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00:00:07Victor has died.
00:00:09There! Like the dog being dead, the rabies is over.
00:00:11They want to take everything from me. My palace, my lands, everything.
00:00:15What is clear is that this girl has been brutally murdered.
00:00:18I have to find that killer.
00:00:19My late husband left Nuño as the sole owner.
00:00:23Until he comes of age, the Santillana family will be the only one of age.
00:00:26I wish for Irene to enter the court as a lady-in-waiting to the queen.
00:00:30I will try to ensure that they do not interfere with their marital obligations.
00:00:34This girl was probably a prostitute.
00:00:36She's dead.
00:00:37That palace has to go through the same process!
00:00:38And all this fuss over some random woman?
00:00:40They're going to kill us all!
00:00:43My late husband arranged for us to stay in that palace.
00:00:47His wishes are being disregarded.
00:00:47You're going to name my son after me!
00:00:49You have defiled his memory in every bedroom of the villa.
00:00:54No no!
00:01:00But what have you done that's so funny?
00:01:04Our voice is San Isidro.
00:01:06That's how it's going to be.
00:01:07Everything you have is mine.
00:01:09And since it's mine, I want to enjoy it.
00:01:12Then I went inside and it was full of flowers.
00:01:14And Aunt Margarita was pacing nervously up and down.
00:01:17I hadn't seen her laugh like that in a long time.
00:01:19I am the Marchioness of Santillana and I deserve respect.
00:01:22Rest assured, I will not live in this pigsty.
00:01:24There's nothing like reaping what you sow.
00:01:26That means we're out of work.
00:01:28What do you think?
00:01:29You're crazy.
00:01:32I will not allow you to live like this on YouTube.
00:01:34Now I have a position.
00:01:36I have land, I have money.
00:01:38You're insulting me, Arlan.
00:01:42Ancient legends.
00:01:43They search for the hideout using any map of the area where the girl appeared.
00:01:46No!
00:01:47You're hurting me! Let me go!
00:01:49I always thought you were a total softie, and it turns out you're a degenerate.
00:01:52It was crushing my head!
00:01:55Why didn't you go with the others?
00:01:56All we starving people have left is our sense of understanding.
00:02:00Where to Margarita?
00:02:02It didn't come with you.
00:02:04I wonder if something has happened to him?
00:02:05The only road between Orcajo and Palacio passes through the caves.
00:02:10Let me go!
00:02:12Whoever it is, he's the killer.
00:02:13Is he going to keep killing?
00:02:14Well, he's dead and in your bed.
00:02:16He died alone.
00:02:18Let go!
00:02:21Let go!
00:02:25Let go!
00:02:33Welcome!
00:02:35Welcome!
00:02:52Someone!
00:02:54He hasn't sucked anymore, master!
00:02:59Time.
00:03:02Hey...
00:03:03Vase.
00:03:04No.
00:03:05I?
00:03:09A woman!
00:03:10Very good!
00:03:12Breasts.
00:03:15Breasts.
00:03:18Sagging breasts.
00:03:21A cow!
00:03:23That way, that way.
00:03:25Around there.
00:03:31But is it the bed?
00:03:32Yeah.
00:03:34That?
00:03:34The princess? You?
00:03:35The bed? Uh...
00:03:37Is anyone lying next to the woman?
00:03:38Great! Yes, of course!
00:03:43Hey...
00:03:44No, I don't know what it is.
00:03:46I just don't know what it is.
00:03:47It's very easy.
00:03:48Besides, you love it.
00:03:49Satur! Satur!
00:03:50Stop doing disgusting things in front of the child, man?
00:03:53Doing...
00:03:53What nonsense?
00:03:54Not anymore?
00:03:55No.
00:03:56What is it?
00:03:56Christmas.
00:03:58Let's see.
00:03:59The Virgin Mary.
00:04:01The cow's udders.
00:04:03The manger.
00:04:04And the tambourine.
00:04:06The tambourine.
00:04:08Zambomba, yes.
00:04:09What if not?
00:04:10Yes, yes.
00:04:11Master, what is this?
00:04:13A tambourine.
00:04:14Do you see it?
00:04:15What did you think it was?
00:04:17Nothing.
00:04:18Street, street, street, street.
00:04:20What did you think it was?
00:04:22No, woman, no.
00:04:24Besides, that's with the other one.
00:04:27What's up with the other one?
00:04:28She started it, her sister-in-law.
00:04:30The fact that?
00:04:31Nothing, Alonso.
00:04:32Time for bed.
00:04:33Why do you say it's with the other one?
00:04:34Because it's with the other one.
00:04:35Yes, but what?
00:04:37Alonso, nothing.
00:04:37Let's go to bed.
00:04:38That?
00:04:40Well, it's not the right time.
00:04:40Come to bed, man.
00:04:42You have the intention to offend, master.
00:04:44But Margarita has to get married as soon as possible.
00:04:46Between you and the doctor, you have it.
00:04:48But if the Holy Spirit appears here, it makes him a man.
00:04:53Look.
00:04:55I have found a living Montignac.
00:04:57You know that my whole family moved back to France more than 20 years ago,
00:05:00but...
00:05:01One of them stayed.
00:05:03My mother's brother.
00:05:04My uncle.
00:05:06I need to see him.
00:05:09Wouldn't you like to go now?
00:05:11No, not now.
00:05:12No?
00:05:13As soon as they fall asleep.
00:05:15One thing...
00:05:17Unless it's too indiscreet, we, when...
00:05:20when we sleep.
00:05:23That's clear.
00:05:25I know that there are birds that sleep as long as they smell.
00:05:28And you, being super-gifted, might have the same bird-like ability, but I don't.
00:05:32Go on.
00:05:33If you want, go to sleep.
00:05:34No, that's not it.
00:05:36What's happening?
00:05:37I need to talk to Cipriano, who is still angry with me.
00:05:39And also, I want to go with you.
00:05:41Alright.
00:05:43We'll go first thing tomorrow morning.
00:05:48First thing in the morning...
00:06:00I.
00:06:01No.
00:06:17I'll do it.
00:06:18No.
00:06:18No!
00:06:34It is a pleasure that you have summoned me back to your chambers, Your Majesty.
00:06:40The pleasure is all mine, Marchioness.
00:06:43Majesty.
00:06:44Don't give me any explanations.
00:06:46I beg you, Clemency, Your Majesty, please.
00:06:47I'm not interested in your apologies. I know you've been visiting my husband for years.
00:06:53And I know you're a trustworthy person. That's why I called you.
00:06:59I need your help.
00:07:01As you command, Your Majesty. Tell me how I may serve you.
00:07:05A group of conspirators intends to assassinate my only son.
00:07:10Prosperous level.
00:07:12But who would even consider doing something like that?
00:07:15England has never hidden its enmity towards Spain.
00:07:18We cannot allow anything to happen to the future king.
00:07:21Serving Your Majesty will be a great pleasure.
00:07:25Tell me how I can help you.
00:07:27You will take care of the child until the conspirators are captured.
00:07:30I will take charge of the future king of Spain.
00:07:32No one should know anything about this matter, Marchioness.
00:07:37Nobody.
00:07:53The future of the Habsburgs is now in your hands, Marchioness.
