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00:00:01Oh my God! We need to talk.
00:00:03I am here to save Gonzalo de Montalvo.
00:00:06Any sign? Talk to me!
00:00:07Yeah!
00:00:10I even need a cocris.
00:00:12To reconcile the master with his father the king,
00:00:14find Mrs. Margarita
00:00:16and marry them off.
00:00:18I need an assistant.
00:00:20They've brought a package for the commissioner.
00:00:22I forgive him.
00:00:24By the way, they've brought that for you.
00:00:26I'm going out tonight.
00:00:28Is this what you eat for dinner?
00:00:29It's not for me.
00:00:31That advisor wrote the word Rome on the ground
00:00:33just before dying.
00:00:34It could refer to one of the Roman roads
00:00:37that arrived in the village centuries ago.
00:00:38This stone is not as old as the rest.
00:00:41It belongs to the nobleman I killed.
00:00:42I was the last person to free Laura de Montiñac
00:00:45and to her two children.
00:00:47It was in this forest where I was ordered
00:00:49that he would hand us over to his jailers.
00:00:51And that's how I took an innocent woman
00:00:53and to her two children.
00:00:54A confinement worse than death.
00:00:56Someone ordered all of this to Saturn.
00:00:58Coachman!
00:00:59Where did you take the commissioner last night?
00:01:01I took him to the criminal.
00:01:03He goes there every night.
00:01:04Shall I appoint you as my squire?
00:01:05I accept.
00:01:06But Gonzalo, look at the finish.
00:01:08A daisy.
00:01:10The lady finished the garments with such care.
00:01:12The lady is sewing and selling in the area.
00:01:17And after discovering that I am the son of the King of Spain,
00:01:20I, Hernán Mejías,
00:01:22I will not rest until I occupy the throne that belongs to me.
00:01:26I would like to clarify the conditions of our support for the son of the Montignac leaf
00:01:31to do it.
00:01:32The condition is that the Spains be French.
00:01:36If he helps us, he will be the next pope.
00:01:40I accept.
00:01:40The queen who sits on the throne must be French.
00:01:45Of course.
00:01:47I know where Margarita is.
00:01:48In the Forest of Light.
00:01:50Who are you?
00:01:51I bring firewood to the lady every day
00:01:53so that she doesn't have to carry the load.
00:01:54Because of its condition.
00:01:56She is pregnant.
00:01:58I'm going to infect that bitch with the bad French.
00:02:00Her husband is responsible.
00:02:02And what do you think will happen to him when he sleeps with her?
00:02:04I'm looking for my niece.
00:02:06How does it look on me?
00:02:07You're already taking it off.
00:02:09Oh.
00:02:10I'm sorry.
00:02:11I know what was in that pen.
00:02:14No!
00:02:14What are you doing here?
00:02:16The girl has bad French.
00:02:17She has been infected.
00:02:18That?
00:02:19As you know, four former advisors to the king have been murdered.
00:02:22All of us here were part of the council
00:02:24when Philip IV was young.
00:02:26Does anyone know why they would want to do something like that?
00:02:28Who?
00:02:29I.
00:02:33I am the Duke of Rueda.
00:02:35Former advisor to the king.
00:02:36Why do you want to kill us?
00:02:38Because of what you did to Laura de Montiñac.
00:02:41Who ordered it?
00:02:42Was it the king?
00:02:43Everything was done behind his back.
00:02:44The king would never have allowed it.
00:02:47The revenge is over.
00:03:14Please let it come already, for God's sake, let it come already.
00:03:18I wish it would arrive already.
00:03:33Are you still here?
00:03:34And will I stay here until I receive your father's reply?
00:03:37The King of Spain?
00:03:38You haven't left the door for two days.
00:03:43At last?
00:03:44It's here, it's here, it's here.
00:03:46I'll open it, I'll open it.
00:03:52Good night.
00:03:53Yes, yes, this handkerchief is ours.
00:03:55I can't give any more details about Cipria.
00:03:56Goodbye!
00:03:58Thank you.
00:04:06I wrote to Satur a few days ago.
00:04:09Maybe he'll never answer.
00:04:10But how could he not answer?
00:04:12The thing is, the king has his chores to do.
00:04:15The man won't have time.
00:04:17Not even to answer a child.
00:04:22That's where he got me.
00:04:27Now yes.
00:04:28It's already there.
00:04:29Now yes.
00:04:33But you, Cipriano, don't you have any keys or what?
00:04:36I broke my foot on the stairs.
00:04:37Why should we care about your foot?
00:04:39Are you okay, Cipri?
00:04:39Yeah.
00:04:40Let me help you.
00:04:41No no.
00:04:43Bye bye.
00:04:54Satur, go to sleep.
00:04:56I don't think the answer will arrive today either.
00:04:58What if I fall asleep and we don't hear the doors?
00:05:00It's that it has to be removed, it has to be removed.
00:05:01I'm staying here.
00:05:02Go ahead and...
00:05:04And if he arrives, I'll let him know.
00:05:06Satur, if it arrives I will listen to it.
00:05:07Very good.
00:05:08Well, let the dresses come out.
00:05:09We might end up with salt and be in trouble.
00:05:11Okay, shall we go?
00:05:14Rest, Satur.
00:05:15Thank you.
00:05:32For my own pee!
00:05:36Hold on, Satur, don't hold on.
00:05:39Hang in there, it's coming.
00:05:48Hold on, ah!
00:05:59Hold on, hold on.
00:06:05Hang in there.
00:06:07Hold on, hold on.
00:06:09Hold on, hold on.
