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00:00:26The Count of Lizana
00:00:30Can you force me?
00:00:31I have come to ask you to reconsider the future of your nephew, Mr. Count
00:00:43Where is the portrait?
00:00:45You have to do something to help me.
00:00:46The cardinal's niece lives in your palace
00:00:50Kill her
00:00:50Where is Juan?
00:00:51After the argument they had at the inn
00:00:53Has no one seen it?
00:00:54This is no longer your son
00:00:56It no longer belongs to you
00:01:05What are you doing to him, Juan?
00:01:06So that he would give you all his properties
00:01:08It's all yours, Victor
00:01:09In exchange for you leaving and leaving Margarita in peace forever
00:01:12All I want is my wife
00:01:15I wish you were my father
00:01:19Victor won't leave unless I go with him, Catalina
00:01:22Tomorrow afternoon will be right here.
00:01:24The gun
00:01:25I wish life had been different
00:01:28Hopefully
00:01:29If something were to happen to me at any time
00:01:33I want you to deliver this to a little girl in person.
00:01:35What are they going to do to him?
00:01:37Discipline him
00:01:38I'll do whatever it takes to get him out of here, Ricardo.
00:01:43Margarita, are you sure about what you're going to do?
00:01:44We're leaving tomorrow
00:01:51I need your help
00:01:56I think you would feel the same way if something happened to Irene.
00:02:01What do you mean, Your Eminence?
00:02:03Irene is your daughter
00:02:10She never forgot you
00:02:12You were always our problem
00:02:17Go ahead, shoot!
00:02:21Marquise?
00:02:22Majesty
00:02:30Luño is your son
00:02:42Are you sure he wants to swear to her?
00:02:45Everyone in the village will know he's a coward!
00:02:49No!
00:02:55You should have come back, Victor
00:03:07Victor, did he have any family members?
00:03:10Her mother died before we got married
00:03:13We have done everything possible to save her
00:03:16That's true
00:03:17Nobody could have done anything more
00:03:20Yeah
00:03:22Nobody
00:03:24There!
00:03:26The dog was killed, the rabies is over
00:03:29What's happening?
00:03:32I mean, he who sowed the wind, well...
00:03:35It collects hailstones, that's how it is
00:03:38Rest in peace
00:03:55Daisy
00:03:58I understand that after everything that has happened
00:04:04Our wedding is in San Isidro
00:04:07That's how it's going to be
00:04:09If you want, of course.
00:04:28I'm sorry, I love
00:04:30But the fact that he died doesn't mean that The Day's son was a person
00:04:33Bad mother who almost killed him
00:04:35Now the important thing is that Margarita can continue with her life.
00:04:39What I don't understand is how Victor ended up with the dagger so deeply embedded.
00:04:42At first, no, I wasn't that convinced.
00:04:44Well, Sato, he would have died anyway.
00:04:46He was, he was very ill.
00:04:49What exactly does that mean?
00:04:51That he would have died anyway
00:04:53Shall we go?
00:04:54No, wait
00:04:57What's happening?
00:04:58Okay, so I'll keep going.
00:04:59I have a little matter to sort out.
00:05:01You can tell when nerves are involved...
00:05:03Come on!
00:05:05Jump!
00:05:15The wolves don't want to go tonight.
00:05:19Wait, wait, wait
00:05:20Wait, Saturn, wait
00:05:22A cautious man is worth two.
00:05:24First, you need to find something to clean yourself with.
00:05:29What is this?
00:05:43Come on!
00:05:46Come on!
00:05:48Come on!
00:05:49Come on!
00:06:06He has bled to death from this neck wound
00:06:11Poor thing
00:06:11You have to be heartless to leave her lying there in the middle of the forest
00:06:16She could just as easily have been devoured by vultures.
00:06:18She has been dead for a very short time.
00:06:20The body shows no signs of decomposition
00:06:22And we don't even know who it is.
00:06:25Nor why they killed her
00:06:26Look
00:06:28She has swellings in the armpit area.
00:06:31In the groin area
00:06:32He has what they call the French disease.
00:06:35What was French about?
00:06:37No
00:06:38The French disease was the name given to syphilis.
00:06:40A venereal disease
00:06:41Isn't that right, doctor?
00:06:43Yeah
00:06:44This girl was probably a prostitute.
00:06:50My dark image
00:06:53Why does it always have to happen to the same people?
00:06:56Don't worry
00:06:56No, leave me alone, leave me alone
00:06:57Let me, I already know that story
00:06:59That they treat them as
00:07:01As if they were trash
00:07:09I'm sorry
00:07:11And what about the neck wound?
00:07:14They probably did it with an awl or something similar
00:07:17What is clear is that this girl has been brutally murdered.
00:07:20Or wearing a blood
00:07:22Don't worry
00:07:24Has he/she been aware?
00:07:28Mr.
00:07:36How many of you things are made by steelworkers
00:07:38Does the truth feel what playing?
00:07:38No, from the neck wound
00:07:39Man
00:07:39All
00:08:08Thank you!
00:08:27I, Philip of Austria, King of Spain, take you, Laura de Montignac, as my lawful wife.
00:08:41She was a very beautiful woman.
00:08:45The document I have to sign?
00:08:49Yes, I have it here.
00:08:58It serves to corroborate the support of the Spanish crown for my candidacy for the Chair of Saint Peter.
00:09:08You know that you have in me your most faithful slave, Your Majesty.
00:09:14I should have killed you a few years ago, when I had the chance.
00:09:19Thank God you didn't. That's how I was able to save your daughter.
00:09:24It was a service to Your Majesty's person.
00:09:29I wish for Irene to enter the court as a lady-in-waiting to the queen.
00:09:34It will start next week.
00:09:37As you wish.
00:09:42I will try to ensure that they do not interfere with their marital obligations.
00:09:46Is she married?
00:09:49We recently celebrated their weddings happily.
00:09:54Okay. Forget it.
00:09:58A wife's duty is to always be by her husband's side.
00:10:04I'm sorry your other two children died. It's a shame.
00:10:10I know.
00:10:14They are always present in some way.
00:10:38Good morning.
00:10:39Gonzalo.
00:10:40Which sigil always comes out?
00:10:42Did you get up early?
00:10:44Yeah.
00:10:45With all the hustle and bustle last night, I didn't sleep very well.
