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00:00:05I've already told you that I don't know who wanted to help me escape.
00:00:08I don't believe you.
00:00:09They've come to see the prisoner.
00:00:10Who is it?
00:00:11One of my bastard children is going to die.
00:00:14I accept his fault.
00:00:16I will work for you.
00:00:18I want that bastard's head.
00:00:20They call me bad blood.
00:00:22Let him suffer.
00:00:25Madam, I am the Duke of Tomelloso and Pelae.
00:00:28The letter that my servant brought you.
00:00:30I didn't write it.
00:00:31I don't forgive you, Hernán.
00:00:33I will never forgive you for what you did.
00:00:35Hello, Cipri.
00:00:36Will you take care of her while I...?
00:00:40I have lost the beggar's daughter.
00:00:41I can't find it anywhere.
00:00:42I'm telling you that girl may be in danger.
00:00:44That she has been kidnapped.
00:00:45I'm coming to travel through Europe on my way to Morocco.
00:00:47and our mutual friend, the viscount,
00:00:50He asks me to stay for a couple of days.
00:00:52Because the son of the marchioness, that bastard from Ñuño,
00:00:56He forced me to do it at gunpoint.
00:00:59It has been decided to modify your sentence.
00:01:01Dismemberment.
00:01:03Oh, God.
00:01:03I was killed in that tower by a miracle.
00:01:06Was Alonso going to help the boy?
00:01:07And in exchange for a shitty horse.
00:01:10I couldn't leave you here.
00:01:12Why are you dressed up like that, Bernardo?
00:01:14I have come to conquer the Marchioness of Santillana.
00:01:18Come on!
00:01:20Lap!
00:01:21I think I saw the man who took the girl.
00:01:23At the crow's tavern.
00:01:25It's young master Nuño.
00:01:26He has been arrested and is badly injured.
00:01:29What is that noise?
00:01:31But what's happening?
00:01:32And I'll tell them that you sold me that girl.
00:01:35Firas has escaped.
00:01:37I could leave my son behind.
00:01:39Good luck, father.
00:01:46Who are you and what do you want?
00:01:48My name is Sebastian Ventura.
00:01:50I wanted to know who you were.
00:01:52Oh my God, she's seen his face, love.
00:01:54Give me back that gun.
00:01:56I will not allow him to take his own life.
00:01:59It's not for me.
00:02:00It's for the commissioner.
00:02:02And I will kill him.
00:02:03I will go to that execution and kill him.
00:02:14Your little bird, kill it.
00:02:23Do you understand why the red eagle saved the commissioner?
00:02:28That he has saved his brother, that he has saved him.
00:02:31Manrique?
00:02:31That's the man they sold the Chinese boy to.
00:02:39The king has pardoned me.
00:02:42I'm back as the town's commissioner.
00:02:46I told him I would find him.
00:02:48So what now?
00:02:49Shall we pack it up and head to China?
00:02:52He's going to stay here.
00:02:53This is going to be a real ordeal.
00:03:03Can you tell me what you're doing?
00:03:06I haven't read my own ad.
00:03:08We are looking for serious actors who know how to act.
00:03:12Don't rub tripe all over your face.
00:03:16Go down from there to nothing.
00:03:17Come down from there and do me a favor.
00:03:19Come down from there and do me a favor.
00:03:28It seems that this year people are putting in extra effort for the village festivities.
00:03:31Yes, let's go, yes.
00:03:32There's even going to be a theater competition.
00:03:34And hold on tight, I'm going to present one of my works.
00:03:36Of blood and love affairs.
00:03:38A real drama like the ones from back in the day.
00:03:39I'm glad you're interested in culture.
00:03:41What are you saying?
00:03:42No, no, culture is for the artists.
00:03:44What I want is the money, the prize.
00:03:46Listen to this.
00:03:48Has Aloncillo already told you about the temporary Chinese brother?
00:03:51In fact, he'll be staying with us for a few months.
00:03:54But I came to talk to you, Sato.
00:03:57With me?
00:03:57What have I done now?
00:03:59I would like you to take tomorrow off.
00:04:03What did you say?
00:04:04No, repeat that, repeat it, repeat it.
00:04:06But emphasize the part about the day off, say.
00:04:09You can take the day off.
00:04:14Thank you so much, love.
00:04:16Oh, I haven't been this happy since I tasted bacon.
00:04:20That we will finally be able to enjoy the town's festivities properly.
00:04:24Drunk from sunrise to sunset.
00:04:26Have a good time.
00:04:27You deserve a break.
00:04:28Since you don't stay.
00:04:29I have something important to do.
00:04:31But love, can't you miss the holidays this year?
00:04:34There's going to be dancing in the meadow,
00:04:36French toast tasting and even pig throwing.
00:04:39I must attend to a personal matter, Sato.
00:04:41I can't delay it any longer.
00:04:42Whoever throws the pig the farthest keeps it.
00:04:45And I had counted on all his strength.
00:04:49Enjoy the holidays.
00:04:51Thank you so much, love.
00:04:52The day off.
00:04:56And what are you doing now, Camina?
00:04:59Does he want to take you down, Day?
00:05:00No, I already told you that.
00:05:02Get off now, you're no good to me.
00:05:22If you could see how all the maids are in the kitchen,
00:05:25excited with the celebration.
00:05:26How can so many young men come to the hunting grounds?
00:05:28Catalina, I couldn't care less about the maids' desperation to find husbands.
00:05:32Is my dress ready for my barge ride tomorrow?
00:05:35Yes, ma'am.
00:05:37And the matching parasol?
00:05:39Yes, ma'am.
00:05:43Ma'am, I'm really glad you're going on that walk.
00:05:48Because after so much suffering, it's time for a little joy.
00:05:51Good evening, Catalina.
00:05:54Good evening, ma'am.
00:05:55Good evening, ma'am.
00:06:29I knew you'd come, Hernán.
00:06:40You want to play.
00:06:43No.
00:07:00Good night.
00:07:01No.
00:07:01No, no, no.
00:07:32Oh, you've been amazing.
00:07:36You're not the first person to tell me that.
00:07:40Good evening, Marchioness.
00:07:42That?
00:07:45You don't need to cover up.
00:07:47I've already seen everything I needed to see.
00:07:50Damned.
00:07:51You will pay for what you have done.
00:07:53Get out of here right now!
00:07:54Yes, that's no way to say thank you
00:07:56to whom you have enjoyed yourself like never before.
