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00:00:12Just a coward!
00:00:13I would let a loved one witness a rape.
00:00:15We're not going to rape you. It's going to be much worse.
00:00:19Besides Satu, is there anyone else who knows where this place is?
00:00:22No.
00:00:23Satu!
00:00:24Why does he know my name?
00:00:25And who are you?
00:00:26You will fight each other with blows.
00:00:29Whoever loses, dies.
00:00:31Whoever wins, is safe.
00:00:37Aid!
00:00:40He who does not play, also dies.
00:00:43The end of the world!
00:00:47We are married under conditions of struggle.
00:00:50They have entered the palace.
00:00:51They're going to kill them.
00:00:55You will fight him.
00:01:00If you hurt him, I'll kill you.
00:01:04Juan!
00:01:05I'm sure you had many thoughts running through your mind.
00:01:08I rejected them all.
00:01:10Please, Father.
00:01:11Help us, come and help us, please.
00:01:16What happened?
00:01:19Mine, I don't want to die.
00:01:26I never imagined you could be so shameless, so deceitful, and so vile.
00:01:30I'd rather die alone than by your side.
00:01:32It's not possible that you haven't been with another man.
00:01:34I chose you, Juan.
00:01:36You and I are a team.
00:01:37The eagle.
00:01:40Where are you, son?
00:01:42Relief!
00:01:43Let me!
00:01:44Let me!
00:01:45Let me!
00:01:45What don't you understand?
00:01:46Whatever we do!
00:01:47We're dead!
00:01:48Let me!
00:01:49Get up!
00:01:50Let me!
00:01:52Your obligation is to maintain order, do it.
00:01:54My son died in my wife's arms and shortly after, he died in hers.
00:01:58Now it's your turn.
00:02:00You!
00:02:00I don't know where Margarita is, nor do I know them, so you have to remember.
00:02:05Look at it!
00:02:06Look at it!
00:02:07It's not that I'm not entirely sure, but I think it's in a forest.
00:02:10Here is your miracle.
00:02:11The arrow pierced the rat and the blood fell on the Virgin's cheek.
00:02:15One, two, three...
00:02:21Relief!
00:02:22Please!
00:02:23Please!
00:02:27Mother!
00:02:28Mother!
00:02:32Martin?
00:02:33Male!
00:02:36This letter was from Gonzalo to my sister.
00:02:40It's me, Gonzalo.
00:02:45There was no fireball!
00:02:47I already told you that nothing would happen.
00:02:49Come on!
00:02:50Do you remember?
00:02:51Do you remember us?
00:02:52What is that?
00:02:54It's my mother's missal.
00:02:59This has to mean something.
00:03:04He must be hiding something.
00:03:07And so on.
00:03:09I searched for four hours with the same old song and dance.
00:03:14I mean, you.
00:03:14Sorry.
00:03:18I don't want to say anything, love.
00:03:20Could it be that his mother used the missal to follow the holy mass?
00:03:23She was probably French, because she didn't quite understand the homily.
00:03:28If it weren't important and hadn't been so hidden.
00:03:34I'm not saying this doesn't kill well.
00:03:36Now the blood is embedded.
00:03:37What, what, what?
00:03:38No one can take it away.
00:03:43Wait.
00:03:44This page is a little more basic than the rest.
00:03:50What's that?
00:03:50Sato!
00:03:51What are you doing?
00:03:53Come on, I'm sorry.
00:03:53My hands feel like they're made of wood.
00:03:58Don't worry, tomorrow I'll put this in the sun, turning it over and over, and it will get drier.
00:04:02that wets it more.
00:04:03Wait, wait.
00:04:04If only...
00:04:17Those phrases?
00:04:19So what?
00:04:24I'm going to have his third child and he doesn't come to see me anymore.
00:04:28I'm afraid.
00:04:31Everything will be alright.
00:04:34He wants to see you and your children, Laura.
00:04:37He awaits you at dawn in the tower of the Castle of Souls.
00:04:42My mother used to meet my father at the Castle of Souls.
00:04:49We have to go there.
00:04:50Wait, wait!
00:04:52I know you don't believe in these things,
00:04:55But my duty as squires is to inform you that in that Castle of Souls
00:05:00Children's cries can be heard.
00:05:02And it is said
00:05:03There's a woman who plays music to attract men.
00:05:08and whoever sees it
00:05:11Well, he dies.
00:05:15We'll go at dawn.
00:05:39Look.
00:05:45I know you well, Catalina.
00:05:50I'm sure nothing will happen to you.
00:05:52Look at your face and those dark circles under your eyes.
00:05:54Well, yes, I'm doing great, Margarita.
00:05:56The thing is, in my family we've always had dark circles under our eyes.
00:06:01Well.
00:06:01God be with you.
00:06:02Come on.
00:06:03I'll wait for you to come up.
00:06:28What a joy to see you again.
00:06:33So this is where you live.
00:06:35What do you want?
00:06:38Remember that I am the authority.
00:06:42And as the authority that I am,
00:06:47I have my rights.
00:07:04What do you want?
00:07:17So, if I understand correctly,
00:07:18Her father had stopped talking to her mother
00:07:21And they arranged to meet here to sort things out, didn't they, love?
00:07:24That's right, Sato.
00:07:26You have to see what men are like.
00:07:28So much promising, until they got it done.
00:07:36Now, I also have to say that you don't take after your father.
00:07:42If I can find out who my mother was meeting in there,
00:07:45I will know who my father is.
00:07:51There is only one way in.
00:08:07Well, you can go wherever you want.
00:08:11But he opens the door for me right away.
00:08:12that if something doesn't happen to both of us together.
00:08:16Hide the horses and wait for me here.
00:08:19And if a woman in white is found,
00:08:20Don't even look at her.
00:08:21It's coming straight towards me, got it?
00:08:45Aaah!
00:08:49Aaah!
00:08:51Are you OK?
00:08:53Aaah!
00:08:53Your shoulder, Sato!
00:08:54Aaah!
00:08:55The shoulder!
00:08:55I'm sorry, I should have checked the material.
00:08:57Aaah!
00:08:57Aaah!
00:08:57Aaah!
00:08:59Aaah!
00:08:59My shoulder popped out, Sato.
00:09:01Hey?
00:09:01Put it on me.
00:09:02No.
00:09:03What, what, poop!
00:09:03Strip!
00:09:05Aaah!
00:09:06Aaah!
00:09:08Aaah!
00:09:10Aaah!
00:09:11Aaah!
00:09:13Aaah!
00:09:13Aaah!
00:09:13Aaah!
00:09:13Aaah!
00:09:14Aaah!
00:09:16Aaah!
00:09:29Aaah!
00:09:35Aaah!
00:09:40Aaah!
00:09:48Aaah!
00:09:52That?
00:09:53Are you planning on going on a date?
00:09:54And for God's sake, what are you doing here, go away!
00:09:57Last night I saw you groping the guard there in the street.
00:10:00Have you already forgotten about Floro?
00:10:02Your husband is in the Americas risking his life to give you and your children a future.
00:10:06And while you...
00:10:09What you're doing is beyond words.
00:10:12Well, yes.
00:10:14Yes, it does.
00:10:17You're not saying anything, are you?