00:10:50Are you OK?
00:10:51Yeah.
00:10:56Margarita, you...
00:10:57It wasn't your fault.
00:11:01The woman you met?
00:11:05She's dead. We couldn't do anything more.
00:11:08Well, well, well, well, the genre I bring.
00:11:11Freshly cut testicles.
00:11:13I almost had to... to... to rip them off the shopkeeper
00:11:16so that they'll give them to me at a good price.
00:11:18Disgusting.
00:11:19How disgusting, you say.
00:11:22What a fine child.
00:11:23Well, let me tell you something.
00:11:24This, with a little garlic, is the best thing to lift your spirits.
00:11:30Victor?
00:11:34Victor...
00:11:34Alonso.
00:11:37Victor has died.
00:11:46You...
00:11:47He was attacked yesterday in the forest.
00:11:50I'm sorry.
00:11:52How are you?
00:11:53I'm fine, my love.
00:11:56Thank you.
00:12:00I'm going to the palace.
00:12:02Come on.
00:12:03Come on.
00:12:04Get dressed.
00:12:11I'm telling you, we should have prepared a little, shouldn't we?
00:12:15Luckily, the boy doesn't like him very much.
00:12:17Satur.
00:12:19Remember that we need to find out if there are any living relatives of the Montignacs.
00:12:22Is he thinking of moving to France?
00:12:24No.
00:12:25There is a register book with all the names of the nobles who have been in the village.
00:12:29Well, that's it.
00:12:30We went there, ordered it, and that was it. With a little politeness, I think...
00:12:32I wish it were that easy.
00:12:33But not.
00:12:34That book isn't given to just anyone.
00:12:36And furthermore, the building is heavily guarded.
00:12:40Already.
00:12:42And what does it mean to you to be heavily guarded?
00:12:45Because of course, it's not the same as two guys that strong...
00:12:48I feel for you, and my mother.
00:12:50Don't you think so?
00:12:53My name is?
00:12:55Come on.
00:12:58And then there's education and good manners.
00:13:01Catalina orders that breakfast be brought to her.
00:13:04I'll take it here in the bathtub.
00:13:06I'll arrange it right away.
00:13:08Call the hairdresser too.
00:13:10And have her do my manicure.
00:13:13Oh, I need to regain my strength after all the commotion with Nuño.
00:13:17Yes, ma'am. You deserve a break.
00:13:20And fortunately, young Mr. Nuño was able to return from the seminary.
00:13:24You know that a mother's life is full of sacrifices, Catalina.
00:13:28Yes, ma'am.
00:13:31They have brought this for you, Madam Marchioness.
00:13:34From the Count of Gifana.
00:13:37He will want to apologize for his behavior towards her.
00:13:40Hey, it's a key, ma'am.
00:13:50This is the key to your new home.
00:13:53I hope you enjoy it.
00:14:00Bad news, ma'am.
00:14:02They want to take everything from me.
00:14:13Ma'am, please excuse my intrusion, but...
00:14:16What do you mean by that?
00:14:18They're taking everything I have.
00:14:21My palace.
00:14:23My lands, everything.
00:14:25But it must be a mistake.
00:14:27Can't they do that?
00:14:30Yeah.
00:14:31Yes, they can.
00:14:33My late husband, Juan Nuño, as the sole owner.
00:14:36Until she comes of age, the Santillana family will be the only one of age.
00:14:40Have a carriage prepared immediately, Catalina.
00:14:44Yes sir.
00:14:45Yes sir.
00:14:51How long is this man taking?
00:14:54Given how much he likes to climb walls, he might have tripped and fallen.
00:15:01That's what he gets for not letting me go with him.
00:15:06If I had a proper suit made, I could accompany him everywhere, but no.
00:15:12Then I was talking to a horse.
00:15:20God, God, God, God.
00:15:23Run, Saturn!
00:15:30Come on!
00:15:35Come on!
00:15:35Come on!
00:15:35It's registered!
00:15:36We have your registration!
00:15:38Hahaha!
00:15:53Perhaps it's because we didn't give enough notice, that's why it's taking so long.
00:15:58I know her.
00:15:59He's doing it on purpose.
00:16:01Well, ma'am, time changes people.
00:16:04Perhaps your mother-in-law's character has softened with age.
00:16:16Mother.
00:16:21I see my money suits you well, although in the end that pretty face will be full of wrinkles like everyone else's.
00:16:29Mother, I come to beg you to intercede with your son, the Count of Lizana.
00:16:35Do you need the help of an old woman now?
00:16:38And His mercy.
00:16:41The count wants me to leave my palace and move to a miserable country house on the outskirts, far away.
00:16:46of everything.
00:16:46Well...
00:16:49Look on the bright side.
00:16:51It's a return to your roots.
00:16:55Mother.
00:16:58I know that you and I have had our differences in the past.
00:17:03But my late husband arranged for us to stay in that palace.
00:17:07It's being disrespectful...
00:17:07Don't you dare mention my son's name!
00:17:09Not a single day has gone by that you haven't insulted our family name.
00:17:14You have defiled his memory in every bedroom of the villa.
00:17:19Consider what we give you as an act of charity.
00:17:28By the way, I've looked at the register book. There are hundreds of names in there.
00:17:32So we'll have to look carefully to see if we can find anyone with the surname Montiño.
00:17:37You have to give back to find something of your own.
00:17:39It would be so easy to organize a Christmas meal and have everyone together.
00:17:43No.
00:17:47Where is he going?
00:17:49He's taking me around with a cow without a bell.
00:17:53We need to ask the prostitutes if they knew the woman we found in the forest.
00:17:56Perhaps they saw her leaving with someone.
00:17:58Just ask around.
00:17:59I'll start here.
00:18:03The girl we found in the forest.
00:18:08What more money?
00:18:10What more money?
00:18:13I'm sorry.
00:18:14I'm sorry.
00:18:14And don't come back here again.
00:18:15Don't go.
00:18:16Don't go.
00:18:17Don't go.
00:18:18Don't go.
00:18:18Sipi, you're hurting me.
00:18:19Let me go.
00:18:19Don't go.
00:18:20Don't go.
00:18:21Don't go.
00:18:33Don't go.
00:18:34Yes, be the same.
00:18:35That's what happens to me.
00:18:39Why don't we ask the marchioness?
00:18:41Has it driven you crazy?
