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00:00:14Life Day
00:00:54Life Day
00:01:00Life Day
00:01:29What are we going to do?
00:01:30Hear
00:01:31I've found Nuño's school
00:01:33That means he went riding
00:01:34You will never be the Marchioness of Santillana again
00:01:38But that girl is already pregnant
00:01:40Come on, don't tell me
00:01:41He's thinking the same thing as me.
00:01:43With her own daughter
00:01:44The Nuño affair is starting to seriously affect you
00:01:48From this moment on, I was relieved of all your duties
00:01:52Let me go!
00:01:53You're betting against yourself
00:01:55It's the smartest thing to do.
00:02:04I'm leaving the village
00:02:05Come with me
00:02:06No
00:02:09Tell me what you believe.
00:02:11Please
00:02:12I believe you
00:02:24A very hard blow to the head
00:02:26Juan
00:02:27You're going to fight
00:02:28That's none of your business.
00:02:34If he stays
00:02:35This moment will erase all the good memories she has of her son
00:02:39Shut up or else!
00:02:43Make public the relationship you have with your daughter.
00:02:46Leave me alone, Pablo!
00:02:47The daughter had a relationship with an African slave.
00:02:49Well, that man was going to turn black.
00:02:56What is that?
00:03:20A ball?
00:03:28Or are you saying I get like a runaway horse?
00:03:32But Agustín was strange, very strange
00:03:34He kept hiding things
00:03:38And those numbers?
00:03:41Why would he have put numbers on a ball?
00:03:44At least before I used to write things, even if they were in Chinese.
00:03:48Look at the hell!
00:03:49Who's going to say those numbers?
00:03:52I don't know yet
00:03:54But whatever it is
00:03:56I'll find out
00:04:30LoUND falar Store
00:04:31And society
00:04:3454
00:04:46Cartagena
00:04:46The
00:04:46The
00:04:46The
00:04:46The
00:04:46Your Majesty, they have arrived.
00:04:49What's happening?
00:05:08Majesty.
00:05:11Mother Isabel de Montejo, abbess of the Dominican convent in Puerto Rico and recently arrived from the colonies
00:05:18at your service.
00:05:23Is there anything I can do for my son?
00:05:25Not I, Your Majesty. Our Lord in His infinite mercy will decide what to do with your soul and with the
00:05:31of all of us.
00:05:32The only heir to the throne is dying.
00:05:36They have seen the best doctors in the empire, but they do not get better.
00:05:40That's why we're here, Your Majesty.
00:05:42In times like these, faith is our only salvation.
00:05:49They say he has healed the dying with his own hands.
00:05:53It's true.
00:05:55The Mother Abbess possesses a gift.
00:05:58She is a kind of intermediary of the divine will.
00:06:02I am just another servant.
00:06:06The Lord punishes me for my sins.
00:06:09I'm willing to do anything.
00:06:14Your Majesty, it is never too late to repent of the evil one has done.
00:06:22Your Majesty, Your Majesty.
00:06:26Humel!
00:06:28Humel!
00:06:29Humel!
00:06:31Humel!
00:06:32Humel!
00:06:32Humel!
00:06:34A ball, I love it.
00:06:35Why would we want a crystal ball?
00:06:37Because neither you nor I are old enough to play pétanque.
00:06:41Agustín has hidden it for some reason.
00:06:44Those numbers have to mean something.
00:06:46What is one of those crystal balls where you can see your future?
00:06:49They have nothing inside and...
00:06:52They begin to fill with smoke and...
00:06:53And things happen inside.
00:06:56I expect anything from this monk.
00:06:58Satur, that doesn't exist.
00:07:00Nobody can predict the future.
00:07:01What do you mean, no?
00:07:01I do.
00:07:03I'm realizing I won't be sleeping for weeks on end.
00:07:05and that I'm going to be looking for the meaning of that darn little ball.
00:07:09I'm sorry, love, but we're going from one mystery to another.
00:07:11This looks like the Holy Trinity.
00:07:22Do we know who they are?
00:07:23They are the Dukes of Semuza.
00:07:26They have a castle near here.
00:07:29He was killed by a blow to the head
00:07:30And she looks like she's been suffocated.
00:07:34Flag bearers?
00:07:37They haven't been robbed.
00:07:39The woman is still wearing her jewelry.
00:07:43Someone was seeking revenge, and it's clear they've found it.
00:07:47He tells them to come and collect their bodies.
00:07:50and he mercilessly interrogates all the lackeys in his palace.
00:07:53I want the culprit tonight.
00:07:55Yes sir.
00:08:04So we're lucky.
00:08:11We got out of one and got bogged down in the other.
00:08:21Do you think so?
00:08:28This seems like a lack of respect to me.
00:08:35Is this all you're giving me?
00:08:36Please, Manuel, it's all I have.
00:08:39I'll pay you the rest next week, I promise.
00:08:41No, Cipri, no.
00:08:43Every time I come here you tell me the same story.
00:08:45You can't leave me without wine.
00:08:47This is an inn.
00:08:48It's bringing me ruin.
00:08:49When you have the money, look me up.
00:08:51No, for God's sake.
00:08:52Manuel.
00:08:53Next week, I promise.
00:08:56Without fail.
00:08:57Manuel.
00:08:58Manuel.
00:09:10I think I can help you, innkeeper.
00:09:13Sorry?
00:09:14What do you think about me filling the inn with people this afternoon?
00:09:21No.
00:09:22I don't understand.
00:09:24My friends and I are artists.
00:09:26I have a famous attraction throughout the kingdom.
00:09:31Let us put on a show here and we'll split the profits.
00:09:34An attraction?
00:09:40What type?
00:09:42A fire eater.
00:09:43An exotic dancer.
00:09:45And something special.
00:09:47Special?
00:09:50The human beast.
00:09:56Felipe Próspero is in very serious condition.
00:09:58I should visit the king and show him my support.
00:10:01If the child dies, the kingdom of Spain will be left in a position of extreme weakness.
00:10:04She has already lost two children, Hernán and the queen is pregnant.
00:10:08Nobody knows if she will bring a boy.
00:10:10By the way, Catalina told me that you've changed bedrooms.
00:10:15Do you want Irene's things moved too, or are you running away from her?
00:10:21Madam Marchioness.
00:10:22Yeah.
00:10:22Cardinal Mendoza with a visitor.
00:10:24You are alone.