00:10:35You say nothing, you say nothing.
00:10:53Oh, Juan, for God's sake.
00:10:54When I was younger and my mother was treating me, she would tell me...
00:10:58Heal, heal, little cat ball.
00:11:01If it doesn't heal today...
00:11:02Will it heal in a little while?
00:11:03Yeah.
00:11:03How beautiful you are!
00:11:11Juan...
00:11:12Don't worry.
00:11:15In three months I'm feeling great.
00:11:18We could get married when it was planned.
00:11:21Hey?
00:11:22In San Sidro.
00:11:23Clear.
00:11:26Well.
00:11:28I have to leave quickly because I have to visit a patient who lives far away.
00:11:32Well, but...
00:11:33You'll come for lunch, won't you?
00:11:35I don't think I'll have time.
00:11:42Hello good.
00:11:45Let's see.
00:11:47Good day, father.
00:11:48Hello good.
00:11:50Hello good.
00:11:50Doing homework?
00:11:52Come on, Losa, forget about me.
00:11:55I had to get to the palace earlier.
00:11:57The marchioness has asked me to go earlier.
00:11:59There's Rembrandt.
00:12:00Rembrandt?
00:12:01The painter?
00:12:02Yeah.
00:12:03He has asked the Marchioness to pose for him.
00:12:05Well, you'll see.
00:12:07A friendly, humble, charming guy, nicer than a million bucks.
00:12:11Do you know Rembrandt?
00:12:12Rembrandt?
00:12:13I'm not going to meet her.
00:12:15I spent the night with him in Amsterdam and with the three graces.
00:12:18How tiny the three of them were.
00:12:20Exactly as he painted them.
00:12:22I mean, you.
00:12:22That couldn't have been Rembrandt.
00:12:25But Rubens.
00:12:27Let me tell you, how would I know if I was with Rembrandt or with Ruben?
00:12:31The thing is, maybe Rubén liked the painting and copied it.
00:12:34They are very much like artists.
00:12:36Then they call it a tribute.
00:12:38And now he's going to paint the marchioness?
00:12:40They don't taste like anything, Rembrandt.
00:12:42Look how he doesn't feel like painting the princesses.
00:12:44They knew she didn't paint them.
00:12:45Well, it's not surprising that he's taken a liking to the marchioness.
00:12:48She is a very beautiful woman.
00:12:49Do you think she's pretty?
00:12:51Well, I don't think it's that big of a deal.
00:12:53If you take away her jewelry, her dresses, and her hairstyles...
00:12:57What do you have left?
00:13:01Look.
00:13:03Well, I don't know, but the way he tells it...
00:13:06I wouldn't mind seeing it at all.
00:13:17I hope he knows how to do justice to my beauty.
00:13:22If I am going to preside over the King of the Netherlands' hall, I would like to live up to it.
00:13:25The important thing now is that you stay still, Marchioness.
00:13:36Marquise.
00:13:39Good day, Arna.
00:13:41Breakfast is served today in the Golden Hall.
00:13:44When you said you would paint Rembrandt's portrait of yourself...
00:13:49This wasn't exactly the kind of painting I had imagined.
00:13:53Imagination has never been your strong suit, dear.
00:13:55That certainly leaves little to the imagination.
00:13:57If you'll excuse me, I'm going to clean the brushes.
00:14:08It seems that nudity disturbs you a lot.
00:14:13Who would have thought you'd pick up so many things from your wife in such a short time?
00:14:18If it doesn't bother you to be seen naked throughout the kingdom of Flanders.
00:14:22I won't be the one to worry.
00:14:26The commission is to portray the most beautiful woman in the kingdom of Spain.
00:14:31And that's me.
00:14:38Incidentally, the painting will be on display this afternoon at the Academy of Saint Luke.
00:14:43If you were my wife, I would never allow you to be used like that.
00:14:47Did you say that?
00:14:49If I were your wife.
00:14:51And Nuño?
00:14:54I don't know what that has to do with anything.
00:14:56It's art, Hernán.
00:14:58Clear.
00:15:00Have you thought about how you're going to explain it to him?
00:15:03It will be an honor for Nuño that his mother will live on in posterity.
00:15:07Passing on to posterity is all well and good, Lucrecia.
00:15:11But it all depends on how it happens.
00:15:25I haven't seen you eat with such appetite for years, miss.
00:15:29It's a pleasure to watch her.
00:15:31Don't you think everything looks much nicer?
00:15:34Well, I see it the same as always.
00:15:37Miss Eugenia.
00:15:39I think he has a visitor.
00:15:43Juan.
00:15:49Just in time to have breakfast with me.
00:15:52Eugenia, I wanted to see you.
00:15:53Yes, me too.
00:15:55I wanted to talk to you about what happened the other day.
00:15:57It was crazy, I know.
00:16:00The biggest one we've ever done.
00:16:02Juan,
00:16:04You've always led me to do things I wouldn't do with anyone else.
00:16:08That's why,
00:16:09Since I was a child I've known that the person I wanted to be with is you.
00:16:14Welcome back, Juan.
00:16:17Father, mother.
00:16:19Duque, what did he do to her?
00:16:21Juan.
00:16:23We are very happy to have you back with us.
00:16:26Thank goodness you've made up your mind, my dear.
00:16:27As soon as Eugenia gave us the news,
00:16:30We contacted the cardinal archbishop of the town.
00:16:34You will be married in the cathedral in three months.
00:16:42Three months?
00:16:42In San Isidro.
00:16:44Don't you think it's a beautiful date to celebrate a wedding?
00:16:48We have already informed your parents.
00:17:03Catalina,
00:17:04Has my dress arrived yet for the painting presentation?
00:17:07No, ma'am, he hasn't arrived yet.
00:17:11But it must be ready, Madam Marchioness.
00:17:13He should have arrived hours ago.
00:17:15Catalina, go to the road and wait.
00:17:19To the road, ma'am?
00:17:21Me alone?
00:17:22Yeah.
00:17:23And couldn't you come with me, Margarita?
00:17:25I need it to make a pleat for me.
00:17:27Go to the road right now and don't come back without the dress.
00:17:30Yes, ma'am.
00:17:31Of course, Catalina, sometimes you seem like you're 12 years old.
00:17:35Come on.
00:17:41Come on, help me with this.
00:17:43The water is going to get cold.
00:17:45Let's see.
00:17:46Let's see.
00:17:49Runs!
00:17:50God!
00:17:51Oh my God, Martha!
00:17:54Runs!
00:17:55Oh, give it to me, take this off!
00:17:56If the Marchioness sees me like this, she'll kill me!
00:17:58Mother of God!
00:18:00Let's see.
00:18:01Runs!
00:18:02Corn on the ground!
00:18:03Corn on the ground, run!
00:18:17Corn on the ground!
00:18:25Did you want something, sir?
00:18:28Yeah.
00:18:32A container for the paintbrushes, but...
00:18:37It's not the kitchen, is it?
00:18:40No, he's at the wrong door.
00:18:43It's downstairs.
00:18:45Excuse me.
00:18:59It's magic.
00:19:01It is a magic stone.
00:19:03No, Alonso. It's a lodestone.