00:18:42We need to know what's going on.
00:18:44Our families eat what we get from here.
00:18:46If you are imprisoned, you will not be able to help them either.
00:18:49You need to use your head a bit more, Martín.
00:18:54So, what did you see?
00:18:55A letter. It was from the Count of Lizana.
00:18:59He said that the marchioness should leave the palace.
00:19:03That means we're out of work.
00:19:05If you think the marchioness is going to let them take anything from her, why don't you know her?
00:19:09You're all gossips.
00:19:13Auntie, do you know anything?
00:19:15Okay, I'm going to say it once and for everyone.
00:19:17I don't know what's going to happen. The marchioness hasn't told me anything.
00:19:22Catalina, that everyone is looking out for their people.
00:19:24You know what's at stake.
00:19:27We may have to leave here.
00:19:32Well, according to what the letter says, if things don't change much, yes, it's possible.
00:19:38What am I going to do? I have to support my mother; she's sick.
00:19:43What are you all doing here? Come on, get to work!
00:19:46Come on!
00:19:47Come on!
00:19:50We have to keep egging them on all day to make them work.
00:19:53I'm fed up with them.
00:19:55Do you take me for an idiot?
00:19:57Which letter were you talking about?
00:20:01With all due respect, commissioner, you should discuss that with the lady.
00:20:07I don't usually get involved in matters that are not my concern.
00:20:13Catalina, don't force me to do things I didn't want to do.
00:20:15It hurts you, sir. It hurts you.
00:20:18Very good.
00:20:20I'm all ears.
00:20:32And you know what?
00:20:44Satur!
00:20:50Satur!
00:21:00What's happening?
00:21:02What happened here?
00:21:04Is she dead?
00:21:05Is she a dead girl?
00:21:06Received?
00:21:07No, no, no, no.
00:21:08She's dead.
00:21:09What's happening?
00:21:11Will she be Estuarda's companion?
00:21:14What's going on here?
00:21:16What's behind all this commotion?
00:21:19We don't know anything, commissioner.
00:21:21When we arrived she was already dead
00:21:23This poor woman who worked on the street and...
00:21:25All this fuss over some random woman?
00:21:30Take her away from here
00:21:32Come on!
00:21:36Careful
00:21:48That bastard hates women
00:21:50Who knows what kind of complex he has?
00:21:51The girl we found was still hot
00:21:57She had just been killed
00:22:01That can't be.
00:22:02With how developed your senses are
00:22:06Would he have noticed anything?
00:22:07I didn't see anything.
00:22:08I didn't even notice
00:22:11Don't let it get you down, love
00:22:13That you are the red eagle
00:22:15The bird!
00:22:18She told me she was covered in blood
00:22:21Open!
00:22:23Who killed that woman?
00:22:25It doesn't matter who killed her.
00:22:26He deserved it
00:22:29Sit down
00:22:30Why do you say that, Nuño?
00:22:32Why do you think he deserved it?
00:22:34Because what they do is disgusting.
00:22:36Nuño!
00:22:44Do you know what it's like to pass, Open?
00:22:50You'll get an egg in your stomach.
00:22:53Why does it hurt so much?
00:22:55She just wants to cry
00:22:58You have leg cramps
00:22:59From the little strength you have left
00:23:02Sato!
00:23:03Sato!
00:23:03When you see this happening to one of your children
00:23:07Do whatever it takes to feed him
00:23:12Whatever
00:23:12Sato!
00:23:14He's just a child.
00:23:19I'm sorry
00:23:27He has to listen to us
00:23:29I beg you, sir, for the love of God.
00:23:32Please, Commissioner
00:23:34The girls are very scared
00:23:35Just a couple of guards
00:23:39Do you expect my men to stop doing their job?
00:23:41To take care of some whores?
00:23:43I beg you, please, for the love of God.
00:23:47He has to listen to us
00:23:49They're going to kill us all
00:23:50Yours is a very dangerous job
00:23:52You knew it when you started
00:23:55Take her away!
00:23:56No! No! No!
00:23:57He has to listen to us!
00:23:59Someone help us!
00:24:00They're going to kill us all!
00:24:03Aid!
00:24:06What do you know?
00:24:08Nothing, sir
00:24:08The Count of Lizana is a person of impeccable conduct.
00:24:14It just can't be
00:24:16All men have some debt
00:24:18He has no debts, he doesn't gamble
00:24:19He doesn't drink either, and of course he doesn't go with prostitutes.
00:24:23I can't stand saints
00:24:26Lack!
00:24:33Come on!
00:24:38Come on!
00:24:41That?
00:24:42Ah, so you're there reading.
00:24:44No, for a moment I thought that
00:24:47I had gone for a walk to
00:24:49I wanted to see if I could watch the women's session
00:24:51But I see that's not the case.
00:24:51So you're there
00:24:53Looking at things of his family and stuff
00:24:59Isn't that the logbook?
00:25:01I'm looking for information about the murders
00:25:04Well, excuse me, master
00:25:08Do you believe that in a book of ancient legends
00:25:13Are we going to find anything?
00:25:15Don't know
00:25:16All I know is that we're facing someone very dangerous.
00:25:19He didn't care about taking the risk and killing that girl in front of everyone.
00:25:22How are the neck wounds?
00:25:24I've never seen anything like it in my life
00:25:26Me neither
00:25:27But I have read it.
00:25:30Here
00:25:31Many years ago
00:25:32In a forgotten corner of Eastern Europe
00:25:34And a bandit because of the cold
00:25:35A young married couple arrived in a small village
00:25:37And they stayed
00:25:38Overnight
00:25:40They heard some strange noises
00:25:41Which they attributed to the wind
00:25:43The next morning
00:25:52The next morning
00:25:53When the man woke up
00:25:55His wife was no longer by his side
00:25:59The man decided to go up to the road
00:26:00To look for his young wife
00:26:02And it was then
00:26:04When he thought he glimpsed it in the distance
00:26:06The outline of a carriage
00:26:16He stared
00:26:17As the carriage door slowly opened
00:26:22And from her
00:26:25A woman dressed in white fell
00:26:37The carriage continued on its way
00:26:38And he disappeared into the fog
00:26:41The man ran as fast as he could
00:26:43To corroborate
00:26:44That which lay on the ground
00:26:47She was his beautiful wife
00:26:50Turning it over
00:26:52He checked it on his neck
00:26:53He had a similar wound
00:26:54One bite
00:26:57It had become absorbed
00:26:58All of his blood
00:26:59No!