00:10:27Marquise.
00:10:28Eminence.
00:10:30Commissar.
00:10:30Eminence.
00:10:31I present to you Mother Isabel, abbess of the Dominican convent in Puerto Rico.
00:10:36I suppose you've heard of her.
00:10:38Of course, his fame precedes him.
00:10:40And tell me, how are our soldiers doing in the colony?
00:10:42It is a vitally important enclave.
00:10:44With high morale.
00:10:45God protects all Christians who are far from home.
00:10:49Marchioness, Mother Isabel has come to ask you for something.
00:10:54It's a personal favor.
00:10:57You will go.
00:10:59We will try to help her in any way we can.
00:11:03Given the proximity of your palace to the king's residence, I would like to stay here if you don't mind.
00:11:08I wouldn't want to be a bother to you.
00:11:13We would be delighted to have her with us.
00:11:15Catalina, please prepare everything.
00:11:18It's a splendid day.
00:11:20Shall we take a walk in the garden?
00:11:21Gentlemen.
00:11:22Yes, definitely.
00:11:28Have you come here?
00:11:32The king has called me to alleviate the infant's pain.
00:11:35I don't know what you're trying to do, but I want you far away from here.
00:11:40That will happen, God willing.
00:11:58So you're not going to the palace?
00:12:01I've already told you, Alonso.
00:12:03Come on, stay for school, you're already late.
00:12:05A kiss.
00:12:07Leave.
00:12:24Hello.
00:12:26Hello.
00:12:27What are you doing here, in the village?
00:12:29Shopping with my stepbrother.
00:12:32Already.
00:12:32My parents are not here.
00:12:34They've been gone for a few days.
00:12:36The human beast.
00:12:37What will it be?
00:12:38What could that be?
00:12:40At the tavern tomorrow.
00:12:42The human beast.
00:12:44I don't know, we could go, right?
00:12:48You and me, together.
00:12:51Yeah.
00:12:59Juan, where were you, my love?
00:13:01I spent the whole night learning from the peasants.
00:13:05You're exhausted, Juan.
00:13:06You can't go on like this.
00:13:08You're going to destroy yourself.
00:13:09Okay, Margarita, not now, please.
00:13:11I need to rest.
00:13:12That's all.
00:13:13Good?
00:13:14Alright.
00:13:16Go on.
00:13:17Go to bed and don't be that grumpy face you're wearing.
00:13:22I'm going to the palace.
00:13:23Rest.
00:13:31Juan.
00:13:33Put an end to this already.
00:13:37This is the second time I've told you, and I hope I don't have to repeat it again.
00:13:40Don't interfere in my life.
00:13:43Why are you in those fights?
00:13:45There has to be a good reason for you to do it.
00:13:49If you keep interfering, I won't be so nice next time.
00:14:22No, don't come any closer.
00:14:26What do you have in there?
00:14:27I told you not to come near.
00:14:29Well, it's nothing.
00:14:31Come on, I'll explain it to you.
00:14:49And how difficult it must be to always live so far from home.
00:14:52No?
00:15:00Excuse me, but I'm going to ask you a question.
00:15:03How do you get along with the Indians?
00:15:05The Lord's language is universal, Catalina.
00:15:08How humble you are.
00:15:09And you'll have to forgive me, but I didn't imagine her to be so beautiful.
00:15:13Well, that's it.
00:15:14This is the Marchioness's bedroom.
00:15:17Can you leave me alone for a few seconds?
00:15:19I would like to bless the stay.
00:15:21Well, you needed it, and for quite a while, because here...
00:15:24Come on, let's...
00:15:25What I mean is...
00:15:27What a blessing, indeed...
00:15:29It will take some time, I suppose.
00:15:32Your permission.
00:15:42It will take some time, I suppose.
00:16:21Don't grow up.
00:16:24Sorry.
00:16:25Sorry, I didn't know that...
00:16:27There's nothing to be ashamed of.
00:16:29After all, this is how the Lord brought us into the world.
00:16:33Well, not exactly.
00:16:39Have you never seen a naked woman?
00:16:41Yes, to a woman, but...
00:16:44Not a saint.
00:16:47Don't believe everything you hear.
00:16:51Yes, excuse me.
00:17:18Come on!
00:17:20Come on!
00:17:20Come on!
00:17:21He has been arrested in Lacayo.
00:17:22He has been accused of the murder we saw in the forest.
00:17:25Has the commissioner acted quickly?
00:17:26They were like nobles.
00:17:28Don't you know how these things work?
00:17:32Have you tried adding them up?
00:17:36I don't know if it's Saturn, if that's it.
00:17:37I just understood what it means to see all this, well...
00:17:40With the topic of your family, why not?
00:17:43Me neither.
00:17:44But what I do know is that Agustín hid the sphere very carefully.
00:17:49And that's for a reason.
00:17:59Let's see...
00:18:00Come on!
00:18:10Come on!
00:18:14Come on!
00:18:22Come on!
00:18:27Come on!
00:18:44I have it.
00:18:46Satür!
00:18:47Satür, I've got it!
00:18:48It is a numerical sequence with prime numbers.
00:18:51Whose cousin?
00:18:52No, Sátür.
00:18:53Prime numbers are those that can only be divided by one or themselves.
00:18:57If we remove them, we are left with 40 degrees, 34 minutes, 27 seconds and 14.
00:19:0414 in the alphabet is equivalent to the letter N.
00:19:06North.
00:19:07And on the other side, 4 degrees, 0 minutes, 14 seconds and 21.
00:19:13The 21st letter in the alphabet is O.
00:19:14Or west.
00:19:15North, west.
00:19:16These are the coordinates of a map.
00:19:20You say so?
00:19:22From one position.
00:19:23And this is exactly equivalent to...
00:19:29A lake.
00:19:33Hello.
00:19:39Father.
00:19:40Did you hear?
00:19:44But is there a show at the inn this afternoon?
00:19:46No, no, we're going to find out, you innocent soul.
00:19:49Why have they plastered Cipriano all over the village?
00:19:51Already.
00:19:52Hey, can we go, please?
00:19:53Look, there's an exotic dancer.
00:19:56Hey?
00:19:56A human beast.
00:19:57I don't think that's an appropriate show for children.
00:20:01But why?
00:20:02Please.
00:20:04Look, can we go with Aunt Margarita?
00:20:05That we never go anywhere together.
00:20:07He, kid, has hit the bullseye.