00:08:02Today you have learned something new.
00:08:07Never put anything in your mouth
00:08:09without checking who it belongs to.
00:08:13No!
00:08:14No!
00:08:18No!
00:08:32No!
00:09:02Subscribe to the channel!
00:09:13Thank you!
00:09:35Thank you!
00:10:12Thank you!
00:10:20Thank you!
00:10:31Thank you!
00:11:31Thank you!
00:11:51Thank you!
00:11:55Thank you!
00:12:08Excuse me, Your Majesty, I'll come back another time.
00:12:10No.
00:12:14Wait.
00:12:22Those celebrations, the ones in the village.
00:12:27What are they like?
00:12:29The festivities, our festivities, well...
00:12:32I don't know.
00:12:33Very different from those in the palace.
00:12:35Less refined.
00:12:37Good.
00:12:38I'm going to those celebrations.
00:12:42Hey...
00:12:42Are Their Majesties going?
00:12:44No.
00:12:47I will go alone, without an escort.
00:12:49How can you do it without an escort, Your Majesty?
00:12:50That's a...
00:12:51This is not a suitable place for you.
00:12:53I'm going.
00:12:55And you will accompany me.
00:13:03A great goal by Manavedi.
00:13:06Try your luck!
00:13:07Try your luck!
00:13:11Try your luck!
00:13:16Try your luck!
00:13:17I didn't know they were foisting the Chinese guy on me.
00:13:24Wow!
00:13:29Good!
00:13:35This is the last straw, Cipriano.
00:13:38The neighborhood jester.
00:13:39I'm trying to earn some money.
00:13:42But you are the servant, the master.
00:13:44That you live in a decent house
00:13:46which is making us all look ridiculous.
00:13:48I will give my son everything I never had.
00:13:50And if I have to get my eyes covered in it, I'll get covered in it.
00:13:55You pay to be featured in your work, right?
00:13:58Could you make room for me in the cast?
00:14:00Look, to be an actor you need two things.
00:14:03One, knowing how to read.
00:14:04And two, not having that face.
00:14:06What's wrong with my face?
00:14:08Because just looking at it is boring.
00:14:10That's what happens.
00:14:15Come on, let's go.
00:14:20Come on. Where am I going to hide?
00:14:22I already told you. Personal matters.
00:14:25Very well, let's keep the mystery.
00:14:27I wanted to ask you a favor.
00:14:30Could you act in my play?
00:14:31I'm not going on any stage, Sato.
00:14:33Come on, I beg you, I need a handsome man
00:14:35to captivate women.
00:14:37A male who brings them out.
00:14:39Look, I'm sure you'll find someone willing here.
00:14:41No, no, no.
00:14:42Come on, no, because the average Spaniard is...
00:14:44He's ugly and has a unibrow.
00:14:46Have you broken the mold?
00:14:48Saturn, I'm not an actor, don't insist.
00:14:50Come on, you idiot, spend half the day
00:14:52making one that isn't.
00:14:54I do that out of obligation.
00:14:56Think about the prize money,
00:14:58because we have one more mouth to feed than here.
00:15:02It's just that the soup doesn't seem to be hollow inside.
00:15:05I'm sorry, you'll have to find another one.
00:15:08Come on.
00:15:12Does Saturno Garcia live here?
00:15:15Depends.
00:15:16I have a letter from Paris.
00:15:18From his son.
00:15:20From Paris, from my son.
00:15:22Thank you so much.
00:15:49You have treated me with disdain.
00:15:51Without respect.
00:15:53But you've forgotten something.
00:16:00I will always be your superior.
00:16:08And you will always be below me.
00:16:10Can you hear me?
00:16:17Now you will not forget your place.
00:16:25Now you all know.
00:16:28The village commissioner has returned.
00:16:30Yes sir!
00:16:35Good news.
00:16:37You've been lucky.
00:16:40You're my lieutenant again.
00:17:01Good news.
00:17:04Let's do our job.
00:17:21Sir, miss, there are more Christian ways to celebrate the village festivities.
00:17:26You're going to have to come with me.
00:17:29Didn't you hear me?
00:17:32If you fornicate like dogs, I will have to treat you like dogs.
00:17:48Captain Blasco.
00:17:51Excuse me, sir.
00:18:07No, no, no, no.
00:18:09Take it off, take it off.
00:18:10What do you mean, take it away from me?
00:18:12I come from the Peña Grande palace.
00:18:13And a maid told me that her mistress, the baroness, is going for the walk dressed in off-white.
00:18:18Just like you.
00:18:20Copycat fox.
00:18:22But she will be the one who loses out.
00:18:25With the white, her ruminant hips will look larger or more like those of a ruminant.
00:18:28Go get my golden dress.
00:18:29Come on.
00:18:30Yes sir.
00:18:39Gonzalo.
00:18:40Forgive me, Lucrecia.
00:18:41I didn't know you were getting dressed.
00:18:42I'll come back another time.
00:18:43Come on.
00:18:44You've seen this and much more from me.
00:18:46Stay.
00:18:51I came to ask you a favor.
00:18:53Sorry.
00:18:54Would you mind buttoning me up?
00:18:59You see, my son wants to be a soldier.
00:19:02And I was wondering if you could arrange a meeting for me with an officer.
00:19:06Of course.
00:19:07I will speak with General Sade Vergara.
00:19:09What's more, your son will need a horse.
00:19:11I'm going to buy it for him.
00:19:12No, Lucrecia.
00:19:13I'm already taking care of that.
00:19:14Why not?
00:19:16I have the means to do it.
00:19:18I appreciate it, but no.
00:19:22Your pride is so absurd
00:19:24as irresistible.
00:19:29I'll do what you ask, Gonzalo.
00:19:34Thank you, Lucrecia.
00:19:44What was he doing here?
00:19:46What has he come for?
00:19:48His son wants to be a soldier.
00:19:50He asked me for help.
00:19:54How was your first day at work?
00:19:57Thieves, pickpockets, drunks.
00:20:00And Captain Brasco.
00:20:02The Captain?
00:20:03What has that puritan done?
00:20:06To have sex with a man dressed as a woman.
00:20:10Oh.
00:20:11With our virile Captain.
00:20:13If only that were known.
00:20:15Nobody can find out.
00:20:15How can they respect their soldiers?
00:20:18Do they know she lets herself be ridden like a whore?
00:20:27My goodness, ma'am.
00:20:29A woman's dress?
00:20:33But that's just the most outrageous gossip.
