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00:00:28The King of England
00:00:33The Duke of Izaga is coming this afternoon with his daughter, so I want everything to be perfect.
00:00:37It is very important for my son's future
00:00:43I cannot kill an innocent man
00:00:44I love you, if that man has betrayed you, you and your family are dead.
00:00:48I know my head is worth a fortune.
00:00:51You will travel to Cádiz with the painting
00:00:53And when you are intercepted, you will come aboard and eliminate King Charles
00:01:00I don't have the soul of a martyr
00:01:03Let me go
00:01:05Do it to your father
00:01:13I know who you are
00:01:14I'll be waiting for you at seven in the clearing in the rye wood.
00:01:17Nuno
00:01:18He has nothing to offer me.
00:01:21But maybe I do
00:01:22I'm here! It's me! Come on! Show yourself!
00:01:27My daughter, you have to find her
00:01:29Please help me
00:01:30What does the king have to do with all this?
00:01:33He wanted her to be his lover
00:01:34You are accusing Her Majesty of kidnapping
00:01:36I am pleased to announce the engagement of my daughter Carolina de Izaga
00:01:40With Nuño de Santillana and Guzmán
00:01:43Between fugitive and dead
00:01:47Choose fugitive, please
00:01:50We recognize your intentions to attack our king
00:01:54Who has dared to slander my name?
00:01:56As soon as we have proof
00:01:58England will declare war on Spain
00:02:02No, no, no
00:02:05They are English soldiers, Your Eminence.
00:02:10He sent your father to find you.
00:02:11No, let's go
00:02:19No, no, no
00:02:24Who are you?
00:02:25She's a friend
00:02:26He does everything he can
00:02:27Don't throw me!
00:02:28I've betrayed you
00:02:30No!
00:02:38I'll have to make room in my bedroom again.
00:02:40Always fancy
00:02:43Semper fidelis
00:02:44In Latin it means always faithful
00:02:46I don't understand what could have happened
00:02:47And who could have those documents?
00:02:49This is a mystery
00:02:50I need to find out what it means
00:02:58No!
00:03:13No!
00:03:20No!
00:03:22Come on!
00:03:24Here! Here, let's go!
00:03:28I have it.
00:03:34Here it is.
00:03:39What do you mean by all the answers?
00:03:42All or almost all.
00:03:44There are unsolved mysteries, mathematical equations, word games...
00:03:48It has incalculable value.
00:03:50As soon as I find the solution, I will return it to the Imperial College monastery.
00:03:54That's where it needs to be.
00:03:55If you'll allow me, I can...
00:03:57Hey?
00:03:58Clear.
00:04:01The enigmas, is this what matters?
00:04:10Good heavens, we've been scammed, I love you.
00:04:12We've been scammed; there's nothing here but scribbles.
00:04:14Satur, that's Arabic.
00:04:16The book has been translated into several languages.
00:04:18There are parts in Arabic, parts in Latin, and parts in Sanskrit.
00:04:25Well, if it weren't for the treasure and his mother, he'd really get what's coming to him.
00:04:28to these temperate ones.
00:04:32What do I say?
00:04:33That...
00:04:34This forest doesn't smell like something's burning.
00:04:38It comes from there, Satur.
00:04:52What's going on here?
00:05:02What's going on here?
00:05:04What's going on here, master?
00:05:10It's hard to believe it was a lightning bolt.
00:05:16But the sky is clear.
00:05:19And there hasn't been a storm for days.
00:05:26What's going on here, look?
00:05:29What's happening?
00:05:29I don't know of any animal that big.
00:05:32Me neither.
00:05:58Me neither.
00:06:02They're going to be delicious, right?
00:06:04Quality fabric, huh?
00:06:06Those poor creatures deserve the best, just like us, the more privileged.
00:06:10And with the Santillana coat of arms embroidered on all of them
00:06:13So that they don't forget those who lent them a hand.
00:06:15Would you like to have some tea, Countess?
00:06:18Thank you, I've already told you I'm in a hurry.
00:06:20Of course, she'll be swamped with preparations for Saturday's charity dinner.
00:06:26The queen will be there, won't she?
00:06:29And do you think there might be a spot for us at that dinner?
00:06:35You have no idea how happy that would make us.
00:06:38The association is not only for those with money.
00:06:40You also need to have class, and you'll never have it.
00:06:43Although God in all his good fortune
00:06:46Ma'am, I won't allow you to speak to us like that.
00:06:49Who is he trying to fool?
00:06:50Everyone knows where he comes from
00:06:52If until four days ago you were a whore
00:07:01Good afternoon
00:07:11Ma'am, what do we do with the little outfits?
00:07:18Burn them!
00:07:23Mother
00:07:30Did he call her a whore to her face?
00:07:33I'm going to keep the little outfits to take them to the parish.
00:07:36I'm sure someone will make use of them.
00:08:01My God, burnt logs
00:08:03Huge footprints like, like, like, like, like
00:08:06Like castles
00:08:07Let's not jump to conclusions, okay?
00:08:09But how hasty, look at the tree
00:08:18It looks as if it had been burned by a great tongue of fire
00:08:22But that's impossible.
00:08:26That's all we needed
00:08:29A dragon
00:08:32Let's get the hell out of here
00:08:33Let's get the hell out of here.
00:08:43Where is he going?
00:08:47I swear to God, that bug might be out there somewhere.
00:08:51Love, I'm asking you for your mother's sake, let's go
00:08:56I love
00:09:01I love
00:09:05I love, for God's sake.
00:09:09I love
00:09:11I love
00:09:12I love
00:09:16I love
00:09:23I love
00:09:24Excuse me
00:09:25What does it say there?
00:09:28The lyrics are hard to understand.
00:09:30The blacksmith shop is for sale
00:09:32Do they sell it?
00:09:34Yeah
00:09:35That puts
00:09:51Teepee.
00:09:54Did you see? It's for sale at the inn.
00:09:57Yeah I know.
00:09:59What if we take up a collection?
00:10:03Sorry, it's just that some people are completely destitute.
00:10:05I'm going to take the little bread he has out of his mouth.
00:10:14Emissary
00:10:15What's happening?
00:10:17We haven't found anything
00:10:19How did he die?
00:10:20I don't know, sir
00:10:21He has no wounds or gunshot wounds
00:10:23Nor does it appear that he has been attacked by anyone.
00:10:28It's Fermín, the one with the taona
00:10:32This man died of fright.
00:10:51Hey! There's someone there!
