57:51Cover yourself up.
00:57:52No.
00:57:58It's wrong.
00:58:01You're going to lose your fingers.
00:58:04And what would I want two hands from hell for?
00:58:09A lifetime spent dreaming of a dignified death, only to end up like this, Master.
00:58:16I know worse ways to die.
00:58:21Better companies.
00:58:27You hate me.
00:58:30And I don't blame you.
00:58:34Take your wife to her death.
00:58:36Don't even think about mentioning her name.
00:58:38I love.
00:58:39Please pretend you don't hear her.
00:58:42You tortured her to death.
00:58:45If someone had done that, they would have done it to my wife.
00:58:50Be quiet!
00:58:51I said don't even mention her name!
00:58:54I would have killed him.
00:58:56Please!
00:58:59Cristina!
00:59:01Take good care of yourself, my love.
00:59:09Mother!
00:59:13Come on, for God's sake.
00:59:14Don't do it.
00:59:29We are, we are saved, love
00:59:34Father
00:59:36Since you didn't come back, I went looking for you and they found me, I'm sorry
00:59:42No, no, I love
00:59:48You've tried
00:59:52But it's over
00:59:57No, no, no, no
01:00:44Get up!
01:00:45No!
01:00:46No!
01:00:47No!
01:01:07Catalina!
01:01:08Important!
01:01:43Contribute!
01:01:46Contribute!
01:02:15Thanks for watching the video.
01:02:28Thanks for watching the video.
01:03:03Thanks for watching the video.
01:03:17Thanks for watching the video.
01:03:51Thanks for watching the video.
01:04:08Thanks for watching the video.
01:04:36And as a token of my goodwill, I am sending you a valuable gift from my personal collection.
01:04:42Please don't stop listening to its beautiful melody.
01:05:15I know, don't remind me.
01:05:18Nobody manages my service like she does.
01:05:21What am I going to do now?
01:05:22You can save her.
01:05:25You know the king.
01:05:26Yes, talk to him and tell him that it was all my idea, that it's not her fault.
01:05:30The king?
01:05:32He won't even see me if he knows I'm here to talk to him about a commoner.
01:05:35I'm asking you, please.
01:05:38I am not a judge.
01:05:40I neither dictate the laws nor enforce them.
01:05:42And what he has done.
01:05:43And what he has done.
01:06:00And what he's done is what he's done.
01:06:12I have captured the master.
01:06:14I got married today and afterwards I'll leave for Russia.
01:06:22It's all been for nothing.
01:06:26It's all been for nothing.
01:06:49Your Majesty has arrived.
01:06:56What's happening?
01:06:58What's happening?
01:07:06What's happening?
01:07:30My subjects usually have the good habit of bowing in my presence.
01:07:40Are you challenging your king?
01:07:52I'm pleased to see that you're a man with enough courage to do it.
01:07:57You will fulfill the task that awaits you.
01:08:02I will do everything you ask.
01:08:07But do not execute the woman who tried to help me hear.
01:08:09You are not in a position to demand anything.
01:08:12I know.
01:08:13But she's a good woman, she doesn't deserve to die.
01:08:15And what would the people think?
01:08:16What can disobey its king without fear of the consequences?
01:08:21The people would think that their king is just.
01:08:24I am not fair.
01:08:26I am justice.
01:08:30That woman will have my forgiveness.
01:08:36Over the years you will learn that sometimes a man must submit his will.
01:08:45Even a monarch must do it.
01:08:51When I was young, there was a time when I didn't want to be king.
01:08:59I was not born for the task you want to entrust to me.
01:09:04Many men find their own destiny along the way, not at birth.
01:09:12You'll want to talk to your future wife before your wedding.
01:09:30You told me I shouldn't allow myself to be married off to a bad man.
01:09:35I listened to you.
01:09:37I got a good one.
01:09:40I am neither good nor bad.
01:09:44Now I am just a prisoner.
01:09:58Do it now.
01:10:15Ma'am, this isn't going to be pleasant.
01:10:18I want to be present.
01:10:19I'd better wait outside.
01:10:25Go, Irene.
01:10:29I'm going to stay here.
01:10:41What are we waiting for?
01:10:49This is going to hurt.
01:10:50No, no, no.
01:10:56Oh, no, no.
01:11:02Ahhh, ahhh, ahhh, ahhh!
01:11:09Ahhh, ahhh!
01:11:42When will I be able to return to work?
01:11:45His hand will never be useful again.
01:11:48He will not be able to perform his duties as he did before.
01:11:54I'll talk to my uncle.
01:11:56Perhaps he can find you in a quieter occupation.
01:12:01If you mean growing old behind a table, forget it.
01:12:10But then...
01:12:12You must not move, sir.
01:12:14Mister.
01:12:15Hernán.
01:12:29No.
01:12:50What's happening?
01:13:07Here you go, they've chosen it for you, and the truth is they haven't skimped because there's enough gold for three.
01:13:14dentures. They have also chosen Palonso's suit.
01:13:23How are you doing?
01:13:25He's as angry as a hungry man. Just telling him that the suit they gave him is burning in the fireplace...
01:13:29I say that to everyone.
01:13:34What's happening?
01:13:35Did you know that they're not Catholic in Russia like they are here? That they're smelly there?
01:13:42What's happening?
01:13:44What's happening?
01:13:55What's happening?
01:13:58What's happening?
01:13:59Spanish style.
01:13:59I don't care, Sato.
01:14:01Come on, listen to me.
01:14:03The place is the least important thing.
01:14:05The important thing is that you and your son are together.