00:08:06Cipri, forgive me.
00:08:11Cipri, I'm going to come out to you all night until you forgive me.
00:08:16Tell me something, for God's sake.
00:08:18Insult me, send me to hell, beat me senseless, but don't stay silent.
00:08:22That I took you for a woman killer.
00:08:27You're not going to tell me anything.
00:08:29What can I say, huh?
00:08:30I'm fed up with you.
00:08:32Whether I'm a coward, whether I'm mediocre, whether I'm a murderer...
00:08:35Leave me alone, Satur.
00:08:37Leave now.
00:08:38Like Inés did.
00:08:40And as Florus did.
00:08:42In short, it must be what shit like me deserves.
00:08:46Don't say that.
00:08:48You're a great guy.
00:08:50Too good, even.
00:08:51That's not true.
00:08:52Good men usually end up doing well.
00:08:54Everything works out for me.
00:08:56Life isn't easy, not for you, not for anyone.
00:08:58Well, I think that for some people it is.
00:09:03Don't get too close to the orchards, I don't know what they might think.
00:09:05We've come to steal.
00:09:07Well, since you mention it.
00:09:10That?
00:09:11Saturn!
00:09:13Saturn!
00:09:13No!
00:09:14Your priest says!
00:09:15Saturn!
00:09:15What are you doing?
00:09:16Saturn, says your priest!
00:09:18Hang in there.
00:09:19You know about the relationships you could serve at the inn with all this.
00:09:23I just bought two sacks of wheat for the inn with my remaining savings.
00:09:26And what are you going to serve?
00:09:27Bread with bread?
00:09:29Besides, you know how long I've been in my little room without a hot meal.
00:09:32And who says hot?
00:09:34He doesn't eat vegetables!
00:09:37What's the kid going to do with legs more bowed than the Segovia aqueduct?
00:09:43Okay, fine.
00:09:44Can you hear it through the child?
00:09:46The countryside is so quiet, isn't it?
00:09:49Not a single brick can be heard.
00:09:51It is known that the farmers still get together to play cards or whatever.
00:10:09The coasts.
00:10:12The coasts.
00:10:14The coasts.
00:10:15The coast, Cyclis.
00:10:17The cost of damage has been completely disregarded.
00:10:19Run, Ciclis.
00:10:21Runs.
00:10:22Run, you bricklayer, for God's sake.
00:10:24Runs.
00:10:25Runs.
00:10:26Runs.
00:10:28Runs.
00:10:30Runs.
00:10:32Runs.
00:11:01Thank you!
00:11:03Thank you!
00:11:27You! Let's go!
00:11:30Come on, wait for me, for God's sake!
00:11:32With all this galloping, I've got enough nuts to make nougat!
00:11:37Damn, his uncle!
00:11:39And all this is for him alone!
00:11:42Although I also tell him
00:11:44I'll take care of this for you,
00:11:47although his house already seems too big to me.
00:11:49There's no trace of it, huh?
00:11:50Neither at the house nor at the farm. He might not even live here anymore.
00:11:52So...
00:11:54We'll go back home.
00:11:55Let's see, let's see.
00:11:56Focus, Mr. Montalvo!
00:11:59We've been trying to find out who you are for months.
00:12:01And when we finally discovered that it has a merry-go-round
00:12:03and we came all the way to his house...
00:12:04He's saying he's going to give up at the first opportunity.
00:12:07Now the farmers are the priority, Saturn.
00:12:10Let's go!
00:12:11Yes of course!
00:12:12Now it's the farmers.
00:12:14Yesterday it was the bloodsuckers
00:12:16And another day it's the Moriscos.
00:12:18The thing is, something more important always comes up.
00:12:20and we ended up leaving theirs for later.
00:12:22How does he intend to help the farmers?
00:12:24How can you stop the locust plague all by yourself?
00:12:27Saturn, I don't know.
00:12:27Well.
00:12:28But somehow we'll have to help them.
00:12:30They live off the harvests, and without the harvests they are nothing.
00:12:32Come on.
00:12:39No wonder I wasn't home.
00:12:41Look at him with the maid.
00:12:44He hasn't had breakfast yet and...
00:12:46because we already know what she's brought here for.
00:12:49Not to be on the farm.
00:12:52Okay, so what do we do now?
00:12:54Why don't you think you'd want to witness this?
00:12:57There are things that happen in a family...
00:13:00Much better not to see it.
00:13:01No?
00:13:03Come on.
00:13:12Mr. Montiñac.
00:13:20What is that?
00:13:23Are you Mr. Montiñac?
00:13:25No, no, don't be alarmed.
00:13:26I'm not going to hurt him.
00:13:26You need information.
00:13:27Look for a person.
00:13:28His sister, Laura.
00:13:29Laura de Montiñac.
00:13:35Hey! Hey! Hey!
00:13:37Listen!
00:13:38You! What are you doing?
00:13:39Let him go!
00:13:39Hey! Let him go!
00:13:41Peaceful.
00:13:42Peaceful.
00:13:43Hasn't it happened?
00:13:44Peaceful.
00:13:48Peaceful.
00:13:50Peaceful.
00:14:03Peaceful.
00:14:04Peaceful.
00:14:06Peaceful.
00:14:07Peaceful.
00:14:08Peaceful.
00:14:09Peaceful.
00:14:10Peaceful.
00:14:11Peaceful.
00:14:11Peaceful.
00:14:12Peaceful.
00:14:12Peaceful.
00:14:13Peaceful.
00:14:14Peaceful.
00:14:14Peaceful.
00:14:15Peaceful.
00:14:15Peaceful.
00:14:15Peaceful.
00:14:16Peaceful.
00:14:17Amen.
00:14:52Good day, Hernán.
00:14:54Good morning, Irene.
00:15:04Commissar.
00:15:04I'm afraid you've gone to the wrong bedroom.
00:15:07The Marchioness's is at the end of the corridor.
00:15:09Excuse me, commissioner, but...
00:15:10Are you the one I'm looking for?
00:15:12I hope it's important enough
00:15:13as if I had gotten out of bed at this hour.
00:15:16Sir, the farmers are leaving the countryside
00:15:17and entering the village.
00:15:18But what kind of men do I have?
00:15:19that they are not capable of stopping four peasants?
00:15:21Commissioner, entire families are arriving.
00:15:23They are everywhere.
00:15:25Alright.
00:15:26Wait outside.
00:15:30Poor Hernán.
00:15:32What are you going to do?
00:15:34To help them.
00:15:36The authority is there to help those most in need.
00:15:44As?
00:15:48You don't need to tell me anything.
00:15:50Come on, I'm already getting to know him.
00:15:53And I know you're heartbroken.
00:15:54amidst the joy of finding his uncle
00:15:56and the pain of...
00:15:57to see that...
00:16:00No?
00:16:02It's strange.
00:16:05Because it doesn't even say weird, it just says different.
00:16:09Come on, he doesn't have anyone like that in his family.
00:16:11And if you don't believe me, just look at the kings.
00:16:13They cook it, they eat it, and then, of course...
00:16:16The Habsburgs married among themselves precisely in order to concentrate more power.
00:16:20Call it whatever you want.