00:11:00Hey!
00:11:03There's someone!
00:11:08Please help me
00:11:11I need help
00:11:12My master, his horse has fallen off and...
00:11:14And he doesn't wake up
00:11:16Amir
00:11:19I have skipped the raconga
00:11:20That?
00:11:22Was it a knife wound or a gunshot wound?
00:11:24No, it was a very hard blow
00:11:36Master, how are you?
00:11:39Thank God I thought he wasn't waking up
00:11:46I'm fine, sir.
00:11:48My name is Ivana Almeida, I am the owner of the house
00:11:53I'm sorry if we're causing you any inconvenience.
00:11:56No
00:11:57It's usually very quiet around here.
00:11:58A little excitement now and then is good.
00:12:01It was my fault
00:12:02I came in here yelling like a madman
00:12:06I hope I haven't offended your husband
00:12:07No, he's not my husband, he's my servant.
00:12:09Huh?
00:12:11How do you like it so elegant?
00:12:14And who are you?
00:12:17Gonzalo de Montalvo, I am a teacher in the village
00:12:20We were coming home when I had the accident
00:12:23I apologize again, but we have to get on with our journey.
00:12:26We won't bother her anymore.
00:12:27That shift
00:12:29Wait
00:12:35Is this better?
00:12:38Yeah
00:12:39Yeah?
00:12:41Where did I learn to do this?
00:12:43I don't think he's fit to ride.
00:12:45That man needs rest.
00:12:47If you wish, you can stay here
00:12:48I have plenty of room
00:12:49No, we're leaving.
00:12:51Yes, we stayed
00:12:53The lady is right, master
00:12:55You've taken a fatal fall
00:12:57We stayed, yes, better.
00:12:59Alright
00:13:00We will leave at dawn
00:13:01You won't regret it
00:13:02Amir is an excellent cook
00:13:05Amir
00:13:14Amir is a solicitor
00:13:17Amir is a leap
00:13:39Aid.
00:13:41I'm going, I'm going, I'm going.
00:13:42It's falling, it's falling.
00:13:44Give it to me, give it to me, give it to me.
00:13:54And where did you get this bracelet?
00:13:56Give it to me.
00:13:58Did you steal it?
00:14:00It belongs to the Countess of Abrantes.
00:14:01I found her in the living room.
00:14:02Well, if you give it to Mrs. Sagrario, she can return it.
00:14:29Well, but nobody has to know that I have it.
00:14:31She could have lost it anywhere.
00:14:33Well, but I don't understand you, okay?
00:14:34Huh? You've never done anything like that, Catalina?
00:14:37You have a roof over your head and food on your plate.
00:14:38What else do you need?
00:14:41Life isn't all about eating and sleeping, Margarita.
00:14:47You have to return it.
00:14:49Don't risk your life for a bracelet.
00:15:01You're right.
00:15:05You're right.
00:15:14You're right.
00:15:15You're right.
00:15:34Thank you!
00:15:52My mother, I love.
00:15:54This house that never ends.
00:15:57I've gotten lost four times already.
00:16:02As soon as we find the treasure,
00:16:04We're not going to do one like this.
00:16:07Yes, we completely changed the decor.
00:16:12Who is this chubby guy?
00:16:14It is Buddha, a Hindu religious figure.
00:16:19Not for nothing, but we're the ones who run into all the weird people.
00:16:25That's because one tends to think that others are like oneself.
00:16:29Come on, let's go.
00:16:31That servant with his whole head bandaged up.
00:16:35The lady living here alone in the middle of the forest.
00:16:43Surrounded by very strange things.
00:16:47Come here.
00:16:49What is this?
00:16:50That's an astrolabe.
00:16:52Hey?
00:16:52It is used for navigation.
00:16:56Satur.
00:16:57Satur.
00:17:00Thank you for taking care of me.
00:17:02And by the way, how did you manage to change my clothes?
00:17:08Well, I really worked up a sweat, don't think otherwise.
00:17:12Let me tell you one thing.
00:17:16Don't worry, okay?
00:17:17Because I have the suit safely stored away.
00:17:20Hidden.
00:17:25She should have made a suit out of burlap, that's what that woman deserved.
00:17:29Besides, if you dress the poor in liquor, they don't even look poor anymore.
00:17:33Nobody calls an actress who has premiered a Calderón de la Barca in the Almagro corral "fulana".
00:17:37Nobody!
00:17:39Well, Mom, don't get too obsessed.
00:17:40We cannot let this affect us.
00:17:43We are far above that sanctimonious benefactor.
00:17:48Mother, what are you doing with this hair at this hour?
00:17:51Madam, the Countess of Abrantes's hairdresser has arrived.
00:17:54Let it in.
00:18:01Did you send for me, ma'am?
00:18:03I was waiting for you.
00:18:04Comb my hair.
00:18:06My wife doesn't allow me to work in other people's houses.
00:18:10I'll pay you three times more than your mistress for combing my hair just once.
00:18:17Can you leave us alone, son?
00:18:22Give me a hairstyle just like the Countess's. I like her style.
00:18:26Although I suppose she won't style her hair the same way for doing charity work as she does for going out to a party.
00:18:31The Countess doesn't go to parties.
00:18:36But, aside from acts of charity and other things, what does the Countess like?
00:18:42Go shopping?
00:18:45Play cards?
00:18:48Drink?
00:18:49I'm sorry, ma'am, but I don't know anything.
00:18:55Would you like me to give you a new set of oils?
00:19:17They are emeralds.
00:19:20And they can be just for you.
00:19:25The Countess has a lover.
00:19:29The Duke of Uceda.
00:19:34Do you need anything else?
00:19:36No, everything is perfect.
00:19:39Thank you for your hospitality.
00:19:41Yes, he likes to say thank you.
00:19:43We have left your servant's dinner in his chamber. Amir will accompany him.
00:19:49I have a bedroom all to myself.
00:19:51That's how it is?
00:19:52With a bed, for real.
00:19:56Excuse me, sir. I have to see this with my own eyes, I'm sorry.
00:20:04Arabian Nights.
00:20:07An interesting lesson on matching sleep.
00:20:10It was hard for me to decide.
00:20:13It has a very extensive library.
00:20:14And what surprises him?
00:20:16That a woman has a library or that it is extensive.
00:20:19I'm surprised there's so much variety.
00:20:21There are Persian books, Indian books, almost all of them travel books.
00:20:24Yeah.
00:20:25My father was a Venetian merchant.