00:20:35The ultimate in ultimates.
00:20:37I think people would even pay to know.
00:20:41What did you say?
00:20:43That's the biggest gossip of all.
00:20:46The ultimate...
00:20:47The latest.
00:20:49You said that people would even pay to know.
00:21:12It can't be, my son. No.
00:21:15It just can't be.
00:21:19I love.
00:21:22I love.
00:21:23You have to help me.
00:21:25He has to participate in the play.
00:21:26I need that money, no matter what.
00:21:29Satur, we've already talked about that.
00:21:30And you know my answer.
00:21:31I received this letter.
00:21:35It's not artist vanity.
00:21:36This is... this is the need for a father.
00:21:38I assure you.
00:21:40Satur belongs to Gaby.
00:21:42I know how to do French.
00:21:44The kid looks French.
00:21:47Satur says he is very happy in his new life.
00:21:50And that it is making progress.
00:21:51No no.
00:21:53Skip that.
00:21:54Go to the middle of the letter.
00:21:56But at first, there are no joys.
00:21:57Read, read. About halfway through.
00:21:59The French say that Spaniards smell...
00:22:03We smell bad.
00:22:04And that we are illiterate, the trash of Europe.
00:22:07And they're right.
00:22:09Here in Paris everyone is cultured.
00:22:11The French are much better than us.
00:22:18My son is ashamed of being Spanish.
00:22:20Satur is almost a child.
00:22:21He is getting to know a new country, a new culture.
00:22:24It will pass.
00:22:24No, no, no.
00:22:26I already know this.
00:22:27I too have met Spaniards who...
00:22:30Their names were Pepe and Manolo.
00:22:33After being there for two months, well...
00:22:35They call themselves, I don't know, Paolo or...
00:22:39It's not easy to start a life far from home.
00:22:42Many are just trying to fit in.
00:22:43But he's my son.
00:22:45My son.
00:22:47And I will not allow you to forget your origins.
00:22:52With all the good things this land has to offer.
00:22:54Satur, you can be proud of your country
00:22:57and be critical of him.
00:22:59But the best thing Spain has ever produced is the Spanish people.
00:23:02The town no longer.
00:23:05People...
00:23:07Honest people, with arrests.
00:23:09That he is capable of working a whole day
00:23:11to get a crust of bread.
00:23:14I don't want my son to deny all of that.
00:23:18Nor will you be able to force him to feel proud.
00:23:22He says here that he will not return to Spain.
00:23:25This country is...
00:23:27It's a shitty country.
00:23:29I have to go to France.
00:23:31I have to go talk to him.
00:23:34So you have to help me.
00:23:38You have to participate in the work.
00:23:40Hey?
00:23:42It's the only way I can think of to...
00:23:45to earn money quickly and honestly.
00:23:48I say yes.
00:23:52Okay, it's getting saturated, huh?
00:23:55I will act in it.
00:23:58Thank you very much, Psalm.
00:23:59You won't regret it.
00:24:00I assure you that this work will transcend the centuries.
00:24:03Children will have to study it in schools in the future.
00:24:06Neither Lope nor Leches.
00:24:34Neither Lope nor Leches.
00:24:36Why has he brought me here?
00:24:38So you can see this.
00:24:49You don't know what it is, do you?
00:24:52It's a printing press.
00:24:54It's been here in the palace ever since my late husband bought it, who knows what for.
00:24:58Now I'm going to use it.
00:25:01Excuse me, but I don't know how you're going to make use of this dusty old thing.
00:25:05I'm going to launch the first publication of Villa Scandals.
00:25:09That?
00:25:10People will know that the Count of Balseca has a sheep as a lover.
00:25:16That the Duke of Celaya has a member as small as a thimble.
00:25:21And that the Archduchess of Ferrara does not fornicate with her husband, but with her son.
00:25:30Ma'am, what are you saying?
00:25:33No one will remain untouched by the baseness, shame, and vices of the nobles.
00:25:37They will learn about his true life.
00:25:39But, ma'am, I don't understand why now, what need do you have?
00:25:44Catalina, I never give up.
00:25:48This will give me enough money to continue with my cocoa business.
00:25:51But, ma'am, you can't air people's dirty laundry.
00:25:56It's other people's lives.
00:25:58That's very wrong.
00:26:00Stop with the moral dilemmas.
00:26:02Everyone is interested in other people's lives.
00:26:06A news story about Alcoba matters more than an empire collapsing.
00:26:11And don't you realize that by telling these things you're going to create a lot of enemies?
00:26:14More than he has.
00:26:16Do you think I'm stupid?
00:26:19I will have a pseudonym.
00:26:24I will sign as...
00:26:27Poncelara.
00:27:06It's my life, Sato.
00:27:09My whole life is in this script.
00:27:11Well, don't exaggerate, master.
00:27:14It might be slightly inspired, but that's about it.
00:27:19You tell the story of two brothers at odds.
00:27:21One is good and the other is bad.
00:27:22Well, like Cain and Abel, I love.
00:27:24Angry relatives were already a classic before you guys came along.
00:27:27Sato, the bad brother. His name is Fernán.
00:27:30Okay, Fernán, Fernán.
00:27:33But here in my work we discover that they are the king's children.
00:27:37And you are not children of his majesty, as far as I know.
00:27:40I admit that that turn of events surprised me.
00:27:44Okay, now that that's cleared up, let's divide up the roles.
00:27:49I will be the dark brother.
00:27:53And you, the good one, who's already used to it.
00:27:55Does that sound good to you?
00:27:58Who plays the female role?
00:27:59Well, he's not going to believe it.
00:28:02Manuela Baranda, a diva, a goddess of the stage.
00:28:06I once saw her perform at the Buen Retiro Coliseum and even the statues were crying.
00:28:12I will try not to disappoint you.
00:28:13Definitely not.
00:28:14Thank you, love.
00:28:15Thank you.
00:28:16Thank you so much.
00:28:24I have to win this contest no matter what.
00:28:29Take.
00:28:30That?
00:28:30The firecrackers you asked me for.
00:28:36Basic rule of theatrical art.
00:28:39Cipriano, the more explosive, the better.
00:28:43And cheer up, man.
00:28:45That you will have the honor of acting in my play.
00:28:49And how many coins do you pay for that pride?
00:28:52Pay, pay.
00:28:53We're already dealing with the actor's whim.
00:28:56First we have to win to get paid, right?
00:28:59Okay, in that case, tell me, what will my role be?
