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00:00:28No!
00:00:30I saw your seamstress with the red eagle.
00:00:34Good night, princess.
00:00:36I want you to trust me, not to be afraid of me.
00:00:38and he takes me by the hand.
00:00:40Well, it's true that sometimes we are slaves
00:00:42of an image that does not belong to us.
00:00:43I am misunderstood.
00:00:45You're delusional, Margarita.
00:00:46The commissioner always asks for compensation, always.
00:01:04Hernán! Help me!
00:01:10I know who the red eagle is.
00:01:12Keep your friends away
00:01:13or you'll never have it.
00:01:15Do you know the red eagle?
00:01:16I need to know who's behind that mask.
00:01:19That?
00:01:19You are in danger.
00:01:21That...
00:01:21The commissioner suspects you.
00:01:23He thinks you are the red eagle.
00:01:27I found this in the office of the Lord of the Chest.
00:01:30Morituri.
00:01:32It could be a list of his victims.
00:01:35You have to take everything in the lair.
00:01:36and that you can relate us to the red eagle.
00:01:38Because?
00:01:38The commissioner suspects Gonzalo.
00:01:40If you really know who the red eagle is, catch him.
00:01:43Grab me and let's go.
00:01:44Let's take it!
00:01:45No no!
00:01:46Where is your lair?
00:01:48I'm not what you're talking about!
00:01:51There, the commissioner arrested Margarita and Gonzalo.
00:01:53A long time ago I was in a dungeon similar to this one.
00:01:56I left there for you.
00:01:57Thank you for coming back, Margarita.
00:01:59Hernán, for God's sake.
00:02:01You are making a serious mistake, and what's worse, it's an injustice.
00:02:03I shouldn't be here!
00:02:05You have to be strong.
00:02:07He's coming.
00:02:08Who?
00:02:09The red eagle.
00:02:11Eagle!
00:02:13You will die at dawn.
00:02:15Kill her!
00:02:17I would save his own skin even if he were the devil himself.
00:02:19I wouldn't worry you.
00:02:22Tell me about that red guide!
00:02:24I am Gonzalo de Montalvo.
00:02:27School teacher.
00:02:31No!
00:02:34No, please!
00:02:46No, please!
00:02:49No, please!
00:03:00No, please!
00:03:02No, please!
00:03:15Pussy!
00:03:16that I who did that command we are talking about women not with the case that
00:03:21Teutonic women are those who have curves and breasts.
00:03:28legs
00:03:31It excites the children, emotions, of course, a little help to eat, a coin for the
00:03:38love of God
00:03:40Give me everything you're carrying
00:03:43This looks really bad.
00:03:52no no no no
00:04:16He killed him
00:04:20That then gets sewn up after two days of bed rest and
00:04:39I don't care what methods you use, but bring me the head of the red eagle.
00:04:45here
00:04:54You didn't have to hire a hitman to catch the red eagle
00:04:58I'm about to catch him
00:04:59Hernán, please
00:05:01It took me a lot of effort to convince the lodge that you wouldn't be more useful if you were alive.
00:05:05I have to go. Tell your guards not to disturb that man.
00:05:10Where are you going now?
00:05:12matters of state
00:05:25I'll make you twins with this one
00:05:28I'm telling you, twins.
00:05:29Don't tell me
00:05:37strong that timely
00:05:38At this hour, I believe the kingdom is
00:05:40Let's see if they're thieves.
00:06:18daisy
00:06:19Daisy
00:06:21Dinner is ready.
00:06:23thank you
00:06:37The French ambassador will be visiting us in two days.
00:06:41We will give a grand welcome.
00:06:47Oh, by the way.
00:06:49I heard that the queen wants to wear the emerald necklace I gave you for that party.
00:06:54I need you to give it back. It's vital to me.
00:06:57Of course, Your Majesty.
00:06:59I will send an emissary to collect it tomorrow.
00:07:25The child must have seen it.
00:07:27And what about flabby ones?
00:07:29I slice it in half, as if it were a piece of butter.
00:07:31Can you tell me what you were doing with my son on the street during those hours?
00:07:35Well, take your firewood and load it, like you told me.
00:07:39And the little boy, well, the little boy can't be split in two like a person.
00:07:44You, like the red card holder, should know everything.
00:07:46Don't look back, but they're following us.
00:07:49Again?
00:07:51We're glued to each other's necks all day long.
00:07:53The commissioner still suspects me.
00:07:56I did what I could, sir.
00:07:58But the suit was too big for me, that's true.
00:08:01As long as you have your guards so close, I'm tied hand and foot.
00:08:06Well, I've been thinking about this for a few days now and...
00:08:10What if I had a nice suit made for myself too?
00:08:12Going head-on doesn't have its risks.
00:08:15Go on, throw it.
00:08:17Strip.
00:08:20Go on, eat, pretty girl.
00:08:22You'll see how this will make everything go away.
00:08:24You'll be an animal.
00:08:25How could you possibly think of serving a huge plate of lamb to the little girl at this hour?
00:08:28If he hasn't had a bite to eat since he arrived.
00:08:30Don't argue with me.
00:08:31My mother will come to pick me up soon and I won't cause you any more trouble.
00:08:37Okay, but you have to have breakfast, right?
00:08:40Would you like some milk?
00:08:43Come on.
00:08:44This would be nothing.
00:08:49You have to see what mothers...
00:08:51No matter how much of a witch she is, it takes a lot of nerve to abandon a daughter.
00:08:54The letter simply states that her life is not good for the girl and that she will be better off with us.
00:08:58That's all, right, Inés?
00:08:59No address or anything.
00:09:01Who will take better care of her than us?
00:09:03And why don't you talk to Gonzalo?
00:09:05I'm sure he'll come up with something.
00:09:07Well, nothing, Inés, darling.
00:09:08Good luck, eh?
00:09:09We're not going there, we'll be late to the palace.
00:09:10Thank you.
00:09:13And now my friend says he's going to the Indies.
00:09:15You tell me what good it is to me.
00:09:17If by the time my child leaves and comes back you already have polo shirts.
00:09:19Listen to Catalina, I'm not serious.
00:09:22And you'll see what happens when things calm down...
00:09:25Leave the bedroom.
00:09:26Sir, you're in the bathroom now...
00:09:27I said out.
00:09:33Leave the bedroom.
00:10:08Tell me.
00:10:08Nothing suspicious, sir.
00:10:10She is now at school teaching children.