00:27:13No!
00:27:15Can't you do this to me?
00:27:18If we start switching roles
00:27:19This is godlessness.
00:27:21You're the one with your feet on the ground
00:27:23Those who don't believe in these things
00:27:25I am the other one
00:27:26So stop with the legends
00:27:27And look for a logical explanation.
00:27:30I don't have any, Sato
00:27:31Well, I do.
00:27:32The killer
00:27:33That's a wretch.
00:27:34He hates women
00:27:36Could be
00:27:37Of course it can be
00:27:37Like it is
00:27:39The wound on the neck
00:27:40I'm still not sure.
00:27:42I will find the kiss of the matter
00:27:44You'll see.
00:27:46We have to get him, I love him
00:27:47Whoever it is
00:27:49That's a murderer.
00:27:49He's going to keep killing
00:27:50We'll take it
00:28:05Excuse me, ma'am
00:28:06It was blocked.
00:28:13Open that window
00:28:16I want to see her
00:28:29Ma'am, I
00:28:30Not to pry
00:28:31But
00:28:33I don't know if it will fit here.
00:28:34Everything you have in the palace
00:28:45Well, the Flanders table
00:28:47We can put it in that corner.
00:28:49And then here, if at all
00:28:51The vases of Naples
00:28:53They can look great
00:28:57And the rest, well
00:28:59We took the opportunity to do some cleaning.
00:29:01There was a lot of junk
00:29:03Tarina
00:29:04Until
00:29:11Madam, cry for
00:29:19Is everything to your liking, Lucrecia?
00:29:24It leaves much to be desired
00:29:27I expected nothing less from you.
00:29:29Anyway, take
00:29:31I've only come to return the key to you.
00:29:33No, keep it
00:29:34You're going to need it
00:29:36Have you seen the surrounding area yet?
00:29:38You even have a small vegetable garden
00:29:41There's nothing like picking up after yourself.
00:29:42What one sows
00:29:44Your brother would turn in his grave.
00:29:46If I saw what you're doing to me
00:29:49Now you remember my brother?
00:29:51I am the Marchioness of Santillana
00:29:52And I deserve respect.
00:29:54Rest assured
00:29:55I won't live in this hovel.
00:29:57Come on
00:29:57Come on
00:29:58No, no, no.
00:30:53No, no, no.
00:31:01They are beautiful.
00:31:03Well, I've always had good taste, haven't I?
00:31:08And apart from you having gone crazy, what's the point of all this?
00:31:13What do you think?
00:31:18Are you crazy?
00:31:27I'm going to get dressed and we'll go for a walk.
00:31:48He was pleasantly surprised.
00:31:56Thank you. Thank you for allowing me to prepare all of this.
00:32:01Just to see her smile, anything.
00:32:08Thank you.
00:32:14Thank you.
00:32:17Thank you.
00:32:27Thank you.
00:32:29Thank you.
00:32:54Florinda.
00:32:58Florinda, are you there?
00:33:00It's me, Cipriano.
00:33:04Let me in, woman. I'm so sorry about this afternoon.
00:33:14Your Majesty, the Marchioness of Santillana has arrived and insists on seeing you.
00:33:18He says it's a vital matter concerning his family.
00:33:22Tell him that the king is not here to resolve family matters.
00:33:26Excuse me, Your Majesty, but it seems important.
00:33:34The Marchioness is very upset.
00:33:37I cannot tolerate such an abuse of my trust.
00:33:42Cast them into contemplation.
00:33:44Thank you.
00:33:47Thank you.
00:34:04What are you doing?
00:34:05I am writing a letter to Gaby, to Estuarda.
00:34:08Someday I will find them.
00:34:10Gonzalo, do you know anything about the two dead women?
00:34:14I imagine the commissioner is looking for the killer.
00:34:16I've never had much confidence in what the commissioner does.
00:34:21They told me he died in your arms.
00:34:25Two dead women, and you find them both.
00:34:28Saturo found the first one.
00:34:31But yes, it hasn't been a good day, to say the least, has it?
00:34:35She can no longer walk around the village in peace.
00:34:38We're not sure, Gonzalo.
00:34:40Don't worry.
00:34:42That has us.
00:34:45No, not the other one either.
00:34:46Juan, who must have thought this was a cemetery.
00:34:49Come and bring flowers home, flowers and more flowers.
00:34:51I mean, I like them.
00:34:52It's the first time the house has smelled good.
00:34:56What do you want me to say?
00:34:58I like flowers, with all due respect, but...
00:35:00They will be very gallant.
00:35:01But where there's a good stew, flowers should be removed.
00:35:04Oh, come on...
00:35:05Come on, Alonso, come with me to get some water.
00:35:10Yes, no.
00:35:16I'm going out tonight.
00:35:19I have to find that killer.
00:35:22Very good.
00:35:24Well said.
00:35:28Forgive me for having doubted you before.
00:35:31But even the saints doubted three times here.
00:35:34Or did they deny it?
00:35:36Did they deny it?
00:35:36Did they deny it?
00:35:37Did they deny it?
00:35:38Passed.
00:35:41Okay, sorry to bother you at this hour, teacher, but...
00:35:44Satura and a man who is shouting in Florinda's room and...
00:35:47They hear me banging!
00:35:48I think it's Cipri, his friend.
00:35:50No!
00:35:51No!
00:35:53Don't do this to me!
00:35:54Please!
00:36:00Because!
00:36:01Because!
00:36:02Cipri!
00:36:02Cipri, it's Gonzalo, open up!
00:36:04What do you do?
00:36:04Open the door, Cipriano!
00:36:06What are you doing, Mommy!
00:36:07Apart!
00:36:10What a shame!
00:36:11What the hell!
00:36:12What a shame!
00:36:25What the hell!
00:36:41What have you done, you wretch?
00:36:57Cipri!
00:37:31You've barely said a word all night.
00:37:34It's not that...
00:37:37This is the first time we've had dinner just the two of us.
00:37:39Motherless.
00:37:40Noño, your mother...
00:37:42Has he spoken to you?
00:37:45No.
00:37:49You know that I have always been by your side.
00:37:53And things aren't going to change, but...