00:20:27He traveled the route from the East to India.
00:20:29And he took me with him on all his trips.
00:20:31Ever since I was little.
00:20:33It's not very common for a father to send his daughter on those kinds of trips.
00:20:37With so many dangers.
00:20:38Well, after traveling so much, I no longer know what is normal and what is not.
00:20:43But what I do know is that I prefer watching the sunset in Bombay to staying home learning to embroider.
00:20:48Bombay.
00:20:49From the port you can see the fortress of Abasein.
00:20:52Well, many people died when the Portuguese attacked it.
00:20:55It's also not very common for a school teacher to have been to India.
00:20:59Not just you.
00:21:00You're going to have some surprises.
00:21:04If you need any further recommendations, just ask.
00:21:08I'll let him have dinner in peace.
00:21:09And you don't need to thank me.
00:21:24How was it?
00:21:27They found him dead in his bed, Your Majesty.
00:21:32This is their revenge for the attempted assassination of their king.
00:21:38We share in your grief.
00:21:40The general was a man of honor and a brave man.
00:21:43It was more than that.
00:21:45He was my friend.
00:21:47And that's why they killed him.
00:21:51Unfortunately, that is something that can never be proven.
00:21:55We must be cautious, Your Majesty.
00:21:58We have enough money to declare war on England.
00:22:02Your Majesty, our coffers are not prepared for such extravagance.
00:22:08I am Felipe, the great planet king.
00:22:10Get some money!
00:22:18Your Majesty, I must fulfill my religious duties.
00:22:24We will remain in the throne room.
00:22:26I want to know what the empire's last doubloon is being spent on.
00:22:37He always gets in a bad mood when he talks about money.
00:22:41Shall we begin, Your Eminence?
00:22:42Whenever you wish, ma'am.
00:22:57Your Eminence, I wish to confess.
00:23:00I have sinned in thought and deed.
00:23:03Ah.
00:23:06That is a very serious matter, Your Majesty.
00:23:11I will have to force you to do a severe penance.
00:23:16I deserve it.
00:23:20If possible, I would like to settle that debt as soon as possible.
00:23:32There is a small inn across the Negrales forest.
00:23:37He will be at our complete disposal tonight.
00:23:43I'll be there.
00:23:53Commissioner, this is the type of footprint we find in the forest.
00:23:59What kind of animal is this?
00:24:02Word begins to spread among the peasants that it might be a dragon.
00:24:06Dragon?
00:24:07It is created by a man in his right mind.
00:24:09Dragons are animals that only exist in legends.
00:24:11Sir, there were burnt logs.
00:24:13Now the footprints.
00:24:14And the man who died...
00:24:14His heart stopped.
00:24:16But he didn't eat it or butcher any beast, as far as I know.
00:24:20No, sir.
00:24:21That dragon seems very tame to me, then.
00:24:25Go back to the forest and kill that thing, whatever it is.
00:24:29Lord, return now, at night.
00:24:32Do you dare disobey my orders?
00:24:34No, sir, but...
00:24:35To the rack!
00:24:36Commissioner, he's one of us.
00:24:38You've already heard me.
00:24:40The turtle!
00:24:41No, sir, please, please, sir.
00:24:42No, no, no!
00:24:45Put the anvil on top of it!
00:24:46No, no, please, sir, no!
00:24:50Fill it with weight until it bursts!
00:24:51No, no, no!
00:24:54That torture will teach you to understand what those animals suffer.
00:24:58Come on!
00:24:59Come on!
00:25:00You heard me!
00:25:03No, no, no!
00:25:04Sir, no, please.
00:25:06Please don't do it.
00:25:07Please don't do it.
00:25:08Please, no.
00:25:10No, please.
00:25:13Don't do it, please, no.
00:25:15Don't do it, please, no.
00:25:16Please, sir.
00:25:17Please, please.
00:25:21No no!
00:25:32No, no, no!
00:25:38No, no, no!
00:25:42No no!
00:25:47No!
00:26:01Turtles have a hard shell, but inside they are like us, soft.
00:26:24And what about you right now? Aren't you more afraid of the dragon or me?
00:27:16Thanks for watching the video!
00:27:23I'm sorry.
00:27:24No, no, it's my fault. Don't just barge into other people's bedrooms like that. Are you alright?
00:27:32Yes, it's been a nightmare.
00:27:37Do you have a fever?
00:27:42No. Sometimes worries can play tricks on you.
00:27:47And what concerns does a school teacher have?
00:27:51Those of... those of an ordinary man.
00:27:55You are not an ordinary man.
00:27:57No.
00:28:02No.
00:28:11No.
00:28:12No.
00:28:13No.
00:28:18No.
00:28:23No.
00:28:27No.
00:28:29No.
00:28:34No.
00:28:36No.
00:28:37No.
00:28:44No.
00:28:46No.
00:28:46No.
00:28:47No.
00:28:47No.
00:28:48No.
00:28:48No.
00:29:13No.
00:29:14No.
00:29:15No.
00:29:15No.
00:29:20No.
00:29:21No.
00:29:22No.
00:29:22No.
00:29:22No.
00:29:22No.
00:29:22No.
00:29:27No.
00:29:27No.
00:29:31No.
00:29:33No.
00:29:34No.
00:29:42No.
00:29:50No.
00:29:52No.
00:29:53No.
00:29:54No.
00:30:02No.
00:30:04No.
00:30:05No.
00:30:05First she calls me so-and-so, and now she accuses me of being a thief.
00:30:08I'm not accusing her of anything.
00:30:11I just want my bracelet back.
00:30:13I don't want anything from you.
00:30:14I can have all the jewelry I want.
00:30:20Please.
00:30:22I need to find that bracelet.
00:30:26It has great sentimental value for me.
00:30:30Perhaps it's a gift from someone very close.
00:30:33From her husband?
00:30:35Or perhaps from the Duke of Uceda?
00:30:43That bracelet has an inscription that implicates me.
00:30:47I need to get it back somehow.
00:30:51Don't worry, I'll find her.
00:30:54And you go find a place for my son and me.
00:30:59Close to the queen.
00:31:01At dinner on Saturday.
00:31:12A masterstroke, mother.
00:31:14Where did you get the bracelet?
00:31:15Well, that's the only loose end, son.
00:31:19If he has found a servant, he has surely stayed because they are all eager.
00:31:23I assure you that if someone has taken it, they will return it.
00:31:37Good day.
00:31:40And good quality.