00:16:21Power, vice, but the end result is the same.
00:16:25And his family, what a pair of nerves.
00:16:28He's going to head off to France and leave that poor man all alone.
00:16:31If only...
00:16:33But then again, where were they going to take it?
00:16:37I need to talk to him again.
00:16:40When I mentioned Laura de Montignac to him, he reacted.
00:16:45He reacted, he says.
00:17:00Please, gentlemen.
00:17:02My family and I have lost everything to the plague.
00:17:09Thank you, sir.
00:17:13We have to do something.
00:17:15Have they already given you what?
00:17:17That plague of samples is a design of the Almighty.
00:17:20I'm afraid neither you nor I can do that, love.
00:17:23Look what Murillo has painted.
00:17:28Who is obsessed with angels?
00:17:30Let's see if he stops painting.
00:17:32You're not going to get anywhere by painting, guys.
00:17:34What you need to do is learn a trade.
00:17:37Thieves!
00:17:38Thieves!
00:17:39He's finished me off!
00:17:40They've taken everything from me!
00:17:42Thieves!
00:17:42Oh, thieves!
00:17:43On the way there!
00:17:44On the way there!
00:17:45How was this done, miss?
00:17:47I did it upstairs using a piece of furniture.
00:17:50How odd!
00:17:53What he wants is to cross paths with my hammer.
00:17:57I don't think your husband is very happy to see you here, Miss Irene.
00:18:00I could go up to her room and send her the dress so she can sew it for Margarita.
00:18:04I would prefer to have it done here.
00:18:08I just don't want to prick her with the needle.
00:18:10It doesn't matter.
00:18:17Excuse me.
00:18:24Wash yourself a little with this shawl, miss.
00:18:26Don't catch a cold.
00:18:27The weather is very changeable.
00:18:31Martin, son.
00:18:32How's your mother?
00:18:33Have they been caught by the plague?
00:18:34Well, things are very bad.
00:18:37But my mother refuses to leave her land.
00:18:40You already know her.
00:18:42Thankfully, we can help him with the little we can...
00:18:48And you go away, you can't stay here.
00:18:50Go ahead and prune!
00:18:51Strip!
00:18:52Excuse me.
00:18:56Catalina.
00:18:57Lady.
00:18:59I want the copy you have of the key to the underground room.
00:19:02Yes, ma'am.
00:19:03I don't have it with me right now.
00:19:04What do you mean you don't have it?
00:19:06By giving you the keys to my palace, I place all my trust in you.
00:19:09You have to carry it with you at all times.
00:19:11Always.
00:19:11Understood?
00:19:12Yes, ma'am.
00:19:13I don't carry it with me because it's not commonly used, but I have it here.
00:19:26Here you go, ma'am.
00:19:28Yeah.
00:19:39Miss, this is over.
00:19:40Thank you, Margarita.
00:19:47Onda, that girl isn't going to cause much trouble.
00:19:50And what would she want with the key to the underground room now?
00:19:53It's certainly been a rough day.
00:19:55I don't know what will happen to him.
00:19:57What's wrong with him?
00:19:58I'm telling you.
00:20:01This morning, when I arrived, the bed was made and I looked like I hadn't slept.
00:20:07If the hens of Corinth, compared to this woman, are meek, they are easily swayed.
00:20:12I'm telling you.
00:20:17They stole everything from me.
00:20:19All that I had left.
00:20:22I have nothing left.
00:20:24Nothing.
00:20:25No.
00:20:26Why couldn't I do something like that?
00:20:30Someone who's too hungry, son.
00:20:32Relax, Cipri.
00:20:33Don't tell me I brought myself.
00:20:35Those damn peasants have taken everything from me.
00:20:37Are you sure it was them?
00:20:39And who else, huh?
00:20:40Have you seen them?
00:20:41What could they have been?
00:20:43Alonso, right?
00:20:44Thieves are everywhere.
00:20:46Besides, who would think of leaving the sacks there in plain sight when there's so much hunger?
00:20:49What's up?
00:20:50No, now I'm stupid too, aren't I?
00:20:51No, I didn't say you were stupid.
00:20:52On top of being a coward and a murderer, I'm a fool, aren't I?
00:20:54Come on, did I say he's stupid?
00:20:56Alonso.
00:20:57That?
00:20:57Go outside.
00:20:58But why?
00:21:00Alonso!
00:21:04Strip!
00:21:09Cipri.
00:21:12Why don't you come over to my house?
00:21:14Come on.
00:21:15I'll make you a preparation.
00:21:16No.
00:21:17Leave me alone.
00:21:19Neither you, nor you, nor you, nor touch me.
00:21:22Don't even talk to me.
00:21:23Don't ever tell me what to do again.
00:21:26I've spent my whole life doing what Inés told me to do.
00:21:28What you were telling me, what the other guy was telling me.
00:21:30And what have I achieved, huh?
00:21:31Nothing!
00:21:33So...
00:21:34Don't give me any more advice in your miserable lives.
00:21:38And now, get out of here!
00:21:40You haven't told me much!
00:21:42Out!
00:21:43Okay, let's go.
00:21:44Out!
00:22:01Out!
00:22:05Come on, let's go.
00:22:06Everyone to class.
00:22:08Come on.
00:22:09Come on!
00:22:17I'm sorry, sir, please forgive me.
00:22:18We had nowhere to sleep.
00:22:20My family and I were cold...
00:22:22It's okay, it's okay.
00:22:25Just a moment, just a moment, just a moment.
00:22:26Can you stay?
00:22:27You can stay.
00:22:28Thank you so much.
00:22:29Come on.
00:22:32I share your interest in helping these poor people, but...
00:22:36I don't think it's a good idea for them to stay.
00:22:38He won't be able to teach with all these people here.
00:22:41Furthermore, the place does not meet the conditions.
00:22:45I think they peed there, in the straw.
00:22:48Sato, they have nowhere to go.
00:22:50What do you think we should do?
00:22:51But then there is no school.
00:22:52No, there is a school.
00:22:53Careful, there is a school.
00:22:55I'll take care of organizing it, with your permission.
00:22:57Let's see.
00:22:57First of all.
00:22:58And if you don't mind, I can do my business out there.
00:23:03Careful.
00:23:03What does this smell like?
00:23:04Get out of here.
00:23:06Come on, everyone outside.
00:23:08Take us.
00:23:09Just a moment, just a moment.
00:23:10This is my school.
00:23:11What about you?
00:23:14You are nobody and you have nothing.
00:23:17This is my village and my men will do as I say.
00:23:21We don't want vagrants and delinquents.
00:23:23So if you don't have a job, you'll have to leave.
00:23:25Nobody is bothered here.
00:23:27Are you assuming you have authority?
00:23:30For someone who claims to be a teacher, I don't know where you get that airs from.
00:23:33Get them out of here!
00:23:34Mister.
00:23:35My wise men are returning to the countryside; they will starve to death.
00:23:38Unfortunate fate, indeed.
00:23:40But everything that happens outside the villa is not of any concern to me.
00:23:43Close the villa gates!
00:23:45Make sure none of them get in!
00:23:54We could say that this is going to be a Chinese-born product.
00:24:15Majesty.