00:20:10Very good.
00:20:15Alright?
00:20:16You've convinced me.
00:20:18We would all go together.
00:20:20And you're going to get a surprise.
00:20:22Oh.
00:20:24I don't think so, Alonso.
00:20:25I have seen many dancers.
00:20:27No, no, that's not it.
00:20:28Oh, no?
00:20:28No.
00:20:29So?
00:20:33Gaby is coming too.
00:20:37Why Gaby?
00:20:39Don't give it to me.
00:20:40Count me out.
00:20:42I mean, you.
00:20:43No no.
00:20:44Gaby is excited.
00:20:46I promised not to bother them again.
00:20:50No, not doing it right.
00:20:55I'm sorry, son.
00:21:01Why did you do it?
00:21:03Sir, I haven't killed anyone.
00:21:06It's a very simple question.
00:21:08If you confess, you can save yourself a lot of suffering.
00:21:11Tell me, was it for revenge?
00:21:13So much for your masters the dukes?
00:21:15I swear, sir, it wasn't me.
00:21:21You were fired two days ago.
00:21:23For stealing from the pantry.
00:21:26You arrived home and saw that your family had nothing to eat.
00:21:28Even if you did it, it's not a human reaction.
00:21:32No, girl.
00:21:34Already.
00:21:40Let them prepare the garrote.
00:21:42He will be executed tomorrow at dawn.
00:21:45At your service, sir.
00:21:50No.
00:21:51No.
00:21:52No.
00:21:58Come on, for God's sake, this lake is huge.
00:22:01Remember what happened to you in the pool, you almost didn't get out.
00:22:04There may be something in there that will help me understand my origins.
00:22:07I have to do it.
00:22:10Come on, for God's sake.
00:22:12If you don't even know what you're looking for.
00:22:15What are you going to do?
00:22:16Diving in the whole lake?
00:22:20At least I have to try.
00:22:48I, Tala.
00:22:59Come on!
00:23:00Have we found anything?
00:23:02Still nothing.
00:23:10Hey!
00:23:17I can't see myself!
00:23:27It's going to get better, Your Majesty.
00:23:29He is being treated by the best doctors.
00:23:31We'll have good news soon, trust me.
00:23:35Thank you, Lucrecia.
00:23:36Nothing seems to indicate what you're saying, but...
00:23:40I appreciate your support during this time.
00:23:43Majesty.
00:23:55It would be an honor for me to keep vigil over Felipe tonight.
00:23:58Due to her advanced pregnancy, the queen needs to rest.
00:24:01I will stay.
00:24:02I don't think it's the most appropriate, Your Majesty.
00:24:05The child needs peace so that God can enter his soul.
00:24:11Can you leave, Lucrecia?
00:24:13Your Majesty, it would be best to wait for news from the doctor to see what he thinks.
00:24:20Majesty.
00:24:31Your Majesty, how is the prince?
00:24:34It has worsened.
00:24:35We must be patient.
00:24:37God is just.
00:24:39Fair?
00:24:39He has already taken two of my children from me.
00:24:42That is God's justice.
00:24:44Taking the lives of innocent children.
00:24:46Your soul is stained with blood, Your Majesty.
00:24:53How dare you speak to me like that?
00:24:57I am your king.
00:24:59Please excuse these blunt words, but...
00:25:02I truly believe that the Almighty does not approve of a life so full of war and death.
00:25:07War is sometimes an unavoidable evil.
00:25:09I know, it's true, yes.
00:25:12But we must all strive to bring peace to this kingdom.
00:25:18Your Majesty, she is the queen.
00:25:19He is not well.
00:25:35The soul stained with blood.
00:25:38A splendid stroke of genius, madravadesa.
00:25:41There is nothing easier than manipulating a wounded man.
00:25:44Even if he is king.
00:25:45That's why I brought you here.
00:25:48The envoy from Portugal will be pleased to see how events unfold.
00:25:59I love it, it's been two hours, whether I go out, whether I go in, whether I go in, whether I go out.
00:26:04If it keeps soaking, the whole thing will end up the size of a legume.
00:26:13I love you, for God's sake.
00:26:14Do it for me, don't go back in there.
00:26:17Master, come out now.
00:26:22Take it, master.
00:26:25Let's see.
00:26:28If there's anything in there.
00:26:29If there is one, it won't move.
00:26:32Furthermore, you promised to take Alonso to the inn.
00:26:34And before, father rather than hero, that's always been the case.
00:26:37You're right.
00:26:39And Alonso has to be waiting for us.
00:26:42Satur, why don't you come with us to the inn?
00:26:48No, no, no, that's out of the question.
00:26:53I can make Gaby commit.
00:26:54They could ask him what...
00:26:57who am I, how do they know me.
00:26:59No, better not.
00:27:02You're not doing it for that reason.
00:27:06Year?
00:27:07No.
00:27:11You think you're very clever, don't you?
00:27:19What if he doesn't want to see me?
00:27:24What if he has forgotten who his father is?
00:27:27If you hide, you'll never know.
00:27:30Watching it for a little while doesn't do me any good.
00:27:34My heart breaks every time I think that...
00:27:39that he has another family and cannot be with me.
00:27:46No, the sooner we face it,
00:27:48It was much better for everyone.
00:27:51Forget it.
00:28:05Hey, Catalina!
00:28:16Hello, Cipri.
00:28:17Why are you not at the palace?
00:28:18Well, I've come to buy some sweets for Mother Isabel.
00:28:22The poor woman suffers so many hardships there in Puerto Rico.
00:28:24to sweeten his life.
00:28:27You're coming to the show this afternoon, aren't you?
00:28:29It cannot be missing.
00:28:30Well, I don't know, Cipri.
00:28:32Come on, woman.
00:28:33For once something happens on this street,
00:28:34Are you going to miss it?
00:28:36I'm going to put some very pretty fabrics here
00:28:38And an exotic dancer is coming.
00:28:41and a fire-eater and...
00:28:43Oh, and the human beast!
00:28:45Cipri, but I have a lot of work.
00:28:47I'm not in the mood for all this nonsense.
00:28:47Why are you a woman and bring Murillo along?
00:28:49Will you like it?
00:28:49You'll see.
00:28:50No way, Cipri! You just don't get it!
00:28:55I'm sorry, Cipri.
00:28:58You've been very good to me
00:28:59And I thank you for that.