00:19:06Murillo, go back to your place.
00:19:08It is a mineral that was discovered in Asia more than 20 centuries ago.
00:19:12And as you will see, no matter how much resistance I put up, the magnet will always end up attracting the iron.
00:19:19See?
00:19:24Come on, you can leave.
00:19:26Who gave the class?
00:19:37How interesting, teacher.
00:19:39So bodies attract each other, despite any resistance put up.
00:19:43Well, Lucrecia, not always.
00:19:45Sometimes they repel each other too.
00:19:48But you don't know that until you try it.
00:19:50How are you, my son?
00:19:52Good. He's adjusting.
00:19:56Gonzalo, do you like art?
00:19:58Of course, I'm a teacher.
00:20:00Perfect. Because Rembrandt is painting my portrait.
00:20:03If you come to the exhibition this afternoon, you will be able to contemplate a genuine work of art.
00:20:08I'm very sorry, Lucrecia, but it's going to be impossible for me.
00:20:12Anyone would think you see masterpieces every day.
00:20:17If you change your mind, I'll be at St. Luke's Academy.
00:20:22Fine, thanks.
00:20:25Gonzalo.
00:20:26Lucrecia.
00:20:32Goodbye, ma'am.
00:20:33Bye bye.
00:20:35How are you?
00:20:42What did he want?
00:20:44Invite me to the exhibition of his painting.
00:20:47Very good.
00:20:48And you said yes, didn't you?
00:20:50No, I told him no.
00:20:52I've never seen a real painting in my life.
00:20:54You have to take us, please.
00:20:56And what should I study?
00:20:57When do we study?
00:20:59Excuse me, sir, excuse me for interfering, but the boy is right this time.
00:21:02Because no matter how much one studies what chiaroscuro is, if one doesn't see what it is oneself, it's still not the case.
00:21:05a clear area and what is a dark area,
00:21:07It's like someone trying to study what love is.
00:21:11If you don't live, well...
00:21:16Go on, I'll go find your classmates.
00:21:19Okay, so what then?
00:21:20Yeah.
00:21:26How little it took to make the child happy?
00:21:29Already.
00:21:30Have you prepared the horses?
00:21:33Horses, no.
00:21:36Is he going to try to start climbing now?
00:21:38Yeah.
00:21:39I hope you hurt your shoulder; it's not meant for jumping around.
00:21:43Furthermore, let me tell you something.
00:21:44Until his shoulder heals, I forbid him from going to the castle.
00:21:49Let me go, master.
00:21:52Let me out with the rope, I'll climb up.
00:21:55If I kill myself, well, the world doesn't stop, but if something happens to you...
00:21:58Just thinking about it makes me sick.
00:22:01Satur, my mother was inside.
00:22:04If there's something there, I want to find out.
00:22:06I just can't watch this.
00:22:08If you don't mind, I'll take the horses.
00:22:19Stubborn, stubborn as can be.
00:22:22Until they are determined to do something to make it impossible to reason with him.
00:22:27Because I don't know, I don't know if it's that it's missing something that you have to have or that it has too much of something.
00:22:44Calm down, Satur, no.
00:22:48Relax, you're a grown man.
00:22:50But you can't believe in spirits.
00:23:09Relief!
00:23:12What's up!
00:23:17Relief!
00:23:19I'm drowning!
00:23:22Abo!
00:23:24Relief!
00:23:26I'm drowning!
00:23:28Relief!
00:23:29I'm drowning!
00:23:31Satur!
00:23:32Abo!
00:23:33Abo!
00:23:34Don't move, don't move.
00:23:35No, no, no, no, no, no, no, no, I'm drowning.
00:23:37Satur, if you move, you'll sink further!
00:23:39Oh, help!
00:23:41Abo!
00:23:44Grab it!
00:23:45Oh, oh, oh!
00:23:46Abo!
00:23:48Calm down, calm down, calm down, calm down, calm down.
00:23:50Look closer!
00:23:52That's it!
00:23:52Give me your hand!
00:24:03What the hell, what a scare!
00:24:08That's it!
00:24:09I!
00:24:10Oh, oh, oh!
00:24:16Oh, oh!
00:24:27Come on!
00:24:28Oh, oh!
00:24:31Oh!
00:24:33Oh, oh, oh!
00:24:35Oh!
00:24:38Nuño?
00:24:42Did you know the painting looked like that?
00:24:45No.
00:24:48Please, commissioner, you must prevent my mother from showing this painting at the academy.
00:24:52Nuño, your mother can display that painting wherever she wants.
00:24:56I am not the one to stop him.
00:25:03The teacher is going to take all the school's classmates to see the painting.
00:25:08Very sorry.
00:25:11Normal mothers don't come out of the clouds in the paintings.
00:25:14Why can't I have a normal mother?
00:25:16Nuño, your mother is an extraordinary person.
00:25:20For better or for worse.
00:25:23If you changed the bad things, everything would change and she would cease to be herself.
00:25:27We have to accept people as they are.
00:25:30It's going to be humiliating.
00:25:33I won't be able to.
00:25:35Yes, you will be able to.
00:25:37Never be ashamed of the person who gave you life.
00:25:40Never.
00:25:44Will you come with me?
00:25:48I don't think I can, Nuño.
00:26:04I don't think I can.
00:26:21No, no, no, no.
00:26:22No, no, no.
00:26:26No!
00:26:30No!
00:26:31No!
00:26:31No!
00:26:32Dad!
00:26:32Dad!
00:26:33Dad!
00:26:41Cimri, for God's sake! What are you doing here?
00:26:42I will not allow you to do this to Flora.
00:26:47Wait!
00:26:50Let's see what your family thinks about all this.
00:26:53Let's see if you're capable of telling your sister that you're cheating on the father of your children with him.
00:26:57first guard you've come across.
00:26:59If you don't come with me, I'm going to go alone and tell them what you're doing.
00:27:06Leave it be, Cipri.
00:27:11Come on!
00:27:11Don't touch me! Don't touch me! Don't touch me! Don't touch me!
00:27:21Cipri raped me.
00:27:24Do not touch me!
00:27:26Do not touch me!
00:27:27Do not touch me!
00:27:28Catalina! Catalina, help!
00:27:32Go away, Cipri! Go away!
00:27:40Catalina!
00:27:44The Marchioness's dress.
00:27:47See?
00:28:08Go away!
00:28:09Go away!
00:28:10Go away!
00:28:12Go away!
00:28:14Oh, Sato!
00:28:15I'm sorry!
00:28:16Oh God, no!
00:28:18I need a little privacy, I'm here trying to get ready.
00:28:22I'm sorry.
00:28:24What happened to him?
00:28:26Nothing, just a...
00:28:27That a car has splashed him with mud.
00:28:29A car, he says.
00:28:31Father!
00:28:32Well...
00:28:32I have some papers to paint the portrait of the Marchioness for the exhibition.
00:28:37But what are you doing naked?
00:28:38Now the kid!
00:28:39Why don't you call the neighbors and get some tickets to see the show?
00:28:43Are you going to see the painting of the Marchioness?
00:28:45Well...
00:28:46For the children, who wanted to see a painter's work up close.
00:28:48The Marchioness has gone to the school to invite her father.