00:24:16You can rest assured.
00:24:18I never stop watching out for their safety.
00:24:20Sincerely, Marchioness of Santillana.
00:24:34Catalina!
00:24:38Catalina!
00:24:41Catalina?
00:24:44Tell me, yes.
00:24:46Oh, what a beautiful mirror, ma'am!
00:24:50I'm sure that looking at herself there, she'd even see herself guarding something.
00:24:53It is an extremely delicate piece.
00:24:56Be warned, Odoro.
00:24:57Tell him I need him to take this to the queen immediately.
00:25:00To the queen?
00:25:01That's what I said.
00:25:02To the queen.
00:25:03And make sure it arrives in perfect condition.
00:25:05Yes, yes, ma'am.
00:25:07Ah, Catalina, one more thing.
00:25:09He tells them to milk more milk.
00:25:11More milk, ma'am?
00:25:12Don't make me repeat myself, Catalina.
00:25:19Mother, I'm going horse riding.
00:25:20Are you coming with me?
00:25:21Can't.
00:25:23Why can't you?
00:25:24I have matters to attend to.
00:25:27Matters?
00:25:28Lately you always have things to avoid being with me.
00:25:30You didn't even say goodnight to me last night.
00:25:32Don't be childish.
00:25:33I've already told you I don't have time.
00:25:35But only to the stables, which will be 20 minutes.
00:25:38Noño, find someone else to go with you, come on.
00:25:40No!
00:25:40What do you mean, no?
00:25:42You don't understand me, I want you to come.
00:25:46What's wrong, son?
00:25:49What's wrong, kid?
00:25:51I don't dare.
00:25:52Since I fell off my horse, I don't dare.
00:25:54No, no, no, no, no.
00:25:56Oh, son.
00:25:59That's it, that's it, that's it, that's it.
00:26:03Shall we go together?
00:26:04Yeah.
00:26:10Are you going to dare to wear the shawl?
00:26:24No, no, no, no, no, no, no.
00:26:54No one should be prevented from starting a new life.
00:27:00Amen.
00:27:09I really wanted to be alone with you.
00:27:14You have no idea how difficult it is to be in this palace and not be able to...
00:27:19Irene.
00:27:22I know that every time I cross paths with you, I go crazy.
00:27:28Take.
00:27:32What is this?
00:27:33It's money for your family.
00:27:41Is that why you brought me here?
00:27:43If my husband finds out, he'll kill you.
00:27:49I don't want it.
00:27:50Martin, accept it.
00:27:51It means nothing to me.
00:27:52I don't want it.
00:27:53Martin, accept it.
00:27:54Keep it.
00:27:55Okay.
00:27:55I love you.
00:28:18What's that?
00:28:19I don't know, but let's go.
00:28:20Come on.
00:28:39I don't want it.
00:29:06I don't want it.
00:29:15Sir, the situation is repeated at all the gates of the village.
00:29:19I don't know how long we can control the compassionate ones.
00:29:24I don't intend to let Sancho cause me any trouble.
00:29:27We will do everything necessary to prevent him from entering.
00:29:29No no.
00:29:33No no.
00:29:39No.
00:29:40No.
00:29:43No.
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00:34:56Is this okay?
00:34:58Yeah.
00:35:00Has he already left?
00:35:01Has he already left?
00:35:04Creation?
00:35:07Lucrecia?
00:35:10What's wrong, Lucrecia?
00:35:12Is that Nuño?
00:35:14Has something happened to you with Nuño?
00:35:16Does it have anything to do with Nuño?
00:35:19What's wrong, Lucrecia?
00:35:21How did you burn it, master?
00:35:23I hadn't seen a movement like that since I met a contortionist girl on the outskirts of Paris.
00:35:28That he worked earning his...
00:35:29Are you there?
00:35:30Hello.
00:35:31Hello.
00:35:32Hello good.
00:35:33I can't let the subject go, love.
00:35:36Because I feel sorry for Cipriano too, but we just can't help him.
00:35:40Yes, we can.
00:35:41Oh, really?
00:35:46With this.
00:35:47With this we can lend him a hand and at the same time feed some farmers.
00:35:51No way.
00:35:52I gave those jewels to you and the child in case bad things came.
00:35:55Satur, I know.
00:35:56If you want, we can sell a little something to help Cipriano.
00:36:00But we don't know the farmers at all.
00:36:03It's a fact of life.
00:36:04First feed yourself, and then, if there's anything left over, share it.
00:36:07Father, Satur is right.
00:36:09We can't give it to the farmers.
00:36:11Otherwise, we'll be left with nothing.
00:36:14Look, Alonso, that's exactly what the nobles think.
00:36:16But if we keep everything we have and everyone in the village does the same,
00:36:20What's going to happen?
00:36:22That the poor are going to get poorer and poorer.
00:36:25And in the end they will have to steal in order to eat.
00:36:27Whatever you want.
00:36:28And tomorrow, when we are hungry, what will happen?
00:36:30Satur, we're doing just fine as we are.
00:36:33No, love, no.
00:36:34I have to rack my brains to bring three scraps of bread.
00:36:37And if you want to give one of them, just let me know.
00:36:39You give a lot to the poor, but you never think about your family.
00:36:46Sorry, I didn't mean that.
00:36:49Hello good.
00:36:52And this child?
00:36:53They've abandoned him, my poor little thing.
00:36:57Do not touch.
00:36:58No, no, no, no.
00:36:59Don't touch or kiss, what the heck.
00:37:00What is a cat?
00:37:01It must be full of lice and fleas.
00:37:05Let's wash it a little.
00:37:07And we'll have to feed him.
00:37:10He probably hasn't eaten a thing since who-knows-when.
00:37:15His parents have abandoned him.
00:37:18And what will become of him now?
00:37:20Well, I don't know, my love.
00:37:21What if we keep it?
00:37:22With everything that's going on, you don't...
00:37:25So what do we do, Satur?
00:37:26Should we take him to the orphanage?
00:37:27No, not to the orphanage either.
00:37:29You know what a job a kid this age is.
00:37:31We have to keep an eye on him day and night.
00:37:33And you're going to work at the palace.
00:37:35And you to school.
00:37:35If not, well...
00:37:36Well, something like that.
00:37:39The one who has to take care of him is the usual one.
00:37:41Satur.
00:37:41And I don't have time.
00:37:42I don't have it.
00:37:43Okay, okay.
00:37:44For now, let them spend the night here.
00:37:46And tomorrow we'll see what we do with it.
00:37:48For now.
00:37:52Come, eat.
00:38:00The heir has disappeared from my palace.
00:38:04How do you tell parents that I let their child be killed?
00:38:07I don't know about some parents.
00:38:07But with kings you're signing your death warrant.
00:38:10Furthermore, all we know is that it has disappeared.
00:38:12We haven't seen any calabri.
00:38:15You wouldn't leave the door open.
00:38:16Hernán, for God's sake.
00:38:18Does anyone else have a key here?
00:38:20Well, that lock isn't forced, Lucrecia.
00:38:22They must have opened it for me with the key.
00:38:23That's impossible, Hernán.
00:38:24Only I have that key.
00:38:25Think, Lucrecia.
00:38:26It has to be someone who knows your movements perfectly.