00:29:00And with Martín's situation too.
00:29:04But...
00:29:04But what?
00:29:06Because there are going to be a lot of people, Cipri.
00:29:08And they see us spending more and more time together.
00:29:10They're going to start talking.
00:29:11Well, let them talk.
00:29:12We haven't done anything.
00:29:13And we're going to do it.
00:29:15I am a married woman.
00:29:22No no.
00:29:56Are you Irene? The cardinal's niece?
00:30:04This morning I was told that you weren't feeling too well.
00:30:11What's wrong?
00:30:16Come, trust me. Nothing can be so terrible that it cannot find comfort in the Lord.
00:30:23I am a bad woman and a bad wife. I don't deserve God's attention.
00:30:30Irene.
00:30:32Irene.
00:30:33Leave us alone, please. I need to speak with Mother Isabel.
00:30:52Nobody kicks me out of the royal hall.
00:30:56Nobody.
00:30:57What are you trying to do?
00:30:59I don't know what you're talking about.
00:31:01You can't fool me, Isabel.
00:31:04We've known each other since you were a dirty maid who didn't have a place to lie down.
00:31:08I remind you that we used to work together.
00:31:11We will both be maids, Lucrecia.
00:31:16What do you want to achieve?
00:31:21I'll find out anyway, you can be sure of that.
00:31:25I don't know, because you always think there are dark intentions behind everything.
00:31:29Because you're like me, Isabel.
00:31:32I know many things about you.
00:31:38Oh, really?
00:31:38Yeah.
00:31:40I always found the death of the former abbess of your convent suspicious.
00:31:44As much as your husband's disappearance?
00:31:48Look, Lucrecia.
00:31:51I chose the path of virtue.
00:31:54And you, the one who goes from bed to bed through all the chambers of the court.
00:31:59Of course, what you do, what you do must be very tiring.
00:32:07Sorry.
00:32:15Let's see, Isabel.
00:32:19What happened?
00:32:32Come on, Father, what if we don't make it?
00:32:34And I didn't put on the duffel bag my mother made me for Sundays for nothing, you know?
00:32:40You look very elegant, son.
00:32:45But, Sadur, why are you still doing that?
00:32:48Well, I'm not going, I've already told you that.
00:32:50I thought you'd change your mind.
00:32:54Don't you want to see Gaby?
00:33:00Come on, I'm going to tackle the block that's built right up to the top.
00:33:03But I've already told Gaby you were coming.
00:33:09Have a good time.
00:33:11Come on, Sato.
00:33:12I don't understand it, Father.
00:33:15I'm sure he wants to see Gaby.
00:33:18And me too, son.
00:33:19But we have to respect their decision.
00:33:25Go on, go to the inn and save a place, I'm coming right now.
00:33:31Hello good.
00:33:31Hello good.
00:33:36Hello good.
00:33:38Why don't you come to the inn with us to watch the show?
00:33:41No, Gonzalo.
00:33:42He doesn't feel like it.
00:33:43Come on, cheer up, Alonso was really looking forward to it.
00:33:45Yes, but I've barely seen Juan today.
00:33:49And I prefer to stay in case he appears.
00:33:53Okay, so let's do one thing.
00:33:55Instead of waiting for you here, come with us to the inn and keep yourself entertained.
00:33:59If Juan arrives first, he'll surely think of looking at the inn.
00:34:03Well, you're right too.
00:34:04I'm not going to stand here like a fool.
00:34:06Clear.
00:34:07Also, I've been told that an exotic dancer is coming, and that's something to see.
00:34:11Exotic.
00:34:13I know what that means.
00:34:39A very good show for children, Gonzalo.
00:34:42They're not going to learn much from this, are they?
00:34:45Let's see, Margarita.
00:34:47Dance is one of the fine arts.
00:34:49Well, I don't know if what she does is.
00:34:53I don't see that he does it that badly either.
00:34:54You say that because he hasn't seen me dance.
00:35:07Murillo, son, sit there with Gonzalo.
00:35:08And then hurry home, because there's school tomorrow, okay?
00:35:11Go, run.
00:35:19Okay, Cipri.
00:35:21Hey, that's great, isn't it?
00:35:22What a success the show was!
00:35:27Sorry, no, I have a lot of work.
00:35:34Satur wanted to come, but couldn't, because he had some errands to run.
00:35:38Okay, fine.
00:35:40No problem.
00:35:44Hey, but we can do one thing.
00:35:46You have to sleep at my place and that way you'll definitely see each other.
00:35:51I'm allowed to.
00:35:54Clear.
00:36:17Now it's the fire-eater's turn, and then the human beast's.
00:36:22It's a shame Satur didn't come.
00:36:25He's the only one missing for us all to be together.
00:36:31And John.
00:36:35Thank you!
00:36:44Thank you!
00:36:49Thank you!
00:36:56Thank you!
00:37:02Thank you!
00:37:15Thank you!
00:37:16No, no, no!
00:38:04Mother Isabel, I am the commissioner, may I?
00:38:08Just a moment, please.
00:38:16Forward.
00:38:24How can I help you, commissioner?
00:38:26I'd like to know what happened a little while ago in the living room.
00:38:28I don't understand why the marquess has reacted this way and she doesn't tell me anything.
00:38:32If you want me to tell you the truth, neither do I.
00:38:36Accustomed to the peace and quiet of the convent, I don't understand those kinds of reactions, especially when they are without
00:38:42no reason.
00:38:43Mother Isabel, I know Lucrecia. I know I don't lose my temper for no reason. I've seen her as cold as a
00:38:48iceberg in the worst circumstances.
00:38:49Then he will also know that she is proud like few others.
00:38:54And that I would never accept being relegated to a second place because of my presence.
00:38:59I don't know if it's the marchioness I know.
00:39:02Good.
00:39:05So, Commissioner, she would have to understand that in these moments of grief, Her Majesty's needs have changed.
00:39:13And are you the one who best meets those needs? Is that it?
00:39:18That's right. And now, please excuse me.
00:39:22Do not forget that if your soul has any need, I am here to help all of the Lord's children.
00:39:45No, no, no, no, no, no, no, no, no.
00:40:22No, no, no, no, no, no.
00:40:31I was killing him, but not until we married Merlegras.
00:40:50Lost in the woods when he was just a child, he learned to survive with the help of wild animals.
00:40:58and the alipañas,
00:40:59from whom she learned her habits and way of behaving.