00:28:51Since he's the teacher...
00:28:54I would be grateful.
00:28:55God!
00:28:56This conversation has been so pleasant...
00:28:58They had her somewhere else.
00:29:00The foundation has been very difficult.
00:29:01Of course I went to invite you.
00:29:03The teacher couldn't be absent.
00:29:05No?
00:29:06Very good.
00:29:07Well, see you there.
00:29:09Are you going too?
00:29:11Clear.
00:29:11No?
00:29:13Let's get out of here!
00:29:18They've already seen all my shameful secrets.
00:29:21So, what should I wear now that I have these clothes?
00:29:23Like shit to a pig.
00:29:25What is that?
00:29:34It belongs to the Franciscans.
00:29:37The Order of Augustine.
00:29:40God bless me, I love you.
00:29:42But what lies within those sands?
00:29:56Where have you been?
00:29:57I, ma'am, took as long as it took to get to the carriage.
00:29:59Give me the dress.
00:30:04Lady.
00:30:06Yeah.
00:30:07If you don't mind, I would like to be excused from attending the exhibition.
00:30:11I'm not feeling well.
00:30:14Catherine, you are my trusted maid.
00:30:16You have to always be with me.
00:30:18Although, to be honest,
00:30:20I'd rather you stay than have you by my side with that grumpy face.
00:30:38I'm sorry.
00:30:42I'm sorry.
00:30:43I'm sorry for what I said.
00:30:44I'm sorry.
00:30:45I'm sorry for what I said.
00:30:53Let what I was born go by as if I hadn't done anything.
00:30:56Nobody has done anything to me.
00:30:58We are?
00:30:59But we can't leave it like this.
00:31:00And what do you want to do?
00:31:03I don't know, that's what the justice system is for.
00:31:07Justice?
00:31:10There is no justice for a woman in my situation.
00:31:14Do you know the first thing masters do when you arrive to work in a house?
00:31:18Do you know?
00:31:28When I entered this palace, I was lucky that the marquis didn't notice me.
00:31:32I already had another one.
00:31:34A little girl who fell so as not to cause her parents pain.
00:31:37Catalina, come to that guard over there.
00:31:39No, Cipri.
00:31:40I don't want to bear the shame of this becoming known.
00:31:44We are?
00:31:46I have a husband and two children.
00:31:48What would everyone think?
00:31:50Same as you.
00:31:52What was my fault?
00:31:54Nobody's going to think that you.
00:31:55Leave him alone, Cipri.
00:31:57That's it.
00:31:58That's the life of the poor.
00:32:00Swallow, swallow, and swallow.
00:32:02Until you explode.
00:32:03And now, please, leave.
00:32:06Go away!
00:32:33I'm so eager to see the painting.
00:32:35In the convent we had a replica of the sacrifice of Isaac.
00:32:39Good heavens, nuns really know how to brighten up a wall.
00:32:44Excuse me.
00:32:47What a surprise.
00:32:48I'm glad he reconsidered.
00:32:53I didn't come here to see that painting.
00:32:55I only came in case Nuño needs my support.
00:32:58Nuño?
00:32:59Is Nuño coming?
00:33:01The teacher brings him and his entire class.
00:33:04Come on.
00:33:05Wait there, Alonso.
00:33:07Come on.
00:33:17Remember that when this is over, we must return to our calm, mobilized lives.
00:33:20I want to find out what that cross is doing in there.
00:33:23We're here.
00:33:25How do you plan to do that?
00:33:28There is only one way.
00:33:29Understanding myself within.
00:33:36Excuse me, Hernán.
00:33:41Jonzalo?
00:33:43It's great that you came.
00:33:46Jonzalo?
00:33:47It was a personal invitation.
00:33:50Well, I thought it would be a good experience for the children.
00:33:55Already.
00:33:57Father.
00:33:58We can get a little closer.
00:34:01We want to see Renan in the flesh.
00:34:03Of course.
00:34:05Come on.
00:34:06Listen.
00:34:07Look closely.
00:34:08I want to see the drawings tomorrow at school.
00:34:10OK?
00:34:15Sorry, Gonzalo.
00:34:17Nuño?
00:34:21You'll see, son, the picture that's going...
00:34:22Mother, I've already seen it.
00:34:23I know you go out naked.
00:34:26I hope it makes you as happy as it makes me unhappy.
00:34:30No, I didn't raise you to think like that.
00:34:32Only the weak feel shame.
00:34:49They did it to me when I turned 18.
00:34:53Thank you.
00:34:59Father.
00:35:01Eugenia, daughter.
00:35:03I would like to speak with Juan.
00:35:05Well.
00:35:07Alone.
00:35:19I suppose you can already imagine.
00:35:23But it doesn't hurt to tell you how much Eugenia's well-being matters to me.
00:35:29She is my only daughter.
00:35:31And there's nothing I want more in this world.
00:35:33I know, sir.
00:35:36I know you haven't been able to wait.
00:35:43I'm sorry, sir.
00:35:45They ask him...
00:35:46No, no, Juan.
00:35:47I don't want you to give me any explanation.
00:35:50My daughter is now a disgraced woman.
00:35:52And as you well know, if you don't marry her, no man will.
00:35:57I know this for a fact.
00:35:59I only ask that this mistake stays between us.
00:36:05And that you fulfill your obligation.
00:36:08Otherwise, you would ruin my daughter's life and my family's.
00:36:13And I could not condone something like that.
00:36:16I have your word.
00:36:20She has it.
00:36:36Attention, please.
00:36:41Now I'm going to show you my latest work.
00:36:59Come on!
00:37:10Come on!
00:37:12Come on!
00:37:13Come on!
00:37:14Come on!
00:37:15Come on!
00:37:16Come on!
00:37:35No, don't paint.
00:37:37I'm not used to being laughed at.
00:37:42Madam, when I paint, beauty is what rules.
00:37:49No no.
00:37:50Come on, I know.
00:37:51Come on.
00:37:52Don't paint anymore.
00:37:55Don't paint, there's nothing to see.
00:37:56Move aside!
00:37:58No, no, no.
00:38:02Strip!
00:38:29Come on!
00:38:30He's free, right?
00:38:31Yeah.
00:38:35Innkeeper!
00:38:37Bring wine!
00:38:43Are you deaf, innkeeper?
00:38:45Came?
00:39:05Be generous, okay?
00:39:16Any problem?
00:39:21Do you have a problem?
00:39:28No, sir.
00:39:30Already.
00:39:32Is this glass dirty?
00:39:35I'll bring you another one right away.
00:39:37Hey.
00:39:39It shakes your ass.
00:39:41Innkeeper.
00:39:43No, no, no, no.
00:39:56No no.
00:40:02No.
00:40:02No.
00:40:04No.
00:40:15Decent women don't do what you've done.
00:40:31Who painted this on my door?
00:40:34Who painted this on my door?
00:40:37Come on, let the brave one come out!
00:40:40Cowards! They were cowards!
00:40:43What do you know about me?
00:40:45What do you know?
00:40:48What is that?
00:40:49You know nothing about me!
00:40:50What's he doing there?
00:40:54What has he written about his father?
00:40:56Okay, I'm going to find something for Satur to clean for us.