00:29:05A short one.
00:29:07You go out to dinner and I'll kill you.
00:29:11We're going to have it easy, Saturn.
00:29:14I just ran into the notary on Carretas Street.
00:29:16The competition also includes an appetizer.
00:29:20But what would a notary know about theater?
00:29:22Have you ever set foot in the prince's tenement?
00:29:26Have you enjoyed Mancebías with Molière?
00:29:29No, tell me, has he done it?
00:29:30Well then.
00:29:31The main one is Manuela de Aranda.
00:29:38What do you mean, Manuela de Aranda?
00:29:41What do you mean, Manuela de Aranda, Cipriano,
00:29:43who had become engaged to me as Manuela de Aranda?
00:29:46But the show is this afternoon.
00:29:49And that I cannot lose.
00:29:51What? What? What do I have to lose?
00:29:53Wait, he still hasn't told me how I die.
00:29:58It won't be dangerous.
00:30:28Subscribe to the channel!
00:30:57Leave us alone.
00:31:01Look, sir, I don't... I don't know what I'm doing here, but I promise you nothing much.
00:31:07You are not here because of what you have done, but because of what you will do.
00:31:12My guard needs reinforcements this holiday season.
00:31:15Young assistants, fresh blood.
00:31:18And I've been thinking about you.
00:31:22Do you want me to work for you?
00:31:23I want you to work for the village.
00:31:26If you do well, you'll have a permanent position on my watch.
00:31:32It's a job.
00:31:34You will earn money to contribute to household expenses.
00:31:37Or for whatever you want.
00:31:42Young people have aspirations.
00:31:44I'm sure you have one.
00:31:49Don't you have any dreams to fulfill?
00:31:55I'm waiting for your reply.
00:32:03Yeah.
00:32:05Yes, I accept.
00:32:07Very good.
00:32:10Come with me.
00:32:11I will explain what your role will be from today onwards.
00:32:23Well?
00:32:25Would you say I look like me?
00:32:30No, no one would recognize her, Your Majesty.
00:32:34Well, if that's the case, let's go.
00:32:35Your Majesty, there is a long stretch through the woods to reach the village.
00:32:40Don't I have legs?
00:32:41Yes, but there are many dangers.
00:32:43There are bandits, bears...
00:32:46Come on, I just want to have some fun.
00:32:48Please, Your Majesty, if anything happens to you...
00:32:50You don't understand.
00:32:51It's a matter of self-love.
00:32:54My husband needs to learn.
00:32:56Yes, but her husband is not just any husband.
00:33:00He is the King of Spain.
00:33:02I give birth to your children.
00:33:04I raise them.
00:33:06This palace is governed by the government.
00:33:08And what is his response to me?
00:33:11Treating me with the utmost contempt.
00:33:18I am Cardinal Mendoza.
00:33:23Open.
00:33:28Please come in, Your Eminence.
00:33:34The queen is getting dressed.
00:33:37What do you want?
00:33:39Excuse me, Your Majesty.
00:33:41The king has commanded me to deliver this to you.
00:33:45This is the land of Queen Anne of Austria, the king's grandmother.
00:33:51She has ordered you to wear it during lunch.
00:33:54Don't worry.
00:33:56Your Eminence, I will deliver it to you.
00:33:59The order is clear.
00:34:02I must deliver them myself, Your Majesty.
00:34:05Cardinal.
00:34:07Give it to her and leave.
00:34:10As you wish, ma'am.
00:34:33Let's go!
00:34:41Come on, relax, you're going to make a really good broth.
00:34:46Catalina, thank goodness I found you.
00:34:48Tasting.
00:34:49I'm in a bind, I can't find an actress for my play.
00:34:53You would be available.
00:34:55I.
00:34:56If there's no one who wants to do it.
00:34:58That they are all denied to me.
00:35:01I'm...
00:35:03I'm desperate, really.
00:35:07Saturn, I don't know, I'm very closed-minded about these things.
00:35:10No, woman, no.
00:35:12What would the role be?
00:35:13Nothing.
00:35:14Nothing, a trifle, just going out at the end, a little bit.
00:35:18Well, if it's just a moment at the end, what should I do?
00:35:22Well, that's it, go up on stage and kiss Gonzalo, until he's drier than the Monegros desert.
00:35:29Me, kiss Gonzalo?
00:35:30Yes, Catalina, yes, a kiss of love.
00:35:32Don't come at me with Remigos, you kiss Diana Alcispirano and sing to Pozojo, you wouldn't believe it.
00:35:39Well...
00:35:40Thank you, Catalina, thank you, really.
00:35:42Thanks a lot.
00:35:43I'll be waiting for you this afternoon at the Clado del Sotillo.
00:35:46It's a beautiful, beautiful, beautiful piece of paper.
00:35:49You're going to do great, thank you.
00:35:50Listen, a mother who gave birth to me.
00:35:57Damned infernal machine.
00:36:03What's that you're carrying there?
00:36:05It's a play.
00:36:09I've gotten myself into a mess and I don't know how to get out of it.
00:36:13What a shame, I have to kiss Gonzalo on the mouth, the teacher.
00:36:20Kiss him?
00:36:28Don't worry.
00:36:30You don't have to go through that ordeal.
00:36:32I'll do it for you.
00:36:50Excuse me, Your Majesty, please do not leave my side.
00:36:56No.
00:37:03What are they doing?
00:37:04The race, the one where you carry your wife on your back.
00:37:10Demarados, listos, ya.
00:37:22I can't imagine the king doing that.
00:37:25Well, you can see how the people have fun.
00:37:28May we return to the palace, please, Your Majesty?
00:37:31No.
00:37:32I read that there will be a theater competition afterwards.
00:37:34And I love the theater.
00:37:36Yes, but I don't think they are works that are up to your standards, ma'am.
00:37:46Satur?
00:37:47Well, the one that...
00:37:49Well, I've already heard that you're going to be acting in the notary's play.
00:37:52Satur, I'm sorry, but I paid myself more?
00:37:54Nothing, nothing, don't even sit him down, woman.
00:37:56Nothing.
00:37:57I just came to tell you that...
00:37:59That means no hard feelings.
00:38:01In fact, I've brought you this gift so you can see that I forget and forgive.
00:38:06Excuse me.
00:38:09Well, that's it, may the best one win.
00:38:12Thank you.
00:38:13Good luck, Manuela.
00:38:15Manuela!
00:38:17Antonio!