00:06:24No, no, no.
00:06:43No, no, no.
00:07:15What's wrong, Commissioner? Your shouts could be heard throughout the palace.
00:07:20Nightmares are often a reflection of a restless soul.
00:07:28Do you have any pangs of conscience?
00:07:30Do you think it's not a small burden of guilt to have killed my own mother?
00:07:33That?
00:07:35Every night when I close my eyes, I see myself murdering the one who gave me life.
00:07:42That shouldn't upset you. At that time you didn't know she was your mother.
00:07:49Your words offer me no comfort, Your Eminence.
00:07:53Consider that throughout history there have been many sons who have killed their mothers.
00:07:57Even the emperors themselves, as was the case with Nero and Agrippin.
00:08:01You didn't come here to comfort me.
00:08:04Isn't that right?
00:08:22Indeed.
00:08:26I have come to tell you that I have obtained the support of the French.
00:08:31When the time comes, they will offer you their help to dethrone your father.
00:08:39Your Eminence, I apologize for the interruption.
00:08:44Dear, I came to ask your permission for something.
00:08:48It is always a pleasure to observe how devoted the wife is to her husband.
00:08:54Submission is the basis of marriage.
00:08:56What is it you want, Lucrecia?
00:08:58I want to organize a baking class here at the Palace.
00:09:03for the women I do cross-stitch with.
00:09:07We will learn how to make egg and honey pine nut cookies,
00:09:11puff pastry hartales, candied fruits.
00:09:14Apparently, your wife wishes to sweeten your lives with the art of baking, Commissioner.
00:09:22Where's the problem?
00:09:24His eminence is right.
00:09:25Excuse me, Hernán, if you say yes, it will all be very beneficial for you, you'll see.
00:09:37I give you my permission.
00:09:41Eminence.
00:10:04What are you doing stuck there?
00:10:09Father, don't you know what I've heard?
00:10:10I neither know nor do I want to know.
00:10:12Who taught you to stick the big ear through the walls?
00:10:14No, no, there was a shout and then I put the glass down.
00:10:16But when a scream is heard, one rushes to help, one goes to listen.
00:10:21Father, something very important is happening in the next room.
00:10:24I overheard the commissioner and the cardinal talking.
00:10:26And hold on tight, the commissioner is the king's son.
00:10:29What nonsense are they talking about?
00:10:31The commissioner, the king's son?
00:10:32Well, I don't know, it's just that the walls are very thick and you can't hear very well.
00:10:35The son is the cardinal.
00:10:37But how can the cardinal be the king's son if they are almost the same age?
00:10:40Well, the thing is, one of them is a son.
00:10:42And they started talking about something or other involving some French people.
00:10:44What are the French doing here?
00:10:46I don't think so.
00:10:48A conspiracy is being hatched.
00:10:51What kind of crazy ideas are you putting in your head?
00:10:54No, it's reality.
00:10:55One has to...
00:10:57We must report it.
00:10:58Report?
00:10:59Bartolo, who seeks our ruin.
00:11:00You know what it means to bear false witness.
00:11:02It's not false, I've heard it.
00:11:03But you're not accusing the guy on the corner,
00:11:05who are His Excellency the Cardinal and the commissioner of the town himself.
00:11:09I'm telling you, something really big is going on here.
00:11:11What causes harm?
00:11:12Bartolo, we're not even here to catch the family.
00:11:16nor to invent conspiracies.
00:11:19Leave him alone!
00:11:20Don't you see you're going to get beheaded?
00:12:16I'm going to make myself breakfast.
00:12:41I'm sure the answer is just around the corner.
00:12:45Perhaps the royal messenger has gotten lost in the neighborhood, as all the streets seem
00:12:48the same.
00:12:53See if there's any dried meat left.
00:13:03Let's see, Amos, if he starts cooking, we'll cook.
00:13:06And you know what they say.
00:13:08He who cooks sadly eats bitter food.
00:13:11I just want one answer, Saturn.
00:13:13Even if it's negative.
00:13:15It's not asking too much.
00:13:24The world is full of criminals.
00:13:27This didn't happen before.
00:13:29Would it be too much to ask that they leave the damn little door alone once and for all?
00:13:34What's wrong with the door?
00:13:36I have to get in somewhere, right?
00:13:37You have to go in!
00:13:38Saturn, Saturn.
00:13:39Take him.
00:13:41Forgive me, Amos.
00:13:41I'm sorry, but my nerves are completely wrecked.
00:13:45Cipri, what were you saying?
00:13:46Which criminals were you talking about?
00:13:47Well, they've stolen the royal mail.
00:13:52That?
00:13:53Apparently, they raided one of the trucks and took all the sacks.
00:14:00Is that why it didn't arrive?
00:14:04Who is the chariot going to answer, Amos?
00:14:06What was his father the king's answer?
00:14:09Ah!
00:14:15Oh man, it's also bad luck that the royal post office was robbed.
00:14:20That doesn't mean he answered me, Saturn.
00:14:23Perhaps my answer wasn't there.
00:14:25Of course I was going there!
00:14:27That's why it hasn't reached its destination, which is you.
00:14:31Perhaps he's right.
00:14:34Prepare my suit.
00:14:35I'm going to get those letters back.
00:14:37That's my master!
00:14:39Come on, girl, let's see!
00:14:45I'm thinking about how he's going to do it.
00:14:48Because following the rest of a person's story, sure, but letters...
00:14:52Follow the same route as the royal mail.
00:14:56What if they've been burned?
00:14:58What if those wretches stole the royal mail to burn the sacks?