00:40:59Margarita, Margarita.
00:41:00Gonzalo, leave me alone.
00:41:04So, who wrote this?
00:41:07Who wrote that?
00:41:10I'll mention that he hasn't put that on the door.
00:41:12He's eating it up!
00:41:14Come on, man!
00:41:15What a bunch of scum! Come on over there!
00:41:18Hasn't it been seen?
00:41:23What are we doing, love?
00:41:25Because that painting is going to be there all day.
00:41:27And then they take him on a trip to Holland.
00:41:29No.
00:41:30No what?
00:41:32That painting isn't going to reach Holland.
00:41:38I'm not going to Holland.
00:41:43Ma'am, what do we do with the painter's luggage?
00:41:46Did he leave the palace so quickly?
00:41:49I don't care about the trinkets of that hack painter.
00:41:52For all I care, you can burn them.
00:41:56And finish cleaning already, you're going to poison us.
00:41:58Yes, ma'am, it's done.
00:42:01I don't know.
00:42:03What could Holgar have seen in that?
00:42:07Do you think Margarita deserves to be in that painting more than me?
00:42:10Ma'am, I...
00:42:12I don't understand the picture.
00:42:15I don't think he should take it that way.
00:42:18Nor is that the case...
00:42:19Don't take it that way.
00:42:20You have no idea of the humiliation this is for me.
00:42:24He came to paint the most beautiful woman in the kingdom of Spain.
00:42:27And a maid has replaced me.
00:42:30Do you realize that?
00:42:31Hit that cloth!
00:42:32You're poisoning me!
00:42:37Catalina, oh my God, how disgusting.
00:42:39Ma'am, I'm sorry.
00:42:42Soon you start experiencing incontinence.
00:42:44Come on, I'm going to change you.
00:42:45Yes, ma'am.
00:42:46And order them to clean this up.
00:42:47Yeah.
00:42:54Ma'am, they've brought this.
00:42:55Leave it on the table.
00:43:00Leave.
00:43:12Margarita, please allow me to send you this cream as a gift.
00:43:15Skin as beautiful as yours should never wither.
00:43:19An admirer.
00:43:43They have removed the painting.
00:43:46It has to be inside the academy.
00:43:49The thieves must be very afraid, master.
00:43:52Because there are more spears raised at the gate than in a brothel.
00:43:55I'll take care of the guards.
00:43:56You go in and take the painting.
00:44:01Isabel.
00:44:02Yes, silent.
00:44:03No.
00:44:29Hey.
00:44:43Come on!
00:45:05Come on!
00:45:30Come on!
00:45:54Stealthily, he says.
00:46:04I don't mean to bother you, Commissioner, but...
00:46:07I am here to report a crime that has been committed in the village and...
00:46:10Since you are the representative of the law...
00:46:15Speaks.
00:46:22He is one of their men.
00:46:25One of my men?
00:46:26Yes sir.
00:46:27It was the day the world ended.
00:46:30One of his men grabbed a woman from the village and...
00:46:35He took by force what was not his.
00:46:37Come on, let's...
00:46:38defiled her.
00:46:41Do you mean he raped her?
00:46:42Yes, that's it.
00:46:44And it's not fair because...
00:46:45It has ruined her life and...
00:46:47She walks around like nothing happened.
00:46:50Could you tell me who it was?
00:46:51Yes sir.
00:46:53He's in my tavern today.
00:46:55Alright.
00:46:57Come with me.
00:47:14Come with me.
00:47:15Alright.
00:47:16I'm here.
00:47:35Commissar.
00:47:42It was him.
00:47:47Are you sure, Innkeeper?
00:47:49You can believe me.
00:47:52Accusing an innocent person of rape is a very serious crime.
00:47:55I hope you're not mistaken, Innkeeper.
00:47:58I wouldn't accuse anyone if I wasn't completely sure.
00:48:05Evil.
00:48:07Very badly.
00:48:08I will not allow my men to make such mistakes.
00:48:14You need to be much more discreet about your affairs.
00:48:22You decide the punishment.
00:48:24Let them learn to question the otalla.
00:48:47No!
00:48:53No!
00:48:56No!
00:48:56No!
00:48:58No!
00:49:00No!
00:49:00No!
00:49:01No!
00:49:03No!
00:49:05No!
00:49:06No!
00:49:06That.
00:49:07She's had more than just words with the painter.
00:49:10But is Margarita capable of that?
00:49:12Well, to be honest, Catalina told me that when she was young she didn't have a very good reputation.
00:49:16Yes, yes.
00:49:17If they've also seen her in the palace corridors, making out with that Dutchman.
00:49:21Oh, really?
00:49:23Who has seen me?
00:49:26Who has seen me?
00:49:28I'm talking to you.
00:49:31Did you see me do what you're saying?
00:49:33No no.
00:49:34I don't.
00:49:35Then don't talk about what you don't know.
00:49:38You all have very long tongues.
00:49:42Daisy.
00:49:48They've brought this for you.
00:49:53It must be from a fan.
00:50:09Aren't you going to open it?
00:50:12No.
00:50:13I don't want to see it.
00:50:19Well, we're not going to let it go to waste, are we?
00:50:36Okay.
00:50:38Although I know it was very important to you, I'm glad that she finally painted that one.
00:50:41which was very good.
00:50:42Creation!
00:50:43I'm glad you came too, son.
00:50:46How are you?
00:50:50It is well known that painters have rather eccentric taste.
00:50:54Glad to hear it.
00:50:55Why have I heard that the painting will be exhibited in all European capitals before arriving in
00:50:58Holland?
00:51:00Of course, that doesn't worry you anymore.
00:51:01No.
00:51:02It burned me!
00:51:04Nuño!
00:51:04To your bedroom.
00:51:06It burned me!
00:51:07Come on.
00:51:15Ah!
00:51:16Mircora!
00:51:18My face!
00:51:19For God's sake, woman!
00:51:21Look, teacher!
00:51:22Look, teacher!
00:51:22Let's go!
00:51:23Look, teacher!
00:51:24Look, teacher!
00:51:24Look, teacher!
00:51:25Look for water, go for water! Run!
00:51:26Let's see!
00:51:27What happened?
00:51:29Look!
00:51:29Mrs. Márquez, have you already put that cream they sent me on your face?
00:51:42Show me your face.
00:51:43Do what he tells you.
00:51:44Show me your face.
00:51:46Please.
00:51:51My God, it's his face.
00:51:54What are you waiting for?
00:51:55Take her to a doctor! Come on, hurry!
00:51:57Marta, run.
00:51:59Come on, let's go.
00:52:03Have you gone mad, Lucrecia?
00:52:05What did you say?
00:52:06Are you going to smash the faces of all the women who overshadow you?
00:52:09Look at your words, Hernán.
00:52:11I know you well enough to know that you're behind all of this.
00:52:15Accept it as soon as possible.
00:52:17Your beauty will not last forever.
00:52:18Don't give me speeches.
00:52:21What will you do when the king doesn't want you in his bed?
00:52:23That's not going to happen.
00:52:26One day you will cease to interest men.
00:52:29And you will lose all your power.
00:52:32In this life.
00:52:34The only person who never rejects you is the one who loves you.