00:31:42I'll pay you back.
00:31:45Listen.
00:31:49I've been told the inn is for sale.
00:31:54Do you have money?
00:31:57No money.
00:31:58So, we have nothing to talk about.
00:32:01I already have other buyers.
00:32:11Listen, please, hear me out.
00:32:14It's very important to me.
00:32:15It will only be a moment.
00:32:17Alright.
00:32:18Speaks.
00:32:22I have something that might interest you.
00:32:24It is a very valuable jewel.
00:32:27You've got nothing to lose by watching it.
00:32:29Alright.
00:32:30But only until this afternoon.
00:32:33I can't waste any more time.
00:32:34You won't regret it.
00:32:36Thank you.
00:32:49No, please.
00:32:50You're not going to go after my son.
00:32:58His Majesty demands an effort to finance his armies.
00:33:02You are all required to contribute to this new tax.
00:33:07Is that clear?
00:33:10Commissar.
00:33:20Are you refusing to pay?
00:33:23Lord, we don't even have enough to eat.
00:33:26I don't care about your misery, pay up.
00:33:37Are you healthy?
00:33:38Are you healthy?
00:33:41Then we'll take out his eyes.
00:33:42No!
00:33:43No, please!
00:33:44We have no money!
00:33:46That's why I'm telling you.
00:33:47It's a shame, isn't it?
00:33:48No!
00:33:49A blind boy will elicit more pity when you beg for alms.
00:33:52Commissar!
00:33:54Commissar!
00:33:55The queen!
00:33:58Mister.
00:34:00What happened?
00:34:01We have found the queen's carriage in the blackwood forest.
00:34:04It was completely burned.
00:34:06And her?
00:34:06We've looked everywhere for her.
00:34:09It has disappeared.
00:34:10Let me babble and explain once and for all how it disappeared.
00:34:13And his guard?
00:34:15There were several corpses next to the carriage.
00:34:17They had been burned alive.
00:34:20Were there any footprints?
00:34:22Everywhere, sir.
00:34:25Sir, do you think that thing could have taken the queen?
00:34:29Take your men and return to the woods.
00:34:31I kept snooping.
00:34:33I'm going to the Royal Palace to deliver the news.
00:34:55Hello.
00:34:56Hello.
00:34:59Do you look better this morning?
00:35:02Yeah.
00:35:03They say that sweating is the best remedy for fever.
00:35:07Yeah.
00:35:07An ancient cure.
00:35:11How's your shoulder?
00:35:14I had completely forgotten.
00:35:16Don't even think about thanking me.
00:35:20I'm hungry.
00:35:21Shall we have breakfast?
00:35:24I'm going to leave now.
00:35:26Already?
00:35:29Alright.
00:35:30Whatever you want.
00:35:38I'm OK.
00:35:42Good morning.
00:35:43Good morning to you.
00:35:46Good morning.
00:35:56Come on, but, but.
00:35:59What happened here?
00:36:01I think that's clear.
00:36:05Oh, Holy Virgin, what joy you bring me.
00:36:08I'm going to burst into tears.
00:36:11Oh, God.
00:36:12Oh God, my legs are giving out.
00:36:14It seems I have completed it myself.
00:36:15Save me a spot.
00:36:17It's not that big of a deal, is it?
00:36:18But what do you mean it's not that big of a deal?
00:36:20No.
00:36:21I've been in his service for ages and it's the best thing that's ever happened to us.
00:36:23No fighting, no feathers, no milk.
00:36:27And tell me.
00:36:29Tell me how the approach went.
00:36:33Because I haven't understood anything.
00:36:35Santur was having a nightmare and came to my bedroom.
00:36:37That's it.
00:36:40Because?
00:36:40Because?
00:36:41No, well.
00:36:44All night, I imagine.
00:36:47The girl looked...
00:36:51relaxed.
00:36:53Tell me, tell me.
00:36:54What do you mean, tell me, tell me?
00:36:55Tell me?
00:36:56I'm not going to explain the details to you.
00:36:59What do you mean you're not going to give us any more explanations?
00:37:01No.
00:37:02I've been waiting for this for years.
00:37:05So you can spare us the details now, tell me?
00:37:07We have to leave.
00:37:10Oh.
00:37:11But you realize that a new era is opening up before you.
00:37:15You'll see.
00:37:16It's going to be non-stop.
00:37:18Once you start...
00:37:22If it hurts or it stings,
00:37:23Don't worry, that's normal after so much activity.
00:37:27I have a charm that animates a saint.
00:37:31But a guento is...
00:37:37Are you getting things ready?
00:37:39Do something, won't you?
00:37:42Come on, let's go.
00:37:46Bird.
00:37:57What rules are the ladies going to teach us?
00:37:59Have we done something wrong?
00:38:00Don't worry, Marta.
00:38:02If the lady doesn't just want the visitors to see how well trained she has us.
00:38:13But what are you all doing here?
00:38:14What's happening?
00:38:15Apparently, the lady doesn't want to teach you new rules of etiquette for when guests come over.
00:38:20Ah.
00:38:21The lady knows as much about protocol as I do about Latin.
00:38:23No, no, no, no, no, no.
00:38:56What's going on?
00:39:00Start with this one.
00:39:02That?
00:39:04Ma'am, what are you going to do to me?
00:39:06What are they going to do to me?
00:39:07No, no, I haven't done anything, please.
00:39:09No.
00:39:11No, no, no.
00:39:16No, no, no.
00:39:17Please, please.
00:39:21One hundred lashes.
00:39:25One of you has stolen a gold bracelet, but you will return it.
00:39:31Come on, we don't have all day.
00:39:33No.
00:39:34Lady.
00:39:39One moment.
00:39:43It seems we've found the culprit.
00:39:50You took the bracelet.
00:39:52We're not thieves, ma'am.
00:39:55I swear we're going to search the palace from top to bottom until we find her.
00:39:59She's going to get that bracelet back.
00:40:01I give you my word of honor.
00:40:07I want the bracelet this afternoon.
00:40:10Or else you'll be the first to die on the gallows.
00:40:13For being a thief.
00:40:29What are you doing, master?
00:40:32We have a lot of work behind schedule.
00:40:35But what work, what work, today is a national holiday.
00:40:38They've even beaten me to the punch in decorating the streets.
00:40:41Go on, leave that alone.
00:40:42I'm going to order a suckling pig; you must be hungry.
00:40:45Matur, we've already wasted too much time.
00:40:48Well.