00:10:12I want to be informed of any move the teacher makes.
00:10:20Lucrecia?
00:10:26To what do I owe such an honor?
00:10:29The emeralds I gave you.
00:10:31You still have them.
00:10:34This is no place for a lady.
00:10:35I don't have time for formalities.
00:10:37You have them.
00:10:38Clear.
00:10:40It's my way of always knowing how grateful I am to you.
00:10:43I need you to give them back to me.
00:10:46Because?
00:10:47Because I'm asking you to, Hernán.
00:10:49Oh, really?
00:10:50That's all?
00:10:52So that?
00:10:52To give them to someone else?
00:10:54Is that it, Lucrecia?
00:10:56Hernán.
00:10:58The less you know, the better for you.
00:11:01Give me those stones.
00:11:08I always keep them close to my heart.
00:11:15If I see another man with them, I will kill him.
00:11:24Thank you, Hernán.
00:11:27Thank you.
00:11:35You're welcome, Lucrecia.
00:12:13No love!
00:12:15No love!
00:12:15I don't know who Red Eagle is.
00:12:18Nobody knows him.
00:12:20Through Jesus Christ our Lord.
00:12:23I'm telling you the truth.
00:12:36So much work, just so two people can eat?
00:12:38Well, one and a half.
00:12:39Because, Nuño, you'll tell me.
00:12:41Well, how are we doing, Catalina?
00:12:42You've been complaining all day long.
00:12:44If I don't arrive, Margarita.
00:12:45I won't arrive.
00:12:47I already owe Gonzalo three months of school.
00:12:49Poor Inés helps me as much as she can, but I don't want to take advantage either.
00:12:52And my child can't fit any more writhing inside him.
00:12:55And why don't you ask the marchioness to give you a raise?
00:12:58Man, Catalina, you've been in his service for many years.
00:13:02Besides, you are his trusted maid.
00:13:05I'm sure if you explain to him what you're going through, he'll help you.
00:13:08My goodness, and how obvious it is that you don't know her!
00:13:11Well, you've got nothing to lose by trying.
00:13:15Catalina, this necklace needs to be taken to my jeweler so that I can set these two stones.
00:13:22It has to be ready first thing tomorrow without fail, I said without fail.
00:13:26This is of vital importance, is that clear?
00:13:27Yes, ma'am, the table is ready.
00:13:29Go to the task I told you about now.
00:13:31Margarita is with you.
00:13:33Six hundred reales to pay the jeweler.
00:13:36Catalina, be very careful.
00:13:39This necklace needs to be fixed tomorrow.
00:13:41Don't worry, ma'am.
00:13:42With your permission.
00:13:43Daisy.
00:13:45Hurry.
00:13:49Six hundred reales for gluing two stones to a necklace.
00:13:51They are emeralds.
00:13:53Not even if they were blessed eggs.
00:13:55That's throwing money away.
00:13:56Not at all.
00:13:57Because sticking that on is nothing.
00:13:58The marchioness has plenty of money.
00:14:00Yes, she has plenty and I don't have enough.
00:14:01It really infuriates me, it really infuriates me with that waste.
00:14:06You know what I'm saying?
00:14:08If I have to fix it, my Floro will do it, he's a handyman.
00:14:10And not the money that we give.
00:14:12Catalina, are you sure?
00:14:15Yes, she's sure.
00:14:17Well, you know what?
00:14:20Until he finds out...
00:14:22He won't find out.
00:14:24And God knows I do it out of necessity.
00:14:26That money is desperately needed in my house.
00:14:28So, does anyone know the name of those caravels?
00:14:33Alonso?
00:14:34Hey?
00:14:36The Holy Mary?
00:14:38The Holy Mary?
00:14:39The pinto and...
00:14:40The look.
00:14:41The look and...
00:14:43AND...
00:14:44AND...
00:14:45AND...
00:14:45A girl.
00:14:46A girl, that's it.
00:14:47Murillo, it's not okay to snitch.
00:14:48Hello, teacher.
00:14:49Sorry for the interruption.
00:14:51Do you have a moment?
00:14:51Yeah.
00:14:53It's Matilde.
00:14:55What can't we do with it?
00:14:57The poor thing seems kind of dull.
00:15:00Be patient.
00:15:01Do you know what would be good for him?
00:15:03Coming to school and interacting with children of the same age.
00:15:07Matilde.
00:15:08Come here.
00:15:11Would you like to stay at school?
00:15:16Come on, daughter.
00:15:17You'll see how much fun you'll have with these lads.
00:15:19And they're very nice.
00:15:22Look, here's a place.
00:15:25Matilde, yes.
00:15:26For now, just sit here.
00:15:29Next to Alonso.
00:15:37What has he done?
00:15:40That's the flow barbershop.
00:15:42But if I were you, I wouldn't go in there, you might end up with one less tooth.
00:15:47And there in the back is the dairy.
00:15:49I already know the neighborhood.
00:15:50I used to live here.
00:15:51That's right, you and your mother...
00:15:55Look!
00:15:57And the same thing happens to me.
00:16:00Do you know what I do?
00:16:02At night before going to bed,
00:16:04I talk to them and it's as if they were still with me.
00:16:08That?
00:16:09That?
00:16:09That?
00:16:14Take.
00:16:15Thank you.
00:16:17Hello, Matilde.
00:16:18What are you doing?
00:16:19Look what Alonso gave me.
00:16:21Mmm, a daisy.
00:16:23It is a very common flower.
00:16:24The countryside is full of them.
00:16:26Nobody asked for your opinion, okay?
00:16:28In the gardens of my palace
00:16:29All kinds of exotic flowers grow there.
00:16:31It's incredible.
00:16:32If you want, we can go see them now.
00:16:35Look, I've stayed here
00:16:36I have very important things to do.
00:16:51You look beautiful!
00:16:52It's beautiful, isn't it?
00:16:55You can tell that the good stuff is noticeable.
00:16:57Look at the water it's making.
00:16:58If you can't look at it closely,
00:16:59You are left completely blinded.
00:17:01Go on, you're always complaining about your flower
00:17:02But today I've left it like new, okay?
00:17:04The truth is, yes.
00:17:04He's very absent-minded,
00:17:05But he has very good hands.
00:17:07Let's see.
00:17:08Tasting.
00:17:09Shh, stay still, don't move.
00:17:11There, there, there, there.
00:17:12Wait.
00:17:14Catalina.
00:17:15Let's see.