00:41:06And finally, ladies and gentlemen, I present to you a perversion of nature.
00:41:13A man, if he can be called that, whom even God himself turned his back on.
00:41:18Human fish!
00:41:22Aaah!
00:41:25Aaah!
00:41:28Aaah!
00:41:29Aaah!
00:41:31Aaah!
00:41:33Aaah!
00:41:36Don't let their attitude fool you, ladies and gentlemen, without the tombstone.
00:41:40Aaah!
00:41:41Opening the door would mean the end for many of those present here.
00:41:47Aaah!
00:41:48Since this won't be too dangerous.
00:41:50And with the children, right in front.
00:41:53Don't know.
00:41:54But we're not going to stay.
00:41:55I don't want to see how he mistreats him, especially not in front of the children.
00:41:57Please take mine too!
00:41:59Observe how the beast feeds like the real thing.
00:42:04Gonzalo, the children shouldn't see this.
00:42:06No, we're leaving.
00:42:08They're feeding it to you, father!
00:42:09We're leaving!
00:42:10Come on!
00:42:11Come on, kids, come on!
00:42:13Come on, come on!
00:42:14And for those of you who still believe you harbor a hope that there is a trace of humanity in this
00:42:23monster,
00:42:24I will reveal a small detail that you have probably missed.
00:42:29The beast has the eyes of the devil.
00:42:32Each one is a different color.
00:42:53Your way of teaching the Lord's message is very convincing.
00:42:58Have you opened the gates of heaven for me, Isabel?
00:43:00Mother.
00:43:01Mother Isabel.
00:43:04As you wish, Mother Isabel.
00:43:07Neither you nor I can allow what happened here to leave through those doors.
00:43:12Don't worry, I'll keep your confession a secret.
00:43:15I'm used to it, and caution is essential to my job.
00:43:20Good.
00:43:22I'm glad to hear that.
00:43:26Everything is clear.
00:43:28I think the same.
00:43:30But this time, Mother Isabel.
00:43:33Take off the scapular.
00:43:34I've had trouble concentrating.
00:43:40Get out of the way.
00:43:45The tea is served.
00:43:47Mother Isabel.
00:43:48Commissar.
00:44:02I just don't understand how you can go from leisure to work so quickly.
00:44:07We haven't even left the tavern yet and he's already there, busy with his own things.
00:44:14Do you really think you can find the solution to that old grandmother's problems in some old papers?
00:44:21This document is from 15 years ago and recounts the disappearance of the heir to the Marquesses of Zorita just when
00:44:27I was 3 years old.
00:44:29That means he could now be about the same age as the beast.
00:44:33Are you telling me that the savage is from Ranciabolengo?
00:44:37Could be.
00:44:38With all due respect, Samuel, I think that in terms of numbers, this is making your brain worse than a
00:44:44Pasacorinto.
00:44:44Listen.
00:44:48The heir's eyes are the most reliable way to recognize him, as they are a different color.
00:44:57Could it be him?
00:44:58I could, I could.
00:44:59But...
00:45:00Alonso?
00:45:04And that face?
00:45:07The beast...
00:45:09Let's see...
00:45:11Okay, son.
00:45:12What's happening?
00:45:14Well, we left without finishing watching the beast's performance.
00:45:17Alonso, there was nothing more to see.
00:45:19The mistreatment of a person is not a spectacle.
00:45:22It's not a person, it's a beast!
00:45:24No, son. He's a person, just like you and me.
00:45:27Think about it: if you hadn't had the education and opportunities you've had, you could be in their place.
00:45:34Go on.
00:45:37Come on.
00:45:47Come on.
00:45:52We have to find the Marquises of Zorita.
00:46:08Hello good.
00:46:09Hello good.
00:46:10Has it been rotated?
00:46:12Oh, daughter, no.
00:46:13The Marchioness is so focused on Mother Isabel that she doesn't notice who comes in and who goes out.
00:46:17Do you like it?
00:46:18They're for her.
00:46:19For the marchioness?
00:46:20No, woman, for Mother Isabel.
00:46:22I want to give a little bit of life to its rooms.
00:46:25I don't know, somehow I feel like we're similar.
00:46:27You to a nun?
00:46:29Well yes.
00:46:30She also knows what it's like to live without a taste for men.
00:46:32She's a woman, but it's not the same thing.
00:46:34No, it's not the same.
00:46:36Because I've seen the gloomy face I'm making, and yet she, my daughter, has a
00:46:40most relaxed rituals.
00:46:43That must be because of having God as a husband.
00:46:45Catalina.
00:46:46Lady?
00:46:47You can now remove the tea from the lounge.
00:46:48Madam, the commissioner and Mother Isabel have not yet enjoyed it.
00:46:51Don't even think about replying to me. Take it back!
00:46:54When you do that, you can start packing Mother Isabel's luggage.
00:46:57But the mother has decided to speak with the king, ma'am. He won't mind if we do it in his absence.
00:47:01Don't worry, Catalina. I've already spoken to her about it.
00:47:04Have all his things by the door when he returns from the Royal Palace.
00:47:08Yes, ma'am.
00:47:09A kiss.
00:47:23Don't even think about apologizing to me.
00:47:26Why would I do that?
00:47:28I've only come to recharge my batteries.
00:47:30Are you married, Hernán?
00:47:32Since when have you become so moralistic?
00:47:34Not me, moralist, please, how boring.
00:47:36I'm just worried you won't go to hell.
00:47:39Thank you, Lucrecia.
00:47:41But I already experienced hell with you, and I have no intention of going back.
00:47:46If you'll excuse me?
00:47:47Of course.
00:48:03Imagine you give hope to the Marquesses of Zolita, telling them that you have found their son, and then
00:48:07It turns out it's not him.
00:48:08And if it's him, the risk will be worth it.
00:48:14Also, remember when you found out that Gaby was your son.
00:48:16Man, Gaby is the greatest thing that's ever happened to me, but it's just not the same.
00:48:20Just think of the fright those poor gentlemen will get when they see such a specimen.
00:48:25Here you are.
00:48:27The marchioness comes every Thursday to visit the poor.
00:48:34There it is.
00:48:35Thank you very much for your donation, Marchioness.
00:48:37Please consider it again, love.
00:48:40The memory of my son is a very swampy terrain.
00:48:42Don't worry.
00:48:45Marchioness of Zolita, I need to speak with you, it's very urgent.