01:14:07That you can be happy anywhere.
01:14:11I just hope Alonso is.
01:14:15And one thing I mentioned, and my head, although it's not really relevant, but...
01:14:21What will you have from now on, so much service and so many servants?
01:14:25Do you think they can fire me for not knowing the language?
01:14:31What's happening?
01:14:32What's happening?
01:14:32What's happening?
01:14:37What's happening?
01:14:37Well, Laura, it's everything.
01:14:52Glory to God in the name of the Lord!
01:14:54And in a land of peace, good intentions are minimal.
01:14:59We praise You, we bless You, we adore You, we glorify You.
01:15:06Thank you, we did tibi propter, manna in glory in Tua.
01:15:11Domini Deus, rescue the aesthesis, Deus Pater Omnipotens.
01:15:18Domini Fili, unigeniti Jesus Christ.
01:15:22Domini Deus, Santo nos Dei, Filhos e Patris,
01:15:27Fuitolis pecatamundi, misere eno,
01:15:31Holy Spirit, in gloria Dei Patris. Amen.
01:15:57In nomini Patris, et Filhos e Espíritu Santo. Amen.
01:16:02Brothers, we are gathered here to celebrate the union in holy matrimony of Irina Romanova and Gonzalo de Montalvo.
01:16:15We are here before the altar so that God may guarantee with his grace your will to enter into holy matrimony.
01:16:27Irina Romanova, do you take Gonzalo de Montalvo as your lawfully wedded husband and promise to be faithful to him in prosperity and in
01:16:37adversity until death do you part?
01:16:49Gonzalo de Montalvo, do you take Irina Romanova as your lawful wife and promise to be faithful to her in prosperity and in
01:16:59adversity until death do you part?
01:17:06Gonzalo de Montalvo, you take Irina Romanova as your lawful wife and in adversity until death.
01:17:33Gonzalo de Montalvo, you take Irina Romanova as your lawful wife and in adversity until death.
01:17:47separate?
01:17:47us이고
01:17:50I now pronounce you husband and wife
01:18:02What are you going to do?
01:18:04With your hand like that, you'll have difficulty shooting or wielding the sword.
01:18:09you will not be able to work
01:18:11In life there are two options
01:18:15Mourn the losses or seize the new opportunities
01:18:21I don't understand what's good about losing a hand.
01:18:32Do you remember the woman killer who terrorized the entire village?
01:18:36The one who killed them after raping them
01:18:38Yes, I do remember.
01:18:40It took you months to stop him
01:18:47I kept something to always remember.
01:18:50What it had cost me
01:19:30What is it?
01:19:42Can
01:19:44He's human.
01:19:47It is the only part of the body that did not burn in the bonfire
01:19:52Can you move it?
01:19:57He was unable to strangle hundreds of women after raping them.
01:20:05I will use it to do good.
01:20:44Can you see?
01:20:47Can you see?
01:20:51Because?
01:20:52Because?
01:20:53Because?
01:20:55and first
01:21:08Alonso, wherever we are doesn't matter.
01:21:11The important thing is that we're together.
01:21:13Already.
01:21:14Satur told me that too, but...
01:21:19Father.
01:21:26Security.
01:21:26Security.
01:21:27No.
01:21:27No, no, no, no.
01:21:58And to live a life we don't want.
01:22:13Stay there, miss!
01:22:47No! No! Goodbye, go on!
01:22:51Goodbye, keep going!
01:22:52Goodbye, keep going!
01:23:23No way!
01:23:33No way!
01:23:34No, damn it! No, damn it!
01:24:16Subscribe to the channel!
01:24:21Are you alright, master?
01:24:26Are they gossiping over there in that village or something?
01:24:29Does this bring an attack on the Russians in the forest?
01:24:33They have killed Irina.
01:24:39What do you mean they killed her? Who?
01:24:43Someone fired from a distance.
01:24:53So what do we do now, love?
01:24:56Are we not going to Russia or not?
01:24:59I don't know, Sato.
01:25:02They want me to wait here.
01:25:18You are free.
01:25:22There you would only remind me of everything I've lost.
01:25:30I'm sorry.
01:25:33May heaven never let you know the suffering of outliving a child.
01:25:55The cold will come, but when this man starts to speak, your soul melts.
01:26:03The tears of a father who has lost his son are the same everywhere, Sato.
01:26:09Okay, come on, let's go, master.
01:26:11We're going to get out of here, but we'll be shitting ourselves.
01:26:13And if they look back, they might find other Russian women in their cunt.
01:26:17She's going to tell me about burdens in her bed.
01:26:19Because between you and me, these Siberians are lazy, but, but...
01:26:23But he's a lazy bastard.
01:26:30Jesus Christ began preaching at the age of 30.
01:26:33The person we are going to look for will have a mark on their body.
01:26:37I want you to find it.
01:26:39We'll hunt him down.
01:26:42Did you really think I'd gathered you here for something as tedious as reading?
01:26:47We need to broaden the search.
01:26:49Expand, you say?
01:26:50Through the rivers, through the forests.
01:26:52He is the successor of Christ, not a robin.
01:26:56I won't stop until I've spoken to him.
01:26:58I authorize the delivery of 500 ducats to the bearer of this document.
01:27:06We cannot collect that money, it's a crime.
01:27:08Bring all the men out of their houses!
01:27:10Come on!
01:27:11Why is the church looking for a successor?
01:27:16She is the Countess of Llanes.
01:27:23Sator, I will continue searching wherever and for as long as necessary.
01:27:40Thank you.