00:17:16Oh my God.
00:17:17You look like a sultana, daughter.
00:17:21Come on, take this off me
00:17:22However love comes
00:17:22Let us be seen, you see.
00:17:23She's dying of envy.
00:17:26Take.
00:17:28Sacred Sacrament.
00:17:30That I have been told
00:17:30the blood in the body.
00:17:32Look what I'm telling you,
00:17:33I'll give it back to you now.
00:17:34I hope nothing bad happens.
00:17:36Wait.
00:17:38Won't you find it a little strange?
00:17:39That it's fixed so soon?
00:17:40We must have taken it to the jeweler.
00:17:42fix it and pick it up.
00:17:43And that takes time.
00:17:45This is the reason.
00:17:46The marchioness will be whatever she is,
00:17:47But she's no fool.
00:17:49Imagine how I felt
00:17:50with the money,
00:17:51He'll fire me, I'm sure.
00:17:53Catalina.
00:17:54Catalina.
00:17:54What do we do about this?
00:17:55What do we do about this?
00:17:56What do we do about this?
00:17:59Catalina.
00:17:59Lady.
00:18:01Did you do the errand I asked you to do?
00:18:03Yes, ma'am.
00:18:04The jeweler told me
00:18:05that I would have it tomorrow without fail.
00:18:07What's wrong with you?
00:18:09Nothing.
00:18:13Perfect.
00:18:14Come with me, both of you.
00:18:15Oh, and hurry up with the dress.
00:18:16The day after tomorrow and reception
00:18:17at the Royal Palace.
00:18:18Yes, ma'am.
00:18:19Mother, I would like to go with you.
00:18:21Can?
00:18:21Please.
00:18:24You're growing up so much, Nuño.
00:18:27You will be my companion.
00:18:28It's in your best interest to know this well.
00:18:29to the people who come
00:18:30to that party.
00:18:31Come on.
00:18:32Come on.
00:18:55Sorry.
00:18:57Sorry.
00:19:02That's what I like to hear.
00:19:03Study.
00:19:04Knowledge takes up no space.
00:19:06And if not, look at me.
00:19:07I take up very little space
00:19:08and all I know.
00:19:10What are you doing?
00:19:11Nothing.
00:19:12I am reading
00:19:12about the Queen of France.
00:19:15The Queen of France.
00:19:20The Queen of France.
00:19:22The queen of the camellias.
00:19:24Matilde, Cipriano's daughter.
00:19:27You're totally smitten with her,
00:19:28Huh, chicken?
00:19:30You're not fooling me.
00:19:32Come on.
00:19:33Tell everything to Tito Sato.
00:19:35Matilde.
00:19:37Okay.
00:19:39Nothing, I just like it a lot.
00:19:40But I don't know what to do.
00:19:41Don't know what to do?
00:19:42No.
00:19:43Well, no problem.
00:19:44Here is Dr. Love.
00:19:45Look at me.
00:19:46Don Juan of Castile.
00:19:48What do you know about women?
00:19:51Nothing.
00:19:53Nothing.
00:19:53Nothing?
00:19:55Your father hasn't explained it to you
00:19:56nothing at all.
00:19:58So you're out of bed
00:19:59And frolicking, huh?
00:20:01Of course you haven't.
00:20:04Okay, let's get started.
00:20:05For the basics, Alonso.
00:20:08Women need to be shown affection.
00:20:11Body affection.
00:20:12Are you following me?
00:20:13Yes, I think so.
00:20:14Come.
00:20:15First you start with kisses.
00:20:17No, no kisses.
00:20:18I'm sorry,
00:20:18But it disgusts me.
00:20:20I have plenty of work to do.
00:20:21I'm with you.
00:20:23But come on, guys,
00:20:24Why do you think so?
00:20:24Did God give us two hands?
00:20:26Because women
00:20:27They have two breasts.
00:20:28Everything has been planned.
00:20:30Here is a universal rule.
00:20:32The larger they are,
00:20:33far better.
00:20:34That's how it is.
00:20:35And at the time
00:20:36of the touching...
00:20:39Alonso,
00:20:40Go to your room
00:20:41to do the homework.
00:20:41Go on.
00:20:42Okay.
00:20:48Can we know?
00:20:49What were you talking about?
00:20:51Nothing, the kid.
00:20:52He keeps asking questions
00:20:53on the arts of love
00:20:54and I was illustrating it for him
00:20:55using metaphors,
00:20:56but...
00:20:56Yes, yes, Satur,
00:20:57If you don't mind,
00:20:58I'd rather explain that to you myself.
00:21:00In my own way,
00:21:01Man, of course.
00:21:02I was saying because the kid
00:21:03It's in the beech tree of...
00:21:04Ahhh!
00:21:09Sanís, laughing!
00:21:10They are killing
00:21:11women and children!
00:21:12The people of the town!
00:21:13The red one!
00:21:15Come on,
00:21:16I know what you're thinking,
00:21:18but not...
00:21:18Quick, hide!
00:21:26The other bracelet.
00:21:28Thank you.
00:21:29Ah!
00:21:30Damn, that friar.
00:21:32I could do it now
00:21:33more normal entries.
00:21:35I get quite a few scares
00:21:36that...
00:21:37For once,
00:21:38Your kid is wrong.
00:21:40He's been looking for you.
00:21:40He's a hitman.
00:21:42Slice,
00:21:43bodies as if they were
00:21:43pears, like that.
00:21:45Think about it for a bit.
00:21:46While I think,
00:21:48innocent people
00:21:48He is dying.
00:21:58We have acted hastily
00:21:59upon entering the hideout
00:22:00of the lodge.
00:22:01We have lost
00:22:01all the clues
00:22:02about the killers
00:22:03from your wife.
00:22:04You're making a mistake
00:22:05again.
00:22:06I'm fed up
00:22:07of doing things
00:22:07your way.
00:22:08You're forgetting
00:22:09of everything I taught you.
00:22:10One thing is to be
00:22:11a brave man
00:22:12and another very different one
00:22:13to be a daredevil.
00:22:14What do you expect me to do?
00:22:15Should I hide in here?
00:22:16while that bastard
00:22:17Doesn't he stop killing people?
00:22:18No.
00:22:19Not this time.
00:22:25No.
00:22:25Thank you!
00:22:28No!
00:22:29Thank you!
00:22:33Let her go!
00:22:43Thank you!
00:23:07Thank you!
00:23:20High!
00:23:32Nails of Christ, Lord!