00:38:44Do you understand?
00:38:45I have to kidnap a woman.
00:38:51Exactly.
00:38:53Her name is Manuela de Aranda.
00:38:56Take her far away.
00:38:57The further away, the better.
00:38:58To Portugal.
00:39:00And what do I do next?
00:39:02Well, then you just leave it there.
00:39:05And if he doesn't know how to get back, well...
00:39:06Because the race is still there.
00:39:09How is?
00:39:10She's lost it.
00:39:11She wears a red scarf over her shoulders with white flowers embroidered on it.
00:39:15I don't know...
00:39:15Hey, eh, eh, eh, eh, eh, eh, eh, eh, eh, eh, eh!
00:39:20Your Majesty, put this on, it gets chilly at night.
00:39:51Put on the blue-green for the job.
00:40:10General Vergara, come in, come in. It's an honor. But there was no need for our special forces to come. This way.
00:40:19I'm more accustomed to the battlefield than to my palace. Any excuse to go out is a good one.
00:40:28Please sit down.
00:40:29Thank you.
00:41:01I would like him to become someone who makes a career out of it.
00:41:05In that case, you need money to buy a good position. More money than you can get.
00:41:14This is my parents' house. I would sell it if necessary.
00:41:21When you do that, let me know and we'll talk. Thank you.
00:41:27Thank you so much.
00:41:33Father, you don't need to sell our house. I'll get that money myself.
00:41:40You?
00:41:43And how are you going to do it, son?
00:41:49The commissioner has offered me a job.
00:41:51That?
00:41:53He wants me to be part of his guard.
00:41:55Never!
00:41:56I'm not asking for your opinion, Father. I'm finding my own way.
00:42:00Alonso, I'm not going to let you into the guard.
00:42:02Late.
00:42:04I have accepted the job.
00:42:07Alonso.
00:42:34Oh my God.
00:42:38This is not right.
00:42:40Madam, it's sacrilege.
00:42:42We are in a sacred place of God.
00:42:45And of nobles who come to confess their sins.
00:42:48What better place to get information?
00:42:52I have a lot.
00:42:56Please, ma'am, let's go.
00:43:15What's that?
00:43:19A book?
00:43:24Are you waiting for me to bend down?
00:43:31Ah, it's a Bible.
00:43:34What a surprise.
00:43:35A Bible in a church.
00:43:37Well, it must belong to someone.
00:43:38It must have fallen.
00:43:39Let's see if it has a name.
00:43:41He has something hidden.
00:43:44Ray, let me see.
00:43:46Take.
00:43:48Take.
00:43:51Take.
00:43:53Take.
00:43:55Take.
00:43:59Is something wrong, ma'am?
00:44:02My God.
00:44:17That's how I like us.
00:44:19Getting into character, internalizing the drama.
00:44:21Say yes.
00:44:22Satur, go away.
00:44:25I need to be alone.
00:44:27What's wrong with him?
00:44:27Has something happened?
00:44:30My son is on his way to jail.
00:44:33That?
00:44:34But what has this kid done this time?
00:44:38He's going to stand guard.
00:44:40As?
00:44:43What do you mean he's going to stand guard?
00:44:44He's going to work for the commissioner.
00:44:47Oh, my goodness, my goodness.
00:44:49What are they going to do on guard duty?
00:44:50That one cannot stand guard.
00:44:53And you didn't stop him?
00:44:54Do you think I like it?
00:44:55That is the future I wanted for my son.
00:45:01Come on.
00:45:02That the guards are the biggest sons of bitches in the kingdom.
00:45:05The biggest garbage.
00:45:07They're going to corrupt it.
00:45:09I've seen what they're capable of.
00:45:11How can I rip the kid out of here in his guard uniform?
00:45:16I'm not responsible for myself, you see.
00:45:18I never thought my son would be part of everything I fight against.
00:45:22But what did we two do wrong for the boy to turn out like this?
00:45:26Maybe, I don't know, it's because we've argued a lot in front of him.
00:45:31No, Sato.
00:45:34There is only one person to blame for all of this.
00:45:38What is he doing? Where is he going?
00:45:52That's no way to visit a brother.
00:45:54Do you know why I've come here?
00:45:57Worried about me?
00:46:00They almost tore me to pieces.
00:46:01Don't go near my son.
00:46:03He has come to me.
00:46:04It is cut.
00:46:05But he has come to me.
00:46:07Don't go near him.
00:46:10What are you going to do?
00:46:12Kill me?
00:46:15Stay away from me.
00:46:17And from my own.
00:46:21He is my family.
00:46:23You are my family.
00:46:27I don't plan to walk away.
00:46:29As far as I'm concerned, you're dead.
00:46:32But I'm not.
00:46:34I am alive.
00:46:37And I'm going to take care of you, whether you like it or not.
00:46:42I can give you and your son a new life.
00:46:45The one you deserve.
00:46:50Take my hand, Gonzalo.
00:46:52Accept my help.
00:47:03Monca.
00:47:08Stay away from us.
00:47:10For the next time we meet.
00:47:13There will be blood.
00:47:26Majesty.
00:47:28You have made me call you urgently.
00:47:31What is it about?
00:47:32What is it about?
00:47:34Can you tell me what this means?
00:47:43The Queen of Spain and Cardinal Mendoza are lovers.
00:47:51What is this treachery?
00:47:54A new publication that is being sold in the village.
00:47:57You and my wife.
00:47:59In my palace.
00:48:00For God's sake, Your Majesty.
00:48:01Oh my God.
00:48:04She is my queen.
00:48:06My queen.
00:48:06The mother of your children.
00:48:08Shut up!
00:48:14Have you and my wife shared this fact?
00:48:17No.
00:48:20I would never make you betray yourselves, Your Majesty.
00:48:23I am the queen's confessor.
00:48:25Her spiritual guide, not her lover.
00:48:28They threaten to release new information tomorrow.
00:48:32There is talk of lustful letters.
00:48:35It's a fallacy.
00:48:37An outrage, Your Majesty.
00:48:39A rumor spread by some enemy of the kingdom.
00:48:42Believe me, I beg you.
00:48:44Majesty.
00:48:45Perhaps we should wait for further information.
00:48:49Believe in the cardinal's innocence until then.
00:48:58I don't speak to him like a king.
00:49:01I speak to him like a man.
00:49:04If I find out that rumor is true,
00:49:09Not even God himself will save him.
00:49:18Majesty.
00:49:24Congratulations.