00:15:02No, Saturn.
00:15:03If they stole the cards, it's because they were looking for something in them.
00:15:07Are you sure?
00:15:10What could there have been of interest to those thieves?
00:15:14Promissory notes.
00:15:16Bearer securities.
00:15:19Well, that's it. The heist is well thought out, of course.
00:15:24Perhaps I knew it in my time...
00:15:26Sometimes things are more than they seem.
00:15:29A letter or a simple piece of paper can be more valuable than a cart full of gold.
00:15:39I'm still processing what you told me about paying attention to details and...
00:15:43I'm already learning another masterclass.
00:15:48Recovering those sacks is the only way to know if the king has answered me.
00:15:52And I'm going to do it, Saturn.
00:15:53I'm going to do it.
00:15:56Come on.
00:16:05Come on.
00:16:08Come on.
00:16:21Come on.
00:16:23It's wrong of you that my horse always follows his own.
00:16:26With so much surveillance in front of that door, I've been stunned.
00:16:34There are chariot tracks, Saturn.
00:16:35The attack may have taken place in this forest.
00:16:50Perhaps the people in that cabin saw something.
00:16:59God.
00:17:00We've found her.
00:17:01I'm going to tell you one thing, Cipriano.
00:17:03I'll give you the good news.
00:17:04Understood?
00:17:05It's not fair.
00:17:06It should be both of us.
00:17:08Who are you?
00:17:09I bring firewood to the lady every day.
00:17:12So that she doesn't have to carry the load.
00:17:14She is pregnant.
00:17:16Go with God.
00:17:18Is she pregnant?
00:17:19What do you mean she's pregnant?
00:17:21It just can't be.
00:17:22I thought that...
00:17:23Gonzalo and she didn't...
00:17:24No, no, no.
00:17:25We weren't even the reason.
00:17:27Were you looking forward to the wedding day?
00:17:30No more than he would have told me.
00:17:33This is a prelude to another.
00:17:41Come on!
00:17:44Come on!
00:17:45Satur!
00:17:47What are we doing in that cabin?
00:17:50No more than I have a feeling that it's abandoned.
00:17:54People live here, Satur.
00:17:56There is women's clothing.
00:17:58Perhaps he can help us.
00:17:59You said it.
00:18:01Women's clothing?
00:18:02And women are always more focused on the home than on things outside.
00:18:07What little I've seen might be helpful.
00:18:10Don't worry.
00:18:14Satur!
00:18:19They bear the royal seal.
00:18:24These are the letters of King Satur.
00:18:26We have to follow the trail.
00:18:35They bear the royal seal.
00:18:37These are the letters of King Satur.
00:18:42We have to follow the trail.
00:18:52It's a shame you couldn't come to the lake party last week.
00:18:56That's true. It was a shame.
00:18:58How was your experience?
00:19:00Phenomenal.
00:19:00Little Lucas loved playing in the water.
00:19:04Lucrecia, we would never have guessed that you liked baking.
00:19:07How did you come up with the idea for the class?
00:19:09Ah, yes. That's all.
00:19:12One morning I woke up and said to myself...
00:19:15It would be good to broaden our culinary culture.
00:19:21There she is. Let me talk to her.
00:19:24Marchioness, excuse me, Vera.
00:19:26My Reme and I wanted to thank you for the invitation to your fine pastry class.
00:19:31It was quite a surprise.
00:19:32Don't thank me. Think of it more as: today for you, tomorrow for me.
00:19:36Of course. If you need a hand with anything, I'm here.
00:19:40Have no doubt whatsoever that I will come to you.
00:19:48What aprons! How beautiful!
00:19:51They are like they are illuminated.
00:19:53Yes. And look at ours.
00:19:57Daughter, don't get down on yourself now, because you might not look so nice on the outside.
00:20:03But deep down, these women are going to see what you're worth.
00:20:06Wait.
00:20:09Grab the roller.
00:20:16I present to you Álvaro Quiroga.
00:20:18He is the one who will teach us the secrets of baking.
00:20:23Good morning, ladies.
00:20:29Hernán.
00:20:31Still at the palace?
00:20:33Here we are, about to get our hands dirty.
00:20:44Ladies, enjoy the class.
00:20:49If you'll excuse me, I have to go to work.
00:21:04Or have the hangers-on from the tallest pole in the Plaza Mayor lost their answer?
00:21:10That?
00:21:19Do you need a letter opener?
00:21:40EuP immediately fills them with torque and makes them noticeable.
00:21:43Ahhh!
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00:29:04even if I have to knock this wall down with my bare hands.
00:29:06That's why I'm taking you out.
00:29:16Caution is advised.
00:29:18We can't do it here at the Palace.
00:29:22Mari, it's done!
00:29:25Mari!
00:29:37Go outside with your hand.
00:29:38Somewhere discreet.
00:29:40It's not easy for me to go out.
00:29:41I am under constant surveillance.
00:29:43It has to be tonight.
00:29:46I'll find a way to meet you.
00:30:09You are being unfaithful to your husband.
00:30:28Mari, it's done!
00:30:49Guanzalo de Montalvo?
00:30:51Yes, it's me.
00:30:52From His Majesty the King.
00:31:00Thank you.
00:31:18What an ugly thing to do.
00:31:19What a terrible thing His Majesty the King has done to him.
00:31:22Now let me tell you something.
00:31:22If he doesn't want anything to do with you,
00:31:24We don't want to know anything about him either.
00:31:27That's it.
00:31:28He answered Satur.
00:31:29What do you mean, he answered her?