00:23:35It could have been worse
00:23:37Luckily it didn't break her in two
00:23:39Sit down
00:23:40Careful
00:23:43Can you sew it?
00:23:48This looks very bad, sir.
00:23:55Sew! Sew! Sew! Sew!
00:24:19And your father? Where is he?
00:24:27Commissioner
00:24:29Is there anything we can help you with?
00:24:33Are you...
00:24:35Sweating a lot
00:24:36Maybe he'd like a...
00:24:39A cheap wine
00:24:44Alonso, son
00:24:45Go for Agualcos
00:24:46Father, it's just that...
00:24:49Obey
00:24:53Commissioner, will you be staying for dinner with us?
00:24:56The Red Eagle has just put on one of its usual street performances
00:25:01Well, I'm afraid we've missed it.
00:25:05We eat dinner early.
00:25:07We have somewhat military habits
00:25:11I think he hasn't gotten away with it this time.
00:25:15This is crazy!
00:25:18If you don't want anything else
00:25:20Get out of my house
00:25:25Shall I come with you?
00:25:26Come on, commissioner
00:25:45You see her with such a sweet face, the poor little girl.
00:25:47What is it that...
00:25:48May you end up on the wrong foot.
00:25:50Damn it, Flora, are you listening to me?
00:25:53Well, no, Cipri, I'm not listening to you.
00:25:55I just can't get India out of my head.
00:25:57Look, the barbershop is doing terribly
00:25:59And the thing is, I'm up to my eyeballs in debt.
00:26:01I'm just telling you that...
00:26:03Don't rush into anything.
00:26:05Think about it, okay?
00:26:09Rest
00:26:29I'm on edge.
00:26:30I can't wait to return the marchioness's necklace.
00:26:32Okay, woman, calm down, we'll give it to him tomorrow.
00:26:36Damn Rosales
00:26:38I want to speak to the gardener first thing tomorrow.
00:26:41Is there anything I can help you with, ma'am?
00:26:43It's just a thorn
00:26:44No problem
00:26:44I need a needle
00:26:46Don't worry, we'll give it to you.
00:26:49You're implying that I'm not capable of finding a needle on my own.
00:27:01The needle
00:27:08It's impossible that you haven't.
00:27:09It's Margarita
00:27:12What's not there?
00:27:13But if that's not possible, let's leave it here.
00:27:14I don't understand
00:27:16What do we do?
00:27:20Because?
00:27:42No, no, no.
00:27:52Amazing.
00:27:56I've been watching you.
00:27:58Do you fight well?
00:28:04Perhaps we should collaborate to hunt the red life.
00:28:11I always work alone.
00:28:14I hope you're not mistaken.
00:28:31Mother! Mother, get up, we're going to be late!
00:28:34Alonso, son, why don't you go get dressed?
00:28:37I'll be right there.
00:28:38But you're always first.
00:28:39Already.
00:28:41But, could it be that I didn't sleep well, son?
00:28:43Well, then...
00:28:44Well, if you stay lying here, so will I.
00:28:46Okay, we can say that...
00:28:49We're sick, we're not going to school like this.
00:28:51No!
00:28:53Is something wrong?
00:28:54No.
00:28:56I'll give you the race.
00:28:57Let's see who gets dressed first.
00:28:59What can I beat you at?
00:29:00I bet you don't.
00:29:01The last one to arrive changes the straw in the stable.
00:29:03Ready?
00:29:05Ready?
00:29:06Already!
00:29:09Already!
00:29:14Already!
00:29:26Already!
00:29:55Miss Margarita, is something wrong?
00:29:58Me?
00:30:00Nothing, why?
00:30:01No, since I see you're adding it to the milk, well...
00:30:06I'm a little sleepy.
00:30:09Huh?
00:30:11You said it.
00:30:13He looks like he hasn't slept a wink all night.
00:30:16I'm a little tired, I mean, just you.
00:30:19Well, yes, of course, you're with...
00:30:22With that whole women thing.
00:30:24Women's?
00:30:25Well, yes, woman, well...
00:30:27Because of the month.
00:30:28What month, Satur?
00:30:30This whole thing about...
00:30:31No?
00:30:33Ah, yes, yes, yes, I'm on the monthly thing.
00:30:36You know it changes your mood.
00:30:37Yes, I'll know.
00:30:39Well, look, eat a little bit of breadcrumbs, this is going to be great for you.
00:30:43Come on.
00:30:46Father, I have won.
00:30:48You change the straw.
00:30:50You've won me over.
00:30:51Satur.
00:30:52Hey?
00:30:53Come here for a moment.
00:30:54Yeah.
00:30:59Take.
00:31:01You're going to go, and nobody should see you.
00:31:04What did he pee on?
00:31:06No, no, no, I'm just kidding, it's to lighten the mood a bit.
00:31:13Good morning.
00:31:16You look unwell.
00:31:17No.
00:31:18Are you OK?
00:31:19Yes, yes, yes.
00:31:20I just can't eat a good plate of migas until I've had some good migas...
00:31:22I am not a person.
00:31:23Well, said and done.
00:31:24Here you are.
00:31:26Crumbs Saturn.
00:31:27The ones everyone wants, right?
00:31:31This could raise the dead.
00:31:35Cipri!
00:31:38Catalina.
00:31:40I feel very guilty, I'm very sorry.
00:31:43Cipri!
00:31:45It was at that time that I put the collar in the sewing box.
00:31:47No, it's my fault.
00:31:49Why am I messing around with the marchioness's necklaces?
00:31:53I'm terrified of getting to the palace, absolutely terrified.
00:31:56And on top of that, I spent all night waiting for my boyfriend who went out for drinks with Cipri and hasn't shown up.
00:31:59turned.
00:31:59Okay, ma'am, what can I get you?
00:32:00What can I get?
00:32:01Tell me where my husband is.
00:32:02Where are you hiding him, sleeping off his hangover?
00:32:04He has to open the barbershop.
00:32:05Roro?
00:32:06Did Roro go to his house, which is yours, and I to mine?
00:32:08To my house?
00:32:10Cipri, don't get me worked up, I know you cover for each other among friends, but tell me the truth.
00:32:15Are you sure he didn't go home?
00:32:16Man, I'm sure.
00:32:17Safe, safe.
00:32:18I don't live in the Escorial palace.
00:32:20I'd say I would have stumbled upon it.
00:32:23Precious!
00:32:26What's so precious, Cipri?