00:38:28Hernán, I'm telling you that I haven't let go of the key for a single moment.
00:38:42If you don't stop with it.
00:38:46I accompanied Noñe to the stables for a moment.
00:38:47England, leave me alone.
00:38:49Then it has to be someone from your department.
00:38:51He opened the door and let the English conspirators in.
00:39:00It's mine.
00:39:01It's an Italian coin.
00:39:03The Cardinal of Dote gave it to me.
00:39:07Only Irene.
00:39:09He has access to it.
00:39:16Mother!
00:39:18Mother!
00:39:20Yeah?
00:39:22Look.
00:39:24And all this?
00:39:26Well, it's wheat, tomatoes, and potatoes.
00:39:31That's what's going on with us because of the jewelry.
00:39:34Wait, wait, wait, wait, wait.
00:39:35What have you done? What?
00:39:36Let's see, Alonso.
00:39:38But how could you even think of taking the jewelry?
00:39:40And on top of that, you're going alone.
00:39:41You know how dangerous that is.
00:39:42Father, I did not go alone.
00:39:44That I went with Murillo.
00:39:44Since you're always so busy, I've done it to save you some work.
00:39:51Ah!
00:39:54Satur, this is for you.
00:39:59So you can pay for your trip to the Americas.
00:40:09If only...
00:40:11What a little boy he was.
00:40:13What a kid.
00:40:16Come on, come on, I'm going to give you a hand.
00:40:19Damn, you should see how heavy this stuff you're carrying is.
00:40:21That's from the potatoes.
00:40:22Potatoes...
00:40:24They must weigh quarters of a pound each.
00:40:33Damn it, have these dead people of mine been deceived?
00:40:36But stones.
00:40:39But...
00:40:40But...
00:40:40It just can't be?
00:40:41Father, who gave birth to me.
00:40:42There are so many scumbags in the world, that, that, that, that, that.
00:40:48Alonso, where did you buy this?
00:40:50In the shops next to the river.
00:40:52There was plenty of food.
00:40:54AND...
00:40:54And carts full of cars were leaving towards...
00:40:56towards the Royal Palace.
00:40:57Look, if we go fast we're sure to catch them.
00:40:59No, no, no.
00:41:00You stay here.
00:41:01I'm going to talk to them.
00:41:02Father, father.
00:41:04I want to go too.
00:41:05I've been deceived.
00:41:06Don't worry.
00:41:08I'll go.
00:41:08No problem.
00:41:09I'm sorry, father.
00:41:11I'm sorry.
00:41:13I'm sorry.
00:41:25Stop!
00:41:26The jewelry.
00:41:30Give them to me.
00:41:31What jewelry?
00:41:46Let this be the last time you steal children.
00:41:53Father.
00:41:56Father.
00:41:58Father.
00:42:00Eagle.
00:42:02Eagle.
00:42:06Alonso, what are you doing here?
00:42:07Now this is my father's doing, isn't it?
00:42:09I'm really worried.
00:42:11I came here a little while ago alone and...
00:42:12No, don't worry.
00:42:14I'll go look for him.
00:42:15Well, I'll go with you.
00:42:16No no.
00:42:18You go home.
00:42:20And wait for him there.
00:42:21OK?
00:42:22Okay.
00:42:23Thank you, Eagle.
00:42:26Go away.
00:42:28Go away.
00:42:37Go away.
00:43:03Alonso.
00:43:06Father.
00:43:09I was very worried about you.
00:43:11Come here.
00:43:13Come here.
00:43:21This is yours.
00:43:24Why did you enter the room?
00:43:27I don't know what you're talking about, Lucrecia.
00:43:29Don't play dumb with me, Irene.
00:43:31I know you took the keys from my bedroom and went in there.
00:43:35So that?
00:43:36Answer!
00:43:37I didn't go into any room.
00:43:39Don't lie to me, kid.
00:43:40Look at my face!
00:43:41Look at my face!
00:43:41Don't lie to me, you little brat.
00:43:43Lucrecia.
00:43:44I told you it's over.
00:43:48You can deceive men just the same.
00:43:51But I can perfectly tell when a woman is lying to me.
00:43:58Speak up already.
00:44:02Why did you come in?
00:44:04With who?
00:44:07I found out that Martín was having a very hard time.
00:44:10That his family was going through hardships and was starving to death.
00:44:14And I arranged to meet him.
00:44:15I summoned him to give him a bag of money.
00:44:17That's all.
00:44:19You left the door open.
00:44:21What's happening?
00:44:24Come on, go back to our bedroom.
00:44:26Runs.
00:44:30Out!
00:44:38It is clear that the conspirators did not take the prince.
00:44:40Yes, that's clear.
00:44:42And where is it?
00:44:43You know how big this palace is.
00:44:45No.
00:44:51And how handsome is my baby going to be?
00:44:53How handsome is he going to look?
00:44:55Right?
00:44:56Let's see, let's see, let's see, let's see...
00:45:10Hello, Gonzalo.
00:45:12Hello good.
00:45:13Let's see, let's see, let's see...
00:45:15Let's see, let's see, let's see...
00:45:15Above.
00:45:16I see you're good with children.
00:45:18Well, I found these clothes of Alonso's from when he was little.
00:45:22No, this one isn't Alonso's.
00:45:24No?
00:45:24This one's mine.
00:45:26Yeah.
00:45:27Wait, let me help you.
00:45:28Let's see...
00:45:30This...
00:45:31Yes, this...
00:45:32It's the sleeves...
00:45:33Okay, one arm here...
00:45:34And the other one...
00:45:35You're sure?
00:45:37Yes of course.
00:45:38Very good, you see?
00:45:39And the other one over here.
00:45:42Oh no, it's the other way around.
00:45:44It's the other way around.
00:45:45Here.
00:45:46Are you laughing at me?
00:45:47No, no, no, Gonzalo.
00:45:48How could I laugh at you, for God's sake?
00:45:50Are you laughing at me?
00:45:51Okay, put it on.
00:45:54Now.
00:45:54See?
00:45:55Very good.
00:45:56Now yes.
00:45:56Very good.
00:45:56Come on, let me put it on him.
00:45:58Leave me alone, Gonzalo.
00:45:59Let me put it on him.
00:46:02I'll give you the hardest part.
00:46:03Very good.
00:46:06Good morning.
00:46:07Good morning.
00:46:08Hello good.
00:46:09Satur.
00:46:11Can I ask you a favor?
00:46:13That?
00:46:14Could you take the child to Juan's?
00:46:16It's for you to take a look at.
00:46:18He throws up everything he eats.
00:46:20Of course, woman.
00:46:21Sure, yes.
00:46:22Mother, what would we do without you?
00:46:24Thank you.
00:46:27Love.
00:46:28Bye bye.
00:46:30Well, here.
00:46:30Here.
00:46:31Come here.
00:46:36That?
00:46:38Did I tell him or not what would happen?
00:46:41Everyone was delighted with the baby, but in the end, when it came time to go to work, the one who had to
00:46:45to take charge, the usual one.
00:46:46Come on, Satur.
00:46:47Come on.
00:46:47No, come on, Satur.
00:46:48No.