00:40:49Some more than others.
00:40:51Wasting time on what you used to do, you were clueless.
00:41:06So what happens now?
00:41:09Nothing, that...
00:41:10Do you smell like a female who's backed away?
00:41:17Satur, the enigma.
00:41:20Do you remember?
00:41:21Yes, yes, yes, yes, yes.
00:41:23Now I see it perfectly, love.
00:41:26Everything that moves, huh?
00:41:28It is moved by another.
00:41:30The woman, huh, master?
00:41:32It's unbelievable that you haven't realized this after the night you've had.
00:41:36We need to go to the forest too.
00:41:38We need to find out where the scream that scared my horse came from.
00:41:40Whatever you say.
00:41:41Since we're at it, let's go big, shall we?
00:41:44The mysterious ones, without...
00:41:45You appear!
00:41:46Father.
00:41:47Where were you?
00:41:49That?
00:41:51I fell off my horse and we had to spend the night in the forest.
00:41:54But don't worry, I'm fine.
00:41:58What's wrong, son?
00:41:59Nothing, you're just acting strange.
00:42:01Your face looks more...
00:42:03More relaxed.
00:42:04Yes, yes, yes.
00:42:06I'm the same as always.
00:42:07No, no, well, maybe, maybe not either, huh?
00:42:10The kid's right, huh?
00:42:12Gonzalo.
00:42:14Cipri.
00:42:14Gonzalo.
00:42:15Don't worry.
00:42:16Relax, Ciprianos, we're very relaxed here, aren't we?
00:42:19Gonzalo, she is the queen.
00:42:21It has disappeared.
00:42:22As?
00:42:22They don't know where he is.
00:42:23Their guards have been found burned in the forest.
00:42:44No, no, no, no, no.
00:43:15I'm going to turn myself in.
00:43:17I'm going to tell him that I was the thief.
00:43:20Catalina, if you do that, they will hang you.
00:43:22And if not, they will kill you.
00:43:24And I'm not going to allow that.
00:43:26It's your life and mine, and I'm the one who has to pay for this.
00:43:31Listen to me.
00:43:33Listen to me.
00:43:34Give me the bag.
00:43:36We'll say we found it in the garden and the stables or wherever.
00:43:39And he gives it back.
00:43:42So we left it in a visible area so she could find it.
00:43:46Do you really think she's going to settle for that?
00:43:48You have to try anything before giving up.
00:43:51Catalina, leave me the bag and I swear I'll get it to her one way or another.
00:43:56No?
00:43:57Catalina, Dámila, and let's not waste any more time.
00:44:00Where do you have it?
00:44:23What's happening?
00:44:27He forced the lock.
00:44:35I swear I left it there.
00:44:45Burn, master.
00:44:46Calcinaos.
00:44:48I know.
00:44:49And the footprints.
00:44:50Those footprints were gigantic, I saw them with my own eyes.
00:44:54Saturn, dragons do not exist.
00:44:57Chimeras, gargoyles, griffins, dragons.
00:45:00They are mythological beings that have been forged through legend and ignorance.
00:45:06Hey, what on earth happened in that forest, according to you?
00:45:10Do you have any logical explanation?
00:45:13Not yet.
00:45:14So what the hell happened?
00:45:17They've taken our queen, they haven't taken just anyone, they've taken the
00:45:20Queen of the Spanish Empire, master.
00:45:21We're going to find her.
00:45:24And if I'm right.
00:45:26Can you tell me where you put the suit?
00:45:28Listen to me, for God's sake.
00:45:29If it is what I think it is.
00:45:31A katana won't be enough.
00:45:33He's going to fry him alive.
00:45:35Don't worry.
00:45:36You prepare the horses and give me the suit.
00:45:38Where did you put it?
00:45:39But listen to me, love.
00:45:40That the queen aunt had a whole army searching for her.
00:45:43This time it is not about an orphan or an innocent victim.
00:45:47You don't need to go.
00:45:48I'm going to find out what's going on.
00:45:51Trust me.
00:45:54Here you are.
00:46:01Oh God, God, God.
00:46:03What have I done?
00:46:06What's happening?
00:46:09Her suit over there, the red one.
00:46:12That I took from you when you were injured.
00:46:15Yes, what?
00:46:17Did that lady leave it at my house?
00:46:19The so-called Eve.
00:46:36Can I give you conclusive proof of what I'm saying, sir?
00:46:50Am I interrupting myself?
00:46:52No no.
00:46:53Do you want something?
00:46:56Talk to you.
00:46:58You haven't been seen at the palace for two days.
00:47:03It was ending.
00:47:05From early morning until nightfall.
00:47:11Muño, you're avoiding me.
00:47:17I know what happened the other day wasn't right.
00:47:22But we're not going to give things more importance than they have.
00:47:26Hey?
00:47:30For me, a kiss is something important, Irene.
00:47:40Erase it from your mind, please.
00:47:42Let's pretend nothing happened.
00:47:45This palace already seems too big for me, without you spending your days away from it.
00:47:53I'm sorry.
00:47:56But I can't forget it.
00:48:01Something wrong?
00:48:05I was talking to Nuño.
00:48:09Irene, my dear.
00:48:12I want you to stay in the palace, no matter what happens.
00:48:14Because?
00:48:16Something wrong?
00:48:17It's because of the queen.
00:48:19Obey.
00:48:21Will you take care of her, baby?
00:48:23I don't need anyone to take care of me.
00:48:25I want to go and save the queen.
00:48:26No.
00:48:38Don't leave her side for a moment.
00:48:40No.
00:48:42I don't need to.
00:48:45I don't need to.
00:48:45I don't need to.
00:49:11Come on!
00:49:13That?
00:49:15I thought that while I sneak in from behind
00:49:17and I take the suit,
00:49:20Can you entertain her?
00:49:22You know,
00:49:24reminiscing about the evening, dwelling on the details
00:49:26more pleasant,
00:49:29seducing her with a mischievous smile.
00:49:31I mean, I know, by giving it a hard time,
00:49:32Do you understand me now?
00:49:33No, Sato, I'll go in.
00:49:35No!
00:49:36That you have more things to talk to her about,
00:49:38Listen to me. Besides, I know where Larcón is.
00:49:41That's assuming it's still there.
00:49:43Oh my God!
00:49:44And if they've found him, what do we do?
00:49:47If they've found him, we'll know right away.
00:49:49Okay, you go in.
00:49:53No, no, no, no, no, no, no, no.