00:32:27Don't scare me.
00:32:30Catarina.
00:32:34He has gone to the Indies.
00:32:36To the Indies?
00:32:38Cipri, I'm not in the mood for jokes, okay?
00:32:39He told me very clearly yesterday.
00:32:42He saw no other way out of your situation.
00:32:45I'm sorry, I didn't think that...
00:32:54I'm sure that if he hasn't said goodbye to you, it was to avoid hurting you.
00:32:57Of course.
00:32:59Look, I'm sure there's an explanation.
00:33:01Or did he leave you a note?
00:33:02What grade?
00:33:03She'll be fine, don't worry.
00:33:14Ah!
00:33:30Here it is!
00:33:48Here, I've done it for you.
00:33:50Thank you, Alonso, it's very nice.
00:33:53What a coincidence!
00:33:54I've also brought a small gift for you.
00:33:56As a welcome
00:34:01For me?
00:34:04I cannot accept it
00:34:05Please keep it
00:34:07How many gifts?
00:34:08You're very nice to me
00:34:09You deserve it, although I honestly don't want them to be compared.
00:34:13Look, shut up
00:34:14Okay, at least I did it with my own hands
00:34:16They are both very beautiful
00:34:19Thank you
00:34:27I love
00:34:29They say screams were heard in the woods tonight?
00:34:32I think something's going on.
00:34:33And that warrior is in on it.
00:34:39They say screams were heard in the woods tonight?
00:34:40No
00:34:40No
00:34:40Quéd moe
00:34:46They say screams were heard in the woods tonight?
00:34:57Thanks are given in the forest!
00:35:02Just like I know that tonight in the forest there have been screams without warning!
00:35:02Health
00:35:08GO?!
00:35:36Thank you!
00:36:07Thank you!
00:36:30Thank you!
00:36:52Thank you!
00:37:01The necklace disappeared, and my flower in India
00:37:06Margarita hasn't even said goodbye yet.
00:37:08not even from his son.
00:37:10I can't take it anymore, I can't take it anymore.
00:37:13All my misfortunes seem to come at once.
00:37:15Come on, woman.
00:37:17You'll see when I get home.
00:37:19This flower waiting.
00:37:20No, Margarita.
00:37:22That my husband headbutted me.
00:37:24He set his sights on the island.
00:37:27And it didn't stop until it was gone.
00:37:32He's not a hitman either.
00:37:33The head of the Red Eagle has been brought.
00:37:35Did you waste your money?
00:37:37You said he hurt him.
00:37:39That's more than you've achieved in months.
00:37:42Let him work.
00:37:46And now, if you'll allow me,
00:37:51I need to finish trying on the dress
00:37:52for reception.
00:37:55You will need someone to accompany you.
00:37:57I'm already accompanied.
00:38:01My son Nuño will look after me.
00:38:03Don't worry.
00:38:10Daisy,
00:38:10wash my sleeves.
00:38:17Catalina, did you go for the necklace?
00:38:18Over there.
00:38:19Daisy,
00:38:20a little care.
00:38:21I'm sorry, ma'am.
00:38:23Well?
00:38:26Yes, ma'am, I did go.
00:38:29Bring it.
00:38:29I want to see how it turned out.
00:38:31Daisy,
00:38:31can we find out what's wrong with you?
00:38:39They're all weird.
00:38:41Let's see,
00:38:44What's happening?
00:38:46Lady,
00:38:49the necklace.
00:38:52What about us?
00:38:53We went to the jeweler,
00:38:55But I hadn't prepared for it.
00:38:56so...
00:38:56Tell the jeweler
00:38:57otherwise it will be over.
00:38:59I will cut off his hands myself.
00:39:00Is that clear?
00:39:03Take this dress off me now.
00:39:04Take me away.
00:39:17You gave birth,
00:39:18with the man there is.
00:39:19There's no way this will happen here.
00:39:19man.
00:39:20We'll have this for dinner tonight.
00:39:22Come on,
00:39:22look for some stones around there
00:39:23to play.
00:39:24What's wrong with you?
00:39:27With a face like yours.
00:39:29Nothing,
00:39:30that...
00:39:30that he hasn't given her
00:39:31a necklace for Matilde.
00:39:32A necklace?
00:39:34But wait,
00:39:35wait,
00:39:35One of those necklaces
00:39:36that are made with leaves
00:39:38Or a necklace that sparkles?
00:39:40Of those that shine.
00:39:41And it was made of diamonds, too.
00:39:43Damn it!
00:39:44with the little marquis.
00:39:45Hey, Satur,
00:39:46Do you think Matilde
00:39:47Is she going to become his girlfriend?
00:39:48It's screwed up.
00:39:50Aloncillo,
00:39:51if there is a universal rule
00:39:52with women
00:39:53It's just that they always,
00:39:54but always,
00:39:55They prefer them rich.
00:39:57And Satur,
00:39:58Is it true that
00:39:59I think about her a lot
00:40:00Will I go blind?
00:40:02Murillo told me
00:40:03that he told him
00:40:03to his brother.
00:40:11I just can't
00:40:12I can't tell you anything.
00:40:13That I am not the one who
00:40:14to explain these things to you.
00:40:16Why don't you ask him?
00:40:17to your father?
00:40:18So it's true,
00:40:18No?
00:40:20AND
00:40:21How many times can you do it?
00:40:24Yeah,
00:40:25Murillo says
00:40:26yes
00:40:27You touch him
00:40:28more than ten times
00:40:28breasts
00:40:29to the girl you like
00:40:30that you're dying.
00:40:32Alonso, my son,
00:40:33from now on
00:40:34with Murillo
00:40:35play
00:40:36and little else.
00:40:38Let me explain
00:40:41to women
00:40:43the more
00:40:45carnal touching,
00:40:47well...
00:40:49Alonso, son,
00:40:50better with your friends,
00:40:51Go on.
00:40:55If you want, I won't tell you.
00:40:56nothing,
00:40:57because the kid
00:40:57It has a curiosity
00:40:59that...
00:41:02Be well, you jerk.
00:41:18What is this?
00:41:33Home.
00:41:37Let's see,
00:41:38Catarina,
00:41:38and we explained everything to him.
00:41:39Yes, what should we tell him?
00:41:40What if it comes out?
00:41:40600 reais
00:41:41Have we lost his collar?
00:41:43No, Margarita,
00:41:44that there is no solution.
00:41:48I just don't understand it.