00:46:49This kid will need a father and a mother.
00:46:53And I remind you that your sister-in-law will get married and leave.
00:46:55Well, I'll take care of him.
00:46:57When, love?
00:46:58When?
00:46:58When?
00:46:59That he doesn't have time.
00:47:00Where was I last night when I couldn't stop crying?
00:47:02Hey?
00:47:04Demission.
00:47:06Be realistic.
00:47:07I remind you of your father, teacher, and hero.
00:47:11It cannot encompass any more.
00:47:13I don't think he'll do too badly with Alonso either.
00:47:15If he hardly ever sees his son.
00:47:17Furthermore, I remind you that when you had Aloncillo, you were not yet wearing feathers.
00:47:21Look, if it were up to me, we'd go to a convent.
00:47:24I know some nuns who, if they had raised me, things would be very different.
00:47:28I also feel bad leaving him, but...
00:47:30But rest assured that you will be able to see him whenever you want.
00:47:33What did poor Augustine do to you?
00:47:36Hey, master?
00:47:47Alright.
00:47:48Of course, man.
00:47:49Of course.
00:47:49Come on, with Uncle Satur.
00:47:51Hey?
00:47:52The eagle isn't in the mood for any more chicks in its nest.
00:47:55Hey?
00:47:55Little dove.
00:47:56Come on.
00:48:14It's closed.
00:48:23Yeah.
00:48:24Yeah.
00:48:52Thank you!
00:49:04Don't tell us no, Sister.
00:49:06It is said that in matters of charity, you barefoot nuns are not the ones who win.
00:49:12Live up to that reputation, woman.
00:49:16Manolo, we've named him. Bless the lad.
00:49:20And they're going to find out that he's with you.
00:49:23Come here, son.
00:49:25So, is there anything left for him?
00:49:27God bless you.
00:49:30I'm not giving you a kiss because it's carnal for you, but know that I am eternally grateful.
00:49:36Manolito, son, are you going to stay with this lady?
00:49:39He's going to treat you very well.
00:49:42We'll come and see you from time to time.
00:49:46Give Tito Sato a kiss.
00:49:57God bless you.
00:50:00Thank you, mother.
00:50:06Behave yourself, son.
00:50:19God be with you.
00:50:23It'll be alright, Sato.
00:50:25Of course it will be fine.
00:50:26Yeah.
00:50:27He will not go hungry at least once a day.
00:50:31Of course, a nun's affection isn't the same as a mother's, but it will be there.
00:50:34phenomenal.
00:50:35Already.
00:50:36If the most important thing is not having food, but someone who loves you.
00:50:42No matter how many times you fail.
00:50:45We're already working on the sacks.
00:50:47Yes, Sato, yes indeed.
00:50:49Because I've lost all my jewelry.
00:50:51What if we need them here someday?
00:50:53That happens to the best.
00:50:55Or what do you think, that he hasn't told me about Tocomucho?
00:50:57Of course.
00:50:58But he doesn't learn.
00:50:59You really do learn a lot.
00:51:14More sincerely, my condolences.
00:51:17What happened to him?
00:51:18He fell ill and he was our only son.
00:51:22We were left very alone.
00:51:29A father should not see his son die.
00:51:33It might be silly, but...
00:51:37But what?
00:51:38We have left a child who has no parents.
00:51:48Understand how everything is.
00:51:49And the morning commissioner, coming to open and close doors.
00:51:52Come open and close rooms.
00:51:54And the bed untouched.
00:51:56Another sleepless night for the marchioness.
00:51:58Who knows what they're looking for.
00:52:00Well, maybe one of those gems he already has.
00:52:05I bring a gift from the queen for the Marchioness of Santillana.
00:52:08The marchioness is very busy.
00:52:10Don't worry, I'll get it to you.
00:52:13Let's see.
00:52:19This is the box that the marchioness sent to the queen.
00:52:22Catalina, stop that.
00:52:23Woman, if there's just a glance, she'll see what's inside.
00:52:27He gave her back the mirror.
00:52:29Normal.
00:52:30She is a woman before she is a queen.
00:52:31Do you really think that with what the marchioness is up to...
00:52:33...up and down with the king...
00:52:35...is he going to pay the woman with a mirror?
00:52:37Catalina, keep that.
00:52:39Oh, Margarita, God.
00:52:40Oh, we've done it to Ñico.
00:52:42God help me.
00:52:45Catalina, do you know what goes on one of these mirrors?
00:52:47And this?
00:52:50Oh, Holy Virgin.
00:52:52My sincerest thanks...
00:52:55...for the favors rendered to the crown, Marchioness.
00:52:57It's a letter from the queen.
00:53:03The child.
00:53:04What about the child?
00:53:08We didn't take the son of some farmers.
00:53:10Let's see.
00:53:12Let's see.
00:53:13Let's see.
00:53:31Let's see.
00:53:57I also knew Laura de Montiñac.
00:54:01She was my mother.
00:54:04And you are my uncle.
00:54:31And you are my uncle.
00:54:48Thank you.
00:55:06And my chair?
00:55:13Come, we have nothing to eat because of charity.
00:55:16Please.
00:55:17God will provide, my son.
00:55:18God will provide.
00:55:21God will provide.
00:55:22God will provide.
00:55:23God will provide, my children.
00:55:24Stand aside.
00:55:26God will provide.
00:55:27Stand aside.
00:55:30Stand aside.
00:55:32Stand aside.
00:55:33To me, guard.
00:55:34Guard.
00:55:35To me, the guard.
00:55:36Stand aside.
00:55:37Guard!
00:55:39Guard!
00:55:40Guard!
00:55:41Come on!
00:55:43Come on!
00:55:44Come on!
00:55:45Come on!
00:55:46Come on!
00:55:46Come on!
00:55:47You too, with me!
00:55:48Are you feeling well?
00:55:48It would be better if you had done your job properly.
00:55:52We do everything in our power.
00:55:53Well, that's not enough.
00:55:55This village is full of miserable people.
00:55:57Cleaned.
00:56:39He's just a kid, Lucrecia. He can't be far away.
00:56:43Without food, without water, without clothes. I don't think I can go on living.
00:56:56Hernán! Hernán! Hernán! Hernán! Run!
00:57:08It's a dead animal, isn't it?
00:57:13There's nothing to be done, Erna. I will go down in history as the woman who ended the dynasty of the
00:57:19Austrias.
00:57:27Sato! Sato! Sato, for God's sake! Where is the child?
00:57:30Manolo?
00:57:32Yeah.
00:57:32She's living the life she deserves. Understand me, it's not like she was going to get special treatment here.
00:57:36Sato, for God's sake! Where has he taken the kid?
00:57:39And the woman?
00:57:40It's in good hands. He gave it to some farmers who lost a son and are going to...
00:57:44to treat like God.
00:57:45What about the farmers? Atur! What farmers?
00:57:46But what's happening? What's happening?
00:57:48What do you mean, what's going on?
00:57:49Because he wasn't an abandoned child.
00:57:53That was Don Felipe the Prosperous.
00:57:57What was Don Felipe the Prosper like?
00:58:02The king's son?
00:58:03Yeah.
00:58:04Yeah.
00:58:06God bless you.