00:50:32Gonzalo,
00:50:33What a pleasant surprise.
00:50:36What brings you here?
00:50:38I came to thank you again for your help.
00:50:42I thought it was clear that I did it with pleasure.
00:50:46The Book of the Marvels of the World, by Marco Polo.
00:50:49I noticed it was missing from your library.
00:50:52That's right, thank you.
00:50:57Well, if you don't want anything else, I have to go.
00:51:00Wait, don't miss the passage about Japan, it's the best.
00:51:04I'm sorry, Gonzalo, I'm busy.
00:51:06I can't help you.
00:51:07Eva, are you okay?
00:51:10Ah, yes.
00:51:11It's nothing, I was just helping Emir kill a bird for dinner.
00:51:16I see you have company.
00:51:23Tomás, my dear.
00:51:26He is Gonzalo, the village teacher.
00:51:28She has come to bring me this book.
00:51:31Pleased to meet you.
00:51:33Gonzalo was already leaving.
00:51:36Yes, I'm in a bit of a hurry.
00:51:39Besides, I don't do anything here anymore.
00:51:41Goodbye, Eva.
00:52:13Majesty.
00:52:17They haven't found her yet.
00:52:20Cardinal, what was the queen doing leaving the palace in the middle of the night?
00:52:23And if not, barely an escort.
00:52:27How could I know?
00:52:29My relationship with the queen is strictly religious in nature.
00:52:35That's exactly why.
00:52:37You are his confessor.
00:52:43Where was I going?
00:52:45Was she seeing someone?
00:52:48Your wife is an exemplary Christian.
00:52:51A discreet and virtuous woman like few others.
00:52:54But you don't know that anymore.
00:53:01Cardinal, I know my name is not prone to gossip.
00:53:08What's happening in that forest?
00:53:13Sometimes our Lord entrusts us with trials that even we ourselves cannot understand.
00:53:19No sermons, Cardinal.
00:53:23In my humble opinion, all the signs point to there being something in that forest...
00:53:32...supernatural.
00:53:50He's waiting for me.
00:53:52I must be the one to kill him.
00:53:57I don't think it's a good idea.
00:53:59It is extremely dangerous.
00:54:03It wasn't Saint George who killed a dragon.
00:54:07You must know that.
00:54:10He was a saint.
00:54:26It belonged to my grandfather, Philip II.
00:54:29And he gave it to my father.
00:54:33Brave kings who forged an empire where the sun never set.
00:54:39Your Majesty, I advise you not to go.
00:54:44You are men of great responsibility.
00:54:46Do not forget that the empire rests on your shoulders.
00:54:50If something were to happen to you...
00:54:52That is the role of a king.
00:54:55God chose me for a reason.
00:55:01Come on, for God's sake, don't go, for God's sake, I beg you.
00:55:03The fight between the dragon and the eagle is not equal.
00:55:07If he breathes on it, he'll burn it to bits, damn it.
00:55:10I've already told you that dragons don't exist.
00:55:12But how can they not exist?
00:55:14They were simply ways of representing evil in the Middle Ages.
00:55:17And what about that saint who appears in all the church windows?
00:55:20That?
00:55:22Saint George.
00:55:22That?
00:55:23Did I see him sticking a spear into the dragon's throat?
00:55:28That's just a symbol, I mean, you.
00:55:30No, no, love, no.
00:55:31A symbol is...
00:55:32What should I tell him?
00:55:33A shield, a flag.
00:55:34Not a beast bigger than Burgos Cathedral.
00:55:38Go on, bring me the katana.
00:55:39I love.
00:55:40Love, for God's sake, don't go.
00:55:41I ask this through my Holy Mother.
00:55:44I'm asking you for once in my life.
00:55:46Sato, I risk my life every day.
00:55:49Yeah?
00:55:50But he knows what he's fighting against!
00:55:53There's something in that forest that is...
00:55:55How would I tell him?
00:55:56That is superhuman.
00:55:59No matter how much of a red eagle you are,
00:56:02I'm sure he's afraid to go in there.
00:56:05Of course I'm scared, Sato.
00:56:08I don't understand you.
00:56:09No, no, no.
00:56:10I just don't quite understand him.
00:56:12There is only one way to overcome fear.
00:56:14And it's by facing him.
00:56:17But he hasn't listened to me.
00:56:20He doesn't know what he's going to find there!
00:56:23And if I don't go, I'll never find out.
00:56:26I'd rather know what's in that forest,
00:56:28However horrible it may be,
00:56:29to remain in ignorance.
00:56:32I understand that you don't want to come with me, Sato.
00:56:53Have you searched in the valley?
00:56:55I've checked every cave and every inch of this place
00:56:57without any success in winemaking.
00:56:58I'm surprised to find it here.
00:57:02I believed that being an intermediary for the higher authorities
00:57:04He would have his privileges.
00:57:05We all appreciate the Queen, Commissioner.
00:57:08You only value yourself.
00:57:11Whoever finds it will be a hero.
00:57:15The court painter will immortalize that moment.
00:57:18The king, the queen, the dragon, and Cardinal Mendoza.
00:57:24I see.
00:57:26A truly bucolic scene.
00:57:29Bucolic or not,
00:57:30The doors of the Vatican will eventually open for me.
00:57:35Please inform me immediately as soon as you know anything.
00:57:39Eminence.
00:57:59Your Majesty, call the royal guard!
00:58:01I came alone.
00:58:04That's reckless.
00:58:05All unnecessary lights, sir.
00:58:07Yes, my time has come.
00:58:08I prefer to be remembered for my bravery
00:58:11and not because of my sins.
00:58:18Your Majesty, do not go.
00:58:21Don't leave, Your Majesty.
00:58:46It's time.
00:58:47They're going to kill us.
00:58:49They're going to kill us all.
00:58:58Who took that bracelet?
00:59:01Hey?
00:59:02You were the one who promised the lady that you would find her.
00:59:06Come on.
00:59:08I know one of you has it.
00:59:11Give it back right now.
00:59:13But how dare you accuse us?
00:59:15What if you're the thief?
00:59:18The bracelet was on top of that cupboard.
00:59:20I put it there myself.
00:59:26I was the one who caught her.
00:59:28You?
00:59:30Thief.
00:59:31Because of you, we're all going to die.
00:59:34Quiet.
00:59:36Quiet.
00:59:37Leave her alone.
00:59:38It's the least I deserve.
00:59:41Killing the blows won't do you any good.