00:31:30If you haven't heard the door.
00:31:32It just arrived.
00:31:35Don't tell me, my potato is going to get crunchy.
00:31:39If I told you that you had to trust His Majesty,
00:31:42or he hasn't told her.
00:31:43I still don't know what it says.
00:31:45No, what if she doesn't open it?
00:31:47What if she leaves it closed?
00:31:49And are we left with the illusion of the answer?
00:31:52No, Satur.
00:31:54I need to know what he's saying.
00:32:00Tomorrow morning a carriage will pick you up at your house
00:32:03so that you can come to the Royal Palace with your son to spend a week.
00:32:09What does it say? What does it say?
00:32:14He wants Alonso and me to spend a week at the Royal Palace.
00:32:18Is the little boy staying at the Royal Palace for a week?
00:32:21Yeah.
00:32:24But that's more than an answer.
00:32:26That's more than just a meeting.
00:32:29That's a week at the Royal Palace.
00:32:44Please, have mercy.
00:32:45For God's sake.
00:32:47I haven't done it.
00:32:50I swear.
00:32:53Sir, the king does not acknowledge his crime.
00:32:56Shall we continue with the usual procedure?
00:32:58I don't care, but he should shut up already.
00:33:11Do you want to tear out his tongue?
00:33:18I can't stand all this anymore.
00:33:23Out.
00:33:31What's wrong, commissioner?
00:33:35Do you no longer feel pleasure from torture?
00:33:38I won't say any more about all this.
00:33:43You must be cautious and hide your feelings.
00:33:47Why would I do that?
00:33:48Well, the destiny I was born for is not to torture carrion, but to conquer empires.
00:33:55Everything will come in time.
00:33:57Be patient.
00:33:59I've been waiting my whole life.
00:34:02Do you think that's a lack of patience?
00:34:04I want what is rightfully mine, and I want it now.
00:34:07Be careful, commissioner.
00:34:09Companies as prestigious as yours have been plagued by excessive greed.
00:34:15Now that I've discovered who I am, I don't intend to stay in this cesspool.
00:34:20Are you wrong?
00:34:22I am more than this.
00:34:23I am the future, once and for all, and listen to me.
00:34:31My future is linked to yours.
00:34:36And I'm not going to let you ruin it because of a simple outburst.
00:34:41Therefore, until that moment arrives...
00:34:48...keep doing your job.
00:35:07Aha!
00:35:09No, no, no, no.
00:36:01No, no, no, no.
00:36:14I swore I would take revenge on those who condemned you.
00:36:18I have kept my promise, mother.
00:36:26Now I'm going to meet my father.
00:36:31You burned the man.
00:36:38Finally, the circle is complete.
00:36:41No, no, no, no.
00:37:17Hi love.
00:37:19Hello, Saturn.
00:37:23Do you want something?
00:37:25No, nothing, it's just that...
00:37:28I have a question.
00:37:30Tell me?
00:37:33Maybe it's going too far, and since I'm not family, but...
00:37:36Saturn, in this house you are considered one of the crowd.
00:37:38For me, you are family.
00:37:39So can I go?
00:37:41Go where?
00:37:42To the Royal Palace, to spend the whole week there with you.
00:37:45I wouldn't want to miss that hug they're about to give each other for anything in the world, and
00:37:49the one I've worked so hard for, love.
00:37:50Of course, Saturn.
00:37:51Are you coming with us?
00:37:53Oh really?
00:37:54Yeah.
00:37:55No, it's just that the invitation didn't mention any names or anything...
00:38:00And then I don't want to be a problem with protocol and stuff, you know.
00:38:03Without you I would never have gotten this far.
00:38:06You're coming with us, Saturn, don't worry.
00:38:08You are the greatest, love.
00:38:11It will be good to have you with me among so many strangers.
00:38:16Inzalda!
00:38:19Oh, mother, mother, mother, mother, mother, mother, mother!
00:38:22What's happening?
00:38:22No, I'm thinking you might not be up for the occasion.
00:38:26We're going to be there for seven whole days and seven nights.
00:38:30And do you know about the wardrobe change? What does that entail? No, no, no, no.
00:38:34What I have will be enough.
00:38:35No, no, no, no, no, that's not enough, no.
00:38:37No, because he only has half a decent suit for me.
00:38:40Everything else, look, country, is more holes than clothes.
00:38:44Satu, Satu, Satu, Satu! Stop, stop, stop!
00:38:45Satu, stop!
00:38:46For!
00:38:49The king already knows our condition.
00:38:51Of course, because knowing her is one thing, but it's quite another for you to walk right past me looking like a...
00:38:55rag every day.
00:38:57What if you were embarrassed?
00:39:02He will have to learn to accept us as we are.
00:39:35The mother of all evils.
00:39:44What are you doing?
00:39:46Nothing.
00:39:48I was tasting the cake.
00:39:51That's what it's for, isn't it?
00:39:52No.
00:39:57Move aside.
00:39:59Is that the cake I'm supposed to take?
00:40:02Yes, that's what the marchioness did.
00:40:14Please.
00:40:17Thank him for me.
00:40:30I see the cake isn't here.
00:40:32Did he take her?
00:40:33He just left.
00:40:36And what are you looking at?
00:40:38Go on, do something useful.
00:40:40Call your parents and tell them I want to see them immediately.
00:40:45He's taking a risk, does he know that?
00:40:48Yeah.
00:40:50But it will be worth it.
00:41:03Did he send for us?
00:41:05Your wife is going to accompany me to Toledo to buy ingredients.