00:49:26I congratulate you on your great feat.
00:49:28So you're sleeping with the queen right in front of Her Majesty.
00:49:36And what's he like in bed?
00:49:40You disgust me.
00:49:47I have never touched the queen.
00:49:51Go back to your island of savages and rot.
00:49:55I can detect lies.
00:49:57The moment I saw her.
00:49:59Listen to her.
00:50:02Smell it.
00:50:05And you...
00:50:06You're lying.
00:50:35Can you tell me what you're doing sitting here?
00:50:37Where is Gonzalo?
00:50:38We're next.
00:50:40Check out the new one from the play, Zipi.
00:50:43Hopefully there won't be a funeral or two.
00:50:50Come on!
00:50:53Come on!
00:50:54What has he done?
00:50:55Look at me and tell me what you've done.
00:50:56Please tell me it hasn't run him over.
00:50:58No, Zato, don't worry.
00:51:01Thank goodness.
00:51:03Thank goodness for relief.
00:51:05Okay, Ale, come on.
00:51:06Let's go home, I don't think you have much of a stage presence.
00:51:09No, no, Zato.
00:51:10I'm going to lose my son.
00:51:11I'm not going to let you lose your grip on the fist.
00:51:13I will do that.
00:51:18Thank you, Psalm.
00:51:30Come on, let's go.
00:51:30It's our turn now.
00:51:32Cyprian.
00:51:33Come on, Cipri, let's go.
00:51:34It's killing me.
00:51:35Come on, let's go.
00:51:36Come on, there's work to be done after all.
00:51:38You stay here, okay?
00:51:39Thank you.
00:51:40Thank you.
00:51:42Thank you.
00:51:42Thank you.
00:51:44Thank you.
00:51:44Thank you.
00:51:44Thank you.
00:51:45Thank you.
00:51:45Thank you.
00:51:45Thank you.
00:52:02You looked at my wife, servant.
00:52:06No, no, sir.
00:52:08Never.
00:52:11Lying is the worst of sins.
00:52:23What have you become, brother?
00:52:32In what life has done to me.
00:52:36I didn't know you existed.
00:52:39They locked us in that dirty tower.
00:52:42We were separated as children.
00:52:46Be quiet!
00:53:02Be quiet!
00:53:09Be quiet!
00:53:10Go in peace, brother.
00:53:15Be quiet!
00:53:26Be quiet?
00:53:27Where is?
00:53:29You have to go out, girl.
00:53:41We'll meet again.
00:53:42It's not you I was waiting for.
00:53:45Surprise.
00:54:01Someday you will be mine.
00:54:04That wasn't in the script; I didn't write that.
00:54:21This is the end, not Juna's discount.
00:54:24We've won, come on.
00:54:26We're sure to win the prize.
00:54:28Thank you, Mr. Marchioness.
00:54:42What are you doing here?
00:54:46Thank you so much.
00:54:54Thank you.
00:55:01Thank you.
00:55:06Thank you.
00:55:11Thank you.
00:55:18Thank you.
00:55:21Thank you.
00:55:25Thank you.
00:55:37Thank you.
00:55:39Thank you.
00:55:40Thank you.
00:55:45Thank you.
00:55:46To take better care of your table manners, Your Eminence.
00:55:51You have taken longer than was convenient, commissioner.
00:55:54I was doing my job.
00:55:56I remember that I have regained my position.
00:56:01Stop boasting and bring me the head of the bastard who did that.
00:56:07If this is true, Your Eminence, there are serious problems.
00:56:13It could have been anyone.
00:56:15But whoever he is, nobleman or commoner, I want to see his skin peeling off in the sun.
00:56:23It's a shame that this is going to undo all the work he's done in recent years.
00:56:29Careful, commissioner.
00:56:32Careful.
00:56:35A wild animal is more dangerous when it is wounded.
00:56:38If I fall one day, I won't fall alone.
00:56:45I tell him that it has been a boycott of my work.
00:56:48An attack motivated by envy.
00:56:51It was an accident, Sato.
00:56:52Did someone leave firecrackers lying there?
00:56:55Street, street, street.
00:56:57That almost wiped out the entire cast.
00:57:00No, and it's a good thing you jumped on the kid.
00:57:02Otherwise, that plank would have crushed him.
00:57:05We're alive by a miracle, come on.
00:57:07A woman has died.
00:57:09Well, a woman?
00:57:11Not a woman, excuse me.
00:57:13That was the churre, the poor thing had one foot and a half in the grave.
00:57:16This is already done.
00:57:19Our joy turned to ashes.
00:57:22The notary has won the order.
00:57:24And a special prize for Manuela D'Aranda.
00:57:28What do you say?
00:57:31That's impossible.
00:57:33Manuela D'Aranda.
00:57:35Gonzalo.
00:57:38Hello good.
00:57:39Have you returned?
00:57:41No, I didn't know who to turn to, Gonzalo.
00:57:43I have a very big problem.
00:57:45What happened? Are you okay?
00:57:47You'll see that the queen escaped from the palace with me.
00:57:51And I took her to the parties and now I don't know where she is.
00:57:54Don't worry, I'll help you find it.
00:57:57What was she wearing?
00:57:59Well, I don't know, just like any other woman in the village.
00:58:05That the queen has gone out partying with you dressed as a paisa.
00:58:09Margarita, if I'm going to help you, I need more details.
00:58:12You have to remember.
00:58:13Well, I don't know, Gonzalo, he was wearing a red scarf with some white embroidered flowers.
00:58:19It's ok don't worry.
00:58:21Go back to the palace, he may have returned on his own two feet.
00:58:24But what if he's not there? They're going to blame me.
00:58:27Go and don't talk to anyone.
00:58:29Just find out if the queen has returned.
00:58:32Thank you.
00:58:42Oh God, I love you...
00:58:45The queens must already be there.
00:58:48What are you saying, Sato?
00:58:52I'm saying that I hired a thug to...
00:58:55to kidnap the rival actress and...
00:59:00And I believe he has kidnapped Mariana of Austria.
00:59:03Sato, what you're saying is very serious.
00:59:05Yes, yes, yes.
00:59:07I need to know more, where is the queen?
00:59:10Right now...
00:59:12for riding on the back of a horse on the way to Portugal.
00:59:16Portugal?
00:59:17Do you realize what you've done, Sato?
00:59:19You have committed a state crime.
00:59:23Where does the man you paid live?
00:59:25Oh my God, I have handed over Her Majesty, the Queen, to the Portuguese.