00:52:38But you haven't wanted anyone by your side.
00:52:44And you don't know how sad it is to grow old alone.
00:52:49Only.
00:53:06What are you doing?
00:53:10Making a little space here in the falcon, which is all over the place.
00:53:14Already.
00:53:18Come on.
00:53:20One little thing, come on.
00:53:23And you want to keep Margarita's painting in here?
00:53:26No reason?
00:53:29Yeah, for nothing.
00:53:32Be honest with me, we're both men.
00:53:36Don't tell me you're not going to take a peek at it from time to time.
00:53:39Well no.
00:53:40Whatever I tell you.
00:53:43But the one who guards, over there.
00:53:45And I have a feeling I'll go to see this painting more than once.
00:53:49Go on, Satur.
00:53:49Hurry up.
00:54:06Oh, God.
00:54:07My God.
00:54:09What's happening?
00:54:12The painting that...
00:54:13It is not the painting that here are two painted skies.
00:54:16That?
00:54:18I swear on my son's life that there were no others.
00:54:20This is the only one there was.
00:54:23Come on, I messed it up, so let me take care of finding it.
00:54:27Good.
00:54:28I have some ready.
00:54:29That I have applied to the skin.
00:54:30And they tense up.
00:54:32And they whiten.
00:54:33If you'll allow me.
00:54:35Stop with the ointments, doctor.
00:54:37I want something that actually works.
00:54:40I don't understand, Marchioness.
00:54:42Wanna...
00:54:43to have again.
00:54:45Sixteen years old.
00:54:46That's impossible, Marchioness.
00:54:49You know better than anyone that nothing is impossible.
00:54:52I made him come because I was assured of it.
00:54:55You are the best.
00:55:00I know you've done it before, doctor.
00:55:04Lobarte's Response has a deformation.
00:55:09It was necessary.
00:55:10Well, it turned out perfect.
00:55:13Nobody would say so.
00:55:19Come on, stand here.
00:55:27This type of intervention was practiced in Egypt two thousand five hundred years before Christ.
00:55:35Blessed are the people of Egypt.
00:55:39But I regret to inform you that this operation comes at a price.
00:55:43Are you making fun of us?
00:55:44When has price ever been a problem for me?
00:55:47I'm not referring to that type of cost, Marquesa.
00:55:50It could be dangerous.
00:55:52It doesn't always go well.
00:55:56I could die.
00:56:02I will take that risk.
00:56:05I'll have to spend a few days at my office.
00:56:08When will I be okay?
00:56:09Tomorrow.
00:56:12Lucrecia.
00:56:14How many times have I told you that I didn't enter without knocking?
00:56:16Out!
00:56:47How are you?
00:56:50Haven't you heard what's being said about that painter and me?
00:56:55He's trying to burn my face, Gonzalo.
00:56:58That?
00:57:00I haven't done anything.
00:57:02I haven't done anything, Gonzalo.
00:57:04The thing is, I haven't posed nude for that painter.
00:57:06I haven't slept with him, or anything.
00:57:08José.
00:57:09José.
00:57:12What will Juan think of me?
00:57:14Juan already knows you.
00:57:18I thought that...
00:57:21that had buried the past.
00:57:24But I see that people forget that.
00:57:28I'm going to have to be apologizing for the rest of my life.
00:57:30because of a mistake I made when I was 15.
00:57:32Margarita, I forgave you.
00:57:34I think I'm the only one who can say anything about that.
00:57:38You've ruined your lives, Gonzalo.
00:57:41Now, because of me, they're going to point the finger at you and the child.
00:57:47Alonso, what's wrong?
00:57:51Alonso, what's wrong?
00:57:52Alonso.
00:57:53The one who doesn't give anything away.
00:57:55It's been like this ever since I found it.
00:57:57Alonso, what's wrong?
00:58:02Have you been in a fight?
00:58:04Alonso, I'm talking to you.
00:58:06Nuño.
00:58:08What has Margarita done to you?
00:58:11He says the painting is leaving for France tonight.
00:58:14and that soon everyone will know her as the whore of Spain.
00:58:18Is that true?
00:58:21I mean, the thing about France?
00:58:23He heard the commissioner and his mother say it.
00:58:29Auntie, aunt.
00:58:32You haven't slept with that man, have you?
00:58:34Alonso.
00:58:35Of course not, Alonso.
00:58:36But then, how does he know what you look like?
00:58:40Alonso and I, son.
00:58:41Haven't you ever heard that painters have a gift?
00:58:44to imagine others naked?
00:58:47On one occasion, Rembrandt himself imagined me naked.
00:58:50Me.
00:58:52He told me that I perfectly reflected the average Spaniard.
00:58:55And that he even wanted to have my picture taken, just as God brought me into the world.
00:58:59But you didn't pose, did you?
00:59:00She was going to pose.
00:59:02Don't you see that Rembrandt wasn't famous back then?
00:59:04I told myself, watch out Saturn, he wants to lead you astray.
00:59:07No, because the line between taking you to the garden and being a work of art can be right there, sir.
00:59:12Come on, Alonso, let me start it for you.
00:59:20Go on, take care of Alonso.
00:59:23Average Spaniard.
00:59:24Thank you.
00:59:27Alonso, son.
00:59:29Where is Cipri?
00:59:30Let's see if I can give you a little alcohol to cure that.
00:59:51Now that we're feeling lazy.
00:59:52No, then they'll say there's a crisis.
00:59:56Cipri.
00:59:57Cipri.
00:59:58Cipri.
00:59:59Cipri.
01:00:02Cipri.
01:00:03Cipri.
01:00:05Cipri.
01:00:07Cipri.
01:00:07Hey!
01:00:09There's nobody here.
01:00:15Cipri.
01:00:21Alonso, take everything to your aunt.
01:00:22Tell him to go take care of you, I'll be right there.
01:00:24Come on.
01:00:25Come on.
01:00:25What's happening?
01:00:26Something?
01:00:28What's going to happen?
01:00:29Well, Cipri, that's not it either...
01:00:33Come on, let's go.
01:00:35Come on.
01:00:37There!
01:00:46Cipri, for God's sake, what have they done to you?
01:00:49I'm fine.
01:00:51Alright?
01:00:54Come on, come on.
01:00:55Come on, lean on me.
01:00:57I'm going to take you to the room.
01:01:07Who did that to you, Cipri?
01:01:11Nobody.
01:01:15What do you mean, nobody?
01:01:18Tell me who did it to you?
01:01:20Who?
01:01:22Hey?
01:01:23A guard.
01:01:29A guard.
01:01:30Tarina is a crazy guard.
01:01:35That?
01:01:39Wait, wait, wait.
01:01:41Don't tell me you've even been to the dungeons.
01:01:47But you're crazy.
01:01:48How did you come up with that?
01:01:50I have nothing to lose.
01:01:52Cipriano, my friend.
01:01:53You're very lucky they didn't kill you.
01:01:55But after telling you so much that you were a coward
01:01:57And in the end you went too far.
01:02:00If only I had had what it takes.
01:02:02I would have killed myself right here.
01:02:04An inn.
01:02:08But...
01:02:09I lowered my head.
01:02:12Cipri.