00:48:50I know this may be painful for you, but I would like to talk to you about your son.
00:48:55I would appreciate it if you didn't bother me about that matter.
00:48:58No, no, and I wouldn't do it if what I'm going to tell you wasn't important.
00:49:01Perhaps it will change your life and your husband's.
00:49:03I understand that your son disappeared several years ago.
00:49:06Did it disappear?
00:49:07And he was found drowned in a well a few days later.
00:49:11Since then he rests with God our Lord in the family mausoleum.
00:49:15Good night.
00:49:19I'm sorry to see you bothered, Marchioness.
00:49:23Are we sorry, oboessence?
00:49:24Sometimes we get carried away by hope, don't we, ma'am?
00:49:28AND...
00:49:30Sorry.
00:49:33I'm going to have to tell him, because I'd already told him.
00:49:36He's lying.
00:49:55What are we doing here, Alonso?
00:49:56It's dangerous.
00:49:57We're going to free him.
00:49:58That?
00:50:04To release him?
00:50:06What can kill you?
00:50:08He's a beast.
00:50:15Runs.
00:50:21It's a person, okay?
00:50:23It's not a beast.
00:50:26She just needs someone to educate her.
00:50:28And that he teaches her everything our parents taught us.
00:50:33And we're going to do it, okay?
00:50:38I'm careful.
00:50:46Don't worry.
00:50:47We're not going to do anything to you.
00:50:48Look.
00:50:50I brought this.
00:50:51It's delicious.
00:50:52Proof.
00:50:59I'm sure you'll like it.
00:51:00Look.
00:51:03It's delicious.
00:51:04I'm sure you'll like it.
00:51:04No, I'm not afraid.
00:51:15No.
00:51:16No.
00:51:16No.
00:51:19What will you do about that?
00:51:29Come on!
00:51:32Come on!
00:51:38Making it a habit to publicize tombs, mausoleums, and other funerary practices seems like an atrocity to me.
00:51:47We need to find out if the son of the marquesses is really there.
00:51:51And there is no other way.
00:51:53Of course it is!
00:51:57You didn't mention the retribatory and the rosary.
00:52:00If the Marchioness of Zonita had him, she wouldn't come here to pray for him.
00:52:09Because of the woman with the bundle that she's going to take away so she doesn't discover that they've...
00:52:14How do you say it? That...
00:52:17They have exhumed the prickly pear cactus.
00:52:20No, that's not it.
00:52:34I'll help you.
00:52:35I'll help you.
00:52:43I'll help you.
00:52:44I'll help you.
00:52:46I'll help you.
00:53:04I'll help you.
00:53:18We need to find him as soon as possible.
00:53:20And why don't we just let it be free?
00:53:23Libre is a murderer.
00:53:26He killed those nobles right next to our camp.
00:53:29You don't remember anymore.
00:53:30If we don't find him before he kills again, we'll all end up on the gallows.
00:53:44No.
00:53:46Don't worry.
00:53:51Well
00:53:54That's all
00:53:56Did you see?
00:53:57That's it
00:54:00Why am I your friend?
00:54:02Alonso
00:54:03And he is Gaby
00:54:07Alonso
00:54:08And we're not going to do anything to you.
00:54:13No! No! We're not going to do that to you!
00:54:18Alonso!
00:54:23No! No! No! No! No! No! No! No! No! No! No! No! No!
00:54:32I'm telling you, something's wrong with Juan.
00:54:34That's not right
00:54:35Woman, don't obsess over it.
00:54:37What's happening to Juan is that he sees the wedding approaching.
00:54:39And she's a nervous wreck, that's what's happening to her.
00:54:41But why? He was the one who insisted we get married.
00:54:44Because it's a male condition
00:54:46Fear of commitment
00:54:49They get very excited
00:54:50But then when they realize it's real, they're scared shitless.
00:54:52Don't take what you don't have.
00:54:55Hey, listen to what I'm telling you
00:54:56It wouldn't have stopped me too badly, would it?
00:54:58A habit like this
00:55:00Go on, take that off.
00:55:02I feel very sorry that her mother is going there, and she knows it.
00:55:04With the excitement I felt about serving her
00:55:07Is it ready yet?
00:55:10Yes, ma'am
00:55:11Just need to close the trunk
00:55:12And to collect the missal at the cross in the chapel
00:55:14Okay, come on, hurry up
00:55:15I don't want to have any problems with Mother Isabel
00:55:46Mister
00:56:19I will try by all possible means to convince her to extend her stay with us
00:56:24It is a shame to be deprived of their presence in these times.
00:56:29Catalina, fill the room with flowers
00:56:31May Mother Isabel enjoy a pleasant environment
00:56:36Ma'am, then we'll pick you up.
00:56:40What's wrong, Catalina?
00:56:42You don't understand me now?
00:56:48But who's going to understand her?
00:56:50This woman is more out of it than in it
00:56:54No, to undo what we've done again
00:57:01No, to undo it again
00:57:04No, to undo it again
00:57:11No, to undo it again
00:57:27But what happened to you? What are those bruises?
00:57:32Jesus, you have given me... May I ask what you are doing here, Eugenia?
00:57:35Why is your body covered in bruises, Juan?
00:57:39I've fallen off my horse.
00:57:41I've been riding horses all my life and I know perfectly well that these injuries are not caused by a fall.
00:57:45So, are you a doctor?
00:57:48No.
00:58:01Forgive me.
00:58:05And how was it?
00:58:07Well, then...
00:58:09A dog crossed the path.
00:58:12The horse is a goat and I ended up rolling down an embankment, that's all.
00:58:16Eugenia, what are you doing here?
00:58:19We have a date with my parents, don't you remember?
00:58:22Clear.
00:58:23Let's go.
00:58:31And dress handsome, because I like to show off my fiancé.
00:58:46No, excuse me, but I just don't understand anything.
00:58:49That woman doesn't know that only stones pray to her.
00:58:51I don't know, but something doesn't add up.
00:58:54Come on, kid.
00:58:57Alonso!
00:59:00Alonso, son!
00:59:01Alonso!
00:59:03Alonso!
00:59:04Alonso!
00:59:05Alonso, son!
00:59:06A damp rag has been tortured.
00:59:08Alonso, son!
00:59:10Son!
00:59:11Son!
00:59:12Alonso!
00:59:13She has now fainted.