00:37:55I want it to slip away for you.
00:37:59No no.
00:38:00Time for bed.
00:38:01It's already very late.
00:38:09Good night.
00:38:10Hello good.
00:38:17Don't worry.
00:38:19I don't see what I should be worried about.
00:38:23Proud to the end.
00:38:26Please, Lucrecia, we both know perfectly well what we're talking about.
00:38:32The king has not received me.
00:38:37I will not allow you and Noño to live like this.
00:38:43Now I have a position.
00:38:45I have land, I have money.
00:38:48I can take care of you.
00:38:50And live like a kept woman.
00:38:52You're insulting me, Hernán.
00:38:57I don't care what you think.
00:39:01I am also responsible for Noño.
00:39:03He is my son.
00:39:04Because?
00:39:06Never do that again.
00:39:09If there's one thing Noño has left, it's his last name.
00:39:19As soon as I leave this palace, I will be invisible to the nobility.
00:39:24The favors, the meetings, the privileges are over.
00:39:27I've lost everything.
00:39:33And now, if you'll allow me.
00:39:37I would like to have my last supper in the palace.
00:39:42Alone?
00:39:47Catalina?
00:39:51Catalina?
00:39:59Why is no one answering my call?
00:40:02Where is the service?
00:40:03Catalina answers.
00:40:05They've all left, ma'am.
00:40:08What nonsense are you spouting?
00:40:13Mr. Count paid them to leave.
00:40:21Peaceful.
00:40:22No, Greece.
00:40:23We won't solve it.
00:40:26Wretches.
00:40:29Ungrateful people.
00:40:30Selfish.
00:40:32How dare they abandon me?
00:40:35And those bastards who go back to work, I'll rip out their batteries, you bastards.
00:40:39With all due respect, ma'am.
00:40:42They were going out into the street.
00:40:43And they have families.
00:40:45Many of them have grown up within these walls.
00:40:48And this is how they repay me.
00:40:50They didn't deserve me as a lady.
00:40:51Now they can all rot!
00:41:20Now they can all rot!
00:41:23Since I know you liked them a lot too, I've brought you a few.
00:41:29I don't think my aunt cares.
00:41:34I don't think my aunt cares.
00:41:37I don't think my aunt cares.
00:42:16What's that?
00:42:31It got out of hand, didn't it?
00:42:35I'm sure you did that to her because of what Inés did to you.
00:42:40I swear that...
00:42:42And what about the others who did it to you?
00:42:44Hey, Cipri?
00:42:45And what about the ones the others did to you?
00:42:48I always thought you were a total softie, and it turns out you're a degenerate.
00:42:52And he'd crush your head with...
00:42:57God!
00:43:00Enough is enough!
00:43:01He killed the women of your horde!
00:43:07The poor women already have enough to deal with in their lives without being bled dry like animals.
00:43:12Quite!
00:43:13They're not saying anything!
00:43:15Go away! Go away!
00:43:16Dog!
00:43:17Go away!
00:43:18How can I leave her here alone with him?
00:43:20Well then, calm down.
00:43:35She was dead.
00:43:39She was dead.
00:43:42I didn't do it, Gonzalo.
00:43:44Relax, Cipri.
00:43:46Sooner or later we will know who it was.
00:43:48What do you mean, who was it?
00:43:49You're still hesitating!
00:43:51Sato!
00:43:54Cipri, do you know if there was someone else with Florinda before?
00:43:58Or had she been with someone?
00:44:07Relax, don't worry.
00:44:09Do you trust me?
00:44:10Now I'm going to rest a little.
00:44:17That's it!
00:44:19That's it!
00:44:20Are you letting him go that easily?
00:44:23Are we crazy or what, love?
00:44:26He's innocent!
00:44:28Look, I'm going to tell you something that you might not know, but I do.
00:44:31When male pride has been wounded, it is very fierce and one can lose one's temper.
00:44:38I tell him that Cipriano is a murderer.
00:44:41Cipri has not been.
00:44:42I believe him.
00:44:45Well, not me.
00:44:48Ma'am, excuse me for insisting, but we're leaving today and I still don't know what we should take and what we shouldn't.
00:44:54Do you want me to help you?
00:44:55No, it's not necessary.
00:44:59Mom, what's happening today?
00:45:01Catalina, where is my lackey?
00:45:05Mother, no one has come to dress me.
00:45:08And I haven't showered today, of course.
00:45:10Can I find out where the service is located?
00:45:12Your lackey is sick.
00:45:13Well, that's precisely what I was talking about with Catalina.
00:45:16And I've given the rest the day off.
00:45:19Free?
00:45:20You're too good a mother.
00:45:23I'm going to have breakfast. Go on, Catalina will be with you right away.
00:45:33I'll tell him later.
00:45:48I never thought I'd have to use it again.
00:45:52This is the dress I arrived here in.
00:45:55Yeah.
00:46:01Why didn't you go with the others?
00:46:04Why are you still here with me?
00:46:08Well, because I'm her housekeeper, her lady's companion.
00:46:11Please, Catalina.
00:46:13I've never treated you well, I've been cruel to you, you don't owe me anything.
00:46:19Why haven't you left?
00:46:21Well, I don't know, ma'am.
00:46:24I honestly don't know.
00:46:30You may not understand.
00:46:33But my mother taught me that for us, the starving, all we have left is our sense of duty.
00:46:39I know that the only thing it's good for is for the rich to take advantage of us.
00:46:45But you see, it's all I have.
00:46:48So I'm staying.
00:46:58I would like to fix up the new house before my son sees it.
00:47:03Yes, ma'am.
00:47:04Tell the coachman that he is not the gentleman.
00:47:07There is no coachman.
00:47:09He left too.
00:47:26There's no coachman, and tell him he's not the gentleman.
00:47:50She was dead.
00:47:53She was dead.
00:47:54She was dead.
00:47:55I didn't do it.
00:48:04What are you doing there?
00:48:09Look, footprints.
00:48:11That's impossible.
00:48:12How can there be fingerprints on the ceiling?
00:48:13He's looking where he shouldn't be.
00:48:15There are indeed traces, evidence, data, and everything at the inn.
00:48:18Yes there, no here.
00:48:19I'm asking you, please.
00:48:21Leave it now.
00:48:22Cipri has not been.