01:02:13Cipri.
01:02:24Cipri.
01:02:24This doesn't look good.
01:02:27I'll be right back.
01:02:28I'm going to find the doctor.
01:02:33What's happening?
01:03:06Stop!
01:03:11Do not be afraid, I will not harm you.
01:03:15I just want the painting.
01:03:17Which painting?
01:03:23I'm sorry, but this woman does not belong to him.
01:03:26You have no rights.
01:03:29This is not going to end like this.
01:03:41Ah!
01:03:55Ah!
01:04:06Ah!
01:04:09Ah!
01:04:19Catalina?
01:04:20Lady.
01:04:24Catalina, I'll be away for a few days on business. I need you to take care of the house and Nuño.
01:04:30Yes, ma'am. Would you like me to accompany you?
01:04:31No, I'll go alone.
01:04:33Are you alone?
01:04:34That's what I said, Catalina, alone. Let her pack my bags.
01:04:36Yes, ma'am. I'll give the order right now. When do you expect to return?
01:04:40I don't know, Catalina.
01:04:43He immediately went to the lady's coachman.
01:05:02So why are you doing this, Catalina?
01:05:15Did you really think you were going to achieve anything by sending that innkeeper?
01:05:18No.
01:05:19You shouldn't have seen how she was screaming.
01:05:22Don't tire yourself out crying.
01:05:24And save your tears for the wake.
01:05:25Why are you messing around with how your mouth opens again?
01:05:28I'll kill him!
01:05:30That's the one. That's the one she had with the painter.
01:05:33More than you work it.
01:05:37Ladies?
01:05:38God be with you.
01:05:52Commissar.
01:05:58What does all this mean, commissioner?
01:06:00What am I accused of?
01:06:02Nothing at the moment.
01:06:05Is there something wrong with the Marchioness of Santillana that I should know about, Doctor?
01:06:09I'm a good friend of yours. Please understand that I'm concerned about your health.
01:06:12Don't worry, commissioner.
01:06:14This is a procedure performed for purely aesthetic purposes.
01:06:19Aesthetic?
01:06:22Forget about the Marchioness of Santillana and her price, doctor.
01:06:27The marchioness offers me a considerable sum.
01:06:31I understand.
01:06:33But I still maintain that I don't think it's a good idea.
01:06:37With all due respect, Commissioner, you are not my client.
01:06:42And now, if you have no further questions...
01:06:46Alright.
01:06:48You can leave.
01:07:04What's happening?
01:07:07What's happening?
01:07:16Sipri, I can't find the doctor!
01:07:21Sipri, I can't find the doctor!
01:07:23Sipri, not anymore!
01:07:32No, no, no!
01:07:35No no!
01:07:36I'm so pissed off! They're going to wreck it!
01:07:39Sato, what's wrong?
01:07:43And Cipri?
01:07:47Catalina!
01:07:51I'm afraid Cipri has gone looking for...
01:07:56to the guard.
01:07:58Oh God! Oh God!
01:08:00Calm down, I was here a moment ago, I couldn't have gone very far.
01:08:03Oh my God!
01:08:06I'm going too.
01:08:06No, no, no, no.
01:08:08No, you go home and don't worry.
01:08:11I'm going to look for him now.
01:08:30Come on!
01:08:33Come on!
01:08:36Where could this man have gone?
01:08:39Aloncillo!
01:08:41Your father has come!
01:08:43No.
01:08:44Is something wrong?
01:08:45This is very important.
01:08:46As soon as you get back to your father, tell him to go to the dungeons, but fly.
01:08:50Can you hear me?
01:08:51Yes, yes, to the dungeons.
01:08:52That is.
01:08:53Ah!
01:08:54And tell him, for God's sake, to go dressed.
01:08:56How do you see it and not?
01:09:00Sure, yes.
01:09:01As you can see and as you can't...
01:09:03Tell him to dress up, but...
01:09:06But it will all be possible.
01:09:08Will you remember?
01:09:09Very good.
01:09:13OK!
01:09:23Marten.
01:09:24How are you doing?
01:09:27He wants to die.
01:09:31She will be disfigured for life.
01:09:37Margarita, I'm sorry for everything we said about you, I really am.
01:09:41Don't worry.
01:09:43Marta, are you coming?
01:09:46God be with you.
01:09:47God be with you.
01:10:06Lady.
01:10:07Do you need anything?
01:10:08No.
01:10:11Leave him, go away.
01:10:12You've done enough for today.
01:10:16I'm so sorry, John.
01:10:18I didn't intend to be in that picture, ma'am.
01:10:20Already.
01:10:22Poor.
01:10:24You never pretend to do anything, and yet you're always there.
01:10:30I'm going to rest.
01:10:47Gentlemen, please excuse me.
01:10:49I need to go empty the toilet.
01:11:10You will never hurt a woman again in your life.
01:11:19You will never hurt a woman again in your life.
01:11:21Cyprian.
01:11:23Cyprian.
01:11:23You're going to pay for what you've done, you wretch.
01:11:27Cipriano, for God's sake.
01:11:28What are you doing?
01:11:30Sorry.
01:11:30This is a mistake.
01:11:32Cyprian.
01:11:34Apologize to this gentleman.
01:11:37Tell him that you have been misunderstood.
01:11:39Come on.
01:11:41We're not going.
01:11:42We'll meet now.
01:11:43Come on.
01:11:43We left.
01:11:45Oh my God.
01:11:46Please.
01:11:48Is there a problem?
01:11:49The innkeeper.
01:11:51It seems he hasn't had enough with what he did before and is coming back for more.
01:11:56Gentlemen, I honestly don't think there's any need to bring this matter up.
01:11:58Be quiet.
01:11:59Nobody asked you.
01:12:05Cyprian!
01:12:07Cipri!
01:12:08Cyprian!
01:12:10Ahug Mayor!
01:12:31Moderator!
01:12:42One day you will cease to interest men and you will lose all your power.
01:12:46Your beauty will not last forever.
01:13:25Come on!
01:13:29For God's sake, don't hurt each other anymore!
01:13:32Take it with you!
01:13:32No, no, no, no.
01:13:36That's enough!
01:13:37I touched it!
01:13:44I want you to not make a detail about how your friend has fun.
01:13:46Please, leave him alone, man.
01:13:48I'll do whatever you want.
01:13:50I know you'll do whatever we want.
01:13:53You start.
01:13:55I already know her.
01:13:57You haven't had everything!
01:14:01No!
01:14:01No, please!
01:14:03That's enough!
01:14:05No, please!
01:14:09No, please!
01:14:26No, please!
01:14:49Zado!
01:15:15Do you want to eat?
01:15:17Proof.
01:15:19Daisy.
01:15:20Juan, do you like it?
01:15:24What's wrong? You look unwell.
01:15:26I'm tired, that's all.
01:15:29It's great that you take care of others.
01:15:31You need to think a little more about yourself.
01:15:35You are a good man.
01:15:48I'm going home to rest.
01:15:49Bye bye.
01:15:50Goodbye, doctor.
01:15:52But what happened to you, Sato?
01:15:54Nothing, I've just fallen off my horse.
01:15:57I've already thrown away the nonsense.