00:59:29To the Portuguese, to the enemy.
00:59:32It was as if he had given it to her right there...
00:59:35with a little bow around it.
00:59:36Sato, where?
00:59:59Sato.
01:00:03Hernán.
01:00:04You were smiling a lot.
01:00:06What were you thinking about?
01:00:08If I told you everything about myself, I would lose the mystery.
01:00:12And what are you carrying there?
01:00:14I've been ordered to find whoever wrote it.
01:00:18And I can't fail.
01:00:20If I do that, they'll take my job back.
01:00:22I will lose everything I have.
01:00:25You will be removed.
01:00:29I never ask you for anything, Lucrecia.
01:00:31But if you hear anything from Poncelara, your help would be greatly appreciated.
01:00:35I have a lot at stake.
01:00:40Sure, sure.
01:00:41I will do that.
01:00:46By the way,
01:00:48Has Nuño returned from the hunt yet?
01:00:50No.
01:00:52He decided to spend the night in our hunting grounds.
01:00:54I haven't been able to talk to him yet.
01:00:56How long is he going to keep avoiding me?
01:00:58It's hard to accept that you're a bastard.
01:01:11Lady.
01:01:12Yeah.
01:01:13I'll bring you that chocolate.
01:01:15If you need more sugar, tell me.
01:01:18But there's something else.
01:01:21It's an issue that came up and we haven't properly addressed it in depth.
01:01:25What topic, ma'am?
01:01:29You're not going to have that child.
01:01:32As?
01:01:33You are my lady's companion.
01:01:35You come with me everywhere.
01:01:36People will see your belly.
01:01:43Lady, for God's sake.
01:01:45Don't ask me that, for God's sake.
01:01:47It doesn't force me to do something like that.
01:01:55You should have thought about it before you spread your legs.
01:01:58I'm not asking for that.
01:02:10I'm not asking for that, for God's sake.
01:02:16I'm not asking for that.
01:02:20I'm not asking for that.
01:02:23I'm not asking for that.
01:02:26Well, you can leave.
01:02:31There's nobody here.
01:02:31Are you sure about this?
01:02:43If it was you here
01:02:45Oh!
01:02:48Look!
01:02:50Look!
01:02:54My time has given him time to relieve himself.
01:02:58He's probably already galloping off to Portugal with the queen.
01:03:05Come on!
01:03:07A cat!
01:03:09And his whiskers are covered in blood.
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01:04:06Was it him?
01:04:11Was it him?
01:04:14But who did that, master?
01:04:16What is happening here, my God?
01:04:20Don't know.
01:04:21The queen has been the same.
01:04:23What does the chronicles say?
01:04:24That woman is very mean-spirited.
01:04:27Look at the cuts.
01:04:29They almost beheaded him.
01:04:31Only a man could have done this.
01:04:33What kind of man?
01:04:35And what have they done with his majesty?
01:04:38Sátur, in this neighborhood they kidnap women to sell them.
01:04:42The queen could be anywhere or dead.
01:04:44No, no, no, not dead.
01:04:46Don't say that, for God's sake.
01:04:47How far are you capable of going, Satur?
01:04:50You paid to kidnap an innocent woman.
01:04:53I'm sorry.
01:04:54I'm sorry.
01:04:56Very sorry.
01:04:57I did it for my son, love.
01:05:01I don't know what happened here, but...
01:05:04All I know is who they're going to blame.
01:05:09To Mrs. Margarita.
01:05:28Are you ready?
01:05:32Catalina, I'm being very lenient.
01:05:35I could have fired you, and I'm giving you a chance.
01:05:39Yes, ma'am, it's just that...
01:05:40Look at yourself.
01:05:42You're dry.
01:05:44You won't be able to breastfeed what awaits that child.
01:05:48He will be born with rickets.
01:05:50Sick.
01:05:51And how long will he live?
01:05:53A month?
01:05:54Days?
01:05:56Isn't it better that he dies now than that he's been born?
01:06:02Yes, ma'am.
01:06:11You'll thank me later.
01:06:22You can come a little later tomorrow.
01:06:35Lie down.
01:06:52You'll thank me later.
01:07:08I'm starting to like palace life
01:07:10We left you perfume to put on the sheets
01:07:14Thank you
01:07:45Who's there?
01:07:47It's me, Gonzalo
01:07:49I came to see if you were okay.
01:07:52Gonzalo
01:07:54Hey...
01:07:55I was taking a bath
01:07:56Am I leaving right away?
01:08:30Where did you get in through the window?
01:08:32Yes, what happened? Are you okay?
01:08:36Yes, yes, well, I sent you a note to let you know
01:08:39The queen is already at the palace
01:08:41Is he here?
01:08:42Well, he's in his bedroom, his guard told me.
01:08:46Good
01:08:47So...
01:08:48Nothing, everything, everything in the end turned out to be just a scare
01:08:53Hey
01:08:55But...
01:08:55But you came in through the window, really?
01:08:59Yeah
01:08:59It's boring to always do the conventional thing.
01:09:05Hey...
01:09:06Yes, the truth is that lately
01:09:07You do a lot of very unconventional things.
01:09:10For example, acting
01:09:12Ah, that...
01:09:14That was Satur's idea.
01:09:16Well, it turned out really well for you.
01:09:18Very...
01:09:19Very natural
01:09:20Especially the kiss with Lucrecia
01:09:24Could it be that I'm doing a good deed?
01:09:26Well yes
01:09:27It turned out to be very...
01:09:28Credible
01:09:30We went so far that I thought it was true
01:09:31Well, it wasn't.
01:09:34Already
01:09:55After the fireworks comes the dancing
01:09:59You have chosen the life of the court and not...
01:10:02Not being there
01:10:06I have chosen to live my own life
01:10:09Yeah
01:10:15But...
01:10:15Anyway
01:10:17I'm not in prison either.
01:10:19Nothing will stop me from dancing, will it?
01:10:21No
01:10:24But...
01:10:24I would dress up as you
01:10:26Or you're going to have a lot of suitors.
01:10:29Yeah
01:10:35Are you going to climb out the window?
01:10:37I have the same problem as when I came
01:10:39The guards
01:10:41And how long have you known how to climb?
01:10:46I'll tell you below
01:11:01I know you don't understand me
01:11:02But that thing up there
01:11:03They are called art fireworks
01:11:06Art, I made
01:11:10Fires
01:11:12For home
01:11:14It's already up
01:11:39What's the matter?