00:41:49that the sewing box
00:41:49I'm the only one who has it.
00:42:00Mister,
00:42:02Have you seen this?
00:42:03a necklace
00:42:03What was in that sewing box?
00:42:04No.
00:42:06It is very important
00:42:07that necklace appears,
00:42:08So if you've seen it
00:42:09Please tell us.
00:42:10I haven't seen anything.
00:42:11You're sure
00:42:12Why haven't you taken it?
00:42:14Everything in this house
00:42:15It belongs to me,
00:42:16so I don't have
00:42:16to give explanations
00:42:17to no one,
00:42:17and even less so to a maid.
00:42:19Look, child, child.
00:42:20Catalina,
00:42:21Calm down.
00:42:23Something wrong?
00:42:25Yes, ma'am.
00:42:27Her necklace.
00:42:28We had left it.
00:42:29in that sewing box
00:42:30and Mr. Marquel
00:42:32He's taken it.
00:42:34Is that true?
00:42:36child?
00:42:36I don't have to
00:42:37answer the questions
00:42:38of some commoners.
00:42:39He's not talking to you
00:42:40a commoner,
00:42:40but your mother.
00:42:41Answer.
00:42:42Have you picked up the necklace?
00:42:45So what?
00:42:45if everything there is
00:42:46in this palace
00:42:46Is it mine?
00:42:47If you picked up that necklace,
00:42:48I order you
00:42:48Give it back to me
00:42:49right now.
00:42:52Can't.
00:42:52Let's see, son.
00:42:53I don't have time
00:42:54For that.
00:42:55This necklace
00:42:55It is very important
00:42:56and I need
00:42:56Give it back to me.
00:43:00Really,
00:43:00that I can't.
00:43:01What do you mean you can't?
00:43:05I've lost it.
00:43:06What do you mean you've lost it?
00:43:07But you're stupid.
00:43:15How did you come up with that?
00:43:17store a jewel
00:43:17So, in a sewing box?
00:43:19Yes sir.
00:43:19If it weren't you,
00:43:20I would have you flogged.
00:43:23I don't love you
00:43:24I hope to see you around again.
00:43:26Look at me, Catalina.
00:43:30You're fired.
00:43:48Yeah?
00:43:51Alonso, son.
00:43:53How's it going?
00:43:54All good?
00:43:55Okay, yes.
00:44:02You'll see, son,
00:44:02I wanted to talk to you
00:44:05of...
00:44:05Have I done something wrong?
00:44:06No, no, no, man, no.
00:44:08I'm not here to scold you.
00:44:11Come...
00:44:12I've come to talk about you
00:44:13and your things.
00:44:15Alonso,
00:44:16that if ever
00:44:17You're wrong.
00:44:17or there is something
00:44:18whichever one you want
00:44:19Let's talk,
00:44:19of any curiosity,
00:44:20of girls,
00:44:21of whatever,
00:44:22You know you can
00:44:22Count me in, right?
00:44:26I know that I
00:44:26I'm not very good at this.
00:44:29but...
00:44:30Now it's just you and me.
00:44:32That maybe I'm not
00:44:33the person
00:44:34who knows best how to listen,
00:44:35but...
00:44:36I hope I'm here.
00:44:39Already.
00:44:44Good.
00:44:54Okay, good night.
00:45:10It's clear that my son
00:45:11He doesn't trust me
00:45:12to tell me their things.
00:45:13No, don't fuss, sir.
00:45:15Kids' stuff.
00:45:17If I can help you in any way, well...
00:45:19Yes, Satur.
00:45:21Prepare everything.
00:45:22I have to go.
00:45:23How, how, how, how?
00:45:25Are you going?
00:45:27Sir, calm down
00:45:28and reflect a little.
00:45:29That date
00:45:30It's an invitation
00:45:30to suicide.
00:45:31Satur,
00:45:33I have to go.
00:45:34That's great.
00:45:36We're going
00:45:37And we're going to give it to him
00:45:38And we're going to give it to him
00:45:38And we're going to give him what he deserves.
00:45:39Me when I get angry
00:45:40I'm in a really bad mood.
00:45:42No, Satur.
00:45:43Not this time.
00:45:45You stay here.
00:45:47I'm going to go alone.
00:45:52That's great.
00:45:56You're staying here with me.
00:46:05Your Majesty
00:46:06he sent me
00:46:06to pick up
00:46:07what he asked of her.
00:46:10The necklace
00:46:11It's not ready yet.
00:46:12My jewelry box
00:46:13He's polishing it.
00:46:14The king was waiting
00:46:15have it tonight.
00:46:16I suppose he knows
00:46:17which will only cause offense.
00:46:19The king will have
00:46:20his collar on time.
00:46:21Don't forget
00:46:22which is of utmost importance.
00:47:04What do you think?
00:47:12You're looking at a dead woman
00:47:14What happened?
00:47:18Nothing
00:47:22There's nothing you can do.
00:47:39Holy!
00:47:40I didn't tell you not to come
00:47:42I really thought I was going to leave her alone, love
00:47:46Besides, I always say that four eyes are better than two.
00:47:50But I have a view of...
00:48:36Who are you?
00:48:37Tell me, I won't cut your throat.
00:48:43Gonzalo
00:48:49Sungui desca?
00:48:52Oh!
00:48:53Oh!
00:48:54Bye bye!
00:48:55Oh!
00:49:08Oh!
00:49:23Virgin, I ask you for my mother, that she may be well and come to get me soon.
00:49:30Tell her I miss her a lot.
00:49:40I'm leaving you this offering, in case it helps. It's all I have. Amen.
00:49:59I also ask you to take good care of Alonso's mother, as I know she is with you.
00:50:18Alright?
00:50:20To put it bluntly, you're worse than Invincible's weapon, sir.
00:50:27Come on, get up. Get up, sir.
00:50:33How is this?
00:50:34Huh? Oh, because of the bump on the head. Don't worry, I have a big head.
00:50:42Can you tell him that it took my mother three days to get me out?
00:50:46Sato, I'm going home.
00:50:52Make up anything, but bring something to cure me.
00:50:56I'm calm.
00:50:59I'm going to leave her there, love. I'm going to leave her there resting.
00:51:03Come here, sir.
00:51:05Space. Space, yes.
00:51:07So, keep it.
00:51:08Come here.
00:51:09I'm going to cover it up.
00:51:15I feel bad leaving her here bleeding out, sir.
00:51:18Sato, it's not a suggestion.