00:48:23Cipri is innocent, it wasn't him.
00:48:26What do you mean, no?
00:48:27Cali.
00:48:30Last night a man was in my aunt's room.
00:48:33That?
00:48:34Okay, let's see, Alonso.
00:48:37Last night I dreamt that there was a man in my bedroom and that he was staring at me.
00:48:43Yes, but it was just a dream, that's all.
00:48:45And what was it like?
00:48:48Well, he was tall, handsome, with blue eyes and very white skin.
00:48:57Well, I'm off, I'm going to be late for the palace.
00:49:00God be with you.
00:49:01God be with you.
00:49:03Well, yesterday I heard a flapping sound on the roof, like a large bird.
00:49:07The other.
00:49:09Here we go again, whether one is dreaming, whether the other hears fluttering wings, whether you're doing your own thing,
00:49:12This family is losing its way.
00:49:14It's a good thing I'm here to bring him back down to earth.
00:49:18Go on, head home.
00:49:19Alonso.
00:49:21And what were you doing at night and on the roof?
00:49:23Let's see.
00:49:24Help me!
00:49:26Please help me!
00:49:27Good heavens!
00:49:28And he dies in my arms!
00:49:29He's dying right here in my arms!
00:49:31Good heavens!
00:49:32Please help me!
00:49:33He's dying in my arms!
00:49:34Here!
00:49:35Please help me!
00:49:37What's happening?
00:49:38I don't know, I found it lying in the woods.
00:49:40He left this morning.
00:49:41He found her now.
00:49:42Where is he always?
00:49:43Let's see where that animal is!
00:49:53If it wasn't Cipri, then who was it?
00:50:00Poor Cipriano, the things I said to him.
00:50:03With everything he's got going on, and I'm accusing him of being a murderer.
00:50:06Not the sad face I had, love.
00:50:09I shit in the sea.
00:50:11If you're going to accuse someone like that, the least you can do is think a little.
00:50:16Let's say, did I lose my sanity?
00:50:19According to the father, the girl appeared here.
00:50:21Let's see.
00:50:22They were together, she separated for a moment, he didn't pay any attention to it.
00:50:27It all must have happened very quickly.
00:50:29The father neither saw nor heard anything.
00:50:31Very strange, isn't it?
00:50:32Seeing her lying down, they thought she was resting.
00:50:35Yes, resting forever.
00:50:38To search.
00:50:39I'll fill this out right there.
00:51:24Come on!
00:51:28Come on!
00:51:29Come on, it's right there.
00:51:30She is right there, Holy Mother, protect us.
00:51:32Who?
00:51:33The one from Margarita's dream, which is right there.
00:51:36You're sure?
00:51:37I swear I've seen it.
00:51:38Exactly as her sister-in-law described it.
00:51:39Exactly the same there.
00:51:41There it is.
00:51:41Stay here.
00:51:42No!
00:51:52No!
00:51:57I don't know where we're going to put all this.
00:52:02It's impossible.
00:52:06She cannot be a mother.
00:52:09It isn't true.
00:52:11Are we going to live here?
00:52:16For now, yes.
00:52:24But hey, we're still like this.
00:52:26Martin, take out what's left in the car.
00:52:27And put that piece of furniture in the Marchioness's bedroom.
00:52:29And you, Margarita, bring these two buckets inside.
00:52:38Don't worry, son.
00:52:40This won't last long.
00:52:44Martin, leave the furniture in the cart and take it back to the palace.
00:52:47There's no room for anything else here.
00:52:52No, ma'am.
00:52:53Bring it.
00:52:58But what are you doing, mother?
00:53:02Nuño.
00:53:05Help your mother.
00:53:06I don't intend to contribute to this.
00:53:08Do as I've told you without protesting.
00:53:45What are you doing?
00:54:01That?
00:54:02None of that, not a chance.
00:54:04Because?
00:54:05Let's see.
00:54:07Your duty as a hero is to take care of the people, right?
00:54:10Well, my job as a servant is to take care of his family, period.
00:54:12So, no way.
00:54:13If you want to remove the protections, you can remove them yourself.
00:54:16But be warned, it's at your own risk.
00:54:19Let's see, Saturn.
00:54:19Do you really think a bunch of garlic and some crosses are going to save us from anything?
00:54:22Yes, of course, indeed.
00:54:24Good.
00:54:26They are going to free them from those evil beings that I read about in the book.
00:54:29Which book?
00:54:30The book will be his.
00:54:32I picked it up, I read it again, and I regret it.
00:54:35I've lost count of how many times I've broken down today.
00:54:37Look, what we have to do is find that killer.
00:54:40That's what we have to do.
00:54:41These beings inhabit dark, damp, and cold places.
00:54:45Underground for more without river.
00:54:51Search the hideout for any map of the area where the girl appeared.
00:54:54And take it to my room.
00:54:57Okay, I'll go get the map, but...
00:55:00Don't touch my garlic.
00:55:03We're getting to know him now.
00:55:29And take it to my room.
00:55:45What's up, kid?
00:55:47Hey?
00:55:48Come on.
00:55:49Come on.
00:55:51Yeah.
00:55:52Yeah.
00:55:53Yeah.
00:56:18Can I help her?
00:56:20I'm heading north, but my horses don't want to go any further.
00:56:23Yeah.
00:56:34Yeah.
00:56:40Yeah.
00:56:41Yeah.
00:56:59I know her
00:57:22I should have left you in the street
00:57:24My palace is so big
00:57:26It has taken me a lot to get here
00:57:29Why did you call me?
00:57:39Take
00:57:42These are the master keys to the palace
00:57:44Now they're yours
00:57:48Why are you doing this?
00:57:50Everything you have is mine
00:57:53And as mine
00:57:54I want to enjoy it.
00:58:00Ricardo
00:58:02Why do you hate me so much?
00:58:07You are nobody
00:58:10I have no need to hate you
00:58:18You will receive your pension on time every week.
00:58:21You made a mistake choosing my brother
00:58:24I was better than him
00:58:26What's that?
00:58:29Was all this animosity because you were in love with me?
00:58:52Because?
00:58:56Because?
00:58:57What are you doing?
00:59:00Where is?
00:59:02This?
00:59:03This?
00:59:19Listen, listen, listen to what it says here.
00:59:22If you are bitten by evil and evil drinks your blood, evil will dwell eternally in your body.