01:11:40What happened to you?
01:11:42Our son
01:11:43What's wrong with our son?
01:11:48My love, that...
01:11:51It has forced me to undo seeing
01:12:02I haven't done it
01:12:06I haven't done it
01:12:09Bye
01:12:12Long live the girl, the beautiful one!
01:12:14The San Felipe neighborhood has the most beautiful women in the world!
01:12:19Daughter
01:12:20You're going to win
01:12:29What has he done to one of mine?
01:12:31What has he done to one of mine?
01:12:34What did he do to her?
01:12:41What are you doing in the middle of the road?
01:12:43Move aside!
01:12:44Sure, sorry.
01:12:48I'm opening it!
01:12:49I'm opening it!
01:12:52Who are they?
01:12:53Witches
01:12:54Tomorrow they will burn in the vein
01:13:13Lower your expectations!
01:13:33Well, here we are.
01:13:39I hope you have fun at the dance
01:13:42Yeah
01:13:42Well, then
01:13:45Thank you for joining me
01:13:49Good night
01:13:50Good night
01:13:55Gonzalo
01:13:57Can we try to return to normal?
01:13:59One of these days we're going to explode from all this tension.
01:14:04It's difficult for me.
01:14:06Yes, but
01:14:07Today is the most beautiful day of the year
01:14:10Can we just stand here or
01:14:12Or try to be like everyone else?
01:14:15Like the rest?
01:14:18So what do you propose we do to be like everyone else?
01:14:21Well
01:14:22Come on
01:14:25Come on
01:14:25Come on
01:14:27Come on
01:14:27Thank goodness I found him
01:14:28Excuse me, ma'am
01:14:29Excuse me for a second
01:14:31Sorry
01:14:31Thank goodness, let's go
01:14:34What have I seen, the queen?
01:14:35A cart?
01:14:36Are they going to burn her at the stake for being a witch?
01:14:39Has Satura been to the palace?
01:14:40Is everything calm?
01:14:41Has the queen returned?
01:14:41No, listen to me
01:14:43Listen to me, they're going to roast her tomorrow.
01:14:44Like a piglet
01:14:46She was wearing the headscarf
01:14:48That it was her
01:14:49Many women wear a headscarf.
01:14:50But not red
01:14:52And full of white gardenias
01:14:53That she was Her Majesty the Queen
01:14:56I tell him
01:14:56In my case
01:14:57Saturn, the queen is in the palace
01:14:59This matter is over.
01:15:00No, I love, I love
01:15:20I've been working all night, father
01:15:25I'd like to rest.
01:15:27I've been awake all night too.
01:15:29Waiting for you
01:15:31We're on par.
01:15:36How was your first day at work?
01:15:38Are you proud?
01:15:40I feel like someone
01:15:42That's already more than I felt yesterday.
01:15:44Then congratulations
01:15:45You are now part of the worst scum of the kingdom
01:15:47I prefer that to being idle.
01:15:51Alonso
01:15:52They're thugs
01:15:54Slag
01:15:54They have no heart or morals
01:15:56This is what you want
01:16:00Do you know what I want?
01:16:03I want a future
01:16:03And you
01:16:06You haven't been able to give it to me
01:16:09This is revenge.
01:16:12Tell me
01:16:13Is this because of me?
01:16:17Alonso
01:16:18To achieve your dreams
01:16:19You're going to leave a lot of misfortune in your wake.
01:16:21Many broken families
01:16:23Families like ours
01:16:24As long as I get paid, I don't care.
01:16:26Your mother would be ashamed of you
01:16:51Subscribe to the channel!
01:17:01Subscribe to the channel!
01:17:01Subscribe to the channel!
01:17:02Listen
01:17:03Listen to this
01:17:04Mariana of Austria
01:17:07Queen
01:17:08Queen consort and wife of Philip IV
01:17:12Born in 1634
01:17:16And charred today at the bonfire
01:17:19I love that I tell her that the woman I saw was her.
01:17:23I don't feel like arguing
01:17:24There's no possible discussion because there's no doubt.
01:17:26Here's some graphical proof.
01:17:29Saturara de noche
01:17:29Were you able to see anything?
01:17:31Of course
01:17:32To the Queen of Spain
01:17:33The Road to the Gallows
01:17:35Did you see her?
01:17:36No, she didn't see her.
01:17:36Did he see her?
01:17:37No, I saw her.
01:17:38I saw her
01:17:40I'm going to bed
01:17:41I love God, you have to listen to me
01:17:44If he doesn't do something, he's going to leave the people without a queen.
01:17:48That Our Majesty is about to die
01:18:10I love God, you have to listen to me
01:18:32I love you, for God's sake, we're going to choose each other.
01:18:50I love God, you have to listen to me
01:19:09No, no, no!
01:19:23No, no, no, please, no!
01:19:25No, no, no!
01:19:27Let me go! Let me go!
01:19:30No! No! No!
01:19:38Father! Father, I am the queen!
01:19:40They don't recognize me! Look at me!
01:19:42Misere mei Deus secundum magnum actual mercy!
01:19:46Father! I am the queen! The queen!
01:19:56No no!
01:20:03No no!
01:20:06I am the queen! The queen!
01:20:10I am Tarnes!
01:20:14Father, Lord! I am the queen!
01:20:39No, no, no, no, no.
01:20:51No, no, no, no.
01:21:24No, no, no, no.
01:21:48No, no, no, no, no.
01:21:53No, no, no, no, no.
01:22:11No, no, no, no, no.
01:22:44No, no, no, no, no.
01:22:54No, no, no, no.
01:23:25No, no, no, no, no, no, no.
01:23:50No, no, no, no, no, no, no.
01:24:17No, no, no, no, no, no, no, no, no.
01:24:47No, no, no, no, no.
01:24:54No, no, no, no, no, no.
01:25:24No, no, no, no, no, no.
01:25:50No, no, no, no, no, no, no, no.
01:26:19No, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no,
01:26:21no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no,
01:26:25no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no,
01:26:26no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no,
01:26:26no, no, no, no, no, no, no, no, no, no, no
01:26:49Dude, for God's sake, can't you see I'm naked?
01:26:52I need to ask her for something related to that girl.
01:26:56You would be incapable of doing something like that.
01:26:57But that's if it were.
01:26:59Investigate me.
01:27:02My mother is in danger and you have to protect her.
01:27:04And she's older than me.
01:27:17Thank you.