00:41:10We'll spend the night there.
00:41:11The night?
00:41:13In Toledo?
00:41:14Yes, because between leaving, arriving, and then returning, night falls upon us.
00:41:19But don't worry, I have it all planned out.
00:41:22I have booked a room at an inn.
00:41:24You will have your own bedroom.
00:41:26When we arrive, to give us enough time to complete all the errands, there will be a moment when we separate, okay?
00:41:31clear?
00:41:32Yeah?
00:41:33Then I'll wait for you at the stables in half an hour.
00:41:36Oh, and you, if they ask about me, tell them I'm with your wife.
00:41:48My God, Mari, she's using us to see her lover.
00:41:51What if the commissioner finds out?
00:41:54Well, she'll pay, but we're next, we're next.
00:42:09You need to lower that neckline, okay?
00:42:12No, no, no, no, less makeup.
00:42:15Your more makeup?
00:42:17Let's see, let's see this necklace.
00:42:21Oh, yes.
00:42:23Oh, you have no sense of humor, daughter.
00:42:25Go on, bring it.
00:42:29Do you see what looks good on?
00:42:33It's class today.
00:42:35Come on, come with me.
00:42:37Come on.
00:42:55I was expecting my student, not the Queen of the Nile.
00:42:59Tonight is Egypt's night.
00:43:01Already.
00:43:01Flor has insisted that they receive customers on a camel.
00:43:04And you're going to put it in here.
00:43:06Do you know, Flor, that a camel is a bit big?
00:43:08That's why I negotiated and exchanged it for this.
00:43:13The idea is that it starts at the nape of the neck and goes all the way down to the...
00:43:16Yeah.
00:43:16Well, let it go all the way to...
00:43:17Yes ok.
00:43:19That's good, that's very good.
00:43:21But I'm sorry to tell you that it's not an Egyptian symbol.
00:43:24Oh, no?
00:43:25No, it's the god Asclepius.
00:43:27It is a Greek symbol.
00:43:28Do you see how much I need to learn to read?
00:43:30Although the customers aren't scholars like you.
00:43:33I'm not, no.
00:43:35I saw that symbol once and I remembered it.
00:43:38We started with the classes.
00:43:48It's going to be difficult to concentrate like this.
00:43:51Just imagine I'm not wearing anything.
00:43:55That's worse.
00:43:57Well, I mean, I'm not dressed as an Egyptian.
00:44:01Well, it doesn't matter.
00:44:01We'll stick to our own thing.
00:44:03I have...
00:44:04I've brought you this homework.
00:44:06Homework?
00:44:09Isn't what we do here enough?
00:44:11Yes, yes.
00:44:12The thing is, I have to be away for a few days.
00:44:15It's not the same without classes.
00:44:16I'm going to back up.
00:44:19Don't worry.
00:44:21Then we made up for lost time.
00:44:23I've also brought you...
00:44:25Sorry.
00:44:30Which one do you have?
00:44:31I have 1, 7, 11...
00:44:34The 6th...
00:44:35The 8th...
00:44:48You left it at home
00:44:50And I've been thinking that...
00:45:16Let's see what I can get out of this!
00:45:19Saturn!
00:45:19Saturn!
00:45:20I just saw Gonzalo kissing a woman.
00:45:24That?
00:45:24How do you hear that?
00:45:26But that's perfect, Cipriano!
00:45:29That's great!
00:45:30Let's see if he can gradually forget about Mrs. Margarita.
00:45:33But it is...
00:45:35She is a woman of easy virtue.
00:45:38AND?
00:45:38Just what he needs.
00:45:40Something that will cheer her up.
00:45:43What is all this clothing?
00:45:45Hold on to the men.
00:45:47Cyprian.
00:45:48We're going to live in the Royal Palace for a week.
00:45:51What do you think?
00:45:52That?
00:45:54But how can that be?
00:45:57Well, the king.
00:45:58The king who?
00:46:02The king who has appointed...
00:46:05The king, who has named the master an exemplary citizen for his work in the village and...
00:46:09And that's kind of the reward.
00:46:13A week at the Royal Palace.
00:46:15Yeah.
00:46:16I never thought I would experience something like this.
00:46:17Oh no, no, no, no.
00:46:19Just keep thinking about it because you're not going.
00:46:22Someone will have to stay here to feed the horses.
00:46:26Wait, wait!
00:46:27Don't go!
00:46:28Come here!
00:46:30Do you use any sewing supplies?
00:46:32Open those hands.
00:46:35Yes, with these sausage-like fingers, you're not going to do a fine job.
00:46:39But hey, it'll do in an emergency.
00:46:41I don't plan to do a single thing.
00:46:44And besides, where did you get all these clothes?
00:46:46From the Las Pulgas theater.
00:46:48Fourth-hand, a bargain.
00:46:50They practically paid me to take her.
00:46:53Do you want Gonzalo to wear this?
00:46:55Yeah.
00:46:56It's for women.
00:46:58"It's for women," she says.
00:47:00But this jacket was worn in Molière's beautiful and ridiculous play.
00:47:05This will work with a few adjustments.
00:47:08And this robe?
00:47:10What do you think of this robe?
00:47:12They used to take this robe out...
00:47:16in Shakespeare's Romeo and Juliet.
00:47:19Well, to me they seem more like Juliet than Romeo.
00:47:22Okay, we're leaving first thing tomorrow.
00:47:25So, give it a go with the needle.
00:47:27And if we work hard all night, we might just get something.
00:47:52Did I do you a favor?
00:47:53No, it's not necessary.