00:51:21It's an order.
00:51:22Runs!
00:51:24I'm going to...
00:51:25I'm going to spill it right away.
00:51:29Aaah!
00:51:55Listen.
00:51:56Listen.
00:51:57Don't even think about it.
00:52:00Calm down, calm down. Sorry, sorry.
00:52:02This is going to be double-edged, huh?
00:52:04Don't worry.
00:52:05Aaah!
00:52:06Aaah!
00:52:14Here it is.
00:52:23Good morning, Satur.
00:52:24Below.
00:52:26And my father?
00:52:27Hey?
00:52:27Yeah.
00:52:28Where is?
00:52:30Who?
00:52:30His...
00:52:31Your brother-in-law, you, the father of...
00:52:33My master.
00:52:34I mean, the...
00:52:36Mr. Gonzalo.
00:52:38Well, he had to leave very...
00:52:40Very early.
00:52:41Because?
00:52:41Because?
00:52:42Well, because I had a lot of things to do.
00:52:44And don't try to get me to talk, because these are things men do...
00:52:48Which I'm not going to explain.
00:52:51Okay.
00:52:53Good morning.
00:52:57Yours, right?
00:52:59And tired, it seems.
00:53:01Women's stuff, you know...
00:53:02As I've already told you, we're not going to go into details.
00:53:06Alonso, son.
00:53:08Go to school, I'll be right there.
00:53:09But, father, the students can't arrive before the teacher.
00:53:13Yes, today.
00:53:16I'm leaving too.
00:53:18I'm going to be late to the palace.
00:53:19Come on.
00:53:34Love.
00:53:37You are definitely my idol.
00:53:47Good morning, Madam Marchioness.
00:53:49I've finished the alterations to her dress.
00:53:53Very good.
00:53:57Leave it on the bed.
00:54:05Alright?
00:54:13Yeah.
00:54:16You can leave.
00:54:18Thank you.
00:54:22I suppose that...
00:54:24That necklace would cost a lot.
00:54:29But it makes no sense that she's so upset.
00:54:33After all, it was just a jewel.
00:54:37AND...
00:54:40And Catalina...
00:54:43Catalina has been working for you for a long time.
00:54:51You don't understand anything.
00:55:00That necklace belonged to the queen.
00:55:08I would have to take him to a reception at the Royal Palace that very night.
00:55:21Take care of this scum!
00:55:30Here you go, Eti, not the one you gave me.
00:55:32I'm not going to do work.
00:55:35I suppose there must be some reason for that change of mind.
00:55:38Do you want more money?
00:55:41I said I'm not going to kill him.
00:55:44Is it possible to know why a murderer decides not to kill?
00:55:48To do, commissioner.
00:55:53Guards!
00:55:57Follow her.
00:56:14I just don't understand it.
00:56:15Why has a father gone to the ladies?
00:56:18Well, son Murillo, to bring money home.
00:56:20He did it for us, darling.
00:56:21Be quiet.
00:56:24Why did he leave without saying goodbye?
00:56:26I wanted to go with him.
00:56:28That's exactly why, darling.
00:56:29So that you wouldn't get any sadder.
00:56:31Don't worry, he'll be back here soon.
00:56:33You'll see, I promise you.
00:56:36To the race for the zurro.
00:56:44Catalina.
00:56:50I am very worried about Flora Gonzalo.
00:56:53Something must have happened to him.
00:56:54He doesn't leave like that, without saying goodbye.
00:56:57Catalina.
00:56:59Flora is in the Indies.
00:57:00He told me that too.
00:57:03And everyone, except me.
00:57:07Catalina, it takes a lot of courage to do what Flora has done.
00:57:10What if he doesn't come back?
00:57:18He will return.
00:57:19You'll see, he'll come back.
00:57:26Speak out loud.
00:57:28Matilde.
00:57:29I need you to return the necklace I gave you yesterday.
00:57:32No, I can't give it back to you.
00:57:34But why not?
00:57:35Because I don't have it anymore.
00:57:37I gave it to the Virgin as an offering to pray for our mothers.
00:57:40For me and for Alonso.
00:57:42Did you really ask for my mother?
00:57:44So that she would take care of her.
00:57:46Thank you.
00:57:46The nation of Earth in 1522.
00:57:52Very good, Murillo.
00:57:54Your father would be proud of you.
00:57:56Hello, recess!
00:57:58Look!
00:58:01Alonso.
00:58:02Alonso.
00:58:03Teacher.
00:58:05Look what I've granted you so you can invite your little friend.
00:58:08What is it?
00:58:09What is it?
00:58:11Chocolate.
00:58:12That?
00:58:13But chocolate.
00:58:15Good chocolate.
00:58:16Smell, smell, smell, smell!
00:58:22Did you know?
00:58:23That?
00:58:24Matilde left the necklace that her husband gave her in the Virgin's collection box to pray for me.
00:58:28mother.
00:58:28No!
00:58:29That means something about me is good, right?
00:58:31He's not going to like you, Alonso.
00:58:33With your face and the wisdom God has given me, I could captivate even the queen herself.
00:58:41To die for!
00:58:42She's going to love it!
00:58:49Are you Mr. Gonzalo?
00:58:51Yes, it's me.
00:58:52A Chinese woman told me that she will be waiting for me in the forest at five o'clock.
00:58:54Let him go.
00:58:57God, was that necklace the queen's?
00:58:59Yeah.
00:59:00And tonight I had to take him to a reception at the Royal Palace.
00:59:03My God, the scene I've made with my wife, the scene I've made for 600 measly reales.
00:59:08And why on earth? Did the marchioness have a necklace belonging to the queen?
00:59:11Well, I think that...
00:59:13Well, let's talk about matters of state.
00:59:14On matters of state.
00:59:15Ladies.
00:59:16Hello good.
00:59:17Inés, give me a... a little wine.
00:59:22And that face, Doña Catalina?
00:59:24Yeah.
00:59:27Missing his flattery, of course.
00:59:28No.
00:59:31Susanto, traveling halfway around the world to earn four ducats.
00:59:34And the marchioness's little boy is over here.
00:59:36Come and give away necklaces like they're sugared almonds.
00:59:40Now, he has nothing to do with Matilde.
00:59:44What did you say?
00:59:45Well, it's not my little alon.
00:59:46They no longer have a candle.
00:59:47No, no, no, no.
00:59:49What's this about him raising the Marchioness Andavora and giving away necklaces?