00:59:15It's just that it doesn't eat anything, come on.
00:59:18Alonso!
00:59:19Alonso!
00:59:19That's it.
00:59:21You're fine now.
00:59:24Alonso, what happened?
00:59:26And Gaby?
00:59:28Where is Gaby?
00:59:31Where is?
00:59:34What happened, son?
00:59:36And the beast?
00:59:38Where is the beast?
00:59:39What beast?
00:59:40I just wanted to help her become a person.
00:59:44I freed her and brought her here home.
00:59:46Where is Gaby, Alonso?
00:59:47I don't know, she went crazy and attacked me.
00:59:53My son.
00:59:55Satu!
00:59:56Satu!
00:59:59I'm so sorry, father.
01:00:23Dad, what are you doing here?
01:00:25What are you doing here?
01:00:26Let her go!
01:00:29Let her go!
01:00:31I don't want to die.
01:00:32Please help me.
01:00:34I don't want to go to the orchard.
01:00:35I told you not to bring your whores here.
01:00:37Sir, please.
01:00:39I didn't know anything.
01:00:41I just want to help.
01:00:42I'm so sorry.
01:00:44Speaks.
01:00:46I'm sorry.
01:00:48Gaby!
01:00:49Gaby!
01:00:55Gaby!
01:01:00Gaby!
01:01:02Gaby!
01:01:03Gaby!
01:01:04Gaby!
01:01:05Gaby!
01:01:06Gaby!
01:01:07Gaby!
01:01:10I need to find him, Cipri.
01:01:13What if he's done something wrong to her?
01:01:15Gaby!
01:01:15Don't put that now.
01:01:16Your son is a bright young man.
01:01:17I'm sure it will be alright.
01:01:18Gaby!
01:01:20Gaby!
01:01:21We've been looking for him all night and he hasn't turned up.
01:01:24But how do you expect me to be calm?
01:01:27Where is my son?
01:01:29Let's make it look a little more visible.
01:01:30Gaby!
01:01:30Gaby!
01:01:30Let's talk, do you know anything?
01:01:32Do you know something?
01:01:32He says, but you've seen that beast.
01:01:34But how do you expect me to be calm?
01:01:39I need to find it.
01:01:45Wow!
01:01:48Wow!
01:01:58Wow!
01:02:03Wow!
01:02:10No no
01:02:12No, for God's sake, don't kill him
01:02:15He knows where my son is.
01:02:19No, no, no, no
01:02:47No
01:02:56No
01:02:58No
01:03:06What have they done?
01:03:11What have they done?
01:03:15He has condemned my son!
01:03:17Gami!
01:03:18Gami!
01:03:22With me!
01:03:36Hail Mary, full of grace.
01:03:38Conceived without sin.
01:03:41Father, were you the reason you need me?
01:03:43I am deeply disappointed by the lack of results you have offered me, Mother.
01:03:49I can't put any more pressure on the king now.
01:03:51We must manage their pain with patience or we will not achieve our purpose.
01:03:55I'm just waiting for the right opportunity.
01:03:57The Portuguese conclave urgently demands His Majesty's signature.
01:04:02If Portugal does not achieve its independence, I will lose its support for my candidacy for the papacy.
01:04:07Do you know what that means?
01:04:12That you will return to Puerto Rico and lay your bones as abbess of that convent.
01:04:17Trust me, it will have the signature, but I just need time, a little time.
01:04:21We don't have time.
01:04:23It would be a shame if you missed the opportunity to move to Naples.
01:04:29You should consider it.
01:04:32I'm not going back to that hellhole plagued with indigenous diseases.
01:04:38Eminence.
01:04:40You can leave.
01:04:46Studies.
01:04:54Studies.
01:04:56Studies.
01:05:06veterans.
01:05:07Studies.
01:05:09Studies.
01:05:10Studies.
01:05:22Why hasn't it arrived on time?
01:05:25You always manage to save everyone.
01:05:28And for once when I need him, he goes and arrives late.
01:05:30Sorry, Saturn.
01:05:32Because of him, he killed the beast.
01:05:35And he was the only one who knew where my son was.
01:05:38Of course, since it's not his, what does it matter, right?
01:05:40Saturn, you know I wanted to save that boy.
01:05:42You were there, did you see what happened?
01:05:44What I've seen is that you've lost the only option of finding my son.
01:05:50Gaby may be bleeding out, or he may be dead.
01:05:54And what do you do?
01:05:55Staying here like a cheap loaf of bread.
01:05:59Saturn, wait.
01:06:00Wait for what?
01:06:01I'm trying to find a solution; I need to think.
01:06:03I don't need to think, I need to act!
01:06:07You do whatever you want.
01:06:10I'm going to find my son, do you hear me?
01:06:12Or at least his body.
01:06:14We don't know if he's dead.
01:06:16Only the beast knew where my son was.
01:06:19Nobody else knows.
01:06:21Nobody else.
01:06:23Saturn, wait.
01:06:24Wait!
01:06:50Did it disappear?
01:06:52Since then, he has rested with God our Lord in the family mausoleum.
01:07:06蔭!
01:07:13Wow!
01:07:14Come on!
01:07:15Come on!
01:07:18Come on!
01:07:20Come on!
01:07:22Come on!
01:07:24Come on!
01:07:24Come on!
01:07:26Come on!
01:07:27Come on!
01:07:27Come on!
01:07:28Come on!
01:07:28Come on!
01:07:29Come on!
01:07:29Come on!
01:07:30Come on!
01:07:30Who am I fighting today?
01:07:33I'm sorry, I don't want to fight anymore.
01:07:35Because?
01:07:36Nobody can beat you.
01:07:38The stakes are dropping.
01:07:40This is a business, Juan.
01:07:41And I'm losing money because of you.
01:07:43If you don't love me, I'll go fight somewhere else.
01:07:45Hey, hey, hey!
01:07:46He said I don't want you to fight.
01:07:48I have to say that I can't count on you.
01:07:50I have something that might interest you,
01:07:52But I warn you, it's very dangerous.
01:07:55Tell me.
01:08:00One table, six participants, and six pistols.
01:08:03Only one of them will be loaded.
01:08:15Come on!
01:08:16Come on!
01:08:21Come on!
01:08:24Come on!
01:08:25Count me in.
01:08:26Come on!
01:08:29Come on!
01:08:33Come on!
01:08:33Come on!
01:08:35Come on!
01:08:35Come on!