00:58:07God bless you.
00:58:09God bless you.
00:58:12But don't panic. I...
00:58:15Well, that's it. I'm going to talk to the farmers and get the boy back.
00:58:17Yes, not with you.
00:58:18No, no, no, no, no, no.
00:58:20Stay here, because if we all go, they might get scared and let the child go.
00:58:23Sato?
00:58:23Stay here!
00:58:24Sato, Sato, Sato, Sato, Sato, you have to get it back.
00:58:27Let him know, we're going to...
00:58:28You're killing us, Sato.
00:58:29I promise you that I will get the child back, even if I have to stay in his place.
00:58:33Sato, listen to what I'm telling you. As soon as my friend finds him, just stay with him.
00:58:38I took it to the palace and left it there.
00:58:40We are?
00:58:40Yes, yes.
00:58:42Oh God, I hope I find him.
00:58:43Come on.
00:58:43Let him find it, let him appear.
00:58:48The heir to the throne, no less.
00:58:50But who told me to do this? I never learn.
00:58:53Now I'm going to talk to the farmers, to the people.
00:58:56Sato, Sato, I've returned to the Montiñac hill and I've seen my uncle.
00:58:59With all due respect, right now we're not in the mood for anything like that.
00:59:04What's happening?
00:59:06I'm going to pretend that that kid was the heir.
00:59:09Of course, since we don't know the faces of those who rule us and have no idea about their private lives,
00:59:13But there's a goldmine there, huh?
00:59:14Because it's in the people's interest.
00:59:16I'm telling you, one of these days someone will invent something to keep up to date with these things.
00:59:19Sato, are you sure about that kid?
00:59:21Yes, damn it, yes.
00:59:22Don't listen to me for anything in your life. Would I even know who I left the kid with?
00:59:26He was left thinking that he was sick.
00:59:27And it wasn't disease, it was blue blood.
00:59:30Lady!
00:59:32Ma'am, we were looking for you.
00:59:34We really wanted to talk to you about...
00:59:37Let's go, because a setback has arisen.
00:59:39It was by chance that we found the real ones to see the little boy
00:59:43and you take responsibility for the circumstances that...
00:59:45Come on, let's...
00:59:45The child is no longer with us.
00:59:50Come on, the child is no longer with us.
00:59:53Where is the child?
00:59:54Sato.
01:00:00No, not the child, for God's sake.
01:00:07Sato! Sato!
01:00:08What are you doing?
01:00:09Well, man, you've gone mad.
01:00:11Sato! Sato!
01:00:12No!
01:00:12It's our dog!
01:00:14We've been gone until tomorrow.
01:00:17What do you mean the dog...
01:00:18And where is the child that my servant delivered to you?
01:00:20Go on.
01:00:21We gave it to a farming family.
01:00:24Some acorn growers who lost their holm oaks and...
01:00:28And I think they've gone to the villa.
01:00:30Some acorn trees?
01:00:32But how did they find the little boy?
01:00:35I don't know. Let's go.
01:00:37We are very sorry.
01:00:41Come on.
01:00:43Come on!
01:00:44Get in!
01:00:46I want us all in the car!
01:00:48Fast!
01:00:50Come on!
01:00:50I haven't done anything!
01:00:53Oh, child, no!
01:00:54I haven't done anything!
01:00:55I'm hungry!
01:00:57Come on!
01:00:58Come on!
01:00:59Above!
01:00:59Come on!
01:01:00Come on!
01:01:01Oh, child, no!
01:01:02For God's sake, I'm begging you!
01:01:03What do we do with them?
01:01:04Take them to the Arribas cliffs!
01:01:10Come on!
01:01:10Come on!
01:01:11Get in!
01:01:11Come on!
01:01:12Above!
01:01:14Above!
01:01:14Above!
01:01:16Above!
01:01:16Above!
01:01:17Above!
01:01:17Above!
01:01:17Above!
01:01:17Above!
01:01:20Above!
01:01:25Catalina, what if we tell the marchioness what happened?
01:01:28Do we tell them that we took the child with good intentions and that he is not currently located?
01:01:33No, look, Margarita, there's no goodwill or anything.
01:01:36This woman is unreasonable.
01:01:38When Satur finds the kid, I said it here in the palace and that's it.
01:01:41And as if nothing had happened.
01:01:46Catalina, where is the marchioness?
01:01:47She was in her bedroom taking a bath. She said not to be disturbed.
01:01:51Very good.
01:02:03Lucrecia, the child still hasn't appeared.
01:02:05Perhaps someone has found it and taken it home, but we don't know.
01:02:18Catalina!
01:02:22Daisy!
01:02:25Here it is!
01:02:26A doctor!
01:02:38Come on!
01:02:41Come on!
01:02:43Come on!
01:02:44Turn it down now! Turn it down!
01:02:46Come on, little one!
01:02:50Turn it down now! Turn it down!
01:02:53You go! Shut up now!
01:02:58Come on! No, no, no! Didn't you say that? Come on!
01:03:04Let's go! Let's go!
01:03:06Let's go! Let's go! Let's go!
01:03:16No, in the end, a minute like mine is going to change the course of history.
01:03:21Where's the anklet that can be anywhere, master?
01:03:23Well, the ones in Spain aren't big.
01:03:26Because our kingdom knows no night, master.
01:03:32Have they disappeared?
01:03:33Yes, I told him.
01:03:35Let's go to you, the peasants who are not here, they have been erased from the village.
01:03:42Cipri, do you know what has happened to the farmers?
01:03:45Because finally someone has done what needed to be done.
01:03:48Yes, but what happened to them?
01:03:49The commissioner's men arrested them and took them away in cars.
01:03:52And very well done.
01:03:53We cannot allow that gang of thieves to take over our streets.
01:03:57Where have they taken them?
01:03:58I don't care anymore, as long as I never see those scumbags again in my entire life.
01:04:02Father! Father!
01:04:05Alonso!
01:04:07They are the peasants.
01:04:09What's happening?
01:04:10They have been taken to the cliff of Rivas.
01:04:31He really wants to die.
01:04:38I don't know why you've come to this, and I'm not going to ask you.
01:04:43Please, Juan.
01:04:47Let me.
01:04:48I am not a moralist.
01:04:51I will never condemn you for having tried.
01:04:55Very considerate.
01:04:59I know you're not stupid.
01:05:02If you've reached this point, it's probably because you couldn't see any other way out.
01:05:09You do have one.
01:05:12One way out, Juan.
01:05:14The door.
01:05:30If you feel like killing yourself again, remember that you have a child.
01:05:34You have no idea, Juan.
01:05:36You have no idea.
01:05:39All this, your cures, your words of affection, are useless, Juan.
01:05:45I'm already dead.
01:05:49Please go away.
01:06:04For charity, for charity.
01:06:06Have mercy, for God's sake.
01:06:08No.
01:06:08No, please.
01:06:09Please, I have a family.
01:06:11I have four kisses, for God's sake.
01:06:13Please, no.
01:06:14No.
01:06:15No.
01:06:16No, for God's sake.
01:06:18No.
01:06:19Aaaah!
01:06:23Aaah!
01:06:24No!
01:06:25No!
01:06:27No!