00:59:51That's what I say, because I also think it's awful.
00:59:53Who did he give it to?
00:59:54To Matilde.
00:59:55And the very pious woman goes and throws it into the church collection box.
00:59:58If she finds out, her mother is the witch.
01:00:00Strip.
01:00:01Strip.
01:00:01Keep going.
01:00:02Eat!
01:00:08All the women around here are as beautiful as her.
01:00:13No.
01:00:14That's my wife.
01:00:18Congratulations.
01:00:19Do you happen to know of anyone who wants to rent a place in this neighborhood?
01:00:23So that?
01:00:24Well, I'm a doctor and I'd like to be here.
01:00:27Doctor, huh?
01:00:28Well, for example, Father, the miracle of the loaves and fishes.
01:00:30And I, as a stay-at-home mom, perfectly understand that where two can eat, three can eat.
01:00:37That with two sad sins they will tell so many people how to eat.
01:00:39Well, we find that hard to believe, Father.
01:00:41It's difficult for us.
01:00:41And if that weren't enough, I'll tell you that the opportunity...
01:00:43No, no, no, no.
01:00:46Let me empty the brush and I'll explain the miracle of the loaves and fishes.
01:01:12Damn it, I'm poor too.
01:01:22No, no, no.
01:01:23They won't marry us off, they won't marry us off.
01:01:25Don't take action, because a star is visible from the East, those camels are walking...
01:01:28And that they continue with those people, with the...
01:01:29That's what it is, that's what it is.
01:01:31So it's not that you don't just need to have faith, you need to have a lot of faith.
01:01:33There you go, Father, you said it.
01:01:35Faith, faith.
01:01:36Thank you very much, Father, thank you very much.
01:01:54At least this time you didn't have to kill anyone to give me a message
01:02:02I'm leaving the city, I'm going away, Gonzalo
01:02:05That will not bring back the innocent people you have killed.
01:02:11The dead never rise again, leaving is the only thing I can do
01:02:23No, that's not all.
01:02:27Surrender
01:02:28Gonzalo, you know I'm not going to do that
01:02:35I always wanted to do it
01:02:37Sungji
01:02:42I can't let you go
01:02:45It's a matter of justice.
01:03:00Agna
01:03:00Agna
01:03:00Agna
01:03:00Sangüídste
01:03:00Agna
01:03:08Agna
01:03:20You will face death, but let it be only to impose justice.
01:03:26Never forget the value of human life, your own and that of others.
01:03:44If the master saw you, he would be ashamed of what you have become.
01:03:47You don't know what I've been through.
01:03:53I too have suffered a lot.
01:03:58Well, well.
01:04:02Who do I kill first?
01:04:06Let me think about it and enjoy this moment.
01:04:15Decided.
01:04:18For old times' sake, there's the red one.
01:04:43Never forget the value of human life, your own and that of others.
01:05:12Please, you have to let me through.
01:05:14I am the marchioness's servant.
01:05:16I have to give this to the king.
01:05:17Please, you have to let me through.
01:05:20Any problem?
01:05:21The woman tries to see the king.
01:05:23Sir, please, it is very important that you see the king.
01:05:27I have to give you this on behalf of the Marchioness of Santillana.
01:05:39Sorry.
01:05:45Sorry.
01:05:45Sorry.
01:05:46Sorry.
01:05:46No.
01:05:58Sorry.
01:05:59Sorry.
01:05:59Your Majesty, but I believe it is important. Please come closer. Your Majesty, on behalf of the Marchioness of Santillana.
01:06:30Go look for everything, I'm not hungry. Mother, I've looked for the necklace, but I haven't found it. Forgive me.
01:06:45It's the same, son. It's too late now.
01:07:01You may leave.
01:07:09Thank you for sending the necklace with your maid.
01:07:21Come closer.
01:07:29I don't know how you did it and I want to know.
01:07:34I asked the Virgin Mary for it.
01:07:51Catalina.
01:07:57Prepare my dress.
01:08:01I'm going to a reception at the Royal Palace.
01:08:13Give me your hand, son.
01:08:20Oh, little one.
01:08:28Isn't it a little late for a child your age to still be up?
01:08:33I just can't sleep.
01:08:36If my intuition is correct, I would say it's a girl.
01:08:44A girl.
01:08:46Good.
01:08:48Do I know her?
01:08:50If you know everything, you'll also know who she is.
01:08:54Alonso.
01:08:55There are things you have to tell yourself, so that the other person can help you.
01:09:00Alright.
01:09:02Her name is Matilde.
01:09:04She's the most beautiful girl I've ever seen.
01:09:08I think I've experienced what happens to older people, that...
01:09:12that I've fallen in love.
01:09:16The moment I see her, I start sweating like I'm running and...
01:09:20I can't stop thinking about her, I just want to be with her all the time.
01:09:27And why don't you tell your father that?
01:09:30Are you sure he'd love it?
01:09:35What's happening?
01:09:37Don't you trust him?
01:09:39I don't know about that, it's just that...
01:09:42I used to talk about all this stuff about emotions with my mother.
01:09:58Poor creature.
01:10:01No, no, poor them both.
01:10:04They're practically identical.
01:10:11Saturn, Saturn.
01:10:13Let's take advantage of the Virgin's little bonus,
01:10:16to make the women of this village happy.
01:10:32Augustine.
01:10:40You were right.
01:10:42We acted rashly and missed the opportunity to discover my wife's killers.
01:10:48Perhaps forever.
01:10:51You will find a thousand paths that lead away from your goal.
01:10:54But there is one that leads to him.
01:10:57You just have to know where to look.
01:11:03I wish someone could help us.
01:11:27I wish someone could help us.
01:11:30I'm telling you, that doctor is a weirdo.
01:11:33Satur, I'll kill you!
01:11:35Do you hear me? I'll kill you!
01:11:37I kill you!
01:11:38We'll have the king in our sights before he even enters the church.
01:11:41What do you mean they're going to kill the king?
01:11:44He is a gentleman.
01:11:45But sir, sir!
01:11:52You need to know that in this house, just as trust is rewarded, betrayal is punished.
01:11:56There's nothing between Gonzalo and me.
01:11:58That you and Gonzalo remained in love.
01:12:02What am I to you, Lucrecia?
01:12:06Do you want me to sleep with your poser?
01:12:08I need to see the king now!
01:12:13Satur!
01:12:20The fate of Spain is in your hands.
01:12:33Go!
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