00:59:39Satur, no, wait, wait, wait.
00:59:41And he will return to eternal life among the shadows.
00:59:50So first they kill you and then they condemn you to a lifetime of sucking necks.
00:59:55What bad blood, if you'll pardon the redundancy.
00:59:58Some ancient civilizations believed that drinking someone else's blood could keep you young.
01:00:03That's why they drink it.
01:00:05They believe that in this way they will live eternally.
01:00:08Well, you tell me, with all the screw-ups in this life, how can we live forever?
01:00:13Put that book down.
01:00:14Look.
01:00:16Look.
01:00:19Here.
01:00:25I don't know what he wants me to look at.
01:00:27What did they find here about the girl?
01:00:30The glutas, Satur.
01:00:31The glutes.
01:00:32Do you believe that...
01:00:35Is this where his pet is?
01:00:37Sátur, we're not looking for bugs.
01:00:39We are looking for a man.
01:00:41Satur!
01:00:43Are you there?
01:00:44Just a second, I'm coming.
01:00:47Cut it out, are you visible?
01:00:49Yeah.
01:00:52Tell me.
01:00:55Where to Margarita?
01:00:58It didn't come with you.
01:01:00Not with me, not with me, because today she had to take a cart full of furniture to Orcajo and return to the Palace.
01:01:04And was he already on his way here?
01:01:06I wonder if something has happened to him?
01:01:08No, no, no.
01:01:10It takes quite a long time to make that journey.
01:01:13It's normal that I'm not here.
01:01:15Don't worry, go home.
01:01:16Satur, accompany her.
01:01:17Yeah.
01:01:17When you see her, tell her that tomorrow, before Maitina, we're leaving for the Palace.
01:01:20Yes, yes, come on.
01:01:21God be with you.
01:01:21God be with you, Catalina.
01:01:23God be with you.
01:01:24Catalina.
01:01:24God be with you.
01:01:28What a tiresome woman, for God's sake!
01:01:32The only road between Orcajo and Palacio passes through the caves.
01:01:45You killed him.
01:01:46I didn't kill him.
01:01:48Please, Lucrecia, in your own home.
01:01:49I didn't kill him.
01:01:51Well, he's dead and in your bed.
01:01:54Did he die alone?
01:01:55Clear.
01:01:56Look, we can tell that to the High Court of the Crown of Castile.
01:02:00We'll tell you that after we've ruined your life,
01:02:03He has come to die peacefully in your bed.
01:02:07Yeah.
01:02:10That's ok.
01:02:12Will they believe you?
01:02:13You have to help me.
01:02:20But how could you even think of that?
01:02:26He died on top of me.
01:02:30We were in bed and...
01:02:31Did you put it in your bed?
01:02:33Yes, Hernán, yes.
01:02:35This is serious, Lucrecia.
01:02:38It's very serious.
01:02:41Either we do it right.
01:02:44Or you ruin your life.
01:02:49Are you going to help me get rid of the yes or no?
01:03:18Where am I?
01:03:19Where am I?
01:03:28Where am I?
01:03:36Let me go!
01:03:38Let me go!
01:03:41Let me go!
01:03:58Who are you?
01:04:07What do you want?
01:04:10Who are you?
01:04:12What do you want from me?
01:04:17What do you want from me?
01:04:21What do you want from me?
01:04:34Everything is sorted.
01:04:35They will never find him.
01:04:39Sure?
01:04:40Sure.
01:04:41Right now the pigs must be making short work of him.
01:04:45I didn't do anything, Hernán.
01:04:47It was a damned and unfortunate accident.
01:04:50Did anyone see the count here?
01:04:54Where is my son?
01:04:56I'm sorry.
01:04:58What have you done with it?
01:05:00I was waiting for him last night to give him the keys to the palace.
01:05:04But he didn't come in the end.
01:05:06Shall I give them to you?
01:05:08My son was here yesterday because you summoned him.
01:05:12He didn't come to dinner afterwards, and he never misses a date with me.
01:05:16Never!
01:05:20If you'll allow me, I'm Hernán Mejías, the town's police commissioner.
01:05:23My wife and I had dinner with the Marchioness and I can assure you that her son has not appeared here.
01:05:27I don't know where he could be.
01:05:30I don't believe a single word that comes out of you.
01:05:33If you've done the same thing to her as your late husband did, I swear...
01:05:36I loved my husband more than his damn family.
01:05:41I suffered your absence much more than you did, ma'am.
01:05:45If you'll excuse me, I have to prepare the move to the miserable house where your only grandson will have to live.
01:05:51from now on.
01:05:52That is the future that awaits his surname.
01:05:56Disappear into the manure.
01:05:59If you'll allow me.
01:06:08Lady.
01:06:27Love, please stay calm, for God's sake.
01:06:29Stay calm.
01:06:31Satur, the mule, and the cart were abandoned in the middle of the road.
01:06:35Maybe the lady has decided to go walking.
01:06:39Otherwise, why would they attack her?
01:06:42You don't realize it.
01:06:44All the victims are young women and we've wasted the whole damn night looking for the entrance to the cave.
01:06:48So let's go.
01:06:51You'll see how scared Mrs. Margarita will be, wondering where we are.
01:06:55You'll see.
01:06:59What was that?
01:07:00What was that?
01:07:10What was that?
01:07:25No, no, no, no, no, no.
01:07:38Wait, love.
01:07:39Wait.
01:07:56Madam, I say that in the future we should open a door in the kitchen to go out onto the street.
01:08:00Because we're constantly passing by and this is the only room.
01:08:07Catalina, please leave us alone.
01:08:15Mother, know that I will accompany you in everything.
01:08:21Dear.
01:08:22Okay, could you bring me a lace handkerchief that's on my bed? Thank you.
01:08:32Yeah.
01:08:33No, no, no, no.
01:09:02Madam Marchioness, the gentleman comes on behalf of his mother-in-law, the Countess of Unzuna.
01:09:22What's wrong, Mom?
01:09:24Your grandmother wants to see you immediately.
01:09:26And you're not coming?
01:09:27No.
01:09:28He wants to see you alone.
01:09:29No no.
01:09:32Let me go!
01:09:33Let me go!
01:09:45Let me go!
01:09:46Let me go!
01:09:46Let me go!
01:09:48I don't see the harm, please.