00:47:56I'm fixing it up so I can sell it.
00:47:58We could use the money.
00:48:06Sit down.
00:48:07I want to talk to you.
00:48:10What's happening?
00:48:12Nothing.
00:48:12You sit down.
00:48:14Father, you're frustrating me.
00:48:16No, don't worry.
00:48:19Come on?
00:48:25Let's see.
00:48:29I told you things were going to get better.
00:48:32And so it will be.
00:48:36I've been a bit distracted lately and haven't paid enough attention to you.
00:48:39But you're always so busy.
00:48:42I should never do it so much that I don't have time for myself.
00:48:46But now things are going to change.
00:48:50Father, I'm older.
00:48:52And I understand that sometimes things don't turn out exactly as one wants.
00:48:54That's precisely what I don't want you to think, son.
00:48:57Sometimes the impossible happens.
00:49:00That's for others.
00:49:01Because for me...
00:49:04You're not going to sell it.
00:49:07I don't want you to forget that things depend on us.
00:49:09And although we often think otherwise,
00:49:11They can be changed.
00:49:17Nothing is impossible, son.
00:49:22If I told you that the king has invited us to the Royal Palace,
00:49:26Would that seem possible or impossible to you?
00:49:30The king has invited us to the Royal Palace.
00:49:32He wants us to spend a whole week there.
00:49:38But why?
00:49:39Because your father is a very important man
00:49:42And the king knows how to appreciate those things, of course.
00:49:49A whole week at the Royal Palace?
00:49:53Will I need to prepare?
00:49:57But listen, first you have to take a bath
00:49:58with scabies rubbing on the feet
00:50:00And he picks at his belly button for little balls, huh?
00:50:03Alonso.
00:50:04He's coming to pick us up first thing tomorrow.
00:50:07Okay.
00:50:08Come on, shoot!
00:50:16The cloudy one lost, he's left with the news.
00:50:19And as soon as the boy finds out he's the great-grandson,
00:50:22It doesn't frighten me.
00:50:25I wish I could tell you that someday, Saturn.
00:50:29Every man deserves to know where his roots come from.
00:50:45Well, that's all ready.
00:50:49But first...
00:51:05I love the idea of the mummy.
00:51:07And I think the customers are going to love it too.
00:51:10Come on, we're about to open.
00:51:12Come on!
00:51:14Come on!
00:51:20Can we talk about it now?
00:51:22The topic?
00:51:25What topic?
00:51:25The one you've been avoiding all day.
00:51:28The kiss.
00:51:30Ah, the kiss.
00:51:32It was nothing.
00:51:33There's no need to make a big deal out of it.
00:51:35Yes, it's important to give it importance.
00:51:36And a lot.
00:51:38In all your years of work, how many people have you kissed?
00:51:40None.
00:51:41We whores never do that.
00:51:44Do you remember why?
00:51:44Because for us, kissing means you love that person.
00:51:50Well, if you get so worked up over a simple kiss,
00:51:52I'll keep quiet about the other thing I was going to tell you.
00:51:55Have you ever been impregnated by a client?
00:51:59No.
00:52:04I'm thinking that starting today
00:52:05I'm going to dedicate myself solely to carrying out the crime.
00:52:08I never want to practice again.
00:52:13Well, when you reach a certain age, it's normal to retire, isn't it?
00:52:15Yes, at my age.
00:52:17When everything is already hanging up.
00:52:18What is it when I have retired?
00:52:20I don't want to continue.
00:52:21I want to change my life.
00:52:23Anaís, you forget that you're a whore out of necessity,
00:52:25not for pleasure.
00:52:26I have plans.
00:52:28When I learn to read I'll be able to get another job.
00:52:33But you don't realize it
00:52:34that you are the brothel's main attraction,
00:52:36the only one with a waiting list.
00:52:38Do you know what it's like to lose that?
00:52:39For women, honesty only brings hunger.
00:52:48Eminence,
00:52:49To what do we owe your pleasant visit?
00:52:51That certainly cannot be denied
00:52:53than the Egyptian civilization,
00:52:56despite adoring
00:52:57to false gods,
00:53:00It is especially attractive.
00:53:03Certain voices have reached me
00:53:05who express their disagreement
00:53:08with the assistance of this place
00:53:10and demand the imposition of heavy fines
00:53:13or even its closure.
00:53:15Should they shut us down?
00:53:16Yeah.
00:53:17However,
00:53:18And because of my position,
00:53:20I am in a position to intercede
00:53:23in the face of such disaffection.
00:53:25in return, naturally
00:53:28that you show me
00:53:29the wonders of the Egyptian world.
00:53:36I have come with the disposition
00:53:39to maintain a friendly exchange
00:53:41of knowledge.
00:53:44Come on?
00:53:46Come on!
00:53:49Come on!
00:53:50Giladme!
00:54:34Mother,
00:54:35I've been trying not to come,
00:54:37But if I don't tell you what I know,
00:54:39I'm going to burst.
00:54:39I'm not up for anything, Bartolo,
00:54:41I'm not up for anything.
00:54:41The pastry chef and the marchioness
00:54:43They're in on it too.
00:54:44of the conspiracy.
00:54:45The Marchioness and the Pastry Chef.
00:54:47How do you hear that?
00:54:48I read it on a cake.
00:54:50Messages are sent
00:54:52hidden in the cakes.
00:54:53Bartolo,
00:54:54That's not what you think.
00:54:55Yes, indeed.
00:54:56And the Portuguese
00:54:57They're also in the mess.
00:54:59This is an international conspiracy.