00:59:43Here.
00:59:44We're going to tell the lady who the thief was.
00:59:46Oh, really?
00:59:47And what good will it do you?
00:59:50The lady wants the bracelet and we don't have it.
00:59:56Who caught her?
00:59:58Hey?
01:00:00Come on!
01:00:01Who has it?
01:00:03It won't do you any good when we're all dead.
01:00:06Where are you going?
01:00:09I have to pay for what I've done.
01:00:29Aid!
01:00:34Help, please!
01:00:39Mariana.
01:00:39Felipe!
01:00:42Felipe, it's you!
01:00:45Felipe!
01:00:46Felipe, it's you!
01:00:48Mariana.
01:00:50Felipe!
01:00:51Felipe, it's you!
01:00:52Yeah.
01:00:54Felipe!
01:00:55Peaceful.
01:00:57I'm here now.
01:00:59You are safe.
01:01:01Hey?
01:01:02Peaceful.
01:01:09No problem.
01:01:10No problem.
01:01:14No problem.
01:01:45Hey!
01:03:09Who sent you?
01:03:28Mother, our plan is falling apart at the seams.
01:03:31I don't know what irritates me more, that they are such thieves or that they are so proud.
01:03:34The nature of servants is to take what is not theirs.
01:03:37but also licking the hand of their masters.
01:03:39And it doesn't make sense to me that they all want to be hanged together.
01:03:42Yes, but what about the bracelet? Someone must have taken it.
01:03:45The countess may have lost it somewhere else.
01:03:48But we already had it, didn't we? We already had it!
01:03:51Yes, but after all, we already know about his little sin.
01:03:54So maybe we can find another way to profit from everyone.
01:03:58No, if we tell everyone, they won't believe us.
01:04:01To the court, we are still nobodies.
01:04:02No matter how many titles we have.
01:04:05So, we've threatened the entire service with death, for nothing.
01:04:09What are we going to do now?
01:04:10Well, at this point, we need to be firm.
01:04:15Lady.
01:04:16Why are you not with the others?
01:04:19I need to talk to you.
01:04:20It is very important.
01:04:22Did you bring the bracelet?
01:04:25Then I'm not interested in anything you have to say.
01:04:27Even if you beg me on all fours, I won't show you any mercy.
01:04:32Madam, for God's sake, you have to listen to me.
01:04:38I am looking for the Marquis of Santillana.
01:04:40You are the one who needs to identify yourself for barging into our palace like this.
01:04:49I am the Count of Abrantes.
01:04:51I have received an anonymous letter accusing the Marquis of being a thief.
01:04:54He stole a gold bracelet from my wife.
01:04:59This article is pure slander.
01:05:01Because I was going to steal her tears and I have everything I want.
01:05:03I am the Marquis of Santillana.
01:05:05I want to see your bedroom, Marquis.
01:05:07The letter assures me that I will find proof of the crime there.
01:05:15Whoever wrote that letter just wants to tarnish the Santillana family's name.
01:05:22This is an outrage.
01:05:23Get out of my room right now.
01:05:24I want to see your jewelry box.
01:05:26No way.
01:05:26That is an outrage of privacy.
01:05:28Oh well.
01:05:29I'm not leaving here without seeing it.
01:05:32Let's end this once and for all, son.
01:05:34Come on.
01:05:41Here you are.
01:05:56I promise you I have no idea how this got here.
01:06:01My son is the Marquis of Santillana and I will not allow him to call him that.
01:06:05There is no other way to refer to thieves.
01:06:07Oh, no?
01:06:08And what do you call those who are cheated on by their wives?
01:06:10Cuckolds, aren't they?
01:06:11That?
01:06:12This bracelet is a gift from a lover to his wife.
01:06:14Always yours and he has it.
01:06:15You can read it.
01:06:18Nobody has called my wife.
01:06:19No one has ever called my wife an extremist.
01:06:21I demand that he cleanse my honor in a duel.
01:06:24Like in a duel?
01:06:25I wait for sunset in the woods of the grove.
01:06:28No, but let's go.
01:06:29Let's see if...
01:06:44Come on, I already told you that's my job.
01:06:46Let him stop.
01:06:51Something doesn't add up, Sato.
01:06:56If you could clarify something for me about what happened, because I haven't understood anything.
01:07:01Did those footprints have anything to do with the man who wanted to kill the king, or were they unrelated?
01:07:05Nothing to do with it?
01:07:06I suppose they kidnapped the queen to lure the king into the forest.
01:07:10I just don't understand.
01:07:11And the dragon?
01:07:14The queen was tied up. A dragon couldn't have done that.
01:07:18But we're missing something.
01:07:20"We're missing something," he says.
01:07:22Everything is slipping through our fingers.
01:07:25I don't even know who it was, why they did it, or who founded it.
01:07:34And what about those men who turned up burned to death there in the woods? What do you say to that?
01:07:39Don't know.
01:07:41But that means the same as...
01:07:43Let that thing stay out there.
01:07:45There has to be some connection between the queen's kidnapping and the supposed being that lives in that forest.
01:07:50Both things happened in the same place.
01:07:54But...
01:07:55I don't know.
01:07:56Perhaps one thing has nothing to do with the other.
01:07:58And what did the masked man say?
01:07:59He committed suicide.
01:08:03Blessed Christ.
01:08:09Let...
01:08:10Let me clean the wound a little.
01:08:20God.
01:08:24And this?
01:08:28Nothing, nothing, this...
01:08:31A button I found in her friend's garden.
01:08:34I thought you were a coin, and now you're worthless.
01:08:38Initial aid.
01:08:39And mine.
01:08:40M.A.
01:08:42That her name wasn't Eve.
01:08:46They might be the initials of some servant.
01:08:48Mark Antony or something like that, right?
01:08:52I'm going to tell you that the girl was going to be with English.
01:08:57Tomás, my dear.
01:09:00With English.
01:09:01Gonzalo is the queen.
01:09:03It has disappeared.
01:09:04And he suffered on the route from the East to India.
01:09:06Are you OK?
01:09:06Ah, yes.
01:09:07It's no big deal.
01:09:08They have taken away our queen.
01:09:10Nice to meet you.
01:09:13Mariana.
01:09:14Mariana of Austria.
01:09:15Mariana.
01:09:16Mariana.
01:09:22Mariana.
01:09:27Mariana.
01:10:07Get up.
01:10:16Never lose your bearing.
01:10:21Are you ready?