01:15:58Did you know that the Red Eagle has recovered Aunt Margarita's painting?
01:16:02Really?
01:16:03Yes, yes.
01:16:05But I also tell you that...
01:16:07He'd better get rid of it soon.
01:16:09I don't like the idea of there being a painting out there in which I appear naked.
01:16:12And what was he going to do about fate?
01:16:14Keep it in its nest?
01:16:16Doesn't the poor man from the coffee shop have to carry the painting around all day either?
01:16:20If there's no more painting, the problem is solved, right?
01:16:23Yes, but it seems that knowing people...
01:16:26Don't worry, ma'am.
01:16:29We Spaniards are very envious, but...
01:16:31Our memory is pretty limited.
01:16:33You'll see how soon everyone will forget about that painting.
01:16:39Remember that we have to go to the sands.
01:16:42Come on.
01:16:44Come on, you can't do that to me.
01:16:46I'm bent over.
01:16:47The only thing missing is where it says "looking towards the Sierra Gredos."
01:16:51Alright.
01:16:52I'll go by myself.
01:16:53Rest.
01:16:54Yes of course.
01:16:55And may something happen to you.
01:16:57All the remorse is mine.
01:17:18Ah!
01:17:22Ah!
01:17:23You're crazy!
01:17:25When I get out of here, you're finished.
01:17:27I'm not going to let you out until you come to your senses.
01:17:29Can you tell me what you're doing, Hernán?
01:17:31The first time I saw you was in this same place.
01:17:36You had just fallen off a horse and you looked ridiculous on anyone else.
01:17:40What's with this sudden wave of nostalgia?
01:17:43But I saw the most beautiful woman I had ever seen in my life.
01:17:48Years have passed and I still see the same woman.
01:17:53I don't intend to let you change anything about your body, not even or not just your moles.
01:17:58It bothers me that it changes my memories.
01:18:01You know perfectly well that I'm going to do whatever I want.
01:18:06Anyway, your surgeon is feeling a bit under the weather.
01:18:09What have you done to him, Hernán?
01:18:10Hernán!
01:18:14Hernán!
01:18:16Where are you going?
01:18:17Hernán, wait!
01:18:20Hernán, you can't leave me here! Goodbye!
01:18:23Goodbye!
01:18:24Hernán!
01:18:25Hernán!
01:18:34Hernán!
01:18:38Hernán!
01:18:42Hernán!
01:18:46Hernán!
01:18:47Hernán!
01:18:51Hernán!
01:18:53Hernán!
01:18:55Hernán!
01:18:57Hernán!
01:19:00Hernán!
01:19:02Hernán!
01:19:11Hernán!
01:19:13Hernán!
01:19:15The clock…
01:19:47Master! Master! Hurry up! For goodness sake, this doesn't have many grains!
01:19:53He's coming out now, don't worry.
01:19:59God bless you.
01:20:01Are those pumps or extractors?
01:20:10I'm not waiting any longer.
01:20:13I'll take it out and let God's will be done.
01:20:15Let's go!
01:20:27I love it!
01:20:30I love it! I love it! I love it! Okay!
01:20:34What is that?
01:20:36I love it!
01:20:38I love it!
01:20:45I love it!
01:20:46That key?
01:20:48I love it!
01:20:49I love it!
01:20:52I love it!
01:21:02I love it!
01:21:21Cipri, thank you.
01:21:25Thanks, because all I've managed to do is make things worse.
01:21:35No, Cipri, you're brave.
01:21:47You did everything you did knowing that you had everything to lose.
01:22:02If there were more people like you, the world would change, Cipri.
01:22:10Cipri.
01:22:13Cipri.
01:22:23Cipri.
01:22:24Cipri.
01:22:28Cipri.
01:22:39Cipri.
01:22:41Cipri.
01:22:42Cipri.
01:22:44Cipri.
01:22:48Cipri.
01:22:50Cipri.
01:23:06Cipri.
01:23:15What place is this? Love, you're giving me the creeps.
01:23:27I love music.
01:23:31The children's drawings.
01:23:33Let's get out of here, please.
01:23:36Let's get out of here, please.
01:23:45I love.
01:23:46Saturn.
01:23:50Tell yourself.
01:23:51I can't stand being locked up here anymore.
01:23:54I can't even remember when the last time I saw the light was.
01:24:07Augustine.
01:24:09Augustine.
01:24:11Agustín made me believe that he was watching over my life and the lives of my children.
01:24:14But other interests guide him.
01:24:17He convinced me that he would come to see here.
01:24:45Finally, Agustín.
01:24:46I thought you had forgotten about us.
01:24:50Where is he?
01:24:52He's not coming, Laura.
01:24:56What do you mean he's not coming?
01:24:58You said you wanted to see us.
01:25:00You have to stay here.
01:25:02Someone will come to bring you food.
01:25:04Should we stay?
01:25:05How much?
01:25:08Forever.
01:25:19Augustine.
01:25:20Augustine, no.
01:25:21Agustín, no, please.
01:25:22Augustine.
01:25:23Agustín, no, please.
01:25:25You can't lock us up here.
01:25:27Augustine, no.
01:25:33No, Agustín.
01:25:35You can't do this to us, please.
01:25:38But then Augustine locked you up here with your mother and your brother.
01:25:43They monked a piece of...
01:25:50But why did you do that to them, master?
01:25:54I don't know, Sato.
01:25:57Don't know.
01:26:00You can't do this to us.
01:26:03Please, Agustín.
01:26:06Augustine.
01:26:08You can't do this to us, please.
01:26:13Agustín was my teacher.
01:26:14If I am who I am, it's because of him.
01:26:16I want you to give me a child soon.
01:26:20I've found out something that's very bad for the commissioner, Mother.
01:26:28There's not a soul to be seen in the town.
01:26:30I want you to make my wedding dress.
01:26:32Does that mean the whole village died from drinking water from this river?
01:26:37I can't do this alone.
01:26:39What have you poisoned me with?
01:26:41Let's go somewhere quieter.
01:26:43Holy God, blessed be God.
01:26:44Have they caught pirate Richard Blaze?
01:26:46Are you sure her boyfriend feels very lucky, ma'am?
01:26:52Did they say that Nuño raped a girl?
01:26:55Mariana!
01:26:56My dad has a girlfriend!
01:26:59Have you ever been a pirate?
01:27:03We were looking at the wrong map.
01:27:06That goes against the Red Eagle code.
01:27:09What code are you talking about?
01:27:11What code are you talking about?
01:27:16Do you think I have time now to organize a wedding?
01:27:19I don't want a single mistake more.
01:27:30Your son's head is going to be cut off and you're not going to lift a finger to help him.
01:27:34But I didn't do anything!
01:27:42Mother Isabel de Montejo, recently arrived from the colonies to serve you.
01:27:49Why are you in those fights?
01:27:50Don't interfere in my life.
01:27:58Your soul is stained with blood, Your Majesty.
01:28:02He's my fiancé.
01:28:04We are going to change the course of things.
01:28:06Stubborn, stubborn as can be.
01:28:09Why don't I go and leave him alone?
01:28:11No?
01:28:12You'll see.
01:28:19The second season is now available on DVD and Blu-ray.
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