01:06:30No!
01:06:32No no!
01:06:34No!
01:06:39No!
01:06:41No!
01:06:45No!
01:06:53Mistara!
01:07:02Mistara!
01:07:03Mistara!
01:07:50Mistara!
01:07:52Mistara!
01:07:55Mistara!
01:07:56Take it away!
01:07:57Take it away!
01:07:58You are safe now, Your Majesty!
01:08:00Without meaning to offend the crown or Venice,
01:08:03But you already had them distressed.
01:08:06Let's go home!
01:08:07Come on, let's go.
01:08:16Tomorrow I will go to the palace to inform the king
01:08:20about what has happened to his son.
01:08:23Yes, Hernán, yes.
01:08:26There is no other way out.
01:08:33Felipe, it can't be.
01:08:35Felipe, it's okay, it's okay.
01:08:44Lucrecia, you need to rest.
01:08:47I will take care of the infant's safety.
01:08:49Stay, if you want.
01:08:53But I don't intend to part with him until the kings claim him.
01:08:56Don't you trust me?
01:08:58I only trust myself.
01:09:01Besides,
01:09:03You have a wife to take care of.
01:09:07I don't think she'll like her husband spending the night away from her bed.
01:09:10She has married a law enforcement officer.
01:09:14She's going to have to spend many nights alone.
01:09:17It's best to get used to it as soon as possible.
01:09:25Florec.
01:09:26The visionary?
01:09:27Irony, after all?
01:09:28In the end?
01:09:31Yeah.
01:09:32In the end?
01:09:36Rome.
01:09:37In the end?
01:09:39Well.
01:09:42No, no, no, no, no!
01:10:11No, no, no!
01:10:14But then you couldn't do anything?
01:10:15Nothing. When we arrived, the Red Eagle was already there.
01:10:19He saved the peasants and took the heir.
01:10:21But for example, that Red Eagle!
01:10:23It looked like he had four pairs of arms.
01:10:26The guards were falling like pigeons.
01:10:28Well, that man saved the marchioness's life.
01:10:29I've seen her in bad shape before.
01:10:31But this time, the incident with the king's child almost killed her.
01:10:34And rightly so, since he is the heir to the throne.
01:10:37Things could have gotten really bad, huh?
01:10:39No, this could have meant the end of a dynasty, I won't say more.
01:10:42Not even what I want.
01:10:43Because the queen only knows how to give birth to females
01:10:46and the men last three proclamations...
01:10:48Look what I'm telling you.
01:10:49Thank God, everything turned out alright.
01:10:51We've had a close call.
01:10:54Well, I'm going to feed my son dinner.
01:10:55who must already be biting the furniture.
01:10:58See you later!
01:10:58Shall I come with you?
01:10:59See you later!
01:11:05Auntie, are you okay?
01:11:07Yes, yes, yes, I'm fine, my love.
01:11:10No, it's just that...
01:11:12That's great, I was thinking we've dodged a bullet thanks to the Red Eagle.
01:11:17And if I could, I would like to thank him.
01:11:28I know how to find him.
01:11:35Her Excellency, the Marchioness of Santillana.
01:11:40Leave.
01:11:50Lucrecia.
01:11:51Your Majesty, I assure you that I took the utmost care to protect the heir.
01:11:57But I could not prevent his death.
01:12:00I beg you, Clemency, Your Majesty, please, I have a son.
01:12:04She only has me.
01:12:07Clemency?
01:12:10Clemency, Marchioness, when you have failed to protect the life of the future King of Spain?
01:12:26Her Majesty, the Queen.
01:12:34I don't understand, Your Majesty.
01:12:40I present to you my son, Felipe.
01:12:45You have rendered a great service to the crown.
01:12:49The child who died was the son of one of my maids.
01:13:01Majesty.
01:13:27Alonso, son, I think we should go down.
01:13:32And the truth is, I don't really know what I'm doing here, on the roof.
01:13:34No, dude.
01:13:35The red eagle is coming, you'll see.
01:13:39Well, if your father comes, I don't know what I'm going to explain to him.
01:13:42Because you're a child, but I...
01:13:43You don't believe me, do you?
01:13:44What's that?
01:13:46No, that's not it, Alonso, my love.
01:13:51I know that sometimes you feel lonely and need to talk to someone.
01:13:55Look, when I was little I had a friend that only I saw, and other people...
01:14:01But no, auntie, I didn't make anything up.
01:14:04That the red eagle comes here when I need it.
01:14:08Look, now he'll be in trouble.
01:14:10Will he be rescuing someone or...
01:14:12Or preventing a robbery or something.
01:14:15But when he's free he'll come, you'll see.
01:14:20Come on, just a little while longer.
01:14:21You have to trust me, he'll love it when you thank him.
01:14:28But only for a little while, okay?
01:14:29Awhile.
01:14:31And go on, cover yourself up, because if you get sick, your father will kill us.
01:14:35Oh.
01:14:45Love.
01:14:58Love.
01:15:04Aren't you planning to go up to the roof?
01:15:07That his sister-in-law and son are there waiting, suffering from two gargoyles.
01:15:13Look at the picture my uncle gave me.
01:15:16May God forgive me.
01:15:18But she's uglier than sin.
01:15:20Come on, the painter of the little print is very much into the button-making business, I say.
01:15:24No, Sato.
01:15:25The thing is, it's a very old Virgin Mary statue.
01:15:27She was rescued by Spanish pilgrims in the Holy Land.
01:15:30They call her the Virgin of Truth.
01:15:33Beautiful.
01:15:35Let's see.
01:15:40Well, what?
01:15:42Does he put on his suit and pay a visit to the roof or what?
01:15:46If it doesn't cost you anything, man of God.
01:15:48It's a rollercoaster.
01:15:49They are both now safe from freezing to death.
01:15:53Go.
01:15:54I swear to God, I swear to God.
01:15:55If I can fix this, I'll have a moment.
01:15:57Ah, I've ironed one for the eagle suits.
01:16:00We're going to leave your sister-in-law high and dry, you'll see.
01:16:02It also allowed me to fill the entire area.
01:16:06To give the thing a little bit of polish.
01:16:08I'm not saying you need it.
01:16:10But between what he already had and what I added, well...
01:16:13Is he going to suffer that?
01:16:15The Giralda.
01:16:19The world is ending!
01:16:21Let's hope we can go to the hermitage of the Virgin of Truth.
01:16:23I want to know why my uncle gave me this holy card.
01:16:26That virgin can lead me to my mother.
01:16:28I want you to do your best.
01:16:30It's not every day that the King of France visits us.
01:16:32The Virgin Mary is crying blood.
01:16:34The Virgin Mary is crying blood.
01:16:37Is God going to punish us?
01:16:38If people believe they are going to die, there will be no way to control it.
01:16:47I'll kill them.
01:16:48Marry me.
01:16:50Send the same.
01:16:52My master will not leave this world without confessing what I am about to confess to you.
01:16:56You were always special to me, ever since we were children.
01:16:59I can't decide who lives and who dies.
01:17:04Martinez has died.
01:17:06Let me go!
01:17:07Let me go!
01:17:09What you have done is unforgivable.
01:17:13No!
01:17:15No!
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