01:10:23Marley, I don't want to go.
01:10:27He chooses to go to a duel. He goes, period.
01:10:32They have called into question the honor of the Santillana family.
01:10:36If you don't go, we'll be marked forever.
01:10:39And we will never be anyone in life.
01:10:43If they kill me, it won't be anyone either, mother.
01:10:52Take it.
01:10:53Oh, but I've never shot anyone.
01:10:55It is the best pistol manufactured in Spain.
01:11:06You can do it.
01:11:12Mother, I'm scared.
01:11:17Let's go.
01:11:19The carriage is ready.
01:11:22Are you going somewhere?
01:11:22No.
01:11:22No.
01:11:22No.
01:11:22No.
01:11:22No.
01:11:23No.
01:11:25No.
01:11:25No.
01:11:25No.
01:11:26No.
01:11:26No.
01:11:34No.
01:11:42No.
01:11:45No.
01:11:52No.
01:11:53I never stay in one place for very long.
01:11:56Venice is beautiful at this time of year.
01:11:59I don't recommend it.
01:12:00Too much humidity.
01:12:04What is it?
01:12:08A button.
01:12:09From the queen's dress.
01:12:12You had her here, held captive.
01:12:16That's the problem with intelligent men.
01:12:18You always cause problems.
01:12:20Who do you work for, Eva?
01:12:22For whoever pays the most, of course.
01:12:24And in this case, the English.
01:12:26They are very angry with your king.
01:12:29You wanted me to go to the forest.
01:12:31He was an easy target there, but of course.
01:12:33He must have had a powerful reason.
01:12:35Why not a dragon?
01:12:37A well-known legend.
01:12:39Suggestion is the most powerful of weapons.
01:12:42And your king is very vain.
01:12:43I knew he would come.
01:12:45You left the footprints.
01:12:47It was actually Amir.
01:12:49He also burned the log.
01:12:50He did everything I told him to do to bring the legend to life.
01:12:54The rest was easy.
01:12:56And the queen?
01:12:57How did you know I would pass through that forest?
01:12:59I didn't know.
01:13:00It was a happy coincidence.
01:13:02It's a waste not to use that intelligence to help others.
01:13:06I have expensive whims.
01:13:07The kind that can't be paid for with good intentions.
01:13:11Are you coming with me?
01:13:13I'm afraid not.
01:13:15Being beheaded is not in my plans.
01:13:17If it is necessary to take you against your will, I will.
01:13:21You have no other option.
01:13:27There's always another option, Gonzalo.
01:13:39Relax, you're not going to die.
01:13:42Goodbye, Gonzalo de Montalvo.
01:13:48A pleasure.
01:13:49A pleasure.
01:14:01A pleasure.
01:14:27Maybe they won't show up, right, Mom?
01:14:32Do you remember everything you have to do?
01:14:52Are they here yet?
01:14:56Mother Marchesi, please, I don't want you to see me die
01:15:00Count ten steps and shoot as fast as you can, son
01:15:13Mother
01:15:19Mother
01:15:19Mother
01:15:20Mother
01:15:22Mother
01:15:23Mother
01:15:26Mother
01:15:32Mother
01:15:50Arms.
01:16:00Arms.
01:16:01Surrender your weapons.
01:16:10Leave.
01:16:16Get in position.
01:16:20Load weapons.
01:16:361, 2, 3, 4, 5, 6.
01:16:467, 8, 9, 10.
01:17:09Get up!
01:17:14I told myself to get up.
01:17:16Pick up that weapon and stand up.
01:17:19Pick up the weapon and stand up.
01:17:26Come on!
01:17:30Come on!
01:17:32Come on!
01:17:38Come on!
01:17:39Come on!
01:17:48Come on!
01:18:01Come on!
01:18:11Come on!
01:18:13Come on!
01:18:15Come on!
01:18:15Come on!
01:18:16Come on!
01:18:16Come on!
01:18:16Come on!
01:18:18Come on!
01:18:25Come on!
01:18:33Come on!
01:18:48Come on!
01:19:01Come on!
01:19:04Come on!
01:19:06Come on!
01:19:11Come on!
01:19:27Come on!
01:19:29Come on!
01:19:31Come on!
01:19:39Come on!
01:19:44Come on!
01:19:48Come on!
01:20:00Come on!
01:20:05Come on!
01:20:08Come on!
01:20:09Come on!
01:20:10Come on!
01:20:12Come on!
01:20:13Come on!
01:20:16Come on!
01:20:16Come on!
01:20:17Come on!
01:20:17Come on!
01:20:18Come on!
01:20:18Come on!
01:20:19Come on!
01:20:19Come on!
01:20:20Come on!
01:20:20Come on!
01:20:23Come on!
01:20:26Come on!
01:20:30Come on!
01:20:31Nobody's perfect, Sator.
01:20:36Okay, let's see.
01:20:39Everything that moves is moved by something else.
01:20:42No, no, no, no, for God's sake, let's not start with that nonsense, that's Chinese torture.
01:20:47What is moving?
01:20:49The earth moves, people move.
01:20:51And of course, we're on the move, and we more than anyone else.
01:20:54We're traveling from north to south all day long, so sometimes they don't even know where we are.
01:21:14Hey?
01:21:15That's right, Sator.
01:21:17North is in the south.
01:21:19As?
01:21:22It's upside down.
01:21:26We need to turn it around.
01:21:39Our lord, the Count of Abrantes, sends us.
01:21:43All good?
01:21:44Yes, nothing, my father has died.
01:21:46You have always been with me.
01:21:48I'm not going to let anything happen to you, do you understand?
01:21:50The problem is that nobody in the entire kingdom has the imagination to entertain their king.
01:21:54I'm going to organize something big.
01:21:56A show like the ones from back in the day.
01:21:57Have you heard of the finger of Saint Peter?
01:22:01Why should I care?
01:22:02Because I was the one who paid to have it stolen.
01:22:05No!
01:22:05For you!
01:22:06Purate!
01:22:06I came to sign up for the representation thing.
01:22:08No!
01:22:09No!
01:22:09Hey, no, no!
01:22:10I'll take you!
01:22:10Let me go!
01:22:11I've lost something very important.
01:22:13I need money to get it back.
01:22:18What's going on?
01:22:26Where is the relic?
01:22:27When we go out there, there's nothing to do.
01:22:29Nobody is getting out of here alive.
01:22:33No!
01:22:34No!
01:22:35No!
01:22:36No!
01:22:42No!
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