01:09:16They're encrypted. It's a code language I don't understand.
01:09:22I need to know what it says.
01:09:25Deciphering them will take me weeks.
01:09:26Impossible, there's no time. I'll pay you double the usual amount.
01:09:31But I need them as soon as I can.
01:09:35Don't talk to anyone about this matter.
01:09:40If anyone finds out about this, you'll lose your tongue.
01:10:20I need your help.
01:10:22What do you want?
01:10:24What became of your son?
01:10:33I need to know the truth. It's very important.
01:10:37He forced me.
01:10:39I didn't want to.
01:10:41But my husband threatened to kill my son.
01:10:45What else could I do?
01:10:48What did he do with the child?
01:10:55My husband knew
01:10:58that he was not his son when the child was three years old.
01:11:03He wanted to get rid of him.
01:11:07I couldn't allow it.
01:11:12What did he do with the child?
01:11:18Did I abandon him?
01:11:23Where?
01:11:26What's happening? Where?
01:11:28A child's life is in danger.
01:11:30I need to know the exact location.
01:11:31where you abandoned your child.
01:11:39I put him to sleep with Laura.
01:11:42so that she wouldn't feel afraid.
01:11:45So that she wouldn't know what I was going to do to her.
01:11:49I wrapped him in his favorite blanket.
01:11:53And I left him in the forest.
01:12:21Davi?
01:12:22Davi?
01:12:23Davi?
01:12:37Davi?
01:13:17I prostrated myself at your feet,
01:13:19my lord.
01:13:27Grant him at least the joy of your glory.
01:13:32Welcome him
01:13:34in your being.
01:13:57How are you doing?
01:13:58How are you doing?
01:13:59Alright?
01:14:00Everything is in its place.
01:14:03Okay, Satur.
01:14:03It's very nice.
01:14:04The Red Eagle brought him to the door.
01:14:09Thank you.
01:14:10What a fright I got!
01:14:13I've been so scared in my life.
01:14:15If anything happens to him, I'll die.
01:14:18He'll be alright, Satur.
01:14:20I'm going to prepare something hot.
01:14:21by the time he wakes up.
01:14:36Thank you, sir.
01:14:37Thank you.
01:14:39I owe you so much, so much.
01:14:41Ask me for whatever you want.
01:14:42My God.
01:14:44Don't ever distrust me again.
01:14:46With how stealthy you are, my love.
01:14:49Mother, no...
01:14:51I'm so sorry, love.
01:14:52I've been very nervous and...
01:14:53And one doesn't say that one doesn't think what one says.
01:14:56Because if I'm going to think about what I said,
01:14:58Well, clearly I wouldn't have said it.
01:15:04And how did he find the creature?
01:15:07I knew that boy was the long-lost son.
01:15:09of the Marquises of Zorita.
01:15:12And after seeing his mother,
01:15:14I didn't believe he had gotten lost as a child.
01:15:17AND?
01:15:19No, it's just not...
01:15:19I don't understand.
01:15:21His mother abandoned him in the forest.
01:15:23So I thought that most likely
01:15:24I would leave Gaby in the same place
01:15:25in which he was abandoned.
01:15:29And why did you think that?
01:15:30Intuition, I suppose.
01:15:34And those intuitions learn...
01:15:37No, I'll take this away.
01:15:40Oh, well, this is the map
01:15:41that has everything out of place.
01:15:44As?
01:15:45What do you mean everything is out of place?
01:15:47Yes, everything is more downhill.
01:15:48Look at the lake.
01:15:52Arthur, of course.
01:15:54We were looking at the wrong map.
01:15:56The coordinates of the sphere
01:15:57They are referring to this map.
01:16:01Sorry?
01:16:03Agustín set the coordinates
01:16:04of the sphere on the old map.
01:16:06We were looking at the current one.
01:16:08That way they would never have met.
01:16:11There's just one thing I don't understand.
01:16:13If on each map one...
01:16:16puts things where you want
01:16:17How does one know where one is?
01:16:19Oh!
01:16:21Don't laugh, come on, this is serious.
01:16:24We think the same.
01:16:25who live in the city of Madrid
01:16:26and it turns out that...
01:16:28we're more from Guadalajara.
01:16:30Arthur, please.
01:16:32And since when have maps been made?
01:16:34There are things I'm learning
01:16:36searching for their origins.
01:16:37No, and the twists and turns we're taking
01:16:38to understand something.
01:16:39Careful.
01:16:48Here it is.
01:16:49This is the exact spot
01:16:50that the map indicates.
01:16:53Hey, do you trust me?
01:16:54What does that give?
01:17:07Come on.
01:17:10Where will that cross be?
01:17:11The clue we're looking for?
01:17:39The sphere.
01:17:40Sato, give me the sphere.
01:17:44Be jealous.
01:17:58Be jealous.
01:18:06AND?
01:18:13Sato, move it.
01:18:26There it is.
01:18:29Is there what?
01:18:31The place we need to go.
01:18:34There's nothing more there than
01:18:37horizon and...
01:18:40infinite.
01:18:43We'll find it.
01:18:45We'll find it
01:18:46and we continued in that direction.
01:19:05Take a look at this.
01:19:07They look like initials.
01:19:09Isabel is not what she seems.
01:19:11One table, six participants
01:19:13and six pistols.
01:19:13This is not the noble
01:19:15that one from the dance.
01:19:16Juan told me that they knew each other
01:19:17but he never told me
01:19:17who had been his girlfriend.
01:19:19Fire!
01:19:20Fire!
01:19:21I love you.
01:19:25May I ask you
01:19:26What about the child's fate?
01:19:27It will be delivered
01:19:28to a family
01:19:29that will give
01:19:29everything you need.
01:19:31Where is
01:19:32the pit of hell?
01:19:33It doesn't exist.
01:19:35Open it!
01:19:36It was her!
01:19:37I won't be so condescending.
01:19:39if you put it back
01:19:40endangered
01:19:40my aspirations.
01:19:41You're coming!
01:19:43Inés is back.
01:19:45Love!
01:19:48You can place your bets now!
01:19:50Love!
01:19:51Love for the cells!
01:19:52Grab it!
01:19:53Wait!
01:19:54Stop!
01:19:55What do we do now?
01:19:56with the bird?
01:19:58Yeah!
01:19:59Bullet, little bird!
01:20:00Yeah!
01:20:04Yeah!
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