01:09:51No!
01:09:52Please.
01:09:56Please.
01:10:02No no!
01:10:07No, no, no!
01:10:18No no!
01:10:24Who are you?
01:10:31Welcome.
01:10:32No, please.
01:10:51The last time I saw you, you were a baby.
01:10:56Now you're a real man.
01:10:59Have you received a good education?
01:11:02The best, thanks to my mother.
01:11:07There's no doubt you're a Santillana.
01:11:11You will return to your palace to continue your education as you should.
01:11:17I have no doubt that in the future you will honor your surname.
01:11:36Come on!
01:11:43Come on!
01:11:44No, no, no, no, no, no.
01:12:13Love?
01:12:17Love?
01:12:27Love?
01:12:30Love?
01:12:36No, no, no, no, no.
01:12:39No, no, no, no.
01:12:40Still.
01:12:43No, no, no, no.
01:14:14Eagle!
01:14:17Eagle!
01:14:17Come on!
01:14:18Eagle!
01:14:27This one doesn't suck anymore, I love it.
01:14:43I love.
01:14:46I have something to tell you.
01:14:49I'm not quite sure how to put it, but...
01:14:51I think it's important.
01:14:55Look...
01:14:56I just don't know.
01:14:59And what if the lady is an undead creature...
01:15:02That man didn't suck it much, but he did suck it a little, look, there's a little scab here.
01:15:06In other words, you're just a scratch, nothing more.
01:15:09In that cave there was only a group of degenerates.
01:15:10You know as well as I do that that man had the strength of a community.
01:15:13Satur, he was just that, a man!
01:15:15There are no evil beings that can be seen sucking blood.
01:15:17They don't exist, really.
01:15:18Go on.
01:15:19Let me know if he wakes up.
01:15:21I'm going to get a glass of water.
01:15:37What I do?
01:15:38What am I doing in Gonzalo's bed?
01:15:40Hey?
01:15:41What matters is not the where, but the how.
01:15:44Are you alright?
01:15:46That's it, the important thing.
01:15:47What's wrong with you being in the gentleman's bed?
01:15:50If you are feeling well, then...
01:15:52None, right?
01:15:54You're fine, then...
01:15:57Take.
01:15:58Why am I in your bed, Gonzalo?
01:16:00What happened?
01:16:01Tea...
01:16:02We found you passed out on the road and brought you home.
01:16:05The explanation was so simple, but I've gotten myself all tangled up.
01:16:11How are you feeling?
01:16:12Do you see it?
01:16:13The important thing is the how, not the where.
01:16:17Fainted on the way?
01:16:18Yeah.
01:16:19And the man...
01:16:20No camera, right?
01:16:21You've had a very eventful night.
01:16:24No.
01:16:24The man I dreamed about took me to a place...
01:16:27And I was in a place that...
01:16:32It was all a dream.
01:16:33Woman, after the night you've had...
01:16:36He must have had a nightmare...
01:16:39That's what it seems to me.
01:16:40Or not?
01:16:41Yeah.
01:16:42Clear.
01:16:45Come on, rest.
01:17:06Counting the trees in your heritage?
01:17:11Is anyone missing?
01:17:13No.
01:17:16Everyone is here.
01:17:19You always achieve what you set out to do.
01:17:22How do you do it?
01:17:27I'll limit myself...
01:17:29to desire what I want.
01:17:33As a child, I escaped from poverty...
01:17:36to come here.
01:17:38I loved the shade of this tree.
01:17:42I swore to myself that all of this would be mine.
01:17:46And right here...
01:17:47My husband asked me to marry him.
01:17:49He liked it too.
01:17:51He used to spend endless hours reading here.
01:17:55While I was enjoying you in his bed.
01:18:00We'll find out exactly what happened to him, right?
01:18:05I don't know.
01:18:10He disappeared.
01:18:11That's all.
01:18:37Damn it all.
01:18:38But even though it occurred to me to read this book...
01:18:41I can keep an eye on you.
01:18:44I'm going to be so ignorant...
01:18:46I would be more comfortable.
01:18:51Why did I learn to read?
01:18:52So that?
01:18:55Ann.
01:18:55No.
01:18:59No, let's go to sleep.
01:19:02I don't know if we should wait for a man.
01:19:18Come...
01:19:18Come.
01:19:18Goes!
01:19:20What's the matter?
01:19:21No.
01:19:22Sato!
01:19:25Sato! Stop! Stop!
01:19:27And all I wanted was a drink of water?
01:19:31Nonsense that scared me, I'm just messing around with myself, man.
01:19:35Okay, fine. Everyone go to sleep. Come on, nothing happened.
01:19:38Let's go. To bed.
01:19:43Are you OK?
01:19:51But what happened to you?
01:19:55Isn't she turning around? I saw her there, is her hair fixed?
01:20:02How could I not shout a little, don't you think?
01:20:04Come on, let's go to sleep.
01:20:07"Time for bed," she says. As if it were so easy that I'm having a sleepless night I don't deserve.
01:20:12Why don't you and I go together to the lair and thoroughly examine the
01:20:18record?
01:20:19I don't know, maybe with a bit of luck, one of your brothers-in-law or your mother-in-law will show up...
01:20:24Don't you want to sleep alone?
01:20:25Indeed, I don't want to sleep alone.
01:20:28Come on, let's go.
01:20:29Wait.
01:20:33Saturn!
01:20:47A group of conspirators intends to assassinate my only son, Varo.
01:20:52I have found a living Montiñac.
01:20:53My mother's brother.
01:20:55My uncle.
01:20:56I need to see him.
01:21:01It's swallowing me up, right?
01:21:03Screw this year's harvest!
01:21:09Me with his uncle.
01:21:10And all this is for him alone?
01:21:11Sir, the peasants are leaving the countryside and entering the town.
01:21:14But what kind of men do I have that they can't stop four peasants?
01:21:17There's nothing!
01:21:19There's nothing!
01:21:20There's nothing!
01:21:20There's nothing!
01:21:22Linda, who's not going to give the girl much trouble.
01:21:25The future of the Habsburgs is now in your hands, Marchioness.
01:21:30We have to do something.
01:21:31Did they already give me such and such?
01:21:35Don't give me any more advice!
01:21:36They're a damned life!
01:21:38Felipe!
01:21:41Come on!
01:21:43Come on!
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