00:55:02The commissioner
00:55:02He wants to steal the throne.
00:55:04to his father, the king.
00:55:05And the cardinal...
00:55:07I don't know about the cardinal
00:55:08What a look you've got.
00:55:09I can't take it anymore.
00:55:10I can't take it anymore.
00:55:18Salt.
00:55:21I need to talk to you.
00:55:23Commissar,
00:55:24What are you doing at this hour?
00:55:26My wife is not in her bedroom.
00:55:28The servants told me
00:55:29that they saw her leaving with your wife.
00:55:33They have gone to Toledo.
00:55:36Who is your unjumilla?
00:55:37I always take it
00:55:38before going to sleep.
00:55:43Why are they going to spend the night there?
00:55:45And where?
00:55:46I'll answer the first one.
00:55:47because of the distance he travels
00:55:49Toledo is not far away.
00:55:50And the other thing, well, I don't know.
00:55:53Now, since we're talking about Toledo
00:55:54There are inns and monuments with seating.
00:55:59There's something I've missed.
00:56:02Since when has your wife
00:56:03Are mine friends?
00:56:05Well, you already know
00:56:06you to women.
00:56:09If it's for buying,
00:56:10They forge a friendship
00:56:11in two breaths.
00:56:13Know?
00:56:15I think you're hiding something from me.
00:56:19Not me, sir.
00:56:21I don't really know what it is.
00:56:24But you're going to tell me right now.
00:56:30Your silence confirms that you are lying.
00:56:39I have opened the doors of my palace to you
00:56:40to you and your family.
00:56:43You sleep under my roof
00:56:45And I'll feed you.
00:56:47Is that how you answer me?
00:56:52Speaks!
00:56:57Speaks.
00:57:01His wife?
00:57:06His wife is unfaithful to him.
00:57:18Are?
00:57:19Are?
00:57:41What's happening?
00:58:06I shit on everything that moves.
00:58:25I shit on everything that moves.
00:58:50You can't sleep, can you?
00:58:51No no.
00:58:53Nobody sleeps in this house.
00:58:56The little boy up on the roof has made a flan.
00:58:59You keep going around in circles and I'm there, hitting you with the needle.
00:59:02I already told you it wasn't necessary, Satur.
00:59:04Well, you can't imagine what a relief that is, because I'm really unlucky that...
00:59:13What is this?
00:59:14Here you are, here you are, here you are, here you are.
00:59:16Don't ask, I know what it is myself.
00:59:19Don't worry.
00:59:21They will know how to value us just as we are.
00:59:24Like poor people?
00:59:25No, Satur.
00:59:27Just as deserving of respect as they are.
00:59:46Throw everything away.
00:59:48Come on!
01:00:01I don't want anything of her left in the palace.
01:00:04Nothing!
01:00:05Nothing!
01:00:06I don't want anything left of her.
01:00:13Come on!
01:00:20Nothing!
01:00:25Come on!
01:00:28Come on!
01:00:29Come on!
01:00:32Come on!
01:00:32Come on!
01:00:35Come on!
01:00:44They're coming.
01:00:46The royal carriage is turning the corner.
01:00:48Where is your mother?
01:00:50Mother!
01:00:51Mother!
01:00:52They're coming.
01:00:53They're coming to get us.
01:00:54Did I hear you?
01:00:55Did I hear you?
01:00:58I'm very nervous.
01:01:00Don't worry, son.
01:01:02Me too.
01:01:04You deserve it.
01:01:06Thank you.
01:01:08Well.
01:01:17Good morning.
01:01:19His carriage is already here.
01:01:20Thank you so much.
01:01:25Come on.
01:01:47Is he going to the Royal Palace?
01:01:48Yes, and we're going shopping.
01:01:50Or do you want to get in the carriage too?
01:01:53Come on, let's go.
01:02:11Where is Saturn?
01:02:13If he doesn't come, I can accompany you.
01:02:16He will come, he will come.
01:02:20Wait!
01:02:21No, wait!
01:02:22Don't leave without me!
01:02:23Wait!
01:02:24Wait!
01:02:25Wait!
01:02:26Wait!
01:02:27If you achieved something so important, well...
01:02:30No, even less so, because I went to church to give thanks and I had to stay overnight.
01:02:33the claimant.
01:02:34Okay, we can go now.
01:02:42This is the first time I've ridden in a royal carriage.
01:02:46From today onwards we are going to experience many things for the first time, son.
01:02:50Come on.
01:02:55Come on, let's go.
01:03:03Come on, let's go.
01:03:11Come on, let's go.
01:03:34Come on, let's go.
01:03:55What are you doing?
01:03:57Why are you throwing away my things?
01:04:01Get out, get out.
01:04:13What's happening?
01:04:14Did you order all of this?
01:04:17Yeah.
01:04:18Because?
01:04:19What's happening?
01:04:20Something very clear.
01:04:21You are unfaithful.
01:04:22You're going outside.
01:04:24I reject you as my wife.
01:04:25I haven't been unfaithful to you.
01:04:26You are going to leave the palace.
01:04:28You are going to leave the palace.
01:04:28And the street will be your home.
01:04:30You will be nothing.
01:04:31Hernán, since we got married there hasn't been anyone, I swear, believe me.
01:04:34You're a creature of habit.
01:04:37You're a creature of habit.
01:04:38You can't live without being touched.
01:04:40Hernán, being queen is the most important thing in my life.
01:04:43I would never put him at risk.
01:04:45I am not unfaithful to you.
01:04:46You take me for an idiot.
01:04:48They've seen you with him.
01:04:49With the?
01:04:50You concocted the lie about the class to get him into my house.
01:04:55Hernán.
01:04:56It's all been a misunderstanding.
01:04:59Listen to me.
01:05:02Hernán, listen to me.
01:05:06You're going to listen to me.
01:05:14Put that gun down.
01:05:17I am being loyal to you like a dog.
01:05:21Last night I met at an inn.
01:05:24With that man you assume is my lover.
01:05:27And a powerful Portuguese nobleman.
01:05:30I have secured Portugal's support for your ascension to the throne.
01:05:52Why did you hide it from me?
01:05:54And you're asking me that?
01:06:04For some time now
01:06:07You consider me to be of the same value as a speck of dust.
01:06:13You won't look me in the face.
01:06:16You don't even listen to me.
01:06:19If I had told you I wanted to help you, you would have let me.
01:06:30I am the woman who is meant to be by your side.
01:06:35And with me.
01:06:37Only with me will you be the best king in history.
01:06:43Neither deatur, nor deatur.
01:06:47Ni deatur.
01:06:55Ni deatur.
01:06:58Ni deatur.
01:07:00Ni deatur.
01:07:05What's happening?
01:07:20Everything's going to be alright, you'll see. Let's go.
01:07:24There goes my mother, now we've really done her right.
01:07:27What's happening?
01:07:28Well, we didn't bring a thank-you gift, nor a treat for Her Majesty the Queen.
01:07:34I don't think he cares, Satur. The king invited us. Don't worry.
01:07:38Yes, but to the queen, the lady, to the house.
01:07:41Be a good-born person, it has a little detail.
01:07:44I mean, if we don't go to the Manzanares flower market, we can pick up a bouquet or something.
01:07:48No, Satur, they're waiting for us and I don't want to be late.
01:08:00We can't stop for a moment.
01:08:03I think I'm getting dizzy.
01:08:05It's just nerves, son.
01:08:06Try to stay calm.
01:08:07How can he be calm?
01:08:09How can he be calm when this is the greatest thing that's ever happened to us? Come on.
01:08:14I'm in the same boat. Alonso and I are about to throw up.
01:08:18Well, if you can't stand it, just look out the window.
01:08:21But we didn't stop.
01:08:23Are you laughing?
01:08:25When I entered their service, I didn't even dream of sleeping in a warm bed.
01:08:28But where are we going to sleep?
01:08:31Things depend on us, Satur.
01:08:34And although it may sometimes seem that they cannot be changed, they can be changed.
01:08:38Nothing is impossible.
01:08:40None of the three of us imagined something like this.
01:08:43Now all that's left is to enjoy it.
01:08:46And you think the king won't be granted access to the Royal Palace?
01:08:51I am sure that he will receive us as the occasion deserves.
01:09:15Sir, do you want to count the royal carriage?
01:09:17No.
01:09:19I don't care who's in that carriage.
01:09:22That job is no longer mine to do.
01:09:28Come on.
01:09:30Yes sir.
01:09:49I did what he asked.
01:09:51I went to that forest and told the Red Eagle what you told me.
01:09:56Let me go!
01:09:58Let me go!
01:10:00I assure you that he is convinced that the king had nothing to do with Laura's ordeal.
01:10:07from Montiñac.
01:10:17I had no doubt that you were going to be very convincing in the lie.
01:10:26He promised me.
01:10:28He promised me.
01:10:29He promised me that if I lied I would still live.
01:10:31And so it has been.
01:10:33Are you here with me?
01:10:36Alive?
01:10:43The problem is that sometimes our promises have to be broken in order not to leave loose ends.
01:10:58Loose ends.
01:11:01But what does it say?
01:11:02Let me go!
01:11:09Let me go!
01:11:12Let me go!
01:11:18Let me go!
01:11:26Let me go!
01:11:42No, no, no.
01:11:44Ah...
01:11:44No, no, no, no.
01:11:44But it's not necessary.
01:11:46I don't know that we didn't bring much luggage.
01:11:48We are resistant to change.
01:11:49It's not necessary
01:12:08All this is for you, Father.
01:12:21It's the first time he's looked at me with pride
01:12:27Listen
01:12:31Are we announcing our arrival with trumpets?
01:12:34No, Satur
01:12:35It's the call for the changing of the guard.
01:12:38Well, that makes it even better for me.
01:12:39What, the guard changes for us?
01:12:41No
01:12:43They always do it at this time
01:12:45Well, think what you want.
01:12:47But no matter how you look at it
01:12:48This is going to be
01:12:48It's going to be
01:12:50To experience it
01:13:19No
01:13:31My brother
01:13:32My brother has to leave that palace
01:13:38Get out of the way
01:13:39I've come to see the king
01:13:43This palace has some very interesting places.
01:13:45You should take advantage of being here to meet them.
01:13:47Oh no, I've already seen them.
01:13:49I'm coming to the pantry
01:13:51It looks like Noah's Ark
01:13:54I cannot condone this
01:13:57He has become related to them
01:13:58He will have to learn to put up with them
01:14:00I will not allow these people to be part of my family
01:14:03The king has returned
01:14:04The king has returned
01:14:06The king has returned
01:14:08But who does he think he is?
01:14:10But who does he think he is?
01:14:16My father
01:14:17He has never dedicated anything to me.
01:14:19Not a single word of acknowledgment
01:14:20Not one
01:14:27Lower that sword right now
01:14:33I've waited so long for this moment.
01:14:34And now I'm speechless.
01:14:36I do know what my first words should be.
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